Chuubyou Gekihatsu Boy – 11 (Fin) – Awakening

The schools sports and cultural clubs all defy the StuCo and meet with the members of the former Hero Club to lend them their support and to ask for assistance in the shadows. Everyone probably overdoes it with the disguises—not sure what’s going on with the black klansmen-looking dudes—but both school and town have spoken: they were better off with the Hero Club, and more than willing to accept their eccentricities in exchange for their hard work and kindness.

When the recent string of thefts and attacks leads to the postponement of visits by prospective students, the StuCo can no longer hold the Hero Club back, and they know it. Like astronauts marching towards their rockey, the heroes led by Mizuki approach the StuCo president and voice their intentions to do something. Having done next to nothing except ban their club, the prez can only let them pass.

That night the heroes stake out the location of the attacks, and find an iguana, Faust, and Benjamin, but also a fourth animal: a penguin that has escaped from the zoo. They chase it to the pool, where it has an advantage, and that’s when Mizuki decides to finally “awaken” and join forces with Yamato to unleash the half-drowned Touga’s ultimate attack. What’s described later as a freak meteorological phenomenon occurs, and the penguin is secured by the student who, as it happens, stole food and supplies to keep it happy.

The StuCo president publicly praises the heroes for their services to the school in an assembly, but they want something more than a fancy certificate of gratitude: they want their club room back, and the voices of the assembled student body demand the reinstatement of the club. Thus cornered, the president acquiesces to the will of the people (one wonders where the adults are in all of this…?)

Chuubyou Gekihatsu Boy was a quaint, lighthearted, fun and charming little show about a group of weirdo boys who are actually good people (imagine that!) and a girl who, while reluctant to be associated with them at first, is now proud to call herself a member of the Hero Club. Not much more to say about it. I enjoyed it!

Chuubyou Gekihatsu Boy – 10 – Creating a Vacuum

As expected, the StuCo takes one final infraction as an excuse to shut the Hero Club down. Locking up their clubroom and banning them from helping people inside or outside school, on pain of expulsion. That infraction? Allowing a non-student in “Setsuna Kirito” on school grounds during the festival.

Mizuki might’ve had a chance to clear things up, but to do so would’ve meant breaking her promise to keep Futaba’s alter-ego a secret. Besides, they would have found another excuse anyway. With the club shuttered, Sekiya is attacked by an unknown entity, while a rash of thefts are perpetrated at school.

Mysterious thefts and assaults aside, killing the Hero Club was extremely short-sighted (which I guess becomes the StuCo, all of whom wear glasses): all of the school clubs they helped out relied on them being around, and now they’re all in big pinches.

As their normie emissary, Mizuki is the one who has to hear from these parties about how unfortunate it is, but while there’s talk of them giving the StuCo a piece of their minds, that doesn’t take place here, and the other Hero Club members mostly go off and do their own thing, albiet badly because they’re depressed about losing their meeting place and mandate.

It’s just as bad outside of school, as Mizuki has to turn down a girl who loved Tomoki’s Sora-chan performance and wants him for another one. The elderly folks who the Hero Club helped blame themselves for relying too much and getting them in trouble, which Mizuki has to reassure them isn’t the case.

Whether in or outside of school, the Hero Club was a vital resource whose importance belied the eccentricity of its members. Disbanding them left a huge void in the fabric of both school and community. After partnering with Mizuki and a member drama club to help out the Sora-chan girl, Nanako assures Mizuki that together they’ll find a way to rescue the Hero Club from the StuCo unjust and reckless judgment.

They certainly have public opinion in their favor. As for the mysterious culprit of the assault and thefts, that’s something the StuCo seems incpable of solving. They may have no choice but to rely on the rule-breaking weirdos they loathe.

Chuubyou Gekihatsu Boy – 09 – Saved by Setsuna

When Mizuki gets a break from serving at her class cafe, Rei asks if she wants to wander around with him, but Futaba hijacks the opportunity by tagging along so the three can scout the competition. That includes Kazuhiro’s class’ haunted house, which wigs Rei out to no end. They then help the drama club hand out flyers advertising the impending play.

When the play is about to start, Sekiya takes the outdoor stage and poaches their audience, breaking the rules in the process. Futaba turns the tables by appearing on the screen behind them as the web-famous Setsuna Kirito, who urges everyone to head to the gym for the performance, which they all dutifully do.

The crowds are charmed by the cross-dressing princesses, as expected, but when there’s a sudden blackout, instigated by Futaba, they must call upon the audience to light the stage with their phones and help defeat the witch. A fun time is had by all (except Sekiya, who is punished with wood-chopping duty) and the drama club wins the competition, meaning they won’t be shut down buy StuCo.

