Vanitas no Carte – 14 – Nu au Coin du Feu

Jeanne’s complex relationship with Vanitas gains a new layer as she rescues him from dying of exposure, finds a cabin, and orders him to disrobe. The two sit by the fire together, naked under a blanket. While she’s most often disgusted by his usual arrogance and terseness, she can’t help but find this vulnerable side of him refreshing…even cute.

On the surface, nothing she does for Vanitas is with romantic or amorous intent—even feeding him water with her mouth—she’s just helping to save someone who helped her. But it’s impossible to ignore their history together thus far—all their scenes here are sexy as hell. Vanitas even tells her that they want different things: he wants to save the Beast and she’s been ordered to execute it.

That makes them foes in this enterprise, and she’d be better off letting him die. Of course, Jeanne isn’t going to do that. Instead, she tells Vanitas why she feels responsible not just for getting Vanita’s wounded by a poisoned blade, but for the whole Beast of Gevaudan affair. When she was a little girl, she met the vampire Chloé d’Apchier while left in the care of the Marquis d’Aphcier. Chloé was like a big sister and Jeanne loved her, but that no longer matters: she’s killed scores of people, and must now answer for it.

The reason Jeanne is here is that she failed the first time, but Ruthven gave her a second (and probably last) chance to do it. The next morning, when Jeanne is far more flustered than the fully-recovered Vanitas by the previous evening’s activities, she finds him speaking with Johan, and eventually Dante shows up as well. After threatening both Dhams to tell him everything about this Beast situation, he bids the four of them make haste to the castle to retrieve Noé.

Vanitas is right to worry—Noé wakes up in an unfamiliar bed with the tiny vampire lying on top of him sucking his blood. Despite Chloé being tiny, Noé is so weakened from the battle that he can barely move, leaving him completely at her mercy. If she wants another taste of his blood (and the memories it reveals—though that’s not touched upon here), there’s nothing stopping her…

Except for her attendant, Jean-Jacques, who scolds her for sucking someone’s blood without their consent while also expressing deep loathing for the owner of the other neck she bit. That said, JJ presents Noé with a safe-and-sound Murr and his freshly cleaned and mended clothes. When Noé meets Chloé and JJ in the banquet hall, they’re accompanied by a troupe of musical automatons…along with Naenia.

It addition to being its usual sexy self, this episode of Vanitas added texture to what had initially been labeled a simple mission of kill-or-save the Beast. Chloé is an intriguing potential antagonist, but despite her apparent alliance to Naenia doesn’t come off as pure evil; she was kind to Jeanne, after all.

Instead, as is typical of ancient vampires, she seems to float over everything and everyone, seeking nothing but entertainment and satisfaction out of this scenario…a balm for the ennui of the centuries.

Vanitas no Carte – 13 – La Bataille D’Argent

I did not watch the Episode 12.5 recap of the first twelve episodes, instead catching up by reading my write-up of Episode 12…only to find it full of typos and grammatical errors! I do apologize for that; it’s all fixed up now.

It’s now Winter where I live, and freezing more often than not, so it’s only appropriate for Gévaudan to be cold as well when Vanitas and Noé arrive—with Dante and Johann tagging along. As is his wont, Noé gets separated from the others in the deep Silver Woods. Then, quite suddenly, the forest becomes a winter wonderland.

When Vanitas and the others spot vintage dragoons hunting the great beast (well, trying to anyway)he deduces that time has somehow rewound to the 18th century, when the King sent his best soldiers in to take care of the storied wolf. Unfortunately for those soldiers, they’re in the way of the Chasseur and Garnet Paladin Astolfo Granatum, who unlike Roland seems to be a bit of a sadist, and doesn’t consder it his job to protect humans, only hunt vampires like Noé. He’s not bad, either, as Noé isn’t fast enough to avoid getting cut.

