Gleipnir – 01 (First Impressions) – The Minx and the Mascot

Kagaya Shuuichi is ordinary, or rather wants to be perceived as ordinary, and takes great pains to maintain that ordinariness. He lets cute girls borrow his work, sneaks a peek up a girls skirt when opportunity knocks, and continues wearing glasses even though he doesn’t need them.

He also turned down a decent college recommendation to pursue … something else. A girl who seems to like him gets it instead, but knows he was the first choice. Unfortunately, what this poor girl doesn’t know about Shuuichi could fill volumes.

I guess it’s not so much what Shuuichi is pursuing that made him turn down college, but what he is enduring. He’s suddenly been granted a highly elevated sense of smell, like a dog, and when certain conditions are met (which I’m sure he takes pains to avoid) he transforms into a giant cartoon mascot dog.

One night he smells fire, and finds a pretty girl passed out in a burning garage. He transforms and rescues her, but seemingly enchanted by her smell, starts pulling her underwear down before stopping himself, transforming back to a human, and fleeing in a panic…without his phone.

Having potentially set back his program of maintaining normality for years, Shuuichi plays dumb at school until he comes face to face with the girl, his phone in her hand. Considering his refusal to own up to sexual assault on an unconscious woman, and that he considers gaslighting her, I’m not that sympathetic with his predicament!

The girl, first-year student Claire Aoki (Touyama Nao), has no intention of letting Shuuichi off lightly. The underwear aside, she was trying to kill herself in that garage (or so she says), and he ruined her plans. After kicking him off the roof to watch him transform, she indicates her intention to blackmail him.

Claire also seems committed to making Shuuichi uncomfortable as possible whenever possible, as exhibited when she takes him to her apartment and strips down to change right in front of him, threatening death if he moves. They’re interrupted by the invasion of a mysterious woman who is after the weird gold coin Claire possesses. The attacker can also transform into a part-woman, part-beast, and proceeds to kick Shuuichi’s inexperienced-in-combat ass.

Gleipnir is the name of a delicate yet immensely strong dwarven-made chain that holds Fenrir back until Ragnarok, when he’s free to devour Odin. If Shuuichi’s mascot mode represents Fenrir, his human form is that chain. But unlike its Norse namesake it’s quickly fraying, thanks in part to Claire helping it along. Or Maybe, ironically, maybe it’s Claire who is the true Fenrir here, a wolf in model’s clothing. Shuuichi broke the chain and unleashed her by getting rescuing (and assaulting) her. There’s no going back now!

Gleipnir looks and sounds great (thanks to composer Sakata Ryouhei and a great Mili ED), with a taut, tense and gripping story. The dread of Shuuichi’s misfortunes is weighed against the reality of Claire having a legit beef with him. The cuteness of his mascot form contrasts with the horrifying nature of his transition. We’ll see what hell she puts him through, and if it ever rises to the level of Aku no Hana pitch-blackness.

ID: INVADED – 04 – Hiding a Leaf in the Forest

We begin with one of the worst things that can be done to a person: high schooler Kikuchi Keiko has been buried alive. She is the seventh such victim of the “Graverobber”, and is aware of the past victims because like her, they were all livesteamed on the internet to a morbidly fascinated audience. Once again, the police are fighting against a ticking clock to prevent a seventh death.

Worse still, their most reliable “pilot” drove another criminal to suicide simply by talking to him about the furthest reaches of their psyche, which of course he saw when in their Id Wells. He’s in solitary while they try to use the Perforater as a substitute pilot, but his survival rate is too low to make any progress. It has to be Narihisago. He’s the best they’ve got.

And yet, even the Brilliant Detective Sakaido finds that the Id Well they were able to create from the perp’s cognition particles has a high level of difficulty. He’s trapped in a massive, undulating apartment block that is currently on fire and full of burnt corpses.

The stange thing is, he finds a burnt-to-death Kaeru above the flames, suggesting they weren’t the flames that killed her. He spots a ten-year-old Keiko on the other side of a huge gap between blocks, and wants to rescue her, but solving Kaeru’s murder must come first if they’re to find the real life Keiko.

As Narihisago is killed and re-injected again and again into the Well, he gets more exhausted and makes mistakes. Momoki decides to give him a break, but neither he nor his colleagues are interested in taking a break themselves, even if it means staying up two straight days. There’s a girl buried somewhere who is slowly running out of air. Rest can come once they find her.