That night at the bonfire, Futaba confesses he’s a full-fledged otaku, and vows not to hide it anymore, though that costs him a dance with two girls who like him.

Rei asks Mizuki to join him in the folk dance, but again she’s distracted by another friend. Perhaps she’s hung out with these attractive weirdo boys so long, she’s oblivious to the fact that one of them wants to spend more time with her and only her. With only two episodes left and the hero club’s future still in doubt, it’s unlikely that will change.

Chuubyou Gekihatsu Boy – 08 – God is in…The Horse?

When no new requests for help were coming into the Hero Club, I assumed that the StuCo had finally commenced implementation of their plan to bring the club down. But then the Drama Club bursts in and begs the club for help so that their club won’t get shuttered by the StuCo.

They present their request as you’d expect a drama club to do so: dramatically, demonstrating a lot of shared qualities with the Hero Club members. The Drama nerds clearly see that potential too, and so have big plans for them.

While the Drama Club runs into a few snags—Kazuhiro won’t run, Yamato can’t remember his lines, and Futaba refuses to take the stage—they mitigate these problems as they come, and before long the operation is a well-oiled machine.

The Drama Club prez even manages to get Rei to believe the “prince’s horse” is an absolutely vital role! Mizuki also discovers that Futaba may have a side-hobby of posting videos in which he performs songs…rather uniquely, but doesn’t immediately put two and two together (another sign of anime-vision).

Throughout all of this, I was wondering where the StuCo was…they’ve been stalking the Hero Club all this time. Were they the ones who created this situation for the Drama Club; in order to keep the Hero Club busy on campus so they’d do less damage off it? We will see.

Then there’s the odd emergency of the wrecked scenery with one day left. A group of cats is blamed for the damage, and Futaba pulls everyone together and makes new scenery, so I’m not sure what the point of the emergency was! With three episodes left, I imagine the final showdown with StuCo will take place in the final episode or two. Until then, there’s a show to put on!

Chuubyou Gekihatsu Boy – 07 – Girl on the Inside

All Hijiri Mizuki has wanted to do is live her school life in peace, which is why, she still hasn’t considered herself a true member of the Hero Club (and rejects the nickname Pink). But when pressed by Nanako, she admits she’s enjoying it.

Because she enjoys it; because, for all of the boys’ outbursts, it has become a part of her peaceful school life, she doesn’t quite feel right when the StuCo brings her in and starts disparaging the club and threatening to disband it.

The StuCo recognizes Mizuki as someone they can potentially use to keep the Hero Club in line as the cultural festival looms, and she is all too happy to be that person, since they are at least in agreement the club could stand to be less rowdy.

To this end, Mizuki takes charge of managing the club’s job requests, and splits the members up to take on jobs that are not only best suited to their skills, but will also create the least disturbance. In this way, Mizuki is trying to find the happy medium between unchecked chaos and the club being shut down. Where the most outbursty member Yamato is concerned, she uses her hero tickets to keep him in line—which doesn’t seem tenable.

Even so, keeping the peace proves difficult, as even tutoring upperclassmen, Kazuhiro is going to do his thing, while Futaba causes a disturbance by dint of being so popular with the ladies. The StuCo is watching, and appreciates Mizuki’s efforts, urging her to keep it up.

Keeping Yamato out of trouble inevitably means putting herself in same, as she ends up in an off-limits pond filled with aggressive carp. She saves Benjamin the Cat, but ends up in the drink herself. Thankfully, the other club members learned of her whereabouts and arrived en masse to rescue him, led by Yamato, proving his worth as a legit hero when needed.

Mizuki is so happy she’s in tears, and likely feels a bit bad considering she was working against Yamato all this time. But even that isn’t enough to satisfy the StuCo, who considers it unacceptable for the club to be trespassing regardless of context, and begins preparing to bring the club down. After trying to work with the StuCo, I imagine Mizuki will fight to stop their plans…and she won’t have to fight alone!

Chuubyou Gekihatsu Boy – 06 – Stick to Sports

Like a theme park, a school Sports Day provides multiple opportunities to showcase many a funny situation involving members of the Hero Club. In this case, the sports-oriented Yamato takes the lead, as he’s on the committee and thus gets to assign chuuni-like names to all of the events, as well as make the very spirited signage. He also makes sure the other members are in top shape…even for an event they’re not participating in, like tug-of-war. His enthusiasm for sitting on nothing is to be commended.

