Shingeki no Bahamut: Virgin Soul – 13

As it turns out, Charioce wasn’t being overconfident about his chances against the gods. Sure, it looks like a rout at first, but once the human king activates his secret weapon Dromos, the battle not only sways in man’s favor…Gabriel straight up runs with her tail between her legs, leaving her (very insubordinate) army to be wiped out. El tries to keep fighting, but he ends up being the overconfident one, and is rendered unconscious in a blast from Dromos.

It would appear the weapon worked almost too well, as Charioce doesn’t really seem to know what he should go do with himself after the gods retreat. That’s mostly because the winds literally blew Nina into his arms. When Nina sees that Jeanne, Kaisar and Rita are in danger (and who knows about Favaro; he’s blown elsewhere), she insists the king hug her.

Nina hopes she can appeal not to the cold, evil king, but the warm, kind young traveler who danced with her. He acquiesces to her demand, and before you know it boom, she’s a dragon again. This certainly seems to prove that only Charioce can transform her now.

The Black Knights try to capture her with a colossal golem, but Nina the dragon is far stronger than Nina the girl, and Nina the girl is redonkulously strong. As such, whenever it seems the golem has her number, she finds an extra store of strength with which to stay in the fight.

That fight ends when she finally dives through the golem, blasting a hole through it that deactivates it for good. Then the dragon approaches Charioce, who touches its head, casuing Nina to transform back into a (naked) girl.

Nina appears with the wagon to pick up Nina and Jeanne, while Kaisar distracts the guards, who quickly beat up and re-capture him. Favaro is still at large, which is why when the wagon is safely in the air, Rita jumps out to go “check on” the lads.

Left only with orders to look after one another, Jeanne decides her best next move is to head for the land of the gods, where she might be able to see El. She doesn’t know how to get there, but Nina remembers her granny talking about the place often, so they decide to head instead to Nina’s home village…which should be fun.

Meanwhile, Gabriel is a nervous wreck after having seen Dromos, which she didn’t think the humans would be able to build at all, let alone so quickly. That begs the question what the heck Charioce did to make that happen, and considering it’s the worst threat to the balance of the world since, well, Bahamut, it clearly falls under the category of “things safe in no ones’s hands.”

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Shingeki no Bahamut: Virgin Soul – 12

The plot of this episode couldn’t be simpler: as Rita, Nina, Jeanne, Favaro and Kaisar escape the prison, the battle between humans and gods commences—and quickly turns into a rout, forcing Charioce to use “The Device”, a WMD cure that looks far worse than the disease and which I have little confidence he’ll be able to control.

Speaking of controlling unknown quantities, Sofiel continues to worry about how Gabriel is using El as the linchpin of their attack. Gabriel, apparently quite jazzed up about going to war, dismisses Sofiel’s wordless concerns with a sidelong glance. But Sofiel is still full of doubt and apprehension; we should keep an eye on her.

Down in the depths of the imperial prison, Rita has no trouble re-springing Nina and Jeanne, and the three women embark on a harrowing escape from an almost unreasonably vast and relentless garrison of guards.

The chase is depicted from a variety of different areas of the prison, and from many different angles, colors, and speeds, keeping things from getting repetitive. It’s a positively rousing adventure, and it’s especially satisfying to watch the ladies taking care of business without help from, say, Kaisar and Favaro, who are still locked up on the men’s side.

None of them escape before Gabriel’s giant celestial donut appears ominously in the skies over Anatae. Charioce has a giant, impressive and deadly-looking force waiting for the gods, but one piercing glance from a fully-operational El renders all the humans’ (and subjugated demons’) fancy toys inert.

From there, the heavenly shock troops are deployed, and waste no time demonstrating why You Do Not F*ck With The Gods. Each one of them is able to take on entire platoons and battalions. It’s enough to make Kaisar’s younger Orleans comrade essentially call for a timeout; though no such halt in the battle is forthcoming. The humans asked for a war, and Gabriel has given them one.

Our heroine trio eventually make it to the other side of the prison, and Favaro decides it’s ready to reveal the secret ability of Kaisar’s metal hand as an explosive device when the right gang sign is made and words spoken. Kaisar is, not unreasonably, quite cross upon learning his hand was explosive all this time, and would like the next one Rita makes him to not have that “feature.”

Both those means of escaping their cells and the moment when Favaro and Kaisar finally cross paths and team up with Rita, Jeanne, and Nina, makes for some warm and laugh-inducing levity in an otherwise intense outing.

