Bloom Into You – 08 – A Friend and a Senpai

Yagate Kimi ni Naru is the finest school romance I’ve watched since Tsuki ga Kirei back in the Spring of last year, and I’ve known that for some weeks now. Both shows are wonderful to look at, but more importantly they feature some wonderfully fleshed-out characters and relationships, and the more I learn about both, the deeper I sink into the show.

It would have been so easy and expected for someone like Sayaka to launch a transparent full-scale war against Yuu once she determined she was a potential threat to her relationship with Touko. Not only did YKN not take that route, but continued to develop Sayaka as someone just as confused, frustrated, and yet still mostly happy as Yuu.

Watching Sayaka take “revenge” on her former senpai who so coldly dumped her was a thing of absolute beauty, and a perfect way to start the episode in which her and Yuu’s rivalry is laid bare (well, more bare). And how perfect was it that Touko swiftly delivered “payback” in the form of continuing to hold Sayaka’s hand?

Yuu gets the feeling that she and Sayaka have some things to talk about, and that the present chill is affecting their relay baton exchange game, so after school she invites Sayaka to join her for a repast of McDonalds. Sayaka almost immediately calls Yuu out for her “olive branch”, which could harm Sayaka’s image simply by dint of Yuu being her junior.

Yuu holds her own, saying she wouldn’t put it so “dramatically.” Still, the two come to a sort of mutual respect once they learn that neither is the person they expected: Sayaka isn’t so easygoing, and Yuu isn’t so timid and respectful. Both appreciate their directness with each other.

That directness breaks down when neither comes right out and says what they both insinuate by mincing words. Instead, Sayaka says she likes Touko very much “as a close friend” while Yuu likes her “as a senpai” … because what other possible way would they like her??? (Gee, I wonder.)

This first segment of the episode is called “Intersection,” which is fitting in many ways. First, Sayaka and Yuu find common ground and gain a bit more understanding of what makes one another tick, leading to them eventually getting the baton hand-off right.

But an intersection isn’t just a meeting, but a splitting into different directions. In the interests of being as open with Sayaka as possible regarding Touko, she expresses her hope that after the stage play Touko will be more open and “like herself”, dropping the Ms. Perfect act. Such a prospect frightens both of them, since they’re not sure what the hell they’d do in such an instance.

Would Sayaka finally confess her feelings? Would Yuu be left in the lurch? Neither has any idea what such a future holds? Regardless, I love every minute Yuu and Sayaka share the screen, especially now that they’ve reached a measure of détente.

The second segment deals with another common school romance trope: the Rainy Day Umbrella Share. It starts with Yuu Being Yuu, which is to say being super-kind to those she cares about, even if it means getting wet. When the guy Akari likes forgets his umbrella, she nudges her in the guy’s direction, though the two were going to walk home together. Akari is deeply grateful for the gesture, and off she goes with the guy, the two already looking like a couple.

This leaves Yuu stranded at school, as the only available loaner umbrella is useless. She calls her sister, but when Rei’s boyfriend answers, she says never mind; she doesn’t want to interrupt their date. She’s also hesitant to call Touko, not just because she doesn’t want to give her the wrong idea or just because she doesn’t want to burden her. There’s a number of factors that drive her hesitation; another reflection of her character that Rei has down to a T in a brief scene with her boyfriend.

When she says Yuu is great at getting on with things once she’s dipped her toe into the water, so to speak; it’s that initial hesitation that’s her problem. Now knowing pretty clearly how much Yuu’s friend Touko likes her sister, Rei expresses her hope Yuu will find the person she needs to give her those oh-so-important nudges—much like the one Yuu gave Akari so an opportunity wouldn’t be missed.

Much to Yuu’s surprise, Touko actually called her while she was on the phone with Rei, and shows up with an umbrella just when Yuu was about to call her. They walk together with Touko holding the umbrella, but once Yuu sees that Touko’s shoulder is getting soaked she insists on taking it; they compromise by holding it together.

When they take a rest under an awning, Yuu proceeds to dry Touko off with a towel, in a very warm and delicate scene. Yuu’s “pampering” makes Touko happy, but she’s worried she’s taking advantage of Yuu’s kindness and that resentment will build up in Yuu and curdle into hatred.

It’s a perfectly plausible scenario from Touko’s perspective, since she still believes Yuu when she says her feelings are still just one-sided. Of course, that certainly doesn’t seem to be the case, as Yuu betrays when she blushingly tells Touko how happy she was to be rescued by her and her umbrella.

Yuu quickly corrects by saying she “meant nothing weird” about it, and Touko thinks to herself “that’s more the Yuu I know.” But that’s the whole point: she doesn’t know the Whole Yuu…nor the Whole Sayaka. Both girls have acknowledged and accepted each others’ existences. Now comes the hard part: acknowledging and expressing Touko is much more to them than the words “friend” or “senpai” alone can express.

P.S. The piece of music that plays during particularly dramatic scenes reminds me of Uematsu’s “A Secret Sleeping in the Deep Sea,” one of my all-time favorite video game audio tracks. 

