O Maidens in Your Savage Season – 11 – No Time to Take Things Slow

Rika truly was transformed by her love of Amagi. Far from being disappointed or feeling betrayed by Juujo for going and getting herself knocked up, Rika is firmly in her corner. When Hitoha argues the other side too far, Rika almost calls out Hitoha’s own relationship before storming off, leading Hitoha to declare it’s “wrong to stop in the middle of things”—a glorious line considering its subtext.

Kazusa and Momoko are out of the loop, and so ponder and worry together right up until Momoko asks her who’d she’d rather sleep with to keep the world blowing up: her, or Milo-sensei. When Kazusa says she’d pick Milo because she’d “have to go with a guy,” then goes in for a “best friends!” hug, Momoko dodges, warning Kazusa to watch out for Niina before storming off herself.

Hitoha has noticed her interactions with Milo have become “softer and warmer” since their semi-cathartic encounter. She believes it’s because he interpreted her childish tears as being “overwhelmed by his kindness” when in reality, she felt so pathetic it actually felt good. With that in mind, she’s not quite ready to give up on him.

Meanwhile, Niina has never felt hatred about her present self, or more determined to eliminate that self as soon as possible. With Izumi unwilling to play ball, she arranges a meeting at a hotel with Saegusa, who is, unlike Milo, perfectly willing to follow through, the pervert.

But as he starts to touch her, Niina discovers something about that self she hates so much: it won’t be killed so easily. When Saegusa’s gross face and gross mouth and gross white nose hairs get too close, she instinctively slugs him, and flees.

The next morning, the only two who show up for lit club are Kazusa…and Niina. After a beautiful monologue that begins with her being lost in the haunted forest of those nose hairs, she tells Kazusa straight up that she’s in love with Izumi and plans to confess to him, even if he loves Kazusa.

To Niina’s shock, Izumi doesn’t react in anger, but in understanding, love, and gratitude. She wouldn’t have had the courage to confess to Izumi were it not for Niina’s help, so what kind of friend would she be to deny her the opportunity to do the same?

Niina and Kazusa go into the “best friends” hug Momoko wouldn’t, and everything seems hunky-dory…until we see Kazusa racing home in an absolute panic. She’s not sure what else she could have done in that situation, but she sure as shit isn’t happy about it!

In this episode full of people who believe they’re running out of time, Kazusa believes the only thing to do to stave off the threat of Niina is to put her mark on Izumi immediately. It just so happens his folks aren’t home, and she invites herself up to his room.

Her sexy underwear didn’t arrive in time, but she intends to make do, presenting herself for him to kiss, and when he expresses confusion, she declares her desire to do it with him, straight up. He tells Kazusa he wants to “treat her right” by taking things slow, but he also brings up Niina, souring the mood and leading to Kazusa’s early exit.

To add insult to injury, the underwear arrives, but Kazusa is so flustered by their presence she quickly snips them to tiny shreds with scissors. We segue from that particularly childish display to a very mature and elegant phone conversation between Rika, who is growing increasingly weary of herself (calling herself “a shameful disgrace”, and Amagi, warning her not to badmouth the girl he likes.

Their bliss is rudely interrupted by her mother bursting in the room. The next day there’s an all-school assembly where the principal and vice-principal announce that all “non-platonic interaction between the sexes” is banned with immediate effect. Rumors fly through the student body, including that Sonezaki and Amagi were spotted outside a love hotel and will now be expelled.

The scene of Rika being guided into a cab by her mom, like some kind of criminal, possibly never to return, is witnessed by Kazusa, Niina, Momoko and Hitoha, in an unlikely but very welcome reunion. It’s the start of the girls deciding to put aside their differences for Rika’s sake, their sakes, and the sake of the entire school.

Hitoha, who (rightly) blames herself for putting Rika and Amagi in that place at that time, is ready to confess, but Milo-sensei beats her to it, albeit keeping her name out of it (though he refers to her as “someone he’s considering a future with” in his lie). But the principals won’t budge; after Juujou, they’re prepared to make an example of Rika and Amagi.

Later, in the clubroom, Milo assures Hitoha he’ll keep fighting for Rika, but also admits he doesn’t quite have a plan for doing so at the moment. That’s unfortunately not good enough for these maidens in their savage season, who must make the most of this time and can’t afford to endure the oppression of the school’s new ban.

So, after Kazusa gives Izumi a solemn call telling him she’s about to commit a “grave sin,” she joins her sisters in kidnapping Milo-sensei, beating and tying him up, and using him as a hostage. The school staff is sent their demands, and when they arrive at the school the four girls are there to repeat them: lifting of the ban, reinstating of Rika, and an apology, or else.

No negotiations, no retreat: the maidens have spoken! As amazingly awful as it was to watch them nearly destroy each others’ friendships, this latest emergency of injustice has brought them back together, at least for now. Watching them use their powers to save one of their own another is an inspiring sight to behold, though I can’t see there not being serious consequences. Still, what’s done is done—and they did it together.

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O Maidens in Your Savage Season – 10 – Maiden Abyss

God, where do I even start? I knew I’d be navigating an emotional minefield with a show like this, but in the spirit of one of this episode’s themes, the difference between thinking you know something and actually experiencing it in the moment is as vast as, well, the holes that threaten to swallow up every single character. Certainly far larger than the holes in the sexy underwear Kazusa is investigating on her phone.

