Renai Boukun – 08

Yuzu and Guri mount a daring rescue of Akane (armed with cosplay and retro dramatic music), only to find she doesn’t want to be rescued… naturally. The story is very standard issue, and on paper sounds like dozens of such rescue episodes. What makes Renai Boukun’s take on it fresh and watchable (if not outstanding) is its commitment to inserting punchy, often self-referential comedy wherever it can.

As the subtitle above demonstrates, Renai Boukun will often go to the trouble of pointing out the cliches it’s using, because characters like Guri are themselves knowledgable students of anime like the one they’re in. Guri’s status as a cupid, with her “love detection” ability, easily cuts through the stoic masks both Akane and her mother are wearing.

Akane’s mom may not ever break her stern, Vulcan calm, but when Akane herself has her blade pressed to Seiji’s neck, and he tells her he’d never be able to hate her no matter what, her eye highlights come back, and then some: shimmer, tears; the lot!

Renai is also shameless in its portrayal of Akane and Yuzu’s moms as aged-up versions of their daughters: they loved the same man, bearing the girls who now both love Seiji. Akane’s mom left her dad when her family calling beckoned, but she has to deal with the fact her daughter might not go down that very same path.

The moms are also even more powerful than their daughters, and their unhinged battle on the roof of Akane’s house surprises Seiji, even though at this point he’s used to getting stabbed (but likes the pain from Akane’s stabbing more than Shikimi’s).

As expected, by the end of the episode everything is back to the way it was, relationship-wise, only now Akane has the implicit approval to “do as she likes”, which is to keep loving Seiji. Seiji also feels closer to her now that he knows the whole truth about Akane and Yuzu’s family.

Akua got to fight some goons in suits. Coraly got to scare Akua shitless. Shikimi got to stab Seiji a bunch. Everybody’s happy! Well, until the very end, when Guri sees how close Seiji and Akane have grown, and no doubt ponders what, if anything, she can do to get Seiji to look at her the way he looks at Akane.

Renai Boukun – 07

After establishing its kooky cast, Love Tyrant has proceeded to explore more and more serious dramatic stuff with the trappings of a quirky comedy. Guri first attempts to test out Akane’s “heartache” theory about love by stabbing herself with one of Akane’s kukris.

But after her desire to go to the festival is rebuffed by Seiji, who already has plans with Akane, she goes off on her own and is approached by The Perfect Guy, who is kind, patient, and respects her interests—the opposite of Seiji, leading her to question whether Seiji’s even worth her time.

A lovely festival date with Mystery Guy leads to a romantic setting in which he leans in for the kiss, only to have his eyes shoved into his brain by Guri; a reflex, she says contritely. Nice Guy is nice, but isn’t Seiji, and kissing him feels wrong.

So when she happens to bump into Seiji, who came to festival as per her original wishes anyway, she kisses him, it feels right, and she proclaims that while Seiji may have his issues—not handsome, stubborn, quick to anger, boring, insensitive—but she doesn’t hate him after all.

It’s good to see Guri and the show point out Seiji’s flaws, but also demonstrate how love is more than an equation of pros and cons. As for Perfect Guy, he was under a spell from Maou as part of his larger plan to recruit Guri, which, sure, fine.

Someone else who loves Seiji deeply in spite of his flaws is Akane, but unlike the cupid Guri, she’s supposed to have no need for love. In fact, giving her heart to Seiji is a serious crime against her family, and her mother Suo soon has her captured and bound, and gives her an ultimatum: break up with Seiji, or else.

What ‘or else’ means, precisely, I don’t know, as Akane is technically immortal. As is Seiji, as demonstrated when a group of thugs try to kill him in broad daylight in the park. He’s rescued by his tough little sister Akua, who is then totally freaked out by Coraly, because who wouldn’t be?

(I for one actually have a soft spot for Coraly because my roommate’s cat looks just like him…without the human face of course.)

Shikimi arrives to tell Seiji and Akua what Suo has done with Akane.  In solitary confinement, Akane remembers not giving a hoot about anyone’s feelings and keeping her heart to herself, as her mother wanted. Until she met Seiji by chance in an alley, and for some reason when he says she’s kind, it resonates, and whether she liked it or not, she fell for him right then and there.

