Let’s dig right in, shall we? First of all, I was not expecting the cold open return to the middle of Emi’s performance, and some of it was simply elaborating upon things that were already made clear last week. That being said, the extra attention paid to Emi, and in particular her childhood, provide a baseline with which to compare the very, erm…different childhood Kousei experienced. The modern arrangement of the Chopin matches her past self’s bright-eyed outlook nicely.
More on that later. I do like how Emi storms off the stage, grabs Kousei by the scruff, and is on the cusp of saying…something important to him, but almost seems to chicken out and runs off to change, disappointing Takeshi. Still, her mission was accomplished; Kousei did hear her, and he was moved to the very core.
Meanwhile…damn, Kaori takes a lot of drugs! Did you put that scene in there to remind us she’s a very sick girl who’s going to die just when Kousei loves and needs her the most? Is the titular “lie” ultimately the lie that everything will turn out just fine? You’re a cruel show, Uso.
Cruel, perhaps, but also the king of building tension and anticipation to the point our stomachs hurt right along with Tsubaki. Takeshi and Emi may be disappointed in the relatively ‘simple’ Chopin piece Kousei will play (chosen at random by Kaori) but even they’re smacking their lips at the opportunity to see him play again for the first time in years. His slow walk to the stage is full of triumph, as Kousei’s heart and soul and musical will all seem to have been jump-started by the other performances.
But those of you who thought this would be the day Kousei shook off all of his past trauma regarding the piano thanks to both his friends and admirers…well, you were probably disappointed, but tough noogies. Shame on you anyway; we’re not even halfway through the series; it’s way to early for Kousei to be getting over anything.
There’s an interesting symmetry that further supports why Emi’s story occupied the cold open: Emi was a little girl in the crowd who got extremely inspired by Kousei in the past. Kousei spots a little girl in the crowd and gets extremely rattled in the present. Nice!
But long before Kousei saw the girl with the cat I knew Kousei was going to have a rough time this week. There’s no doubt that Takeshi, Emi and Kaori have moved him deeply, but in the blinding light of their awesomeness, he only temporarily forgot about the darkness lurking even deeper in his psyche that kept him away from the piano in the first place.
Far from a tale of how Kousei gets his groove back, this episode intercuts Kousei’s initially competent but emotionless performance with scenes of his past when he was abused by his ailing mother (note the same ridiculous pile of drugs Kaori had).
And let’s not beat around the bush here: Kousei was and remains a victim of brutal, unyielding physical and emotional child abuse, and his mother was a coward and a brute undeserving of such a loving, devoted son. Maybe she knew that herself, and so worked so intently on beating that love out of him.
Takeshi and Emi’s stories of how they got so good at the piano were full of envy, resentment, and longing, but they had it way easier than poor Kousei. And they were embracing music as a means to better themselves (so they could stand on the same level as Kousei), while Kousei purely played to make his mother better, a notion borne from emotion, which his mom hated above all else.
To her, emotion could only corrupt composer’s intended notes. The sheet music had to be followed precisely without the slightest error or embellishment.
She finally succeeded in making Kousei snap. After a public performance she attended that he had been looking forward to making her happy with, she has nothing but scorn and cane blows for him, and he tells her to just die already. And so complete was her abuse, Kousei blamed himself and those words for her ultimate death shortly thereafter.
Initially, he kept practicing like nothing was amiss, but one day his ‘punishment’ arrives in the form of his mother’s ghost, taking away his ability to hear the notes and plunging him into the sea. That is again where he finds himself during his attempted comeback.
It’s all in his head; it’s all scar tissue built up by his awful mom, but as long as he blames himself for her death, as long a part of him believes he deserves this punishment, no amount of inspiring peer performances will help him recover what he’s lost. We saw both Kaori and his mother in possession of pharmaceutical galaxies, but it might be Kousei who’s most in need of medication…not to mention therapy.