Dimension W – 06

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Despite their intimate level of involvement in the case, Kyouma and Mira felt like background tourists in the Lake Yasogami arc. This week finds the show back on track, largely because despite the fact there is another whole new set of characters, both Kyouma and Mira feel a lot more connected to the events.

One of those new faces is the “Wind of Africa” Prince Salva-Enna-Tibesti. Loved by the ladies but pissed by how obvious they are, Salva is both CEO of the world’s #1 Robot manufacturer, Islero, and COO of one of the Central coil stations; #60. His aide Lasithi is almost certainly a robot, as is his younger brother, Prince Lwai.

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We learn the former when Salva is able to “bind” Lasithi with a command, while we learn the latter when the precocious Lwai (or “Loo”), eager to experience Japan, latches onto Kyouma (who is just minding his own business) and ends up spending the day with him as he avoids being picked up by Salva’s men.

Kyouma takes a distinct “why me” stance towards Lwai’s continued following, but when he accidentally destroys a fish-catching kiosk at the market (revealing his superhuman strength), Kyouma decides to at least get the kid some less conspicuous clothes.

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That leads him to the clothing store of Azumaya Tsubaki, who has a past with Kyouma (she calls her his “big sister” but they’re the same age.) Tsubaki is also related to Miyabi, a girl Kyouma presumably once loved but lost, and since her death has been unable to visit her grave but struggled to move on. This would explain his hesitance to get closer to Mira (other than the fact he distrusts technology…and most everyone/thing else).

Basically, this episode finally lets us a little bit into Kyouma. We meet someone close to him whom he does trust, and we see the source of much of his present and lasting bitterness and depression. He even shows kindness towards Loo, though Tsubaki’s assistants dress him in a girl’s yukata because he’s so pretty. When Lesithi shows up wanting Lwai to come with him, no discussion, Kyouma lets him go, but wishes him well.

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Knowing at this point that Salva is concerned with Lwai because he’s his new secret weapon, it’s not surprising when Lwai – in a totally different state of mind (or “mode”, as it were) shows up at Mary’s simply to easily kick her bodyguard Four’s ass (after an earlier scene showed how tough Four is).

Meanwhile, somewhere remote, Loser continues his search for Numbers, needing only one more, while his daughter Elizabeth assists. It’s here when I finally realized Liz has been around since the first Loser episode and has simply had a different look each time we’ve seen her (I wrongly thought she was a boy at first, and so didn’t realize the same character was at Lake Yasogami).

Anyway, now I know. And now she and Loser know something’s up at Central 47 (in Tokyo).

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That something is an open challenge from Salva and Islero, announcing a grand battle royale or race for all worthy collectors, as he announces to Claire over a very old glass of wine. Mary, not taking Four’s destruction lying down, wants Kyouma to go.

The venue of this “war to avoid war” will be Easter Island, a “sealed off island of ruin.” It resembles the rocky place we see in flashes of Kyouma’s memory, and it’s likely sealed off due to something to do with Dimension W.

While Kyouma is headed for Easter Island, it doesn’t look like he intends to bring Mira with him. Part of that is obviously because he’s still used to working alone and wants her out of his hair. But perhaps he doesn’t want to involve Ponkatsu in anything that will get her exposed or worse. He already seems to bear the burden of losing someone under his care.

After shooing Mira away from the garage where he tinkers on a car, he starts to reminisce on how he met another pretty young lady, Miyabi, quite by chance. I’m looking forward to that tale.

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Dimension W – 05

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Part 2 of the Lake Yadogami Mystery was a little better than Part 1, with both fun and moving moments to be had, but to be honest it did not assuage my original concern that the mini-arc was simply too overstuffed and complex, making it hard to get properly invested.

One character I am invested in is Mira, who found a way out of her chain bondage by simply thinking it out and deciding even if she is a robot who can be repaired like nothing ever happened, she doesn’t think she’d be quite the same Mira that she is now, and she doesn’t want that.

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So she overrides the logic of the Numbers-maintained alternate world and frees herself. The show doesn’t miss out on another opportunity to show her nude when Ellie and the maid find her. As for Kyouma, he’s too quick to think she was doing nothing.

I don’t want to belabor this issue, but can’t say I approve of him punching her in the head. It only ended up hurting him, but it’s the principle: Mira is clearly more than just some robot, having just done something another robot wouldn’t have – not settle for being repaired and restarted. Can’t she also say something to the effect of “Please don’t hit me”?

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The show itself seemed to concur that it had too much going on at once, so it systematically started stripping characters and dilemmas out of the episode entirely, never to be bothered with again. Even if she becomes more important in later episodes, I just don’t see what Ellie was doing here. She leaves when her “papa” orders her to, since apparently Albert is there because of her. So if she wasn’t in the episode, Al wouldn’t have had to be either.

As for the trio of mercs who kidnapped the pixie-cut lady, they have so little presence except for that one action scene last week and are dispatched off-camera so easily, I also wonder why the episode bothered including them. I also thought eliminating all the flan-like ghosts attacking the mansion at once with a simple switch of the sprinklers was some weak sauce.