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Bloom Into You – 07 – Plenty for Right Now

In middle school, a girl confessed to Sayaka. Sayaka thought it was weird, but went with it, and got very much into it, such that when she and the other girl were apart for a long time, her longing only grew. That made it particularly painful when they reunited and the other girl was just, suddenly…done with her. She laughs off what they did to be “what kids do”, and “just a phase.” But Sayaka’s heart was broken that day.

She decided to push the experience to the back of her head, and focus on her studies, enrolling at a co-ed high school where she imagined a boy would fall for and confess to her (or vice versa). But the heartbreak still stung so much she couldn’t quite focus enough to score the top grades of the class. So the role of freshman rep went instead to one Nanami Touko.

Whoever this Nanami was, Sayaka resolved to surpass her. But then she caught a look at her face and heard her voice, and she ended up never surpassing her, and moreover stopped caring about trying to. Despite never wanting to fall for another girl again, Sayaka fell for Touko.

Of course, Sayaka could never admit that to anyone, most of all Touko, because she could tell the burdens Touko bore even without knowing about the tragedy of her older sister. Touko was friendly and kind and approachable to all, but only to a point; she’d keep everyone, including Sayaka, at a certain distane to avoid exposing the old, flawed Nanami Touko she was hiding from everyone with her flawless facade.

Sayaka never thought she was special for detecting that other side, and so never seriously considered crossing that boundary to get closer to Touko, however much she might want to. Touko, in her words, belonged to no one. Rather, Sayaka carved out the role Touko’s right hand; her sidekick; her rock. Thus she could be pretty much closer than anyone else.

Touko is aware of this, and to the episodes credit, it takes time away from Sayaka’s head to spend some in Touko’s. Touko knows Sayaka is aware of “the other Touko,” but never oversteps any boundaries. Sayaka is only ever asking Touko to keep up that perfect version of herself while also supporting her in that effort. That’s the way things have been, that’s the way Sayaka likes it, and that’s the way Sayaka wants things to stay.

But now there’s a threat to that status quo named Koito Yuu. Sayaka didn’t consider Yuu a threat at first, and perhaps she still doesn’t; after all, Yuu hasn’t known Touko as long as she has. But at much as Sayaka prides herself on knowing Touko more than anyone, Touko and Yuu continue a gentle dance that is drawing them closer together. It frustrates Sayaka to no end that Yuu seems willing to so blithely cross the boundaries Sayaka established for herself…but still thinks she’ll fail, due to her “Touko belongs to no one” theory.

Touko’s reactions to calling Yuu “Yuu”—not to mention Yuu calling her “Touko-senpai”—make Yuu want to be more “aggressive;” to see how far she can make Touko go. Maybe, just maybe, if and when she does, Yuu will finally feel something as strongly as Touko does.

Like Sayaka, Yuu always thought it was puerile, weird or somehow not right for girls to like other girls. And it’s true that even in 2018 the LGBTQ community in Japan has it pretty rough, at least relative to other developed countries.

So it’s most gratifying that the show introduces a serious adult same-sex relationship in the form of the Japanese teacher Hakozaki Riko and her girlfriend, who owns the cafe where Touko, Sayaka and Yuu meet with Koyomi on writing the script for the stage play.

Hakozaki-sensei conceals this from her students when they ask how she knows the cafe owner, but like the intimacy of a first-name basis, the way the owner first greets Hakozaki before either of them are aware her students are there betrays the fact she’s hiding the true extent of her relationship. Ever the observer of human behavior, Sayaka also notices it in the way Hakozaki drinks her coffee at the counter.

While the other students are oblivious, Sayaka can tell something’s up, and her “suspicions” are confirmed when we see Hakozaki staying at her girlfriend’s place and kissing each other goodnight. It shouldn’t be such a big deal (again, this is 2018)…but it still feels like one. It’s not just what kids do. It’s not just a phase.

Sayaka’s isolation only intensifies when she hears Touko calling Yuu by her first name like it’s nothing. She stages a passive-aggressive protest, to no avail. Then, the next day, she visits the coffee shop and strikes up a chat with the cafe owner. She asks, as carefully as she dares, what her relationship is to Hakozaki-sensei. The owner states clearly and unequivocally that she’s her girlfriend.

Sayaka wasn’t prepared for such a frank, unambiguous response, but it’s something for which she’s greatly appreciative. It’s also liberating for her, and she opens up about her own feelings for another girl, even after having her heart broken by another (Touko’s name is left out of it, of course). It goes without saying (though Sayaka does mention it), but she really really needed to talk to someone about this, especially with someone who, like her, thought she should keep it a secret when she was younger.

When asked why she doesn’t simply confess, Sayaka lays out the reasons: there’s no room in Touko’s heart to accept the feelings of others; it would only be a source of stress for her; it could disrupt or even ruin what they have now, something Sayaka couldn’t bear. She asks the cafe owner if it’s okay to hide one’s feelings for someone in order to stay by her side…or is that just selfishness or cowardice?

The owner responds by giving Sayaka another coffee on the house…for being such a kind soul. Because that’s what she deems Sayaka to be. Someone who keeps her feelings hidden for the sake of her friend, who carries a lot of stress so their friend won’t have to, is very kind, in her book. Confessing wouldn’t be wrong…but neither is staying the course.

