To Your Eternity – 20 (Fin) – Goodbye For Real

It’s a quiet, contemplative finale for To Your Eternity, as Fushi tracks down Pioran and finds that she’s barely scraping by. Yet he’s reluctant to reintegrate himself into her life, as he fears she’ll simply be the next victim of the Nokkers, as Uroy, Oopa, and Mia became.

Fushi happens to have assumed all three of their forms, and he’s in Mia’s when Pioran finally gets wise to his, well, tentative stalking. He may be in the form of a girl, but Pioran immediately identifies him as Fushi, her old immortal friend. Just when he was trying to say goodbye for real, Fushi ends up back in Pioran’s orbit.

The creator narrates that he’s watched over Fushi, Pioran, and the donkey for a good while, and watched as Fushi continued to develop a full sense of self. When Fushi asks what Pioran wishes more than anything else, Pioran says she’d like to be young and beautiful as she once was. Fushi feels a nobility in Pioran, and being by her side is a noble enterprise.

But eventually the Creator’s warning comes to pass: eventually all mortal things wither and die. Pioran develops short-term memory loss and dementia, periodically cursing Fushi while begging him to kill her or leave her behind. Fushi doesn’t; he simply continues caring for her as they travel nowhere in particular. One day, Pioran is nearing death, but lucid enough to call out “the one following Fushi around”—the Creator.

She begs him to let her be reborn into something “that can be more useful to Fushi.” One thing I’ve always wondered is who is the girl in the OP with the purple-grey hair strolling on the beach. Now we learn, it’s Pioran, made young and beautiful again by the Creator, if only for a brief time before dying…and being transformed into an orb like Fushi.

Fushi mourns the loss of Pioran, and when he conjures the paper and pencil he uses to document his days, he comes across a parting note from the departed Pioran: “Do what you want to do, like I did!” He seems to take those words to heart as several decades pass. We encounter an adult Fushi having apparently just defeated a Nokker and laughing over his victory.

This is the end of the story of Fushi…but apparently only until Fall 2022, as a second series is planned for that time. We’ll see how his struggle with the Nokkers progresses, who else he meets who changes him and whose form he eventually assumes, and how many other ways this show will make me cry like a baby. If Pioran is still around in some form, it would be great if they could reunite. Fushi and Nokker!Hayase…less so.

While many episodes suffered from an untenable schedule and pinched production budget, and the Jananda arc was ultimately the weakest, this final episode marked a successful return to the series’ exploration and reflection on mortality, morality, and family, and made me excited for what’s to come.

To Your Eternity – 19 – Killing With Kindness

We begin the penultimate episode of To Your Eternity with Hayase…doing a good deed?! That’s right, she’s using her not inconsiderable combat prowess to defeat the Nokker Zombies before they can kill innocent men, women or children. When a Nokker tries to infect her, she flexes—both literally and figuratively.

The Nokker stops in Hayase’s arm and seems to listen when she tells it that appearing before Hoshi in such a gross, unpleasant form is Doing It All Wrong; if it wants Fushi as she does, it will have to treat it with kindness. Their little confab is broken up when Oniguma!Fushi steps on Hayase…but once again stops short of killing her.

While Fushi doesn’t kill her, he’ll wish he had restrained her in some way before the day is out. Perhaps he’s distracted by the fact Tonari and Sander are in mortal danger. He bails them out of a bad way by using his Gugu form to burn the entire corpse pit. But while the bulk of the immediate Nokker threat is neutralized in those flames, his Creator tells him three Nokkers still remain on the island.

Those Nokkers were once Oopa, Uroy, and Mia, but you can’t really say it’s them anymore, as we already saw them chilling in Paradise last week. Nevertheless, it won’t be easy for Fushi to put their overthrown bodies out of their misery.

That’s when Hayase, who as I said wasn’t sufficiently neutralized, scoops up both Tonari and Sander, drugs them both, and threatens to toss them into the flaming corpse pit…unless Fushi accepts her offer. You see, she wants to keep him “clean” and “pure” as a being who can neither kill nor be killed. She’ll gladly kill and sully herself for him.

But Hayase never picked up on the fact that her go-to sedative doesn’t work on Tonari for long, and Tonari decides to pull Hayase down into the flames with her. With three of her friends dead and what she perceives as a lifetime of missteps to answer for, ridding Fushi of his greatest adversary in exchange for her life seems like a square deal.

Fushi disagrees, swooping out to save both Tonari and Hayase from certain death. And for once, he’s the one to knock out Hayase with the same poison he once accidentally knocked out the others.

Speaking of the others, when Tonari gingerly picks up a sword with tears streaming down her eyes, ready to put down the husks that were once Oopa, Uroy and Mia, Fushi steps in to do it, having both summoned the courage and not wanting Tonari to have to do the deed.

During a solemn private memorial, one of the elder islanders asks their ostensible leader if she has any words for the people. Tonari says to stop the killing…especially after everyone saw what became of them making piles of corpses.

After wandering the island offering foot and supplies to anyone who needs them, Fushi takes his leave from the island, knowing it’s only a matter of time before the Nokkers return again. He bids Tonari and Sander an very understated farewell, if you consider how many pitched emotional moments they shared previously. Maybe that’s the point; they’ve been through, and lost, a lot. They’re tired.

One person who is tireless in her obsession with Fushi is Hayase, who wakes up elated to find she’s sharing a boat with Fushi. She confesses to Fushi how much she loves him and has always loved him ever since she first saw him, and offers to show him what that love means.

Fushi is understandably repulsed by Hayase and her offer, and pulls a trick I’d say would be cruel for anyone other than Hayase, considering the shit she’s pulled these last nineteen episodes. Fushi clones the rowboat and paddles away, leaving a tied-up Hayase stranded in a becalmed sea nowhere near land.

