Sword Art Online: Alicization – 21 – Love Isn’t Control, But Friendship Is Power

One would think a duel as significant and built-up as the one between Kirito and Eugeo would last an entire episode, but that assumption gives Administrator too much credit. Eugeo’s hasty synthesis was willing, not by force, and it happened in a profound moment of weakness for Eugeo.

He and Kirito cross swords and give each other matching cuts, but once Kirito asks Eugeo to recall who gave him his Baltio-style moves, not to mention all of the people waiting for them to return home with Alice, Eugeo’s piety module is quickly exposed.

But while Eugeo wakes up and even says Alice’s name, there’s still something off about him, and I dreaded Kirito dropping his guard, and with good reason: Eugeo uses Enhance Armament to bury both Kirito and Alice in ice before returning to the top level.

There, a skeptical Chudelkin asks if Eugeo eliminated the rebels, to which Eugeo responds the Pontifex only ordered him to stop them, and stop them he did. That’s not sufficient for the Prime Senator, who heads down below to finish them off, thereby playing right into Eugeo’s hands.

Without Chudelkin, Eugeo is all alone with Administrator, who assumes that while his piety module was compromised, he’s still loyal to her. But when she removes it outright in order to recalibrate it, she’s only freeing him to recall more memories, which motivate him to break free of her emotional and magical hold and attack her with the dagger provided by Cardinal.

Administrator is taken aback, but her shielding is close to perfect, and tells Eugeo that no blade, even one fashioned by Cardinal, can pierce her skin. As we know from the OP and flashbacks, Administrator prefers to hang around in the nude, and once her “loving partner” gig is up, she dispenses with the clothes and provokes Eugeo by mocking Alice’s ordeal (her synthesis was forced over many agonizing days).

That’s when Chudelkin returns all beat up to warn his Pontifex that the other two are free, and Kirito and Alice arrive on the top floor. Eugeo intended to make up for his initial betrayal by taking care of Administrator alone, but she’s too strong. In fact, it will be a miracle if the three of them working in perfect harmony can overcome her knowledge of nearly every cheat code in the world.

Still, Administrator isn’t interested in fighting the three directly; not while she has one last subordinate standing in Chudelkin. She fires him up by agreeing to let him have every inch of her body for one night if he can eliminate the rebels, and he uses his fingers, toes, and eyes to summon his trump card: a monstrous fire genie.

Chudelkin has always been a wild card since his first appearance (which is only fitting as he looks like a Joker), so I honestly don’t know how Eugeo’s ice, Kirito’s black sword, and Alice’s scattering blades will hold up against this boss, but the important thing is that the three are finally fighting on the same side.

P.S. We get new OP visuals (same theme) as we’ve completed Alicization “Rising” and begun Alicization “Uniting” – featuring Kirito trying to hold his own against a very capable (and very nude) Administrator.

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Sword Art Online: Alicization – 20 – Student vs. Teacher

Kirito carries Alice and climbs up to the Cloudtop Garden, whereupon Kirito casts a spell to track the Blue Rose Sword. Find the Sword, Find Eugeo is his logic. The spell leads them to the bathhouse, still covered and ice, and to the petrified Bercouli, whom Alice affectionately refers to as Uncle.

They cannot free Bercouli from his stone prison; their options are either to get Prime Senator Chedulkin to break the spell, or kill him for his refusal to do so. Bercouli gives Alice his blessing, telling her she has nothing more to learn from him.

Alice and Kirito ascend to the Senate level, where Kirito learns that the weird bald headed dude who appeared after he attacked the noble rapists was a Senator. They observe and detect breaches of the Taboo Index, then dispatch Integrity Knights as needed.

The existence and function of the Senate is something previously unknown to both Kirito and ourselves, and even Alice is a bit fuzzy about it. But it makes sense for Administrator to leave the day-to-day operations to proxies in the form of the Senate rather than be hands-on about everything and never get any beauty rest.

They locate Prime Senator Chedulkin’s tacky chambers (which somewhat resemble those of the giant baby in Spirited Away), but when Alice confronts him, he merely reminisces on the day four years ago when young Alice first appeared, tearfully begging not to have her memories of those she loved erased.

Chedulkin’s deeply goofy appearance is matched by his boundless cruelty and sadism, but when Alice runs him through with her sword, he merely explodes into a puff of smoke. Getting rid of the little chud won’t be so easy.

More distressingly, he largely succeeded in his mission to stall Alice and Kirito with stories that only served to further boil Alice’s blood. And clearly, Administrator used that extra time wisely, quickly transforming Eugeo into her thirty-second and newest Integrity Knight.

When Eugeo appears before Kirito and Alice, he has no memory of his relationship to either, nor does he care. The Pontifex has given him something he’s apparently been missing his whole life, and something neither of his friends could provide to his satisfaction. So Kirito and Alice are naught but rebels and enemies of his Pontifex to be eliminated without delay.