The truth is, Sayaka isn’t ready for things to change one way or another, so staying the course is the right path. Does Yuu get on her nerves? Absol-friggin’-lutely. Could it become more of a problem if Yuu and Touko get ever closer together? Of course. But as Touko makes it clear—almost as if she sensed Sayaka needed some reassuring on that particular day—is that she’s glad Sayaka is a part of her life.

If she weren’t, things would be too easy, and Touko would slack off. Standing in front of Sayaka helps her be the ideal person she strives for (which, as we know, is the person her late sister was). Wherever Yuu falls in the equation in the future, Touko will keep relying on Sayaka, which is, for Sayaka, plenty for right now.

Phantom in the Twilight – 01 (First Impressions) – Supernatural Study Abroad

Just minutes after arriving in London for their study abroad, Bayrou Ton and her BFF (and secretary?) Shinyao are robbed of their luggage, passports, credit cards, and Ton’s heirloom ring. Ton is a girl of action, and so runs through London chasing the semi-transparent beast-like thief.

Despite arriving during late afternoon at the latest, this chase goes on until after midnight, when she finally realizes she’s lost and separated from Shinyao. She throws a paper airplane with a spell written on it, which flies right into a night cafe that just happens to have been founded by her great-grandmother, Sha Rijan.

At Cafe Forbidden, Ton meets three strapping young lads who knew Rijan, suggesting they’re actually very long-lived lads. here’s the aloof, prickly one (Vlad), the tall, dark, and quiet one (Tauryu) and the kiddy, friendly one (Luke). They believe the thief is a goblin, and race to Hyde Park to deal with it.

Ton follows them in a taxi (I guess she had some pocket money), and watches a very bizarre spectacle unfold. The three lads, decked out in their fancy black coats, do battle with a whole band of goblins, while Vlad confronts a Spriggan. Ton reveals herself to warn him, but he’s distracted and is briefly stunned.

Ton uses the heirloom ring a monocled stranger returned to her and told her to wear to pull some kind of magical chains out of the ground she uses to protect herself. Vlad pounces on the Spriggan from behind and kills it with a coup-de-grace. Rather than explain to Ton all of the straight-up weird shit that just went down, Vlad glamours her instead; replacing her memories with false ones involving a police chase. Luke later wonders if it was the right thing to do.

Ton wakes up in the park like nothing weird at all happened, gets in touch with Shinyao, and after credits that underscore just how much these two friends care about each other, Ton meets her at their new apartment…only for Shinyao to be immediately kidnapped. Well played, show.

So, not the bestest first couple of days for Bayrou Ton! She has a cool name, though, and she’s voiced by Hanazawa Kana, making it two characters in short red jackets she’s voicing this Summer! Other than that, and despite some competent animation and a decent soundtrack, I came away a bit less enthusiastic for this than the quieter, more thoughtful Holmes of Kyoto. Twilight has a likable heroine but is a bit all over the place so far.

Tokyo Ghoul:re – 07 – Congratulations and Recollections

The sheer number of players big and small in the Tokyo Ghoul universe can make darting from one group to another a daunting task, especially for one not versed in the manga upon which :re is based. Still, the sight of all those myriad faces, most of them familiar, lend the world a lived-in, oddly comforting atmosphere.

Then there’s the new faces, our Quinx Squad, who come out of the great Auction Raid not only none the worse for wear (relatively), but having distinguished themselves to a man (and in Saiko’s case, to a woman). The raid ends abruptly—which I was hoping for. Sasaki takes Hinami into custody (after Arima allows it), and Rabbit and the other members of Aogiri Tree retreat.

Most of the surviving CCG investigators are promoted in a ceremony, with Tooru jumping from 3rd to 1st class for his conspicuous valor (no doubt irking Urie, who probably wishes he outranked his Quinxmate) Their leader Sasaki becomes a Senior Investigator at a very young age.

As the Doves celebrate their victory, Akira visits her father’s grave, eager new members join a “cursed” squad, Tooru is coached in knifesmanship by Juuzou, and a familiar green-haired lady leaves something in the Quinx Squad’s house’s mailbox.

The celebrations continue when Sasaki invites Akira and Arima over for a dinner party, preparing a sumptuous feast for them and his squad, and giving everyone gifts to commemorate their promotions (or in Arima’s case, just ’cause). After so much peril, blood, and death, I liked the return to the warm and cozy home life of the squad.

Even stick-in-the-mud Prince Urie, who manages to be both insufferable and sympathetic, chips in, while the higher-ranked investigators seem happy for the respite; there’s no other motive for Sasaki inviting them except perhaps to show them  how much his ragtag squad has gelled.

Then Sasaki opens the package addressed to him. It contains Kaneki Ken’s mask, as well as a novel by Takatsuki Sen (who also happened to be the deliverer of the package). If this is an effort by her to help Sasaki remember more about Ken, it seems to work in a very specific and poignant way.

As Shirazu visits his injured, unconscious sister in the hospital (something Urie also happens to see) Sasaki ends up in a cafe being served coffee by Touka at the Cafe :re, and thinking how familiar the coffee, the waitress, and the other patrons of the cafe feel.

Then walks past Anteiku in its prime, with Yoshimura looking on before walking in. Sasaki looks again, and the cafe is gone, replaced by a cleared lot and orange cone barriers. He must have been seeing through Ken’s eyes.

