Vanitas and Jeanne end their bloody makeout session, neaten their clothes, and return to the streets, and Vanitas asks why she was permitted to spend the day with him, it becomes immediately apparent that Jeanne was unknowingly serve to distract him while Ruthven helping himself to a Caffè Noé. Specifically, he keeps Noé alive so that one day, he can give him a command and he’ll obey it without question…even slaying Vanitas.
Roland may have lived his entire life beliving that vampires were an enemy to be eliminated, but his encounter with Noé has changed his mind about that, and we find him digging into books in a cozy little church library. His comrade Olivier warns him against digging too deep into forbidden topics, but then Roland warns Olivier that there isn’t really anyone to stop him from discovering the truth. He can’t believe in things he knows not to be true.
Speaking of which, upon returning to the hotel to fine Noé right where he left him, Vanitas and he are visited by Dante with news: The Beast Lives. Specifically, the Beast of Gévaudan, a wolf-like abomination that slaughtered women and children in the Gévaudan region in the 18th century. The belief is it’s a curse-bearing vampire, so Vanitas is just the man to hunt the beast down.
While Vanitas and Dante chat, Noé is distracted by Vanita’s ridiulously sweet-smelling blood. Combined with his fatigue and hunger, he begins to ask if he could have but a small taste. Vanitas responds deadly seriously by promising Noé that if he ever tries to drink his blood (and therefore see the memories from his past), he’ll kill him. Daaaaamn.
This creates a friction between the two that lasts through the night until the next day, when the two head out to board the train to Gévaudan. Noé apologizes, Vanitas half-jokingly offers to let him lap up any blood he spills (he can only read memories from blood straight out of the taps) and the two share an easy laugh and are thus made up, just in time for a train ride that Noé is super excited about the way a kid—or me—would be about such a train!
After the credits, we get a lovely but ominous birds-eye view of a snowy landscape not too dissimilar from the countless wintry vistas we were treated to in Golden Kamuy. Only here there aren’t bears or naked Russians: there’s Charlatan’s apparent Boss: an ethereally beautiful lass with silver hair and piercing azure eyes poetically delcaring how she’ll “make my song of vengeance echo across the land”. My guess? She’s the Beast!
While there were some nice tense scenes between Noé and Ruthven and Noé and Vanitas, and their little fight and make-up sequence was a subtle, quiet little marvel of character work, but I’m not gonna lie: not a lot actually happened this week. It was but table-setting for a feast that won’t take place until Winter 2022. But the dishes and silverware look great…just in time for a giant wolf to smash it all!