Astra Lost in Space – 11 – Right Hand Man

In the biggest twist yet in a show packed with ’em, Charce turns out to be the clone of the king, raised to be a replacement body, not an individual person. When clones were banned, his mission changed: accompany the Space Camp and ensure they all die.

And yet, even having heard all this, Kanata isn’t ready to give up on Charce. He insists that if he really didn’t love and care about them, he wouldn’t have hesitated with the wormhole generator. But Charce has an exploration for that too: Aries Spring is the clone of the king’s only daughter, Princess Seira.

Seira was staunchly against being cloned, but her father did it anyway, cementing the king as a violating dickwad concerned only with everlasting life. She spirited her baby clone away with her surrogate mother, Emma, naming her the reverse of her name before parting.

A year before Space Camp, Seira and Charce were enjoying nature when a shadowy figure rushed out of the woods and shoved Seira off a cliff; an assassination made to look like an accident. The king threw Charce in jail where he rotted until a week before camp, when he was assigned his new mission: to die, and take the other illegal clones with him.

It’s fair to say Charce had the most fucked up childhood of the crew, and what makes him even more pitiable is that he believes his life has been wonderful, as long as he’s had a purpose; as long as he served his king. Kanata gives him a much needed punch; he can talk about his true purpose all day; he knows when someone is forcing or faking happiness, and Charce hasn’t been faking it.

But Charce’s mind seems made up; he produces a second wormhole generator from the right arm of his suit—a wormhole meant only for him. This isn’t about fulfilling a mission anymore, but punishing himself for betraying the only friends he had in the world (other than Seira).

Kanata stops the suicide attempt with another one of his athletic feats, jumping over the dang wormhole and shielding Charce from it. But he misjudged the distance, and Charce can’t turn off the wormhole soon enough. It swallows Kanata’s right arm, transporting it back to Earth orbit.

The moment Kanata’s arm disappears, the most pressing question is whether he’ll survive the injury. Quitterie doubtlessly saves a lot of his precious blood with her quick thinking and first aid, but he needs a hospital, and they’re still far from Astra. Charce regrets what happened, and Kanata tells him he’ll pay for it by being his second-in-command when he gets a ship. But right now, in Kanata’s present state, it sounds an awful lot like a death flag.

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Fruits Basket – 17 – Paying It Forward

Uotani Arisa was a broken and rudderless teen, subsumed by dirt and blood from pointless beatings; lost in the darkness. Things were briefly made worse when her idol Kyouko turned out to be the “lame” doting mom of the even lamer and impossibly sweet Tooru.

And yet, when Arisa is alone and on the run from more beating than she can take in a day, who does she barrel into once more but that sweet and polite Tooru, who immediately senses her friend is in danger, grabs her by the arm, and runs.

At Tooru’s apartment, Arisa finds herself back in an atmosphere of warmth, tranquility and love that is so foreign to her it’s uncomfortable. She figures her dirty delinquent self wouldn’t change even if she had such an atmosphere at her home, with her dad. Nevertheless, she’s jealous of it, and she wants it.

Tooru Kyouko are more than willing to share it with her, and to soothe her crushing loneliness that has been the core of her struggles in life so far. Back in the present, we see that Arisa is no longer lonely, and loves Tooru and Saki very much. That’s when the three young delinquent wannabes finally confront Arisa, but she ignores them as if they were mere gnats.

While her story about how she became besties with Tooru is complete, there remains the rest of her story: how she became the strong, beautiful, wonderful person she is. It’s a story she doesn’t tell the Souma boys, but is generous enough to share with us.

Hanging out with Tooru and Kyouko is a positive force for change in Arisa, but that change doesn’t come as quickly or easily as removing the stems peas. She may have returned to school and studies with Tooru, but her teachers assume she’s bullying her, while her gang takes none to kindly to her efforts to go straight.

Other students are weirded out by Tooru hanging out with Arisa all the time, and rumors spread about Tooru actually being a delinquent beneath a goody-goody facade. To Arisa’s relief and joy, Tooru pays such rumblings absolutely no mind. She’s going to make an extra muffin for her dear friend Uo-chan, no matter what anyone says.

But while the bond of friendship between Tooru and Arisa can’t be easily broken, the same doesn’t go for Arisa’s bones. While in the present she credits Kyouko and Tooru with saving her, it’s not like Arisa did nothing to help her own cause, and while she might not have known it at the time, going back to her gang to tell them she’s out and facing the consequences was actually the first step towards saving herself.

