The Promised Neverland – 23 (Fin) – Easy Win

“It’s an ending, that’s enough!”—Marge Simpson

I thought of those sage words—spoken to end a discussion of whether another ending was happy or sad—after the end of The Promised Neverland. This finale was, without a doubt, a series of scenes where dialogue is exchanged and things happen.

Like the previous episode, in which every single thing that needed to go Emma’s way did go Emma’s way, not a lot of it holds up to even cursory scrutiny. Unlike the previous episode, it wasn’t packed with enough stuff to keep my mind from dwelling on just how goshdarn fast things are moving.

And yet, it’s also an episode that tends to drag and sag during lengthy dialogue scenes. Starting the episode with Peter’s backstory, such as it is, was an…interesting choice? It really did nothing to make me care about him one way or another; I’m not surprised in the least he had his own brother Minerva killed, or that he rejected Emma’s call to join her in building a new world.

Ratri would rather slit his own throat (which he does) then even try to live in such a theoretical world; going out as a “Ratri”, descended from those who originally negotiated the great pact that split the human and demon worlds in two. Isabella and the mothers, who all seem to speak with one united voice, are also initially reluctant to go with Emma, who manages to convince her to change her mind. All is forgiven!

Now for the journey to the gate to the human world. Wait, the elevator takes them right there? And the pen, already literal deus ex machina, also happens to unlock the completely unguarded gate? Oh, and Emma, along with Norman, Ray, and the Lambdas, decide not to go through that gate? I commend the composer for accompanying the gate scene with suitably epic music, but other than that it’s just a lot; all at once, and all too easily.

The decision to remain while Don, Hilda, the mothers and the kids all go ahead to the human world is simple: Emma’s job won’t be done until all the farms are shut down. With Mujika’s help, she intends to create a new pact that won’t allow demons to raise children for meat anymore. So I guess Sonju was just joking when he was hoping to eat some free-range kids in the near future?

I was also a little worried when Emma and the others not going through the gate simply left them without checking out if it’s even safe on the other side. Those worries were short-lived, as beyond the white void is…modern-day New York City, immediately followed by an unanimated slideshow of the kids gradually assimilating to life in such a world. Judging from the stills, they don’t have much difficulty at all!

We then switch to a slideshow of Emma & Co. on their crusade that for all I thought would take the rest of their lives. I mean, you’re talking about rescuing each and every child currently imprisoned in the demon world. It’s a herculean effort many times larger than the already ridiculous operation that liberated Grace Field House in a single night with zero casualties.

But nope, it only takes a couple years or so. Emma, Norman, and Ray just suddenly appear by Hudson Bay one day, their mission apparently accomplished. Phil’s happy about it, because he doesn’t have to make good on his promise to go back after her. It’s all a little sudden, and random, and rushed, and weird. All my goodwill was spent mindlessly enjoying last week’s all-too-easy victories.

So it’s a totally, completely, 100% happy ending for Emma and the kids, who’d basically ceased enduring serious hardship or encountering setbacks of any kind after being forced out of their bunker hideout. But for me, it just feels like an ending, and a blessed one, as my enthusiasm for the direction of the story was waning by the day. An ending is enough.


Read Crow and Irina’s discussion on the final episode of The Promised Neverland right here!

The Promised Neverland – 22 – Playtime Has Only Just Begun

First of all, Vincent is not a turncoat; I can’t see how someone otherwise proven as intelligent as him would think Ratri and the demons would honor any deal he made for them. Instead, Norman has Vincent leak one plan, knowing the farms will prepare for it, while executing an entirely different plan. And not a moment too soon, either, as that very day Phil and all the kids at Grace Field House are notified that they’re being shipped off.

Final preparations are made in Mujika and Sonju’s secret tunnels, and then everyone boards a fleet of hot air balloons—which presumably were part of Norman’s original “Kill All Demons” plan. When Ratri and the head demon spot the fleet proper approaching the farms and separating into small groups, the demon spearmen atop the walls shoot them down one by one.

Of course, the initial wave of balloons was only a feint; all of the ones that were shot down are armed with firebombs that soon set the forests within the farms alight. While the demons are busy putting those out, they’re suddenly ambused by the Lambda kids, while the other balloons land safely and the Farm’s administration facility is raided using Minerva’s blueprints. Soon Vincent has hacked into the system and shuts down all of Ratri’s surveillance and comms.

Meanwhile, and unbeknownst to the mothers escorting their kids to the shipping area, each of the farms has been infiltrated by little kids sent by Emma, who uses the hacked comms to give the signal to “play tag”. Phil and the others obey and run for it while the gates are closed on the mothers, keeping them from pursuing. Everyone meets at the massive central elevator. Everything’s going according to plan…until the elevator refuses to budge.

The kids below look up in horror at dozens of mothers armed with assault rifles, led by Grandmother Isabella and smirking Gatekeeper Peter Ratri. “Playtime is over,” he tells the “lost” children. That certainly seems to be the case. How are the kids going to get out of this one? They brought bows and arrows to a gunfight, and they don’t even have the benefit of the high ground!

But what saves everyone, as usual, is Emma, or more precisely, her words and her indomitable will. When Peter tells her to give up and accept they were all born to be eaten, Emma refuses to do so. She and her suddenly huge family have a future they want, and she’s going to keep fighting for it no matter how many times she fails, so Peter can take his destiny and shove it.