Rika just happens to be hanging out with Amagi across the park where Hitoha gets picked up by Milo-sensei. Rika finds Hitoha’s underwear in the trash, freaks out for a minute, then calls a cab to follow them and hopefully save Hitoha and/or Milo from themselves/each other. She’s acting as a good friend would: as best she can with what little, highly concerning information she has.

Meanwhile, after all the hard work he did finding porn not set aboard trains, Niina has likely well and truly ruined them for him as anything pure and innocent, what with her placing his hand on her bum and keeping it there. Izumi pulls away and exits the train, but Niina follows him and demands to know why he’s going so far to refuse her.

Since he asked for advice, Niina offers to let him practice doing it on her. With all of her (not always consciously) honed powers of seduction in overdrive, she asks him straight up if he wants to do it with her, and he rejects her again, but not in the most convincing way.

Before leaving on the next train, Niina passes by and takes note of how hard he was—which is, of course, ludicrous: the hardness of one’s dick and one’s desire to sleep with someone are not the same thing at all. If Niina can’t ever get Izumi to love her like he loves Kazusa, she’ll do everything she can to make him desire her. She’s determined to kill that virginity of hers, and at the moment she has eyes only for him.

Momo plays Street Fighter alone in an empty arcade, and as she watches Chun Li get mercilessly wailed on by Ryu, she comes to a realization that had probably been gestating in her head and heart for some time. She texts Niina, asking to meet up and talk. Just then, Satoshi, a name I rather naively didn’t think I’d have to type again, texts her asking to meet up and talk.

Last week the window (or rather “hole”) seemed to be closing fast for Yamagishi-sensei to put a stop to a situation that, while not strictly illegal in Japan, is still a very bad idea for both parties involved. While yes, he picked up Hitoha, there’s still a possibility he’s just trying to scare her straight by only taking things so far.

Little does he know as he’s driving Hitoha is planning exactly what she’s going to do when they hit a red light: grab Milo’s hand and put it in her. It’s a bold plan to be sure, one I’m not sure she would have actually done, but we’ll never know, because they don’t hit another red light. Instead, Milo pulls in to a love hotel…the cheapest, seediest, least sexy love hotel he could find.

Rika arrives at the love hotel district, but there Hitoha’s trail goes cold, and Amagi really doesn’t want to hang around such a place, as it’s making him think and feel weird things when he’s committed to treating Rika right, a sentiment that makes her swoon when he expresses it.

To our unending relief, we finally learn definitively through his inner monologue that Milo has no intention whatsoever of going through with anything in that dingy lovenest, but makes the mistake of letting Hitoha go off to the bathroom (even more awful than the bedroom! They nailed the details on this shithole) to steel herself up, desperately swiping webpages on what to do in this situation.

She bursts out of the bathroom pounces on Milo, positions herself over his crotch, and starts unbuckling his belt and unzipping. Suddenly, a very stunned Milo has lost control of the situation. Hitoha is just as stunned, but feels if she’s gone this far there’s nowhere to go but forward.

But, once the zipper is down, and there’s no erection, Hitoha gives up and starts to cry, assuming it’s because she’s so “disgusting” to him. Always so condescending and rude in so many of their interactions, Milo drops that act, gently places his hand atop her head and tells her she’s wrong; this isn’t happening not because she’s ugly, but because he’s a coward.

As she cries in his arms, I breathe another sigh of relief. In the end, Yamagishi was the adult here, recognizing he had to to preserve her pride, and the best way to do that was to abandon his own for her sake. That may not satisfy or comfort her in the long run, but it stopped something very bad from happening for the wrong reasons.

Then comes an exchange I wish we didn’t have to witness, because it’s just so hard to watch and so gosh-darn realistic. Satoshi, “The Nice Guy,” didn’t take too kindly to being embarrassed in front of his friends at the cultural festival. He accuses Momo of leading him on, calls her a slut, and demands an apology lest he make it impossible for her to come back to cram school.

Momo isn’t apologizing, and she’s not going back to cram school either, and that’s that. But as she walks away, Satoshi grabs her arm, because he’s not done with her yet. She’s not showing him proper respect, you see? For that, Momo cries out so all the passersby can hear, and naturally Satoshi calls her weird and crazy and scurries off. What an apocalyptic boob. Maybe don’t grab girls who couldn’t be less interested in you and are trying to walk away, brah!

As Niina walks around the same district where we’ve already seen Rika, Amagi, Hitoha and Milo, she thinks about how she always, always gets comments and cat calls whenever she walks down this street…until now. It’s as if Izumi’s rejection of her has marked her as some kind of hideous creature from which all ment will keep their distance.

After years being looked at the wrong way, suddenly she no longer feels the attention…and she’s not feeling so great…like withdrawal from a drug you were forced to take. Then Momo calls her, again asking to meet up. After being touched by a guy, Momo wants Niina to touch her, to “purify” her, because she’s in love with her.