Thanks to her older gangmate Akimoto, Kyouko learns of the horrible beating Arisa’s doomed to receive if no one intervenes, so the Crimson Butterfly dons her duster for one last rodeo, intervening in the fight, extracting the battered Arisa, and carrying her back to her place on piggyback.

As Arisa demeans and insults her idiotic self for not realizing sooner she was on the wrong path, Kyouko offers some sage life advice, having experience quite a bit of that life herself. She tells Arisa that sometimes you need to hit rock bottom to realize you want to change; and that neither the light nor purity of life she seeks would be possible without the presence of darkness and dirt from which she emerged.

Arisa didn’t understand the feelings she bore until she got hurt exploring them, but now that she’s come out the other side, she knows with the clarity of a mountain lake what she wants to do: to become a strong, beautiful, wonderful best friend in whom Tooru can take pride.

So Arisa abandons her delinquent past to become just that, and eventually she and Tooru befriend Saki as well. And while she is utterly devastated when Kyouko suddenly dies, she’s also eternally grateful for the things Kyouko gave her and the things she left behind, with which she can not only continue to be a better person with a kinder soul, but pay the love and kindness and wisdom she received to others.

That means not simply socking the redheaded delinquent punk (Ishi-chan) who keeps bothering her, but offering her words of advice she wished she’d received earlier: Stop acting out while you still can, before something serious happens. If you need someone to scold you, I’ll do it anytime.

Ishi is immediately smitten by Arisa’s blend of warmth and coolness, and her two friends fall in line, becoming fans of Uotani Arisa on the spot. After the credits, Ishi not only cosplays as Arisa, but wears the exact same outfit Arisa wore the day they met! Needless to say, this is exceedingly cute and heartwarming.

Just like Arisa idolizing someone like Kyouko instead of a less savory gang member, it’s almost as if the universe is looking out for these three still very young kids who have a lot of life yet to live before giving up.

Because they chose the right woman to idolize, just as she did. And perhaps, one day, when they’re better people, they’ll pay Arisa’s wisdom and kindness forward, and help others become better too. Along with Tooru—essentially a demigoddess of love and kindness—this is the enduring gift Kyouko left behind, and why she’ll never really be gone.

Astra Lost in Space – 02 – Not Here to Make Space Friends

The Astra lands on the planet Valvrave Vilavurs, a lush planet teeming with flora, fauna, and water to stock up for the twenty-day journey to the next stepping stone in space. Kanata distributes tasks to the crew, but encounters immediate resistance from Quitterie, who doesn’t seem interested in doing anything dangerous. As if being lost in space wasn’t already dangerous…

After encountering a giant dragon-like flying beast with a turtle-like head (hence the name “tur-gon”), most of the crew heads into the forest to forage amongst all manner of alien critter and trampoline tree, while Ulgar and Yunhua, the quietest of the group so far, fill the Astra’s water tanks from a nearby stream.

What had been a jolly good time turns into a nightmare when the singularity reappears, with space staring at them from the other end. This time, however, everyone manages to get away, thanks in part to Aries’ photographic memory…and because the sphere may well have “given up”, if it’s capable of that kind of thought.

Back on the ship, Quitterie reiterates her desire to make friends with precisely no one, then makes it that much harder on herself by telling her sister Funicia she’s not really even her sister, then running off, requiring everyone to head back out to look for her. Zack, her childhood friend, explains that she’s always found it hard dealing with people or making friends since she was basically raised by dutiful servants.

Funi, who was later adopted by Quitterie’s absentee doctor mother (and not welcomed by Quitterie) gets separated and ends up on a trampoline tree as it stretches up vertically towards the setting sun (neat tree, that). This puts her in prime position to be snatched up and eaten by a tur-gon.

To stop that from happening, Kanata takes action when no one else will, finding the tree closest to the cliff and using his decathlete skills to run and jump from tree to tree until he’s close to Funi. Unfortunately, a tur-gon grabs her, but he uses Luca’s javelin to injure it, and it drops Funi harmlessly back to the treetop.

