BokuBen – 07 – Storming of the Bastille

Rizu doesn’t know that Uruka likes Nariyuki, and Uruka doesn’t know that Ri likes Nariyuki, but Fumino knows both of those things, and she doesn’t want to rock the boat. However, fate seems to conspire against her, as she trips over her own feet and lands upon Nariyuki in an apparent passionate embrace that Ri happens to witness.

Fumino, convinced Rizu is furious, tries to make it right, ultimately by shoving Nariyuki into Rizu’s embrace; but his head ends up in Ri’s bust—no doubt due to poor calculations on the part of Fumino, for whom math is not her strong suit, as we know. Turns out Rizu only appeared angry because she was squinting due to using a backup pair of glasses.

From there we shift to Nariyuki’s increasingly complex relationship with Kirisu-sensei. When he attempts to rescue a cat from a tree, it ends up jumping off, and Kirisu twists her ankle catching it. Nariyuki helps her get to her apartment, which is an appalling mess.

But since Kirisu is actually a good person (which is why she saved the cat), she makes coffee for Nariyuki and helps him study some history as thanks for his assistance.

While helping her clean, Nariyuki stumbles upon a trophy case packed with accolades from when Kirisu was an ice skater, proving that her desire to steer the girls away from their “emotional” choice of life path is borne out of her having made the same choice when she was younger, and coming to regret it.

Nariyuki tells her that while he appreciates where she’s coming from, he’s decided he’s going to “hold his head high” and “regret it later” with them. It’s only a meaningless, foolish path if they fail, and he can’t yet say that they will.

With that, he takes his leave. When he asks if it’s really okay for a man to have come to her place, she dismisses him as still a child, but once he’s gone, she drops the pretense and reveals she was a nervous wreck, because he was actually the first man ever to be at her place.

One one of their now regular one-on-one chats, Nariyuki tells Fumino about being at Kurisu-sensei’s last night. Knowing it could enrage Rizu and/or Uruka, she drags him to a tree, pushes him against it, and makes him promise not to tell anyone what he just told her.

Naturally, the next time she’s in class, she’s hounded by classmates convinced that she’s in some kind of “special relationship” with Nariyuki, something Nariyuki himself doesn’t deny (since he considers both his tutoring of her and her coaching of him in matters of women to be “special”).

Fumino’s classmates are extremely protective of her, and aren’t about to let just any schmo go out with her, so they send a covert surveillance team to the library where the two are studying, and determine that there’s no overt romantic spark between them, but that they share a “deep trust that transcends the boyfriend-girlfriend barrier.”

Or was she? Fumino may be committed to not making either Rizu or Uruka sad (or mad), but she can’t deny she’s enjoyed all the time she’s spent with Nariyuki, and not just in a tutor-tutee scenario. He’s supporting her wish to pursue her dreams, after all!

When she finally informs Nariyuki of the rumors going around about the two of them, she “jokes” that maybe they should just go out for real. Only judging from Nariyuki’s reaction—and her reaction to his reaction—it sure doesn’t feel like it was a joke. As much as she wants to be above the love polygon, this episode leaves little doubt that she’s one of the vertices.

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Sword Art Online: Alicization – 15 – Books and Covers

This is an episode of jumping to conclusions with regard to one’s opponents…or is it? Eugeo and Kirito are seemingly caught off guard when the two young Axiom nuns plunge their paralyzing poison daggers into their chest and back, respectively. Linel and Fizel are not merely nuns, but Integrity Knights in their own right. And they both revel in having been seen as nuns just long enough to draw in close enough to attack their prey.

The girls drag the paralyzed guys up to the fiftieth floor Hall of Ghostly Light, where the Four Whirling Blades and Vice Commander Fanatio Synthesis Two are waiting. The nun knights, the last two sheltered survivors of one of the Ponfex’s resurrection experiments, don’t want the other knights stealing their thunder, but still need witnesses when they behead the criminals.

