Call of the Night – 05 – Feel Them for Me

This week starts off with a day/night in the life of Nanakusa Nazuna…at least before the sun goes down. It’s not even 17:00 when she sun wakes her (but notably does not burn her). The ensuing events are a glorious festival of boredom as she tries to fill time she’d normally be asleep.

When she’s sick of video games and TV and considering cleaning, she heads out into the night (at just 20:00), plays with a kitty, then hits up a not-busy-at-all bathhouse where she finally releases her lilac locks from her trademark braid loops and laments her inability to see her reflection.

While she asks the desk guy to tell her when her watch beeps, his reflexes are no match for hers (though for a split second when she threw open the bath door he saw her nude, the next split second she’d wrapped herself in a towel). Her coat, sneakers, and long hair make for an entirely new, cute look Kou isn’t ready for.

They head back into the bath (on separate sides, natch) and an inner monologue from Kou ensues. His nights of late have been fun and amazing, but his “heart is always busy” with thoughts good and bad, conflicting and confusing. He’s so busy sifting through those emotions he completely blanks out…until Nazuna gets right in his face.

That’s when he asks her to drink his blood. Because as it turns out, when she does, it clears his head, calms him down, and allows him time to assess the feelings he normally couldn’t untangle. He gets his blood sucked to know his own feelings. But precisely because he’s so riled up, his blood tastes so good Nazuna drinks more than usual.

Not in a discriminating mood due to his fatigue, Kou suggests they rest as the nearest place that says it’s for “rest”…which turns out to be a love hotel. The pink neon lights were a dead giveaway to me, but I didn’t just get my neck drained, now did I? That said, once they’re in the room, the fact Nazuna is jumping on the bed like a kid makes things a little less tense.

Nazuna then reveals to Kou that when she drinks his blood, she can also get an idea of what he’s thinking and feeling from the taste, including the desires he has when he looks at her, a woman. Kou tells her it feels “immoral” to feel that way with a “friend”, but she retorts that enjoying the night the way they are is immoral to most.

Nazuna reminds them they have a deal because his blood tastes so good, and now he knows why: because of the intensity and diversity of emotions hanging out with her creates. She wants to taste all of his fun, pain, joy, sadness, and everything in between.

Another night, Kou’s mind starts churning again, deducing that because she finds his blood so tasty, it means she’s drunk the blood of others in order to compare. Even if he weren’t an open book, Nazuna knows his feelings through his blood, so she teases him for being jealous, but also makes it clear it’s a much more businesslike affair for other men and women since she makes her living…as a professional snuggler.

The whole idea of this is super raunchy, but that’s reductive thinking for someone who has only begun to enjoy the call of the night. She offers a friend’s discount for her services, and he orders the massage course. Not only does he learn something new about Nazuna, which he’s always eager to do, but he learns she’s actually quite good at massage, and using various pressure points to redirect blood and oxygen flow.

Nazuna is about to transition from massage to blood drinking (and the lights in the room suddenly go dark and everything is suffused with that intense, intimate red light) when there’s an unexpected ring of the doorbell: one of her clients. Nazuna has not been working since she met Kou (resulting in her being a little light on funds, but after working on Kou, she’s tired, so she asks him to take care of the client.

…The twenty-four-year-old, raven-haired, stressed office worker client Shirakawa Kiyosumi, that is. Kou is worried about not knowing what to do (among other things), but Nazuna tells him just to emulate what she did to him and he’ll be fine. Also, since she knows a healthy measure of his thoughts and feelings every time she goes to the red well, she offers him the reward of another kiss if he does this for her.

Kiyosumi may ether be throwing her money away tonight, or Kou may be a natural at massage and just not know it. The bottom line is that both the night and Nazuna are opening new doors and new experiences for Kou.

Call of the Night – 04 – Lay Your Troubles Down

Asai Akira can’t sleep. She gets up way too early, and with nothing else to do, simply goes to school early. Her home life seems lonely. There’s nothing for her there but a roof, a bath, and a bed.

For once, Kou doesn’t have to wander all over the city looking for Nazuna; she’s waiting for him in the park. But she doesn’t spot him, so he wanders around anyway. He isn’t ready to see her yet, but when they do meet in the night, he confidently offers her his neck in a way she finds lewd. You see, he believes he’s in love, so drinking his blood now will turn him. He’s ready.

So she drinks his blood as he stands there, half-confident, half-terrified, and…nothing happens. He’s still a human, and his blood still tastes great. Turns out he’s not in love with Nazuna; not yet. Nazuna tells him it’s love’s wild sibling lust. Also, she thinks kissing is just something friends do!

The next night, Akira wakes up before midnight and knows she’ll never get back to sleep, so she heads to school as usual, except she runs into Kou, who invites her to join him in answering the proverbial call of the night. They hang at Nazuna’s for some late-night PSOne games. Nazuna is unbeatable at Street Fighter, while a dating sim leads to talk of bosoms.