Kanata manages to reach her, but loses his footing and falls backwards over the edge. Like Funi when she was captured, or Aries and Kanata’s troubles in open space last week, this show loves almost killing off members of its large cast, and since I’m still new to this show, it hasn’t yet been clear that it won’t actually follow through and do it for real at some point.

But not this time, as Quitterie makes herself useful and launches a series of parachute plants (also neat, those), one of which catches Kanata, who gently drifts down to solid ground. Quitterie thanks Kanata and apologizes for her behavior thus far, and Kanata’s quick-thinking and heroism cements his role as the consensus captain, with Charce as his second-in-command.

With Kanata now in a place of leadership, his hard work finally paying off, and Quitterie finally being honest about actually wanting friends and family, not to mention everyone having more than their share of delicious tur-gon meat, the crew is sitting pretty after the first completed leg of their 5,000 light year-plus interstellar odyssey.

But Zack informs Kanata of a disturbing discovery he’s made: the communications system was sabotaged…recently. That means it was either done just before they boarded the ship…or there’s a traitor in their midst. Absent any evidence, I suspect Ulgar the most, since he’s so quiet and standoffish, but I’m not sleeping on it being Yunhua, or Charce, or heck, even Zack himself, trying to cast away suspicion on himself by reporting it.

One thing’s for (mostly) sure…it’s not Kanata or Aries. But who ever it is (if it indeed is one of them), the mystery adds a measure of looming peril to what has otherwise been an bloodless quest. The crew has been extremely lucky to survive their trials so far. That luck can’t hold out forever.

Lord El-Melloi II Case Files – 01 – Not Even Close to a Hero

First of all, I wouldn’t bother watching EM2CF unless you’ve at least seen Fate/Zero in its entirety; aside from the fact that series is a masterpiece (and is available on Netflix, at least in the U.S.) you won’t have any context to who this Waver Velvet kid is unless you do. It would be like watching Avengers:Endgame without watching any previous MCU films.

Though to me that immediately hamstrings this sequel/spin-off: it has some huge shoes to fill, and from the outset it doesn’t seem interested in even bothering to do so. This is not a Holy Grail War arc, but a totally different, smaller-scale story about how one combatant in the fourth war has managed to honor his heroic spirit’s wish that he go on surviving.

Even with a good working knowledge of Velvet and his role the fourth Holy Grail war, this first episode of a series focused on him makes a lot of jumps backwards and forwards through time—probably more than should be necessary.

That being said, the story moves along well, from one final parting shot of Fuyuki Bridge ten years ago, to hanging upside down in the Archisorte Mansion seven years ago. There, he regails Lord El-Melloi’s blood niece and (sister-by-succession) Reines with an adventure he had while visiting the ancient ruins of Babylon some months after the war.

After being captured by a fellow ex-Clock Tower student Barzan, Waver meets another former classmate in Melvin. They break out of their cell and blow up the archaeological site believed to be where Iskandar is buried, which Barzan has been using as a workshop for illicit magecraft.

Once they’re both free, Waver asks Melvin to forgive him for being unable to pay back the money he borrowed to travel to Japan for the Holy Grail war he then went on to lose. But Melvin was impressed both by the fact Waver even did survive, and with his display of no-nonsense practical magecraft to get them out of a tough spot, so he decides to lend him more money; this time to buy the late Lord El-Melloi’s class.

Three years later, Waver has steadily managed the class, and now finds himself before Reines, who simply wants to know why he did so. Waver simply feels responsible for El-Melloi’s death, and thus feels carrying on the class is his duty. Reines, still too young to be a proper lord, decides to make Waver’s role in El-Melloi’s legacy official by naming him Lord El-Melloi until she comes of age.

In accepting the title, Waver agrees to help the nearly insolvent El-Melloi family repay their debts (through those titular Case Files) and try to restore the family’s heirloom magical crest that was heavily damaged in the war, and without which the family will surely fall. All he asks in return is to have “the second” added to his title, so that he need not bear the exact same title as his mentor; something he feels he doesn’t deserve.

And that’s how Waver Velvet became Lord El-Melloi II seven years ago. Flash forward to the present, and an older, more stately former-Mr. Waver meets his apprentice Gray (introduced in the preview episode) in the hallway, then sits down with a similarly older Reines and Melvin to discuss…the next case.