Unfortunately for them, Kirito only mistook them for harmless kids for an instant; far less time than they thought. When he noticed apprentices were disobeying orders (an impossibility in the cathedral) and wearing ruby oak sheaths (for poison daggers), he quietly recited a poison-dissolving art, which completed in time for him to stop them and give them a taste of their own medicine.

He cures Eugeo, then tells him to quietly recite a perfect weapon control art when he can and wait for his signal. Then he drives past the Four Whirling Blades and crosses swords with Fanatio one-on-one. Perhaps impressed by his cheek, Fanatio orders the subordinates to stand back as they duel.

Fanatio learns that despite a sword that contains the reflective power of the sun itself, Kirito and his black sword are no slouch. He chips off a piece of Fanatio’s helmet, endures the heavenly sword’s beam-like strikes (to non-vital areas) and eventually knocks her helmet off. That’s right: Fanatio is a woman. The look of momentary shock in Kirito and Eugeo’s faces pisses her off to no end; they’re faces she’s seen all her life.

But the one who seems most upset that Fanatio is a woman is…Fanatio herself. It is Fanatio reading her own book by its cover, and reading Kirito’s cover as Just Another Guy who won’t fight her with everything he has. As with Zel and Nel, Kirito quickly moves beyond his instinctive surprise and fights her on equal terms; as he says and we know, he’s no stranger to being beaten by swordswomen.

A splendid duel ensues; one that Fanatio almost seems grateful for, as for once she isn’t being underestimated or not taken seriously, despite her “detestable” face. Kirito asks her if she thinks she’s so detestable, why does she doll herself up so; it’s strongly implied she loved/loves Commander Bercouli Synthesis One.

But there’s no room for love, or anything else, for Integrity Knights. Only “glory” through obedience to the Pontifex. And so even when Eugeo unleashes his Blue Rose Sword upon her, he can’t quite finish the job. Part of that is that he trying to beat her with his hatred, and as Kirito calls for his own weapon enhancement, he corrects Eugeo’s thinking.

They’re not there to kill the enemies they hate, but to save the people they love—as well as those enemies themselves—and end the tyranny of Axiom so humans can live normal lives. And he’s going to do it or die trying.

Sword Art Online: Alicization – 14 – Opponents Without Pasts

SAO: Alicization commences its second half with an end to the Cardinal infodump, a return to the action, and a new OP that still, unfortunately, prominently features Kirito and Eugeo’s painfully lame secret handshake, which I believe they have yet to actually use in the show itself.

Ah well—no sooner do the two break into the cathedral armory to retrieve their weapons (and some new threads) than they’re attacked by the bow-wielding Crimson Integrity Knight Deusolbert Synthesis Seven. He sends a hail of arrows their way, but the lads are barely able to dodge them all without injury.

Deusolbert then takes off the kid gloves, using his Perfect Weapon Control art to unveil his Conflagration Bow. Kirito manages to slow his first shot with a series of ice shields as well as the sword skill Spinning Shield, allowing Eugeo to get close and unleash the full power of the Blue Rose Sword.

In this ice-vs-fire matchup, the Blue Rose wins, and Eugeo’s Veritcal Arc delivers decisive freezing blows to the knight. It’s perhaps the most jacked up we’ve ever seen Eugeo, no doubt taking a page from Kirito, as it’s absolutely essential in this world to believe you can do what you’re setting out to do, and trust in the source of your weapon to boot.

Defeated, Deusolbert asks Eugeo to finish him off, before he is stripped of his armor and knighthood and essentially frozen indefinitely by Administrator. Eugeo, recognizing his name as that of the knight who arrested young Alice, bound her, and took her away from Rulid, is almost enraged enough to oblige him, but Kirito asks him to stay his sword against one who will no longer fight back.

He also deduces that Deusolbert doesn’t remember capturing Alice, because Administrator erased his memories of doing so, then reassigned him to guarding the cathedral. They leave him on the staircase landing to choose whether to go back to his boss to accept punishment, heal his wounds and come after them again, or…perhaps try to remember more of the dream he always has of a young woman’s ringed hand on his arm. Integrity Knights may not have pasts, but Deusolbert definitely did.