That’s when Isabella—and all the other mothers and sisters she leads—turn their guns on Ratri. She tells Emma not to misunderstand; she claims not to be doing this for them—though she is proud of how well she raised them. She’s simply grown tired of how Ratri and the others run the farms, and now has the power to do something about it. And with the system hacked, the chips Ratri once could have used to blow them up no longer work.

Ratri still has one card left to play: the demon reinforcements from outside of the farms. The lead demon warns all of the children to be obedient and yield, as once those forces arrive there will be no more hope of victory, even with Isabella and the mothers on their side. Unfortunately both the lead demon and Ratri, another, much larger force of lower-class demons overwhelm those reinforcements before they can even arrive.

That’s right: thanks to a coordinated effort between Mujika and Vylk, a huge number of demons have been cured of their need for human meat, and they’re ready and willing to help overthrow the farm system that has oppressed them all these years. Mujika and Vylk enter the elevator room, surprising both Isabella and Ratri with their presence. For them it must be unthinkable to see demons standing in solidarity with these kids.

But again, it’s all about aligned interests. Just as Isabella is sick of the system, so are the demon masses. Ratri’s final threat—that the human-demon conflict resolved 1,000 years ago by his ancestors will start back up—is nullified by the presence of Mujika and the Evil Blood.

Suddenly fresh out of haughty remarks, Ratri falls to his knees in defeat, while Emma approaches him and holds out her hand, not asking for his surrender or ordering his death, but asking him to join them; to join the future they’re well on their way to realizing.

While I had to suspend an air balloon fleet-load of disbelief for much of “Operation Playtime”, I can’t deny it was loads of fun watching it unfold, as long I didn’t think about anything too much! Looks like we’re in store for a slightly rushed but hopeful and happy ending.

Check out Irina and Crow’s thoughts on the episode here!

The Promised Neverland – 21 – More Important than Revenge

By arriving just in time with Mujika and Sonju, Emma is able to talk Norman down and get him to drop his knife. Despite all the time they’ve been apart and the things Norman has done and planned to do, Emma still feels absolutely certain that he doesn’t really want to do those things he planned, even going so far as calling him an “arrogant coward”.

The show deems that she is correct in her assessment, and that, when offered, Norman is willing to share the suffering, pain and fear with Emma, Ray, and the others instead of shouldering it all himself. Mujika then goes around the town administering her blood to those who have degenerated, not only curing them but ensuring they’ll never degenerate again.

As Norman’s plan to annihilate the demons of the village is reversed, Barbara prepares to kill a demon girl and her infant sibling, but when she sees herself in the cowering girl, she finds herself unable to do it. We’re to understand this is the first time she’s been presented with the opportunity to kill a demon child, and was all talk before.

Norman and Emma emerge from the burning town, and Norman tells his comrades the truth: he didn’t want to get revenge on demons, but to save his family. He used the ticking clock on his life to justify taking a path he wouldn’t have otherwise chosen. And he lied about not having succombed to the same Lambda drugs as all of them because he wanted to project reliability.

Barbara, who just stopped herself of her own accord from murdering a child, can’t very well argue, and says Norman is more important than revenge. Cislo and Zazie are also extremely understanding of Norman’s coming clean. Vincent isn’t, but the others tell him to stand down.

Upon returning to the hideout, the kids there tell them they just got word from the Grace Field radio: Phil and everyone else are being shipped. We cut to a scene with Petri and Isabella, who have sent the message as a trap, knowing the kids who escaped will come to the rescue.

What’s odd is that Petri is talking with the demons like Norman and the others just escaped from Lambda; presumably that happened weeks if not months ago. And don’t get me started on Isabella, who we were led to believe was on a short leash, and yet has been allowed to fail for quite some time now.

Of greater import in this scene is Petri’s announcement that the Lambda materials weren’t lost in the bombing, and the entire high-class farming system is poised to be replaced by Lambda-style farming through drug-induced brain enhancements.

Ray rightly suspects the message about the premature shippings is a trap to lure them there, but it doesn’t matter, because they still need to return to Grace Field if they want to save Phil and the others. The fact we haven’t seen one second of Phil or the others at the farm somewhat dulls those particular stakes…as do the developments at the hideout.

Vylk, the grandpa who’d regularly visit the hideout—and who Norman almost killed—and his granddaughter Emma visit so he can tell a story about a small piece of a pen a dying human was grasping, and the remorse he feels for not using his blood to save others besides his own family. When screwed into Emma’s pen, it not only provides blueprints for farming HQ and the gate to the human world, but a cure for the side-effects of the Lambda drugs!

That’s an inordinate amount of coincidence and suspension of disbelief in one little flash drive! But even with all this new information, and with almost everyone on board with returning to Grace Field, the one holdout—Vincent—ends up betraying everyone by using the radio to exchange intel for a deal. I guess he wasn’t moved by the embrace of the Emmas…

The Promised Neverland – 20 – Emma

Instead of being slaughtered for meat, Norman was introduced to Peter Ratri, his “new father”, and asked to assist with his research. No matter how much they up the difficulty of the tests, Norman always scores perfectly.