Though it definitely weighs down what had been a lightweight rom-com, I appreciate the show elaborating on Akane’s feelings and showing their origins and how she must choose between love and family. I also like Seiji (and Akua!) teaming up with Shikimi to rescue Akane (even though Shikimi is clearly up to something).

Meanwhile Guri and Yuzu don’t have much time together in the second half but they make the most of it, first with Yuzu’s takedown of the cat maid cafe Guri brought them to, then in planning a sleepover, then ditching that plan to join the fight to save Akane.

Alice to Zouroku – 05

(In an attempt to balance our workloads, I’ve taken over Alice to Zouroku reviewing duties from Preston.)

In this episode apparently brought to you by SNICKERS® (You’re not you when you’re hungry. Eat a SNICKERS®.) Minnie C doesn’t easily give up her captives, so she and Ichijou Shizuku enter a long, sustained battle full of CGI effects that holds together reasonably well, considering the show itself has never striven for ufotable-level precision.

Minnie C puts on a good fight, but Shizuku eventually wears her down due to her superior power: the ability to summon any number of 666 weapons and 13 grimoires from a magical storeroom derived from an anime she used to watch.

That’s not as satisfying a powers-origin story as, say, Minnie C, but the major difference is that Shizuku is fighting for others, while Minnie is only fighting for herself, angry at the world for taking away her darling. When she runs out of energy and Shizuku stands triumphantly over her, I really feel for Minnie C when she apologizes to her husband for continuing to be alive, because she’s completely wrong: her husband wants her to live. That means finding another reason for living beyond being with him.

Meanwhile, the now-freed (and largely static during the battle) Alice celebrates and underscores her and Zouroku’s new freedom by floating with him high up into the sky, something he’s fine with after being cooped up on that container ship so long. He’s also fine that Alice is accepting of his and Sanae’s love and invitation to join their family, no matter what kind of being she truly is.

Minnie C is shipped back to the states, and the organization that employed her and the other ability-users and pursued is dismantled by the police. Alice takes to the granddaughter role with gusto, further charming her new big sister Sanae, who has no end of plans to use Alice’s newly-restored energy to have “fun”, a concept once foreign to Alice.

Shizuku and Ryuu rest easy, knowing all’s well that ends well. Ryuu almost seems to want to will the next crisis into being by wishing another “incident” would come along, but until then, it’s nice to see Alice, Zouroku, and Sanae simply having a normal dinner on a normal night, in the normal lives they hope to maintain even after all that’s come to light.

In fact, this could be the finale to a five-part miniseries, as it leaves me wondering what the show has lined up next.

Macross Delta – 26 (Fin)

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Delta surely wasn’t going to end with Lloyd using Mikumo as the instrument to bring the entire humanoid population of the galaxy under his command; we just needed some clutch performances from our heroes—plus a confession or two—to turn things around.

Before heading out to the final battle (which is the final battle, in case you missed last week), neither Hayate nor Freyja can say “I love you”, merely mumble, while King Heinz essentially lets Lloyd do whatever he wants, even though he eventually wants peace talks with the UN, a far less ambitious (and less crazy) goal than Lloyd has planned.

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Kaname, Reina, and Freyja do their thing shorthanded while Delta Platoon does theirs, but everyone is sent to the Naked World when Lloyd gets Mikumo singing the Song of the Stars. For a few minutes we see the future Lloyd has in mind for the galaxy, and, well…nobody on either side likes it very much.

Heinz realizes Lloyd is up to no good too late, but thanks to Freyja’s determined singing, he adds his own song to the mix to notify Keith, Bogue, and the other knights to assist Delta and Walkure in stopping Lloyd. When Freyja’s voice falters, Hayate finally gives her the “I Love You” she’s been waiting and hoping for.

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The connection turns triangular when Freyja doesn’t immediately respond, leaving Mirage free to confess her love for Hayate and challenging Freyja to say something back already. She does, telling Hayate she loves him too. Everything turns pink, everyone is cast out of the Naked World, and Walkure is back on the stage, in new, Final Battle outfits.

A nominally-healed Makina adds her voice to the other three, and eventually not even Lloyd can keep Mikumo from singing along, donning her own Walkure outfit in Macross Giant Songstress Mode. At the same time, Delta blasts a hole in the Windermerean flagship, and with help from the Aerial Knights (someone called that), rescue Mikumo.