Kirito and Eugeo continue their climb to the fiftieth floor, where a host of Knights await them who have orders to take them dead or alive. But before they can get far, they encounter two mysterious girls. Are they a form of Integrity Knight we’ve yet to see, some other kind of foe…or perhaps not a foe at all?

Sword Art Online: Alicization – 13 – Sage of the Infodump, Part II

Cardinal completes her story, in which Quinella, basically running out of soul disk space, copies her memories to a young girl’s fluctlight, overwriting whatever was there. But Cardinal, now possessing a good deal of Quinella’s powers, decided to try to make her move. She fails, but was able to flee to the Great Library to fight another day.

Their duel is brief but exciting, despite all the awkwardly long English incantations the two must make (“System Call: Generate Luminous Object”, etc.) For 200 years since being banished to the library, Cardinal has been observing the Underworld, waiting for the right person with which to collaborate. She used a little spider named Charlotte to help bring Kirito to her.

Cardinal also suspects the god of the outside world (i.e. Rath) aren’t doing anything about Admin because the happiness of the people of the Underworld isn’t their primary goal. Rather, the whole system is a load test to see how much they can tighten the vise on a civilization before it loses cohesion.

Cardinal also tells Kirito that this isn’t just about defeating Asmin and ending her domination over the Underworld. The Forces of Darkness beyond the Realm of Humanity are planning a massive invasion, and Admin’s Integrity Knights are far too few in number to repel them, and she had all four guardian dragons slewn because she couldn’t control them, further hampering her defense.

Cardinal isn’t going to allow the Forces of Darkness to invade the Realm of Humanity; she’s willing to destroy the Underworld and start over to keep that from happening, and this is why she needs Kirito and Eugeo’s help.

If they successfully defeat Admin and Cardinal regains her authority, she’ll let Kirito save “about ten or so” Fluctlights, which if I’m honest, is close to all of the people in the Underworld who mean a lot to him (Cardinal also asks, and is given, a simple human hug, which she considers more than adequate reward for her efforts).

Of course, that’s not ideal, and Kirito will be searching for a way to have their cake and eat it too (I mean, he wouldn’t be Kirito if he didn’t). As for saving Alice, it turns out to be just a simple matter of ejecting the “piety module” from her head that’s blocking her past self, by reminding her of her most treasured memory—stored in Admin’s chambers.

Kirito and Eugeo’s mission has similarly simple steps, though of course they’re all easier said than done: First grab their newly-improved weapons from the third floor. Then, go to the 100th floor to recover Alice’s stored memories.

I have no doubt the 97 floors in between will prove a challenge, but should they run into Alice herself, Eugeo is given a dagger that will connect her to Cardinal, who will put her to sleep. So that’s the plan…all that’s left is to execute.

Sword Art Online: Alicization – 12 – Sage of the Infodump

Kirito and Eugeo just barely hold their own against Eldrie Synthesis Thirty-One, who is armed with all manner of magical attacks and divine objects. They’re only able to escape defeat when Eugeo suddenly remembers why Eldrie seems so familiar: he used to be Eldrie Woolsburg, the North Empire representative swordsman.

Hearing his former name and other details of his past, a triangular prism is slowly ejected from his forehead, and the former Eldrie’s personality seems to return. The transformation is interrupted by an attack by a second knight armed with a bow and riding a dragon, but the implication is clear: what happened to this guy must’ve happened to Alice. The person she used to be might not be gone; only repressed.

Kirito and Eugeo would have probably eventually been caught by the second knight, but are given yet another break when a voice tells Kirito which way to turn and presents them with a glowing secret doorway through which to dive.

They land at the bottom of a stair, before a diminutive-looking sage called Cardinal. She is the Cardinal System that once governed the Underworld, but she’s been usurped, and her powers are now limited to the great library that contains all of the world’s knowledge and history.