No longer feeling waves of desire from men in her radius, suddenly Niina is confronted by a woman, stating in no uncertain terms she wants to be touched by her. Niina isn’t sure how to respond, so she apologizes and ends the call.

And that, inexorably, brings is to Miss Smartphone Sexy Underwear Shopper. Kazusa is in a wonderful little bubble of bliss, as she has been ever since she and Izumi became a couple. That bubble only grows larger when Izumi gives her a quick “just calling to say I love you” call from the station where he’s still processing what happened with Niina.

It’s clear with this call Izumi is trying both to assuage the measure of guilt he feels and ease the swirling of confusing thoughts in his head by reiterating his feelings to Kazusa, clearly, out loud. He’s a mess, and the call does little to fix that.

After the call, Kazusa beams like we’ve never seen her before, then continues her underwear shopping. In voice-over, she states that at that time she had no idea what vast and widening holes her friends were staring down, nor that she’d soon be staring down her own once her blissful bubble inevitably bursts.

The next morning, Izumi can’t even hold hands on their walk to school for some vague fear of “the neighbors.” That last exchange with Niina really did a number on him, huh? Sure looks like it could be the beginning of the end for these two…before so much as a peck on the cheek.

That just leaves us with Rika and Amagi, the one couple that seems to actually, ya know, be okay! Just as Rika is starting to contemplate getting a little closer to him, the teacher (who is, let it be said, shitty for doing this) announces that her friend Sonoe got pregnant and is dropping out of school. As if the previous twenty minutes of carnage weren’t enough, one last savage dagger before the curtain.

I need a drink!

(Of Misery)

HenSuki – 06 – The Scent of Destiny

After Keiki rescues her on the stairs, StuCo vice-chair Fujimoto Ayano presents him with a token of her gratitude: some delicious homemade cookies. She also gets very close to Keiki and inhales deeply, which Keiki thinks is a little strange but also pretty cute. He has master stalker Koharu investigate Ayano, and comes up with nothing abnormal aside from a tendency to “gap moe”and of ending up in close-quarters situations with Keiki.

After Yuika accuses Keiki of doing terrible things—in her dream last night—Ayano invites Keiki to a clean-up session in town. Sayuki tags along as his self-appointed dog, and is soon up to mischief when she pounces on him under the bridge. Keiki, remembering what his grandfather said whenever their dog jumped on top of him, rubbing his butt is the way to show the dog who’s boss. It works on Sayuki, who has to withdraw due to overexcitement.

As for Ayano, she seems perfectly nice, neither interested in being Keiki’s slave nor making him her slave, nor writing about him and his best mate getting it on. She’s mostly just…normal. Unfortunately, the other shoe inevitably drops when she invites him to an otherwise empty StuCo office, where she’s adjusted the lighting, music, and accomodations to make Keiki very, very sleepy.

He wakes up to Ayano unzipping his pants, wanting to remove his sweaty underwear. Turns out her fetish is smell; specifically the body odor of boys. All the clues were there with her constant smelling of him and his clothes, but for her to take it to this extreme was still…deflating. Keiki himself imagined he’d finally found someone normal enough to complement his normalcy, after all.

Still, of all of the kinks the girls he’s encountered have had, Ayano’s seems the least egregious. After all, why is it so awful for Keiki if she likes his stink? People who like each other tend to be attracted to each other’s scents anyway. It’s not like she’s asking if she can punish him/if he can punish her. I daresay the ultra-normal girl Keiki says he’s after doesn’t actually exist, at least not at his school. The next best thing, then, is the most tolerable of the “weirdos”.

HenSuki – 03 – The Third Way

With Sayuki and Yuika declaring themselves masochist and sadist and their intent to make Keiki their master/slave respectively, one thing becomes clear: Keiki isn’t that into this. He avoided dating girls because he felt himself to normal and boring, but now he’s having nightmares as a result of Yuika’s “punishment” last week. He doesn’t even want to go to school, but Mizuha makes him, since he’s not really ill.

Things don’t get any easier for Keiki, as he’s greeted by Yuika’s bra in his shoe locker, followed by a photo of him with his shirt open lying with Sayuki, with the implication it will be distributed if he doesn’t meet with her. When he gets there, Sayuki is dressed as a maid and handcuffed; he must fish the key out of her cleavage.

All the while, the third girl in his life (not counting his sister), Nanjou Mao, keeps watching silently from afar, her gentle blushing going completely unnoticed by Keiki. But when he tells his best mate he doesn’t believe Sayuki or Keiki are the Cinderella, that friend points out Mao’s staring, who it’s directed at, and what that entails.

Mao’s passive role thus far becomes more active by necessity when Keiki is once again summoned to the clubroom by Sayuki, but is intercepted by Yuika, who ties him up and orders him to kiss her foot or she’ll steal his first kiss on the lips. Sayuki barges in to put a stop to it, and the girls, who have known about each other’s proclivities since they met, start to bicker, with Keiki in the middle.

Enter Mao, who drags Keiki, chair, rope and all, into the hall, away from the two warring girls. He blames him for being so nice to both of them and indulging them too much, and in the process betrays that she’s been observing his interactions with them very closely (we dohear a camera click when he’s fishing out the handcuff keys…was that Mao?).