Naturally, Favaro makes an inappropriate comment about Nina’s “development”, and Kaisar and Jeanne’s reaction upon reuniting made me a shipper on the spot. The band has gotten back together at the perfect time: when the sh*t is categorically and profusely hitting the fan.

Gabriel has backed Charioce into a corner, but he doesn’t waver in calling for the activation of the previously-mentioned “Device”, which rises out from beneath the prison (destroying said prison in the process…collateral damage much?) and resembles a Laputa core. It seems poised to fire upon the god donut.

It’s the kind of bahamut-like escalation it will take the maximum effort of our heroes to overcome—possibly even a sacrifice or two.

Shingeki no Bahamut: Virgin Soul – 11

Jeanne and Nina wait for the right moment to make the slip and start the long climb to the elevator that leads to the surface, and freedom. Jeanne quickly learns how useful Nina can be as an ally.

She’s able to run and jump better than any Olympian even with a ball and chain, as well as bend metal bars. These two have great chemistry and their repartee during their escape attempt is great stuff.

Meanwhile, in the realm of the gods, Gabriel lifts whatever seals had been cast on Mugaro, AKA El, and he transforms into someone who, well, looks like they belong among the gods.

El also gains a voice; the voice of Kugimiya Rie, to be exact. He uses that voice to essentially parrot Gabriel’s words: he’ll “correct” humanity and save his mother. He’s like putty in Gabe’s hands so far.

Back at the prison, Rita arrives and quickly works her way down to the lift that will take her to the subterranean network where everyone else is imprisoned, showing what a force she can be on her own when motivated.

It’s also a ton of fun to see Rita clearly take so much joy in her work; she’s having a hell of a time barreling through dozens of guards with ease…until they shoot her out of the air. Even then, she has her umbrella to slow her descent.

In the capital, one of the mob-appeasing demon-on-demon gladitorial matches Charioce is holding in the colosseum becomes the dramatic stage upon which Gabriel gives him one last chance to heed her demands he return the godly property he stole, along with St. Jeanne.

Charioce remains unbowed, despite knowing the gods now have Jeanne’s powerful son. Apparently he believes El isn’t enough for the gods to defeat humanity…but he may well be mistaken. Nevertheless, Gabriel gives him what he seemingly wants: a declaration of war.

Once Nina and Jeanne approach the lift (after a harrowing ordeal with a spider), Jeanne is discouraged by the legion of guards awating them…but Nina assures her she’s got this—she’s “strong”, after all, and demonstrates that strength by acting as a one-woman wrecking crew, creatively using her ball and chain as a leg-mounted mace.

But it’s all for naught, for when the elevator doors open, it isn’t Rita awaiting them, but King Charioce XVII himself, who quickly points his sword at Jeanne’s throat and demands that she join his side against the gods, so that neither the gods nor her son will suffer or die.

Jeanne says “thanks but no thanks”, and Charioce orders her thrown back in her cell, where she’ll stay, powerless to stop those she cares about from “marching to slaughter” (though I still think he’s being overconfident). Say what you will of Charioce the villain, he did give Jeanne a kind of chance to prevent a war; it’s just that Jeanne would never betray her gods, even to save her son…not to mention Charioce simply can’t be trusted.

At this point, Nina, on the bridge, holding off the guards literally singlehandedly, has had enough of Charioce picking on Jeanne, and gives him a peace of her mind once more. Charioce approaches her and gets in her face, causing her not just to blush, but realize he is the man she arm wrestled with; with whom she shared that magical night; with whom she danced.

Learning that man and the evil king are one and the same is definitely gutting for Nina, who offers no resistance as she and Jeanne are re-imprisoned (though I wonder if they’d be placed right back in the same block together again).

Nina’s spirits immediately lift when Rita and Rocky appear, having taken advantage of all the ruckus Nina and Jeanne’s escape attempt caused to sneak in under the radar. Here’s hoping Attempt #2 is more fruitful.

Shingeki no Bahamut: Virgin Soul – 10

Ever wonder how Jeanne d’Arc went from Captain of the Orleans Knights to mother of El/Mugaro and prisoner in Charioce’s dungeon? This episode tells that tale, starting seven years back. Things start to go wrong when Jeanne fails to save a young girl from a demon, and she starts to lose respect among her men—not all, mind you, but some is all that’s needed for a kind of rot to set in.

Once he takes the throne (without the help of the Gods, a first for kings of Anatae) Chariorce gives Jeanne a choice: play ball and help him get the more god-loyal subjects in line, or face exile. Jeanne chooses the latter, and is eventually made to bear a child through the divine power of Michael—no hanky panky or months of pregnancy needed.