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Keith ends up being the one to take out Lloyd, his own best friend, with an air of disappointment he strayed so far from reasonable ambition. While his stated goal is universal peace, Lloyd wanted to become no less than a god, with total control over every living soul at once…which just wasn’t going to, er, fly. 

This is a finale full of nicely-composed images, including the Chaos fleet’s daring entry into battle, the Giant Mikumo on Ragna, Keith and Lloyd’s last moments before the ship blows up, the reunion of Walkure, and the parting shot of Mirage, who unsurprisingly ends up being the loser in the triangle, despite the fact she’s going to probably end up living far longer than Freyja.

Freyja’s skin crystallization doesn’t simply vanish when Lloyd is dealt with. But Hayate chooses the possibility of far outliving the object of that love, rather than the alternative (the part-Zentradi Mirage far outliving him). The flame that burns half as long burns Twice as bright.

And so ends Macross Delta, surely not the strongest of Macrosses, but perhaps better than no Macross at all? For all its flaws (and the fact one of its meal tickets—its eye candy—was out-candied this Summer by Zestiria), it was a show with deep ties to the past, which marched to its own beat in a 2016 where so much can feel the same. It was a fun ride.

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Alderamin on the Sky – 02

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Alderamin continues to move along with a wonderful briskness, but not so quickly that the events that transpire don’t hold weight. Last week’s predicament is handled fairly easily by Ikuta, but only because he makes it look easy.

In reality, he’s doing something really hard, especially for someone relatively young: he realizes what he can do and what he cannot; when to act and when to let his friends act. Igsem and Torway follow his lead and thanks to their assistance, the three guards are dealt with.

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Torway is shaken by his faltering during a crucial moment, but Igsem is there to support and praise him for his role in securing the princess. As for Chamille herself, the deaths of the three Kioka soldiers weighs heavily on her, to the point she bites her finger to release the “rotten” royal blood.

While Igsem comforted Torway, it’s Ikuta who comforts Chamille, assuring her her blood “tastes just fine” and to take care of the life he and his companions have worked so hard to preserve. His words make the princess blush, but she can also clearly see there is greatness in Ikuta.

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You can see both Chamille and Ikuta sharing a distaste for bloodshed; Chamille due to her imperial status; Ikuta do to his latent ability as well as the nature of the empire he lives in. As such, Ikuta treats the fallen Kioka soldiers’ remains with respect.

The next day, now possessed of a Kioka blimp, Ikuta formulates an ingenious strategem to get the princess safely across the border without firing a shot. Donning a Kioka uniform and armed with great acting ability and balls of steel, he marches right to the Kioka garrison and threatens the commander (his career, not his life) with the errant blimp.

There are a couple issues with this plan—the lieutenant in charge doesn’t ask for any identification, and lets Ikuta escort the others across. We also cut to a full month after they return to the empire, during which much has transpired that will shape their fates.

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But the events that unfold a month later justify the rapid jump in time. During that month, the famous General Rikan is sent to a battle Ikuta knows he’ll lose, since the empire no longer wants the undeveloped territory. But Rikan, the quintessentiall badass military man, is going to do his goddamn job, even if he knows the war is rigged. Honor, loyalty, “unscientific stupidity”; Ikuta can call it what he likes; he can’t stop Rikan.

Shortly after news of Rikan’s defeat, a demoralizing blow to the people of Katjvarna, the emperor gives Ikuta, Igsem, and the others an audience. Igsem had to knock Ikuta down when he was getting in Rikan’s face, but she warns him not to try pulling any of that shit in front of the emperor, and Ikuta seems to get it. I love their relationship!

Ikuta, of course, probably has an inkling of why they’ve been summoned, and his suspicions are confirmed when the emperor bestows upon them the title of imperial knights. That means they’re going to be trained as soldiers, whether that’s what he wanted or not.

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After the ceremony, in a coach with Igsem, Chamille (who is still just a kid, after all) can’t quite control her enthusiasm for making Ikuta into a hero, one of the three things he never wanted to be (the others being a noble and a soldier). She tells him too much about what she knows about his father (disgraced famous general) or his mother (former imperial concubine awarded to his dad).

Here we see just how much trouble Ikuta can get into when his emotions run rampant: he threatens to snap the princess’ neck; Igsem takes him down and warns him she’ll have to kill him if that happens. She doesn’t want do, but you can tell she sure as shit will. She’s a vital check on the wreckless abandon a troubled Ikuta can get into. He’s got the brilliance—and the ability—of Howl.