When Keiki asks why this concerns her at all, Mao has no choice but to be more direct: she just plain doesn’t like it when he’s with other girls. That could well be because she’s developed feelings for her childhood friend, but it also means a third girl has decided to try and assert control over him. Perhaps not as a formal master or slave, but it’s definitely possessive and unbidden by Keiki.

Considering how uncomfortable the other two girls’ antics have made Keiki, perhaps Mao is the “Goldilocks” answer, but first he has to determine whether her particular kink (stalking?) is more or less manageable.

HenSuki – 02 – Kohai Master

Keiki flatly turns down Sayuki’s request that he make her his pet—he’s just not sure if he’s into S&M, and probably never thought about it. But that doesn’t stop her from hanging around him, even in the library, where she gets too close and draws the ire of their mutual kohai, Koga Yuika. When Keiki admits he took Sayuki out for a parfait and performed a romantic wall slam, she’s angry, but he can cure that anger by taking her on a date.

Keiki does everything right thanks to some pointers from his little sister Mizuha: Arrive early, compliment often, go to a movie she likes, have a relaxed lunch, match her pace, let her shop till she drops. He even has the opportunity to rescue her from some leering mall trolls. Yuika gives Keiki a pat and kiss on the head as thanks and then falls asleep on his shoulder on the train home. All in all, it’s a wonderful first date for the both of them.

Yuika always kept to herself in the library and was hard to approach (which he chalks up to her mixed heritage, which…okaaay), but he was persistent in his friendliness and kindness, and her suspicion and “ice in her eyes” gradually melted away to the point they’re now much closer. But is she “Cinderella” who included a pair of underwear with her love letter? The jury’s still out.

What becomes painfully clear, however, is that Yuika is not like Sayuki, and she does not want to be his pet. In fact, when she asks him to meet her in the library storage room, she reveals that she wants to be his master, and wants him to be her slave. As an incentive, she removes her underwear and offers them to him. When he doesn’t immediately take them, she punishes him by stuffing them into his mouth. Yikes!

Suffice it to say, this development comes as something of a shock to Keiki. He was so enchanted by their conventional date, he would have been content if he died the next day. Instead, he finds himself passed out in a closet with Yuika’s underwear in his mouth, and a commando Yuika sitting astride him. They’re tricky, those tides of fortune!

Hensuki – 01 (First Impressions) – A Short Leash

Kiryuu Keiki gets to hang out with three cute girls in the Shodou Club (four if you count his imouto, which he doesn’t), but he wants a girlfriend. So imagine his shock when he finally receives a love letter from a secret admirer…along with a pair of underwear.

From there, Keiki tries to investigate which of the three girls (excluding his sister) could be the “Cinderella” to his Prince: the cool, mature senpai Sayuki (Taketatsu Ayana), the adorable blonde kohai Yuika (Hidaka Rina) or the approachable classmate Mao (Nomizu Iori).

In his interactions, the girls exhibit what could be construed as signals indicating they are the culprit, in addition to having feelings for Keiki beyond mere friendship, but nothing concrete until Sayuki happily accepts a date offer he accidentally makes when thinking out loud.

When he asks Sayuki straight up if “she has a secret” she’s not telling him about, she flees, and spends the entire next day at school very obviously avoiding him. Mao suggests he employ the “wall slam” tactic (much more effective in anime than IRL), which he does when he spots her walking home.

He tells her he knows her secret (assuming its the note and underwear); when she asks if that means he dislikes her now, he tells her it’s quite the opposite; after the initial shock, he was glad. Mind you, he makes no mention of what he’s talking about.

The next day, Keiki reports to the clubroom as requested, Sayuki makes him close his eyes, and when he opens them, she’s wearing a collar and leash,  exposed her bra, and asking to be Keiki’s pet. That’s when Keiki knows he’s in for something a lot stranger than he bargained for!

Hensuki is another show that would probably benefit from being 12-13 minutes instead of double that; the “investigation” drags on too long even if it’s also meant to introduce the main players. While a decent-looking, this show is utterly by-the-numbers and generic except for the twist at the end, which doesn’t definitively answer the question of who gave him their underwear.

This will be the story of a guy whose female acquaintances each have their own unique kinks, which they’ll reveal to him because he’s a kind and understanding dude. It is notable that the show so far exhibits a particularly soft touch when it comes to its ecchi element. But where this goes from here—and whether and how the premise can be sustained for 12 episodes—very much remains to be seen.

Wotaku ni Koi wa Muzukashii – 03 – Beige or Pink, It Doesn’t Matter

Hirotaka proves he’s a good man to have in a pinch when Narumi falls behind on her BL doujinshi for Comiket, perhaps due in part to the two dating. He helps her complete her work in time and helps man her table when the day of the event arrives. It’s never explicitly said, but it’s clear Hirotaka derives enjoyment from assisting the woman he likes with her creative passion, so it’s not even a question of feeling put out or overly relied on.

Hirotaka does have to run off for a smoke when he observes one too many of Narumi’s fans fawning over her work, and finds solace in Kabakura, who is in a similar situation with his girlfriend dressing up as a super-suave dude and being quickly surrounded by fangirls.