While this episode had no shortage of F/Z references, if the show keeps doing that it’s going to feel like a crutch. I for one think this show can stand on its own as a supernatural mystery-of-the-week kind of deal. It’s all about managing expectations, something Waver certainly knows a lot about, having always operated on shoestring resources and third-rate magic.

BokuBen – 07 – Storming of the Bastille

Rizu doesn’t know that Uruka likes Nariyuki, and Uruka doesn’t know that Ri likes Nariyuki, but Fumino knows both of those things, and she doesn’t want to rock the boat. However, fate seems to conspire against her, as she trips over her own feet and lands upon Nariyuki in an apparent passionate embrace that Ri happens to witness.

Fumino, convinced Rizu is furious, tries to make it right, ultimately by shoving Nariyuki into Rizu’s embrace; but his head ends up in Ri’s bust—no doubt due to poor calculations on the part of Fumino, for whom math is not her strong suit, as we know. Turns out Rizu only appeared angry because she was squinting due to using a backup pair of glasses.

From there we shift to Nariyuki’s increasingly complex relationship with Kirisu-sensei. When he attempts to rescue a cat from a tree, it ends up jumping off, and Kirisu twists her ankle catching it. Nariyuki helps her get to her apartment, which is an appalling mess.

But since Kirisu is actually a good person (which is why she saved the cat), she makes coffee for Nariyuki and helps him study some history as thanks for his assistance.

While helping her clean, Nariyuki stumbles upon a trophy case packed with accolades from when Kirisu was an ice skater, proving that her desire to steer the girls away from their “emotional” choice of life path is borne out of her having made the same choice when she was younger, and coming to regret it.

Nariyuki tells her that while he appreciates where she’s coming from, he’s decided he’s going to “hold his head high” and “regret it later” with them. It’s only a meaningless, foolish path if they fail, and he can’t yet say that they will.

With that, he takes his leave. When he asks if it’s really okay for a man to have come to her place, she dismisses him as still a child, but once he’s gone, she drops the pretense and reveals she was a nervous wreck, because he was actually the first man ever to be at her place.

One one of their now regular one-on-one chats, Nariyuki tells Fumino about being at Kurisu-sensei’s last night. Knowing it could enrage Rizu and/or Uruka, she drags him to a tree, pushes him against it, and makes him promise not to tell anyone what he just told her.

Naturally, the next time she’s in class, she’s hounded by classmates convinced that she’s in some kind of “special relationship” with Nariyuki, something Nariyuki himself doesn’t deny (since he considers both his tutoring of her and her coaching of him in matters of women to be “special”).

Fumino’s classmates are extremely protective of her, and aren’t about to let just any schmo go out with her, so they send a covert surveillance team to the library where the two are studying, and determine that there’s no overt romantic spark between them, but that they share a “deep trust that transcends the boyfriend-girlfriend barrier.”

Or was she? Fumino may be committed to not making either Rizu or Uruka sad (or mad), but she can’t deny she’s enjoyed all the time she’s spent with Nariyuki, and not just in a tutor-tutee scenario. He’s supporting her wish to pursue her dreams, after all!

When she finally informs Nariyuki of the rumors going around about the two of them, she “jokes” that maybe they should just go out for real. Only judging from Nariyuki’s reaction—and her reaction to his reaction—it sure doesn’t feel like it was a joke. As much as she wants to be above the love polygon, this episode leaves little doubt that she’s one of the vertices.

Sword Art Online: Alicization – 15 – Books and Covers

This is an episode of jumping to conclusions with regard to one’s opponents…or is it? Eugeo and Kirito are seemingly caught off guard when the two young Axiom nuns plunge their paralyzing poison daggers into their chest and back, respectively. Linel and Fizel are not merely nuns, but Integrity Knights in their own right. And they both revel in having been seen as nuns just long enough to draw in close enough to attack their prey.

The girls drag the paralyzed guys up to the fiftieth floor Hall of Ghostly Light, where the Four Whirling Blades and Vice Commander Fanatio Synthesis Two are waiting. The nun knights, the last two sheltered survivors of one of the Ponfex’s resurrection experiments, don’t want the other knights stealing their thunder, but still need witnesses when they behead the criminals.

Unfortunately for them, Kirito only mistook them for harmless kids for an instant; far less time than they thought. When he noticed apprentices were disobeying orders (an impossibility in the cathedral) and wearing ruby oak sheaths (for poison daggers), he quietly recited a poison-dissolving art, which completed in time for him to stop them and give them a taste of their own medicine.

