Tenten Kakumei – 08 – Brother’s Keeper

Laine’s life has been one ordeal after another. First she was born a commoner, hardly the most desirable station in this world. When her parents died, she was sent to an orphanage, where her unconscious power caused her to attract the adoration of some and bitter resentment of others.

Then Baron Cyan adopted her, and before she knew it she was the Crown Prince’s handpicked bride. It’s that latter part she thinks back on while looking into her tea. She saw a poor girl fall in the street and thought There but by the grace of God go I. She also remembers admiring Algard.

She admired him because he vowed that when he became king he’d demolish the walls between nobility and commoners. But now, like Euphie before her, Lainie is feeling lost and useless, and Ilia is there to give her small comforts like tea and kind words of support.

But suddenly, that pleasant moment is interrupted by one of Anis’ alarms and the lights going dark. Ilia tells Lainie that the villa has an intruder, and quickly whisks her away to the safety of the castle. I already admired the hell out of Ilia for many reasons, but add to those the fact she doubles as a bodyguard!

And she’d be an effective bodyguard against most anyone…except royalty like Prince Algard, who brutally impales her with a spear of light and then snags Lainie up like a fish on a pole. He tells Lainie he won’t apologize, nor will he seek forgiveness, before impaling her through the chest as well.

We know what he’s after: her vampire magicite. It is probably what he’s been after all this time, but Anisphila once again ruined his and Lord Chartreuse’s plans by harboring Lainie. At this point he believes he knows what must be done, but also knows he can’t do it without stealing someone else’s power.

The post-lecture gathering goes on seemingly forever, with Anis totally checked out. Then Moritz approaches her and is extremely pushy in his apologies for what went down with Euphie. Then the alarm goes off and he physically restrains her, and his friendly mask drops.

Moritz is Chartreuse’s son and Al’s buddy, and his job is to keep Anis and Euphie here while Al gets the magicite. The plan almost worked too, because Anis and Euphie took a summons that amounted to an elaborate diversion as a sincere attempt to sway some of the magical ministers.

When Moritz starts raving about Princess Anisphilia suddenly going mad, Anis says eff it and unleashes her dragon power to force him to let go of her. When a magical attack is thrown her way, Euphie is immediately there to reflect it.

Just when it looks like the two are in for a protracted fight against the guards who are swayed by Moritz’s ranting and Anis’ odd behavior, Tilty steps in and immobilizes everyone but Anis and Euphie, allowing them to fly off without delay (this time with Euphie carrying Anis). Great teamwork all around!

They arrive at the villa courtyard where Ilia and Lainie lie bleeding out. Anis assures them both they’ll be fine. Euphie starts using healing magic but isn’t sure she can save Lainie, but Anis tells her to do her best and hopefully Lainie’s vampiric body will heal itself.

That said, with the magicite now in Algard’s possession, all bets are off. While Anis had a dragon tattooed on her back, Al goes the Final Fantasy Big Bad route and just shoves the magicite straight into his chest. After a little wrenching in pain, his eyes turn red, and he looks much more like an opponent to be worried about.

More distressing than what Algard has done is why he’s done it. At the end of the day, both he and Anis have the same basic vision for the kingdom: one where everyone will be on equal ground. Except in his case that will be achieved through the wielding of the absolute power the vampire magicite provides.

A life of waiting has thoroughly curdled Al’s personality, to the point where he’s not even going to try a peaceful or bloodless path to reconciling nobility and commoners; he’s just going to kill and subjugate who he needs to until he’s satisfied a new kingdom has been born.

It goes without saying Al doesn’t believe magic should be used to make people happy. He sees his magical ability and his position as heir apparent to the throne to be nothing but curses, so of course he has no problem exacting suffering on others.

On the surface Al’s your typical deranged villain who is probably going to end up destroying himself before being beaten by our heroes. But there’s a lot more dimension to him. I still find him a pitable man (probably the last thing he’d want to hear). For someone who says they’re abandoning emotion (like his genuine affection for Lainie), he seems awfully angry!

What I can’t say is exactly how much Anisphia contributed to the creation of the present villainous monster that is Vampire Bro Prince. Al truly hates her for having so carelessly cast aside her birthright, and it could be she spent so many years buried in her magicology she neither spent enough time nor kept a close enough eye on her increasingly troubled little brother.