Still, when Narumi realizes there are still so many “gods” whose work she loves she has yet to visit, Hirotaka sends her off with his blessing, manning her table in her place, and quickly drawing the admiration of many a customer turned on by a tall, dark, and handsome guy peddling BL doujinshi, forcing Narumi to return and “save” him. But it’s all good; Hirotaka is having fun.

In the second half, Narumi and Hirotaka navigate the rough waters of transition from the platonic childhood friends that they were to something more…adult. When Hirotaka invites Narumi to his place for drinks, her first thought is of what color underwear she’s wearing, lest the night take that kind of turn.

To her combined relief (since she’s wearing beige) and mild disappointment, the only turning that seems to be in store is that of Wii-wheels as they play Mario Kart together. She’s initially terribly nervous about being alone in Hirotaka’s apartment, but quickly remembers who he is and eventually relaxes.

She’s hit with another surprise when Koyanagi and Kabakura join them for the “sleepover”, and while Hirotaka takes his shower, the girls search his room for his print stash, which Koyanagi is convinced all red-blooded Japanese otaku still cling to, even in this age of digitization.

Harumi is initially put off by the big-boobed figures out in the open, but then takes a trip down memory lane when she finds his true stash: that of magic cards and other collectibles. Hirotaka joins her in reminiscing, stating that the time he traded cute characters for powerful ones was the genesis of their friendship, something Narumi feels guilty about not remembering.

She wants their relationship to be “fair” and for  Hirotaka to be honest with her and not hesitate to “punch” her if he thinks she’s a terrible person, but c’mon…there’s no way Hirotaka thinks that. But if she insists on penance, he exacts it by leaning in for a kiss—a real one this time—reminding her that he is, in fact, a man. A man concerned neither her bust size nor the color of her undergarments.

Also, how cute are Koyanagi and Kabakura with their matching necklaces, extremely competitive video gameplay, and drifting off on the couch together? They’re a very different couple from Narumi and Hirotaka, but no less fun to watch.

Takunomi. – 05

This week we learn a little more about Midorikawa Kae, who at 27 is the eldest member of Stella House Haruno. Specifically, we learn she isn’t the most excited about continuing to grow older and remain single, as well as her preferred drink (red wine).

Neither Michiru or Makoto like the wine straight (probably the tannins), but Kae cuts it with ginger ale to make a “kitty” (akin to a spritzer) that many guests at her weddings are able to enjoy.

Kae has a few too many of these amidst a light accompaniment of almonds, crackers, cheese and ham, and shows Michiru and Makoto the kind of drunk she is: a bit of a pessimist at first, and devolving into someone who simply wants someone or something to spoon for the night.

When Michiru brings her phone, Kae is in the latter state, and Michiru is snatched up and becomes Kae’s warm stuffed animal for the night. The next morning, Michiru can scarcely look a much-better-put-together Kae in the eyes, but Kae doesn’t remember last night…until Michiru jogs her memory.

The moral of the story is as simple as it is universal: Try not to drink too much…especially if you have some not-so-happy thoughts on your mind!

Classroom of the Elite – 12 (Fin)

The first seven episodes of Classroom of the Elite were solid, but gave way to an increasingly unfocused and often downright tedious Island Arc. After pointing out how delicate and demanding the girls are compared to the guys, demonstrating the class’s appalling ignorance of outdoor fundamentals (except for one character who camps out a lot), and introducing a set of rules and objectives only slightly less complicated than the U.S. Tax Code, we were then treated to thrilling whodunits involving the theft of a girl’s undergarments and the burning of a manual.

Class C student Ibuki was planted as the obvious culprit to everything, but we can’t be sure if she’s really the culprit, because the biggest question mark of them all is, and has always been, Ayanokouji Kiyotaka, whom it’s implied was the sole “survivor” of a “gifted kid farm.”

Meanwhile, his interactions with Horikita Suzune have been dull and repetitive (due in no small part to the nebulousness of his true motives and  intentions), while what had been perhaps the best character dynamic of the show—that between Ayano and Kushida—has curiously been abandoned altogether, with no further exploration of her character. Some of Kushida’s screen time was replaced by Sakura, whose puppy love for the unperceptive Ayano isn’t nearly as compelling.

But WHO CARES? This was a bad-ass finale. It stuck the landing.

It starts slowly, in basically the same place we left off last week: in a state of confusion and frustration. Horikita wakes up to find Ayano nearby, telling her she should drop out and that whatever goal she has in mind, whether it’s making Class A to prove something to her brother, or something else, she’s going to need allies. She faints again, and Ayano carries her to the teachers.

Ayano tells Hirata everything that’s happened and how it will effect the points, and Hirata is devastated, no doubt believing he let his class down…but Ayano asks a favor of him. When the day the Special Test ends arrives, Sakura asks Ayano what he thinks their points will be, and Ayano simply looks over to Hirata, who is holding the leader identification form.

All of the classes assemble on the beach, except Class C…but a dirty, disheveled Ryuuen does appear…in his mind, to declare victory. Once he lays out his scheme to gain the names of all three class leaders, things don’t just look bad for Class D, but Classes A and B as well.