While Kirito warns Eugeo that he’s the master and Eugeo the student in their imminent duel, I imagine Admin didn’t send Eugeo to fight Kirito without a few tricks up his swanky new sleeves Kirito might not be able to predict. And then there’s the whole matter of Kirito not wanting to go all out lest he accidentally kill Eugeo, while Eugeo is completely wrapped around Admin’s finger. In any case, it should be some duel.

Sword Art Online: Alicization – 19 – Femme Fatale

In the last episode, Alice warned Kirito to give her the unvarnished truth; anything less and she’d strike him down. That’s fine with him. He wants her to know the truth, because once she does, they won’t be enemies anymore.

Alice remarks that, like Kirito, Bercouli and other knights were worried that the forces of the Dark Territory were growing too large to deal with, but their concerns were dismissed by Chudelkin, in a classic “I don’t pay you lunkheads to think!” kind of response.

To hear her real surname, the name of her village, and the name of her sister Selka, brings Alice right to the cusp of remembering. She cannot deny that the pontifex has deceived the knights, so it’s well within her to have been the one to steal Alice’s memories of her human life and lie about it.

The moment Alice rejects the Pontifex’s authority, a System Alert appears in her right eye, which threatens to burst, just like Eugeo’s when he attacked Lord Raios the rapist. Of course, as we’ve seen, Alice is tough as cold-rolled steel, and with help from Kirito, manages to overcome the pain of the eye.

She’s done being Administrator’s puppet. All she asks is that before she regains Alice’s memories, Kirito promises to take her to Rulid to see her sister. He promises, and just like that, the forced foes are are finally allies, and she is committed to the same goal as him: raising a human army to fight the Dark forces.

If only it were so simple. When Eugeo comes to from his deep-freeze, he’s in a dream, in the house where he grew up. His mother is on the bed, but it’s not really his mother, it’s Administrator, telling him he’s the one who killed his own father and brothers so that his mother would love only him.

Eugeo wakes up from the disturbing dream in Administrator’s bedchamber atop the Cathedral, and it’s clear what route the main boss will be taking in neutralizing him as a threat: by exploiting and amplifying his deep-seated longing for the total and unconditional love of someone, anyone.

First of all, I have to note the love with which Administrator is rendered throughout this sequence: she’s ethereally gorgeous, and combined with the delicate, aloof, and haunting voice of Sakamoto Maaya, she cuts quite the bewitching profile. Administrator can also claim to know Eugeo better than he knows himself, and backs this up by telling him all about his life and where it has never gone right: in the love department.

He may love his mother, but she loved their brothers and her husband too. He may love Alice, but she also loves Kirito (and Administrator jacks up the jealousy by showing him a memory of the two kissing as kids). Tiese is the closest thing to someone giving him all their love, but Administrator insists she’ll forget him, as everyone else has. And there’s nothing Eugeo fears in that moment more than not being loved or remembered.

Administrator proceeds to lay the seduction on treacle-thick, slowly disrobing and drawing the entranced Eugeo towards her, until he’s on top of her on the bed. She offers all of her love, and unimaginable pleasure, in exchange for Eugeo offering everything he has in return. In other words, a simple monetary transaction. Due to her otherworldly charms, Eugeo is in no mental condition to refuse her, and repeats after her the words “System Call: Remove Core Protection.”

Regarding this development, it’s a good thing Kirito has managed to bring Alice back to his side, because it sure looks like Administrator has manipulated Eugeo into joining hers. That probably means that order to get to her, they’ll have to through him first. Just as Alice is breaking the Pontifex’s hold over her, she’s fitting shackles on Eugeo, and trading one integrity knight for another—and one trained Aincrad style, to boot.

Juuni Taisen – 03

Is it just me, or have the POV warriors gotten progressively more interesting with each episode? After Boar and Dog, we now learn more about Chicken (Niwatori), who had spent last week showing Dog one side only to turn on him and show her true one.

Niwatori’s childhood was…rough, to put it comically mildly. We find her where the cops do: malnourished and filthy in an apartment filled with garbage and blood. It’s not her blood; it’s that of her parent(s), which, considering her “pecking” specialty, she killed by repeatedly pecking bits out of hem with an egg topper.

Her own memories of this time are quite foggy; she spent some time at a facility after a hospital visit, and after regaining her physical health, she was adopted by the Niwa family, whose matriarch was interested in utilizing her special ability to speak to birds.

They trained her into a soldier and assassin who can hide in plain sight and deceived and betrayed so many people, she had no idea who was a friend or enemy.

Back in the present, Niwatori has successfully fooled Dog unto his death, and makes quick work of Zombie Boar with a swarm of birds under her control, who peco their prey to pieces and pick flesh from bone.

Feeling peckish herself, Niwatori enters a convenience store and encounters Rat, who has no quarrel with her, and leads her to the sewers to meet Monkey.