This episode has an air of urgency and desperation that surpasses the previous episodes (with the possible exception of the one in which Hondomachi was kidnapped). And even though Narihisago is a murderer who has driven five other inmates to suicide while in captivity, the officers still end up rooting for him to survive and “win” in the Id Well, because if he wins, they win.

Sakaido finally makes it to the other side and climbs up to the unburnt apartment where the young Keiko is waiting. She even says something that helps Sakaido crack the case wide open. Kaeru wasn’t killed, i.e. Keiko wasn’t buried by the Graverobber at all, but by a copycat.

Young Keiko even points out by name the “failure” of a man responsible, and the police move quickly to locate and apprehend him (it comes down to the pattern of the rug under Kaeru’s corpse matching the one in the suspect’s lair, under which Keiko is sealed in an airtight barrel.

Alas, the livestream was never live to begin with, but a recording that gave the police a false sense that they still had time. In reality, Keiko has been dead of asphyxiation for nearly a week. After working so hard to find her, it’s a gut punch for all involved, including Sakaido once he hears the bad news from Momoki.

Pulling the rug out from beneath our feet, we the audience are similarly frustrated and that much more angered at the creature of a man that is the copycat Graverobber, not to mention the still-at-large Graverobber himself. The case wasn’t solved in this episode, but it did make the case for why, having spent time in their psyches, a once-righteous detective like Narihisago could develop sudden impulse to kill the suspects he helps capture.

Because of this, he’s not even sure he can call himself a person anymore, but Momoki assures him he is. And when Momoki asks if Narihisago still considers him a friend (they were once partners on the force), Narihisago tells him that friendship one of the only things he has left tethering him to reason.

Being dumped into the minds of depraved criminals is enough to drive anyone from reason, but somehow Narihisago has endured. He’ll have to continue to endure as the cops try to find leads to the real Graverobber’s whereabouts. The newly recovered Hondomachi may have found the first such clue in Kazuta Haruka, a missing person and one of the Perforator’s victims.

Vinland Saga – 12 – The Face of a King

As Thorkell’s forces chases his, Askeladd sends a message across the Severn River, hoping for some reinforcements to even the odds. His “Ear”, an Asian-looking man with very good hearing, can tell the enemy is only a few days away, if that.

The men are worried, and Bjorn relays that worry, but Askeladd is content to leave everyone in the dark. He also hasn’t been quite the same since seeing Prince Canute’s face. It just doesn’t seem like the face of a king. To be fair, Canute is young…but so is Thorfinn.

A thick, brooding atmosphere of impending doom pervades the march of Askeladd’s men as they grow more fatigued and Thorkell draws closer, but takes on a more otherworldly hue once they arrive at the spot where Askeladd says the reinforcements will be waiting.

The rendezvous point is a Roman ruin, suffused in fog. The soundtrack starts to boom with synth bass and brash, punishing tuba as Askeladd draws near and bows in deference to the two figures in romanesque garb. Eventually, triremes come into view.

These aren’t representatives of the Roman Empire reborn, nor another world, but one of the stubbornly independent kingdoms of Wales. Any enemy of the English is a ally of theirs. Askeladd’s connections enable them to cross Wales to reach Gainsborough rather than deal with Thorkell.

It will be a long journey, and the lands of Wales are rough and unforgiving, so Askeladd appoints Thorfinn as Prince Canute’s bodyguard. Amusingly, the Welsh commander mistakes Finn as the Danish prince, and says the same thing Askeladd thought when he sees his face—just not king material…at least not yet.

Thorfinn’s job is to make sure Canute lives to fulfill his destiny, but despite being the same age the two couldn’t have more different paths to get to that age. Finn is cold to Canute, while the prince is frightened of Finn. We’ll see if putting the two together toughens Canute, softens Finn…or both. Of course, the challenge of just keeping Canute alive becomes painfully plain when their forces are lured into a trap, with archers from a neighboring Welsh kingdom raining arrows down on them.

In an odd aside, we see an aged, balding Leif Erikson arriving at a port, and spots one of the slaves being taken away. (S?)he looks a lot like Thorfinn: messy straw hair, brown eyes. I wasn’t quite sure what was going on here. Does this scene place some time after the ambush? I doubt Finn would be so easily captured. If you have any insight into that, let me know in the comments.