Upon showing the boys around, she sends a sneezing, soaked Eugeo off to the bath to warm up, and summons some food and tea for Kirito. The balance of the episode is Cardinal (voiced, I think, by Tange Sakura, complete with “umus”) basically delivering a lengthy infodump, focusing on her “twin elder sister”, Administrator, the self-made Pontifex of the Axiom Church and only one who can contact the outside world.

“Administrator” was once Quinella, the offspring of the first political marriage between high lords, and the descendant of one of the “original four” inhabitants of Underworld who, unlike the other three, was driven by greed and a lust for power. Quinella was gifted with System Call, and used it to hunt animals and gain more and more authority.

Eventually, she had her followers, upon whom she demonstrated various “miracles”, build her a church in which she still resides to this day, being worshiped and ruling with absolute authority. She solidified that authority by writing the Taboo Index, which forbade the very actions that gave her the power boost she needed to seize command of the world.

Even Quinella couldn’t initially win against the ravages of time, but even on her death bed never stopped trying to find the right commands to undo her demise. She succeeded, either due to coincidence or help from the outside world, and her fluctlight was augmented with the Cardinal System as it was to create a new, no longer “human” being, naming herself “Administrator.”

Suffice it to say, Admin is one tough cookie. Considering how badly Kirito fared against a novice Integrity Knight, he and Eugeo are going to have to seriously up their game if they want to overthrow her. I daresay it wouldn’t hurt to snap Alice out of her brainwashing (Eugeo knows far more of her past than of Eldrie’s) so she could fight beside them.

But I’m just spitballing at this point. The villain has been introduced and explained. Now we’ll see what the heroes are going do about it.

TenSura – 08 – An Extended Goodbye

Every week when I watch the OP and ED I wonder “When is Rimuru going to gain a human form?” Well, TenSura answers that question. There wasn’t much doubt that Shizu—or rather, Izawa Shizue—wasn’t going to get out of that bed in the hut. The curse was lifted, but her body, which had endured for decades, was at the end of its rope.

After giving Rimuru the full story of her eventful life after summoning, and learning his Japanese name, she asks him to eat her so she can rest in peace within him. Rimuru uses Predator as she requested, and has plans to meet and slug Leon Cromwell, even though that Demon Lord was the only reason Shizu lives as long as she did.

When Shizu’s former adventurers enter the hut, they’re shocked to see a kind of 3/4 scale Shizu with blue hair and yellow eyes: it’s Rimuru! Or rather, a new form Rimuru gained by absorbing Shizu, which he explains was her explicit wish.

They’re not mad, just sad they couldn’t say goodbye to Shizu. But after being supplied with some top-shelf gear from Kaijin and his friends (who are famous to the adventurers as masters of their craft) they say goodbye to Shizu through Rimuru’s human form, and then head home.

Having met and absorbed his “destined one”, Rimuru builds a simple grave for Izawa Shizue under a tree perched on a cliff with a view of the village, then prepares to gain more information on his new world before confronting Leon Cromwell.

Meanwhile, a pig-man is on his last legs in the desert, but is saved by an oddly well-dressed man named Gelmud who hides his face behind a Venetian mask. He names the pig-man and offers him food in exchange for his fealty. Gelmud has plans for his new “project” that relate to the Jura Forest, so no doubt they’ll be crossing paths with Rimuru and his crew.

TenSura – 05 – Rimuru Gets His Team…Then Gets Exiled

One of Rimuru’s iffily-drawn Elven hosts uses a crystal ball to show him who he’s “destined to be with”: the dark-haired young woman who features prominently in both the promo art, OP, and ED, but who has yet to cross paths with the Slime.

When Kaijin’s nemesis Minister Vesta pours beer on Rimuru, Kaijin slugs him, and the whole crew gets arrested, goes to gaol, and does not pass “GO” or collect $200 gets put on trial. We learn that the well-bred Vesta used to be a subordinate of the peasant-class Kaijin.