Yamato proves the fastest runner in all events, and even when he gets hung up on the “found item” part of a race, he ends up taking Mizuki by the hand, likely causing her to wonder if she’s strayed into a shoujo anime. Turns out she’s his favorite…name, as Hijiri is rare. Whether it’s Tomoki winning the bread-snatching thanks to Sora-branded bread, Futaba not having his guitar when he needs it most, or Kazuhiro getting really into the cavalry battle, everyone has something to do, and it’s all entertaining.

That brings us to the three four-eyes who have been shadowing the club all along. Turns out they’re not rivals, but the Student Council (I should have realized that), who are concerned that the Hero Club is an out-of-control public disturbance both on and off campus. Sports Day does nothing to alleviate their concerns, so you can bet the Hero Club’s existence to be threatened in due time…just when, despite herself, Mizuki is coming to enjoy being a part of it…

HenSuki – 06 – The Scent of Destiny

After Keiki rescues her on the stairs, StuCo vice-chair Fujimoto Ayano presents him with a token of her gratitude: some delicious homemade cookies. She also gets very close to Keiki and inhales deeply, which Keiki thinks is a little strange but also pretty cute. He has master stalker Koharu investigate Ayano, and comes up with nothing abnormal aside from a tendency to “gap moe”and of ending up in close-quarters situations with Keiki.

After Yuika accuses Keiki of doing terrible things—in her dream last night—Ayano invites Keiki to a clean-up session in town. Sayuki tags along as his self-appointed dog, and is soon up to mischief when she pounces on him under the bridge. Keiki, remembering what his grandfather said whenever their dog jumped on top of him, rubbing his butt is the way to show the dog who’s boss. It works on Sayuki, who has to withdraw due to overexcitement.

As for Ayano, she seems perfectly nice, neither interested in being Keiki’s slave nor making him her slave, nor writing about him and his best mate getting it on. She’s mostly just…normal. Unfortunately, the other shoe inevitably drops when she invites him to an otherwise empty StuCo office, where she’s adjusted the lighting, music, and accomodations to make Keiki very, very sleepy.

He wakes up to Ayano unzipping his pants, wanting to remove his sweaty underwear. Turns out her fetish is smell; specifically the body odor of boys. All the clues were there with her constant smelling of him and his clothes, but for her to take it to this extreme was still…deflating. Keiki himself imagined he’d finally found someone normal enough to complement his normalcy, after all.

Still, of all of the kinks the girls he’s encountered have had, Ayano’s seems the least egregious. After all, why is it so awful for Keiki if she likes his stink? People who like each other tend to be attracted to each other’s scents anyway. It’s not like she’s asking if she can punish him/if he can punish her. I daresay the ultra-normal girl Keiki says he’s after doesn’t actually exist, at least not at his school. The next best thing, then, is the most tolerable of the “weirdos”.

Bloom Into You – 11 – Working from Incomplete Blueprints

The StuCo summer rehearsal camp seems like a whole world of trouble for Touko and Yuu, not to mention Sayaka, and the three only grow more nervous and excited as the day turns to night and relatively normal StuCo operations switch to a bath and sleepover setting.

For her part, Yuu is committed to not letting herself get too flustered while in the bath with Touko (or at least not appearing as such), and Touko and Sayaka take her complete lack of hesitation in stripping down to be “going too fast.”

But once they’re in the bath together as a trio, they calm down, as all three know it’s just not the right environment to make a move, were a move to be made, due to the very presence of three of them. Were it just Touko and Yuu, or Sayaka and Yuu, or Sayaka and Touko, things might be different, but each serves as a firewall for the other, resulting in a less romantic and more collegial vibe, both before and during bedtime.

I particularly liked the three lying awake, wondering if the others were similarly awake, voicing to themselves the impossibility of anything happening that night. But while there’s perhaps a bit of frustration from being “blocked” by one another, most of what they feel is relief it’s the three of them. After all, they have a play to get down, such distractions are for another time…if they’re for any time at all!

With it thus established that no “first moves” will be made by any of the three, day two arrives with much less anticipation and suspense. But the day also marks the arrival of Tomoyuki Ichigaya to coach up the council. Not only is he in Hakozaki-sensei’s theater troupe, but he was a former student at their school, a member of the student council…and as such was close to Mio.

Kanno’s play is about a girl known as three different things based on who is remembering. Touko has spent so long trying to mold herself into a perfect replica of her sister Mio, she never stopped to wonder who Mio really was, beyond the physical manifestation of perfection she saw as a little girl.

She never considered that maybe what she knew of Mio was just one small piece of a much larger tapestry. Like the three people who know her character in the play, she’s working without the full picture she thought she had, which means she isn’t as perfect replica as she thought.