Now, desperate for power, Al took a shortcut and stole it from Lainie. Can we really say Anis is any better for having killed an ancient and noble dragon and taken its power? I don’t know, but at least Anis wants to make the world a better place for humans the right way, with cooperation, understanding, and rad inventions.

But at the end of the day, if Algard insists that the one with the most power wins, then she’ll indulge him by using her power—which she is confident far outstrips his shoddily stolen vampirism—to stop him. It should be one hell of a battle.

Tenten Kakumei – 07 – The Heretic’s Advocate

The writing of Tenten Kakumi is so solid I was confident I knew Euphie well enough to know that Anis bringing Lainie to the manor be a problem at all. Sure enough, after a few tense moments, Euphie makes clear to Lainie that she’s heard her circumstances, and that there’s no hard feelings. It’s such a sweet and empathetic welcome, and Lainie’s tearful relief is so pure, I gotta admit I tear’d up too! And this is before the dang OP!

As if there were any doubt, these young women have each others’ backs. That extends to Ilia and especially Tilty, who is eager to meet the girl with magicite in her body, unlike Anis, not by choice. Meeting Tilty in person (and experiencing her inherent powers) strengthens a working theory Tilty, like Anis, had already been working on.

She consults a forbidden text Anis brought from the library a while ago, one that chronicles a magician who used the lives of others to extend his life so that he could continue the ages of research needed to find the “truth” of magic. And after a procedure that “awakens” the magicite within Lainie, her eyes suddenly turn red and she sprouts fangs. That’s right, she’s a vampire…or at least the descendant of one. That’s freaking awesome!

With the eyes and fangs also comes a control over her power of persuasion she never had. Lainie is infinitely grateful to Tilty and Anis. As Euphie observes them, she wears a face of jealousy without knowing it. Tilty takes her aside and calls her out on it, asking her what she is to Anis and where she sees this going. Euphie isn’t sure, but knows it requires some serious thought, and Tilty gently warns her not to go into whatever she decides half-heartedly.

Tilty isn’t the only one who sensed something off with Euphie. That night, Anis visits her in her pajamas with the hunch that Euphie was feeling down. Euphie asks Anis why she’s so into magic, and all Anis can really say is that it’s akin to being in love; you don’t know why, you just are. Euphie says she wants to fall in love like that, and Anis takes her hand and asks if she can sleep with her tonight.

That morning, after Lainie gets her breakfast of Ilia’s blood, another side-effect of her awakening (I love how polite Lainie is in asking for it, and how understanding Ilia is) Anis receives summons she’s been expecting. It’s from the Ministry of the Arcane, insisting she give a lecture properly explaining who she intends to use the dragon materials.

To Anis’ surprise, Euphie volunteers to handle this matter, and at the lecture, we find out why. Anis is regarded as a potentially dangerous heretic, and her magicology and magical tools are considered sacrilege against the spirits and gods those in the kingdom worship, as well as the old boy network that is the ministry.

The fact she can’t actually use magic is another mark against her, but Euphie steps up and provides a passionate, full-throated endorsement not just of Anis’ broom, but of the concept for a more practical and versatile flying machine—the development of which will require dragon parts.

As a famous and established magical genius, Euphie speaks with an authority the ministry cannot challenge or throw into doubt, especially with the new knowledge that essentially exonerates her of wrongdoing in the Prince Algard affair. She also makes clear that Anis’ inventions aren’t an affront to the spirits and gods, but are in fact an expression of respect.

Anis’ talents are a gift from those very gods—like Mozart’s music—and magicology and the products it yields will make the kingdom more secure and prosperous. With her combined full-hearted defense of the princess and convincing sales pitch, Euphie wins the majority of the ministry’s hearts and minds. She also gets an impressed smirk from Tilty, and moves a grateful, blushing Anis to tears of joy.

While watching Anis and Tilty talk the other day (and inadvertently glaring at them), Euphie thought to herself “these two are incredible”. That’s true, but she is too! And now they’ve got the ministry on their side and an adorable vampire friend!

In fact, things are looking so far up that part of me worries about what Algard might have cooked up for them down the road. But really, as long as these women continue to love and support and be good to one another, I’m confident nothing can stand in their way!