Niwatori finds herself unusually affected, even moved by Shuryuu’s seemingly catch-less kindness and earnestness, and believes Dog’s One Man Army poison has heightened her emotions as well as her body.

Even though she finds herself perfectly capable of killing Monkey and Rat right there and then, and knows that is the best course of action to ensure victory in the Zodiac War, she just…can’t do it. She withdraws…and when she does, she’s so busy cursing herself for making such a dumb move, she doesn’t realize Ox is right there, ready to kill her.

Naturally, because Niwatori is the POV character this week, she has to die, and she’s not even the first warrior Ox kills this week (that honor goes to Horse, whom we don’t learn much about before his demise).

Still, she faces her imminent death standing tall, with a defiant look in her eye, and after sacrificing so many of her beloved birds to defeat Zombie Boar, there’s a poetry to her giving up her body to feed still more of those birds.

I won’t say that she came out of the hell of her childhood—in which she was no doubt pecked away at to the brink of death—to live a life of honor or morality. Indeed, she saw herself as an instrument—another weapon in the Niwa family’s arsenal—and little else.

We don’t know what wish she’d have asked for had she won the Zodiac War. But I will say that for the brief time I got to know her, I emphasized and liked Niwatori, and the show feels a little smaller without her, as I’m sure it will continue to feel as more POV characters meet their maker.

Re:Creators – 21

Thanks to Magane, Souta was able to create a miracle in bringing Shimazaki Setsuna back to reunite with her creation Altair. But early in the reunion, I was filled with a constant uneasiness—and was no doubt meant to be—would the all powerful Altair truly accept this?

If not, how long would it take before the spell was broken, she breaks the train station world, and returns to the real world. What the heck will Team Meteora do then? Everything is on the line here.

Well fortunately, there are no further twists or turns or defeats for Souta and the team; this really is it, and as soon as Setsuna speaks, Altair is well and truly neutralized as a mustache-twirling, world-ending villain. She becomes something far more complicated and interesting; something she only could have become by meeting her creator.

Setsuna doesn’t transparently beg Altair not to destroy the world. Instead, she starts by apologizing for making Altair carry the burden of “curses” she carried with her until death and transferred to Altair. Without judging her, Setsuna earnestly thanks Altair for her efforts, even if they were ultimately misguided.

Setsuna also impresses upon Altair the fact that she is no longer simply her creation; she’s become accepted and loved by everyone as a “king” or “knight of the weak” who took her weaknesses and made them strengths. Altair will always have power, and never be alone, as long as those others exist.

So, realizing her presence is a miracle, but a “twisted” one that shouldn’t be (at least in her world), when the train alarm sounds, she walks to the same spot where she walked before and leaps out over the tracks. Only this time, because she’s not alone, Altair rushes in front of the train and destroys it with her Holopiscon.

When she finds no matter how much she hacks at it, the train will still come in a fraction of a second, Altair redirects the infinite power Setsuna and the world has bestowed on her, into creating Setsuna’s story from now on.

That means creating a world where she and Setsuna can live—them, and no one else, it would seem. Altair is no longer interested in destroying worlds, only creating one world where she and Setsuna can be together, and where her story can continue. They’re basically gods now.

There, in the water, Altair finds a pair of glasses, but they’re not Setsuna’s—they’re Souta’s. Setsuna recognizes them as such, and without saying his name, tells Altair that she was drawn in the first place because of Souta, and others who liked her creations and wanted to see more.

Whether the Setsuna we saw was a combination of who she really was and Souta’s own interpretation of who she was, or one or the other, Souta poured his own heart and soul into creating her, which makes her basically the opposite of Sirius.

All Souta wanted was to “see the same world” as Setsuna. And he did, thanks not just to his own efforts, but to those of the other Creators, their Creations, and the people whose acceptance made them endure.

With one more strum of her Holopiscon, Altair and Setsuna are transported away to their own little infinite world, leaving the normal world safe and bringing a happy (if somewhat bittersweet) ending to Chamber Festival. The hosts sign off, the stadium roars with approval, and the creators and Meteora stand in the control room, basking in the knowledge they saved their world.

While Altair’s transformation was quite sudden, and doesn’t fully absolve the fact that she was fairly one-dimensional up to this point, the means by which she transformed were credible and even, at times, genuinely affecting, for which a lot of the credit goes to seiyus Toyosaki Aki and Ohashi Ayaka.

I also appreciate that the main conflict of the story came to a climax and was resolved with one episode to go, which means there’s time for a closure-giving epilogue.

Ao no Exorcist: Kyoto Fujouou-hen – 04

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Bon is our eyes and ears for most of this episode’s first half as he follows Renzou’s bro Juuzou, suspicious of his movements (and of the trail of bodies in his wake), until it’s revealed those exorcists were knocked out by Mamushi, not Juuzou.