He cures Eugeo, then tells him to quietly recite a perfect weapon control art when he can and wait for his signal. Then he drives past the Four Whirling Blades and crosses swords with Fanatio one-on-one. Perhaps impressed by his cheek, Fanatio orders the subordinates to stand back as they duel.

Fanatio learns that despite a sword that contains the reflective power of the sun itself, Kirito and his black sword are no slouch. He chips off a piece of Fanatio’s helmet, endures the heavenly sword’s beam-like strikes (to non-vital areas) and eventually knocks her helmet off. That’s right: Fanatio is a woman. The look of momentary shock in Kirito and Eugeo’s faces pisses her off to no end; they’re faces she’s seen all her life.

But the one who seems most upset that Fanatio is a woman is…Fanatio herself. It is Fanatio reading her own book by its cover, and reading Kirito’s cover as Just Another Guy who won’t fight her with everything he has. As with Zel and Nel, Kirito quickly moves beyond his instinctive surprise and fights her on equal terms; as he says and we know, he’s no stranger to being beaten by swordswomen.

A splendid duel ensues; one that Fanatio almost seems grateful for, as for once she isn’t being underestimated or not taken seriously, despite her “detestable” face. Kirito asks her if she thinks she’s so detestable, why does she doll herself up so; it’s strongly implied she loved/loves Commander Bercouli Synthesis One.

But there’s no room for love, or anything else, for Integrity Knights. Only “glory” through obedience to the Pontifex. And so even when Eugeo unleashes his Blue Rose Sword upon her, he can’t quite finish the job. Part of that is that he trying to beat her with his hatred, and as Kirito calls for his own weapon enhancement, he corrects Eugeo’s thinking.

They’re not there to kill the enemies they hate, but to save the people they love—as well as those enemies themselves—and end the tyranny of Axiom so humans can live normal lives. And he’s going to do it or die trying.

Sword Art Online: Alicization – 14 – Opponents Without Pasts

SAO: Alicization commences its second half with an end to the Cardinal infodump, a return to the action, and a new OP that still, unfortunately, prominently features Kirito and Eugeo’s painfully lame secret handshake, which I believe they have yet to actually use in the show itself.

Ah well—no sooner do the two break into the cathedral armory to retrieve their weapons (and some new threads) than they’re attacked by the bow-wielding Crimson Integrity Knight Deusolbert Synthesis Seven. He sends a hail of arrows their way, but the lads are barely able to dodge them all without injury.

Deusolbert then takes off the kid gloves, using his Perfect Weapon Control art to unveil his Conflagration Bow. Kirito manages to slow his first shot with a series of ice shields as well as the sword skill Spinning Shield, allowing Eugeo to get close and unleash the full power of the Blue Rose Sword.

In this ice-vs-fire matchup, the Blue Rose wins, and Eugeo’s Veritcal Arc delivers decisive freezing blows to the knight. It’s perhaps the most jacked up we’ve ever seen Eugeo, no doubt taking a page from Kirito, as it’s absolutely essential in this world to believe you can do what you’re setting out to do, and trust in the source of your weapon to boot.

Defeated, Deusolbert asks Eugeo to finish him off, before he is stripped of his armor and knighthood and essentially frozen indefinitely by Administrator. Eugeo, recognizing his name as that of the knight who arrested young Alice, bound her, and took her away from Rulid, is almost enraged enough to oblige him, but Kirito asks him to stay his sword against one who will no longer fight back.

He also deduces that Deusolbert doesn’t remember capturing Alice, because Administrator erased his memories of doing so, then reassigned him to guarding the cathedral. They leave him on the staircase landing to choose whether to go back to his boss to accept punishment, heal his wounds and come after them again, or…perhaps try to remember more of the dream he always has of a young woman’s ringed hand on his arm. Integrity Knights may not have pasts, but Deusolbert definitely did.

Kirito and Eugeo continue their climb to the fiftieth floor, where a host of Knights await them who have orders to take them dead or alive. But before they can get far, they encounter two mysterious girls. Are they a form of Integrity Knight we’ve yet to see, some other kind of foe…or perhaps not a foe at all?