Tomo-chan Is a Girl! – 02 – Enemies Becoming Friends

When Tomo boards a bus with Jirou and sits right beside him, the closeness makes her heart race too much, so she stands, bitter that he doesn’t conside her a girl enough to be equally flusterd. However, he shows he’s very much aware she’s a girl when he spots a pervert groping her and puts a stop to it.

Unfortunately for Tomo, his solution is for her to stop wearing skirts, because they “look wrong” on her. What Jirou isn’t sharing with Tomo is that the reason it looks “wrong” is because Jirou is still uncomfortable with his “best bud” being a woman—especially one with legs to the damn moon!

After slugging Jirou, Tomo reports this injustice to Misuzu the next day. She determines that the problem isn’t the skirt, but the bike shorts underneath. She tells Tomo that the key to a skirt is basically the reality that there’s nothing but underwear underneath. In other words, no half-measures allowed.

Misuzu arranges for Tomo to walk home with Jirou (who is eager to make up), but without the bike shorts. Misuzu’s original observation that the skirt is simply too short to wear on its own without errant winds rendering her unmentionables visible. It’s doubly a shame this happens during an otherwise romantic sakura-strewn sunset stroll.

They later make up again, with Jirou rightfully apologizing for presuming he can tell Tomo what to wear. That said, he doesn’t think she should wear anything she doesn’t feel comfortable in. But as we see from his version of a blush, the main reason he’d rather Tomo wear slacks is because he’s just not ready for those endless gams.

The second part of the episode introduces Carol Olston, a blonde student from Britain. Half of the boys in class are in her thrall, while the other half prefer Misuzu’s cool beauty—we know Jirou is interested in neither. She’s also voiced by Sally Amaki, who is bilingual, so I was a little disappointed she didn’t have any English lines.

Carol is introduced to Tomo via Misaki, and Carol is quick to declare that she and Misaki are engaged and have in face already been married three times. Misaki clarifies that they’re childhood friends, hence all the weddings, but it’s clear Carol considers their engagement legally binding—and views Tomo as an enemy who might steal her Misaki away.

This is only half-true and half-nonsense; the latter because Tomo doesn’t like Misaki that way and has eyes only for Jirou, and the former because Misaki does seem to have a little thing for Tomo. In any case, Carol is sharper than her cotton candy looks and ditzy affectation suggest.

When Tomo reports her encounter with Misuzu, it’s plain as day to Misuzu why Carol keeps calling her a baaaka. Then Carol gathers intel on Tomo by speaking to both Misuzu and Jirou, demonstrating her genral oddness by sitting on Misuzu’s desk and hiding in Jirou’s locker.

Carol ends up hiring Jirou to help get her into shape “to defeat an enemy”, but on the surface, and unbeknownst to him, it totally looks like the two are going steady. Tomo is genuinely freaked out by this, and Misuzu, shit-stirrer that she is, sucks up all that sweet sweet energy.

Watching Carol utterly fail to run more than ten feet or do even one push-up or sit-up is amusing, but not as hilarious as a distracted Tomo unknowingly and lazily turning Misaki—who is likely no slouch, karate-wise—into a pretzel.

Misuzu egged Tomo on to confront Jirou and Carol partly for her own amusement, but also because she wants Tomo to display more urgency in trying to win Jirou over, which means defending her claim to him.

But when she does confront the two, it only takes a moment for Carol to read Tomo’s reactions and conclude that she is absolutely no threat to her vis-a-vis Misaki, as she’s only interested in Jirou.

That afternoon, Carol invites Misuzu out for coffee and cake in what Misuzu calls an “unnecessarily long car” as thanks for her advice. Carol confides that she doesn’t have a single friend, so Misuzu suggests she reach out to Tomo, who will surely be glad to have her as one.

The next day Carol thinks about all the times her open hand of friendship was rejected by those who thought she was too pretty, or too rich, or too weird. But just as Misuzu said, Tomo welcomes Carol’s friendship, and thus appears to her like an angel. Misuzu also agrees to be Carol’s friend, because Carol is loaded, and can likely also help her in even more complex and entertaining schemes to make Tomo and Jirou squirm!

Speaking of, the episode ends with Tomo learning for the first time that Jirou and Misuzu briefly dated years ago, which not only explains their cool-yet-close attitude towards one another, but also draws another parallel between Hidaka Rina’s Misuzu and her character Yume from My Stepmom’s Daughter Is My Ex!