Later, when everyone’s cooled down a bit, Igsem leaves the festivities on what may be one of the best nights of her life, to sit with her good friend who declares he’s having one of his worst. Igsem doesn’t lecture him, she just listens and sits. Because like Chamille, she sees great things in Ikuta. No doubt he sees this in himself, and it probably scares the hell out of him. But he won’t be alone on this impending journey.

This episode demonstrated Alderamin’s ability to draw in very close to its surprisingly nuanced characters, and yet still draw back to reveal the huge world they inhabit, which is bound to explode into further combat as the show progresses, and in which heroes will rise.

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Macross Delta – 09

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This week Hayate officially learns (in a noxious cloud of technobabble) that he possesses fold receptors just like Freyja and the other members of Walkure. Specifically, he “resonates” with Freyja; something that causes Freyja to blush when she hears about it. Poor girl doesn’t realize she’s in a love triangle the show probably isn’t that concerned with resolving, like the one in Frontier.

Also this week, Messer puts his own pride and personal desire to “repay” his savior Kaname (the one who first saved him from the Var) above his safety and the safety of Delta Platoon and Walkure.

Hayate and Mirage follow the chain of command and honor their colleagues wishes, but insofar as their overarching duty, it seems like a very bad idea to put a ticking time bomb like Messer in a Valkyrie and hope for the best.

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For their part, Hayate and Mirage are conflicted over how to do with what they know about Messer, and try to put their heads together to come up with a solution throughout the episode.

Of course, because they’re largely doing this alone, in front of a romantic sunset, everyone, including Freyja, thinks these two are going out now, or something. Freyja is overcome by a combination of jealousy and FOMO, but is too timid to interfere, so she doesn’t, and thus never finds out the truth until the end of the episode, after much emotional stress.

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She didn’t happen to stalk Mirage while she was talking with Kaname, for instance, about how Kaname used to be the lead vocalist of Walkure before Mikumo joined, and before that, she was a solo idol.

Kaname is very harsh and frank in her assessment of herself, and flat out believes she doesn’t have the talent to be lead vocalist, and has to be content with leading them in every other way. But as far as Messer is concerned, hers is the only voice that can save him.

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That’s pretty strongly demonstrated when the Aerial Knights arrive to do some scans on Ragna’s Protoculture ruins. The camera focuses on Kaname both singing and talking Messer through his Var flare-up as he duels with the White Knight, Keith. Meanwhile, Hayate and Mirage protect Walkure from Bogue’s bold but ultimately fruitless attack.

The Knights retreat almost as soon as they arrive, but not before learning they can use Ragna’s ruins, and Keith is impressed enough with Messer to want another rematch in the near future.

But let’s be honest here: Delta Platoon dodged a bullet here. Had their ace Messer gone fully berserk, he would have fallen under enemy control, and as we saw in training, it wouldn’t take long for him to waste the rest of the platoon.

That being said, Freyja’s misunderstanding is cleared up, though she’s already shown her hand, Hayate-wise, and has to bug out to scream at the night to relieve the embarrassment, in the same place where Messer is alone, thanking his own personal god things didn’t get too out of hand due to his own selfishness.

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Macross Delta – 08

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Like Kabaneri last week overcoming the Fused Colony boss, this week’s Macross Delta seems to let its heroes off a little bit easy, considering the hole they dug themselves in. I’d also question why so many high-ranking Windermereans not only end up on Vordor, but end up cornering Hayate, Mirage and Freyja…only to bascially quarrel with each other about what to do with them (kill or capture to interrogate).

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Let’s be honest here: Hayate and Mirage are no match for these guys in hand-to-hand combat. Bogue alone mopped the floor with them in the blink of an eye. And yet despite having our heroes right where they want them, the Windermereans muck it up, giving Walkure time to launch a counterattack, aided at least in part by the ruins.

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As a result, our triangle is freed, Hayate, Mirage and Messer hop aboard their Seigfrieds, and the battle moves to the air, as Walkure counters the sad wind song of Prince Heinz. That song actually infects Messer, who’s already sustained a bullet wound, and Hayate comes very close to having to kill the father of those kids he and Freyja saw (another odd coindence), but Freyja steps up to the plate and gives a solo performance that cures the pilot.