But as he returns to the mainland (and to Pioran) guided by Tonari’s owl, a Nokker core—perhaps the very one who spent some very formative minutes inside her arm—hops onto her boat and attacks her. Is this finally the end of Hayase? I’m loath to predict that, but the preview suggests the fighting may be over, even if the dying isn’t. But then death, like pain, breeds growth.

Rating: 4/5 Stars

Vanitas no Carte – 06 – His Lordship’s Guests

We learn the amorphous distorted-voiced monster isn’t named Charlatan, but is someone named Naenia who is merely part of Charlatan, when Noé is broken out of his jam by Vanitas, while Luca is protected by a no-longer-thirsty Jeanne.

The three-monster team of Charlatan decides to skedaddle before “The Queen’s Fangs” show up, and Domi rips her dress to provide protection for Vanitas while he deals with the remaining curse-bearers in the palace. One of them, a young girl, is to far gone, and Vanitas has to turn her to ash.

Here little old me I thought Domi was flamboyant; turns out she’s scared shitless of her big sister Veronica, who is the aforementioned Queen’s Fangs. Easily wearing three times her mass in fabric and a black fox mask, she unilaterally decides that the stinky mortal Vanitas is responsible for this fiasco, and decides to literally put him on ice.

Nothing and nobody can stop her and her crazy eyes…except the timely arrival of one Lord Ruthven, who cracks her mask with one tap of his pimp cane, then chides her for such an “unbecoming show of power.” Just like there’s always a bigger fish, there’s always a stronger vampire, huh?

Ruthven is ready to dispense some quick justice upon the on-ice Vanitas for turning the little girl into ash, but Noé comes between them and calls Ruthven out for not knowing remotely the whole story. Rather than angry, Ruthven is amused, but also chastened by the young buck.

He introduces himself a a member of the Senate in service of the Queen, then melts the ice to free Vanitas. But after his ordeal with Naenia and the attack from a Veronica who was not holding back, Noé finally collapses from exhaustion.

In his dream Noé’s tucked into bed, holding the hand of his Teacher, and curses himself for forcing his hopes and ideals upon Vanitas and feeling betrayed when he didn’t live up to them. The Teacher clarifies the mission he bestowed upon his student: not to determine if the book of Vanitas is a threat, but to meet those whose paths cross it, and judge it on his own terms—terms in which the Teacher clearly trusts.

When Noé wakes up he finds Vanitas perched atop a clock tower like a gargoyle, sulking. When Noé mentions how sometimes Vanitas looks like he’s “given up on something”, Vanny pulls a knife on him and says he wants nothing to do with him. Noé comes back by saying he’s never remotely liked him.

But as the sun rises between them, Vanita’s anger turns to more brooding, and Noé, feeling like he just might understand his companion a bit more, gives Vanitas a cool smile and says he’ll be remaining by his side for the time being. This comes as no surprise, as we know someday Noé will kill Vanitas…or will he?

Rating: 4/5 Stars

Magia Record – 14 (S02 E01) – Don’t Let Go

We begin this second season of the Madoka spinof in media res with what else, a battle against a weird and unsettling witch. This one has a general spider form, only her legs are human limbs and her web in the sky is made up of clotheslines stocked with sailor fuku shirts. The combatants are a trio of familiar faces: Kaname Madoka, Homura Akemi, and eventually, my avatar, Miki Sayaka, who saves the other two from getting wasted.

Of course, this isn’t the timeline or story we know from the original series; this is an alternate timeline, one of countless Akemi has traveled through in a so-far-vain effort to save Madoka. This episode is the equivalent of the original episode where the girls learned The Truth from the famously blunt and unsympathetic Kyuubey, who will only ever insist that magical girls are getting a fair deal. The Mami Sayaka saw is no longer the Mami they knew.

Sayaka, classically one of the moodiest of the girls, goes home and sits on her bed, depressed, while Akemi prepares to take a train to Kamihara City, where magical girls—and thus Madoka—can purportedly be saved. Before she can depart, the spider laundry witch returns. Madoka, sensing Akemi went off on her own, soon joins the battle, and through telepathy urges Sayaka to join her, with Madoka saying “she wont be coming back”.

Sayaka can’t exactly keep sitting at home when Madoka says this, so she once again arrives just in time to save Madoka, who along with Akemi had been just barely holding serve against the quick and crafty witch. Now that Madoka knows the witch was once a magical girl like them, all she can do is apologize before firing her pink laser arrows.

With the battle stalled, Akemi calls a timeout with her escutcheon, and because she’s touching Sayaka, she can move along with her even though time is stopped. They collect Madoka, touch her so she can move, and then the three magical girls operate as a single entity bound by their arms, with Sayaka in the middle providing transportation around the frozen witch as Madoka looses arrows from all sides.

When time starts back up, the hundreds of arrows find their target, and Sayaka delivers an excellent coup-de-grace with her sword, leading to that ever-so-satisfying sound of the witch’s domain fading away and reality returning. Sayaka, Madoka, and Akemi won the day, but there are no promises for tomorrow, especially in Kamihara, where the witches are much stronger.

While I went into the first season of Magia Record with a healthy dollop of tempered expectations and was ultimately frustrated with how few questions it answered (and how many new magical girls it introduced), I also made clear the original masterpiece bought more than enough goodwill for me to not dismiss the second season out of hand.

I was rewarded for my loyalty to the franchise with a stunning barn-burner, but as with the OG magical girl trio this episode focused on, there are no guarantees for the future. Will we even see these three next week, or will we shift back to Iroha, Yachiyo & Co.? I don’t know, but I also know I want to find out.

Armed with the knowledge there will also be a third and final season in December means there is ample time to set up and execute a satisfying, coherent conclusion. Like Sayaka and Madoka held on to Akemi in the timeless zone, I’ll hold on to hope this is building to something. And if it isn’t, at least it looks and sounds like no other anime currently airing.