Peter is trying to wrest control of the farms from James, presumably his brother or father. Norman also observes how gently he’s treated compared to the other children at the Lambda facility, who undergo all manner of horrific surgery and used as fodder for experiments.

Norman eventually meets Vincent, and together they clandestinely plan a prison break, which is initiated when Norman grasps the king while playing chess. He gives the surveillance camera a blank look, immediately followed by the blast of an improvised bomb.

Norman and Vincent rush through the facility, now in total chaos, and save what humans are still able to be saved, like Cislo and Barbara, the latter of whom asks Norman if he’s a “god” when he frees them. Standing over his great victory, Norman tells the captured demons he won’t stop until their kind has “died out from this world”.

I’m glad we were shown these events, as in this case where it’s important to see the horrors he saw, showing is better than telling. I only wish Norman and his comrades hadn’t spent so much of the last couple episodes spouting so much exposition, which in hindsight feels redundant.

Still, we get a very foreboding shot of a robed Norman at sunset, looking quite a bit like Anakin Skywalker after being seduced by the dark side. He doesn’t care if he has to be a god or a devil if it means Emma and the other children will be able to live in safety and peace.

This episode suffers from a considerably less interesting middle act involving the four days and change Emma, Ray, Gilda and Don are searching for Mujika and Sonju. They basically trudge from one point of the forest to the other in their demon disguises, coming up empty until they reach final search area.

Naturally, this area is crawling with those giant creepy wild demons, and naturally Emma almost gets her head bitten off not once, but twice. The first time, Ray shoots the demon in just the right eye to bring it down. The second time, Sonju and Mujika arrive In the Nick of Time.

But before Emma can even get out how they need the two demons’ help, there’s a blast from afar: Norman has started the operation a day early. Bombs detonate all over the town, releasing the degenerative drug in a sickly purple cloud. It spreads and affects the demons precisely as Norman calculated, turning them into wild vicious beasts that rip each other apart.

This creates a horrifying situation in which demons watch their loved ones degenerate, but beg other demons of sound mind not to hurt or kill them, only to themselves be killed by those transformed loved ones. Soon the streets are full of the cries of terrified children, their mothers and fathers either dead or transformed and about to kill them. It is the scene of hell.

As his comrades stand atop brick columns watching their vengeance unfold with glee, Norman enters the town square and finds one of the young demon girls alone, scared, and crying. Norman, determined not to waver, prepares to kill her with a sword, but he’s stopped in his tracks when her grandfather—the same elderly demon who visited the kids’ hideout—calls out the girl’s name: Emma.

A fresh cloud of the drug falls over the square, infecting the little one but not the old man, who Norman suspects to have devil’s blood like Mujika, and is thus immune. He stabs the old man, but he has Emma drink his blood, reversing her degeneration, and begs her to run.

Before Norman can re-commit to killing the old man or the demon Emma, someone calls to himhis Emma, with Ray by her side. Thanks to Sonju’s horse they managed to make it back to town just in time. When Norman sees Emma he starts to tear up, and when Emma sees him she sees him as the little boy at Grace Field House, in whose hands a bloody sword just doesn’t look right.

While Norman has the intellect to know what exactly to do, and that it may be the only way to save Emma and the others, and he even possessed the will to do the horrible things that needed doing, he still doesn’t have the heart to follow through, at least not without the wavering we saw.

I’ve heard many rumblings about how dissimilar and inferior this second season is to the first due to the fact it’s passed over large swaths of the original manga’s story and basically doing its own thing. I’ve also learned that this was apparently the author’s choice to do this, so it isn’t as if his work was getting short shrift against his wishes.

Whatever the case may be, a second season that takes place after escaping the farm was always going to be a thoroughly different kind of show, despite the same title, and that’s certainly proven the case. But now that Norman, Emma, and Ray are reunited once more in the epicenter of his grand plan, I remain thoroughly engaged and excited to find out where in the world things go from here!

Rating: 4/5 Stars

Read Irina and Crow’s discussion of episode 20 here. They know their stuff!

The Promised Neverland – 19 – A Future Without Regret

By bringing up Mujika and Sonju, Emma clues Norman in on a major threat to his plan. He’s never met either, but heard stories about a mutation of demons who could maintain their human-esque form and intellect without eating meat. He thought they’d all been hunted down and killed by the Demon King and royalty committed to maintaining the status quo that lines their pockets.

With the “Evil-Blooded Girl” still out there, the demons presumably have a defense against his degenerative drug. Emma sees it the other way: instead of eradicating the demons, they can treat them all to be like Mujika and Sonju, so they won’t need to eat human meat anymore. But that misses the whole point: the Demons in charge would keep eating humans even if they didn’t have to, simply because they want to.

If that’s the case, then Emma thinks they should escape to the human world rather than committing demon genocide. Again, Norman has researched this, and the only gate he knows of is deep beneath…Grace Field House. It’s too dangerous and there are too many unknown factors, including whether the humans would even accept them.

Emma can’t accept a future she has to kill her friends and countless other innocents to achieve, in which she’d never be able to smile again. Norman knows the kind soul Emma is and always was, but here again they disagree: he says it isn’t “tough” to do what he’s doing, because he’s working towards the future he desires.