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Having been told about the eye when she was a student of Todou’s, her general argument is that neither Saguro Tatsuma nor her own father can be trusted; that they are the real traitors, and she’s acting in the best interests of the Myoda Sect.

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I for one am glad the obviously more sinister-(and awesome!)-looking suspect, while indeed the traitor, at least has halfway viable reasons besides “I’m just evil BWAHAHA!”, though it does take quite a bit of exposition to get her somewhat complex positions and accusations out.

Meanwhile, Rin is making progress with the candles on the roof when the whole earth shakes. He starts to run off but Shura catches him and forbids him from moving and acting on his own, lest he be “put down” as per the agreement that spared his life (for now).

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It’s also good to see Todou back so soon, even if he claims Mamushi is acting on her own (clearly he’s been manipulating her for some time). There’s something appealing about his frumpy, unexceptional, harmless functionary look; especially contrasted with everyone else’s more traditional garb (Shura aside). Mamushi grabs the eye, and she and Todou skedaddle.

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Tatsuma prepares to go after them, but Bon wants a goddamn explanation out of him, now. Tatsuma, for whatever reason, won’t or can’t give him one, only saying “it’s a secret” and other fatherly platitudes to stay out of trouble and be patient. It’s not enough, and Bon all but disowns him, warning if he runs away he better not come back.

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Those sentiments set Rin, who had been pretty passively in the background, off. Understandably so, as he had a similar falling out with his dad Shiro that was never able to be resolved, since Shiro died. Rin may want to repair his friendship with Bon, but trying to stop him from making the same mistake, something he’ll regret forever, takes precedence.

Of course, Rin gets so worked up, his blue flames come out, scaring the crap out of everyone who didn’t know about them and forcing Shura to knock him out with the shock collar-like ring on his tail, but not before he calls her a hag and tells her to buzz off. I admire Rin’s passion regarding Bon, but he really does need to realize how short his leash has become.

Honestly, I wanted to rate this episode higher, but it had a bit too much standing around talking/explaining, the flashbacks to the trial seemed redundant, and I’m bummed Mamushi’s pretty much a bad guy right now and it’s not certain at all whether she’ll be redeemed.

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Shuumatsu no Izetta – 09

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This episode’s opening act painted a rosy picture: with Germania not attacking, Izetta continues to build her image across the world by assisting the resistance movements of territories Germania has conquered, and the narrating Lotte is hoping the good times keep coming. Fine even tells Izetta a ceasefire could be in the making.

I didn’t buy this rosiness for a second, since it’s already been established that Berkman has Izetta’s number and has merely been biding his time for an assault, both the map and the crystal are in enemy hands, and even Muller AKA Sieg Reich simply isn’t giving off very trustworthy vibes.

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A reckoning, then, was inevitable, and it comes later in the episode after Izetta ends up on the wrong battlefront and must be quickly transported to the right one. There, the one tactical advantage Eylstadt has over Germania—the White Witch—is taken away, by Germania’s own White Witch, a clone of Izetta’s descendant, Sophie.

The path that led to her creation is hastily told, as Berkman learns of Division 9’s research and cloning methods, and Izetta’s blood is gradually used to “awaken” Sophie from the doll-like clone. Eylstadt’s own recklessness with Izetta’s personal security indirectly led to Berkman’s success.

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At first, Sophie tries to appeal to Izetta’s pride and duty as a witch, telling her what her own family told her: using her magical powers to help affect the outcome of war between non-magical countries is wrong.

But when Izetta insists she must fight for her archduchess and refuses to stand down, Sophie ditches the nice guy act right quick, turning on a dime into Izetta’s enemy, and the two duel in the sky as Germania’s superior military runs the Eylstadt forces roughshod.

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Sophie ends up nullifying Izetta’s magic at a crucial moment, causing her to crash, then for good measure, employs magic chain bondage to crush Izetta’s insides. She’s taken prisoner, photographed and filmed for pro-Germanian propaganda, which is likely to kill morale in Eylstadt as well as anywhere where people oppose Germania.

Now that their “nuke” isn’t unique anymore, or even a threat to Germania, they’re free to attack Eylstadt’s capital, even bombing Fine’s palace. But the lack of chivalry in the assault mirror’s Eylstadt’s own desperate but ultimately foul play: when they couldn’t win with conventional warfare they turned to magic.

They put all their eggs in that basket, and now that basket’s been crushed and burned. It’s not looking good at all for Fine, Izetta, or Eylstadt.

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Shuumatsu no Izetta – 08

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Pretty much the entire time I was watching this episode of Izetta, much of which centers on Berkman’s adjutant, Ricelt, as he parachutes into Eylstadt to gain access to the castle where the ley lines map is located, I thought to myself, “why do I care about this guy?”

While I’m cognizant of the fact that war usually isn’t as simple as black-and-white, or good-vs.-evil, I still couldn’t muster any sympathy for Ricelt and the fate he succumbs to. And that made it hard to get emotionally invested in this episode at all.