Jeanne lives a simple life off the land, and she raises her winged son El well and he proves to be helpful, but they can’t escape from the worsening conflict between men and gods for long, and soon Jeanne comes to harbor an injured Sofiel from the dastardly Ebony Knights.

When the knights come looking for Sofiel and attack Jeanne, El uses her powers for the first time to neutralize them. They report El to Charioce, who orders Jeanne and El caught dead or alive. Jeanne clips El’s wings and hides him amongst demon corpses, then runs off with one such corpse to lure the knights away from her son.

Jeanne gets captured and hasn’t seen El since, but Nina, who has heard her whole dreadfully horrible tale, is now convinced that Mugaro is El (despite her beliving Mugaro was a girl) and promises Jeanne they’ll be the first two to escape the imperial prison. Here’s hoping.

Shingeki no Bahamut: Virgin Soul – 09

Throughout this episode everyone remains imprisoned, affording time for Kaisar and Favaro to catch up, while Nina impresses by making hard labor look comically easy and ends up befriending Jeanne. Both Kaisar and Favaro know Nina, and both Nina and Jeanne know Mugaro.

What could have been a static table-setter is infused with bottomless sources of magnetism thanks to the official infusion of Favaro (and Jeanne) to the arc, and a measure of “freedom” is lent by taking us back to when he came to make Nina his apprentice.

That story provides some of the best laughs of the series, as Favaro and Nina prove to have fantastic comedic chemistry. Favaro arrives at the dragon village to eat, drink, and screw away his earnings, but the second Nina hears that he’s a bounty hunter, she wants in…and Nina gets what she wants through boundless perseverance (read: Favaro gives up trying to run away from her).

Nina’s feats of strength impress Favaro, but her more fine skills such as marksmanship and whipcraft leave a little to be desired. When Favaro enjoys the village’s famed hot springs, he ends up learning about Nina’s transformation ability when she dives in not knowing he’s there.

Favaro only agreed to have Nina as an apprentice while he’s in the village, so when he leaves, he decides there’s no more he can teach her—which…wasn’t all that much to begin with. After all, you can’t teach most of what makes Favaro Favaro. Still, Nina receives her bounty hunter’s bracelet with solemn pride and excitement, and promises to “probably” not forget her master, and takes to heart his words about “the wind blowing to tomorrow”, despite not really getting them.

The story of how Favaro ended up in the imperial prison is far briefer than how he met and trained Nina: in the first town over form the dragonfolk, he passes out drunk, is ratted out by a woman in exchange for gold from Onyx Guards. His magnificent afro is shaved, and he undergoes all manner of suffering under Charioce, only to be left to rot in the prison.

As Kaisar starts to rot beside him, his Orleans Knights try to deal with the loss of their captain…by getting drunk in a club surrounded by pretty demons, including Cerberus, who convince Al that he’s the captain (though whether he’ll remember in the morning is dubious).

Meanwhile, Jeanne befriends Nina, and when Nina explains why she’s in the slammer, Mugaro comes up. The child Nina describes is clearly the same person Jeanne suspects, but it’s funny that she’s initially unclear because Nina refers to him as a girl when he’s really just a very pretty boy.

Still, Nina’s arrival and news of Mugaro serves as the catalyst for Jeanne to decide the time is right to break out. Nina, wanting to make up for not saving Mugaro before, is eager to assist her, and in Nina Jeanne has a powerful ally.

And as I mentioned last week, things are not so dire, as not everyone is currently in prison. Rita isn’t just going to sit around and wait for them to rescue themselves; the end of the episode has her taking flight by umbrella into the night, ready to do some rescuing of her own, or at least assistance with same.

I’m stoked about the pairing of Nina and Jeanne and the reunion of Kaisar and Favaro, and look forward to seeing what the four of them plus Rita (and maybe an assist or two from a demon or god) manage to come up with to defy the evil (yet as we know, also complicated) King Charioce.

Shingeki no Bahamut: Virgin Soul – 08

The things that went down last week and at the beginning of this week can’t be undone; there’s no convenient return to the status quo where everyone scatters but remains free.

Instead, Kaisar crosses the line into straight-up treason by interfering with and raising a sword to King Charioce, in an attempt to stop him from fighting Azazel.

Azazel doesn’t want Kaisar’s help and is through listening to his prattle, so Kaisar ends up having to fight both Azazel and Charioce at once, in another nicely-animated little setpiece.