Rating: 4/5 Stars

Vanitas no Carte – 05 – Getting to Noé You

Charlatan takes hold of Noé and instigates a trip into his memories; specifically, back to when “Teacher” (not “Master”) brought Noé to live with his two grandchildren, Louis and Dominique in a mansion not too dissimilar from Bocchan’s. The siblings quickly become his first and dearest friends. The three of them, in turn, befriend four kids from the nearby village.

We’ve seen flashes aplenty of Louis—though I assumed she was a girl due to being voiced by one—but here we finally meet the kid, who while withdrawn and aloof does find comfort and even occasional joy in both Domi and Noé’s constant company. The three are inseparable, even sharing a bed during a thunderstorm, and during the blue moon the Teacher seems to indicate to Louis that he brought Noé there to raise him to eventually befriend someone like Vanitas.

That’s key, as Louis is isolated because he is a curse-bearer-in-waiting. He believes Dominique was born to replace him as the heir to the de Sade clan. Things take a turn for the super-dark when one of their village friends is scheduled to be executed, but goes berserk, leading to Louis beheading her to save Noé and Domi. However shitty his situation, he never blamed his sister and adpotive brother for it.

But when Louis himself succumbed to the curse, the Teacher steps in to behead him—right in front of Noé, who could not do what Louis wished and kill him himself. Left with nothing but a chest full of hand-carved stakes, Noé falls in despair for not being strong enough to save Louis or even put him out of his misery.

It’s Noé’s misery and regret upon which Charlatan feeds and tightens its hold on him, ready to curse him as he did Louis. And after reliving his tragic past, Noé definitely seems to be in a bad way…until Vanitas, having not been sucked dry by Jeanne—and possibly even made stronger by her drink—arrives just in time to disperse Charlatan and rescue his new friend Noé.

While lengthy flashbacks can sap present momentum, in this case it feltjustified, as we lacked the full emotional context of Noé’s relationships and motivations. We learn how close he got to Louis and how that made him reluctant to get too close to Vanitas. We see how adorable and sweet Domi was (Kayano Ai is so good at voicing the younger, more innocent versions of her characters), but how Louis’ fate and her family’s plan transformed her.

Finally, we understand why the Teacher sent Noé to befriend Vanitas, as the Teacher seems to be the rare vampire who understands the true value of those born under the blue moon. But then if Vanitas can save the vampires from the curses of Charlatan, why is Noé destined to kill him? Is that the Teacher’s ultimate plan for him, or does it just…happen? For that, we’ll just have to keep watching to find out.

Rating: 4/5 Stars

To Your Eternity – 12 – Crushmore

Don’t let the punny review title mislead you; this episode did indeed crush me emotionally, just as it emotionally crushed Fushi and Rean and physically crushed poor Big Gugu. From the moment the outcropping balcony crumbled from beneath him, I knew this would probably be the final act of the Gugu Arc.

It’s funny how when I first met Gugu and later Rean that I couldn’t imagine becoming as attached to them as I did March and Parona…but here we are. Such is the power of To Your Eternity’s straightforward yet compelling storytelling and beautiful character development.

Proving he is and always has been a good orb thingy and friend to humanity (heck, for four years he was a human), it only takes a moment after he is warned by his Creator to transform into his Giant Bear form in order to buy Rean’s party guests time to escape the crumbling mansion.

Also, in what is a nice touch, Gugu is rescued by a group of people brought by Rean, including her own husband-to-be. But not before one of the Nokker’s weird flesh tentacles sticks itself into his armpit and does…something, and whatever it is it can’t be good.

No sooner is Gugu saved than he runs into the wrecked mansion where Fushi is still holding on for the sake of Rean’s injured parents, who Gugu snatches up and takes to safety. Rean wants the boy she loves to stay with her from that point on, but Gugu breaks free from her grip; he has a brother to help, and Fushi, now back in his original younger Snow Boy form, is happy for the help.

That’s because he has no idea how to beat the Nokker this time. His creator didn’t bother him when he was determined to live as a human, but that turned out to be a two-sided coin: Fushi wasn’t ready for the Nokker’s new tricks, and the delay nin dealing with said Nokker costs him dearly.

At first, even Gugu’s new flamethrower mask can’t penetrate the Nokker’s stone armor, but with some help from March!Fushi and a steady supply of conjured spears, he’s able to open a crack in the armor large enough to shoot his booze flames, shocking the Nokker.

Unfortunately, he only made the Nokker mad, because it returns as a stone Giant Bear arm, plucks March!Fushi from the rubble, and squashes him like a bug, stealing the March form from Fushi once again. Just as the Nokker is about to crush Gugu, Rean leaps out of nowhere to push them both out of the way, paying him back for the now two times he did the same to save her.

As Fushi comes to in Snow Boy form, he realizes he is feeling pain, but it’s not his own, it’s Gugu’s. Whether due to their familial bond, the Nokker’s armpit injection, or both, Fushi can feel what Gugu feels…and it’s not good. Gugu’s broad back and trunk-like arms are the only things keeping untold amounts of rubble from crushing Rean to death.

It’s a situation that ironically and heartbreakingly traps the two in what is physically a very romantic and intimate position. Gugu takes the time to reassure Rean, even as blood starts to drip from his open mask. She sits up to kiss his face. He tells her he loves her. Then he dies, but we don’t see the moment it happens. Instead, we know it to be true for a fact because Fushi transforms into him.

Despite being distraught over losing his brother and best friend, Fushi wastes no time using his new Gugu form to fight the Nokker, blasting it repeatedly with flames and eventually getting it to leap into the ocean to chase him, where it eventually self-destructs, leaving only the weak, squishy core to slither away into the depths.