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Forgetting the fact that he just happens to fall in a river just as Fine’s maid Lotte and Bianca are driving past…you know what, I can’t forget (or forgive) a coincidence of that magnitude, and I won’t.

Even in tiny Eylstadt, it’s ridiculous and extremely incredible that Ricelt would end up so close to these two, let alone that they’d so easily buy his half-assed cover story. Ricelt is only able to get as far as he does thanks (in part) to Bianca’s stupidity. This is war; any and all strangers who suddenly show up must be suspected, not flirted with.

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Speaking of flirting, the show’s fascination with Fine and Izetta as some kind of quasi-yuri couple continues, with Fine dressing up as a dashing prince and Izetta serving as her girly date at Lord Redford’s lavish birthday party.

There, Berkman manages to not only meet up close with Fine and Izetta, but his “date”, who looks drugged and/or genetically manipulated in some way, even manages to draw near enough to Izetta to kiss her, drawing blood in the process (blood Berkman will surely use for research on how to neutralize Izetta).

That intel and security is so inadequate and lax that one of the German empire’s most dangerous men can get so close to Izetta, and vanish just as quickly, doesn’t bode well for the future of Eylstadt.

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As for Ricelt, he and an inside man manage to make it to the basement of Eylstadt castle, snap pictures of the ley line map, and retrieve some kind of magical stone…but Bianca finally gets wise and Ricelt is caught red-handed. He stalls for time to let his colleague get away; Bianca shoots him, and another royal guard shoots the colleague.

And so, like Jonas, another young character I thought would have a greater role to play ends up dead, though the trouble he whipped up remains. Bianca, for her part, seems shaken up about the betrayal, but it’s not like they were lovers or anything; she’ll surely get over it.

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As for that trouble, it would seem some random old man ends up with the camera containing photos of the ley line map, as well as the purple-pink stone. Yet again, someone is in just the right position at the right time to propel the plot forward…and I care even less about this old guy than I cared about Ricelt.

Keeping the pressure high is the fact the Atlantan (i.e. American) ambassador promises Fine and Izetta that he’ll recommend his government send troops, but doesn’t tell them that he considers Izetta to be nearly as great a threat to Atlanta as the Germanians, if not a greater threat. As such, those troops will be sent to take down both Germania and Eylstadt; not exactly what Fine wanted.

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ReLIFE – 06

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With Hishiro and Kariu now friends, and Hishiro looking up her feelings on Google (then scoffing at the result that it’s “love”) I was looking forward to the show pivoting to focus on the third girl in Kaizaki’s circle: Onoya An. This episode certainly did that, but not at all the way I thought.

Things start innocently enough, with the possibility of Kaizaki’s friends visiting his bachelor pad becoming a very abrupt reality when Oga and An arrive for a study session. It’s great to watch him squirm as he hides any evidence of his true age, even as I knew in his haste he’d forget something.

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Two things he missed: his MD player and a calendar with work stuff. The first can be explained away by the simple fact he’s a fan of vintage electronics; the second he sidestepped by using the calendar to “kill a bug.”

The true test for Kaizaki comes when Oga is called away for work, leaving him and An all alone in his apartment (which Oga is too dense/pure to notice could be a problem). Yoake, who has Kaizaki’s phone mic tapped, does, and races to Kaizaki’s aid when he believes his cover is at risk.

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What ensues plays out like a high school version of a spy thriller, with An removing her childish braids and glasses, revealing she fell in love with Kaizaki at first sight back when she saw him working at the convenience store, and starts coming on to him, all while Yoake navigates the busy streets to race to Kaizaki’s place.

The entire premise of ReLIFE seems a little creepy at first, until a scene like this comes around and you realize there’s nothing to be concerned about, because Kaizaki is a good guy who knows his boundaries. Even if An thinks he’s 17 like her, and even if consensual sex with her is legal, he’s not going to do that, and not just because he doesn’t love her.

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At the same time, An’s long look at the MD, probing, knowing questions, and her little hair-and-glasses trick were all clues that she’s not 17 either, but rather another ReLIFE agent like Yoake—a far more reckless and cavalier agent than Yoake, to boot. But this was a legitimate test on how to deal with romantic advances from high school girls, and Kaizaki passed with flying colors.

I liked this reveal, a lot actually, because it was earned. It explains why An was so friendly and close to Kaizaki all this time without ever being the main focus. It explains her equally awful test scores. It eliminates the love triangle with Hishino for the duration of the experiment, while also opening the possibility of Kaizaki and An remaining friends when the experiment is over, since she won’t be losing her memories of him.

Even the show’s poster was a clue about An. And she wasn’t even entirely lying about “love at first sight” either. When she saw Kaizaki’s case file, she knew she had her ReLIFE subject. Only she couldn’t be his support because her training wasn’t quite complete, hence the transfer to Yoake.