Their duel is interrupted by the great wolf itself, and it’s not long before Jeanne shows up out of nowhere to battle the beast. Vanitas wants to save the Curse-Bearer who is in the form of the wolf. If Jeanne kills it, that won’t be possible. The thing is, Jeanne doesn’t care. She’s a bourreau, and considers it her job to destroy curse-bearers and eliminate the threat they pose—nothing more or less.

Once Vanitas and Noé reunite, Vanitas can tell that Noé was holding back in his fight with Astolfo for whatever reason. Vanitas in turn employs his inimitable gift for shit-talking by getting Astolfo extremely pissed off, and thus not at his sharpest. You have all the skills and talent in the world, but if you’re off-balance emotionally you won’t be able to fully summon those gifts.

Jeanne continues to battle the wolf, calling her “Chloé” and trying to get a dialogue going. When that fails, she re-commits to destroying the wolf. When she’s stopped by Noé, she warns the lad that if he gets in her way she’ll kill him too. That’s when Charlatan’s Naenia, who felt left out, shows up and creates an illusory world around everyone.

Some, like Astolfo, are unable to fight against the illusions and madly lashes out at Jeanne. But others, like Vanitas, can keep their heads, and he comes between Astolfo and Jeanne, paying back the favor when she saved him earlier. Sick of Naenia’s games, he whips out his titular Karte, only for someone to snap its chain, separating the book from its owner.

When the diamond dust settles, some dude with unkempt dark hair picks up the book, with Vanitas nowhere in sight. The man walks over to the silver-haired woman with azure eyes we caught a glimpse of back in episode 12; the Chloé Jeanne spoke of. Clearly she’s the Woods Witch referred to several times earlier in the episode, and if taking the Karte from Vanitas was the plan all along, then it went off without a hitch!

It’s a hell of a stirring start, introducing a new wintry woodsy setting, new characters, and big new stakes. All the while, the killer directive programmed into Noé looms over everything. Also, while I fully expected the OP and ED to not live up to their Part 1 predecessors, I’m please to report they both slap just as much! Vanitas no Karte hasn’t skipped a beat.

Irina: The Vampire Cosmonaut – 06 – Moon Shot in the Arm

Traumatized by what she saw at the crash site, Irina has a nightmare about suffering the same fate as all those poor test dogs. But as usual, she keeps her troubles within and tries to power through them, training as if nothing is wrong. But her mental anguish results in physical ailments: fatigue, loss of apetite, and anemia. With only days before the launch, this is no time for her numbers to be dropping.

Remembering what Irina told him about drinking the goat’s blood, Lev arranges some blood to drink. Not knowing where it came from, Irina refuses it, saying she’d rather die than defile her body. Unwilling to let her dream die, Lev offers an alternative: she can drink his blood…from his arm.

Irina agrees, and not long after digging into that arm, the light is back in her eyes, and the color back in her flesh. It’s also the equivalent of this particular couple’s first kiss…a vampire’s kiss. As such, both of them act bashfully and nervously before it happens. Once it’s over though, Irina looks and feels so much better, Lev is glad he had blood to offer. Still, Irina seems to feel a bit guilty for taking it.

With Irina back on her feet, the two enter the final stages of her training, including the harrowing parachute spin. Her first such trip to the ground is in tandem with Lev, who keeps her calm when the g-forces start to rattle her. Once they land, Lev tells her that her next jump will be solo. Who knew then that meant he wouldn’t be around for it!

Due to what looks like some shenanigans from Franz, the centrifuge goes haywire. Lev basically breaks the machine in order to stop it, enraging the old asshole researcher, who then decides to start beating on Irina. Lev doesn’t lose his temper, but it doesn’t matter.

When the old coot trips and falls backwards, it’s all the pretext he needs to have Lev hauled away for assault. Irina is now left without a protector…and her capsule will indeed be fitted with explosives in case it lands near the borders. In other words, just as Lev and Irina had their closest and most tender encounter, things couldn’t be worse. The only bright side is that Irina does indeed seem bound for space in just a couple of days.