Tada-kun wa Koi wo Shinai – 03 – A Day in the Life of Nyanko Big

Much of this week’s story is told by the Tada family cat, Nyanko Big, who is over ten years old and hence not only knows a few things about life and the Tada family, but has a very deep voice that commands respect. But he’s also a fat-ass glutton, and so cannot leap nearly as far as he thinks he can. The cat-POV premise is a bit twee/hokey, but never offensively so; it’s mostly just charming.

Nyanko Big observes Mitsuyoshi with Teresa and Alec, two human women even he can see are pretty special, but he knows the boy who saved him ten years ago has never been that into women. The universe seems committed to changing that, both by having Teresa and Alec live right next door to his home and family cafe, but have then help out at the cafe while his gramps is out.

We encounter both newcomers in a young nervous couple and regulars like an elderly couple and someone who gives off a hitman vibe but shares Teresa’s love for the Rainbow Shogun, and also has the reflexes to catch a pitcher of water Teresa nearly drops.

The group takes a break, during which time Mitsu makes everyone coffee, while Teresa provides “hot chocolate spoons” to dip in their cups. Mitsu nonchalantly takes a taste from Teresa’s cup, making it an unspoken indirect kiss, but he doesn’t seem to realize it.

Later, the photography club gathers at Hibiya Park for some Spring-themed photos, and not only does Ijuuin remember when Mitsuyoshi saved him from a “kappa” the river years ago, but Teresa remembers when Alec saved her after Teresa jumped in to retrieve the crown of flowers Alec made for her.

Nyanko Big, who had finished his patrol and was lounging in the park, encounters and falls in love with the local salon cat, Cherry, but once again his leap is far shorter than he’d like, and he ends up in the drink, then quickly up a tree.

But when he slips and falls, Teresa is there to catch him…and Mitsuyoshi is there to catch her. So far their romance has been extremely quiet and low-key, with no words at all said about it…save those of a cat. Whatever there is between Teresa and Mitsu, it’s clearly going to take some time.

Tokyo Ghoul:re – 02 – Death by Ham

Sasaki Haise bails out his subordinates when Urie bites off more than they can chew with Orochi. Heck, even Haise has to take off the kid gloves, and eventually loses control when the Kaneki Ken within him tries to take over.

Akira herself has to take him out, with help from other CCG officers. Orochi gets away, as does Torso. Everyone’s alive, but the mission is a failure.

For his recklessness, Urie is removed from the leadership of the Quinx Squad, and Shirazu is promoted in his place. Urie gets in a “you’re just a ghoul” dig at Haise, but it doesn’t matter; Haise’s word is law in the squad, so his climb to the top just hit a serious snag.

Later, Urie assures a concerned Kuroiwa that Haise will be fine, all while cursing him and hoping he’ll just go die. This Urie guy’s carrying a lot of resentment and hate.

We also get our first sighting of Saiko, but just long enough for her to grab a little ham from the fridge and run off back to her room, presumably to scarf it down.

I’m not quite sure why we’ve seen so little of her (besides the fact she’s, well, a shut-in), but something tells me despite her uninspiring demeanor she might be the strongest of the Quinx other than Haise—if we don’t count Urie’s current (and possibly ill-advised) campaign to increase the strength of his kagune.

Finally, we get the biggest of the cameos from past TGs as Haise, Mutsuki and Shirazu go to the Re: cafe where a slightly older Kirishima Touka works, and seems to recognize Haise (or the Ken within him).

Meanwhile, Touka’s brother Ayato is apparently the new “Rabbit”, still affiliated with Aogiri Tree and apparently letting Torso join as well, which puts him out of the Quinx Squad’s jurisdiction. Instead, their next assigned target is red-light district ghoul nicknamed “Nutcracker,” who does precisely what her nickname says. Quinx could use a win after Orochi and Torso; maybe this will do the trick.

Tada-kun wa Koi wo Shinai – 01 – Meet Cutes and Coincidences (First Impressions)

“Oh Hai! I’m not weirded out by you taking my picture AT ALL!”

There are three basic kinds of anime rom-coms: those that do something totally unique and/or unexpected, those that hew close to the well-worn conventions of the genre, and those that stride the two extremes. From the moment Tada Mitsuyoshi catches his love interest Teresa Wagner in his viewfinder, it’s clear we’re dealing with the well-worn variety.

That means it’s up to things like the execution of the romance, the quality of the comedy, the likability of the characters, and the technical aspects that determine whether I’ll watch it. And if I do, I’m still looking for surprises somewhere to liven up an otherwise boilerplate affair. So let’s see what TKS has going for it, and what it doesn’t.

“We meet AGAIN? It’s almost like we’re supposed to be in the same anime!”

Regarding execution of romance, the title says it all: “Tada doesn’t fall in love.” That doesn’t mean he shouldn’tcan’t, or won’t, mind you; it just means he usually/typically/classically…doesn’t. But it’s almost immediately clear from the Imperial Palace Sakura Photo Meet Cute that Mitsuyoshi is struck by Teresa’s beauty, if nothing else. First impressions matter, and can make the difference between “doesn’t” and “could.”