He bests both of them, thanks to a well-placed fist and his metal arm…but while the fight is over, there will be consequences for all involved.

Mugaro, who came to try to help Azazel and the demons, ends up captured by Sofiel, who goes ahead and captures Bacchus and Hamsa while she’s at it. Azazel pleads with Nina to transform into a dragon already, but Nina is confused, overwhelmed, and most importantly, her heart is not racing.

Since that’s only way she’s ever been able to transform, and because she’s never willingly transformed, she can’t become a dragon, so she’s arrested along with Azazel and Kaisar.

All the townsfolk who know and love Nina know she’d never be capable of treason against the king, but when they defend her too forcefully, they’re threatened with charges of treason, and everyone clams up. Not Nina herself, however. In shackles, on her knees, and without leave to speak, Nina lets Charioce have it with both barrels, with the general thesis of her rant being that he’s an evil bully of a king.

In a show full of characters with overly florid language, it’s nice to hear Nina speak plainly but forcefully about how much Charioce sucks. If she recognizes him as her date during the festival, she doesn’t let on, and Charioce doesn’t reveal himself to her. He orders her and Kaisar be sent to the prison tower, where they’ll stay “indefinitely”, and more importantly, be unable to further interfere with his plans.

Those plans involve finishing off the gods, who he’ll allow scored a win by capturing Mugaro, but still thinks they’re being overconfident, and likes his odds of destroying them, after which Jeanne d’Arc will finally stop praying.

The name Jeanne gave her child Mugaro is “El”, and that’s what Gabriel calls him (her?) while trying to make a deal: if he lends his power in helping them put the humans back in their place, he’ll be able to see his mother again.

As for Bacchus and Hamsa, they’re being held in some kind of strange void, also likely indefinitely. Hamsa tries everything to free them, but Bacchus isn’t sorry for protecting Mugaro, which he did because he merely “felt like it”, and isn’t okay with them using him.

Nina and Kaisar’s imprisonment (the bickering ferrymen was a nice detail) also offers them the opportunity to meet a couple of very interesting people with cells adjacent to their own. Nina discovers Jeanne d’Arc, while Kaisar spots a grizzled, bearded Favaro Leone, who finally makes his entrance in Virgin Soul.

By the end of the episode, we have Mugaro, Bacchus, Hamsa, Nina, and Kaisar all in custody or imprisoned; only Rita is free. It’s a refreshing, stakes-raising development after many earlier close calls. I’m not sure how everyone is going to get out of their cages, or what role Favaro will play, but I’m certainly eager to find out.

Shingeki no Bahamut: Virgin Soul – 07

While watching the first half of this Baha Soul, I felt like the calm before the storm achieved last week didn’t need the supplemental calm we got here. Just get on with the parade and let things unravel.

Don’t get me wrong, Nina is adorable as always, especially post-first-date, it’s ironic to think the fact she dressed Mugaro as a girl means Sofiel can’t tell he’s the kid she’s looking for, despite staring straight at him.

It’s also laudable for Kaisar to warn his king not to attend the parade, because unpleasant doings sure to transpire. But we know Charioce isn’t going to miss a parade celebrating his great day of victory—when Cocytus fell and with it the fear of demons—for fear of demons.

But when the parade finally starts, the tension keeps building until that first concussive blast, followed by several more. It’s a terror bombing the king was almost daring the demons to pull off, and being surrounded and unable to retreat is no sweat off his back.

It’s a nice touch that in a carefully-planned battle in which she was meant to be the pièce de résistance for the resistance, Nina doesn’t have a clue what’s going on. She’s suddenly scooped up by Azazel, who proceeds, in hilarious fashion, to alternated between staring deeply and intensely into Nina’s eyes and hugging her.

But the blushing never comes. Nina’s heart doesn’t race for Azazel anymore, not necessarily because of anything he did, but because of what her mystery date did: make her once general discomfort with pretty men much more specific. She doesn’t know why she’s not transforming even after almost being kissed by Azazel, but she also seems relieved. I know I would be.

I can’t fault for Nina not cooperating with Azazel – she wants her dragon form under control, not weaponized, and certainly doesn’t want to hurt people. At best, she’s annoyed by the kind, shrugging off missing him in the parade (incidentally, if they’d locked eyes while he passed I wonder if she’d see her date and if her heart would’ve raced accordingly. Alas).