Rating: 4/5 Stars

Vanitas no Carte – 12 (Fin) – The Beast Lives

Vanitas and Jeanne end their bloody makeout session, neaten their clothes, and return to the streets, and when Vanitas asks why she was permitted to spend the day with him, it becomes immediately apparent that Jeanne was unknowingly serving to distract him while Ruthven helped himself to a Caffè Noé. Specifically, he keeps Noé alive so that one day, he can give him a command and he’ll obey it without question…even the command to slay Vanitas.

Roland may have lived his entire life believing that vampires were an enemy to be eliminated, but his encounter with Noé changed his mind about that, and we find him digging into books in a cozy little church library. His comrade Olivier warns him against digging too deep into forbidden topics, but then Roland warns Olivier that there isn’t really anyone who can stop him from discovering the truth. He can’t believe in things he knows not to be true.

Speaking of which, once Vanitas returns to the hotel to find Noé right where he left him, the two are visited by Dante with news: The Beast Lives. Specifically, the Beast of Gévaudan, a wolf-like abomination that slaughtered women and children in the Gévaudan region in the 18th century. It’s believed to be a curse-bearing vampire, so Vanitas is just the man to hunt the beast down.

While Vanitas and Dante chat, Noé is distracted by Vanita’s ridiculously sweet-smelling blood. Combined with his fatigue and hunger, he begins to ask if he could have but a small taste. Vanitas responds deadly seriously by promising Noé that if he ever tries to drink his blood (and therefore see the memories from his past), he’ll kill him. Daaaaamn.

This creates a friction between the two that lasts through the night until the next day, when the two head out to board the non-Mugem Train to Gévaudan. Noé apologizes, Vanitas half-jokingly offers to let him lap up any blood he spills (he can only read memories from blood straight out of the taps) and the two share an easy laugh. They thus make up just in time for a train ride that Noé is super excited about, the way a kid—or me—would be about such a train! Trains are awesome.

After the credits, we get a lovely but ominous birds-eye view of a snowy landscape not too dissimilar from the countless wintry vistas we were treated to in Golden Kamuy. Only here there be not bears nor naked Russians: but Charlatan’s apparent Boss: an ethereally beautiful lass with silver hair and piercing azure eyes poetically declaring how she’ll “make my song of vengeance echo across the land”. My guess? She’s the Beast!

While there were some nice tense scenes between Noé and Ruthven and Noé and Vanitas, and their little fight and make-up sequence was a subtle, quiet little marvel of character work, but I’m not gonna lie: not a lot actually happened this week. It was but table-setting for a feast that won’t take place until Winter 2022. But the dishes and silverware look great…just in time for a giant wolf to smash it all!

Vanitas no Carte – 11 – Jean d’Ate

Armed with the notion that Vanitas will despise someone who professes their love for him, our favorite easily-flustered vampire knight decides to ask her blood buddy out on a date, hoping he’ll end up in the palm of her hand. Predictably, this doesn’t go remotely how Jeanne hoped.

After all, it’s hard to pretend to have affection for someone when you are truly drawn to them, no matter how much you don’t want to be. Such is Jeanne’s plight: whether due to the lure of his delicious blood or the fact she simply adores a bad boy, she’s genuinely excited about the date, especially as it allows her to tour human Paris.

Meanwhile, Lord Ruthven, whom we know is up to no good, gets Noé out of bed so they can have a nice friendly chat at the Lord’s favorite human café, the entirety of which he rents out for such a purpose. While initially apprehensive, Noé soon settles into an easy rapport with Ruthven, to the point he reminds him of his teacher, the Shapeless One.

Throughout Vanitas and Jeanne’s date, Domi is diligently following and observing with opera glasses. She originally committed to doing this because she thought she’d derive some entertainment from it, only to find it looks like an ordinary date. It’s also funny that Dante tags along, and the more bored he gets, the more he resembles Cartman.