Mitsuyoshi is most likely someone who has never fallen in love because a.) he’s young,  b.) hasn’t found the right person, and/or c.) he’s focused on photography and school. I’m glad he doesn’t fall head-over-heels for Teresa from the start—he knows next to nothing about her—but at the very least, the air-headed foreigner is an intriguing  new presence in his life.

Alec kicks the overcaffeinated sidekick (THANK you…)

As coincidences continue to pile up that bring the two together, Mitsuyoshi brings Teresa before his whole family, consisting of his cafe-running grandfather (who likes the same old samurai tv show as Teresa) and little sister/waitress Yui (obligatory Minasi Inori presence). The shrine in the Tada residence indicates the loss of one or both Tada parents, one of whom was a photog like Mitsuyoshi.

Before long, Mitsu’s best mate and self-professed “Adonis” Ijuuin Kaoru shows up and tries to put the moves on Teresa as soon as Mitsu tells him she’s not his gf, but he’s quickly thwarted, not just from the cafe cat Nyanko Big (who amusingly resembles a friend’s cat), but by Teresa’s traveling companion, Alexandra “Alec” Magritte, who assumes Kaoru is attacking Teresa and swiftly deploys her itchy trigger leg.

Alec and Kaoru look like a dead ringer for the “opposites attract” trope, but while I appreciate what Miyano Mamoru does with his voice at times, his performance as Kaoru feels a few notches too extreme for this milieu (which is probably intentional).

If you were surprised by this development, you don’t watch many anime rom-coms

Why, do you ask, do two Luxembourgish women in Teresa and Alec have perfect command of Japanese? I imagine it’s the same reason Teresa almost gives another surname other than “Wagner”, and why Alec is so well-versed in martial arts and is protective of Teresa: it’s likely she’s royalty, and Alec is her bodyguard/valet.

She’s come to Japan, likely her favorite foreign country, to soak it all in. That means transferring to Mitsu and Kaoru’s school, and even their class. Ye gods, the coincidences…

Of course, they don’t want to broadcast that fact, but it will be interesting if a.) I’m right about this and b.) it creates a conflict with Mitsu, because at this point, there are no conflicts beyond Mitsu’s general normalness and heretofore non-existent love drive. Maybe she has a betrothed? In any case, this was an establish and introduce episode, and for the most part I’m on board.

ReLIFE – 15

In this outing the Aoba Fest, with its maid/butler cafe and stalls and bonfire, comes and goes fairly briskly. Kaizaki and Hishiro alike try to make the most of their second chance at a pivotal time in high school life, but it’s a decidedly bittersweet experience.

It’s obvious why it’s sweet: the festival looks like a lot of fun, especially when much of it has Kaizaki, Hishiro, and their friends dressed to the nines. After Hishiro tried to get Yoake to slip up and tell her Kaizaki is also a subject, she tries to find out for herself by grabbing Kaizaki’s arm and drawing close to him, as if they were dating…with inconclusive results.

She could interpret him as being uncomfortable because he’s really an adult, or he could just be flustered because she’s acting out of the ordinary, which she kinda is. The bitter part comes when the festival ends, when Kaizaki laments that he’ll “vanish” when his ReLife ends.

Yoake corrects him by saying he has to take solace in knowing he left his “mark” with these high schoolers; things happened in their lives that wouldn’t have happened without Kaizaki.

Onoya has a similar chat with Hishiro, telling her to take pride in the fact she’s taken a “lovely step forward” by taking an interest in someone like Kaizaki. Whether it’s true love or not, that’s something the pre-ReLife Hishiro couldn’t do.

Yoake’s attempt to cheer Kaizaki doesn’t last when his class undergoes college counseling. Both he and Hishiro choose to go to Aoba U like Kariu and Oga, even though they know it’s “pointless” since in reality their ReLifes will end and they won’t be joining their friends, nor will their friends remember them.

Any way you look at it, that stings. That stings hard enough to wonder if it was a bad idea to do a ReLife in the first place, even when one considers how socially and emotionally improved it made them.

It stings enough for Kaizaki to ask Yoake if he really has to go back to his old life, and has to let all the friends he’s made forget about them. Yoake reminds him that Kaizaki didn’t become someone new in his ReLife, he regained the friendly straightforward person he was.

But that restoration couldn’t have happened if Kaizaki hadn’t lived his life as he had before ReLife, which he’s now asking to discard. Yoake tells him not to give up on “Original” Kaizaki; “High School” Kaizaki is, after all, only an illusion.

Onoya, having only just started becoming Hishiro’s support, has nevertheless been engaged with the whole crew for some time now, and unlike Yoake, hasn’t quite accepted what they’re doing and sees the end result as cruel, sad, and scary.

Continuing his role as comforter-in-chief, Yoake tells her ReLife isn’t about enjoying every moment to the fullest in a life that is fleeting by design, and all they can do in their capacity as ReLife staff is support them with everything they’ve got, without regrets.

That night, Hishiro resigns herself to the fact there’s really no way to find out for sure whether Kaizaki is a fellow test subject, and there’s no point in thinking about it…yet she can’t stop thinking about it. Could that mean it’s not so pointless after all?