Ryuuen’s plan is extra-complex, as befits the finale of CotE: signing a binding contract with Class A in which they’ll supply 200 S-points in goods and provide the names of B and D’s leaders, using Ibuki and another C-class student as spies D and B.

Of course, Ryuuen intended to betray Katsuragi, because an ally of Katsuragi’s rival Sakayanagai gave him the name of Class A’s leader…which was never Katsuragi to begin with. Ryuuen runs the math as the calculations are displayed on the screen.

Then the points are announced: Class C gets ZERO points, Classes A and B make just over 100 each, and Class D…WINS, with 225 points. SHOKU!

How’d it happen? Cough-cough. C’mon now, you know: it was all Ayanokouji-frikking-Kiyotaka. What Horikita doesn’t know is how. Class A continues its internal strife as Sakayanagi’s ally antagonizes Katsuragi’s furious levies, while Ichinose doesn’t feel too bad about her class’s high score, since she’s likely close to amassing enough points to buy her way into the class of her choice (which I’m assuming would be A).

Ayano managed to win by pivoting from a strategy of spot-occupation points to leader identification points, and used virtually everyone and everything he had on that island to discover the identities of the leaders of Class A and C (leaving B alone to preserve their alliance). He even used Horikita’s illness, which was actually crucial to giving him a “legitimate reason” to change the leadership of Class D to him at the very last minute. Thus, Ayano was right about Ryuuen and Ryuuen was wrong about him – a 100-point swing.

As an apparent apology for using Horikita and potentially making her even sicker, he had Hirata tell the rest of Class D they owe everything to her, not him. It’s a brilliant move that accomplishes two things: it keeps Ayano in the shadows where he can do the most, and brings the class together, which was Hirata’s goal all along.

Kushida seems to know there’s something a little off about Horikita being the hero here, but can’t get a straight answer out of Ayano when she asks which girl he’d choose. It’s not much, but I did appreciate one last scene with “Real Kushida,” especially in which she resents the fact a girl like Horikita doesn’t have a “side to hide.” But Ayano rightly points out that most people have one.

In his chat with Chabashira-sensei in the ship’s theater, she commends him for having performed up to the standards not only she, but “that man” (AKA his dad) expected. There’s talk about Daedalus and Icarus, but Ayano doesn’t intend to lose his wings any time soon. That’s good, because Ryuuen (and his loyal lieutenant Ibuki) are coming for him, armed with a windfall of points thanks to one other stipulation in their contract with Class A.

Finally, Horikita loses her throng of admirers long enough to track down Ayano and ask him why he told Hirata to spread the word that she, not he, was the class savior and mastermind behind their victory. He tells her, in a scene that’s played quite tenderly at first, to remember when he said she needed allies to succeed – giving her the credit helps get her those allies (and she did suffer in sickness for the cause).

Horikita’s Tsundere Levels reach critical levels as she both thanks Ayano and acknowledges him as an ally while making it clear their future interactions will be purely professional in nature and focused on getting to Class A.

She’s fooling no one, but Ayano is fooling her along with everyone else, because, at least according to his inner thoughts, he’s only looking out for one guy: Ayano. Hirata, Sakura, Ichinose, Kushida, and Horikita are nothing but stones he’s all too willing to step on to win, because winning is all that matters to him.

A dark ending…but also a wide-open door for a sequel down the road. Horikita has changed a lot, and she says it’s all Ayano’s fault. Maybe she, along with Kushida and the others, will get a chance to change him. Or maybe he’ll just dance on their corpses when he’s king of the world. Here’s hoping we get to find out!

Classroom of the Elite – 11

Prior to watching this episode, only one persistent wish occupied my mind: Get off the damn island. Just get off. It’s been a convoluted mess and I’m honestly having trouble caring anymore. The primary reason I watch anime is to be entertained, and the island arc just ain’t getting the job done. It’s a slog.

Alas, we do not leave the island, as time only transitions from Day 5 to Day 6, with the girls and boys of class D continuing to bicker amongst themselves, a storm coming, and the hidden fact that their leader Horikita has been ill since leaving the boat.

Way too much time is spent on the secondary and tertiary classmates yelling at each other. I already get that there’s discord, the episode just repeats itself. Furthermore, there’s absolutely no reason for Yamauchi to put a clump of mud on Horikita’s head, except perhaps to serve the plot, as Horikita must exert herself by throwing him.

More importantly by having mud randomly dropped on her head, she has to wash it off, which means stripping down to her skivvies…which means temporarily not having her key card on her person. Her one primary job as leader is to hold on to that card, but she failed, and only informs Ayanokouji.

Their talk is interrupted by a fire at the camp, which sets off another round of argument. Hirata kinda loses it once it starts to pour, and then orders the others to do useless things like cover the already-wet firewood and collect the already-soaked clothes.

Completely independent of the events on the island, we keep making small check-ins on Ayano’s past as some kind of organization-raised “special” kid, the last one remaining among of a large group of potentials, for which he seems to be placed behind bars.

I honestly couldn’t tell how these little glimpses of Ayano’s past are trying to relate to the events of the present…unless, perhaps, Ayanokouji means to betray Horikita, and is the one who told Ibuki to steal the key card. It could also be an elaborate plan to make their rivals think chaos reigns in Class D, and “betraying” Horikita is part of that. Still, Ibuki doesn’t hold back on beating her up.