While the cat is out of the bag about her identity, the other four members of Kaizaki’s circle are still in the dark, which should make for an interesting new dynamic; it also makes the episodes with An in them worth another watch.

At the same time, a great many cats remain securely in bags, like the details of how Kaizaki was found and selected, why An really isn’t his primary support, and who the heck Sample #001 was, and how and why he failed. Heck, An could be Sample #001, for all I know. And what do you know: the next episode looks to be a prequel of sorts, so those mysteries may not be mysteries for long.

One thing’s for sure: I’m barrelling through ReLIFE like there’s no tomorrow…but I can’t help it. Show’s too damn good!

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Rokka no Yuusha – 10

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What’s this? Why, it’s a frantic Adlet pleading his case to a skeptical Fremy as she points her gun at him and barks in absolutes! What is this, the eighth time we’ve seen this scenario? Still, the words exchanged between these two is the overture for an episode in which almost every character takes a slight to major detour from their established character paths. In Adlet’s case, when warned he’ll be shot if he lies, he decides to confess his love to an utterly bemused Fremy. You can’t say the lad lacks guts!

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Then it’s Mora’s character’s turn to take a kooky turn, when she uses her mountain echo ability to spread a blatant, vicious lie to Tania, Goldof, and Fremy: that Hans is in critical condition after being attacked by the Seventh. I’m not sure what to think about her decision to condemn Adlet, because after ten episodes we still don’t really know who Mora is or what she believes in. Her character is much like the barrier: an amorphous cloud of fog that does whatever the plot needs it to do to up the drama. She lies to make things harder on Adlet, but why is she so convinced he’s the seventh?

Beyond Adlet, Hans is the only voice of reason—a welcome departure from his own blind suspicion earlier in the show, resolved because he knows Adlet is innocent. Mora orders Chamo to guard him, and when Chamo tries to kill him, Mora stays her hand with mere words and the threat of more than a spanking. As I thought, the only person Chamo fears is Mora, even though she’s technically weaker.

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That’s not even as ridiculous as the change that occurs in Nashetania once she hears Mora’s broadcast. She starts to laugh and smirk like a common villain—teasing the possibility she’s the seventh after all—before telling Goldof she’s looking forward to her latest new experience: killing the man who betrayed her: Adlet. After all the accusations thrown Adlet’s way, she chooses now to react so dramatically? Sorry, it doesn’t add up.

Negotiations once again go south and Adlet must flee a pursuing Fremy, but when Mora joins in and tries to kill an surrendering Adlet, Fremy fires a shot between the two, defending Adlet and pissing off the increasingly violent, unreasonable Mora.

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While Chamo, Mora, and apparently Tania and Goldof can’t listen to is reason, but not Fremy. And in the face of all the reason Adlet is throwing at her—even proving her innocence with his master’s fiend-detecting spray, like he promised—she’s not fighting reason like the other so much as fighting back her own heart. After her mother betrayed her, she vowed never to believe, and therefore love, anyone ever again. Adlet has all but forced her to change that policy, as she becomes the second person after Hans to essentially side with him against hotter heads.

As for Nashetania, who closes out the episode with a demonic stare and cloud of blades, she seems more brainwashed by Mora’s lies than particularly hot-headed. But her rapid change in personality also happens to reduce my suspicion in her being the seventh. If anything, Mora is looking more and more like the enemy of the six, what with her reckless manipulation of the others.

And now, as things currently stand, Adlet, Hans, and Fremy—the three scrappers of the group—are now in a loose alliance. I won’t count him or them out, even if I doubt he and Fremy will get the storybook ending.

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Rokka no Yuusha – 09

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Adlet and Hans end up defeating Chamot, though not killing her (it looks like Hans simply hits her with his blades in a way that knocks her out). But getting to her person was something Hans would never be able to pull off on his own; he relies on Adlet to throw enough distractions and misdirections as Chamot’s fiend shield to give Hans an opening, while Adlet needed Hans to buy time so he could think of the best tactics.

Chamot laughed off the possibility of people working together to beat her, but Adlet’s resourcefulness (and bag of tricks) prove to be the deciding factor.

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While I like how Chamot was ultimately brought down, I don’t like how it doesn’t really change anything. Chamot has already made clear she doesn’t really care who is or isn’t the seventh, so she’s a liability to the Braves no matter what, having vowed to kill everyone but Maura. If Maura is the seventh, that plays right into her hands.

But for all of the smarts Adlet needed to summon to beat Chamot with Hans, he took two steps back after taking one step forward, by splitting off from Hans and Chamot. At least when those three were together he posed a less tempting target and more convincing innocent party to Maura and Fremy. Going out alone when those two still think he’s the enemy is, frankly, idiotic.

And I say that even though Adlet is convinced he’s figured out the Seventh’s plan and convince Fremy to side with him. Fremy has tried to make it clear she trusts and believes in nothing and nobody, but even after she decisively debunks Adlet’s elaborate theory, the fact he’s still smiling and laughing and not giving up intrigues her too much to simply kill him. In effect, she’s starting to believe in something: him.

