Somali and the Forest Spirit – 11 – Defense Over Insulation

We know shit is about to hit the fan. So it’s somehow even crueler that after
showing us Aunt Rosa’s true colors last week, the episode keeps things light and pleasant. Rosa tells Golem about a shortcut to “avoid” trouble, Somali and Golem exchange bracelets, and the two have a snowball fight with the oni. Even the score is oblivious to the impending unpleasantness.

Then, later that night after Somali has gone to bed, Golem detects five human hunters. Yabashira is quickly told Somali is indeed a human (he’s fine with it, like any decent person), and acts as a decoy, allowing Golem, Somali and Shizuno to flee into the nearby subterranean tunnels. However, Golem and Shizuno were both fooled by the kindly Aunt Rosa, who meets them right before the supposed exit and leads them straight into a holding cell.

She tells them a personal story about how her village once coexisted with a human village, but the humans’ prejudice led to needless killing, and eventually all non-humans agreed it would be safer for everyone if the humans were persecuted and killed. She also sings the same song Kikila sang for Somali, revealing the lyrics are about cooking humans.

At this point, Golem’s body is nearing its end, as he had to exert considerable energy to evade the second set of hunters in the tunnels. He can’t risk destroying the cell gate, but when it’s opened and Somali is snatched away by the hunters, he has no choice. Only when he prepares to attack the hunters his whole left arm shatters (and his new bracelet snaps), while the rest of his body shuts down.

Shizuno’s pleas for understanding fall on deaf ears, and Somali is tied to a table as the hunters prepare to cut her into pieces—one wants the brain, while Rosa wants the liver. Still, Golem is down but not yet out: his eye turns read, he gets back to his feet, and he transforms into something wild and brutal we haven’t seen before as his core churns and smolders.

It may be the beginning of the end for Golem, but his attempts to insulate her from the cold truth of the world were not only futile, but are no longer possible. Now all that matters is defending her from harm with everything he has left—as any father of any species would do for their child.

Somali and the Forest Spirit – 10 – In Accordance With Determined Tasks

We’ve seen it in the OP every week: the moment Golem encounters a human girl in chains in his forest. The first word she says to him is “Dad.” But we learn it was hardly fatherhood at first sight! For several days Golem considers the child an outsider who must leave at once, for her care simply doesn’t fall under his forest guardian duties.

The child is persistent in following him around, however, and when it’s clear there’s no one else around to see she gets food and water, Golem lets those previously rigid edicts slide. He removes her chains and names her Somali, after the cat-like beast that first led him to her. Henceforth, everything he’s done is so he can keep her happy and smiling.

In the present, Shizuno asks if he can see the state of Golem’s body, and…it’s not pretty. Most of his ceramic skin is gone and he reports that even his inner body is starting to crack and leak fluids. Even if there are a set number of days until he “shuts down,” he may cease to function properly well before that.

Considering how he’s committed to spending seven of those days in this town bouncing for the innkeeper, the continued search for humans becomes less paramount than simply ensuring someone is around to care for Somali when he’s gone. Thankfully Shizuno is fine with being that someone, but doesn’t want Golem to give up on repairing himself.

While Golem and Yabashira work in the town, Shizuno and Somali procrastinate on cleaning, as Somali wants to make a gift for Golem. Her attempt at a portrait doesn’t meet her perfectionist standards, but when the innkeeper’s gentle, kindly wife Rosa arrives with supplies, she suggests Somali weave a good-luck bracelet for her dad.

Unfortunately, Auntie Rosa recognizes Somali’s smell as human while locked in a big hug, and unlike Shizuno is not okay with that. Such is her hatred for humans that as soon as she returns to town she reports Somali to some unsavory fellows who will no doubt come for her in short order. Are Golem, Shizuno and Yabashira strong enough to protect her?

Somali and the Forest Spirit – 09 – The Secret Ingredient is Love

Golem and Somali seek refuge at a charming sapper’s lodge built into a tree. Since it’s not harvest season, it’s vacant, so Golem leaves some cash to pay for accommodations and food they use. It’s an opportunity for Golem to cook something from scratch for his daughter, and he picks a tasty-looking souffle. After a few instances of pretty intense drama it’s nice to get back to the show’s cozy slice-of-life roots.

There’s precious little to threaten lil’ Somali this week, as the additional visitors to the lodge turn out to be their old friends Shizuno and Yabashira, who are on their way to the Bygone City. However, after a bite of souffle (ironicaly, considering how soft it is), Somali notices one of her lower teeth is loose, and is afraid to tell anyone lest she get in trouble.

Coincidentally, Shizuno is travelling to the otherwise somewhat rough and unsavory Bygone City to seek out the advice of one Sowak, an itty-bitty dentist. All dentists are of the hydromys (water rodent) clan so they can literally step inside a patient’s mouth to work on their teeth.

Somali grows more and more distressed as Sowak describes the work he does in mouths, and how “teeth don’t grow back”. Later, Golem can not only sense something’s wrong with Somali, but it has to do with her mouth.