That person remains a mystery for now, but the reveal that Ibuki is the one causing all the mayhem feels a bit…obvious, even though the episode tried to keep its cards close. Ayano must’ve found something buried in the spot where he found her, and we don’t know that either.

I have no idea if we’ll get another cour of CotE, but if not, it’s been an interminable, disappointing, seemingly aimless final arc, in which everyone has become progressively dumber, except perhaps Ayano, whose true intentions remain stubbornly opaque. It will take one hell of a finale to bring all the disparate pieces together and deliver some satisfying answers.

Classroom of the Elite – 10

How could a show that started out so fresh, slick, clever, and cerebral feel so stale, dull, dumb now? The first mistake seemed to be taking the classes out of the proverbial classroom and onto an island…then proceeding to do basically nothing for five days.

Horikita conducts recon of Classes A and B, both times having unpleasant encounters with their respective leaders, both of whom are drawn as if they were in their thirties. Fine, I’ll forgive the disappointingly goofy character design—this is Lerche, after all—but I won’t forgive the obvious holes in logic that keep creeping up this week, even if the sexism subsides.

Remember how I said Horikita came into contact with the leaders of Classes A and B? Isn’t there a 50-S-Point bonus to anyone who correctly guesses the leader of another class—an a 50-point  deduction from the leader correctly ID’d? Am I missing something here? Katsuragi and Ryuuen aren’t exactly being subtle in their leaderliness—nor is Horikita herself.

Days 2 thru 4 breeze by without any incident…or any meaningful developments whatsoever, aside from more of Sakura flirting with Ayanokouji (who has never been portrayed as anything other than an unromantic, assexual character, making her flirtation seem like a futile waste of time), a mysterious scene in which a mystery student of unknown gender steals a girl’s bag from the tent, and Sudou suspecting Class C exile Ibuki of some kind of treachery.

I suppose I should look to the episode’s title for guidance, a Kierkegaard quote: “Every man has in himself the most dangerous traitor of all.” I’m no philosophy major, but off the top of my head, this seems to have dual meaning: everyone has the potential for treachery, but no other person is capable of betraying you more than you can betray yourself.

It could also just mean there’s a traitor in Class D’s midst, which Sudo believes is Ibuki, so I gravitated to her as well. Then, on the morning of Day 5, the girls are united in their outrage that Karuizawa’s underwear was stolen in the night. The rest of the episode deals with the investigation of this panty heist. See what I said about feeling a bit dumb and rote?

Despite that feeling, things to sharpen up a bit when Ike finds the panties in his bag. Clearly they were planted there, but by whom? What the heck would Ibuki have to gain by sowing discord, when her own Class spent all their points and headed back to the boat to party?

By the way, I’m happy Class C’s strategy was not immediately dismissed as the wrong one; none of the remaining classes are guaranteed to earn enough points to make all the trouble they’ve been through worth it. It’s almost as if the show is saying “yes, this whole island survival premise is indeed dumb, but only Class C and Koenji decided to reject it.”

Ike gives the panties to Ayano, and Hirata finds them when giving the boys pat-downs at the girls’ demand. But Hirata doesn’t turn in Ayano, because he understands the distinction of Ayano having the panties and Ayano stealing them.

Hirata takes the panties from Ayano, supposedly to protect his classmate, as Karuizawa’s boyfriend is the one the girls suspect the least to have them, but despite the fact it’s (I’m assuming) to prevent further discord from compromising the class, Hirata is betraying himself here, by lying.

And the fact he’s able to be dishonest here makes me start to think that maybe his whole upstanding, “Everybody Loves Hirata” act is merely cover for…more sinister designs.

Kuromukuro – 04

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A handful of demons are still at large all over the globe, but there’s no imminent existential threat to humanity. But Kennosuke still has a challenging battle to fight: adjusting to the modern world, where even the eating utensils are different, to say nothing of the kind of food people eat.

Much of this episode’s first half is Ken settling into Yukina’s uncle’s house, much to Yukina’s consternation. Samurai otaku Koharu, on the other hand, is delighted to have a real life samurai around to criticize the little men in the box (TV) whose stances are all wrong.

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I must say I fall more on Team Koharu in terms of Ken’s fish-out-of-water antics being immensely entertaining and amusing. The show really flexes its slice-of-life and comedy muscles, after previously showing it can do hand-to-hand combat, mecha battles, and general peril.

I especially enjoyed how Ken turns everything—from the strange food to the pet ferret on the roomba—into little mini-battles that test his mettle. As the uncle says, he really is a warrior, and warriors don’t always make the best houseguests, but they are fairly predictable in their behavior and values…especially a distinguished samurai such as Kennosuke.

Of course, there will always be hiccups, like repurposing Yukina’s favorite towel as a loincloth. But that’s just part of the fun, as Yukina’s often mortified reactions are as funny as the words or incidents by Ken that cause them.

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So this isn’t the most heavyweight episode, plot-wise, but it does continue to gradually build up a bond between the two leads, Yukina and Kennosuke. She’s tasked with taking him to the mall (which he mistakes for a castle), and she takes the task seriously, even though she’s reluctant. Something about Ken rubs her the wrong way (especially now that she learns they’re about the same age) because he’s new (or rather old) and different; shaking up her old mundane life.