The next day is class photo day, and Kaizaki and Hishiro both know that it’s a photo in which no one else in the shot, not even the good friends they’ve made, will remember them.

They’ll be like “ghosts” in such a photo. And yet, just as the shot is taken, they look in each others‘ directions, holding out hope that a fragment of a memory will still remain in someone’s mind when they look at this photo.

Must all of the dream-crushing things the vile Yoake says really come to pass according to plan? Must these two people really forget one another? I, like them, certainly hope not!

ReLIFE – 14

Well, this is a nice surprise on the second day of Spring when there’s a Nor’easter pummeling my coast: a bonus episode of one of my favorite shows of 2016, ReLIFE! These four new reviews won’t make much sense without watching the 13 that came before, which I highly recommend. You can catch up by reading my reviews here.

When we left the main couple of Hishiro and Kaizaki, we knew they were both subjects, but they didn’t know that they were, and so maintained a distance that was not bridged, since they both assume they’ll lose contact with the other forever because of the nature of ReLIFE.

Still, both have benefited tremendously from their experiences as high schoolers, and continue to do so. Meanwhile, real high schoolers Kariu and Oga are now an item, while Yoake is transferring Hishiro to his junior Onoya now that she’s entering an “unprecedented” second year.

Hishiro now rather strongly suspects that Kaizaki is a test subject like her, but Yoake will neither confirm or deny it, while warning her that if she learned that he was a subject, it would spell the end of his experiment and an immediate severance, and Hishiro would never see him again.

With that in mind, Hishiro treads carefully, but is still eager to learn the truth. To that end, when Kaizaki is made the class boys’ cultural festival officer, she volunteers to be the girls’ officer. They work tremendously well together and the paperwork flies off the proverbial desk.

Their work is momentarily interrupted by a problem Oga is having. He got in a fight with Kariu for shooting down the idea of her coming over to his place after a date, because he didn’t want to hurt his older shut-in brother and feared Kariu wouldn’t “approve” of him.

Kaizaki and Hishiro put on a veritable friend-cheering-up and advise clinic, with Kaizaki assuring Oga that the best way to act around family is naturally, without hiding anything, while Hishiro assures him if he just tells Kariu what’s up, she’ll accept it; in fact, she’s probably mad because he didn’t in the first place.

Afterwards, Kaizaki and Hishiro exchange words of mutual respect. Kaizaki, unaware that Hishiro is a fellow adult, continues to be astounded by her maturity and wisdom beyond her years, while Kaizaki’s very accurate suspicions persist.

The two continue festival prep, and Oga and Kairu make an appearance to show they made up nicely, but later in the day, when Kaizaki returns to the classroom to find Hishiro worn out and asleep at her desk, he resists the urge to touch her head in affection, while in his head admitting he’s fallen for her.

So, we’ve come a little further from the fireworks festival episode, in that Hishiro is on to Kaizaki (the level of her surety is up for debate, but the fact she’s right is indisputable) and Oga and Kariu are doing nicely as a couple. But both Kaizaki’s ignorance of Hishiro’s true age and Oga’s veiled threat prevented all the truth from coming out. We’ll see if that happens in the next bonus episode.

Momokuri – 03 + 04

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Momokuri sticks to is tried-and-true formula of getting comedy out of the fact that Momo isn’t aware of how head-over-heels infatuated with him Yuki actually is. Dialogue cuts to her saying outrageous things that are true to her feelings, but those responses are only imagined.

It creates a nice romantic tension, especially considering Yuki is just as oblivious to the fact that Momo is actually really into her too, just not in the same stalker-y way. He even chokes down black coffee to show how mature he is, a ruse Yuki sees right through but appreciates Momo doing it nonetheless.

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You’d think someone so obsessed with Momo would exert a good deal of energy keeping him away from other girls, but to my (and Norika’s) surprise, she couldn’t care less that the girls in his class are all over him, even on his birthday. It just means more opportunities for her to snap pics of his adorable expressions.

Yuki’s gift for Momo is a homemade cheesecake, but the show doesn’t make a big deal about her being good at baking; she just followed the recipe and it turned out…until she hit a pole and dropped it. Momo ends up giving himself a gift that doubles as a gift for Yuki: a simple holding of hands. He saw the opportunity and took the initiative.

Meanwhile, a short-haired girl lurks around the corner…

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Episode four is all about a study session that Yuki arranges with friends of Momo and Norika. Her motives are twofold: help Momo pass exams so she won’t lose him for two weeks of their Summer to extra classes; and the opportunity to visit his house, see his bed, pillow, air, etc.

Again Momo edits her thoughts when responding to one of Momo’s friends when they ask why she likes Momo. Instead of saying his a godlike being, she merely says he’s cute; something his friends agree on, becaue he’s so wee.

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The study session is an opportunity for Yuki to serve her cheesecake for Momo, and for the two to flirt in the kitchen (provoking a little light ribbing from his pals in the next room). During the studying, Momo notices one of his friends has grown pretty friendly with Yuki; while she’s not the nervous type, he apparently is.

The session goes well into the night, so the girls volunteer to head to the supermarket to buy stuff to make dinner. There, we see the short-haired girl int he track suit once more; this time near Yuki by coincidence.