Indeed, according to Ichigaya, Touko has already surpassed Mio as a StuCo prez, and while he himself doesn’t have the full picture of Touko, we know that she’s been working a hell of a lot harder than he claims Mio worked. Mio seems to be someone who used the council as her own personal force of worker bees, using her charm to get them to do her bidding. And Ichigaya maintains that he and the others didn’t necessarily feel taken advantage of, since they genuinely liked Mio and it was fun being around her.

Still, this is a big blow to Touko, and she can’t hide how it affects her from either Yuu or Touko. Further, Touko can tell from just one little look from Yuu that she’ll be there for her, should she tell her what’s up. Touko wants to just melt into Yuu’s arms and bathe in her kindness, but is still worried about taking that kindness for granted too often, leading to it “drying up.”

Of course, as Yuu has said, that will never happen, but Touko holds back anyway. Instead, she sits back with Sayaka as the three kohais play with fireworks, content with their more old-fashioned sparklers. Sayaka goes first, asking about what she talked about with Ichigaya, and admitting she knows he was in Mio’s council.

Touko mentions the discrepancy between his memories of her sister and her own, and how she now feels lost now knowing she never had a “complete blueprint” to work from. Sayaka apologizes for not mentioning Ichigaya connection before, but Touko doesn’t blame her, doesn’t mind her knowing, and thanks her for worrying about her, which brings a bashful smile to Sayaka’s face. All the while, Yuu watches the two from afar, wondering what they’re talking about…and why Touko felt she couldn’t come to her.

Things seemed to slow down a bit this week, and while it may just be me noticing now, but some of the animation took a bit of a nosedive in quality, which was pretty distracting. Nevertheless, Touko’s Mio revelation is an crucial development going forward.

Bloom Into You – 10 – Holding Back

Koyomi’s script is complete, but she’s loath to hand it over to Yuu, since it’s her first. After taking possession, Yuu makes copies and gives one to Touko, who will play the main role of a woman with amnesia being told what kind of person she is by a friend, a family member, and a lover.

The only problem is they have three completely different ideas about who she is, creating a conundrum. After last week’s shed-anigans, Yuu breaks off from Touko to walk home with her friends, leading Touko to wonder if she’s being avoided because took things too far.

Touko also finds it pretty scary how Koyomi was able to craft a role that fits her so well: that of the “empty girl.” As for the other roles, Yuu plays her nurse, Maki her younger brother, and Doujima her friend. Sayaka plays her lover, which was designed to be a girl—another element of the play inadvertently drawn from life.

Touko also uses the student council meeting to announce a three-day, two-night study camp during the approaching summer break, at the school lodge designated for such things. While Touko is tutoring Yuu over donuts, she admits she’s considered “holding back” a little more, and not just due to the fact they’ll be sleeping in the same room in the lodge.

It’s that Touko doesn’t want Yuu to come to hate her. Yuu tells her she doesn’t have to worry about, but is also happy she worried. She later calls Touko by her name (with a -senpai added on), but apparently too quietly for Touko to hear. Touko also eats the donut Yuu wanted, once more showing how she has all the initiative in their relationship.

Yuu seems to want to initiate something—anything—but just can’t; not due to lack of enthusiasm for spending time with Touko. It’s almost like she’s afraid to lose the excuse of always being led around by the nose or taken advantage of. Not to mention, what if she proposes something to Touko and it’s rejected? Or perhaps more frightening, what if it’s accepted?

Much to Yuu’s surprise, Touko makes good on her promise to take things down a notch, by not calling or even texting Yuu the first days of Summer break. Yuu instead keeps busy by playing video games, minding the store, and one day, hanging out with her middle school friend and former softball teammate Natsuki. That Yuu isn’t hanging out with Touko irks Yuu’s late-to-rise sister Rei, who finds such a situation to be “dull”, even if their mother is oblivious.

Yuu may think she hasn’t changed, but all it takes is a day with her for Natsuki to conclude otherwise. Specifically, she always admired and sometimes envied Yuu’s ability to tolerate any situation or hardship—i.e. not crying after a tough loss. But after hearing Yuu go on so much about her senpai in the student council, Natsuki can tell she’s finally become “invested” in something, or rather someone.

Natsuki considered asking Yuu to join her at her high school and join the softball team there…and knew Yuu would say yes, but decided against it. While she misses Yuu, she’s glad her “hands are full” with something. Of course, Yuu doesn’t necessarily take Natsuki’s insights to heart, but that doesn’t mean they’re not spot on!

Shift to Touko, having a quiet dinner with her family, talking about her impending study camp for the play. Her father, unbidden to anyone, tells her “she doesn’t have to do this,” referring to putting on a play like her sister did. Touko quickly excuses herself—she’s doing what she wants to do, not what she thinks she needs to.