Fushi’s Creator appears to tell him which way the Nokker went, and tells him to go after it. He doesn’t, and once again the Creator doesn’t force him to do anything, though he does ask if it’s really already for the Nokker to make off with “a part of him”. Right now that doesn’t matter to Fushi, who has already lost a part of himself in Gugu, who died saving Rean’s life one more time.

In a scene reminiscent of Adult March after she died, Gugu finds that his face has healed and he has reunited with everyone: Booze Man, Pioran, Rean, Shin…but wonders where Fushi is. That’s when the illusion crumbles. After his soul spends a little while longer with a distraught Fushi, telling him he has no regrets, Rean runs back to the Booze Man’s house as soon as she’s healed from her injuries.

Fushi panics, not wanting to appear as the younger Fushi before Rean, but with his March form stolen by the Nokker the only other human form he can assume is Gugu. Rean mistakes him for the real thing and tells him she loves him. After they share a hug, and Fushi wonders Why am I me? Rean asks where Fushi is, and Gugu!Fushi tells her he died.

Booze Man, who already knew Fushi would be taking his leave in order to protect them from his enemies, prepares some food and money for him, and while Rean is told Gugu is only “going shopping”, a part of her surely realizes this is the last time she’ll see him, as much as she doesn’t want that to be so. So she’s glad when he refuses to take her ring back from her, as he tells her to keep it so she’ll always remember him.

A little later, Rean’s father finds her lying out in the field of purple flowers she and Gugu promised to pick together. She tells her father she won’t be getting married, because she’s in love with someone. That someone isn’t around anymore, but she’s sure Fushi is with him.

GODDAMN TEARJERKER™ CERTIFIED

To Your Eternity – 11 – The Life Platonic with Steve Gugu

It’s been four years. Gugu is now hu-huge, while Fushi has aged, since he hasn’t changed form since Gugu saved him from the Nokkers. Rean still comes by often, teaching Fushi needlecrafts while asking him about Gugu on the regular. Fushi has been around humans long enough to know the blindingly obvious: Gugu and Rean like each other.

The problem is, Rean is betrothed to someone she’s never met, and shortly after her sixteenth birthday (which is coming up soon) she’ll be married off. Also, while larger in frame Gugu, remains as bashful than ever about that kind of thing. Also, his brother shows up out of the blue. Gugu isn’t interested in reconciliation; he has a new family now, so he asks his bro, who is at least doing well, to buzz off.

I don’t know if we’ll ever see him again, but he was a delivery vessel for The Ring, as in the ring Rean gave to Gugu for finding her lost dog. That Gugu’s brother returned it to him means he was the boy she met in the market. She runs out to where Gugu is just sleeping in a pile of purple potatoes, stares at him longingly.

After trying to fit the ring on his chunky fingers, she wakes him up, then tells him now’s his chance to make a move. She also asks if he’s really okay with her being married off, considering how he loves her and all. Thing is, Gugu doesn’t remember his offhand confession four years ago because he was so drunk on Booze Man’s stomach hooch.

Rean is hurt by his lack of remembering, but is still looking forward to seeing him and Fushi at her birthday party. Her house is freakin’ palatial, while most of the guests are snobs and pricks. Even so, Rean is happy to see them and that’s all that matters!

Gugu and Fushi stopped by the market on the way to Rean’s, and Gugu purchased a purple dream bellflower, which happens to be the same flower Rean was holding when she had her accident. Everyone gives Gugu the stinkeye for traumatizing the birthday girl, but they have it all wrong.

Rather, Rean comes to a stunning revelation: since the only time she saw such flowers was when she had that accident, it must mean Gugu was the one who pushed her and saved her life. But before she can go to him, she’s introduced to her future husband, and forced to chat with him for an inordinate amount of time, pretending to enjoy herself.

Once that’s all done with, she rushes back to Gugu, who happens to be standing out on a balcony overlooking the sea. She drops a number of other details from that fateful day and confirms that it was Gugu who saved her at the cost of his face. That he felt worse about the wound she incurred than what happened to him only makes her blush more.

She seems poised to tell Gugu she likes him, but the balcony cruelly and almost comically separates and falls off the cliff. Gugu once again pushes Rean to safety while taking the fall himself. Hopefully that helmet will keep him safe, because as the Creator reports to Fushi back at the buffet, the Nokkers are back, and they’re going to kill Gugu if Fushi doesn’t stop them.

Rating: 4/5 Stars

Super Cub – 11 – No More Enemies to Fight

When Shii’s in big trouble, Koguma answers the call…literally! She’s able to spot a snapped twig on the cat trail and find Shii awkwardly submerged in water that must be somewhere in the forties (though the fact it’s not frozen solid indicates it’s not that cold out). Even so, Koguma took a risk she could find Shii fast enough, and that Shii—who is effin’ tiny—wouldn’t suffer hypothermia.

Everything works out, as Koguma, a picture of calm and collectedness, helps Shii out of the ravine, picks up all 70-or-so pounds of her, and plops her in her front basket for the ride to her place. That’s right, Koguma stole Reiko’s dream of carrying Shii along this way—but quite by necessity!

Once home, Koguma draws a bath and cooks a dinner of curry udon. Reiko, whom she called earlier, arrives with Shii’s ruined Alex Moulton, takes a bath of her own, and joins the other two for dinner. It’s the first time Koguma has had company, but she doesn’t make a big deal of it; but just slurps up her udon with the others, enjoying their company.

While washing the dishes, Reiko lets Shii know—quite tactlessly!—that her Mouton is donezo. Shii breaks down, cursing winter and begging Koguma to use her Super Cub to end the wretched season. Koguma deadpans that her Cub can’t do that…and seems a little sad that it can’t.