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Those were all instances of the episode doing some overdue pruning, only to replace them with yet more plot and characters. We’re taken back to 21 years ago where this business all began. The flashback introduces us to a cameraman who likes filming Sakai’s sister Enomori, only to try to assault/rape her in a shed not a minute later!

Many more unfortunate events occur, leading to a final act with so much multi-dimensional technobabble being thrown around it made me feel for Kyouma being stuck in the middle of such a convoluted mess, even though he smacks Mira again once they secure the Numbers. The denouement was so hard to follow I could only emotionally connect to it on the most basic level; that of a man relieved his sister didn’t die after all, but in the meantime still killed his alternate self to protect her.

When our two Collectors drove away in the Toyota all I could do was shrug and say “Well…at least they got the coil.” I respect this show’s ambition to tell an sprawling tragic tale that transcends dimensions. I’m not opposed to complexity, but I need more structure and focus and less stuffing in order to find a way in.

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Dimension W – 04

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I was initially intrigued by this week’s change of setting and mansion murder mystery theme, but Kyouma and Mira end up caught up in a frustratingly convoluted web of plot that features a little bit of everything presented with a “more is more” philosophy that turns out muddled and unfocused. It doesn’t help that this episode was mostly setup for a part-two payoff next week.

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You have a mysteriously drowned horror author, a mansion full of random people who would normally be the suspects, you have Albert tagging along on this one, being all buddy-buddy with Kyouma while bringing up their shared Dark Past. There’s even a gothic lolita collector who doesn’t really do much.

Then you have Mira (who Kyouma seems to have nicknamed Ponkotsu, or “piece of junk”) seeing “ghost” that could really be people involve in the past disaster that claimed many lives 21 years ago, being layered onto the real world due to the use of a Number delving into Dimension W.

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While ostensibly a soft sci-fi anime, one can feel the strain of combining so many different genres. Mira’s ability to build the world of the author’s book she can perceive in three dimensions in order to find clues is a neat idea, but somewhat overshadowed by the fact she’s either naked or in a little towel at the time; the camera’s fetishization of her body continues apace, and she ends up in a pretty standard horror movie chase.

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There also seems to be a recurring trend of Kyouma leaving Mira off on her own with mixed results; it worked out when she found the robotic pigeons, but last week she was almost exposed (which would have likely meant Kyouma, Mary, and Koorogi’s deaths), and this week she becomes a chained damsel in distress. At some point you hope Kyouma will keep better tabs on his partner.

As for the trio of suspicious characters from the lobby when Mira and Kyouma first arrive – they are operating under the assumption the present owner of the hotel’s dreams are connecting one world to the other, so they kidnap her, perhaps in hopes of retrieving the Numbered coil for themselves (or their client). So throw heist and a competing collectors themes into the mix! This DimW threw a lot of pasta at the wall, but not a lot of it stuck. Maybe the resolution will be more satisfying than the setup…

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Dimension W – 03

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After their first big job together (which nets Mira a cool ¥6 million cash) DW slows down a little, giving us a largely slice-of-life episode that still nudges some plot points forward. It also happens to be a slice of the lie of an android who thinks she’s a human and really might as well be one, since she has the same need for a place to live, relax, and heal her body.

After being paid and praised, Mira’s excited about interacting with society and carving out her little corner of it. I like how we first see Kyouma having bad dreams, then refuse to accept Mira in his house – too much gloom in there for her, plus he doesn’t want to lose privacy. Mira is plenty elated by the purchase of her very own trailer.

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However, that trailer doesn’t have a bathroom, so she has to use Kyouma’s. When he inevitably walks in on her, she doesn’t slap him, but just explains that for various reasons related to her unique specifications, she needs the damn toilet too sometimes, so they’ll just going to have to work out a system, whether it’s a door lock or simply knocking.

Kyouma, who hates all things Coil, seems to be (inadvertently or not) denying or at least limiting Mira’s humanity at every turn. He certainly has his reasons, but it’s not exactly nice that he doesn’t even bother saying goodbye before leaving, or help her transport her furnishings to her trailer (which she then has to carry herself, quite conspicuously!).

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He also leaves Mira to her own devices (tehe) in dealing with the snoopy neighborhood kids. Mira figures it out, being firm but not too strict with the youngins’, the most inquisitive of which, a girl named Shiora, asks if Mira is Kyouma’s new wife, and whether they’re “doin’ it” (complete with the vulgar Japanese gesture for sex I first saw in Shimoneta). Kids!

When the kids get a little rough in playing with Kyouma’s stacked car wrecks, and disaster is imminent, Mira springs into action like a superhero, putting the kids’ lives above worries about being exposed. She also scares the shit out of the kids, who assumed she was human.

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Man, I love the composition of first-person POV of Kyouma arriving at his place to see what chaos has been wrought in his absence. That clever camerawork is also used to reveal, in a way that’s both hilarious and heartbreaking, that Mira’s head popped off in the ruckus, and she’s been sheepishly sitting in her trailer all along, holding her head in her lap.