It’s atop Paris’ highest hill—from one gets a good look at the Sun Tower that takes the place of the Eiffel Tower in this alternate steampunk world—where things turn from a fun dawdle to Serious Business.

When a boy scrapes his knee and Jeanne gets one look at the blood, she’s ready to pounce on the lad, but Vanitas stops her, having her bite his arm instead. Dante tosses a smoke bomb so they can get away safely, but it’s close call—and a revealing one too, when it comes to Jeanne.

The pleasant, cordial café date also takes a turn when Ruthven asks Noé straight-up whose side he’s on: humans or vampires. At this point Noé is only on the side of those he cares about, which includes members of both groups. This is the wrong answer, and he fails Ruthven’s “test”.

The Lord grabs him and sucks his blood ravenously. Could this be how Noé ends up killing Vanitas, as he said he would back in the first episode: while under the thrall of Lord Ruthven?

Vanitas takes Jeanne somewhere safe, where she proceeds to seductively suck on his blood in another one of their hot-and-heavy scenes. Vanitas takes the opportunity to ask once again whether Jeanne is a curse-bearer, which Jeanne doesn’t confirm or deny.

Even so, when she stops drinking his blood and starts to shed tears that fall on his face, Vanitas promises her that whatever she is, he promises to kill her if she ever becomes a threat to her beloved charge, Luca. Of course, if he can find a way to release her of whatever is slowly sapping her sanity, I imagine try that method first!

Rating: 4/5 Stars

Vanitas no Carte – 07 – What Is Love? Oh Domi Don’t Hurt Me…

While not a lot happens from a plot perspective this week, quite a bit of the steadily simmering love rhombus that is Jeanne, Vanitas, Domi and Noé comes into focus. This rude, selfish, annoying human has caused quite a stir in these three vampires’ hearts.

When Luca treats Noé and the others to tarte tatin at a fancy restaurant Vanitas reveals that Jeanne has “marked” him—imbuing him with some of her power while also leaving a literal rose-shaped mark on his neck. While he initially jokes that she couldn’t contain her lust for him, he then admits that the screams of the curse-bearers caused her to lose control.

Jeanne lifts him up and jumps out the window with him, landing in a dark alley demanding to know why he lied. The reality is that she is a curse-bearer who keeps herself under control with a medicine. She begs Vanitas not to tell anyone, and he gives her two conditions that underscore his genuine affection for her.

First, he insists that henceforth she drink no one’s blood but his. Second, he insists she stop calling him “Human” and start calling him by his name. Pulling his collar open to reveal her mark, she says his name as she digs her fangs back into his neck, unable to resist his sweet, sweet blood—even if the vessel of that blood’s a complete cad.

Noé, who felt compelled to chase after them, watches Jeanne bicker with Vanitas from the rooftops; it’s quite evident that he’s jealous of her closeness to him, even if he himself is to inexperienced in such things to realize this. One person who does realize it is Domi, who catches up to her Mon Chéri, but is clearly distressed when he mentions how troubled he was to hear that Jeanne sucked Vanitas’ blood.

He later elaborates that he just wanted to taste that sweet blood first, and Domi works out her frustration with him by gnawing on him, but their embrace gradually becomes more intimate when she drinks from his neck, only for him to gently slip off her glove and drink from her hand, noting that her blood is delectable. So is this scene, gorgeously lit as it is by the setting sun.

Since both guy-gal pairs had their steamy scenes, it’s only fair that the two pairs switch off for the final act, in which the dashing Domi leads Jeanne in a courtyard dance while Noé leads Vanitas in another. It’s here where Noé asks Vanitas “what in the devil is love”, to which Vanitas replies he has no idea.