Otherwise, this was an interesting episode to mark the halfway point of the series. Thorfinn is protecting Canute mostly to get another duel out of Askeladd, a duel that’s sure to be the closest yet as he grows stronger and Askeladd gets older. But there’s a lot going on around him that threatens postpone or even deprive him of that duel, if for instance Askeladd doesn’t survive the ambush.

Vinland Saga – 11 – A Valkyrie in Midgard

Thorkell leads his 600 men through the forest with his new hostages: Prince Canute, his master-at-arms Ragnar, and a drunken priest, all Christians. The men start to mock the Christian faith and Jesus as a weakling with lame magic powers, but the priest starts to yell and scream about “seeing Him,” leading Ragnar to urge his captors to give the poor man more booze.

When Thorkell asks the priest which god is best, he responds “whichever god created booze!” Canute, perhaps the most passive character of the Summer 2019 season, having neither said nor done anything in any of the episodes in which he appears, simply sits in stoic silence. This suggest that his faith is so strong, if he simply lets the cards fall where they may, he’ll ultimately be saved.

Sure enough, his forces catch up to Thorkell and demand they return the prince, claiming they outnumber them nearly four-to-one. Thorkell can smell a bluff, but lets them have Canute anyway. His magnanimity is matched by his ability to effortlessly provoke Canutes men into resisting Ragnar’s orders for surrender and place their own honor above the well-being of their prince.

In the ensuing melee, Thorkell learns his opposing force numbers no more than 400. But then he smells something; something other than blood and guts: charcoal. A third party—Askeladd’s crew—has set fire to the forest in order to confuse both sides.

Askeladd, still trusting Thorfinn implicitly as long as he still owes him another future duel, soaks the kid in water and orders him to ride in and rescue Prince Canute. The confusion caused by the flame and smoke is plainly demonstrated when one of Ragnar’s own men attacks without ensuring his target is the enemy.

That soldier, in turn, is killed by Thorkell’s men, who used Ragnar’s method of communication against him by pretending to be friendlies. They never get close to the prince, however, as a flaming horse separates the two sides, and a hard-looking boy in a cloak appears between them. Thorfinn is ready to take on the whole group coming after Canute, but they are interrupted by a cheerful-as-ever Thorkell, happy to see another “true warrior.”

Thorkell knows Thorfinn is a true warrior because he is the son of Thors, whom he says is the only man stronger than him. Finn is surprised Kell not only knows his father’s name but his mother’s, Helga, but his father’s fame precedes him, even after death. Kell decides to play nice this time, letting Finn have Canute, certain they’ll meet and fight again soon.

Just as Bjorn is voicing doubts about Finn’s ability to get the job done, the kid arrives with Canute, Ragnar, and the priest in tow. Askeladd and Bjorn pledge their fealty as his new escorts, and Ragnar has no choice but to accept it.

Askeladd only asks if he can see Canue’s face, and the prince slowly removes his helmet to reveal a ethereally beautiful, feminine visage—like a Valkyrie in Midgard. With their new royal charge, Askeladd’s men are poised to rejoin King Sweyn’s main force…the same force Thorkell’s men are eager to fight, assuring them a place in Valhalla.

Fire Force – 01 – (First Impressions) – Exorcising Fire Demons

The premise of Fire Force is as bizarre as it is frightening: in its timeline, the “Solar Era”, spontaneous human combustion is not only a great hazard to Tokyo, but the beings that emerge from the flames, “Infernals,” are demons who must be defeated in order to put the souls of the victims at rest.

That’s the job of Special Fire Force Company 8, of which young newcomer and third-generation pyrokineticist Kusakabe Shinra is its newest member. He just happens to be a witness to the latest emergence of an Infernal, which Company 8 is dispatched to the train station to tackle.

In this way, Shinra gets a first-row view of how the Fire Force gets things done, and it’s as much a battle with a demon as it is a religous ritual; there’s even a sister, Iris, on staff to deliver the proper prayers at the proper time. While Shinra doesn’t participate in the battle, which is another success for Company 8, his quick thinking (and literally flaming feet) manage to rescue Iris from suffering a freak accident at the hands of a falling lamp.

From there, Shinra is taken back to Co.8’s HQ, a somewhat run-down but still very cool-looking cathedral (all of the architecture and mechanical design is very quirky and cool-looking, for that matter). He already met Iris by sweeping her off her feet like a princess, but soon meets Captain Oubi, Lt. Hinawa, and the first-class fire soldier Oze Maki.