Sword Art Online: Alicization – 13 – Sage of the Infodump, Part II

Cardinal completes her story, in which Quinella, basically running out of soul disk space, copies her memories to a young girl’s fluctlight, overwriting whatever was there. But Cardinal, now possessing a good deal of Quinella’s powers, decided to try to make her move. She fails, but was able to flee to the Great Library to fight another day.

Their duel is brief but exciting, despite all the awkwardly long English incantations the two must make (“System Call: Generate Luminous Object”, etc.) For 200 years since being banished to the library, Cardinal has been observing the Underworld, waiting for the right person with which to collaborate. She used a little spider named Charlotte to help bring Kirito to her.

Cardinal also suspects the god of the outside world (i.e. Rath) aren’t doing anything about Admin because the happiness of the people of the Underworld isn’t their primary goal. Rather, the whole system is a load test to see how much they can tighten the vise on a civilization before it loses cohesion.

Cardinal also tells Kirito that this isn’t just about defeating Asmin and ending her domination over the Underworld. The Forces of Darkness beyond the Realm of Humanity are planning a massive invasion, and Admin’s Integrity Knights are far too few in number to repel them, and she had all four guardian dragons slewn because she couldn’t control them, further hampering her defense.

Cardinal isn’t going to allow the Forces of Darkness to invade the Realm of Humanity; she’s willing to destroy the Underworld and start over to keep that from happening, and this is why she needs Kirito and Eugeo’s help.

If they successfully defeat Admin and Cardinal regains her authority, she’ll let Kirito save “about ten or so” Fluctlights, which if I’m honest, is close to all of the people in the Underworld who mean a lot to him (Cardinal also asks, and is given, a simple human hug, which she considers more than adequate reward for her efforts).

Of course, that’s not ideal, and Kirito will be searching for a way to have their cake and eat it too (I mean, he wouldn’t be Kirito if he didn’t). As for saving Alice, it turns out to be just a simple matter of ejecting the “piety module” from her head that’s blocking her past self, by reminding her of her most treasured memory—stored in Admin’s chambers.

Kirito and Eugeo’s mission has similarly simple steps, though of course they’re all easier said than done: First grab their newly-improved weapons from the third floor. Then, go to the 100th floor to recover Alice’s stored memories.

I have no doubt the 97 floors in between will prove a challenge, but should they run into Alice herself, Eugeo is given a dagger that will connect her to Cardinal, who will put her to sleep. So that’s the plan…all that’s left is to execute.

Sword Art Online: Alicization – 12 – Sage of the Infodump

Kirito and Eugeo just barely hold their own against Eldrie Synthesis Thirty-One, who is armed with all manner of magical attacks and divine objects. They’re only able to escape defeat when Eugeo suddenly remembers why Eldrie seems so familiar: he used to be Eldrie Woolsburg, the North Empire representative swordsman.

Hearing his former name and other details of his past, a triangular prism is slowly ejected from his forehead, and the former Eldrie’s personality seems to return. The transformation is interrupted by an attack by a second knight armed with a bow and riding a dragon, but the implication is clear: what happened to this guy must’ve happened to Alice. The person she used to be might not be gone; only repressed.

Kirito and Eugeo would have probably eventually been caught by the second knight, but are given yet another break when a voice tells Kirito which way to turn and presents them with a glowing secret doorway through which to dive.

They land at the bottom of a stair, before a diminutive-looking sage called Cardinal. She is the Cardinal System that once governed the Underworld, but she’s been usurped, and her powers are now limited to the great library that contains all of the world’s knowledge and history.

Upon showing the boys around, she sends a sneezing, soaked Eugeo off to the bath to warm up, and summons some food and tea for Kirito. The balance of the episode is Cardinal (voiced, I think, by Tange Sakura, complete with “umus”) basically delivering a lengthy infodump, focusing on her “twin elder sister”, Administrator, the self-made Pontifex of the Axiom Church and only one who can contact the outside world.

“Administrator” was once Quinella, the offspring of the first political marriage between high lords, and the descendant of one of the “original four” inhabitants of Underworld who, unlike the other three, was driven by greed and a lust for power. Quinella was gifted with System Call, and used it to hunt animals and gain more and more authority.

Eventually, she had her followers, upon whom she demonstrated various “miracles”, build her a church in which she still resides to this day, being worshiped and ruling with absolute authority. She solidified that authority by writing the Taboo Index, which forbade the very actions that gave her the power boost she needed to seize command of the world.