All Vanitas knows is that when he thinks of Jeanne, his heart races and his body trembles. He lists all the reasons he believes those bodily reactions mean love, and none of them are more important than the fact that Jeanne will never love him, as he has “zero interest” in the sort of person who would love him. I guess that doesn’t bode well for Noé then, huh?!

As it stands, Vanitas loves Jeanne, Noé is growing to love Vanitas, Domi loves Noé, and Jeanne is strangely drawn to Vanitas. All these beautiful sexy people are all stirred up in a big romantic goulash. It’s sublime. It’s even enough for me to not particularly care how the plot progresses—except insofar as how it affects these four characters’ relationships.

Rating: 4/5 Stars

Vlad Love – 04 – All Concerned Parties

In a particularly chaotic episode, Mitsugu is captured by the president of the Torture Club for allegedly getting to close to Nami, the Dance Club president, whom he is stalking. Due to their mutual interest in Mai, Karate Club president Kasuno teams up with Nami to free Mitsugu, who packs a bag for Mai, who is apparently no longer safe in her home.

The pair head to Dr. Chihiro’s “house”—more of a mad scientist’s lab—only for Chihiro to have a predatory ulterior motive for harboring Mai. After Mitsugu sedates Chihiro, every other member of the cast shows up in sequence, demanding answers about who Mai is.

Kasuno and Nami end their brief alliance and their respective clubs “fight” each other, all while Maki films it and Kaoru runs around cosplaying as a Chun Li-like character. The Disciplinary President Jinko then shows up, demanding everyone stop breaking the rules.

The sudden surge of characters interacting means Vlad Love relies far too heavily on sliding inset portraits of characters talking and reacting, such that the episode at times looks more like a PowerPoint presentation than animation. There’s so much of this it borders on ludicrous—nay, it is ludicrous!

Then Mai drinks some very suspect blood from Chihiro’s vast collection and transforms into Salamander, and world-ending dragon, and starts destroying the city with her fire breath while Chihiro has a lengthy, meandering, and seriously unfunny monologue about how she came upon the blood.

From there Mitsugu and her classmates fade away and the focus shifts to a kaiju movie-style sequence in which military command center instructing fighter pilots to attack Dragon!Mai. This sequence is very sluggish, full of throwaway characters worrying about being sued for copyright infringement—an old, played-out joke that just won’t die.

Speaking of dying, once the fighters are authorized to open fire, the resulting battle over the city is cool-looking, though it also results in the death of Mitsugu and all the other characters in a massive explosion. Once again, the story ends up in the papers, and we can look forward to everything resetting back to a measure of normalcy next week.

Once again, the surfacy spectacle is occasionally diverting, but it’s hard to care about anything or anyone when everyone is doing little more than yelling at or slapping each other, and nothing that happens ever matters. Mai becomes an unthinking force of nature, while Mitsugu becomes just one more victim of the destruction. Once again I’m forced to ask: where is the vlad love in Vlad Love?

Vlad Love – 03 – Quite Unconcerned by Crosses

The zoo fiasco forgotten (like all things from episode to episode), Mitsugu and Mai catch a vampire flick at the movies…and Mai is so inspired she can’t help but bite the head of the man sitting in front of her. I like the idea of Mitsugu and Mai just going out and the former having to deal with the unpredictability (and volatility) of the latter. My Girlfriend’s a Vamp! kinda stuff.

This episode features a brand-new OP which may not slap quite as hard as the first, but is beautiful in its own right, both in visuals and music.

After the movie the couple bump into Watabe Maki (Hayami Saori), president of the Cinema Club at Mitsugu’s school, who is curious about Mitsugu’s new, very pretty and photogenic (and out-of-her-league) companion. Mitsugu says she’s a relative, and when pressed, Mai simply states they’re “connected by blood”—which is true!