The debate would seem to be over, with the two sides at an impasse and Norman politely shuffling Emma and Ray out of there, but Emma proposes a deal: give her ten days to find Mujika and Sonju before proceeding with his plan. Norman gives her five…because he doesn’t expect her to succeed.

When Emma and Ray leave, Norman joins Cislo, Barbara, and Vincent in the bowels of their headquarters, and tells them that his siblings from the farm don’t want to annihilate the demons, and have also met with and are friends with the Evil-Blooded Girl. Just the thought of not eradicating the demons sends Barbara into a jar-shattering rage, leading to a “Lambda seizure”, which seem to be happening to her and the other two with increasing regularity.

They’re running out of time fast—just when Emma asked for more of it. Cislo is disgusted by Norman’s siblings’ “naive nonsense” but understands they’re good kids. So he asks Norman on behalf of the other Lambda survivors: Is Norman still on their side? Norman tells them he agreed to wait five days, but nothing else has changed. If Emma returns successful, Norman will kill the Evil-Blooded, but his plan will go forward without further alterations.

To show how far he’s come and why he can’t back down now, he shines his lantern on a massive Lilith-like demon, which he’s no doubt used for research and development of his anti-demon drug.

So now we know—if it wasn’t clear from the end of their conversation—that Norman has no intention of cancelling or changing his plan to commit genocide. Even if he wanted to, he has more than just Emma to think of. If the Lambda kids feel he’s betrayed them, he’s just as sure to die by their hands than demons’. And then there’s the matter of him doing what he did when he got shipped away: putting all of the burden on his own shoulders.

Of course, Emma thinks deep down the same Norman she knew and loved is still in there somewhere, and will honor his part of the bargain. Ray seems to want to trust Norman too; clearly being around Emma so much has blunted his cynicism. So they return to their mountain hideout, and there Emma presents her view and gets everyone onboard, even the terrified Gilda.

She uses the kids own grumbling bellies to drive home the point that killing all the demons would only spread more fear and hate, making the world a worse place. Emma can’t accept any other path but a peaceful one, but what she doesn’t yet grasp is that she’s already on the path Norman has paved for everyone—he just gave her five more days to pretend otherwise.

Back at Norman’s HQ, he suddenly coughs up blood into the same hand Emma took into hers when forging their doomed bargain. It would seem that whatever happened after he said goodbye to Emma to be shipped off, he didn’t fare any better than the other Lambda victims. His time grows short too, to the point even if Emma’s plan was most certain and logical, there wouldn’t be enough time to realize it.

Irina and Crow had a discussion on this episode. Check it out here!

 

 

Demon Slayer: Kimetsu no Yaiba – 23 – On the Mend

Now that’s more like it. After Shinazugawa Sanemi stabs her three times, cuts his own arm and lets the blood tempt her, Nezuko doesn’t take the bait. Memories of the past and her family flash through her mind. She turns away in disgust, Sanemi’s gambit fails, and the Master puts the matter to rest once and for all: Nezuko won’t hurt humans.

That said, Master understands that it won’t be easy for Tanjirou to convince everyone he encounters, so he’d better hurry up and prove he and Nezuko can slay demons by defeating a Twelve Kizuki. When Tanjirou goes one further and says he’ll kill Kibutsuji Muzan, the Master tells him not to aim so high so soon. When Tanjirou turns beet red, Kanroji Mitsuri has to hold back laughter. Also, like Tanjirou, the Master knows Tamayo, which is instructive.

With Tanjirou and Nezuko’s trial and business with the Hashira at an end, Shinobu summons two kakushi to escort the two to her family’s Butterfly Mansion for rehab. There, he meets Tsuyuri Kanao, who he first met at the Selection. Turns out she’s not Shinobu’s sister but her Tsuguko, or sword apprentice. Kanao notably doesn’t say a word to Tanjirou or the kakushi.

Instead, they’re led to the infirmary by another girl, where Zenitsu is already causing problems with his constant whining and screaming, while Inosuke is uncharacteristically quiet and depressed, recovering from a crushed throat. Tanjirou thanks them both, and later in Nezuko’s room he resolves to become stronger.

The episode ends by giving us a look at the evening Hashira meeting, where the Master tells them they’re the strongest unit of demon slayers ever assembled, and they’ll get Kibutsuji Muzan come hell or high water. It’s clear the master considers Kibutsuji a personal nemesis; I wonder if we’ll ever get any history about the two. Maybe his horrible facial scarring is Kibutsuji’s doing?

This episode was everything last week’s should have been, both introducing and resolving the trial in short order. Sure, last week introduced each of the Hashira we hadn’t met yet, but in the worst possible light, as only Giyuu, Shinobu, and Mitsuri didn’t come off as assholes. I’m glad they fell in line once Nezuko proved she’s harmless to humans, and it was good to see them in a more positive light here, united against their enemy.

Rating: 4/5 Stars

The Promised Neverland – 18 – The Norman Invasion

After a recap week, Neverland is back, and as good as its been all season, although not for the reason you’d think. Norman’s back, and that’s great! Emma can’t believe it’s not a dream, and I don’t mean that metaphorically. This literally doesn’t seem real that their old friend is alive, well, and not just deep in the anti-demon resistance, but its leader. It changes everything.