Akira was initially worried about what Kou was getting up to of nights, but if this night is any indication, his nights are pretty wholesome. Then Nazuna invites both of them to sleep in her bed, and it’s extremely awkward for Akira, especially when Nazuna drinks Kou’s blood right next to her.

Nazuna tells Akira that Kou’s blood is uncommonly tasty, but Akira wants know know what Kou gets out of their little arrangement. That’s when Kou comes clean about wanting to become a vampire. After all, why keep things from a friend?

When Akira asks if he’s already one since his blood has been drunk, he clarifies that he must fall in love with Nazuna to become a vampire. That causes Nazuna to curl into a ball of embarrassment, unable to handle talk of romance as usual.

Eventually the three settle down for the night, and with rain falling outside and no umbrellas, Akira lies beside them, specifically next to Akira. He tells her he knows she was worried about him so he wanted to show her what his nights are like. She tells him to uncross his arms so he can relax, and when his hand touches hers, she doesn’t mind.

Smiling, Akira tells Kou that he should be what he wants to be, because even if he’s a vampire, they’ll still be friends. She says goodnight and turns over, but her smile remains because she can’t remember the last time she said “goodnight.” It felt good, and with the darkness and Kou beside her and the calming rain outside, Akira finally catches some Zs.

Too many Zs, in fact, as she’ll be late for school. But before she dashes out the door, Nazuna asks if she slept well, because that’s what happens when people are satisfied with their day. Akira must’ve been, for she couldn’t sleep before, but here she did. I wonder if she’ll make it a more frequent thing?

Rating: 4/5 Stars

Call of the Night – 03 – Night Fight

While I could absolutely keep watching just Kou, Nazuna, and the night for ten or eleven more episodes, the introduction of Asai Akira doesn’t ruin the vibes. In fact, she brings a unique dynamic: Kou’s only human friend, something he didn’t think he had in her. When he placed the blue watch on the mailboxes, he didn’t mean to place it right above Akira’s, but that’s how she took it.

When Kou was an aloof kid off on his own in the playground, only Akira went to him to see what he was up to. When he said he was fine not joining the others, she joined him instead, and declared them friends. He didn’t object, but he probably forgot that exchange that Akira dutifully maintained. She still considers him a friend, and is glad he’s doing okay.

So Kou begins leaving ever-so-early from his nightly visits to Nazuna’s for some bed-lying and blood-sucking so he can meet up with Akira (who is an early bird to his night owl). Nazuna jokes that he’s going off to see another woman, and immediately senses from his expression that she’d accidentally nailed it. That said, Kou admits in voiceover that he and Akira don’t do much other than exchange inoffensive small talk.

On one such occasion in the park, he asks if Akira is having fun. She puts the question to him, and he says he isn’t not having fun, so she replies that she is. Just as Kou, extremely inexperienced in such things, starts wondering if Akira likes him, Nazuna menacingly emerges from the shadows only to give Kou a friendly pat on the shoulder and congratulate him for doing “hanky-panky”.

She tells Akira her and Kou’s relationship is “purely physical”, and while Akira’s mention of romance (upon hearing Kou call her “Nazuna-chan) once again makes Nazuna blush, she shakes that off by basically marking her territory, sucking Kou’s neck right in front of Akira and announcing she’s a vampire.

At a 24-hour café, the three sit, and Akira tries to grasp the situation. She asks Kou if he’s skipping out on school because of Nazuna. While she may kind of be the reason now, she wasn’t the original reason, which was that he simply couldn’t be bothered with it anymore. Akira feels the same way, especially with Kou gone, but didn’t ditch because she thought she had to go.

She thinks she’d have more fun if Kou were around, so she asks him to come back to school. When Kou doesn’t immediately refuse and seems to hesitate, Nazuna seemingly gets miffed and suddenly splits. Kou follows after her, asking if she’s angry and why, but Nazuna doesn’t feel like spilling it out, and is clearly still mad, so she flips him off and does her vampire warpspeed thing. Kou looks for her all night, without success.

Finally, in that magical in-between time just before sunrise, Kou falls on his face while climbing some stairs, then uses his receiver watch to call Nazuna. She responds, and he proceeds to tell her that while he doesn’t really “get” fights like the one they’re apparently in, but he wants to make up with her. With that, Nazuna suddenly appears, and is once again as honest with him as he was with her, saying she was “ticked off” by him hesitating after Akira asked him to come back to school.

Turns out she misunderstood; Kou hesitated because he wasn’t sure how to tell a human friend that couldn’t go back to school because he wanted to become a vampire. With that cleared up and the two well and truly made up, Nazuna notices the blood from Kou’s tumble, and proceeds to kiss him in order to drink it, remarking that “a lot came out”. She liked how he said human friend, and that it suggested he had a vampire friend too. Kou may not know this since she’s his first, but vampire friends do kiss.