Still, while his job is ostensibly to purify fire demons, Shinra clearly has some demons of his own, something he largely gives away every time he gets nervous and his mouth tightens up into a sinister-looking crooked grin. Those demons revolve around some kind of tragedy in his past where he was blamed for his mother and little brother’s death and subsequently ostracized by most other adults in his family and among their friends.

He doesn’t have time to contemplate how he’ll wrestle with those demons for long; the alarm sounds and within minutes he’s prepped and deployed with the rest of the company aboard the armored firetruck “Matchbox” to a factory fire caused by the manager’s wife combusting.

Another firsthand look at a scene of fire and destruction triggers his worst memories of the end of his mom, brother, and home, as he insists within his thoughts that someone else was present who was the primary culprit; it wasn’t a matter of his powers going out of control but someone causing them to.

We’ll see how that pans out, but his Captain and Maki work to keep him in the here and now, focused on the not inconsiderable task before them: the Infernal is one tough cookie.

Ultimately Shinra has to put aside the fact he couldn’t keep his promise to protect his family like a hero, but he decides to make a new promise never to let that happen again, and to protect anyone else affected by the Infernals. He delivers a devastating kick to the core of the Infernal, dispersing it, and Iris says the prayer. Mission Complete.

Outside, Shinra and the rest of the Fire Force gets its due congratulations, thanks, and adulation of the assembled crowd of citizens, not just for stopping the blaze but saving the soul of the manager’s wife. And for the first time since before his mother died, Shinra finally smiles a genuine smile, not the forced smirk with which he is so often cursed at the wrong times.

Fire Force, in a couple words, is pretty damn good. Stylish, fast-paced, and uncomplicated in its presentation of its protagonist, his motivations and goals, and the introduction of his new family and life among Company 8, which is definitely not your typical fire department. It’s a fun and imaginative setting that still feels grounded in reality and modern life.

The vaunted David Production studio provides a feast for the eyes, blending the reds and oranges of the flames with the ever-glowing blue of the fire soldiers as well as the eerie green aurora above Tokyo’s skies. The orchestral score also delivers the appropriate sense of occasion, peril, and excitement, particularly during the boss fight. I’m looking forward to this one.

The Promised Neverland – 11 – All Or Nothing, Now Or Never

It’s heartening to learn neither Ray nor Emma had ever truly given up on escaping, but they’re out of time, so they have to implement whatever plan they have immediately. The key is to distract and misdirect Mama so all of the kids can escape, and the best way to do that is by setting the house on fire.

But Ray knows that won’t be enough, which is why he’s been planning and working his ass off to be the most valuable pieces of meat Mama has ever raised. He’ll set himself on fire so that Mama will stay fixed on trying to save him. And while he brooks no argument from Emma, we never see him actually drop the match into the fire.

Nevertheless, Mama comes out of her office smelling burnt flesh, and finds Emma kneeling before the conflagration in the dining hall, telling her Ray’s in there. She orders an evacuation while she desperately tries to save what she can of her great prize.

She also urges Emma to get out of there, but when she turns around, Emma is already gone. When she tracks her with her watch, she discovers Emma has cut off the ear containing her tracking device. She’s off the grid, and has a huge head start.

When she meets up with the others, Ray is with them, to our surprise. Turns out Emma caught the lit match in her bare hands before it could fall on the oil. She has an alternate plan for Ray that doesn’t require his sacrifice. It’s a plan Norman gave to her, and which she distributed to everyone else bit by bit.

Norman told Emma exactly what Ray would do and how to stop him, including with a pile of meats and human hair that will smell like someone burning. The whole time Emma appeared to have lost all hope and was being comforted by the little ones, she was actually muttering to them the plan that will spring them.

When Emma reaches the wall with the others and prepares to climb, the specter of a smiling Norman pats her on the back, urging her to keep going. But Ray senses somebody is missing…and somebody is. Mama manages to escape the burning house with her radio but nothing else, but she’s determined to retrieve her beloved Emma and Ray. To her surprise, she still has a hostage—with which to lure one or both of them back—in little Phil.

After so much preparation and time-biding, the escape is finally on, and there is no going back, as the home where they used to live has been destroyed. But if I know Emma, she’s not about to leave anyone behind, and that could well lead to her ruin.