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Meanwhile, Maura, who split from Fremy (also probably not the best idea) ends up in the temple. She frees Chamot, and refuses to believe Hans when he says Adlet isn’t the enemy. In fact, Maura seems to change Hans’ mind back to suspecting Adlet by saying Adlet is “attacking their hearts”, which is frankly pretty vague accusation, just as Maura is a vague character.

I’d suspect Maura most at this point if it weren’t for the couple of odd and, on the surface, innocuous cuts to Tania and Goldof, the only two braves who didn’t encounter anyone else this week. First, Tania remarks how Hans seemed to know she was a princess when they first met, but then pretended to forget, calling her “bunny girl” instead, angering Goldof.

Then, after musing about how there’s “something different” about Adlet, she asks Goldof to look at her crest, confirming all six braves are still alive. If we’re splitting hairs, there aren’t seven petals on the crest, so if the seventh dies, the crest won’t change. But Tania takes it to mean Adlet and the others are still alive, that Adlet is working hard, and that she must work hard too.

The way she says all this, it’s unclear whether she’s looking ad Adlet as a comrade…or a worthy adversary. If Tania is indeed the seventh, she seems to be enjoying herself.

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Ookami Shoujo to Kuro Ouji – 09

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At this point, I know what makes Sata and Erika work, and I know it’s a strong bond forged in hellfire that isn’t going anywhere. The show is keen to reinforce that with “challenges” to their relationship that rarely last longer than an episode or two, rather than introduce threats for the sake of stoking drama.

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Not only does Kamiya Nozomi believe he can ‘convert’ Sata into someone like him, but his charisma and persistence make us believe he can, too, at least early on. He’s the kind of ‘final threat’ that could take a show right to the end.

Ookami, meanwhile, proceeds to demonstrate just how doomed Nozomi’s crusade really is, without creating yet another relationship dilemma for Erika and Kyoya. In fact, Erika is glad Nozomi is sticking by Kyoya’s side; she knows how nice it is to have normal friends like Marin, Aki, and Ayumi.

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Nozomi believes Kyoya is resisting his instincts, and so throws gorgeous girl after gorgeous girl at him in hopes of “waking him up.” In the process, Nozomi is callously using his admirers as tools and bait…and Kyoya isn’t biting. I felt bad for Miho, Nozomi chooses, because she’s an innocent bystander in this. Nozomi is presenting Kyoya as an unattached suitor, which isn’t the case.

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Nozomi doesn’t quit while he can, but rather turns to more extreme tactics. It only takes two seconds for the girls to respond in the affirmative to his request they sneak into his room that night, and he sets up a “Who’s the King” game with the specific purpose of getting Kyoya to kiss Miho.

Again, it’s a cruel use of both the girls and guys, and underlines the fact that it isn’t Kyoya who has ‘something wrong’ with him. Even when Nozomi takes things to a point where he thinks Kyoya has no choice but to be kissed by Miho, Kyoya shuts her, and Nozomi, down.

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Foiled yet again, Nozomi is increasingly desperate and seems out of ideas, going back to the fact that he has 500 girls’ emails, all of whom worship him and would do whatever he wants, which he equates with enjoying life 500 times more than Kyoya with his plain girlfriend.

To this, Kyoya offers his interpretation of Nozomi’s situation, with classic Kyoya ruthlessness: “It doesn’t matter how much trash you pick up; You’ve just got a pile of trash.” The wording is way too harsh on the girls, but the point is, quality (of relationships, not merely looks) over quantity. Not only that; Kyoya has already been down the road Nozomi is on. He knows exactly where it leads.

A case in point occurs just after Kyoya bits him goodnight, when one of Nozomi’s 500 shows up and he puts the moves on her, wanting comfort in his time of vulnerability and defeat. She recoils: someone asked her out (Kimura, from episode 2!), and she accepted, so they can’t hang out anymore.

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Now Nozomi has 499 girls…but the loss of that one was his awakening, because deleting her made him feel absolutely nothing. He looks at Kyoya and Erika, so devoted to each other and so embarrassing in their flirtation, and for the first time really sees them.

Now he starts to get excited about finding a girl — one girl — who could be as special to him as Erika is to Kyoya. A girl who would make him feel bad (or at least feel something) if she dumped him. I’m not saying Nozomi’s lifestyle is something to avoided, and I don’t think the show is trying to make that point either.

What it is saying is that it’s far to easy to convince oneself that that’s the life for you. Kyoya once thought so, but he, and now Nozomi, have learned that it isn’t.

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Ookami Shoujo to Kuro Ouji – 08

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Our fake couple is now a real couple, but the show wastes no time blemishing their perfect cherry blossom date by teasing the next fly in the ointment: Kamiya Nozomi, the Red Prince.