Somali panics and runs off—not a good idea in a seedy city full of thugs—and bumps into one of them. He and his two pals try to extort a penalty from Golem, claiming “might makes right” in Bygone.

Fortunately, they’re no match for Golem, while Yabashira strikes the first blow in an effort to “learn local customs”, while Shizuno demonstrates his agility and the power of his kicks. In the fracas, Somali trips and takes a tumble, and her tooth pops right out.

They visit Sowak, who confirms it was only a baby tooth that will be replaced, and Golem accepts a little container for the remaining teeth as a memento, making Somali happy.

An initially threatening-looking innkeeper who heard of the butt-kicking wants Golem and Yabashira to serve as bodyguards during the busy snowy season, offering free lodging at a cabin just outside town as payment.

They accept the offer and settle into their comfy digs. That night, Shizuno mentions to Golem that he knows Somali is a human, and had suspected it since he smelled her blood. That said, Shizuno isn’t the type to suddenly hate Somali or wish her harm. On the contrary, he’s more curious how and why Golem started “playing as her father.”

Golem replies honestly: the day he met Somali, he became more than the guardian of the forest, but an individual—one who existed to protect her. Considering how cool Shizuno is with Somali’s status, Golem could do worse than leaving her with him and Yabashira, in the event he never finds the humans.

Shuumatsu no Izetta – 04

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Word of Germanian defeat and rumors of a reborn White Witch travel all the way to Neu Berlin (where it seems they successfully built the Volkshalle) and the Germanian leader, who is excited by the news of a witch in modern times.

For the record, these guys don’t seem as bad as Nazis, but they are most certainly bad guys: arrogant bullies who pick on their weaker neighbors as part of a larger plan to dominate the continent and likely the world. Their power must have a check to avoid wholesale death and suffering.

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So far, the show seems intent on keeping that potential check, Izetta, as modest and grounded as possible, befitting both her past status and her debt to Princess Fine for saving her from a mob. Izetta takes nothing for granted: not the bed she wakes up in, or the cheerful maid Lotte who is assigned to her.

Little does Izetta know that just by being there, she’s basically threatening to usurp the right-hand-woman position currently occupied by Bianca, who is still suspicious of Izetta’s abilities and motives. However, when Lotte slips off her stool and Izetta gets konked on the head by a stone jug, Bianca feels responsible for the injury.

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This episode lacks any big battles, but sets the stage for an entirely new battle Eylstadt must fight—and win—to have any chance at peace: the PR battle.

To that end, Fine appoints her Grand Couturier, Lady Elvira (Hanazawa Kana in an adult role)—a kind of alternate-WWII version of Effie Trinket—to help polish Izetta’s image as the famed White Witch and saviour of the country. Elvira is also very handsy; quite inappropriately so.

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Izetta reveals to Fine and her war council that her powers don’t come from within, but are dependent on a network of ley lines distributed through the lands. In some places, like the old capital, she cannot use her magic at all; in the old capital, the lines are dense, and the depths of the old castle they find a helpful map so they’ll know where she’ll be most effective.

That being said, Fine is keeping it the highest of state secrets that Izetta has any weaknesses at all: winning hearts and minds of both her own people and potential allies abroad is dependent on the lie that Izetta is invincible, and that is part of the burden both women must bear on top of  actually fighting and winning more battles.

With the enemy not only well aware of Izetta’s existence but having previously had her in captivity, we’ll see what countermeasures they’ll come up with. In the meantime, Fine succeeds her recently deceased father as Archduchess, with Izetta the White Witch by her side. There’s no turning back.

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Shuumatsu no Izetta – 03

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Eylstadt’s antiquated, outmatched defenses are brought to the brink against the mighty modern Germanian war machine, and Izetta places us right in the trenches to experience how dire the situation is. A young private is tense before the action even starts; and then all of a sudden his commander is dead, the landscape has changed, and the air is full of cries of pain and despair.

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Fine’s forces are receiving a drubbing, and a rout is all but certain. Her frustration with the ineffectiveness of their defense is compounded by her heartbreak that so many must give their lives, simply to buy time. Yet she has the presence of mind and the discipline not to send the forces she still has out to die in a blaze of glory. She may not like how she has to pay for it, but she needs time for the civilians to evacuate and for new lines to be established.

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It falls to Izetta to do something about this horrible, hopeless situation. Against Fine’s wishes, Izetta enters the battle, and quickly turns the tables, using old jousting lances from the medieval castle as projectiles to take out the Germanian Stuka dive bombers one by one. She manages to take out the last plane with the lance she’s riding, timing it just right so she lands on the stump of it rather than fall to her death.

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She’s stunned by the landing, but quickly springs back into action, right around the area where the private we met is fighting. He, along with the other surviving soldiers, bear witness as Izetta moves her assault on the Germanians to the ground, fighting with a desperate intensity that buoys their spirits.