Norman comes to the Temple where he receives a hero’s welcome from the other kids. Like Emma, they initially can’t believe it’s really him, but unlike her they weren’t in charge of ensuring everyone’s survival all this time. They see how they’ve fared, and how things aren’t going so well, and how now that Norman’s here everything will be fine.

Of course, they don’t consciously put it in a way that diminishes Emma’s leadership to this point. Instead, they see it as a great lifting of a weight from her shoulders she never should have had to bear alone. But with the lifting of that weight naturally means there will be a shift in power and authority.

That’s especially apparent when Norman regales the group with what he’s been up to since he left Grace Field House. Rather than processed for food, he was sent to Lambda, a facility for testing and experimentation. There, he made use of his superior intellect to wreck the place, freeing himself and many other captives who had suffered horribly.

Ever since then, he’s been developing a means of utterly defeating the demons: a drug that will cause them to degenerate into wild beasts who will turn against each other. In effect, it’s a biological weapon, and Norman intends for its widespread use in order to decimate their tormentors.

There’s no doubt that if the drug works as Norman claims, it will usher in a new era of freedom and peace for humanity. This is a big deal. And when you consider all he’s accomplished in the same amount of time Emma and her group have only barely managed to feed themselves, it really puts Emma’s relative lack of progress in relief.

Of course, Emma’s overwhelming concern with Norman’s plan is that it’s so barbaric, and renders humans as no better than the worst demons. Demons have names, thoughts, family. She wants a future where they don’t have to hate, fight, or kill. Ray can sense this, and he gets it out of her fairly easily, which means those so-called “secret” thoughts could have come out at a far worse time, in front of a far less receptive audience.

Ray doesn’t agree with Emma. He’s fine with annihilating the demons, but he also wants to make sure Emma makes her feelings known to Norman. They don’t know, for instance, if Norman knows about demons like Mujika who can maintain their intellects without human meat, so it could be an exchange of information that could help Emma better determine and articulate a more peaceful counterproposal.

As soon as they reach Norman’s holdfast and meet his fellow Lambda escapees, the immense scale of Emma’s task becomes clear. After what they and their friends both dead and alive endured at Lambda, Cislo, Vincent, and Barbara harbor a pure and intense hatred of demons. Cislo can’t wait for the high that comes from massacring demons, while the suspicious-looking haunch of meat Barbara is chomping on turns out to be demon meat.

That’s right: Barbara says her anger melts away when she eats their meat. She believes every single demon should suffer what they endured, and worse. The atmosphere wasn’t altogether welcoming at the beginning of the scene, but as the Lambda kids start talking about how much they hate demons, the mood of the scene turns that much more sinister, to the point I feared for Emma’s safety!

Indeed, when Barbara can see what she’s saying is disturbing Emma, she makes it clear that Emma better not have any disgusting ideas about changing Norman’s plan. Cislo and Vincent tell Barbara to take off and cool down, but they feel the same way: the demons must go. When they leave Emma and Ray to wait for Norman, Ray tells her there’s no stopping hatred like that once it’s begun.

I honestly couldn’t help but think of the current situation in Attack on Titan’s final season, in which the “good” and “bad” sides have long since melted away, and everyone arms themselves with enough hatred to commit any atrocity against anyone who stands in their way. I’m with Emma that this isn’t the right way to forge a future, but I’m also with Ray: in this climate she’ll be steamrolled by the hate long before she can come up with, let alone implement, an alternative plan.

When Norman is free, he sits down with his brother and sister, and shows them a bottle of the drug that will be used in the plan. Emma doesn’t even get to the part where she objects to that plan when Ray mentions the demons who didn’t eat humans. Norman reacts in a way neither Ray nor Emma expected: like someone who had staunchly believed their nemesis was dead and buried suddenly having to call that into doubt.

Referring to Mujika as the “Evil-Blooded Girl” while glaring and grasping his face dramatically, Norman shows a side of himself Emma has never seen, and part of the New Norman with whom the other Lambda kids are familiar and comfortable. No doubt Norman cast away those parts himself that weren’t relevant to The Cause. And now she and Ray may be the bearer of news that could ruin his intricate plan for demon eradication. Not the reunion anyone wanted!

Read Crow and Irina’s discussion of the episode here.

Demon Slayer: Kimetsu no Yaiba – 22 –Nine Angry Hashira

This week we meet the seven remaining Hashira, a most colorful bunch in both appearance and personality. Unfortunately, when they’re all standing in one place they look a bit silly rather than intimidating, and they stand in one place this entire episode. Tanjirou is bound and lying on the ground the whole time, his voice of explanation drowned out by the competing egos of the entitled, arrogant Hashira.

This is an episode where nothing really happens. Everyone stands around, and for over half of the episode, they stand around talking about nothing in particular. This episode is meant to bring the Hashira up to speed about Tanjirou’s unique—and officially sanctioned—situation. We the audience are already up to speed. Thus, the Hashira look even more foolish for dominating the with their opinions despite being completely in the dark.

At the halfway point of this episode where nothing happens and nothing is said we didn’t already know, the venerable “Master of the Mansion” finally arrives. Where the hell were ya, buddy? He calmly explains to his “children” that Tanjirou’s traveling with Nezuko has been sanctioned by the Corps. Urokodaki, Giyuu, and Tanjirou have all vouched for Nezuko with their lives.