Even Quinella couldn’t initially win against the ravages of time, but even on her death bed never stopped trying to find the right commands to undo her demise. She succeeded, either due to coincidence or help from the outside world, and her fluctlight was augmented with the Cardinal System as it was to create a new, no longer “human” being, naming herself “Administrator.”

Suffice it to say, Admin is one tough cookie. Considering how badly Kirito fared against a novice Integrity Knight, he and Eugeo are going to have to seriously up their game if they want to overthrow her. I daresay it wouldn’t hurt to snap Alice out of her brainwashing (Eugeo knows far more of her past than of Eldrie’s) so she could fight beside them.

But I’m just spitballing at this point. The villain has been introduced and explained. Now we’ll see what the heroes are going do about it.

TenSura – 08 – An Extended Goodbye

Every week when I watch the OP and ED I wonder “When is Rimuru going to gain a human form?” Well, TenSura answers that question. There wasn’t much doubt that Shizu—or rather, Izawa Shizue—wasn’t going to get out of that bed in the hut. The curse was lifted, but her body, which had endured for decades, was at the end of its rope.

After giving Rimuru the full story of her eventful life after summoning, and learning his Japanese name, she asks him to eat her so she can rest in peace within him. Rimuru uses Predator as she requested, and has plans to meet and slug Leon Cromwell, even though that Demon Lord was the only reason Shizu lives as long as she did.

When Shizu’s former adventurers enter the hut, they’re shocked to see a kind of 3/4 scale Shizu with blue hair and yellow eyes: it’s Rimuru! Or rather, a new form Rimuru gained by absorbing Shizu, which he explains was her explicit wish.

They’re not mad, just sad they couldn’t say goodbye to Shizu. But after being supplied with some top-shelf gear from Kaijin and his friends (who are famous to the adventurers as masters of their craft) they say goodbye to Shizu through Rimuru’s human form, and then head home.

Having met and absorbed his “destined one”, Rimuru builds a simple grave for Izawa Shizue under a tree perched on a cliff with a view of the village, then prepares to gain more information on his new world before confronting Leon Cromwell.

Meanwhile, a pig-man is on his last legs in the desert, but is saved by an oddly well-dressed man named Gelmud who hides his face behind a Venetian mask. He names the pig-man and offers him food in exchange for his fealty. Gelmud has plans for his new “project” that relate to the Jura Forest, so no doubt they’ll be crossing paths with Rimuru and his crew.

TenSura – 05 – Rimuru Gets His Team…Then Gets Exiled

One of Rimuru’s iffily-drawn Elven hosts uses a crystal ball to show him who he’s “destined to be with”: the dark-haired young woman who features prominently in both the promo art, OP, and ED, but who has yet to cross paths with the Slime.

When Kaijin’s nemesis Minister Vesta pours beer on Rimuru, Kaijin slugs him, and the whole crew gets arrested, goes to gaol, and does not pass “GO” or collect $200 gets put on trial. We learn that the well-bred Vesta used to be a subordinate of the peasant-class Kaijin.

Vesta uses his largesse to pay off the proxy meant to defend Kaijin, and after a brief trial he is sentenced to twenty years in the mines, and his friends, who did nothing, ten each. However, the Dwarven King Gazel Dwargo, who quietly resides over the proceedings, puts a quick end to the farce.

Dwargo offers Kaijin a place among his ranks once more, but Kaijin has already agreed to join Rimuru. So everyone gets exile instead, and for lying for so many years, Vesta is dishonorably discharged from the king’s service. Vesta once looked up to the king as a boy and dreamed of serving him, but somewhere along the line he lost his way.

As for Kaijin and his three mates, they find a new way: whichever way Rimuru Tempest is headed. They leave the city to meet up with Rimuru’s friends, but King Dwargo senses the power of Veldora within the slime, and orders a stealthy spy to follow him.

All in all, I felt the trip to the great dwarven city to be somewhat underwhelming, even if Rimuru ultimately got what he wanted (artisans for his village). And while there were some interesting character dynamics in play, the trial was still a bit of a snoozer.

Happy Sugar Life – 06 – Losing the Moon

Shouko, who is consistently the most normal of characters in this show full of loons, encounters Asahi, and she isn’t one to just keep walking. At her heart she’s a “good girl”, even as she once made a habit of staying out late at night to fool around with men.