Call of the Night – 02 – Not Just Any Neck Will Do

Kou and Nazuna met quite by chance, so it’s not surprising the next night when Kou looks everywhere and can’t find her. They set neither a time nor a place. Fortunately fortune smiles upon him as Nazuna eventually drops in on him, saying she was busy looking for some rando to drink blood from.

Since Nazuna told Kou before that drinking blood is like eating and “copulating” at the same time, he’s a little miffed that she’d copulate with just anyone, but she tells him that’s just what vampires do. Different necks are like different kinds of food to them.

What matters is they found each other, and Kou wants to make sure it’s easier next time, so asks if they can exchange numbers. Only problem is, Nazuna doesn’t have a phone. Well, she does, but she apparently bought it in the 80s, because it’s almost the size of her boombox.

Nazuna led Kou to her place to find said gigantic phone, and once they’re there, she soon plops into bed after a long night of searching for necks to bite. Kou isn’t sure what to do until she opens the covers so he’ll join her. But the prospect of her sucking other necks sticks with him.

That’s when Nazuna confesses she was looking for him all night too…she was just too embarrassed to say it. Kou accepts her apology, and unlike the last time when he whipped out his neck willy-nilly, here he gets the timing right, and she leans in for a drink.

Both the character design and Amamiya Sora’s voice acting really nail that combination of predation and vulnerability has always made vampires so fascinating. As she dozes next to him, happy as a clam, Kou is relieved and happy not that she finds his blood tasty, but because they both felt the same way: they wanted to see each other again.

The next night they have an equally hard time finding each other, but the inevitably do, and Kou presents her with a solution to her problem that avoids her having to buy a (new) cell phone: a pair of receiver watches. While a desperately dorky thing, I’m not surprised that Nazuna is into it and wants to play with them.

This leads to Kou telling her a story of how he bought a pair when he was younger, even though he didn’t have a friend. Instead of making one, he hid the watch hoping someone would find it, but while it was eventually taken, he never worked up the courage to use it to call that person (or rodent).

Nazuna is right that it’s a bleak story on its face, but Kou is also right that being around people can make some people more lonely than being on their own. The two dorks proceed to have a grand old time communicating and laughing together on their watches, culminating with Kou remarking that they’re like a couple that just started out.

Nazuna puts the perfect capper on the evening by giving Kou another aerial ride over the city lights, this time to a new insert song. At times, the pair look like they’re dancing in the sky, ’cause they kinda are. The puppy love is strong here, and these two are simply the cutest.

Nazuna lands them on the school roof, and even though Kou hates school during the day and has not been going, the night makes it a more enjoyable place to be. Nazuna walks up to him and casually sucks his blood for the first time outside her apartment—and at school, no less! As she puts it, “Talk about indecent behavior!”

But while Nazuna is super casual about drinking his blood, showing a lot of skin, and saying “copulate”, Kou soon picks up that when it comes to love and romance, she gets super-embarrassed, which is how Kou “gets back” at her stolen neck bite by calling her by her first name and adding “-chan”, which turns her beet-red and has her covering her face with her awesome cloak.

On the way home just before daybreak, Kou wonders if the blue receiver watch he left atop the mailboxes is still out there somewhere. Just as he’s dismissing that idea, he gets a signal from his red receiver watch, and a girl in a school uniform and messy dark hair calls him by his name…

Call of the Night – 01 (First Impressions) – Carpe Noctem

Now that’s what I’m freakin’ talkin’ about! Call of the Night is a pitch-perfect vampire rom-com from start to finish with a keen understanding of how to set tone and atmosphere, and the entire episode takes place over a single night—one of my favorite settings, being a night owl myself.

The infrequent scenes from Yamori Kou’s ordinary middle school life are shot relatively normally, but the light (and indeed, normalness) of those scenes feels oppressive, while the sprawling, shimmering night feels like a release. Kou doesn’t get things like “crushes” and “confessions”, but this place? This time? He gets it.

Surfing the web for remedies to his insomnia, many bring up booze as a surefire way to eventually lose consciousness, so he walks up to a very brightly-lit beer vending machine, and just as he’s making his selection, a sinister figure wreathed in shadow sidles up to him, questioning his legal age to purchase alcohol.

But the girl is only playing around; she has no intention of snitching. Indeed, she tags along with Kou as his night continues, passing by three older dudes who took the advice of the internet and got rek’d. Kou is awed by how she can so casually high-five strangers, but that’s what the night is all about: it’s a time of freedom; of casting off inhibitions and living.

When Kou is starting to feel a little tired, the quirky lilac-haired girl invites him up to her place, a sparse studio with a futon on the floor. The girl disrobes—as in, removes her robe, not all her clothes—but reveals, well, a revealing crop top, which catches the romance-averse Kou off-guard and makes him wonder what this girl’s intentions are.