Considering the deference the Hashira show to the Master, the matter should be fucking CLOSED. And yet many of the Hashira won’t accept their Master’s decision. These are the same Hashira who only minutes before were barking and whining about Tanjirou and Giyuu “breaking the rules” all Demon Slayers were sworn to follow. Excuse me, but how is contradicting your boss and acting on your own following the rules?

Not all the Hashira are foolish. Giyuu is obviously on Tanjirou’s side. Shinobu is at least willing to hear him out. Kanronji Mitsuri, who seems to love everything and everyone, is fine with her master’s wishes. Tokitou Muichirou is indifferent, going whichever way the wind blows. But Hotheaded Wind Guy, Giant Weeping Monk, Everything Must Be Flamboyant Guy,  Snake Guy, and Hot Rod Guy form a caucus of dudes who have decided their Master’s word isn’t good enough.

Frankly, they are the ones who should be put in their place, for speaking and acting on matters they know nothing about. And yet, the Master gives them leave to make an argument convincing enough to overturn that of three people who have pledged to commit Seppuku if they’re wrong. Hotheaded Wind Guy (Shinazugawa Sanemi, yet another white-haired guy right on the heels of Rui & Co.) decides to make his argument by slicing his arm open and dripping it into Nezuko’s box to tempt her.

Leaving aside the fact Demon Slayer is playing fast-and-loose with these five Hashiras’ devotion to The Rules, as a practical narrative matter, you, I, and everyone else watching know full well that neither Tanjirou or Nezuko are dying anytime soon; they’re the goddamn co-protagonists, and this is not Gurren Lagann. So this is a big ol’ waste of time better spent formulating a plan for dealing with the real villain, Kibutsugi Muzan.

Demon Slayer: Kimetsu no Yaiba – 21 – Tragic Creatures

It’s always best to know about an enemy before they do bad shit and get killed for it, so Demon Slayer’s penchant for having the lives of demons flash before their eyes as their heads turn to ash isn’t the best approach for engendering sympathy.

Don’t get me wrong, Rui’s origin story is a sad one, especially how he misunderstood his parents’ intentions and how Muzan manipulated him, and I like how Tanjirou doesn’t apologize for sympathizing with demons who feel guilt and regret in their final moments, which Rui clearly does.

It’s less a matter of the content of Rui’s backstory and more a matter of timing. Call it Mount Nagatumo fatigue, but when Giyuu hacked Rui’s head off, I was ready to move on to other things. The episode, however wasn’t, and quite a bit of melodrama ensues.

Once Rui is gone, it’s basically cleanup time on the mountain, which is where the Kakushi come in. The unsung heroes of the Demon Slayer Corps, they provide a support role, treating injured frontline slayers like Zenitsu and Inosuke (who may now be facing a crisis of confidence) as well as the near-victims of the demons.

No sooner does Rui burn away than Shinobu swoop in to kill the only other demon in play: Nezuko. Of course, she’s not aware that Nezuko is different, and has been conditioned not to harm humans. She’s simply following her edict to slay demons, and when Giyuu stops her, she sites both the rules and repeatedly tells Giyuu that no one likes him.

Tanjirou and Nezuko makes a run for it, but they’re soon caught by Shinobu’s sister, who was part of the Final Selection and sports a very sweet boot-and-cape ensemble. Nezuko is able to get away and shrink herself to make for a smaller target, while Giyuu catches Shinobu and the pair prepare to fight each other seriously.

Thankfully, Crows from HQ provide fresh orders: they are to take both Tanjirou and Nezuko into custody and deliver them to HQ. That means for the time being, Nezuko lives. When Tanjirou wakes up, he finds himself surrounded by the Hashira (i.e. elite slayers).

Looking at these guys I couldn’t help but think of Soul Society’s Gotei 13 from Bleach, whose captains were a similarly eclectic, eccentric bunch who heavily personalized their shinigami uniforms. I look forward to meeting these weirdos and learning more about the Corps, while sincerely hoping the higher-ups don’t push for Nezuko’s execution or separation from her brother…

Rating: 4/5 Stars

Demon Slayer: Kimetsu no Yaiba – 20 – Arachnofamilia

It sure looked like Tanjirou beheaded Rui last week with his Hinokami Kagura Breathing, but alas; in the moment before Tanjirou’s strike hit Rui severed his own head with his threads, and soon reattaches it. He’s mad as hell, and Tanjirou is totally spent, but it’s okay that he can’t lift his hand, because Tomioka Giyuu arrives to finish Rui off with ease, using an eleventh form of Water Breathing.

From there we cut to the lone surviving member of the spider family, the elder sister, and we learn about how Rui built his family. Turns out all his family members were really weak demons with whom he shared his power—which also gave them the same spidery aesthetic. He used their fear to draw them in, an punished and even killed those who didn’t shape up.

The present-day sister once had an older sister who tired of Rui’s pointless charade, and vowed to run away, telling only her sister so she could join her. However, our present-day sister betrayed the other by leading her straight to Rui, who tortured her and strung her up to be burned away by the morning sun.