One thing she needs after that exchange is to hear Yuu’s voice, so after starting and cancelling various texts and staring at her phone, she finally closes her eyes and hits “call”…and Yuu answers. They talk about their days, and as they do, Touko says she knows, deep down, Yuu “doesn’t really care” about what’s going on with her, which couldn’t be less true.

Yuu may sound “indifferent” over the phone, but her body language on her bed—alert, smiling, hugging a pillow, playfully peddling her feet—tells a different story. Touko may not know it, but Yuu isn’t just a nurse dispassionately looking out for her. She’s invested. Her happiness is starting to tie into Touko’s. She appreciates Touko holding back, but doesn’t want her to do so too much.

Which is what makes the post-credit sequence with Touko so goshdarn heartbreaking. Book-ending a cold open in which Touko mentioned she was having “dreams of the past”, in what Sayaka says is simply Touko “dreaming about herself in the midst of remembering something.”

In this case, Touko dreams of hanging out with her big sister on the couch. Their mother asks one of them to go out to buy more tea; they play rock-paper-scissors and her sister loses, so she goes out…and never comes back. Touko nods off while awaiting her return, but wakes up to the chilling sound of sirens.

Then she wakes up in real life, pulls out a photo of her family with her sister, and voices again, out loud, her resolve to become her sister. There’s no “like” in there—she’s talking complete transformation with nothing remaining of whoever Nanami Touko was before her sister’s death. Assuming it’s even possible (or appropriate) for someone to dissuade Touko from such a goal, Yuu certainly has her work cut out for her. Hell, it sure left me in tears…

Bloom Into You – 09 – Ready, Set, Yuu

Sports Day has arrived, and the StuCo is so busy Yuu and Nanami hardly see each other, to say nothing of anything more. Just as Yuu is thinking about this as she’s leaving the storage shed, Nanami appears and the two go into the shed.

Yuu lets Nanami kiss her, but when Yuu pulls her off, Nanami agrees to behave until Sports Day is over, whereupon Yuu promises to give her a “reward” of her choosing: instead of Nanami initiating, Yuu will kiss her.

The Sports Day unfolds as one would expect: Yuu does her class relay, demonstrating she’s fast for a short kid, owing to her long-standing friendship with the far taller Akari. Yuu then gets to talk with Maki for the first time in a while, still adamant she has no feelings for Nanami despite his suspicions. She tells him she can’t fall in love with anybody, which in theory would make the two of them the same…but Maki doesn’t buy it.

There’s every reason to put stock in his doubt, considering how he’s basically carved out a life of observing relationships from afar rather than participating directly. As such, Maki has seen a lot of faces of both lonely and content people, and Yuu’s face looks lonely…too lonely for someone incapable of falling for someone.

Meanwhile, in a continuation of last week’s thread, Sayaka greets Hakozaki-sensei’s live-in girlfriend, who shows up to secretly watch her run in the teacher’s relay. When it’s time for the StuCo to do a relay against the basketball team, Yuu sees how much Nanami really wants to win, as well as her and the basketball captain Serizawa exchanging trash talk.

Yuu does her best, and manages to keep pace with the far more athletic Akari running beside her. She hands off to Sayaka smoothly, and Sayaka does the same with Nanami. As Yuu watches Nanami run with everything she’s got, everything else in her world fades into the light and it’s just the two of them. Perhaps a rare instance of her actually feeling that “special feeling” she claims she’s unable to feel?

The ballers win in the end, but it was close, and despite having to deal with Serizawa’s gloating, Nanami is happy her StuCo worked so hard. Then, with Sports Day in the books, Nanami and Yuu retire to the storage shed once more. Yuu is nervous, as she didn’t think Nanami meant immediately after Sports Day was over, and when Nanami waits for Yuu to come to her with her lips, Yuu feels like she’s crossing a boundary she shouldn’t, because she doesn’t like Nanami.

She tells Nanami to go instead, and she does, including putting her tongue in Yuu’s mouth for the first time. We haven’t seen the telltale blushing on Yuu’s face until that happens, because when Nanami pauses and asks if she should stop, Yuu tells her it actually feels good.

So Nanami keeps French kissing Yuu, as Yuu thinks about all of the positive physical and behavioral qualities Yuu finds comfort in. She considers them all “normal” and not something to be considered “special.” But as Maki would tell her, someone as incapable of love—and as comfortable with same—as Yuu claims simply wouldn’t be going around looking lonely or making out with someone.

That being said, just because Yuu seems to be on the road to falling for Nanami (if she hasn’t already), unless she’s actually aware she’s on that road and acknowledges it once and for all, her vacillating is doomed to continue.