Maki takes them to a good restaurant for dinner, where Mai consumes a generous amount of garlic gyoza. Rather than kill her, the garlic seems to have an intoxicating effect, and the restaurant is demolished. The papers cover the incident as some kind of “mass hallucination”, which seems to be a recurring theme…along with the frankly lame fourth-wall breaking when Maki can hear Mitsugu’s thoughts or points out when she’s spewing exposition.

Mai’s unforeseen reaction to garlic leads Mitsugu and Dr. Chihiro to undertake a more thorough investigation of how Mai fits into common vampire knowledge. She drinks blood, and can sprout fangs and wings out of her head, but UV light doesn’t bother her, garlic turns her into a boisterous drunk, and crosses don’t affect her in the least.

While testing the UV bit, Mitsugu runs into another classmate, the Type-B (i.e. eccentric) Konno Kaoru, prez of the Cosplay Club. She mistakes Mai’s get-up for Invisible (Wo)man cosplay, and invites her and Mitsugu to the Cosplay Club so they can get their ‘cos on. Mai nails all the classics, from maid to bunny and magical girls. Mitsugu is more niche, pulling off a researcher from a 1970s sci-fi movie with aplomb.

Kaoru invites the pair to an Akiba Halloween party, the location of which is established with the show’s signature live-action drone footage of the city. Mai’s vamp-girl costume proves too hot to handle, causing a near-riot amongst the horny guys in the audience and forcing the karate club to lay down the law while keeping their school’s Disciplinary Officer Jinko at bay.

Mitsugu seems to sense when she and Mai should start heading home, but before that can happen the commotion knocks out the lights at the venue. Mai emerges from the darkness then transforms into a swarm of bats, making one hell of an exit from the party that is once again written off as a mass hallucination.

To quote Homer Simpson, each episode of Vlad Love has been little more than “a bunch of stuff that happened”. That doesn’t mean that stuff doesn’t look great and a ton of fun to boot, but there’s just no depth to the stuff, and everything resets from episode to episode, so nothing really means anything. Their movie date aside, Mai and Mitsugu aren’t really progressing as a couple so much as treading water.

The episode is also stuffed with overindulgent moments like the whole minute of needlessly describing in great detail the British bomber inexplicably flying in the air over the gyozu restaurant. Stuff like that engenders far more ¯\_(ツ)_/¯’s than LOL’s.

Vlad Love – 02 – The Blood Defines the Drinker

It’s been over a month since the first episode of Vlad Love,but five more episodes have arrived just in time for Valentine’s Day. I just wish the episode had a little more vlad and love and less of Mitsugu’s classmates. The opening act takes place entirely within the confines of the nurse’s office, which grows both stale and claustrophobic after a while.

She’s been able to recruit a fair number of students to donate blood, but the vast majority are horny boys. Mitsugu makes it known she doens’t want Mai to drink boys’ blood, as it could adversely affect her loveliness. Only three girls end up donating, each representing a different blood type that reflects their personalities—though Nurse Chihiro insists there’s no scientific proof of that.

Mitsugu takes the three girls’ blood to Mai, and much to her consternation, Mai can’t help but drink all three bottles, perhaps due to pent-up hunger. Sure enough, with each blood type she drinks she exhibits the same characteristics of the donor, thus proving Nurse Chihiro wrong. The only apparent side effect of mixing the blood types is that Mai jumps from one personality to the next.

Hidaka Rina clearly has a ton of fun voicing all these different Mais, culminating in her singing karaoke on the table before collapsing from overexersion. She begs her host for more blood, but as Mitsugu is thawing her last pouch, Mai finds and drinks the blood of a 2,000 year old Mesopotamian demon, which had resided in one of the archaeological artifacts in Mitsugu’s house. Mai starts “buzzing” and eventually fires eye lasers at a wall, busting out to go on an evening “stroll”.