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Hayate’s flying actually resonates with Freyja’s song, and he’s able to shoot Bogue out of the sky without killing him, but keeping a guy that dangerous alive is probably going to come back to bite him. Meanwhile, Lord Roid is fascinated by Freyja’s song, and will surely try to capture her again, Mikumo is both proud and impressed by Freyja’s newfound voice and reason for singing (to end wars), and Messer, poor dude, still has the Var. All in all, another serviceable but not particularly exceptional outing.

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Gakusen Toshi Asterisk – 20

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I’m gonna level with ya’ll: this was not an exceptionally interesting episode, but it kinda couldn’t help it: Ayato and Julis’ finals match against the puppets was never going to take up only one episode, which means this episode was always going to be only the first of a two or even three-episode final battle.

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From the get-go, our heroes are the underdogs, as they’re just flesh-and-blood humans facing artificial beings, and Ayato still can’t use Ser=Veresta because Flora is still at large. That being said, they’re still tough enough t make Rimsy and Ardy do their special move wher Rimsy gives up all her luxes to make Ardy extra-powerful, at the cost of her own badge.

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Meanwhile, Kirin and Saya get to Flora, and after a couple of hiccups, manage to defeat the shadowy dude who is holding her captive. Kirin takes a wound to the vitals, but her swordsmanship is enough, combined with Saya’s backup firepower. Looks like Ayato and Julis were right to trust in them after all!

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Claudia hijacks the mic from the Phoenix Festa commentators in order to relay to Ayato and Julis the news that Flora has been successfully rescued. This means Ayato can finally wield Ser=Veresta once more, and he and Julis only have one opponent left to defeat, albeit the strongest one they’ve faced yet. Perhaps they can turn the tables now that they’re not hampered by dirty tricks.

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Macross Delta – 07

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It’s Hacking Time on Macross Delta, with Mechanical Makina and CyberReina combining their talents to break through Windermerean orbital security, using a little bit of song to help things along. The good guys get an undercover team down to the surface, composed of Walkure, Hayate, Mirage and Messer. They have to disguise themselves as cat-people, which I guess is cute?

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On Vordor, they learn a great deal: the minds of everyone in the military and police are being controlled by the Var. Even an elite pilot is in the thrall of the Var, unable to hear the cries of his own children. Freyja wants to help in addition to being useful, but Mikumo pulls her back; they’ll only be able to fix this planet if they find out what’s going on. Vordor would seem to be a stategically middling world, but it does have one thing: ruins from the Protoculture.

Walkure surmises that the Windermereans are interested in the secrets the ruins may provide, including on dimensional weapons, a form of WMD that caused the “wound” on Windermere, but which Mirage insists was detonated by the Windermerans themselves, then passed off as an attack from offworlders in propaganda (which Freyja consumed).

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Even Prince Heinz would seem to be under the impression the wound he saw wasn’t self-inflicted, but an act that must be avenged using the Song of the Wind as his weapon, even if it kills him. As the show darts from one exotic locale to another, we’re treated to awfully gorgeous establishing shots that would look great framed and hung on my walls. Also Freyja continues to be not-that-useful on this trip.

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The rest of Walkure, on the other hand, prove they’re far more than just var-nullifying songstresses. Mikumo does her surveillance with robotic cicadas, Kaname leads the operation, and Reina and Makina, who were once so repelled by one another early shows with them had to be cancelled, are in perfect sync now, in addition to being something between BFFs and sisters.

They get the rest of the team down to the bowels of the ruins, where they find…bottle water and apples.

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Mikumo goes off on her own—as is her wont—drawn by a song that seems to be calling her; perhaps the Protoculture? As for the others, Hayate makes the connection between the apples and water, which when ingested together create the conditions for var infection.

Now they know how Windermere is infecting and conquering worlds, now they have to find a way to stop them. But first, they have to book it out of there, and once alerts are raised, that becomes more difficult.

Hayate, Mirage, and Freyja fall behind and are caught in a trap set by Bogue, who is looking forward to dealing with two “NUG dogs” and a “Windermerean traitor”. Our main triangle finds themselves in quite a bit of hot bottled water…

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Kiznaiver – 06

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In the OP, which I consider the most excellent of the season, the Chidori is the final of the seven Kiznaivers to run across the screen before the title splash, giving her a certain prominence. But in both of the OP’s character “roll calls”, the one in the middle is Honoka Maki, and in the second one, there’s a dramatic visual stab (and the presentation of the Trigger logo) when she appears.