That she’s still trying to explain/excuse her rapidly escalating romantic entanglement with Nanami after nine episodes suggests the series just might end without Yuu ever coming to believe she’s in love with her. Fortunately, four episodes is plenty of time to resolve this one way or another, and whatever the outcome, it’s been a wonderful ride.

Bloom Into You – 08 – A Friend and a Senpai

Yagate Kimi ni Naru is the finest school romance I’ve watched since Tsuki ga Kirei back in the Spring of last year, and I’ve known that for some weeks now. Both shows are wonderful to look at, but more importantly they feature some wonderfully fleshed-out characters and relationships, and the more I learn about both, the deeper I sink into the show.

It would have been so easy and expected for someone like Sayaka to launch a transparent full-scale war against Yuu once she determined she was a potential threat to her relationship with Touko. Not only did YKN not take that route, but continued to develop Sayaka as someone just as confused, frustrated, and yet still mostly happy as Yuu.

Watching Sayaka take “revenge” on her former senpai who so coldly dumped her was a thing of absolute beauty, and a perfect way to start the episode in which her and Yuu’s rivalry is laid bare (well, more bare). And how perfect was it that Touko swiftly delivered “payback” in the form of continuing to hold Sayaka’s hand?

Yuu gets the feeling that she and Sayaka have some things to talk about, and that the present chill is affecting their relay baton exchange game, so after school she invites Sayaka to join her for a repast of McDonalds. Sayaka almost immediately calls Yuu out for her “olive branch”, which could harm Sayaka’s image simply by dint of Yuu being her junior.

Yuu holds her own, saying she wouldn’t put it so “dramatically.” Still, the two come to a sort of mutual respect once they learn that neither is the person they expected: Sayaka isn’t so easygoing, and Yuu isn’t so timid and respectful. Both appreciate their directness with each other.

That directness breaks down when neither comes right out and says what they both insinuate by mincing words. Instead, Sayaka says she likes Touko very much “as a close friend” while Yuu likes her “as a senpai” … because what other possible way would they like her??? (Gee, I wonder.)

This first segment of the episode is called “Intersection,” which is fitting in many ways. First, Sayaka and Yuu find common ground and gain a bit more understanding of what makes one another tick, leading to them eventually getting the baton hand-off right.

But an intersection isn’t just a meeting, but a splitting into different directions. In the interests of being as open with Sayaka as possible regarding Touko, she expresses her hope that after the stage play Touko will be more open and “like herself”, dropping the Ms. Perfect act. Such a prospect frightens both of them, since they’re not sure what the hell they’d do in such an instance.

Would Sayaka finally confess her feelings? Would Yuu be left in the lurch? Neither has any idea what such a future holds? Regardless, I love every minute Yuu and Sayaka share the screen, especially now that they’ve reached a measure of détente.

The second segment deals with another common school romance trope: the Rainy Day Umbrella Share. It starts with Yuu Being Yuu, which is to say being super-kind to those she cares about, even if it means getting wet. When the guy Akari likes forgets his umbrella, she nudges her in the guy’s direction, though the two were going to walk home together. Akari is deeply grateful for the gesture, and off she goes with the guy, the two already looking like a couple.

This leaves Yuu stranded at school, as the only available loaner umbrella is useless. She calls her sister, but when Rei’s boyfriend answers, she says never mind; she doesn’t want to interrupt their date. She’s also hesitant to call Touko, not just because she doesn’t want to give her the wrong idea or just because she doesn’t want to burden her. There’s a number of factors that drive her hesitation; another reflection of her character that Rei has down to a T in a brief scene with her boyfriend.

When she says Yuu is great at getting on with things once she’s dipped her toe into the water, so to speak; it’s that initial hesitation that’s her problem. Now knowing pretty clearly how much Yuu’s friend Touko likes her sister, Rei expresses her hope Yuu will find the person she needs to give her those oh-so-important nudges—much like the one Yuu gave Akari so an opportunity wouldn’t be missed.

Much to Yuu’s surprise, Touko actually called her while she was on the phone with Rei, and shows up with an umbrella just when Yuu was about to call her. They walk together with Touko holding the umbrella, but once Yuu sees that Touko’s shoulder is getting soaked she insists on taking it; they compromise by holding it together.

When they take a rest under an awning, Yuu proceeds to dry Touko off with a towel, in a very warm and delicate scene. Yuu’s “pampering” makes Touko happy, but she’s worried she’s taking advantage of Yuu’s kindness and that resentment will build up in Yuu and curdle into hatred.

It’s a perfectly plausible scenario from Touko’s perspective, since she still believes Yuu when she says her feelings are still just one-sided. Of course, that certainly doesn’t seem to be the case, as Yuu betrays when she blushingly tells Touko how happy she was to be rescued by her and her umbrella.