Back when Tanjirou saw Rui cutting his “sister’s” face, we didn’t know what was going on, but Sister’s face reverted out of fear once Mother and Brother were killed. It’s her first screw-up, but it isn’t her last. That honor goes to when she encases Murata in one of her yarn balls, which fills with digestive fluid that will liquify his clothes and eventually, him.

Murata is saved by one Kochou Shinobu, fresh off of curing Zenitsu. When Sister insists Rui made her kill the scant five people she’s killed, Shinobu has proof she’s lying, as she saw over a dozen of the yarn balls in which Murata is stuck, and estimates the Sister has eaten up to eighty humans. Shinobu agrees to be her “friend”, but only after she’s faced proper punishment for the people she’s killed.

Hayami Saori voices Shinobu like she would any sweet, friendly, kindhearted young woman, only the words she says are anything but sweet. I’d even say Shinobu relishes the chance to show off her unique Insect Breathing ability, whereas Giyuu is much more stoic and businesslike. You can hardly blame her; both her graceful dance-like movements, her delicate blade, and clouds of butterflies make for a hell of a show.

When the Sister realizes she hasn’t been beheaded, that Shinobu lacks the strength to do so, she believes she still has a chance to gain the upper hand. But she’s wrong, because while Shinobu didn’t behead her, she did poison her with Wisteria, resulting in a slower and arguably more gruesome and painful death. She doesn’t burn to ash, either; she’s simply dead, and Shinobu can’t be bothered to do anything but leave her corpse to rot.

With that, we jump back to Rui’s final moments, when he looks back to how he tried to regain memories of his humanity by creating a pretend family. But by now it’s a bit late to engender any sympathy for the guy, nor his treacherous sister who led her sister to a horrible death.

Unlike Nezuko, who has yet to even accidentally kill a human, these demons have long since forfeited any chance of mercy by preying on untold numbers of humans. They were living on borrowed time, and that ran out when they ended up on the wrong end of Giyuu and Shinobu’s blades.

Rating: 4/5 Stars

Demon Slayer: Kimetsu no Yaiba – 19 – The Unseverable Fire

Shinobu praises Zenitsu for holding out administers the antidote to the spider’s poison, Giyuu ties the injured Inosuku up for his own good, and that’s literally it for those four characters. The remaining runtime is spent exclusively on Tanjirou, Rui, and Nezuko, resulting in Demon Slayer’s finest episode to date.

After getting his head cut by Rui’s threads, Tanjirou tries to get close once again, refusing to take back what he said about Rui’s familial bonds being false. Rui reveals he is one of the Twelve Kizuki and unleashes a web of threads, forcing Nezuko to leap out of her box to shield her brother from wounds that would surely kill him.

This changes the entire complexion of the battle, as Tanjirou is no longer on his own, and now that Rui knows that Tanjirou actually does have such an unassailable bond with his sister, he carries her with him even though she’s now a demon. Naturally, Rui wants that kind of bond, but knows no way of attaining it except by stealing Nezuko.

When both Tanjirou and Nezuko protest and fight back, Rui suspends Nezuko in a web of threads that squeeze her limbs so tightly they threaten to slice her into bits, pulling tighter when she won’t settle down until she passes out.

Of course, Tanjirou can’t bear to see his sister so viciously treated—especially under the guise of Rui asserting his newly-established familial “bond” with her. Tanjirou digs deep into his Water Breathing and manages to unleash the Final Form, which is just enough to slice through Rui’s threads.

The only problem is that the threads are not at their maximum strength, and even if they were, they’re not as tough as Rui’s skin. Tanjirou simply cannot spin the water fast enough to be a considerable threat to Rui; worse, the attempt only makes Rui grow tired of the battle, and he strengthens his threads with his own blood to ensure Tanjirou will get sliced.

With Nezuko out cold and those deadly threads about to close around Tanjirou, his life flashes before his eyes, something Shinobu told Zenitsu earlier could be a person’s way of trying to find some way, any way, of delaying death by looking back on one’s life.

In Tanjirou’s case, he looks back to when he and Nezuko were happy little kids, both watching and imitating their father’s Hinokami (fire god) Kagura dance. Despite being frail, their dad was able to dance beautifully in the freezing cold thanks to a specific type of breathing which, along with his distinctive earrings, he vowed to pass to his eldest son.

Tanjirou only remembers that he has inherited Hinokami Kagura Breathing now because he has to; because otherwise death is imminent. Blue water turns to red fire which Tanjirou uses to slash away Rui’s reinforced threads on his way to the demon’s neck. However, he needs one more push, courtesy of a familial bond Rui doesn’t have, and thus could never truly defeat the Kamados.

That bond is expressed when Tanjirou and Nezuko’s mom urges the unconscious Nezuko to wake up, because she has to save her brother. In another first, Nezuko unleashes her own Blood Demon Art, “Exploding Blood”, which is exactly that. Her blood travels along the threads until it reaches Rui just as Tanjirou makes contact with his neck.

The combined powers of true loving brother and sister successfully decapitate Rui, who never knew what hit him. ufotable pulls out all of the visual and musical stops, from dad’s fluid Kagura dance to the climactic decisive strike. It all plays out like the crescendo of a full-length feature film, complete with epic orchestral score, and transitions into a unique credit sequence with images of the Kamado family united as one.