The next day, Shii’s parents thank Koguma and Reiko with a pass good for a year’s free coffee, sandwiches, and bread items, which they begin to cash in on immediately, much to Shii’s relief. If Shii ever thought they’d stop hanging out with her after her incident in the creek, then she needs to have more faith in her friends!

Shii gets what Koguma ruthlessly declares a “granny bike”, and the days of Winter continue on, only with no more preparations to make to their bikes or clothes. Then one morning Koguma hears on the radio that the cherry blossomes have bloomed early in Kagoshima. She proposes they go see them…together, escaping the winter by going where—as far as those trees are concerned—it’s already over.

It’s just what Shii needs to cheer up, and when she takes Koguma’s hands in friendship, Koguma’s world colors up bolder and faster than ever. She recounts how when it was her trudging her way uphill on her bike that she saw Shii glide past her on her Moulton, eventually inspiring her to buy her Cub, which led to her befriending Reiko.

Shii may not know it, but this all started with Koguma chasing her and her cooler, faster bike. What better way to thank her for the inspiration by giving her an early taste of spring?

To Your Eternity – 10 – The Grand Gugupest Hotel

When the Enemy is about to attack Gugu, Fushi springs into action and shields his brother from the twisting branches by creating a number of spears to parry them. I guess he has learned a few things since his last battle! Gugu wants fight beside him, but is very lucky to survive when the Enemy throws him across the forest.

It may just be the still Booze Man installed in his stomach that saves him, as he proceeds to barf out all of the liquor stored there. When his torch ignites the liquor-vomit, Gugu gets an idea for how he can help Fushi, and races home. On the way, he turns completely red, drunk off the liquor that escaped the still, while Rean is about to be carried off by her helicopter parents.

Drunk Gugu is naturally a less inhibited Gugu, so he doesn’t mince words about loving Rean more than anyone, no matter to whom she’s betrothed. In any case, he’s not there to solve her family drama, but to get a refill of Booze Man’s best booze.

Pioran, the only other person to have witnessed the terrifying power of Fushi’s Enemy, insists that Booze Man do as Gugu says. The old man fills Gugu up with his strongest stuff and sends him on his way, while Pioran stops Rean’s parents from taking her and leaving…because it’s not safe out there.

Gugu, having sobered up, arrives to find the Enemy has absorbed Fushi’s Giant Bear form, and there is no sign of Fushi. But it’s soon apparent that the Enemy, essentially being made of wood, is vulnerable to fire, and Gugu has a fresh bellyful of fuel to play with.

Using his boozy fire breah, Gugu burns the Enemy to the ground, freeing Fushi, who is only flowing light and energy before transforming into a rock, his first form. When Gugu picks him up, he transforms into a wolf dog, and the two tussle mirthfully…though Fushi keeps his promise to bite Gugu if he came back!

The next morning Gugu and Fushi return to the Booze Man’s house where everyone is very confused about what happened (though Pioran probably has a pretty good idea). Gugu celebrates his return by cooking up a feast so delicious, Rean’s parents deem him better than their professional chef.

Fushi, back in the same clothes and with the same rope as the boy when he died since he “reset”, greets his maker, whom no one else can see or hear, outside. The creator tells him in order to become stronger, he cannot be sedentary, but like Rean with her parents, Fushi protests. He wants to stay. The creator tells him that’s also an option.

Back inside, Rean prepares to leave with her folks, and Gugu dispenses some precocious wisdom: The people who keep us alive aren’t necessarily good people, but we aren’t so weak that we can’t endure it. Granted, he’s had to endure a lot more than Rean, but it’s all relative!

Fast forward…four years. Gugu is no longer a pot-bellied boy, but a swole young man, having never stopped his fitness regimen. He continues to assist the Booze Man and feed him and Pioran (who still starts eating before everyone comes to the table). Rean still “runs away” from home on the regular, to see Gugu and Fushi.

And Fushi, having watched Gugu and Rean grow, has himself grown “older”; his hair growing longer and even gaining a slight stubble on his face. He also speaks a lot more naturally, which isn’t surprising considering his teachers and how long he’s been with them. The tenth episode of a planned twenty ends on Fushi’s new family happily enjoying a meal together. If only that happiness could last…

To Your Eternity – 09 – Gugunrise Kingdom

Fushi has rescued, reunited and made up with Gugu, and for the first time he uses his powers…strictly for fun. For the sheer thrill of scaring the shit out of random townsfolk or thrill-seeking teenagers. Gugu has no intention of going back to the house of a man who put a still in his body without his consent, and Fushi doesn’t care either way s long as he’s with Gugu.

As time passes, the penniless Gugu grows hungrier and weaker. Fushi, obviously, needs no sustenance other than stimulation. But his stimulation thus far has prepared him for this eventuality, as he is able to create the pear-like fruit March fed him, along with dango and fish, thus saving Gugu from starvation.

When Meer, who obviously knows Gugu’s scent at this point, shows up at his tent, Fushi calls the sickeningly cute and good boy Joaan, the name the boy gave to his wolf-dog. Fushi describes to Gugu how “his first person” stopped moving and “became empty”, so he “became” him. Gugu hypothesizes that both physical and emotional pain affect his bizarre friend.

He posits that if he were to die and Fushi became upset, he would become him. Gugu thinks this is seriously cool…because, well, it is. But for him specifically, it would mean even if he died, Fushi would still think of him. Gugu describes a life where he had three square meals a day, a soft bed, twin older siblings to play with, a mother and father to care for him, and an older brother to look up to.

Gugu is describing his early childhood, when, for at least a few beautiful, fleeting years, he thought he was part of just such a family and living that kind of life, where a lot of people were thinking of him. As he grew older, he began to realize he and his brother were merely the children of servants to that family. When those servants moved on to a new job, they didn’t take Gugu or his brother with them.