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This is the best battle of Izetta yet, showing the witch using her powers in creative ways, employing ancient weapons to bring down marvels of modern warfare. The Elystadt armed forces simply can’t compete by playing by the same rules as the Germans. So it’s good their patron saint has arrived to flip the game board over and shred the rulebook.

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Thoughout the Germainian advance, stall, and eventual defeat, we cut to their headquarters, where army and air force generals keep a bottle of champagne on ice for the eventual announcement of their certain victory. But Izetta has thrown their entire prosecution of the war into chaos. A who squadron of Stukas and a company of tanks are simply gone. They popped the cork too early; one general’s glass falls to the ground and shatters.

Meanwhile, after enduring so much death, destruction, and despair, the troops rally around Fine and the second coming of their White Witch, their morale and hope for the future suddenly restored. The nervous private who watched it all leads the men in singing a powerful anthem of victory. Fine didn’t like how Izetta risked herself and defied her wishes, but she can’t deny the results were tremendous.

I imagine relatively “easy” victories such as this will be few and far between; the Germanian leader and those scientists are unlikely to let the military be caught off guard again. And as powerful as she is, Izetta is not invincible; it only takes one well-place bullet to kill her, just like any other girl. But for now, let the men sing.

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Shuumatsu no Izetta – 02

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Thanks to Papika Izetta, Princess Fine is free from the Germanians, but they’re not out of the woods. An enemy patrol spots the smoke plume from their transport and before long the two girls are locked in an alpine dogfight that’s a feast for the eyes.

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Izetta sees no other choice but to break taboo and her promise to her granny and use her magic openly. The results are an astounding demonstration of her potential as a weapon against the Germanians, taking out three planes, but she runs out of mana before the lead plane is downed.

Enter a still-bleeding Fine, who reminds Izetta she’s not riding a broom, but a giant rifle, which they use to take out the last plane. After the sustained battle, Fine is out cold, Izetta’s tank is empty, and she has to ditch the gun and make for the Eylstadt fortress on foot.

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By good fortune Izetta encounters a force of retreating Elystadt survivors led by Major Obermeyer, and their suregon fixes Fine up while also tending to Izetta’s wounds. Izetta is loath to accept any help, favor, or comfort, and it all has to do with the old scar the doc notices on Fine’s side, for which Izetta blames herself.

As the first episode hinted, Izetta and Fine had met before, and it wasn’t a dream. Izetta isn’t some scientific specimen or non-corporeal supreme being…she’s just a girl. A girl who happened to be the last in a line of witches. Her grandmother noted she was the most powerful in generations, despite being the last, and so had to take extra care not to get tangled up in trouble.

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Things just didn’t work out that way, but it wasn’t all for naught: Izetta and Fine meeting was the best thing to happen to either of them, because they were the only ones who saw each other for what they were: not a witch to be feared or a princess to be fawned over, but two girls in need of best friends.

Fine received her side wound defending Izetta from an angry mob, doing as she’s always done: value the lives of others as much if not more than her own. She wants to save Izetta again by sending her away rather than using her, but Izetta won’t hear of it. She wants to be used, and she wants Fine to be the hope that drives her, just as it drives the desperate armies and subjects of Eylstadt.

Beginning with a thrilling aerial battle, leading to some vital backstory, and concluding with Izetta’s vow not to leave Fine’s side in the coming battles, this episode had a little of everything, and was as efficient in its storytelling as it was entertaining and moving.

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Shuumatsu no Izetta – 01 (First Impressions)

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What is it: A period historical/military action drama taking place in an alternate world during the equivalent of WWII. Princess Fine and her tiny duchy of Eylstadt becomes the latest victim of the Germanian Empire’s campaign of expansion. She’s eventually caught by Germanian officers, but while en route to Neue Berlin, the legendary witch Izetta, also aboard the plan, awakens and saves her princess.

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Why you should watch: If you like historical anime that put a little twist on history (without getting to nationalistic about things). The tech here is strict WWII-era, with steam trains, dive bombers, and Luger pistols. The only fantastical element is Izetta, who will surely prove to be the one most vital to the survival of the protagonist Fine.

Fine is also voiced by Hayami Saori, is often called a “tomboy” by other characters, but is really just a badass who knows she survives because of the love of her people. Production values are slightly above average, and the score is fine.

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Why you shouldn’t watch: If you’re kinda period-pieced out by the recently-wrapped 91 Days, or if you’re a little put off by plot conveniences like Izetta just happening to end up not only on the same train as Izetta, but the same plane as well, some time later. Perhaps, however, they’ve been drawn together by some particular bond between the witch of Eylstadt and its leader. The bad guys are literally Nazis. Well, quasi-Nazis.

The Verdict: A sturdy and steadily-paced opening episodes for a show with lots of promise, with a strong female protagonist at its core. If you like the idea of a tough underdog princess and her witch companion fightin’ off some quasi-Nazis and fulfilling her duty to her small country of people, this show is up your alley. I’ll be following it for now, since it’s the first Fall show I’ve come across.

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