The stroll consists of Mai using her vampire umbrella to fly across the nightscape as the morning sun begins to rise. Mitsugu grabs on for dear life and is initially terrified, but eventually calms down, as she is, after all, in the arms of a surpassingly cute girl.  Mai eventually “runs out of gas”, sending the two plummeting back to the earth, and because this is a show where physical harm has no lasting effect on anyone, Mitsug survives the fall, though she and Mai end up in the literal lion’s den of the local zoo.

Much to Mitsugu’s surprise, Mai is able to talk to the lion and other animals (likely due to the demon blood), and she releases them to join her on her stroll, resulting in a rampage that makes the newspapers. As Mitsugu celebrates the fact she can create “the ideal girl” by tailoring Mai’s blood diet, Mai sleeps one off on a pile of zoo animals in the kitchen.

While it has some pacing issues and much of its comedy is trying too hard to be zany, I can’t deny I’m glad Vlad Love is back, from the moment I saw it’s OP, which is the season’s best by far. The show doesn’t look or sound or act like any other show airing, which is enough to celebrate its existence, while the winning central queer romance is as rare and refreshing as, well, a donation-addicted chimera-blooded protagonist!

Vlad Love – 01 (First Impressions) – Not-So-Fresh Blood

I tend to be drawn to simple anime premises. Takagi teases Nishikata, Tanaka is listless, Titans Attack, etc. Along comes Vlad Love, which immediately impresses with its gritty retro visual splendor and also delivers a devilishly-simple premise: Girl who loves donating blood meets a vampire.

The Girl is Banba Mitsugu, a refreshingly quirky female protagonist in a role where a horny guy is the norm. Sakura Ayane voices Mitsugu with gusto and dynamism, as does Hidaka Rina, whose performance of the vampiress Mai Vlad Transylvania runs the gamut from cutesy and formal to yakuza bombastic.

The stinger starts like a Hollywood action movie: a SWAT team opens up a cargo container to find a creepy doll. Mitsugu’s first scene ends like one too, as she “rescues” Mai from surly nurses in a bloodmobile that then promptly explodes for no reason.

Upon learning Mai is a hungry young vampire who left Transylvania due to clashing with her father’s 49th wife, Mitsugu takes her home and feeds her the bag of her blood she had in the fridge (Mitsugu really likes having blood drawn).

Mitsugu becomes entirely smitten with the beautiful foreign princess, and can’t help but leer when Mai quickly strips for a shower, or peek when she curls up in the closet to sleep. With her dad at work abroad, no mom mentioned, and no friends introduced, it seems Mitsugu is lonely and eager to share her home with someone anyway.

The question of how she’ll keep Mai fed is equally simple: Mai simply has to take it easy with the blood-drinking (enough to survive, not enough to kill Mitsugu). Mitsugu’s character design, with her wan complexion and bags under her eyes, as well as Mai’s blood-high attitude, suggest this won’t be easy.

Mitsugu visits her high school’s nurse Chihiro—who is not only totally inappropriately dressed for the job, but also has a side-hustle collecting rare blood. She also slaps the shit out of Mitsugu on multiple occasions, which is played for comedy, as is an instance where she’s just suddenly naked. While I appreciated the body diversity on display, it was still more random than funny.

We learn Mitsugu has neither A nor B nor O blood, but is a “chimera” with blood that contains qualities of all three types (a real life thing). That makes her unsuitable for donating blood (cruel irony) but perfect for, say, a thirsty vamp. Nurse Chihiro suggests Mitsugu start a “blood donation club” to collect blood not just for Mai’s consumption, but for her collection.

There were quite a few attempts at comedy that somewhat inelegantly clanged to the ground without their intended effect. The dearth of smart comedy isn’t a dealbreaker (especially for a show that looks this good), but was definitely distracting and affected my score.

It’s at this point that I should probably mention for those who don’t know: Vlad Love is written, created, and directed by thee Oshii Mamoru of Ghost in the Shell fame.  On the one hand, there’s no doubting his bonafides when it comes to anime production.