She tells him: there’s nothing in the world wrong with two people simply sleeping in the same bed together. Even though the weird girl remains very much awake and basically stares at him the whole time, Kou can’t help but feel far more relaxed with her beside him than no one at all.

Kou is also good at pretending to be asleep; so good that the girl assumes he is, the light suddenly changes from deep purplish blue to warmer fuchsia, she bares her fangs and sinks them into Kou’s neck. For those not paying attention, yes: this chick is a vampire.

If a series is going to spend so much time at night, it had better know what to do with light, shadow, and color, and boy does Call of the Night ever know. Some scenes even reminded me of Fantasia. When Kou wakes up with blood on his neck, her fib about a giant mosquito doesn’t hold water (or blood).

That said, he keeps his head as the girl causally admits what she is, though he wonders why he hasn’t become a vampire. Here’s where the two find they share something in common, besides a love of the night: while some vampires go around making a whole mess of offspring, she’d…rather not. Just like Kou would rather not participate in all the junior high drama.

Perhaps it’s because she feels as comfortable around him as he does around her, the girl lets slip a truth about vampires: one way to become one is to have your blood sucked by a vampire you’re in love with. One thing I love about this girl is that she can get just as frazzled talking about this stuff as Kou.

She redirects the conversation to ask him how his first night “taking a step outside the norm” felt, out here in the place furthest he can hope to get from the things he thinks are a pain. He asks her formally to let him fall in love with her, but she promises nothing. She’ll just keep sucking his blood; if he wants to fall for her, he can go right ahead.

Now that they’re in agreement, they exchange names—her’s is Nanakusa Nazuna—and she resolves to “infuse more night” into him and his blood, which she maintains tastes best at night, just before going to bed. To that end, Nazuna kicks him off the roof of her high-rise apartment building…only to catch him in the blink of an eye long before he hits the pavement.

Thence, Nazuna princess carries Kou on aerial tour of the late night cityscape, flipping him upside down for an even more unique perspective. As he simply sits there in her arms in quiet but intense awe at what’s happening, Nazuna seems to take a great deal of pleasure from it as well.

And that’s the key to this: for as traditionally horny as vampires are depicted and as revealing as Nazuna’s garb is, this is a surprisingly sweet and innocent love story in the works. It’s about two outsiders in their happy place, staying up late and embracing the freedom of the night. With this banger of a premiere, the summer season has finally kicked off in earnest!

Vanitas no Carte – 14 – Nu au Coin du Feu

Jeanne’s complex relationship with Vanitas gains a new layer as she rescues him from dying of exposure, finds a cabin, and orders him to disrobe. The two sit by the fire together, naked under a blanket. While she’s most often disgusted by his usual arrogance and terseness, she can’t help but find this vulnerable side of him refreshing…even cute.

On the surface, nothing she does for Vanitas is with romantic or amorous intent—even feeding him water with her mouth—she’s just helping to save someone who helped her. But it’s impossible to ignore their history together thus far—all their scenes here are sexy as hell. Vanitas even tells her that they want different things: he wants to save the Beast and she’s been ordered to execute it.

That makes them foes in this enterprise, and she’d be better off letting him die. Of course, Jeanne isn’t going to do that. Instead, she tells Vanitas why she feels responsible not just for getting Vanita’s wounded by a poisoned blade, but for the whole Beast of Gevaudan affair. When she was a little girl, she met the vampire Chloé d’Apchier while left in the care of the Marquis d’Aphcier. Chloé was like a big sister and Jeanne loved her, but that no longer matters: she’s killed scores of people, and must now answer for it.

The reason Jeanne is here is that she failed the first time, but Ruthven gave her a second (and probably last) chance to do it. The next morning, when Jeanne is far more flustered than the fully-recovered Vanitas by the previous evening’s activities, she finds him speaking with Johan, and eventually Dante shows up as well. After threatening both Dhams to tell him everything about this Beast situation, he bids the four of them make haste to the castle to retrieve Noé.

Vanitas is right to worry—Noé wakes up in an unfamiliar bed with the tiny vampire lying on top of him sucking his blood. Despite Chloé being tiny, Noé is so weakened from the battle that he can barely move, leaving him completely at her mercy. If she wants another taste of his blood (and the memories it reveals—though that’s not touched upon here), there’s nothing stopping her…

Except for her attendant, Jean-Jacques, who scolds her for sucking someone’s blood without their consent while also expressing deep loathing for the owner of the other neck she bit. That said, JJ presents Noé with a safe-and-sound Murr and his freshly cleaned and mended clothes. When Noé meets Chloé and JJ in the banquet hall, they’re accompanied by a troupe of musical automatons…along with Naenia.