But, Nina not playing ball with Azazel means the demons are dealt another defeat, picked off one by one by Charioce’s forces. Many start to think they were betrayed by Azazel, until he swoops in to fight beside them. But when they asked what the hell happened with the red dragon, he has no answer.

Post-credits, the big tank demon and sultry demon are taken out by a flurry of arrows and the fist of one of those giant golem/mecha guys (that don’t seem like a good idea in a crowded city), respectively. Azazel is also in big trouble, and Nina still isn’t yet caught up on what’s even happening.

Finally, the preview was handled by Gabriel and Sofiel, who haughtily boast of the fact they’re beautiful gods.

Shingeki no Bahamut: Virgin Soul – 06

This was a calm-before-the-storm episode where not much happened, but what did transpire, and what I learned, was of great significance. It also underscored the fact that the female gaze as represented by Nina is not only present but prevailing in Bahamut.

Case in point, while running an errand for Rita on the eve of the great Anatae festival, Nina comes afoul of the Pimp whose slaves Mugaro released, only this time he’s armed with ridiculously handsome henchmen that make it tough for her to fight back.

It’s an ingenious way to place her in a state of vulnerability and in need of rescuing by the dreamy aloof vagabond. As thanks for his assistance, she asks him to stop by Bacchus’ hot wings stand, and he says he’ll be there.

Nina’s resulting bubbly high from the gruff yes lasts her for much of the episode, as her facial expressions reach new heights of contortion and she wanders through her festival duties in a haze. She’s got the hots for the stranger, and bad…but I wonder how she’d fell if she knew that stranger was none other than King Charioce XVII, walking among his people in disguise.

Meanwhile, Azazel’s imminent plans cast a pall over the big festival—plans that heavily rely on a very large assumption that Nina will side with him and the demons, transform into a red dragon, and help his cause; none of these things are certain, but he’s moving forward regardless.

The night of the festival, Charioce keeps his promise and stops by, and Bacchus asks him to take Nina and show her around. A lovely montage ensues, with an initially just-as-bashful-as-ever Nina gradually becoming more comfortable beside the pretty man as they engage in all manner of festival-related activities.

Those activities culminate in a folk dance, which is as carefully and lovingly animated as the scenes of action, violence, and destruction in previous episodes. Nina’s face is typically a kaleidoscope of emotions, but the dance takes her expressiveness to a new level.

When the time comes to bid farewell, Nina asks the king-in-disguise his name: he gives the name “Chris.” She wants to see and dance with him again, and he hopes they will, a line that echos in Nina’s head and almost turns her into a dragon right there, which is her cue to speed off, Road Runner-style.

While running, she fortuitously collides with Azazel, who has returned to Anatae after his long absence. Azazel has no time to chat, and sternly instructs Nina what to do. Notably, despite the fact he squeezes her cheeks and her eyes meet his, Nina does not blush or react strongly at all to the contact.

This, and her blissful letter to her mom, not only suggest that Nina now only has eyes for “Chris”, but that Charioce may have successfully accomplished what he set out to do: “disarm” Nina and remove her as a potential trump card for Azazel.

Was Charioce only playing Nina, or does a part of him get a thrill from being out in the world without the crown on his head; holding the warm hand of a lovely woman, rather than cold steel, in his own.

We’ll soon see. Azazel Comin’.

Shingeki no Bahamut: Virgin Soul – 05

It’s an incremental episode with little action, but I can hardly complain when it’s also stuffed full of nice character beats from everyone. Take Nina, going shopping with Mugaro and naturally assuming he’s a girl because he’s so pretty, and dressing him accordingly. Nina cleans up pretty well herself, not that her standard, practical outfit isn’t nice in its own way.

Nina uses her super-strength to negotiate discounts, but it also allows her to stand up against a pimp-like human for torturing his slaves. Brand-new frilly dress or no, she’s ready to rumble with him and his bodyguards when Mugaro uses his red eye to vaporize all of the demon slaves’ collars, causing their former owner and his goons to flee.

Meanwhile, Kaisar is having a crisis of confidence, unsure if he’s worthy of captaining the Orleans Knights in Jeanne d’Arc’s stead. What’s so wonderful is how he expresses this frustration, inviting Rita to lunch, then sounding an awful lot like he’s about to confess to her. Rita is understandably miffed that Kaisar only wants to rant, and punishes him accordingly, while also telling him the old Kaisar of ten years ago may have been useless, but he was better than this Kaisar.