She’s worried that those kids will think she’s a monster, and also knowing she may have taken things a little far, since New Tesla could have easily discovered her, meaning the death of Kyouma, Mary, Koorogi, and probably others. Kyouma may see the beheaded Mira as proof she’s just a robotbut to do so would miss the fact that head aside, she’s acting like a human. The reality is, she’s much more than some robot.

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As for where Kyouma was while Mira was getting into trouble: he gets some info on the “Numbers”, which are mini-coils that draw from deep within Dimension W for their power, and which have caused bizarre accidents like the art museum, which NTE is always quick to cover up.

The incident with the cars has Kyouma brought to the Police department for questioning, but he’s soon released and summoned to the roof of NTE 47, where the COO, Clair Skyheart, is waiting for him.

Kyouma assumes she bailed him out for some reason, but it’s just a matter of her granddaughter Shiora telling her what happened and putting a good word in for him. Claire also wanted to meet another “beast of Grendel”, having been told about him by another apparent former beast, Albert.

Shiora whispers to Kyouma that she and the other kids didn’t tell anyone about Mira’s secret, and hope she feels better. The kids later pay a visit to Mira, who is glad they don’t hate or fear her. Of course they don’t; unlike Kyouma, technology has only ever been a force of good. On the other side of the spectrum, I could have done without Kyouma kicking her butt and calling her junk…

This was a fun episode that explores how far Mira’s come, how far she has yet to go, and how much more Kyouma has to learn about the right way to treat her, in addition to learning a little more about the Numbers. The teaser at the end is more of a preview for the next episode, which suggests Kyouma and Mira’s next mission will take them to a remote island castle where Robo-Murder Most Foul is afoot. Talk about a change of scenery!

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Dimension W – 02

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Before her first job as a collector under Kyouma, we learn the rest of the conversation cut off last week. Mira shows Mary footage of the murder of Shido’s daughter and mother, not long after she was first activated. This is information that could get everyone killed, so Mary elects to keep Mira under Kyouma’s supervision, partly because he’s competent, and partly because he’s the one who brought Mira to them, along with all her dangerous baggage.

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Mira is determined to become a good collector, which will in turn help her achieve her father’s dying directive: follow the illegal coils. Kyouma wants the coils, Mira wants info about where they came from and who built them. It’s a mutually beneficial partnership. But you can tell Kyouma doesn’t like suddenly having to deal with a partner, especially one who embodies the very technology he rejects.

Their first target as a pair is to extract the illegal coils being used by the flamboyant celebrity criminal Loser, who is staging a very flamboyant public robbery of an art museum for his legions of giddy fans. This crime-as-entertainment is another interesting detail of this futuristic society.

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Kyouma tells Mira to find the jamming devices hacking the communications grid around the museum, and it should lead her to the coils, while he goes after Loser himself. Kyouma goes off on his own, while also putting trust that his new partner will get her part of the job done.

Loser’s son and partner in crime is in constant contact, and does some research on Kyouma in the middle of the chase. Loser shows just how useful illegal coils can be when put to good use, learning about his enemy as he flees from him.

Among that which Loser learns explains how Kyouma can keep up with him despite lacking any coils of any kind. Our boy was once a member of Grendel, a kind of elite anti-coil assault squad. Kyouma is now using his skills and training from his dark past to pay the bills.

Then Loser tells him a bit abot him self, showing him his horribly burned, disfigured face, mentions his lost legs and wife, and blames New Tesla for all of it. He’s on a quest for revenge, and Kyouma would do well to stay out of it.

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But Kyouma will do no such thing. He’s on the job, and he’s not leaving without the illegal coils he came for. The museum curator inadvertently helps him lose the police, locking the place down to prevent them from discovering he himself uses illegal coils to power his sexy twin bodyguards.

What the curator doesn’t know is that within his most cherished work of art lies one of the “numbers”, special classified coils that are Loser’s true goal with the heists. He busies himself extracting the coil while Kyouma very easily dispatches the bodyguards.

Meanwhile, after racing to the highest point she can, Mira finds the devices she was looking for. They were disguised as pigeons flying amongst live ones, but her extra-human vision discerned differences in their patterns. After collecting the illegal coil-equipped robotic birds, she makes her presence known to their controller, Loser’s son, who can’t believe she’s human. But considering her sentience, I believe he’s mistaken. Though she is more than a human, she’s definitely a human.

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When the police start banging on the door to the chamber, the curator tries to fiddle with one of the illegal coils and sets it off, and we see for the first time just how terrifyingly awful a “dimensional collapse” can be, and how dangerous illegal coils are in the wrong hands. The curator is caught in the rift, which then hardens into a horrifying mass of duplicated robogirls mixed with pieces of the curator, who is still alive and conscious for it all. Yikes!

Illegal illegal coils are no joke. And while Mira doesn’t get any info from Loser, who is determined to get his revenge and so won’t recklessly reveal his sources, she did show that she’s collector material, and can work in concert with Kyouma even without supervision. This was another thrilling, stylish romp. Two eps in, Dimension W is looking…very good.

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