Yuu quickly corrects by saying she “meant nothing weird” about it, and Touko thinks to herself “that’s more the Yuu I know.” But that’s the whole point: she doesn’t know the Whole Yuu…nor the Whole Sayaka. Both girls have acknowledged and accepted each others’ existences. Now comes the hard part: acknowledging and expressing Touko is much more to them than the words “friend” or “senpai” alone can express.

P.S. The piece of music that plays during particularly dramatic scenes reminds me of Uematsu’s “A Secret Sleeping in the Deep Sea,” one of my all-time favorite video game audio tracks. 

Bloom Into You – 07 – Plenty for Right Now

In middle school, a girl confessed to Sayaka. Sayaka thought it was weird, but went with it, and got very much into it, such that when she and the other girl were apart for a long time, her longing only grew. That made it particularly painful when they reunited and the other girl was just, suddenly…done with her. She laughs off what they did to be “what kids do”, and “just a phase.” But Sayaka’s heart was broken that day.

She decided to push the experience to the back of her head, and focus on her studies, enrolling at a co-ed high school where she imagined a boy would fall for and confess to her (or vice versa). But the heartbreak still stung so much she couldn’t quite focus enough to score the top grades of the class. So the role of freshman rep went instead to one Nanami Touko.

Whoever this Nanami was, Sayaka resolved to surpass her. But then she caught a look at her face and heard her voice, and she ended up never surpassing her, and moreover stopped caring about trying to. Despite never wanting to fall for another girl again, Sayaka fell for Touko.

Of course, Sayaka could never admit that to anyone, most of all Touko, because she could tell the burdens Touko bore even without knowing about the tragedy of her older sister. Touko was friendly and kind and approachable to all, but only to a point; she’d keep everyone, including Sayaka, at a certain distane to avoid exposing the old, flawed Nanami Touko she was hiding from everyone with her flawless facade.

Sayaka never thought she was special for detecting that other side, and so never seriously considered crossing that boundary to get closer to Touko, however much she might want to. Touko, in her words, belonged to no one. Rather, Sayaka carved out the role Touko’s right hand; her sidekick; her rock. Thus she could be pretty much closer than anyone else.

Touko is aware of this, and to the episodes credit, it takes time away from Sayaka’s head to spend some in Touko’s. Touko knows Sayaka is aware of “the other Touko,” but never oversteps any boundaries. Sayaka is only ever asking Touko to keep up that perfect version of herself while also supporting her in that effort. That’s the way things have been, that’s the way Sayaka likes it, and that’s the way Sayaka wants things to stay.

But now there’s a threat to that status quo named Koito Yuu. Sayaka didn’t consider Yuu a threat at first, and perhaps she still doesn’t; after all, Yuu hasn’t known Touko as long as she has. But at much as Sayaka prides herself on knowing Touko more than anyone, Touko and Yuu continue a gentle dance that is drawing them closer together. It frustrates Sayaka to no end that Yuu seems willing to so blithely cross the boundaries Sayaka established for herself…but still thinks she’ll fail, due to her “Touko belongs to no one” theory.

Touko’s reactions to calling Yuu “Yuu”—not to mention Yuu calling her “Touko-senpai”—make Yuu want to be more “aggressive;” to see how far she can make Touko go. Maybe, just maybe, if and when she does, Yuu will finally feel something as strongly as Touko does.

Like Sayaka, Yuu always thought it was puerile, weird or somehow not right for girls to like other girls. And it’s true that even in 2018 the LGBTQ community in Japan has it pretty rough, at least relative to other developed countries.

So it’s most gratifying that the show introduces a serious adult same-sex relationship in the form of the Japanese teacher Hakozaki Riko and her girlfriend, who owns the cafe where Touko, Sayaka and Yuu meet with Koyomi on writing the script for the stage play.

Hakozaki-sensei conceals this from her students when they ask how she knows the cafe owner, but like the intimacy of a first-name basis, the way the owner first greets Hakozaki before either of them are aware her students are there betrays the fact she’s hiding the true extent of her relationship. Ever the observer of human behavior, Sayaka also notices it in the way Hakozaki drinks her coffee at the counter.

While the other students are oblivious, Sayaka can tell something’s up, and her “suspicions” are confirmed when we see Hakozaki staying at her girlfriend’s place and kissing each other goodnight. It shouldn’t be such a big deal (again, this is 2018)…but it still feels like one. It’s not just what kids do. It’s not just a phase.