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Oh, and about that date: Kyoya only agreed to go because he lost rock-paper-scissors. And once on this date, he feels he’s under no obligation to do anything with Erika other than look at the trees. His uncooperative, unromantic attitude sparks an argument with Erika after he refuses to go on a boat ride. Trouble in paradise so soon? But of course; this is Kyoya and Erika we’re talking about!

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Erika stubbornly takes a boat out by herself, and surrounded by happy-looking couples, arrives at two conclusions. First, Kyoya is a jerk. Second, she’s a jerk too, for being so pushy. She realizes that simply forcing him to do stuff because he’s her boyfriend isn’t fun.

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But that’s only half the story. While just as stubbornly sitting alone, Kyoya comes to the same conclusions. When he sees how happy another girl is when her date gives her a peck on the head, even though he didn’t want to, Kyoya starts to get it. He’d rather see Erika smiling sincerely. The two make up quite cutely over takoyaki, and all’s well in paradise once more. Compromise and give-and-take – the keys to any healthy relationship!

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After that, it’s back to school, and Erika is delighted to find not only Ayumi, Marin, and Aki in her class, but her beloved Kyoya as well. Marin and Aki call her out on her cockiness, as now it’s their turn to be jealous their friend gets to be so close with her boyfriend all the time.

Their line to Erika is hilarious but also wonderfully meta, as it acknowledges Marin and Aki are actually much more than just the “self-obsessed class bitches” they began the show as. Sure, they’re still shallow, but they do care about her and value Erika’s friendship. If they didn’t, they wouldn’t be so annoyed.

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Speaking of annoying (along with tacky and charismatic), as Erika & Co. approach their classroom it’s revealed Kamiya Nozomi is also in their class, and has wasted no time getting the lay of the ladyland, literally blocking the door unless girls give their names. Just as he assumed in the park that Kyoya was with only one of his many girls, when he sees him with Erika, Ayumi, Marin and Aki, it reinforces that assumption, which makes Kyoya something Nozomi was hoping for: a worthy rival for the girls’ love.

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I can’t fault Nozomi’s misinterpretation at this point, because Kyoya really does give off that air of non-monogamy with his intense popularity with the girls. And with that misinterpretation in mind, his constant hitting on Erika also makes sense. She’s one of Kyoya’s girls, but he’ll make her his, and learn what’s so special about her. Erika, perfectly content in her monogamous relationship with Kyoya, is intermittently flattered and put off by Nozomi’s extremely un-subtle advances. She’s not buying the tacky sales pitch…mostly.

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But even deflecting that pitch gets her and Nozomi in trouble for talking in class, and they’re appointed the lead student organizers for the class’s upcoming orienteering trip as punishment. Kyoya goes home without her, in a wonderfully shot little sequence where the colors are so bright and washed out it’s like she’s being isolated in some kind of draconian medical facility!

In there, she must endure even more of Nozomi’s flirting, even inviting her out some ‘adult fun,’ right after getting off the phone with another girl, and Erika has to put her foot down, telling him the behavior she’s witnessed from him just…isn’t right.

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Still wrongly assuming Erika is one of Kyoya’s many girls, he clears something up to her: he has no girlfriend. He doesn’t believe in girlfriends, and deems monogamy a kind of tyranny that has no place in youth. For him, ‘Tis more fun to have all kinds of experiences with all kinds of girls, without getting tied down.

He’s either under the delusion that no girl will ever start feeling serious about him or ever object to him having other girls…or maybe he’s aware of those possibilities and his freedom is more important than that kind of stuff. There’s also the fact that every girl he’s with knows what they’re getting into, and so they’re the ones responsible, from Nozomi’s perspective, if things go sour.

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Erika cannot endorse Nozomi’s philosophy. It’s just not how she was brought up, but she also wants the institution of monogamous romance to succeed, for obvious personal reasons. But when she tells Nozomi she and Kyoya are dating exclusively, he can hardly believe it. Almost every chance he gets, he points out just how…plain and normal Erika is, and how that reduces her value as a person. That’s the reason I really dislike the guy; not his promiscuity.

Kyoya and Erika’s happiness is far less important to Nozomi than having a decent love rival to battle over girls with. To that end, when he gets alone with Kyoya (who decided to be the dutiful boyfriend and wait for Erika, which is sweet),  he probes him to see if he’s serious about just dating plain ol’ Erika by asking what quality made him sink so low. Surely it’s because she’s rich, or has dirt on him, or because she’s good in bed.

That’s the hit nerve that confirms to Nozomi the state Kyoya is in, which he considers ‘sad’ and ‘a waste’. He’s in love with a girl far below his standing, and needs to be shown the error of his ways. This doesn’t bode well for Erika, who Nozomi may continue to pursue, which could get Kyoya jealous. It just doesn’t bode well period...but who said high school romances were all takoyaki and boat rides?

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