Bacchus’s moral dilemma intensifies when Sofiel pays him a visit complaining that he’s not doing enough to secure the “child;” but it’s only when Nina returns with Mugaro that he starts to suspect Mugaro is the very child he’s looking for. Sofiel thinks Bacchus is pathetic for not caring about staying in the human world forever, and it’s clear at least a part of Bacchus wants to obey her and produce the child…but another part of him doesn’t.

Getting punched by Rita motivates Kaisar to confront the King once more, and gives some very reasoned arguments, but Charioce argues his position well, too, even if he’s a bit overconfident he can become powerful enough to overcome the hatred his hatred will beget. Kaisar rightly believes Charioce’s way of doing things simply isn’t sustainable, and it’s only a matter of time before a large scale demon uprising is upon them (as we see earlier, Azazel is well on his way to starting it). But Charioce says he’s got it. To his credit, he doesn’t begrudge Kaisar living his life the way he chooses, as long as he doesn’t interfere with him.

One of Bahamut’s strengths is its ability to be so stern and serious in one scene, and so lighthearted and comical in the next—and sometimes both in the same scene. So it’s nice to see Kaisar and Charioce’s political debate followed by Bacchus and Hamsa’s ham-fisted attempt to see if Mugaro has two different-colored eyes, only to wake up and creep out Nina, who delivers swift justice and tosses them out of their own wagon.

No huge movement here, but still plenty of solidly entertaining scenes. Nina in particular continues to be a magnetic presence. I could honestly watch and listen to her read the phone book—which makes me that much more excited to see how she’ll fit into the coming confrontation.

Shingeki no Bahamut: Virgin Soul – 04

Like GenesisVirgin Soul is about two opposing sides who aren’t willing to compromise in the slightest, thus requiring a third party, impartial or not, to negotiate and avoid disaster. Only this time, the cooler prevailing heads are super-outnumbered, or in Nina’s case, is too much of a wild card herself to enact any change. When Nina hears what the king is doing to innocent demons, she makes a beaten-down Azazel hug her so she can turn into a dragon and put a scare into Charioce.

Instead, all she does is make the king stand in awe of her power, meaning he probably wouldn’t mind using her as a tool in his fight against gods and demons. Nina is, as Azazel says, like a  little Bahamut, which means as chaotic as she can be, she’s far more controllable than the titular beast. She causes plenty of property damage, but she’s in no danger of bringing down the world.

After Azazel’s ill-conceived standoff and Nina’s attack, things slow down considerably, as both are carted away by Rita in Bacchus’ wagon. It’s as good a time as any for Nina to let Azazel (and us) in on who and what exactly she is and how she got to be this way. Unlike other half-dragon children, she wasn’t able to transform easily.

Only when her heart raced from a cute guy does she transform, and then, exposively so. She treats it as a curse and a burden, which it most certainly is from her perspective, as she can’t even remember what she does while a dragon. That kind of loss of control probably isn’t that pleasant, to say the least.

After a half-hearted attempt to seduce Nina (by telling him if she can’t control herself, she should make love to him and let him try), he disappears, leaving Mugaro in Rita and Nina’s care.

Charioce, not totally believing Kaisar’s version of his relationship to Azazel, lets him live regardless since our favorite prettyboy saved the king’s life. Another familiar face is then introduced in the imprisoned Jeanne d’Arc, who won’t join Charioce’s crusade, and may just be the mother of Mugaro.

Then we learn where Azazel went off to: to find the headquarters of the organized demon army that’s itching to go to war with the humans. Azazel is only too happy to lead them in battle.

While there was more exposition and piece-moving than previous episodes, there was still the usual things to like about this Bahamut, not the least of which Nina turning into a dragon again, and her great reactions before and after she does (and her seiyu Morohoshi Sumire is knocking it out of the park). We’ll see if the cooler heads can make any progress with the extremists next week.

Shingeki no Bahamut: Virgin Soul – 03

Three weeks in, Nina continues to be the season’s MVP, as she lights up the screen with her ebullience. Hamsa puts the freeloader to good use taking the money of men who hope to best her in an arm wrestling match.

While this is going on, Bacchus is approached by the angel Sofiel, brought to Anatae on a mission from Gabriel herself to retrieve the boy we know as Mugaro. If Bacchus can find him, he’ll be welcomed back to Heaven.

Nina’s winning streak nearly ends when a handsome, reluctant young man wearing a hood gives her a run for her money. Still, she’s a dragon, and so summons the necessary reserves of strength to defeat him, going a little too far in the process

But when she lifts her blindfold, the look of him nearly has her transforming, and she has to flee into the carriage.