Sayaka’s isolation only intensifies when she hears Touko calling Yuu by her first name like it’s nothing. She stages a passive-aggressive protest, to no avail. Then, the next day, she visits the coffee shop and strikes up a chat with the cafe owner. She asks, as carefully as she dares, what her relationship is to Hakozaki-sensei. The owner states clearly and unequivocally that she’s her girlfriend.

Sayaka wasn’t prepared for such a frank, unambiguous response, but it’s something for which she’s greatly appreciative. It’s also liberating for her, and she opens up about her own feelings for another girl, even after having her heart broken by another (Touko’s name is left out of it, of course). It goes without saying (though Sayaka does mention it), but she really really needed to talk to someone about this, especially with someone who, like her, thought she should keep it a secret when she was younger.

When asked why she doesn’t simply confess, Sayaka lays out the reasons: there’s no room in Touko’s heart to accept the feelings of others; it would only be a source of stress for her; it could disrupt or even ruin what they have now, something Sayaka couldn’t bear. She asks the cafe owner if it’s okay to hide one’s feelings for someone in order to stay by her side…or is that just selfishness or cowardice?

The owner responds by giving Sayaka another coffee on the house…for being such a kind soul. Because that’s what she deems Sayaka to be. Someone who keeps her feelings hidden for the sake of her friend, who carries a lot of stress so their friend won’t have to, is very kind, in her book. Confessing wouldn’t be wrong…but neither is staying the course.

The truth is, Sayaka isn’t ready for things to change one way or another, so staying the course is the right path. Does Yuu get on her nerves? Absol-friggin’-lutely. Could it become more of a problem if Yuu and Touko get ever closer together? Of course. But as Touko makes it clear—almost as if she sensed Sayaka needed some reassuring on that particular day—is that she’s glad Sayaka is a part of her life.

If she weren’t, things would be too easy, and Touko would slack off. Standing in front of Sayaka helps her be the ideal person she strives for (which, as we know, is the person her late sister was). Wherever Yuu falls in the equation in the future, Touko will keep relying on Sayaka, which is, for Sayaka, plenty for right now.

Bloom Into You – 06 – Flawless Performance

With midterms over, the council is full speed ahead on the cultural festival stage play…although they don’t yet have a scriptwriter. Yuu thinks she knows the perfect one in Koyomi, whose novel was so interesting she read it twice before handing it back with her endorsement.

But Yuu still isn’t 100% in on even having a play, and if circumstances such as having no scriptwriter means there won’t be one, well…better that than having to worry about Touko working too hard.

This is the week Sayaka’s silk gloves come off, as she takes every opportunity to lay into Yuu on stepping the fuck off her turf. Sayaka knows the “real” Touko just as Yuu does, and deems herself the one, only, and best person to look after her.

She also gives Yuu a clue to start digging into why she’s adopted the “perfect” girl persona so far from who she really is. Her sleuthing leads her to learning that seven years ago Touko’s sister Mio was StuCo President, but before the stage play she was killed by a traffic accident.

It’s pretty clear to Yuu now why Touko is so gung-ho about the play, and about continuing to put on a “flawless performance:” since she was ten and badgered by everyone around her to do so, she’s always been committed to being just like her sister. Someone beloved, praised, and relied upon. Even if it’s all an act, she’s not going to stop…not even for Yuu.

What Yuu leaves unsaid when she confronts Touko with what she knows and asks if she’d reconsider not doing the play is that she’s coming close to falling in love with Touko. Not “Perfect” Touko, but “Weak” Touko, who you could also call “Real Touko.”

Yuu wants Touko to be who Yuu deems to be “her true self,” but it’s ultimately not her call, and she knows that. But it pains her to wonder who she’ll ever love if she can’t ever fall for the Touko she’s been dealt; one who detests the very idea of giving up on being like Mio to everyone else.

As her self-proclaimed guardian, Sayaka seems to be fine with the status quo, and doesn’t want Yuu mucking it up. But when Yuu holds back what she should say in order to maintain her comfortable limbo with Touko, it seems like a seed that could grow into something unpleasant.

Add to that the post-credit sequence, which repeats Yuu and Touko’s evening walk while holding hands but switches from Yuu’s to Touko’s head. In Yuu’s head, we can hear her desire to change…specifically into someone who can fall in love with Touko.

But here’s Touko telling her to never change. Why’s that? Touko believes words like love to be “shackles”, and that if Yuu changes she might become someone Touko won’t love anymore, leaving her alone again (clearly, Sayaka doesn’t do much for her).

It’s a reasonable position for a little sister who was essentially treated as a spare by her family and utterly lost in the dazzling glare of her big sister, only for that light to suddenly go out. Touko filled the vacuum by transforming. It wasn’t just obligation; it was fear of loneliness.