TenSura – 24 (Extra) – Conqueror Of Flames

This being an extra episode and all, I had no idea what to expect, so it was a nice surprise to get a story about one of Shizu’s exploits, which takes place before Rimuru even appears in this world. As she arrives at Filtwood Castle to join a host of other adventurers in an effort to defeat a recently summoned demon, it’s made clear Shizue Izawa is already a legend among her peers and in Filtwood’s court.

But she’s weary that even the formidable Silver Wings have recently fallen to the demon, suggesting it at least has a name that lends it more power (as we’ll witness later with Rimuru’s namings). It’s also odd that the less bold adventurers aren’t allowed to leave when they hear of the strength of their foe.

After one of them is killed and a lesser demon extracted, it’s revealed they’ve all been gathered there because more of them are suspected of being possessed by demons, so they’ll all be rooted out for the good of the kingdom.

Their execution of this plan is interrupted by a cloaked mage, whose immense power Shizu only then detects (suggesting it’s an extremely powerful mage who can mask such power). The mage is himself a demon calling himself “Kuro”, and is willing to kill everyone in the hall to find the demon he’s after.

Needless to say, Shizu isn’t about to let that happen, and so…they fight.

And what a splendid fight it is! At least as good as anything TenSura has served up. Shizu is a tough customer, but even she seems to be aware that Kuro is merely toying with her, and actually holding back quite a bit. Even her special finishing move only causes as slight amount of discomfort, yet even that is the most pain Kuro’s had the pleasure of feeling in some time.

What ultimately forces Kuro to withdraw, at least for the moment, is when he gets serious and attempts to behead Shizu. Her mask protects her and relieves Kuro of his arm, making him exclaim that the mask “surpasses time.” The assembled adventurers cheer for Shizu when Kuro departs in a black cloud…but this is only the beginning of the already exhausted Shizu’s busy day.

A knight comes to her quarters to escort her to an audience with the king, and while en route, this knight expresses both his gratitude for her heroism and awe at said heroism’s form…only the ever-observant Shizu doesn’t recognize him as someone who was present for her fight. Turns out she’s right.

The “knight” is actually the real king of Filtwood, and a demon at that. Not just any run-of-the-mill demon, either: a “legendary-class Greater Demon General,” which I assume is a real thing and not something he made up in a sudden chuuni fit. His name is Orthos, and he is revered by the people as a demon-defeating hero, giving him more strength.

Orthos thanks Shizu for being a “sacrifice”, something she has no intention of doing (and also obviously won’t die as Rimuru meets her much later). That said, Orthos is a tough customer, and Shizu has had no time to replenish her strength, magic, or stamina, which is of course Orthos’ plan all along.

Unfortunately for him, Kuro reappears in the nick of time to save Shizu. Before she was summoned into this situation, she recalled what Leon told her about demon “Progenitors” who are named after colors. Kuro is one of them, an identifies Orthos as an underling of another Progenitor, Red. That means Orthos is absolutely no match for Kuro, who utterly ends him.

In the end, Kuro is credited with killing the public king and minister of Filtwood (who were really Orthos’ puppet) while official records credit Shizu with defeating Kuro. In reality, the two agree to go their separate ways and forget they ever saw each other, and in exchange, Kuro won’t end Shizu like he ended Orthos. Still, Shizu predicts “someone will do something about that demon someday”…and that someone turns out to be Shizu, summoning him as “Diablo.”

This extra episode took a while to get going what with the need to set up an entirely new setting and scenario, but once Shizu drew her sword, good things started happening. It was a fun, exciting outing that added texture to the vast world of TenSura, not to mention demonstrated that it can do just fine without Rimuru or any of his entourage.

TenSura – 08 – An Extended Goodbye

Every week when I watch the OP and ED I wonder “When is Rimuru going to gain a human form?” Well, TenSura answers that question. There wasn’t much doubt that Shizu—or rather, Izawa Shizue—wasn’t going to get out of that bed in the hut. The curse was lifted, but her body, which had endured for decades, was at the end of its rope.

After giving Rimuru the full story of her eventful life after summoning, and learning his Japanese name, she asks him to eat her so she can rest in peace within him. Rimuru uses Predator as she requested, and has plans to meet and slug Leon Cromwell, even though that Demon Lord was the only reason Shizu lives as long as she did.