Vesta uses his largesse to pay off the proxy meant to defend Kaijin, and after a brief trial he is sentenced to twenty years in the mines, and his friends, who did nothing, ten each. However, the Dwarven King Gazel Dwargo, who quietly resides over the proceedings, puts a quick end to the farce.

Dwargo offers Kaijin a place among his ranks once more, but Kaijin has already agreed to join Rimuru. So everyone gets exile instead, and for lying for so many years, Vesta is dishonorably discharged from the king’s service. Vesta once looked up to the king as a boy and dreamed of serving him, but somewhere along the line he lost his way.

As for Kaijin and his three mates, they find a new way: whichever way Rimuru Tempest is headed. They leave the city to meet up with Rimuru’s friends, but King Dwargo senses the power of Veldora within the slime, and orders a stealthy spy to follow him.

All in all, I felt the trip to the great dwarven city to be somewhat underwhelming, even if Rimuru ultimately got what he wanted (artisans for his village). And while there were some interesting character dynamics in play, the trial was still a bit of a snoozer.

Happy Sugar Life – 06 – Losing the Moon

Shouko, who is consistently the most normal of characters in this show full of loons, encounters Asahi, and she isn’t one to just keep walking. At her heart she’s a “good girl”, even as she once made a habit of staying out late at night to fool around with men.

She’s also good enough friends with Satou that she knows when she’s hiding something. She’s just not ready to believe Taiyo’s accusations. Meanwhile, Satou tries to hem in Taiyo from further interference by offering to let him meet Shio, while the masochistic teacher is dedicated to finding proof Satou murdered her aunt.

Satou’s far-too-together demeanor at work continuies to elicit suspicion in Shoko, who walks the same shopping district she and Satou used to hang out looking for guys. Only this time, she goes to the park to find Asahi sleeping under a bench, and gives him more food. She has no ulterior motives, she has no hidden neurosis; she’s just helping someone in need.

She wants to know how Asahi got into this state, and he tells her the story of how his mother and Shio escaped the house where her drunk husband was beating her. Asahi stayed behind so “the devil” wouldn’t go looking for his mom and Chio.

Staying meant enduring beatings and KGB-style fingernail torture, but Asahi it was worth it; he’d take the abuse so Mom and Chio could be safe and free. He had his moments of despair, but ultimately endured until his father drank himself to death.

The unbridled joy of discovering this fact is quickly marred when Asahi goes to his mom’s house to find Chio has been kidnapped. His Mom, who from the look of the place was not coping well with living and caring for her kid on her own (even though the alternative would’ve obviously been worse; at least she’s not being beaten) simply tells Asahi it was “too late.”

Shouko scores a day out with Satou, their first time hanging out as friends in a good long time. They have a lot of fun, but Shouko has a mission in mind: she wants to know the truth. Satou is initially totally unwilling to tell her, since it’s something she doesn’t want a good girl like Shouko getting mixed up in.

Shouko forces the issue by telling Satou that she wants nothing else but to know what she’s involved in, because she loves her friend more than anyone else. These words seem to move Satou, and she invites Shouko to come to her house to learn what secret she’s been hiding with a non-existent boyfriend.

Even so, I’m not convinced Satou is capable of trusting Shouko with all of the dark things she’s done that even she herself has compartmentalized. Then again, I find it hard to believe Satou would do anything to Shouko in the presence of Shio—which calls to mind how exactly Shio’s kidnapping went down. More concerning is the fact the masochistic teacher is tailing Satou. I can’t see any of this ending well.

Mahoutsukai no Yome – 12

As a restless Elias lounges around the house, lacking the energy to do anything even though there are things to be done, Chise completes her wand (an exhausting process) and basically “contracts” with it by sharing a bond of fate with Nevin, source of the wand’s wood.

She and Nevin meet in a nebulous space between the worlds of the living and dead. There, Nevin hears Chise out, then gets her to address her appalling lack of self-worth and confidence, believing as she has since her mother discarded her that she is readily disposable.