That night we get a lovely suppertime scene with Nina, Rita, Rocky, Hamsa and Bacchus enjoying a huge meal. Well, Nina enjoys most of it, proving that a body with her strength and speed requires a formidable amount of food to maintain. I don’t think I’ve ever been more entertained by the animation of Nina polishing off an ear of corn.

Nobody at the table is surprised by her ravenous appetite, but when she tells them a bit more of her story, she lets slip the name of her ‘bounty-hunting teacher’ who gave her her bracer: Favaro. Everyone’s reaction to this is priceless. I was surprised too, but it makes sense.

I also liked how when Rita said someone in Anatae knew Favaro better than her, Nina first suspects an old lover, only for that ‘old lover’, Kaisar, to come running towards them, looking desperately for Azazel.

Desperately, because King Charioce, frustrated that neither Orleans nor Onyx succeeded in nabbing the Rag Demon, has decided the next step is to put on a huge show of military force in the city square and start indescriminately torturing and slaughtering demons in order to lure the Rag Demon to them.

Kaisar isn’t at all okay with continuing to brutalize demons or gods, since he considers them friends (whether they do or not). But there’s little he can do; he’s already on thin ice with Charioce, along with one of the younger fellow knights.

As for the king’s plan, it works swimmingly: Azazel makes a dramatic entrance, perched above a tower. A battle is inevitable, but who will be involved? Nina and Kaisar are racing to the scene, and Mugaro looks poised to assist again if Azazel is on the ropes (which he probably will be, as he’s far from 100%).

And if Mugaro uses his power, there’s no doubt it will draw Sofiel to his location. Lots of different interests look ready to interweave. It ought to be quite a battle, as one would expect of Rage of Bahamut.

Shingeki no Bahamut: Virgin Soul – 02

How did Nina end up safely in Rita’s lab? ¯\_(ツ)_/¯. Not that I care; pairing the listless, sardonic Rita with the hyper, naive Nina is a great move. Rita’s assistant Rocky was fun too. But like last week, this episode of Virgin Soul ably juxtaposes moments of levity, comfort, and optimism with scenes of unspeakable horror, destruction, and dread.

First, the levity, comfort, and optimism: Nina is still crashing at Bacchus’ carriage with Hamsa, and in her letters to her mom back home we see she’s from a Dragon Village full of dragons in human form who transform into dragons when upset—or in Nina’s case, gets too excited over an attractive man. And there are a lot of those in Anatae.

Yet she insists to her mother that she’s just fine, and having a blast in bustling capital. The montage that accompanies her letter doesn’t seem to suggest otherwise; everyone she interacts with on a daily basis in the city seems to love Nina, and so they should.

Then the Rag Demon, AKA Azazel had to go rain on Nina’s parade, confronting her and demanding she join his cause as a kindred demon. Nina doesn’t know what he’s talking about, and in any case can’t actually look at his face too long lest she turn into a dragon, so it makes for a very interestingly staged discussion.

Azazel has little patience for Nina’s coyness and confusion, so he takes her to the hind end of the city, scattered with suffering, starving demons. Ever since Good ol’ King Charioce sacked the Demon capital Cocytus, the demons have been brought to the human world and sold into slavery.

Azzy is perhaps too zealous too soon (he fully deserves the flying arm punch Rita sends his way to rescue Nina), but I’m glad he puts a crack in Nina’s pristine view of her city life. She didn’t know anything about this horrible stuff because she never looked.

I’m not sure how likely Nina is going to suddenly join Azzy’s cause, which would require her to do the thing she least wants to do: be a dragon. But he provides her vital food for thought, and more importantly, she’s no longer completely oblivious to the very real and very unfortunate situation demons find themselves in.

Kaisar somehow ending up at the manor of some particularly awful aristocrats (who like to do all manner of awful things to demons they presumably buy) seems a bit convenient, like Nina ending up at Rita’s lab safe and sound, but again, I don’t mind. Kaisar and his Orleans Knights were dismissed from Rag Demon hunting after they failed Charioce for the last time. Maybe he was reassigned to security detail?

In any case, he walks in on Azazel killing the humans, and begs him to stop, because revenge will only lead to more hate, etc., etc. Even when Azazel tells him to actually take a second to look around at the despicable doings of the men he’s killing, Kaisar is firm in wanting to stop the killing first and foremost.

Azazel basically warns him to stay out of his way: he’s a human, after all, and humans are Azazel’s enemy. He hates them, and that hatred is as pure and deep as Kaisar’s chivalry.