Gugu asks Fushi, the only one who came for him and the only one he can call family, to become him if he dies, then passes out and stops moving. For a second there, I thought that was well and truly the end of Gugu—perhaps succumbing to the nasty side effects of having a still in your gut. Fushi even seems to contemplate absorbing Gugu’s form for a hot second.

For a certainty, To Your Eternity wanted you to think Gugu had died. Then Rean pokes her head into the tent, having finally found the two runaways, and Gugu springs back to life, blushing. Turns out Fushi wasn’t the only one thinking about him or the only one who came for him. Rean tries to drag Gugu out of his ragged tent and back to the Booze Man’s house, but Gugu doesn’t wanna.

Of course, Rean’s motivations aren’t 100%honorable. She says she, Pioran and Booze Man love Gugu, but really they need to bring someone back who knows what they’re doing in the kitchen. But you know what? As someone who likes to cook for my friends and family, I’m fine with part of the reason people love me is that I cook them good food. It makes me happy when they like my food!

Rean is also unconcerned with Gugu’s appearance, and insists that he show her what he really looks like. Gugu doesn’t acquiesce to this, which means Rean doesn’t get a real look at him. It may be because of this she can reveal her own horrible disfigurement and declare with a straight face that if he casts his gaze upon it he’ll see that his own wound isn’t that bad.

The thing is, Rean’s horrible wound is nothing more but a tiny, fading scratch on her arm no more than three inches long.

It is a rare show indeed that makes me laugh and cry with such intensity, but this might just have been the funniest episode of To Your Eternity yet. Of course, tragedy and comedy have gone hand-in-hand since the dawn of storytelling itself, it’s just gratifying to see it so effortlessly pulled off here. Just like Fushi, the stronger and more diverse the viewer’s stimulation, the more is learned.

Rean goes on to tell a story that, for her, is a tragic tale of a girl who was never given agency or independence; a girl assigned a role and personality for which no expense was spared to maintain, despite the fact she had zero say in it. It is an obvious mirror image of Gugu’s sob story, told from the POV of the child of the employer, not the employee.

Even so, I do not doubt that from Rean’s perspective, she has suffered, because just like Gugu but through very different (and cushier) circumstances, she was denied the chance to be the best her she could be, which is the one she wanted to be. The grass is always greener, etc.

When Rean tells Gugu how she got her wound—saying that someone pushed her from behind out of malice—Gugu is crestfallen, as this girl misinterpreted him rescuing her from a runaway log as having assaulted her to get back at her family—simply because she never saw the log.

But just as Rean doesn’t care how it looks that someone as rtich and privileged as her is complaining that her life is too comfortable, she also doesn’t gcare whether Gugu is a monster or a human. To her, he’s just Gugu, a weird little boy she’s taken a liking to, so he should come out of the tent and enjoy the wind with her. And if he wants to cover his face, she brought him a pot with eye-holes to wear.

With Fushi having run off to find Gugu’s original mask, he and Rean agree to go looking for him. Their search takes them into town, where Rean is promptly snatched up by a goon hired by her family to retrieve her. Gugu, who later states he doesn’t care about his “circumstances” anymore, commits to simply being himself.

That happens to be someone who will barrel into someone twice his size, catch the falling Rean, and lead her by the hand to safety. As he does, Rean smiles, not just because Gugu is being Gugu, but because she’s living precisely the dream she hoped to live after running away from home. I am seriously loving this tender story of young love, which reminds me of Moonrise Kingdom, itself likely inspired by rom-com anime.

Fushi ends up finding them after retrieving Gugu’s old mask (it’s nice when you can transform into a wolf-dog, complete with a wolf-dog’s sense of smell) and locates Gugu and Rean, who is now wearing the pot to hide her identity from those sent to find her. It isn’t long before they come across a maid who is most definitely not fooled by Rean’s disguise.

It’s here where Gugu and Rean rely on Fushi to cover their retreat, which he does non-lethally by assuming the form of March and writhing on the ground before the maid, who sees the little girl’s arrow wound and has no choice but to tend to her before going after Rean.

While searching for Gugu’s mask, Fushi’s creator paid him a brief visit, warning him to keep his guard up. As the maid carries March!Fushi, he’s suddenly snatched up by a tentacle of the “unspeakable” enemy he was warned about. His creator even narrates that this was bound to happen, as Fushi has failed to gain any sophisticated tactical skills since his last scrape with the enemy, and thus the enemy was always going to strike first.

Even so, something happens that neither the enemy nor indeed the creator might have foreseen: Gugu coming to his rescue. I’m not sure what he can possibly do when he’s just a small human boy and even Fushi seems helpless before the enemy’s power. Indeed, as we’re reaching the halfway point of the 20-episode series, Gugu’s days are surely numbered. But even if resistance is futile, I’m glad he’s there for his friend and brother.

To Your Eternity – 08 – Gugu Unmasked

“Skip Intro” is a well-established and often useful feature to our world of streaming entertainment, but I make it a point to watch every second of To Your Eternity’s OP every week. I can’t not, and not just because “PINK BLOOD” fuckin’ whips. Every time I watch I go through the heartbreak of losing both the arctic boy and March as well as Parona’s trauma all over again. The OP continues to grow more powerful as Fushi progresses on his journey and we meet more of the faces it presents.

Two of those faces are of Gugu (or rather his distinctive mask) and Rean, and the latter (voiced by Iwami Manaka, the voice of Honda Tooru) suddenly decides she’s going to live and work at Booze Man’s place from now on. Gugu isn’t sure what to think about this, because while it will be nice to see more of Rean, the fact she likes Fushi and not him will make things uncomfortable, if not painful.