This, and some of the mysteries surrounding Maki and the someone she says she “killed”, has had me thinking the whole time that the most significant character story to date would eventually come from her, not Chidori. Another piece of the puzzle falls into place in a powerful flashback where Maki’s friend (and apparent manga partner) Ruri nearly leaps to her death before being pulled back by Maki.

Ruri laughs uncontrollably, doubtless because of the profundity of what had just transpired—Maki may call her stupid, but still saved her when it mattered. But Maki is just stunned. Why did Ruri do that? What if she tries it again when she’s not there?

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Maki is toeing a similar line in the present: she may act all aloof, but she still comes to Kiznaiver get-togethers when invited, even if she leaves early without partaking in somen. Nico tries to follow and be friendly with her, but when she calls herself stupid, Maki can’t help but be reminded of Ruri saying the same thing, gets upset, and runs off. But now that she and the other six Kiznaivers’ hearts are connected, everyone feels her pain, and they can’t just forget it.

While she’s still a far more sterile personality, Noriko also seems a bit lonely as the mayor warns her of increasing difficulties in keeping the experiment under wraps. Her time is running out—perhaps in more ways than one, judging from her in-car self-injection—but she’s committed to delivering results. And hey, it’s not as if she hasn’t made real progress with the Kiznaivers.

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Yuta, still trying to maintain his normal life with his ladies, happens to be shown the same manga Maki created, made immensely popular when readers learned she and Ruri were middle schoolers. I like how Yuta is freaked out by the huge eyes, unimpressed by the hodgepodge of themes, but at the same time feels this is a window into Maki that, along with their new connected hearts, can help him get somewhere with her, in terms of helping to lift some of that pain and gloominess.

Maki, for her part, stubbornly rejects any kind of help, even when Yuta offers it unsolicited when her former editor asks her to sign off on a documentary of “Charles Macking”, her nom de plume.

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The editors ignore her refusal to permit such a project and arrive at school to film her. When the cameras are stuffed in her face and everyone hears she’s Charles de Macking-sensei, she starts to lose it right quick. Fortunately, the other six Kiznaivers are given a mission she’s not aware of to “save her”, and they do—at least temporarily, from the camera crew.

It’s great teamwork, but it does nothing to solve the underlying pain Maki feels. Indeed, she seems to be repulsed by any attempt to help her, perhaps because she feels responsible for Ruri’s death, and thus feels she’s no longer worthy of friends, happiness, or pity.

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Maki’s covered it up with her antisocial personality up to this point, but now her comrades know her game, and they aren’t about to accept her continued self-punishment. But rather than pester her more—she still needs to recover form the shock of that camera confrontation—they decide to try to learn more about Ruri, the person whose death caused Maki to fall into this state whom we know precious litle about, besides the fact she was a little bit of a daredevil.

As for Kacchon, he branches off from the others momentarily to express his disappointment with Nori-chan, most likely for giving them a mission involving Maki without Maki’s knowledge; a mission that saved her in the immediate but if anything made her emotional state worse. Noriko, for her part, is as surprised by Kacchon’s words as he is for saying them. She’s being pressed from both sides. I wonder what will happen, and if and how she’ll change, as conditions grow more desperate.

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Macross Delta – 06

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Hayate’s pilot-soldier training gets off to a rough start, as Lt. Messer delivers a frank and devastating critique of both his and Mirage’s skills. It’s an old story: Mirage is precise but too by the book; Hayate is suitably unpredictable but has all kinds of other problems, including the lack of the killer instinct all soldiers must have.

The third vertex of the triangle isn’t spared harsh criticism, delivered to her by Mikumo, who coldly remarks how Freyja’s song conspicuously lacks the surging life of the voice the Windermereans are using to annex planet after planet after infecting them with the Var.

Those victories are coming at a cost to Heinz’s health, as the strength and endurance of his voice, so crucial to his world’s war effort, decrease by the day. And yet rather than fall back or rest, Heinz (egged on by Keith) is determined to keep singing, no matter the cost.