It addition to being its usual sexy self, this episode of Vanitas added texture to what had initially been labeled a simple mission of kill-or-save the Beast. Chloé is an intriguing potential antagonist, but despite her apparent alliance to Naenia doesn’t come off as pure evil; she was kind to Jeanne, after all.

Instead, as is typical of ancient vampires, she seems to float over everything and everyone, seeking nothing but entertainment and satisfaction out of this scenario…a balm for the ennui of the centuries.

Rating: 4/5 Stars

Vanitas no Carte – 13 – La Bataille D’Argent

I did not watch the Episode 12.5 recap of the first twelve episodes, instead catching up by reading my write-up of Episode 12…only to find it full of typos and grammatical errors! I do apologize for that; it’s all fixed up now.

It’s now Winter where I live, and freezing more often than not, so it’s only appropriate for Gévaudan to be cold as well when Vanitas and Noé arrive—with Dante and Johann tagging along. As is his wont, Noé gets separated from the others in the deep Silver Woods. Then, quite suddenly, the forest becomes a winter wonderland.

When Vanitas and the others spot vintage dragoons hunting the great beast (well, trying to anyway)he deduces that time has somehow rewound to the 18th century, when the King sent his best soldiers in to take care of the storied wolf. Unfortunately for those soldiers, they’re in the way of the Chasseur and Garnet Paladin Astolfo Granatum, who unlike Roland seems to be a bit of a sadist, and doesn’t consder it his job to protect humans, only hunt vampires like Noé. He’s not bad, either, as Noé isn’t fast enough to avoid getting cut.

Their duel is interrupted by the great wolf itself, and it’s not long before Jeanne shows up out of nowhere to battle the beast. Vanitas wants to save the Curse-Bearer who is in the form of the wolf. If Jeanne kills it, that won’t be possible. The thing is, Jeanne doesn’t care. She’s a bourreau, and considers it her job to destroy curse-bearers and eliminate the threat they pose—nothing more or less.

Once Vanitas and Noé reunite, Vanitas can tell that Noé was holding back in his fight with Astolfo for whatever reason. Vanitas in turn employs his inimitable gift for shit-talking by getting Astolfo extremely pissed off, and thus not at his sharpest. You have all the skills and talent in the world, but if you’re off-balance emotionally you won’t be able to fully summon those gifts.

Jeanne continues to battle the wolf, calling her “Chloé” and trying to get a dialogue going. When that fails, she re-commits to destroying the wolf. When she’s stopped by Noé, she warns the lad that if he gets in her way she’ll kill him too. That’s when Charlatan’s Naenia, who felt left out, shows up and creates an illusory world around everyone.

Some, like Astolfo, are unable to fight against the illusions and madly lashes out at Jeanne. But others, like Vanitas, can keep their heads, and he comes between Astolfo and Jeanne, paying back the favor when she saved him earlier. Sick of Naenia’s games, he whips out his titular Karte, only for someone to snap its chain, separating the book from its owner.

When the diamond dust settles, some dude with unkempt dark hair picks up the book, with Vanitas nowhere in sight. The man walks over to the silver-haired woman with azure eyes we caught a glimpse of back in episode 12; the Chloé Jeanne spoke of. Clearly she’s the Woods Witch referred to several times earlier in the episode, and if taking the Karte from Vanitas was the plan all along, then it went off without a hitch!

It’s a hell of a stirring start, introducing a new wintry woodsy setting, new characters, and big new stakes. All the while, the killer directive programmed into Noé looms over everything. Also, while I fully expected the OP and ED to not live up to their Part 1 predecessors, I’m please to report they both slap just as much! Vanitas no Karte hasn’t skipped a beat.

Irina: The Vampire Cosmonaut – 06 – Moon Shot in the Arm

Traumatized by what she saw at the crash site, Irina has a nightmare about suffering the same fate as all those poor test dogs. But as usual, she keeps her troubles within and tries to power through them, training as if nothing is wrong. But her mental anguish results in physical ailments: fatigue, loss of apetite, and anemia. With only days before the launch, this is no time for her numbers to be dropping.

Remembering what Irina told him about drinking the goat’s blood, Lev arranges some blood to drink. Not knowing where it came from, Irina refuses it, saying she’d rather die than defile her body. Unwilling to let her dream die, Lev offers an alternative: she can drink his blood…from his arm.

Irina agrees, and not long after digging into that arm, the light is back in her eyes, and the color back in her flesh. It’s also the equivalent of this particular couple’s first kiss…a vampire’s kiss. As such, both of them act bashfully and nervously before it happens. Once it’s over though, Irina looks and feels so much better, Lev is glad he had blood to offer. Still, Irina seems to feel a bit guilty for taking it.