Then again, pain promotes growth. When Gugu asks “what else” Fushi can do besides transform, he creates a spear. Gugu cuts him with a knife, and after healing, Fushi creates a duplicate knife. When Gugu burns him with a torch, Fushi can only create the stick, not the flame…at least not yet. In reaction to all this “experimentation”, Fushi produces a Marchface, indicating he doesn’t like this.

When Rean shows up bright and early, Fushi still hasn’t come in for work; we later see he’s assumed his wolf form and is sleeping away the day. Gugu asks Booze Man for something Rean can use on her wound, and the coot unexpectedly uncorks part of Gugu’s face and bumps out a strange liquid. When Gugu learns the Booze Man gave him a “new organ” where liquor is stored and ferments (hence his distended belly), Gugu is furious, and runs off.

As usual, the old people are only thinking about themselves. Booze Man wants the valuable booze inside Gugu back, while Pioran is worried about who will cook their meals. Rean is loath to go looking for Gugu since she’s not yet an established part of the “family”, while Fushi outright refuses, still sore over how Gugu treated him in the kitchen, and rightfully scared of the forest besides. He volunteers to cook, but ends up simply boiling a daikon with no salt.

Still, no one comes to look for Gugu, who returns to the tattered tent he and his brother once shared. He gets his job tilling the land back from a kindly father who even invites him to join his family. Unfortunately his kindness and empathy weren’t inherited by his sons, who know about the rumors around town that Gugu is a monster.

Gugu agrees with Chan that he can’t be in a family if the members can’t love one another, and removes his mask to determine if they’ll be able to love what they see. It goes about as well as you’d expect. Later that night while sulking outside, some older kids steal his mask and throw it in the stream, but after realizing the mask doesn’t actually do anything, he throws it right back in, walking through town the next day. Let the people gawk in horror…the faces they make are funnier than his!

Fushi’s attempts to cook, clean, mind the shop, and work the fields all end in failure, but when he asks Pioran (by name!) to teach him those things, she soundly refuses, not moved by the March-inspired dirt balls he offers as tribute. For one thing, she’s got better things to do with her time—sitting around drinking her lover’s excellent booze, for example. For another, she doesn’t want to spoil him, and the best teacher he could ask for isn’t her. It’s Gugu.

Gugu settles back into a routine and puts on a little muscle working in the field, but Chan visits his tent and splashes water on him, telling him not to come back, saying it’s because his dad is such a good man that he doesn’t want Gugu causing trouble with his freakishness. Without work, Gugu runs short on funds, but remembers he has the ring Rean gave him.

It’s clear from the look of the merchant that it is indeed worth enough to ensure Gugu never has to sell produce again, but Gugu can’t see what a monster like him would do with that kind of wealth. So when he discovers his drunk, emaciated brother lying in an alley, he gives the ring to him. Even in his current state he’s better off with the ring than a monster. But while he gives Shin the ring, he doesn’t acknowledge him as his brother. He doesn’t have a brother anymore.

Of course, that’s just not true…he has Fushi! Fushi needs Gugu, and as we see when Gugu is scooped up in the night by bandits prepared to sell him to people a taste for freaks and the cash to spend on them, it becomes apparent Gugu needs Fushi as well.

Fushi bowls into the bandit carrying Gugu in his wolf form, and when the guy and his partner stand their ground, he transforms into the Bear, who, let’s be honest, no one other than Hayase would ever think about fucking with!

With that, the Monster Brothers Gugu and Fushi are reunited. Gugu resented Fushi for being admired by Rean, while Fushi resented Gugu for cutting and burning him willy-nilly, but they’re able to get past that, because that’s what brothers do—well, good ones, anyway…

Don’t Toy with Me, Miss Nagatoro – 07 – Senpai Unleashed

Naoto knows there’s a summer festival going on, and he knows he wants to go with Nagatoro, but instead of simply texting or calling her, he plays video games and waits for something to happen. When that doesn’t work, he goes to the festival alone, hoping to run into her by chance.

For his passivity he is punished with Gamo-chan and Yosshi for company, though if you ask me, he lucked out, as the two of them are cuties in their own right, even if they insist on putting a literal leash on him. They send a pic of the captured Paisen to Nagatoro, knowing she won’t be able to resist rushing over to reclaim her “pet.”

Of course, “pet” is just a code word for “boy she likes”, and Gamo is well aware of this, making Nagatoro fight to get Paisen back by playing various festival games. While shooting corks at prizes, Nagatoro wonders out loud if Senpai was waiting for her to invite him, then says very directly that if there’s somewhere he wants to go with someone (her), he could always try asking them (again, her).

After Gamo doesn’t accept Nagatoro’s win “by quality” for winning the biggest prize, Nagatoro bribes Yosshi and the girls part ways for the evening. Really, Gamo and Yosshi are giving their friend some time alone with her pe…the boy she likes. She swipes some of his takoyaki; she pops some cotton candy in his mouth…it feels like a date.

Naoto thinks dating requires people to “go through the proper procedures”, but the only procedures are if the two people like each other and want to hang out alone together for the purposes of learning more about each other. That’s really it; it’s not complicated!

He’s saved by the bang of a firework from having to overtly take Nagatoro’s hand when she holds it out, but when she almost gets swept away by the crush of people, he takes her forcefully by the wrist and leads her to a viewing spot he remembers from elementary school, the last time he saw fireworks live. Nagatoro is surprised….and flustered.

When she tries to mess with him by accusing him of taking her somewhere dark to do “something”, Naoto, who knows she has a tendency to be shy at times, nails her down, asking what, pray tell, she might be insinuating, exactly. It’s the first time he counters her virgin-shaming by pointing out that she’s not exactly Gene Simmons either!

When she says “grabbing hold of her and kissing her”, it basically confirms her bark is stronger than her bite when it comes to sexual stuff. It’s a most welcome challenge from Naoto in what’s steadily becoming a more balanced relationship with each passing episode.