But rather than curse the parents who messed their kid up so much, Nevin thanks them for everything they did, because that string of actions and inactions led Chise to him, and she allowed him to fly again in his last moments.

Nevin also asks Chise to consider everything she’s done and the people she’s met and saved. If a savior such as Chise believes herself of so little value, that reflects poorly on the value of those she saved.

Having concluded her talk with Nevin, Chise returns to the regular world, and wishes to head back home so she can say the things she needs to say to Elias. Can I just say how it feels like she gives us this spiel about wanting to say things left unsaid in every episode, and yet it never happens.

This episode is no exception, though I can forgive it for using the conceit of Chise simply running out of energy, because she did, after all, use her wand to fly home by herself, utilizing fire faeries to transform herself into an elegant phoenix.

Visual similarities to Ghibli films notwithstanding, Phoenix-Chise’s extended journey through the sky was a high point of the episode, with Chise relying on her own power and embracing both the freedom her new wand allows her and the more advanced magic she, a sleigh beggy, can pull off with ease.

The trip knocks her out, and she has a dream involving her parents unlike any other she’d had before: a dream in which her mother isn’t crying or angry, but rather happy and smiling, even at Chise.

We see a glimpse of her life that she had forgotten, as it had likely been buried under years of emotional trauma. Her mom, pregnant with her little sister, and her dad, enjoying a lovely sunny day.

That’s the day that awaits Chise back home in the waking world, albeit with a sky full of floating sheep insects waiting to be shorn. After a bath and breakfast, Chise slips back into the warm comfort of her life as an ancient mage’s apprentice. Realizing the “bride” part, however, will require more time.

Mahoutsukai no Yome – 11

Lindel’s fireside infodump-er-saga with Chise continues as he recounts his early travels with his new apprentice Elias. While making a house visit to heal a sick child, the child’s sister has “the sight” and spots Elias in Lindel’s shadow.

The girl assumes it’s an evil demon, and before long the entire village is mobilized against Lindel and Elias. When Lindel is injured by a thrown rock, Elias loses his temper and attacks the villagers with his thorny vine appendages, basically confirming their worst fears.

And here is the start of the trouble with Elias Ainsworth that I’ve had for the past ten weeks; a problem no closer to being solved in its eleventh. As Lindel’s master noted, he has a tiny amount of human in him, but there just isn’t enough humanity for me to fully emotionally connect.

That’s made any exploration of Elias and Chise’s relationship—in terms of her status as his future wife—feel incomplete and unsatisfying. As Lindel said to Chise, Elias “seemed to be missing something”, and for me, he’s still missing it.

(There’s also the little matter of Elias having a vague memory of—and occasionally feeling the urge to—eat humans, though Chise claims she’s never once feared Elias, even during that tense bed scene.)

But perhaps I’m not being open-minded enough with the premise that it isn’t that Elias isn’t human enough, but that for all the years he’s lived, Elias is still a child, and not just in Lindel’s eyes.

As a child, he’s insecure, emotionally stunted, and prefers the shadows. Chise, with her own stunted childhood, is in a similar state, leaving us with two would-be “lovers” who really have no clue what they’re doing.

A large part of that is neither Elias nor Chise have really taken the time to dig that deeply into who they are and what they want, aside from the big things like “survival” and “being wanted/needed”.

But never mind that for now; we’ve got a long way to go with these two crazy kids. For now, Chise gets tossed back into the water by baby dragons, meets a leviathan (neat!) and then sets to work whittling down a wooden log into her wand, which is meant to be an introspective process.

When night falls, Lindel, AKA Echos, sings the song of a hundred flowers, and all number of magical beings emerge and join in a dance. Chise dances for the first time, and then inadvertently opens a “water mirror” through which she can communicate directly with Elias.

Chise says Elias “looks troubled”, which is a bit silly since his bony face never really changes that much, and then the two remark at how much they miss one another, despite not having been apart all that long.

Home is cold without Chise, and Chise wants to show Elias the beautiful scene Lindel has created. “Two kids”, as Lindel said, both trying to figure out who they are and what the other person means to them.