Momokuri is sweet, funny, and uncomplicated, making it eminently watchable. Will the introduction of a new girl ruin that? I hope not.

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Gakusen Toshi Asterisk – 14

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I saved this episode for last today because (a.) I wanted to check out the Spring shows premiering today and (b.) with a big battle last week I had a feeling this was going to be a rest episode, and so it was. But it’s because AW has thirteen episodes behind its belt that it can do quieter second episodes like this that focus not so much on the upcoming battle with the Li twins, but on characters and longer-term plotlines.

But man, they really give Flora the floor early on this week, and her sqeaky voice is, to be frank, really frikking annoying. Seriously, if an anime needs a kid voice, they should really just hire Kuno Misaki, who sounds much more like a genuine kid; Flora’s seiyu is just doing a baby voice, and it’s baaad.

That being said, I liked the running idea of Julis’ mischievous brother using Flora as his instrument to indirectly embarrass the princess. As for Flora’s photo of Julis washing her hair, that’s just her own treasured memory…just not one suitable for Ayato to see! All the girls’ knowing looks toward Ayato when Flora brought up “Julis’ rivals” was also funny.

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Just a couple episodes ago, Ayato and Julis were locked in near-mortal combat with the Urzaiz sisters, but they came away from the battle as friends, which is why I so enjoyed Ayato’s nighttime Skype session with Priscilla and Irene. Irene in particular is one very adorable tomboy when she thanks Ayato for saving her life.

Naturally, Ayato says it’s no biggie…but it is, which is why not only is Priscilla want to cook dinner for him again, but Irene is willing to give Ayato all the intelligence he wants regarding her school’s president, Dirk “The Tyrant” Eberwein, including his control over Le Wolfe’s intel org Grimalkin.

In the morning, Ayato’s roommate returns after a long absence (seriously, I barely remember the guy), gives Ayato some advice on the Taoist Li Twins, and even suggests an out-of-the-way cafe for Ayato and Julis to go on their date, though Julis is emphatic that it’s Flora, not her, who requested the get-together.

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Flora presumably has something important she has to ask Ayato, but first Julis spoils her with a big meal and an even bigger parfait, showing her softer, kid-loving side (she’d make a great mom!).

Of course, not only does Flora inadvertently organize an indirect kiss between Ayato and Julis (which only Julis blushes about) but her ‘important questions’ were provided by Julis’ brother, and start with how far she’s gone with Ayato so far.

The fun is broken up by Korona, yet another new doll-like character with a high voice (though less annoying than Flora’s).

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Korona is Dirk’s secretary, and she leads Ayato and Julis (who won’t let Ayato go alone…probably a good call) to a custom Rolls-Royce Phantom limo where Dirk is waiting for them. It comes a slight surprise that Ayato and Dirk have never met, even though the latter has been plotting against the former and his school for some time.

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Too many times an anime cheaps out on car models, but in this case, AW got themselves a bitchin’ CGI Roller, and they aren’t shy about showing it off from several angles both in the sunset and in a tunnel. During the mobile meeting, Dirk takes the measure of Ayato and Julis and agrees to answer a question Ayato has if he’ll return the favor.

With a deal in place, Ayato asks what Dirk knows about his sister Haruka. Dirk knows precious little, but far more than Ayato: the last time he saw Haruka, she was an entrant in a seedy underground fight club for super-rich patrons called the Eclipse Festa, organized by those disillusioned with the ‘kid-glove’ nature of the official festas, but shut down years ago.

Dirk watched Haruka lose her match, but believes she survived (matches ending in a death or two weren’t uncommon). This gives Ayato simultaneous relief and pause. His sister may still be alive, but what state is she in? Dirk has no more answers; only his question, which relates to Madiath Mesa, who Ayato knows as Chairman of the Festa Steering Committee.

With that, Dirk drops Ayato and Julis off, after which Korona mentions Flora to Dirk, who is intrigued, likely because she can be exploited as a liability to Julis if and when the need arises to have leverage over her. Always churning, the Tyrant’s mind.

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Dagashi Kashi – 03

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On a hot day, as kids we’d usually go for a soda (or pop, depending on what state we were in), snowballs, soft serve, or frozen yogurt. It never occurred to me how great it can be to eat hot things when it’s hot out. Hotaru demonstrates this, I think, by firing up a stove to the shop and cooking up some tonkatsu Butamen; kind of a a mini ramen cup.

Tou, who’s back after a week off, put together what was going down and invited himself, knowing that in return for the intense heat, he and Kokonotsu would get to watch a cute girl eating noodles, not to mention getting so hot her dress gets see through. Naturally, Hotaru is totally oblivious to all of that.

Her only concerns are candy, snacks, and acquiring You for her father’s company. And that’s the other side of it: she doesn’t realize the power she has over Kokonotsu, courtesy of her looks and close casual manner with him. As far as she knows, the battle will be won with her convincing arguments for the primacy of candy.

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So rather than seduce him, which just isn’t in her character, Hotaru continues cockamamie plans, one of which involves You pretending to be a lifeguard to make extra bucks on the side, since the shop doesnt’ do. She’s unaware of her ability to seduce, so instead she tries to guilt trip.