And just in case anyone thinks Naoto is mistaken about Nagatoro’s shyness regarding hanky-panky, when she moves in to force a kiss on him, a giant red heart-shaped firework reveals other couples fully making out, the two are equally scandalized and skitter away.

The final sequence involves Naoto passing by when he notices Nagatoro having lunch with her whole “family”, including the rarely-seen, also tanned Sakura. He observes them from behind a tree like David Attenborough watching jaguars, but then two eyeless guys roll in and try to get Nagatoro to go out. One even  puts his arm around her, and she’s clearly not into it.

Naoto tries to move in for a closer look, but steps on a twig, a sound all the others notice. While he initially wavers like a wind dancer at a car dealership when asked what he’s doing there, he steels himself, looks straight at Nagatoro, and says “Let’s Go!” When the guys try to get him to repeat himself, Nagatoro returns the favor for getting her out of an uncomfortable situation, and replies “Let’s go, Senpai.”

Gamo is also all about getting out of there, and Yosshi—who we see is also clearly not interested in those guys in the least—follow Nagatoro’s lead and head out. Sakura has no choice but to abandon the guys and follow her girlfriends.

Naoto may feel like he doesn’t “fit in” at all with these loud, brazen, slightly boorish girls. But it’s clear they don’t feel the same way. They’d much rather hang out with him—whether to mess with him or not—than those boring,  faceless goons. Even Sakura notes his weird “aura”, while Nagatoro goes along with all of the ragging on the boy the four of them explicitly chose over two others who weren’t as fun.

But all Naoto needs to really pay attention to is Nagatoro’s expression when their eyes meet. She couldn’t be happier he rescued her, and that he’s by her side right here and now. This was another instance of things just working out, but hopefully in the near future he works up the nerve to actually ask her to go somewhere. If she’s free, here’s no way in hell she’ll ever say no!

Episode 7 “Senpai” Count: 22 (+8 “Paisens”)
Total: 257

Don’t Toy with Me, Miss Nagatoro – 05 – Shaved Ice and a Haircut

While her feelings about Senpai have been abundantly clear, it’s still nice to get a look inside her head, this time courtesy of a dream she’s having while sleeping on her green sofa. She’s calling Senpai gross, but he’s suddenly stopped reacting. Then Gamo and Yosshi come in, shove her aside, and snatch him…and he’s fine with it!

She wakes up from this dream to a sign the real Senpai wouldn’t feel that way—he sweetly put a blanket over her so she wouldn’t catch cold! Still, it’s clear Nagatoro understands how far she can go without pushing Naoto away, and also genuinely fearful of her friends stealing him.

In the next segment, suddenly Nagatoro is less interested in not crossing lines, first by testing Senpai’s ticklishness, then once again stripping to reveal her swimsuit and inviting Senpai to tickle her if he dares. When it’s clear that he does and will dare, she aborts the bit. Something tells me she’s not ready for Senpai to hear how she sounds when tickled!

Nagatoro then reveals the intense satisfaction she gets from watching a video of a sheep being sheared, and wants to do the same with Senpai’s wooly hair, which is honestly in need of a cut. She whips out some electric clippers she borrowed from her bro, and gets those demonic eyes…but when Naoto makes clear he doesn’t want his hair shaved, she stands down.

What Naoto would be okay with, after he imagines it in his head, is for Nagatoro to give him a trim with scissors. Alas, before she can get started she gets an urgent call from Gamo and Yosshi about math notes. The fears expressed in Nagatoro’s dream are confirmed when it’s revealed Gamo and Yosshi were just trying to separate the lovebirds.

They grab the defenseless Naoto, hold him down, and prepare to shave him bald, but Nagatoro hears his cries and rescues him in the nick of time. Once again, rather than deal with a direct confrontation, Gamo and Yosshi run away. I’m guessing they know she can throw a kick when she needs to! With the interlopers gone, Senpai and Nagatoro settle into pure barber-ic bliss. When she’s done, Naoto is legit impressed how good it looks, and Nagatoro soaks up the praise.

As summer break approaches, the days become hotter and hotter. Nagatoro wants to take Senpai to a nice hole-in-the-wall shaved ice stand, only to find its popularity ballooned after it was featured on TV. Even so, Nagatoro most vociferously dismisses any suggestion of konbini ice cream, grabs Naoto’ arm and insist on waiting in the huge line as long as it takes, decalring it a battle of wills.

Surprisingly, the heat starts getting to Nagatoro before it gets to Naoto. When he spots two older guys leering at the back of her blouse, translucent with sweat and revealing her bra strap, he chivalrously blocks their view with his own person. When Nagatoro starts getting woozy and wobbly, it’s he who grabs her by the arm (for I believe the first time), finds a shady place for her to cool down, and buys her a sports drink to hydrate.

It’s the manliest he’s ever been, and Nagatoro doesn’t dislike it. She thanks him by going to the konbini and buys him a lemon Italian ice, surprising him by touching it to his neck, then offering him a bite from her spoon, which he refuses as it would comprise an indirect kiss.

Later, the two are walking together, and Nagatoro snatches his drink and drinks out of it, demonstrating she doesn’t mind an indirect kiss or two before handing it back to him. She mentions how most of her summer break will be taken up helping out with the swim club, but then asks for his contact info, which she claims is so she can send him a “Perv!” sticker in LINE whenever he’s thinking about something pervy. But we know better, and I think Naoto does too.

I mean, just look at her expression upon receiving his number! She wanted it so they can stay in touch, and so they can hang out when they’re both free, because they’re really no longer tormentor and tormented (or at least not just that). They’re two people who enjoy each other’s company and want to keep a good thing going. Hopefully they don’t spend the whole break apart.

Episode 5 “Senpai” Count: 25 (+1 “Paisen”)
Total: 192