Little does Kaisar know the king ordered him followed and watched, which leads to Azazel’s location being ascertained by the Onyx Soldiers who replaced the Orleans Knights in the hunt. It’s not a dragon rampage, but Azzy’s battle with the Onyx soldiers is another good one. When his ranged attacks fail against the soldiers’ armor, he goes with straight-up brute strength, delivering brutal blows and stabbing out eyes.

But the Onyx soldiers have the abilities appropriated/borrowed/stolen from the Gods, and they use those powers to bind Azazel. He’s saved by his mute companion Mugaro, a former slave himself, using a power that makes him seem like more of an angel than a demon, and sporting blue-and-red eyes in the process. When Onyx reports back about the kid with the powers, Charioce is intrigued. He believes he knows who Mugaro is.

Another strong, fantastic looking episode, sporting the show’s OP (another stylish, badass, metal affair) and ED (a super-cute 16-bit sidescroller featuring Nina and her entourage). Virgin Soul continues to be top-notch entertainment, with its new star Nina all but stealing the show. Honestly, if it keeps up at this clip, I won’t even mind if Favaro only shows up at the very end, Luke Skywalker-in-The Force Awakens-style.

Shingeki no Bahamut: Virgin Soul – 01

The age of man revering the gods has ended.

Bold, resonant words from a leader of humans invading and destroying the godly sanctuary of Temple Ark. That’s right, it’s not the gods and demons going at it, but humans, all hepped up on power they’re not supposed to possess. Now we’ve gotten to the good stuff…Shingeki no Bahamut has returned, and it’s just as lush, gorgeous, and engaging as I remember it.

Whither Favaro Leone? That’s one of many questions left unanswered in the season two premiere of Virgin Soul. Instead, we have a new heroine in Nina Drango, who is as adorable as she is tough as nails. She has superhuman strength, speed, and stores of energy, which not only make her very popular in the burgeoning Royal Capital of Anatae, but also give her the idea to take up some bounty hunter work, provided by Bacchus and Hamsa, who grudgingly allow her to crash there.

Nina also has an interesting little quirk that seems like just that at first: she’s extremely bashful around handsome men. And who’s more handsome than King Charioce XVII’s right-hand man Kaisar Lidfort? For chrissakes, he’s got better eyelashes than Nina. The two meet while both on the lookout for the “Rag Demon”, a wanted vigilante who seems to be in the business of freeing his fellow demons from bondage, and also bears a striking resemblance to everyone’s favorite fallen angel, Azazel.

The Rag Demon literally bumps into Nina, sending her flying through the air, and we’re treated to a steadicam shot of her appearing still as the world around her spins around and around and she realizes who it was who bumped into her.

The gorgeous setting is matched by even more masterful direction and camerawork, with lovely organic sweeps, zooms, pans, yaws, pitches POV shots…look, I’m not a cinematographer, okay? I don’t know all the jargon. But I know what’s good, and this is very very good stuff.

Turns out, that little quirk of Nina turns out to be much more than that. Climbing to the top of a tower inspired by the Canpanièl de San Marco in Venice, she comes under attack from the city’s dragon knights, beleiving her to be in cahoots with the Rag Demon. She falls and is caught by Azazel, and her close proximity to him finally causes her to blow: streaking through the sky in a pink flare that lands in a building, then emerging…as a really cute, precocious, cool-looking red dragon.

The city defenses give her a fight, but she’s ready for one, and gives as good as she gets in a virtuoso display of destruction. Even the mecha-like giant fighting suits the humans have are little match for her power, which is just as considerable in dragonform as it was when she was in the form of a 16-year-old girl trying to make it in the city to support her mom back home.

The carnage and destruction continues, until suddenly everything goes quiet and white, and Nina wakes up on an operating table, fan blades spinning above her, and none other than Rita at her bedside, sporting her characteristically ambiguous expression. Bored, tired, unimpressed? Probably none of the above; Rita seems aware she’s got herself a rare specimen on her hands: a girl who can become a dragon.

As for the illustrious and well-loved King of Anatae, Lord Charioce XVII: he is the man we see in the beginning, raiding a sanctuary of the gods and no doubt pillaging divine tech, ignoring warnings that humans will never be able to control such power. Nina, in her naivete, goes along with her fellow citizens in voicing her gratitude for the king.

There’s lots of juicy meat to sink our teeth into in this new Shingeki no Bahamut. Familiar faces and places, an instantly rootable new heroine and a fantastic battle combine to get things off to an auspicious start.