And since Chise has learned so much about Elias—things he couldn’t or wouldn’t say—she wants to reveal to him more about her self; something she hasn’t yet been able to do to her satisfaction.

Mahoutsukai no Yome – 10

Lindel sends a selkie along with one of the young dragons (now big enough for a human to ride) to invite Chise to the Land of the Dragons so the “Robin” can have a wand made. For this journey, Elias will stay behind, though Ruth will remain by her side.

Chise’s dragon ride through the wind and clouds is appropriately epic in presentation, with stirring orchestral accompaniment to boot. It’s also nice, for once, to have an episode without any imminent or even perceived threats. There are more sides to Chise’s life than peril…procuring a wand, for instance.

Nevin’s Tree is as big and majestic as ever, and Lindel directs Chise to saw off a piece of it for her wand. Her lack of surefootedness in the tree results in a spill and a demonstration of how crucial it is she have a familiar nearby to, among other things, catch her. Back home, Elias notes how quiet it seems without Chise.

While she’s hardly a Chatty Cathy, she’s a motormouth compared to Silver. Then Elias receives a message via bird-intercom from Adolf Stroud of the College administration, who’d like to learn more about what Elias has in mind for Chise’s future.

That night, Chise arms and hands are covered in scrapes and scratches, which Lindel instantly heals with a touch. As a “bedtime story”, and because Elias hasn’t told her, Lindel regails Chise with the tale of how Lindel met Elias.

Lindel himself didn’t even have a name before his master found him, and Elias has a similar “birth”, one brutally wintry day simply appearing out of seemingly nowhere, nameless, without any memories or idea of what he was. Lindel gave him a place to rest and a meal, but its clear if either of them want any answers, the best bet is to take him to his master.

Lindel finds his master with a sprig of spruce and a red string. When they arrive, when Elias is too big to enter the house, he shrinks himself to child-size. The master, kind and curious, pegs the creature as almost a fairy; as close as one can get, yet still with a bit of human, which pretty much describes the Elias we’ve come to know.

She’d normally chalk his state to the result of a human transformed after abusing black magic, but she keeps her other guess close to her chest. All she can get out of him memory-wise is a color: red. She tells Lindel to take care of him, giving him the name Elias. Lindel is initially hesitant, but when Elias starts to take off (not wanting to be a bother), he agrees, though makes sure to call him his “acquaintance”, not his “apprentice.”

Back in the present, Elias’s bird-call from Adolf is interrupted by Renfred, who warns Elias that he’ll “ruin” Chise if all he does is let her live with him. Everyone from the college to Lindel wants her to spread her wings, but Elias is taking things slow, and Chise, happy simply to be wanted by someone, is being complacent on purpose.

Of course, this episode only provided part of Elias’ past, and we still don’t know exactly who or what he is, particularly before that scene in the forest where he had to fight back wolves. Ultimately, Chise’s future is up to her and no one else, but she’ll need more knowledge before making any concrete plans.

Juuni Taisen – 10

Juuni Taisen may be at the bottom of RABUJOI’s Fall 2017 barrel, but it’s by no means a bad show, and strong, simple, yet heartfelt episodes like this one only help the case for sticking with it till the end. I thought I’d had my fill of Kanae’s endless drinking and killing; it turns out, so had the show.

It wasn’t done telling us Kanae’s story, about how one day, on some random battlefield, she was mistaken for a civilian who had been plied with alcohol by the dastardly soldiers operating in the area. The man making that mistake was none other than Ushii.

Kanae never has the guts to tell Ushii the truth about her, and instead lets him rescue her and take her to a refugee camp on his back. While near him, Kanae soaks up as much as possible about the guy. She wants to know how a warrior like him does the right thing. His answer is simple: first you have to choose to do it; then do it.

Anyone—including Kanae—who is suffering or tortured has to reconcile the fact that it isn’t that she can’t do right, but that she’s chosen not to. Intent is everything. Figuring out how to do right is folly unless one decides that right is what they want to do.