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But as I said last week, there’s an upside to Kennosuke, beyond laughing at his archaic way of speaking and the unique ways he sees certain aspects of modern life, and its that very shaking up of Yukina’s life; giving it sudden and profound purpose.

When Ken looks around at all the happy kids at the mall, he remarks that the world has become a very peaceful place, and so his princess did not sacrifice herself in vain. It’s a very poignant, melancholy moment, which is expanded upon when Ken essentially assures Yukina that her father—who was dismissed as a whack-a-doo for his theories on alien demons—was right.

Of course, her father being right doesn’t change the fact that he left, something Yukina, who seemed close-ish to her father in the flashbacks, probably laments/resents about him. But when Ken sees and verifies his bigfoot-like photo of a demon, it’s as if a missing piece of a puzzle has fallen into place. I’m all for badass mecha action, but quiet episodes like this that develop the players are welcome too.

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Hai to Gensou no Grimgar – 03

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Grimgar is definitely chugging along at a very deliberate pace, with regular pauses in action and dialogue that are usually employed sparingly if at all in the majority of modern anime. However, so far, that pace working just fine for me, thanks very much!

This is a show that tells you to forget what you know about shows with similar premises and settings. In this show, a very shy girl remains upset about being peeped on for a long time, and when the rain comes, they don’t make any money.

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While the chemistry of the cast as a whole together is still a bit uncertain, it’s the wonderful one-on-one interactions that dot this episode and give it life. Interactions like those between Yume, who sees Shihoru is attracted to Manato, is learning as the days go by that Haruhiro is a nice guy, and is consistently nice to him as a result.

Yume is bad with words, but is still able to communicate that it wouldn’t be the end of the world if he saw her naked, as opposed to Ranta, because Haru would apologize properly. Yume wants respect, and Haru offers it without even trying.

The episode also shines in Haru’s narration. This isn’t a party of fighters who are trying to defeat the boss on Level 99; they’re trying to earn enough to afford new underwear.  All that activity, and dampness, is quickly destroying their primative but expensive clothes.

It makes sense that Haru, our narrator and most reliable conduit into this world, is the first to notice that the girls have the same problem as the guys, and are forced to go commando until new skivvies can be procured. He decides not to use this knowledge for evil, steering Ranta away from the girls.

And it’s Yume who helps him make that decision by greeting him warmly rather than suspiciously; Haru doesn’t want there to be further unpleasantness between the genders.

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The rainclouds eventually pass, and once the weather is good, the party strikes out to a city abandoned by humans and now inhabited by goblins, many of whom have been separated from their groups for whatever reason, making them vulnerable. It’s good to see the group getting better at performing their own jobs in addition to working better as a unit (with Manato as their general).

It’s also good to see a follow-up to the party’s thoroughly unpleasant but absolutely essential first kill. It may not be sporting to kill a goblin in their sleep, but they can’t afford new undies, they can’t afford the luxury of sportsmanship, and must put their morals aside for the sake of survival. And as we see (and Haru remarks), it gets easier, and they begin gradually raking in loot.

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Haru worries they’re starting to turn into volunteer soldiers – cold, hardened, singularly obsessed with their own survival – but Manato points out they’re already soldiers. Plus, their well-earned day of rest doesn’t bear out that worry: luxuries like hot food prepared by someone else, or trinkets like hairclips, are still very much appreciated. It just takes less to make them content now.

It’s on the day of rest that Shihoru hides from Manato behind Yume, even though it’s clear she wanted to talk with him. That leads Yume to have a talk with her back home about starting to talk to the boys again; it’s been long enough, and they’ve been good.

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The subtle little romantic subtext in the conversations continues in the boy’s bunks, with a curious mention of Yume’s name by Ranta makes Haru perk up; if the guys and girls pair off, two guys will be left out. Moguzo seems content with cooking and whittling, while Manato and Shihoru seem like a good match.

That leaves Haruhiro, Ranta, and Yume, and while Yume and Ranta aren’t on great terms right now, that doesn’t mean Haruhiro has nothing to worry about. If he doesn’t want to be just a “good friend” to Yume, he’ll have to speak up. At the same time, there’s a possibility Yume likes Manato too, making her and Shihoru rivals. (Of course, this is all conjecture, but all the various interactions and looks and tones by the very good voice cast make it so you can’t help but wonder who likes who and what that will mean to the party as a whole.)

It even looks as if Haruhiro might bring up girls to Manato, but instead simply thanks him for being their leader. For all his eminent competence, Manato doesn’t have a lot of self-esteem, believing his past self wasn’t someone who’d have many friends – perhaps because he’d elicit envy in those not as skilled or handsome as he?

Haru tries to put Manato at ease by saying it doesn’t matter who they used to be. What matters is that they’re all friends here, and after twenty-three days, they’ve managed to not get killed or kill each other … despite the fact that Ranta is a member of their party! That in itself is a minor miracle to be thankful for. Because nothing, not food, not money, not underwear, not tomorrow, can be taken for granted in Grimgar.

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