On the other, he’s older than my dad, and I say this with nothing but love in my heart: My dad’s jokes are laaame. So is a lot of the comedy and various attempts to “shock” in Vlad Love. There’s a tryhard quality to the writing and directing that spoils an otherwise gorgeous production.

For good or worse, this is Oshii’s show, and there’s no reason to think he didn’t have complete creative control. Vlad Love doesn’t resume until February 14th—Vladentines Day!—so we’ll have to wait a while to determine if it’s a show I’ll hang on to this Winter.

Owari no Seraph 2 – 10

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Here we are at last: the long-awaited, extended reunion between Yuu and Mika, and I have to say…I was not disappointed. While other events took place on the margins, this is all about them, essentially a two-person play, with Yuu’s philosophy winning the day, at least for now.

Mika, absolutely feening for blood, takes the still-unconscious Yuu into a grocery store where little kids are hiding out. It’s all he can do to stop from popping one of their heads off and drinking the insides. But being called a “monster” by that kid is enough to stop him. He still has a measure of control, but it’s weakening.

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After a brief chat with Asuramaru, Yuu wakes up, and Mika pounces on him as well. The difference is, Yuu doesn’t react the way the kid did. In fact, when Yuu figures out his blood will save Mika, he offers it willingly. It’s the least he can do for his family. Mika is appalled; he’s spent all this time resisting drinking human blood to avoid becoming a full, immortal vampire, and now Yuu is essentially telling him to toss aside the rest of his humanity to essentially scratch an itch that will never go away afterwards.

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But you know what? Yuu doesn’t want to hear it. He’s not going to let Mika die, and even if Mika becomes a vampire, that won’t change the fact that he’s family and means everything to him. So Mika gives into Yuu’s kindness and practicality, and drinks deep. It’s an pointedly sensual scene. After drinking, Mika’s eyes turn red, but he remains essentially Mika. But he’s also still alive, which is all Yuu wanted. Mika thinks it’s not normal, but Yuu offers, who cares? What matters is they’re together again.

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After being separated and being cared for by Guren, Yuu forced himself to survive (as the kids hiding in the store continue to do). He was driven by revenge but also lived in hope someone who needed him would one day come around. That someone was Mika, who wanted to save Yuu today but ends up being the one saved. He realizes Yuu has become much stronger than he was, and it gladdens him.

That doesn’t free Mika of his intense distrust and hatred of humans, but he can’t stop Yuu from returning to them, even at the edge of a sword. If Mika gets in the way of him and the rest of his family, he’ll push him aside. But he’ll also welcome assistance. Mika admits Shinoa and the others saved him, and agrees to help, but will only help save the four of them. That’s enough for Yuu; they can negotiate the details later.

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As Shinoa & Co. arrive at an ominously empty airport with no vehicles to assist their retreat, Mika and Yuu drive to their location, and Mika takes the drive as an opportunity to tell Yuu what he’s been meaning to tell him all along, which he hopes will finally sway him to his line of thinking: they, the Hyakuka kids, were subjects of human experimentation furthered by the vampires and Demon Army. The humans who started the experiments ended up screwing up and killing off the world’s adults. Yuu knew he was a subject, but didn’t know about the apocalypse it caused.

See, says Mika, this is why you can’t trust humans. Instead, he wants to pull a U-turn and run away with Yuu to someplace far away; another paradise where they can be happy and free together. But again, Yuu shows how much he’s grown; even moreso than Mika. There is no paradise awaiting them out there. There never was. The last time they tried, their family was killed, and all they had to show for it was the present situation.

There’s no place else to run. And while some humans, like Kureto, experimenting on Shiho’s sister Mirai to produce the Seraph of the End, aren’t to be trusted or relied upon to not end the world (or what’s left of it), Yuu is still a human himself, and there are other humans he does trust and love who need his help. They, along with Mika, are why he’s survived this long, against all odds. So he won’t run away; he’ll run to them.

9_mag

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