When Shizu’s former adventurers enter the hut, they’re shocked to see a kind of 3/4 scale Shizu with blue hair and yellow eyes: it’s Rimuru! Or rather, a new form Rimuru gained by absorbing Shizu, which he explains was her explicit wish.

They’re not mad, just sad they couldn’t say goodbye to Shizu. But after being supplied with some top-shelf gear from Kaijin and his friends (who are famous to the adventurers as masters of their craft) they say goodbye to Shizu through Rimuru’s human form, and then head home.

Having met and absorbed his “destined one”, Rimuru builds a simple grave for Izawa Shizue under a tree perched on a cliff with a view of the village, then prepares to gain more information on his new world before confronting Leon Cromwell.

Meanwhile, a pig-man is on his last legs in the desert, but is saved by an oddly well-dressed man named Gelmud who hides his face behind a Venetian mask. He names the pig-man and offers him food in exchange for his fealty. Gelmud has plans for his new “project” that relate to the Jura Forest, so no doubt they’ll be crossing paths with Rimuru and his crew.

TenSura – 07 – Song of Slime and Fire

While sleeping in Rimuru’s goblin village, Shizu dreams of her wretched past, from when she was summoned from WWII-era Japan, was merged with Ifrit, and then essentially became a living weapon for the Demon Lord, who with one gaze can command her to destroy anyone from an interloping giant chicken to her poor friend and their unauthorized furry friend.

Waking up from a dream like that, it’s no surprise Shizu tries to make haste in leaving the village and her new friends behind, before the time comes when she can’t control the destructive power flowing within her. Unfortunately, her goodbyes run a bit too long, and Ifrit awakens in all his terrible fiery glory…right next to Rimuru’s newly rebuilt village.

To their credit, the experienced three-person party of adventurers don’t run, but try to fight to get their friend Shizu back, but Rimuru can tell they’re hopelessly under-leveled against a boss like Ifrit. However, Eren’s ice attack proves useful when Rimuru makes her use it agains thim and he analyzes and perfects it into a more powerful attack, which takes out all of Ifrit’s minions.

Ifrit counters by cloning himself dozens of times and surrounding Rimuru. When Rimuru takes the bait and blasts the clones with ice, Ifrit reveals a magic circle just beneath the slime, and casts Flare, enveloping Rimmy in a column of flame visible for miles around. The thing is…Rimuru is immune to fire, which means Ifrit is absolutely no threat, at least to the slime.

With that, Rimuru casts Predator and swallows Ifrit up where he joins Veldora in the void of the slime’s vast internal storage facility. Glad Veldora isn’t alone in there anymore! I have to admit I’ve missed the big guy ever since Rimuru ate him. In Ifrit’s place lies an unconscious but intact Shizu. Did Rimuru inadvertently free her from the curse she’s carried for decades?

Happy Sugar Life – 12 (Fin) – Nothing But Fun

That’s what Matsuzaka Satou sought for her and for Koube Shio: a world without bitterness or pain; i.e. a world quite the opposite of the one they’d inhabited to that point. Their love for, acceptance of and devotion to one another is the fuel that keeps them moving toward that goal—that, and Auntie’s trash bag full of cash.

All that’s left is to go to the airport, let Auntie do her work, be rid of the old sad bitter world forever, and when they step off the airplane they’ll be in a happy sugar world, where they’ll never have to suffer or despair again, and where they’ll have each other.

That was the plan, at least. Ironically, it’s Satou’s love that makes her take off her ring, so it won’t be sullied by the work of dressing Shouko’s corpse (if she is, in fact, 100% dead when we see her). Forgetting that ring, that symbol of their love, and going back for it at the worst possible time, proves to be Satou’s undoing.

Auntie ties Taiyou up in between “abusing” him—rape is heavily implied)—she didn’t gag him, perhaps because she liked hearing him squeal. That preference is also her undoing (if she cared about self-preservation, of course), as he’s able to get a call to Asahi telling him where he is.

Asahi arrives just as Taiyou escapes—and happens to bump into Satou and Shio in the lobby. They should never have come back for a stupid ring.

Satou and Shio head upstairs to find Taiyou, but they get away from him as well (he’s tied up) as Auntie, who assumes Satou is well on her way to freedom (and damn well should be) ignites the fire on the twelfth floor that will engulf Shouko and supposedly, any evidence tying her to Satou.