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Hayate, Mirage, and Freyja also decide they won’t just quit in the face of withering criticism or risks, but resolve to continue moving forward. That resolve is tested in the first big space battle since the first episode, and is bursting with all the awesome space battle goodness one would expect of Macross.

Freyja and Hayate resolve themselves before departing from Ragna, and once in space, Hayate cheers up Mirage—who can’t obsess over the fact she inherited her grandfather’s legacy, but not necessarily all his talent. The two sortie in good spirits, to provide cover for Walkure while they purge Ionideth of the Var with their song.

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What follows is part space battle, part music video, with the Walkure members projected on meteorites as fighters dark through them; capital ships’ flak curtains dazzling as heavy beam weapons demarcate the screen, and lotsa shit gets Blow’d Up Real Good. Mirage and Hayate initially make up for their deficiencies by having each others’ backs, and it mostly works.

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Things take a turn for the dark when an Aerial Knight goes straight for Freyja, condemning her as a traitor. Hayate knocks him away before he can fire his weapon at the weakened glass which is all that stands between Walkure and the vacuum of space.

In doing so, Hayate leaves Mirage’s side, and she gets cornered and very nearly turned into a younger knight’s first kill, until Hayate swoops in and makes that kid his first kill, saving Mirage in the process. The other knights are ordered to retreat without further bloodshed.

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After the battle, Freyja gets another earful from a frustrated Mikumo, after she had to step in when Freyja’s voice wavered after being called a traitor. Mikumo, like Messer, isn’t here to coddle anyone, and tells it like it is: as things are, Freyja can’t last or be useful in Walkure. Not until she learns why she risks her life, why she takes the stage, and what feelings she puts into her singing.

It’s a tough assignment, to be sure; but then again, perhaps the answer is staring her in the face. Isn’t she working hard and singing for the same reason Hayate is working hard and fighting? Why, even after he took a life, won’t he won’t back down?

It’s because he (and Mirage) are motivated by everyone else risking their lives and fighting and enduring the pain of having taken lives, and having to take more before all’s said and done. Freyja sings, and Hayate and Mirage fly and fight, to protect one another.

Hayate deals with his first kill pretty well, and Mirage no doubt feels a bit closer to him, now that they’ve been in battle and taken the lives of adversaries in order to protect allies.

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I’m not sure Heinz needed any more motivation to protect his world, but perhaps Keith thought that seeing firsthand the horrific scar in the landscape would light a fire under him, that he can find a second wind with his voice. He may have a head start over Freyja when it comes to the power of his voice, but the cost may well prove too high.

The more Heinz helps Keith fight this war, the more planets are annexed, and the hungrier Keith and the hardliners get, thus extending what Heinz insisted must be as quick and bloodless a war as possible into something neither quick or bloodless. And yet even if he were to refuse to sing, the war would not simply stop on a dime. There’s too much inertia for that.

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Kuromukuro – 04

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A handful of demons are still at large all over the globe, but there’s no imminent existential threat to humanity. But Kennosuke still has a challenging battle to fight: adjusting to the modern world, where even the eating utensils are different, to say nothing of the kind of food people eat.

Much of this episode’s first half is Ken settling into Yukina’s uncle’s house, much to Yukina’s consternation. Samurai otaku Koharu, on the other hand, is delighted to have a real life samurai around to criticize the little men in the box (TV) whose stances are all wrong.

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I must say I fall more on Team Koharu in terms of Ken’s fish-out-of-water antics being immensely entertaining and amusing. The show really flexes its slice-of-life and comedy muscles, after previously showing it can do hand-to-hand combat, mecha battles, and general peril.

I especially enjoyed how Ken turns everything—from the strange food to the pet ferret on the roomba—into little mini-battles that test his mettle. As the uncle says, he really is a warrior, and warriors don’t always make the best houseguests, but they are fairly predictable in their behavior and values…especially a distinguished samurai such as Kennosuke.

Of course, there will always be hiccups, like repurposing Yukina’s favorite towel as a loincloth. But that’s just part of the fun, as Yukina’s often mortified reactions are as funny as the words or incidents by Ken that cause them.

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So this isn’t the most heavyweight episode, plot-wise, but it does continue to gradually build up a bond between the two leads, Yukina and Kennosuke. She’s tasked with taking him to the mall (which he mistakes for a castle), and she takes the task seriously, even though she’s reluctant. Something about Ken rubs her the wrong way (especially now that she learns they’re about the same age) because he’s new (or rather old) and different; shaking up her old mundane life.