With Irina back on her feet, the two enter the final stages of her training, including the harrowing parachute spin. Her first such trip to the ground is in tandem with Lev, who keeps her calm when the g-forces start to rattle her. Once they land, Lev tells her that her next jump will be solo. Who knew then that meant he wouldn’t be around for it!

Due to what looks like some shenanigans from Franz, the centrifuge goes haywire. Lev basically breaks the machine in order to stop it, enraging the old asshole researcher, who then decides to start beating on Irina. Lev doesn’t lose his temper, but it doesn’t matter.

When the old coot trips and falls backwards, it’s all the pretext he needs to have Lev hauled away for assault. Irina is now left without a protector…and her capsule will indeed be fitted with explosives in case it lands near the borders. In other words, just as Lev and Irina had their closest and most tender encounter, things couldn’t be worse. The only bright side is that Irina does indeed seem bound for space in just a couple of days.

Rating: 4/5 Stars

Vanitas no Carte – 12 (Fin) – The Beast Lives

Vanitas and Jeanne end their bloody makeout session, neaten their clothes, and return to the streets, and when Vanitas asks why she was permitted to spend the day with him, it becomes immediately apparent that Jeanne was unknowingly serving to distract him while Ruthven helped himself to a Caffè Noé. Specifically, he keeps Noé alive so that one day, he can give him a command and he’ll obey it without question…even the command to slay Vanitas.

Roland may have lived his entire life believing that vampires were an enemy to be eliminated, but his encounter with Noé changed his mind about that, and we find him digging into books in a cozy little church library. His comrade Olivier warns him against digging too deep into forbidden topics, but then Roland warns Olivier that there isn’t really anyone who can stop him from discovering the truth. He can’t believe in things he knows not to be true.

Speaking of which, once Vanitas returns to the hotel to find Noé right where he left him, the two are visited by Dante with news: The Beast Lives. Specifically, the Beast of Gévaudan, a wolf-like abomination that slaughtered women and children in the Gévaudan region in the 18th century. It’s believed to be a curse-bearing vampire, so Vanitas is just the man to hunt the beast down.

While Vanitas and Dante chat, Noé is distracted by Vanita’s ridiculously sweet-smelling blood. Combined with his fatigue and hunger, he begins to ask if he could have but a small taste. Vanitas responds deadly seriously by promising Noé that if he ever tries to drink his blood (and therefore see the memories from his past), he’ll kill him. Daaaaamn.

This creates a friction between the two that lasts through the night until the next day, when the two head out to board the non-Mugem Train to Gévaudan. Noé apologizes, Vanitas half-jokingly offers to let him lap up any blood he spills (he can only read memories from blood straight out of the taps) and the two share an easy laugh. They thus make up just in time for a train ride that Noé is super excited about, the way a kid—or me—would be about such a train! Trains are awesome.

After the credits, we get a lovely but ominous birds-eye view of a snowy landscape not too dissimilar from the countless wintry vistas we were treated to in Golden Kamuy. Only here there be not bears nor naked Russians: but Charlatan’s apparent Boss: an ethereally beautiful lass with silver hair and piercing azure eyes poetically declaring how she’ll “make my song of vengeance echo across the land”. My guess? She’s the Beast!

While there were some nice tense scenes between Noé and Ruthven and Noé and Vanitas, and their little fight and make-up sequence was a subtle, quiet little marvel of character work, but I’m not gonna lie: not a lot actually happened this week. It was but table-setting for a feast that won’t take place until Winter 2022. But the dishes and silverware look great…just in time for a giant wolf to smash it all!

Vanitas no Carte – 11 – Jean d’Ate

Armed with the notion that Vanitas will despise someone who professes their love for him, our favorite easily-flustered vampire knight decides to ask her blood buddy out on a date, hoping he’ll end up in the palm of her hand. Predictably, this doesn’t go remotely how Jeanne hoped.

After all, it’s hard to pretend to have affection for someone when you are truly drawn to them, no matter how much you don’t want to be. Such is Jeanne’s plight: whether due to the lure of his delicious blood or the fact she simply adores a bad boy, she’s genuinely excited about the date, especially as it allows her to tour human Paris.

Meanwhile, Lord Ruthven, whom we know is up to no good, gets Noé out of bed so they can have a nice friendly chat at the Lord’s favorite human café, the entirety of which he rents out for such a purpose. While initially apprehensive, Noé soon settles into an easy rapport with Ruthven, to the point he reminds him of his teacher, the Shapeless One.

Throughout Vanitas and Jeanne’s date, Domi is diligently following and observing with opera glasses. She originally committed to doing this because she thought she’d derive some entertainment from it, only to find it looks like an ordinary date. It’s also funny that Dante tags along, and the more bored he gets, the more he resembles Cartman.

It’s atop Paris’ highest hill—from one gets a good look at the Sun Tower that takes the place of the Eiffel Tower in this alternate steampunk world—where things turn from a fun dawdle to Serious Business.