Asahi hurries to Room 1205 and finds Shouko there, dead and surrounded by flames, inflaming his rage even more. When he, Satou and Shio cross paths again, he lets her have it with his bat, injuring her leg, but Shio steps between them to prevent further violence.

Shio, exercising her own agency, tells her brother she’s done with her family, and all she wants or needs is Satou, and he’s just going to have to deal. Asahi tells her that their mother only abandoned her because she was in over her head and didn’t want to become their monster father (whom she poisoned to death).

But it doesn’t really matter why she did it anymore; Shio has moved on and isn’t coming back. She’s going to live for herself now, as Asahi should learn to do, rather than defining his life as finding and protecting her. Just then, the flames cut their chat short, and Satou and Shio make a run for the roof…where they are trapped.

Shio tells Satou that it would be alright if they die together by jumping, because they’ll surely be reborn together in that new world they’ve been hoping to reach (but again, couldn’t thanks to one dumb ring).

That potential New Happy Sugar Life flashes before them as they fall, but Satou makes one small change to Shio’s plan: she doesn’t let Shio die, shielding her from the impact of the ground with her larger body.

Shio survives, but Satou does not. She and Shouko are mentioned in the same news report, but as casualties of the fire, not murderer and victim.

Rather, Auntie is suspected, and gladly surrenders herself, having done everything she could for the sake of her niece’s love. Satou’s teacher is arrested in front of his family, Taiyou continues to obsess over his angel in his room.

As for Shio, she’s in hospital, and Asahi comes to visit her, promising to fill the void left by their parents, by society, and finally, by the loss of Satou. But Shio smiles in a very Satou-esque way; there is no void, not from her perspective.

Shio believes Satou sacrificed herself and became a part of her—which is kind of true, in an emotional sense—and as such Shio feels she’ll never be alone again. She still doesn’t need Asahi. She gained more than she lost, and she’s resolved to live her best life for herself and Satou. How exactly she’ll be supporting herself, a minor with no money or job, is left unspecified.

HSL is the story of deeply damaged people and the different ways the consequences of that damage unfold in their lives. There’s a solid causality to everything that, while hardly absolving most anyone of their numerous crimes or obsessions, at least explains them satisfactorily, and makes them subjects of pity rather than simple loathing.

People can grow up to be decent people even if there’s abuse or trauma in their lives, and without traditional families, or no families at all. But that’s an ideal; it doesn’t always happen. It usually doesn’t happen. And when it does (see Taiyou) it doesn’t always mean someone will “turn out” “alright.”

But even in the darkest places, some small amount of light can emerge, some small amount of happiness can be found, and a sweet but twisted love can take root between kindred damaged souls, filling their jars and giving them reason to keep living.

Banana Fish – 11 – Ashilles Heel

Turns out leading a gang is like riding a bike: you never really forget how to do it. Ash slides right back into his simpler life, and Eiji sees, for the first time, Ash the Leader, and how all his subordinates hang on his every word and breath.

They’re also impressed that Eiji isn’t scared of waking Ash up from a two-hour nap. But once Ash is up, he sends them all off on an intelligence-gathering mission, leaving him and Eiji alone to enjoy a simple meal of takeout together.

It’s there that Eiji sees yet another side of Ash, as for the first time ever in their friendship they can just relax. He also learns that Ash has cucurbitophobia (fear of pumpkins) and teases him for it, eliciting a very boyish pout.

That night we see the contrast between the two young men: Eiji sleeping soundly and Ash waking up from nightmares that will probably never go away. Ash lets himself be vulnerable with Eiji and cries into his lap; it’s how they both end up falling asleep.

Ash gets up at dawn, letting Eiji sleep in, and sets to work on his laptop. Having spent his jade earring buying guns from “The Fly” yesterday, Ash hacks into Golzine’s stocks, using the spyware he implanted on Dino’s computer while Dino was having fun with him.

So not only is Dino’s favorite mansion in ruins, but so are his finances, and those of the mafia organization he’s a part of. He’ll have to answer to the dons now, which means his life is a lot more complicated and fraught with danger. From what we know of Dino, no one deserves it more…though Arthur is trying to make a case for himself.