She’s also good enough friends with Satou that she knows when she’s hiding something. She’s just not ready to believe Taiyo’s accusations. Meanwhile, Satou tries to hem in Taiyo from further interference by offering to let him meet Shio, while the masochistic teacher is dedicated to finding proof Satou murdered her aunt.

Satou’s far-too-together demeanor at work continuies to elicit suspicion in Shoko, who walks the same shopping district she and Satou used to hang out looking for guys. Only this time, she goes to the park to find Asahi sleeping under a bench, and gives him more food. She has no ulterior motives, she has no hidden neurosis; she’s just helping someone in need.

She wants to know how Asahi got into this state, and he tells her the story of how his mother and Shio escaped the house where her drunk husband was beating her. Asahi stayed behind so “the devil” wouldn’t go looking for his mom and Chio.

Staying meant enduring beatings and KGB-style fingernail torture, but Asahi it was worth it; he’d take the abuse so Mom and Chio could be safe and free. He had his moments of despair, but ultimately endured until his father drank himself to death.

The unbridled joy of discovering this fact is quickly marred when Asahi goes to his mom’s house to find Chio has been kidnapped. His Mom, who from the look of the place was not coping well with living and caring for her kid on her own (even though the alternative would’ve obviously been worse; at least she’s not being beaten) simply tells Asahi it was “too late.”

Shouko scores a day out with Satou, their first time hanging out as friends in a good long time. They have a lot of fun, but Shouko has a mission in mind: she wants to know the truth. Satou is initially totally unwilling to tell her, since it’s something she doesn’t want a good girl like Shouko getting mixed up in.

Shouko forces the issue by telling Satou that she wants nothing else but to know what she’s involved in, because she loves her friend more than anyone else. These words seem to move Satou, and she invites Shouko to come to her house to learn what secret she’s been hiding with a non-existent boyfriend.

Even so, I’m not convinced Satou is capable of trusting Shouko with all of the dark things she’s done that even she herself has compartmentalized. Then again, I find it hard to believe Satou would do anything to Shouko in the presence of Shio—which calls to mind how exactly Shio’s kidnapping went down. More concerning is the fact the masochistic teacher is tailing Satou. I can’t see any of this ending well.

Mahoutsukai no Yome – 12

As a restless Elias lounges around the house, lacking the energy to do anything even though there are things to be done, Chise completes her wand (an exhausting process) and basically “contracts” with it by sharing a bond of fate with Nevin, source of the wand’s wood.

She and Nevin meet in a nebulous space between the worlds of the living and dead. There, Nevin hears Chise out, then gets her to address her appalling lack of self-worth and confidence, believing as she has since her mother discarded her that she is readily disposable.

But rather than curse the parents who messed their kid up so much, Nevin thanks them for everything they did, because that string of actions and inactions led Chise to him, and she allowed him to fly again in his last moments.

Nevin also asks Chise to consider everything she’s done and the people she’s met and saved. If a savior such as Chise believes herself of so little value, that reflects poorly on the value of those she saved.

Having concluded her talk with Nevin, Chise returns to the regular world, and wishes to head back home so she can say the things she needs to say to Elias. Can I just say how it feels like she gives us this spiel about wanting to say things left unsaid in every episode, and yet it never happens.

This episode is no exception, though I can forgive it for using the conceit of Chise simply running out of energy, because she did, after all, use her wand to fly home by herself, utilizing fire faeries to transform herself into an elegant phoenix.

Visual similarities to Ghibli films notwithstanding, Phoenix-Chise’s extended journey through the sky was a high point of the episode, with Chise relying on her own power and embracing both the freedom her new wand allows her and the more advanced magic she, a sleigh beggy, can pull off with ease.

The trip knocks her out, and she has a dream involving her parents unlike any other she’d had before: a dream in which her mother isn’t crying or angry, but rather happy and smiling, even at Chise.

We see a glimpse of her life that she had forgotten, as it had likely been buried under years of emotional trauma. Her mom, pregnant with her little sister, and her dad, enjoying a lovely sunny day.

That’s the day that awaits Chise back home in the waking world, albeit with a sky full of floating sheep insects waiting to be shorn. After a bath and breakfast, Chise slips back into the warm comfort of her life as an ancient mage’s apprentice. Realizing the “bride” part, however, will require more time.