Kanae takes this to heart, and decides she’s going to crawl out of her drunken hole of misery (in which she realizes she’s been suffering the whole time after all) and re-dedicate herself to becoming a warrior that would make Ushii acknowledge her.

That leads her back to the Aira dojo, where she successfully begs her way into the next Juuni Taisen, all to face off against Ushii. To her annoyance, he doesn’t remember her in the slightest (though to be fair, she was wearing a lot more back then).

And yet, the moment she chooses to do the right thing—save Ushii from Usagi’s disembodied killer arms, and take the sword strike meant for her—even seems to take her by surprise. She’ll be damned if she’s going to let such a horrible fate befall the man who not only saved countless innocent lives during his many exploits, but saved her as well.

If it weren’t for him, she wouldn’t even be there; she’d probably have drunk herself to death (though considering the tolerance she’s demonstrated thus far, perhaps not).

Turns out Ushii has never before been saved by anyone the way Tora did. That means he’s determined to save her again to repay his debt, unaware of the debt she was repaying him.

I thought it ludicrous even in this heightened reality that Tora would last long with a wound like that, especially with the jostling of riding on Ushii’s back. It’s not long then, that Tora herself tells Ushii to put her down; even if they find a hospital and her life is saved, she won’t be able to fight in their duel.

Instead, she calls the duel off and asks Ushii to kill her, lest Usagi claim her corpse. It’s a strong argument, and Ushii agrees to do it. Tora leaves the world with no regrets, with a smile on her face. Her wish, as it turns out, was to be acknowledged by Ushii.

She did more than that. By saving him, perhaps if he survives Nezumi and what’s left of Usagi, Ushii can continue his life of doing what’s right. All because in one crucial moment that made all the difference, Tora chose to do the same.

Juuni Taisen – 09

When we begin Aira Kanae’s backstory, she’s just an ordinary high schooler riding her bike to the dojo…but she’s too good. She surpasses everyone, and becomes head of the Aira-style school, and is put to work as a warrior. The practicalities of a hand-combat specialist in bullet and grenade-strewn war zones escaped me, but apparently she’s just that damn good.

The hypocrisy of the war-torn world starts to weigh on Kanae, until she finds that drinking lets her forget so she can move forward and kill more efficiently and viciously. She engages in each successive battle drunker and drunker.

She’s kicked out of her dojo for abandoning the teachings. Heck, she abandons everything, including her humanity, and reason, all to become an unstoppable raging beast—the Tora of the present. But I’ll admit: watching Kanae drink, kill, and repeat got a bit repetitive (even if that was kinda the point).

I can’t say I got a whole lot out of her backstory, aside from the fact that she can only be an effective warrior by killing her brain cells. She also doesn’t seem to have a wish in mind after victory.

Tora remains in a temporary alliance with Ushii (Ox) this week as they face off against Zombie Snake and Zombie Dragon. Oh yeah, Usagi used Sharyu to propel himself into the sky and kill Dragon, then make him another member of his little team. So while there are only two twins, it’s essentially four-on-one against Tiger and Ox.

The resulting battle has some of the smoothest and most interesting motion to date, though it’s pretty clear when the characters are drawn and when they’re CGI models. Still, the battle looks great, even if it only lasts a few moments, as Tora busts open Dragon’s tank of liquid nitrogen, which takes out both Dragon and Snake…at last.

That leaves Usagi on his own against Tora and Ushii, and they charge at him and appear to tear him to pieces…but I’m not convinced he’s dead by a long shot. He must have something up his sleeve, as well as a reason he didn’t involve the very capable Zombie Sharyu in this encounter. Indeed, his red eyes may indicate he himself was never “alive” to begin with.

Of course, Tora and Ushii believe he’s dead, which is dumb, and prepare to duel one another. It doesn’t help these purported elite warriors’ credibility to have such gaping blind spots all the time. As for Rat, the last character shown in the end credits, he’s still alive, somewhere. Could he end up being the last warrior standing?