Ash uses his influx of cash to buy an $8 million condo right next to a building owned by the Corsican organization, showing he’s still a fan of bold moves. He has Max pretend to be his dad to cosign on the purchase. But Max is worried that for all Ash has accomplished since gaining his freedom, he still has one potentially crippling weakness: Eiji.

Banana Fish – 10 – Wounded Tiger

The youngest Lee brother sat out last week’s unpleasantness, but returns to Ash to tend to his wounds and also decides to lend him a hand in escaping from Dino’s mansion. Dino is away for the night demonstrating Banana Fish on a woman who is forced to kill her husband, a presidential candidate. Meanwhile Ash’s gang has joined forces with Shorter’s Chinese crew, led by Sing, and after gathering some intel, they hit the mansion the same night Dino is out.

Ash makes use of the key Lee slipped him by doing a bit of gymnastics, then frees Max and Ibe, head to the armory full of military-grade weapons. From there, Ash becomes the “devil himself”, mowing through Dino’s men on one side of the house while his allies burst in and take care of business from the other. Lee leaves Ash with one more gift: injecting Abe Dawson with a paralytic.

That means, after meeting up with his men, Ash tells them to all get the hell out before Dino’s cavalry arrives, then heads down to the lab, where Abe had been busy extracting Shorter’s brain. Dawson begs for his life, but Ash responds by emptying a mag into him, then burns Shorter’s body so he can pass over in peace.

That gesture leads to a misunderstanding with Sing, Shorter’s subordinate, who heard that Ash killed Shorter (but doesn’t know why). He picks the wrong time to demand vengeance against Ash, who makes quick work of Sing, but lets him run away.

Sing ends up running right into Lee, who takes him away in a helicopter and spots Ash in his red Italian sports car heading back into Manhattan. It was an ugly one, and came at a high cost, but it was good to see a win for Ash, even if it just meant getting his freedom back.

Banana Fish – 08 – A Very Bad Trip

I won’t mince words: this was a mostly thoroughly unpleasant episode to watch. While it’s not a deal-breaker when things never seem go the protagonist’s way, you have to throw the audience a bone once in a while. BF’s eighth episode did not oblige. Pretty much everything sucks for everyone.

Take the hostage situation involving JessicaJennifer and Michael. Lee’s thugs demand Max hand Ash over if he doesn’t want his family killed, but when they show up, the thugs are gone, replaced by police. Michael is fine, and Jennifer is alive (though it’s implied she was raped by one of the thugs).

While Ash and Max are gone, Yue-Lung makes his move, incapacitating both Ibe and Eiji and preparing to take the latter to his brothers in Chinatown. While paralized, Ibe can still see and hear, and so knows Shorter betrayed them, something Shorter is not proud of.

While he may have officially turned his coat against Ash, Shorter makes it his personal mission to see no harm comes to Eiji…which will be a tall order, as the Lees plan to hand him over to Golzine where he’ll be sold into sexual slavery just like Ash was. I’d point out that Eiji is not a “boy” but a 20-something adult, but the show is keen on him being the damsel-in-distress, while the paralytic completes his total loss of agency.

No, it will be up to Shorter to try to keep him safe (he vows to kill him and himself if/when that’s no longer possible) and Ash and his friends to rescue him from the clutches of the Lees and Golzine. But first, Alexis, the older brother of Abraham Dawson (and owner of the house where Yue-Lung was essentially squatting) shows up out of nowhere to inch the mystery forward.

Lex shows Ash and Max his hidden research room and the info they get from him indicate Golzine is doing a deal with the US Government to weaponize Banana Fish, which can be used to perfect soviet-era drug hypnosis. Then Lee’s men show up at Lex’s house, capture him, Ash, Max, and a recovered Ibe, and prepare to ship them all off back to New York.

Going to Los Angeles may have netted some answers for Ash & Co., but their presence there got Jennifer raped, Michael traumatized, and Lex’s lab torched. This is way bigger than revenge now where Ash likes it or not, but even assuming he frees himself from captivity and gets his .45 back, fighting Golzine and his government co-conspirators won’t be easy; perhaps the goal should be exposing them to the public.

We’ll also have to keep an eye on Yue-Lung, whose two half-brothers killed his mother in front of him when he was six. Despite his talk about it being in the past, it’s also in his back pocket, and he’s willing to go down himself if it means taking Hua-Lung and Wang-Lung with him. Perhaps he’ll eventually join Ash and Eiji to form a bad-guy-busting bishounen triad?