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But as I said last week, there’s an upside to Kennosuke, beyond laughing at his archaic way of speaking and the unique ways he sees certain aspects of modern life, and its that very shaking up of Yukina’s life; giving it sudden and profound purpose.

When Ken looks around at all the happy kids at the mall, he remarks that the world has become a very peaceful place, and so his princess did not sacrifice herself in vain. It’s a very poignant, melancholy moment, which is expanded upon when Ken essentially assures Yukina that her father—who was dismissed as a whack-a-doo for his theories on alien demons—was right.

Of course, her father being right doesn’t change the fact that he left, something Yukina, who seemed close-ish to her father in the flashbacks, probably laments/resents about him. But when Ken sees and verifies his bigfoot-like photo of a demon, it’s as if a missing piece of a puzzle has fallen into place. I’m all for badass mecha action, but quiet episodes like this that develop the players are welcome too.

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Kuromukuro – 03

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After the yellow “Demon” retreats, Ouma spots another part of the world (other than the mountains) that hasn’t changed since his time: a castle. When he calls out to be given an audience and gets no reply, he is confused. When he gets a look at Yukina’s outrageous-for-his-time outfit, he scolds her.

When Yukina starts talking to a “box”, a lady appears inside of it, and the castle’s floodlights come one, he believes it all a matter of demon trickery. This is a man stubbornly clinging to his time, but this week he finally relents, even if it means becoming, as he sees it, ‘useless’.

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What Ouma does not and will not set aside is his honor, which means even though he considers Yukina his hostage, he shan’t lay a hand on her, nor any woman or child. That policy is tested when he’s quickly re-captured by the UN, escapes again, and comes afoul of Sophie. She surprises him by taking him down and putting him in a hold, but she releases him when he gropes her. While not every female soldier in this day and age would have reacted as Sophie had, in this case he was lucky.

What’s nice about Japan is that many man-made things haven’t changed much in four centuries; not just the castle: Yukina’s uncle Yakushi Osho is a monk, and wears the same basic threads as his forbears of yore. He manages to finally calm Ouma in a great little scene in which the two men sit together and speak plainly.

Even so, when Ouma is in transit flanked by UN guards, he runs into Yukina’s precocious little sister Koharu, who came to the lab to see her sister and wandered off on her own. Koharu gets in trouble with the guards holding Ouma, who knocks them out for threatening to raise a hand to a child, something he cannot abide in any century.

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Now, it’s a bit implausible and convenient for Koharu to have such free rein in a high-security facility, and that of all the halls of the vast complex, she crosses paths with Ouma. Then again, Ouma seems to be a bit of a man of destiny, while Koharu is a known “adventurer”, as some little kids tend to be. She’s also a bit of a samurai otaku, and cheerfully greets him with the traditional –de gozaru vernacular.

She also follows him out into the woods, but it isn’t long before a demon “Cactus” gives them the jump. Koharu is captured, and Ouma must run back to HQ for help—and his “steed.” He enlists Yukina’s aid, promises seppukku if it turns out he’s wrong, and the steed flies to his location to scoop the two of them up.

A thrilling ride ensues, with the steed flying over the massive dam and through the river’s canyon, with Yukina using her phone’s GPS to locate Koharu. They find her just moments before the Cactus makes off with her (covered in some kind of cocoon) and with some UN assistance, Ouma is able to slay the demon.

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For his heroics, he is pardoned for his latest escape, but more than that, this whole ordeal ends up leading to Ouma’s final realization that much time has indeed passed since he went to sleep in that cube. He knows this because the landscape tells him: a great rock cleaved in two by his own (relic’s) hand so long ago, now covered in plants.

Meeting again with Yukina’s uncle, with no lord to serve Ouma knows not his purpose nor why he is alive anymore. But I will rest assured that purpose will be revealed to him in due time, if it hasn’t already. I presume he was awakened so he could join Yukina (distant relation to his former lady?) in fighting the new scourge of demons poised to wreak havoc across the globe.

That he was able to rescue Koharu can be a purpose in and of itself, though it’s true she only ended up in danger because of him. Still, before long everyone may be in danger, at which point his new purpose—to protect those weaker than he—will be clear.

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