When a boy scrapes his knee and Jeanne gets one look at the blood, she’s ready to pounce on the lad, but Vanitas stops her, having her bite his arm instead. Dante tosses a smoke bomb so they can get away safely, but it’s close call—and a revealing one too, when it comes to Jeanne.

The pleasant, cordial café date also takes a turn when Ruthven asks Noé straight-up whose side he’s on: humans or vampires. At this point Noé is only on the side of those he cares about, which includes members of both groups. This is the wrong answer, and he fails Ruthven’s “test”.

The Lord grabs him and sucks his blood ravenously. Could this be how Noé ends up killing Vanitas, as he said he would back in the first episode: while under the thrall of Lord Ruthven?

Vanitas takes Jeanne somewhere safe, where she proceeds to seductively suck on his blood in another one of their hot-and-heavy scenes. Vanitas takes the opportunity to ask once again whether Jeanne is a curse-bearer, which Jeanne doesn’t confirm or deny.

Even so, when she stops drinking his blood and starts to shed tears that fall on his face, Vanitas promises her that whatever she is, he promises to kill her if she ever becomes a threat to her beloved charge, Luca. Of course, if he can find a way to release her of whatever is slowly sapping her sanity, I imagine try that method first!

Rating: 4/5 Stars

Vanitas no Carte – 07 – What Is Love? Oh Domi Don’t Hurt Me…

While not a lot happens from a plot perspective this week, quite a bit of the steadily simmering love rhombus that is Jeanne, Vanitas, Domi and Noé comes into focus. This rude, selfish, annoying human has caused quite a stir in these three vampires’ hearts.

When Luca treats Noé and the others to tarte tatin at a fancy restaurant Vanitas reveals that Jeanne has “marked” him—imbuing him with some of her power while also leaving a literal rose-shaped mark on his neck. While he initially jokes that she couldn’t contain her lust for him, he then admits that the screams of the curse-bearers caused her to lose control.

Jeanne lifts him up and jumps out the window with him, landing in a dark alley demanding to know why he lied. The reality is that she is a curse-bearer who keeps herself under control with a medicine. She begs Vanitas not to tell anyone, and he gives her two conditions that underscore his genuine affection for her.

First, he insists that henceforth she drink no one’s blood but his. Second, he insists she stop calling him “Human” and start calling him by his name. Pulling his collar open to reveal her mark, she says his name as she digs her fangs back into his neck, unable to resist his sweet, sweet blood—even if the vessel of that blood’s a complete cad.

Noé, who felt compelled to chase after them, watches Jeanne bicker with Vanitas from the rooftops; it’s quite evident that he’s jealous of her closeness to him, even if he himself is to inexperienced in such things to realize this. One person who does realize it is Domi, who catches up to her Mon Chéri, but is clearly distressed when he mentions how troubled he was to hear that Jeanne sucked Vanitas’ blood.

He later elaborates that he just wanted to taste that sweet blood first, and Domi works out her frustration with him by gnawing on him, but their embrace gradually becomes more intimate when she drinks from his neck, only for him to gently slip off her glove and drink from her hand, noting that her blood is delectable. So is this scene, gorgeously lit as it is by the setting sun.

Since both guy-gal pairs had their steamy scenes, it’s only fair that the two pairs switch off for the final act, in which the dashing Domi leads Jeanne in a courtyard dance while Noé leads Vanitas in another. It’s here where Noé asks Vanitas “what in the devil is love”, to which Vanitas replies he has no idea.

All Vanitas knows is that when he thinks of Jeanne, his heart races and his body trembles. He lists all the reasons he believes those bodily reactions mean love, and none of them are more important than the fact that Jeanne will never love him, as he has “zero interest” in the sort of person who would love him. I guess that doesn’t bode well for Noé then, huh?!

As it stands, Vanitas loves Jeanne, Noé is growing to love Vanitas, Domi loves Noé, and Jeanne is strangely drawn to Vanitas. All these beautiful sexy people are all stirred up in a big romantic goulash. It’s sublime. It’s even enough for me to not particularly care how the plot progresses—except insofar as how it affects these four characters’ relationships.

Rating: 4/5 Stars

Vlad Love – 04 – All Concerned Parties

In a particularly chaotic episode, Mitsugu is captured by the president of the Torture Club for allegedly getting to close to Nami, the Dance Club president, whom he is stalking. Due to their mutual interest in Mai, Karate Club president Kasuno teams up with Nami to free Mitsugu, who packs a bag for Mai, who is apparently no longer safe in her home.

The pair head to Dr. Chihiro’s “house”—more of a mad scientist’s lab—only for Chihiro to have a predatory ulterior motive for harboring Mai. After Mitsugu sedates Chihiro, every other member of the cast shows up in sequence, demanding answers about who Mai is.