Demon Slayer: Kimetsu no Yaiba – 18 – Big Bad Spider Daddy

Puppet Mama and Spider Boy were only a warm-up for two of the three remaining members of the Spider Demon Family: Father and Rui. Needless to say they are much tougher customers, which is as it should be; why would the difficulty level go down in a demon gauntlet?

Even with Water Breathing, Tanjirou isn’t able to slice through one of Papa’s arms, and Inosuke inarguably saves his life by parrying the counterattack. Even dropping a huge tree on Papa doesn’t kill him, it only seems to make him mad. As Tanjirou goes flying, he begs Inosuke not to die, but wait for him to make his way back to him.

Zenitsu defeated Spider Boy definitively, but continues to pay the price as the poison starts shutting down his limbs. He’s all but ready to step into the light when a series of butterflies appear before him, followed by Shinobu, one of the two elite Demon Slayers sent to salvage the mission.

Tanjirou manages to cushion his fall with water breathing, but he’s only thrown from the frying pan to the freezer. Due to his strong sense of family and morality, he objects to the Spider Brother Rui apparently punishing his sister by cutting her face with his threads as she cries out in pain. Demon or no, that’s not cool. The Brother doesn’t take well to being told his familial bond with his sister is nothing but a sham.

Rui threatens to carve Tanjirou up, but is momentarily distracted by another Demon Slayer who comes out of nowhere. While claiming to be taking the easiest path to higher ranks (and higher paydays), he doesn’t practice what he preaches. He rushes in without knowing a thing about Rui, who dices him into cubic chunks with his threads.

Finally, we have Inosuke, trying to hold out against Papa Spider. While he briefly starts “using his head” like Tanjirou, he shakes that off and follows his own primal instinct to charge the enemy without fear. He keeps hacking at the arm until he manages to slice through, and Papa flees…but only to molt his own skin, revealing a bigger, tougher, meaner skin beneath it.

Inosuke’s chipped blades shatter when he attempts Beast Breathing, and Papa grabs him by the head and squeezes. Inosuke’s life flashes before his eyes, including when his bloodied mother sent him away to avoid being killed, and the interactions with Tanjirou and Zenitsu which seems to value.

Just before his skull pops (and the foley is pretty ripe) Inosuke is rescued by Giyuu, who cuts off Papa’s arm with one slash and defeats him with a single elegant Water Breathing Form. It’s a pretty convincing and awesome demonstration of just how much more powerful Giyuu is than Tanjirou, Zenitsu, or Inosuke.

Inosuke is safe, and so too is Zenitsu, but Tanjirou is still out there on his own against Rui, and we get a cliffhanger of Rui’s vicious thread cutting straight through Tanjirou’s sword on a collision course with his face. It’s a big forest, so it could take a while for help to arrive. Could the sister demon be an unlikely ally to Tanjirou? And what about his own sister—when will she pop out of her box?

Rating: 4/5 Stars

Demon Slayer: Kimetsu no Yaiba – 17 – Lightning in a Bottle

Zenitsu would rather be anywhere than Mount Natagumo. He is literally shaking in his sandals, and that crushing fear is only compounded when he spots a shack and numerous bodies suspended from threads, the latter in various stages of gruesome transformation. It feels like a nightmare, and Zenitsu just wants to wake from it. Unfortunately, he’s already wide awake, and since he didn’t follow Tanjirou, he’s on his own.

It gets worse: the Spider Demon Brother’s lesser spider minions bit Zenitsu earlier, which means he’s currently doomed to transform into one of the hundreds of grotesque spiders with human heads that are currently chasing him. The Brother doesn’t see Zenitsu as much of a threat, mocking his cowardice. When Zenitsu notices his hair start to fall out, he faints in a tree.

If there’s anything we know about Zenitsu, it’s that he’s at his most effective when he’s unconscious. He recalls the day he was struck by lightning while hiding in a tree, turning his hair yellow. During his ensuing training he was only ever able to pull off the first of six Lightning Breathing Forms.

His master urged him not to be discouraged. If he could only unleash one form, then he needed to perfect that one form, just as a swordsmith hones steel into the hardest, strongest blade. Brother doesn’t expect and isn’t able to deal the fruits of Zenitsu’s rigorous training, and as a result, is beheaded.

While brother’s pocket watch breaks upon his death, his poison is still coursing through Zenitsu’s blood. Zenitsu attempts to slow his breathing and blood flow, the better to hold out if and when someone finds him.

While this episode spent a lot of time fleshing out Zenitsu’s character, it also continues the development of Inosuke as someone who detests being coddled or seen as weak. He laughs off his clearly serious bleeding wounds, and refuses to leave the mountain until the job’s done.

Tanjirou, obviously, isn’t going anywhere until he’s had his shot at the member of the Twelve Kizuki, whose blood could help cure Nezuko. Unfortunately his usually reliable sense of smell continues to be adversely affected by a distractingly acrid odor, such that he doesn’t even notice the presence of the Spider Demon Sister.

Sister gets Inosuke to chase after her, but she’s only posing as a lure for her Father, who looks to be the berserker (and possibly the Kizuki) of the family. Inosuke may end up learning the hard way not to leap headlong into a battle when you’re at less than 100%.