She and You (also back after one week off) are awfully proud of their plan and are regarding one another in a better light all the time, but snagging him all comes down to her ability to convince Koko to take over the shop. Alas, an attempt to show the wonder of candy through strategic placement of kurukurubu jelly sticks in the pool backfires when Koko, Tou, and Saya see the “no food or drink” sign.

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The last segment is somewhat strange, in that Hotaru’s interaction with Kokonotsu is minimal. Like Hotaru with You in the previous segment, this looks like an effort to explore each two-person combination in the lean five-person cast. Hotaru curbs her suspicion that Tou is a pathetic confectionary tourist and shows him the proper way to deliver a Botan Rice Candy (with its edible wrapper) to one’s mouth: the same way one delivers a fastball to the plate.

Finally, after Koko shoos her off while the shop’s A/C is fixed (which seemed kinda mean; though Hotaru was somewhat in the way), Hotaru interacts one-on-one with Saya a little more. Just as Hotaru thought Tou might be testing her (though he wasn’t; he’s just an idiot), Saya sees Hotaru’s desire for “girl talk” that starts with a quesiton about Koko has her thinking Hotaru is testing her.

She is, but it has nothing to do with Saya’s crush, only the fact she’s never seen her with candy, something Hotaru cannot stand by and allow. She gives her some “Neon Seven”, a very cryptic kind of candy that Saya initially picks at wrong (both of their close-up expressions are hilariously rendered) but eventually learns to eat properly.

Saya is amazed and entertained by Hotaru’s wealth of knowledge (as anyone would be), and the two end up talking so long Hotaru never goes back to Koko’s…which kinda serves him right for shooing her off!

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Ore Monogatari!! – 06 (Caught Up!)

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Due to watching so many romantic anime in which little problems needlessly snowball into bigger ones, it was refreshing to see one resolved in relatively short order. My theory was also proven correct, thanks to the intervention of a somewhat nosy but increasingly understanding Ai. But I don’t want to underscore the difficulty Yamato had in presenting her case to Takeo, which is why she hesitated so much.

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I imagine he’s been operating under the assumption that she’s good and pure because she sees the goodness in his heart and loves him despite his looks. In truth, Yamato likes Takeo’s body, from his eyebrows and full lips to his broad shoulders, rippling pecs, and huge hands. She well and truly has the hots for him, and wants more physical contact, not less.

At first Ai confronts Yamato with suspicion, but ends up agreeing with all the things Yamato says about Takeo, and totally understanding Yamato’s situation, and tells her to go to him and tell him everything she told her; he’s not so fragile he’d cast her aside. Yamato runs off, a huge weight lifted from her shoulders.

Her sudden and adorable faceplant, from which she shoots back up after a beat before continuing on her way, really underscores how pumped up she is, so eager to get to Takeo that she forgets the rudiments of ambulation.

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It might have been better for Ai if her initial suspicions were right; that Yamato was deceiving Takeo or having an affair, because this is the episode in which Ai realizes she’s lost Takeo—not to a hussy, but to a genuinely good person in Yamato, and she hid her own feelings for him too long—partially because they’re three grades apart.

Still, their age difference didn’t matter when Takeo made a “from the mouth of babes” compliment on a beauty she didn’t know she had. She had a growth spurt long before he did, and her tall, lean frame was mocked by classmates as reminiscent of a school statue with the same build. Takeo didn’t know anything about that; to him, she resembled a calla lily. From that point on, Ai was smitten.

But like Takeo aimed to do with Yamato, she decided to wait for him to “grow up,” but waited too long. Ai can’t hold back how upset she is about this, and heads back to college early. She’s happy for Takeo, but devastated that her long-time love has found someone else; someone just as worthy as she is. Good on you, show, for making Ai more than the cliched rival, but a tragic figure in and of herself.

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Ai and Suna find Takeo rescuing a cat from a tree, and tell him Yamato is headed to his place, in tears. They don’t have to say another word, as Takeo demonstrates his impressive running speed and endurance. He meets Yamato in front of his house, where he tells her whatever has been troubling her, she can tell him; she can tell him everything. And she does: She wants to hold hands; he wants to be cuddled; she wants to be kissed by those lips that won’t quit.

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Those are all big steps for her and Takeo, but Takeo assures her they’re steps they’ll take together. Now that she sees she had nothing to worry about, Yamato opens up more to Takeo about how she’s not the good person he thought she was: she found his address by asking around his school, and even left her cell in his house on purpose.

Learning of these tactics doesn’t disappoint Takeo; in fact they make him happy that she went to such lengths to get closer to him. His reassurances move Yamato to tears, something Takeo promised he’d never make her cry again, but Yamato tells him happy tears don’t count. After spending the last few nights worried the truth would cost her Takeo, tonight she’ll be grinning ear to ear knowing the conflict they overcame ended up deepening their relationship. They’re in a good place again, thank goodness. On to the next crisis!

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In the hilarious omake that closes the episode, Takeo, anticipating a kiss in the near future, decides he needs to practice on real human lips; lips that will remain sealed about his practice. Naturally, those lips belong to Suna. I find it ironic that every girl in their school, along with most other women in public, want nothing more than to lock lips with Suna, but it’s Takeo who actually gets to do it—albeit through a layer of plastic wrap!

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