Kasuno and Nami end their brief alliance and their respective clubs “fight” each other, all while Maki films it and Kaoru runs around cosplaying as a Chun Li-like character. The Disciplinary President Jinko then shows up, demanding everyone stop breaking the rules.

The sudden surge of characters interacting means Vlad Love relies far too heavily on sliding inset portraits of characters talking and reacting, such that the episode at times looks more like a PowerPoint presentation than animation. There’s so much of this it borders on ludicrous—nay, it is ludicrous!

Then Mai drinks some very suspect blood from Chihiro’s vast collection and transforms into Salamander, and world-ending dragon, and starts destroying the city with her fire breath while Chihiro has a lengthy, meandering, and seriously unfunny monologue about how she came upon the blood.

From there Mitsugu and her classmates fade away and the focus shifts to a kaiju movie-style sequence in which military command center instructing fighter pilots to attack Dragon!Mai. This sequence is very sluggish, full of throwaway characters worrying about being sued for copyright infringement—an old, played-out joke that just won’t die.

Speaking of dying, once the fighters are authorized to open fire, the resulting battle over the city is cool-looking, though it also results in the death of Mitsugu and all the other characters in a massive explosion. Once again, the story ends up in the papers, and we can look forward to everything resetting back to a measure of normalcy next week.

Once again, the surfacy spectacle is occasionally diverting, but it’s hard to care about anything or anyone when everyone is doing little more than yelling at or slapping each other, and nothing that happens ever matters. Mai becomes an unthinking force of nature, while Mitsugu becomes just one more victim of the destruction. Once again I’m forced to ask: where is the vlad love in Vlad Love?

Vlad Love – 03 – Quite Unconcerned by Crosses

The zoo fiasco forgotten (like all things from episode to episode), Mitsugu and Mai catch a vampire flick at the movies…and Mai is so inspired she can’t help but bite the head of the man sitting in front of her. I like the idea of Mitsugu and Mai just going out and the former having to deal with the unpredictability (and volatility) of the latter. My Girlfriend’s a Vamp! kinda stuff.

This episode features a brand-new OP which may not slap quite as hard as the first, but is beautiful in its own right, both in visuals and music.

After the movie the couple bump into Watabe Maki (Hayami Saori), president of the Cinema Club at Mitsugu’s school, who is curious about Mitsugu’s new, very pretty and photogenic (and out-of-her-league) companion. Mitsugu says she’s a relative, and when pressed, Mai simply states they’re “connected by blood”—which is true!

Maki takes them to a good restaurant for dinner, where Mai consumes a generous amount of garlic gyoza. Rather than kill her, the garlic seems to have an intoxicating effect, and the restaurant is demolished. The papers cover the incident as some kind of “mass hallucination”, which seems to be a recurring theme…along with the frankly lame fourth-wall breaking when Maki can hear Mitsugu’s thoughts or points out when she’s spewing exposition.

Mai’s unforeseen reaction to garlic leads Mitsugu and Dr. Chihiro to undertake a more thorough investigation of how Mai fits into common vampire knowledge. She drinks blood, and can sprout fangs and wings out of her head, but UV light doesn’t bother her, garlic turns her into a boisterous drunk, and crosses don’t affect her in the least.

While testing the UV bit, Mitsugu runs into another classmate, the Type-B (i.e. eccentric) Konno Kaoru, prez of the Cosplay Club. She mistakes Mai’s get-up for Invisible (Wo)man cosplay, and invites her and Mitsugu to the Cosplay Club so they can get their ‘cos on. Mai nails all the classics, from maid to bunny and magical girls. Mitsugu is more niche, pulling off a researcher from a 1970s sci-fi movie with aplomb.

Kaoru invites the pair to an Akiba Halloween party, the location of which is established with the show’s signature live-action drone footage of the city. Mai’s vamp-girl costume proves too hot to handle, causing a near-riot amongst the horny guys in the audience and forcing the karate club to lay down the law while keeping their school’s Disciplinary Officer Jinko at bay.

Mitsugu seems to sense when she and Mai should start heading home, but before that can happen the commotion knocks out the lights at the venue. Mai emerges from the darkness then transforms into a swarm of bats, making one hell of an exit from the party that is once again written off as a mass hallucination.

To quote Homer Simpson, each episode of Vlad Love has been little more than “a bunch of stuff that happened”. That doesn’t mean that stuff doesn’t look great and a ton of fun to boot, but there’s just no depth to the stuff, and everything resets from episode to episode, so nothing really means anything. Their movie date aside, Mai and Mitsugu aren’t really progressing as a couple so much as treading water.

The episode is also stuffed with overindulgent moments like the whole minute of needlessly describing in great detail the British bomber inexplicably flying in the air over the gyozu restaurant. Stuff like that engenders far more ¯\_(ツ)_/¯’s than LOL’s.

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