Rating: 4/5 Stars

Classroom of the Elite – S2 09 – Relationship of Convenience

Ryuuen agrees to feed Kikyou with the questions he wrote for Class D, which she’ll use to win the bet and get Suzune and Kiyotaka expelled. In exchange, Kikyou will help make sure Class C wins Paper Shuffle. Ryuuen then takes his gang to go investigate the study group with Kiyotaka and Yukimura, bringing along Shiina Hiyori to try to determine if the Class D Mastermind is among them.

While the experience shakes the group, Haruka likes the vibes they’ve created and decides to formally make them a group, complete with everyone in it being on a first-name basis Airi suddenly inserts herself into the group and asks to join in, presumably to be close to Kiyotaka, and the group agrees.

That night, Kiyotaka calls Kei, but not to invite her to the movie his study group is going to tomorrow. Instead, he has a favor to ask of her. Kei, who wants to become closer to Kiyotaka, has a birthday gift wrapped and ready for him, but has to settle for a LINE sticker, to which he reacts with his usual Ayanokouji stoicism.

The next day when the study group heads meet at karaoke to discuss progress, it becomes clear what Kiyotaka asked Kei to do. She confronts Kikyou for her unrelentingly sweet good girl attitude and accuses her of looking down on her, even tossing a drink on her uniform. Yousuke scolds her and she apologizes, tearfully asking if she can get Kikyou’s uniform washed; Kikyou agrees.

The big day of the Math test that will determine both Suzune and Kiyotaka’s fates arrives, and Maya makes it a point to greet Kiyotaka, only to be shuffled off by a clearly jealous Kei. Yousuke can tell how she’s taken a liking to Kiyotaka, and suggests that having a non-fake boyfriend would probably be best for her.

Before pencils up, Kiyotaka and Suzune revel in the class unity that’s been created through their efforts. Then the test begins, and Kikyou immediately realizes that the test questions she gave Ms. Chabashira are nowhere to be found. Just like that, she’s lost the bet, and she knows it.

Kikyou can’t even pretend to hide her rage when she slams her hands on the desk and then storms out of the classroom. While she’s been a lot more bluster than bite as a villainess, it was still satisfying to see her brought low after she thought she had the Shuffle in the bag.

She meets Ryuuen to voice her anger, but Ryuuen tells her he doesn’t owe her his loyalty, since she couldn’t deliver what she promised him. The bottom line is that before she even made a deal with him, Suzune already had her beat, by going to Chabashira before her and getting her to agree to only accept questions from her, the official class rep.

Kiyotaka explains this to Kei, who then wonders why he had her plant a cheat sheet on Kikyou’s uni. That was only meant to be insurance in case Suzune’s gambit failed. But Kiyotaka has to hand it to Suzune, she achieved this victory all by herself, proving she’s grown as a person and and operator.

Considering the witness, Kikyou has no choice but to abide by the promise she made should she lose to Suzune. Suzune reaches out her hand as a gesture of trust, and is determined to get Kikyou to like her, but Kikyou assures her that will never happen. She also makes clear that while she promised not to try to sabotage her, their deal didn’t say anything about Kiyotaka.

Still, I have to think that the fact that Kikyou and Ryuuen sever their brief alliance can only hurt both parties and help Kiyotaka. He probably knows that too, which is why he presented Ryuuen with the facts on the ground; that Suzune already had Kikyou beat, and got him to agree to a deal to alter Class C’s questions.

Ryuuen doesn’t like one bit that the Mastermind used him the way he so easily uses others, so he plans a bit of revenge in the form of destroying Kei, sending Kiyotaka a photo of her to make it plain. Combined with Kikyou preparing to focus all of her efforts on getting him expelled, Kiyotaka now finds himself in the crosshairs of two adversaries at the same time.

Is that just fine with him? You bet. He welcomes both Ryuuen and Kikyou coming at him with everything they’ve got. It will only make his victories over them that much sweeter. And as huge a prick as Kiyotaka usually is, his commitment to protecting Kei, like his pride over Suzune’s growth, is genuine and admirable. I’m not about to bet against him now.

My Stepmom’s Daughter Is My Ex – 06 – Arbitrary with the Friend Bar

Yume was always at the top of her class until one day her position was usurped by Mizuto. She was devastated, and studied without sleep to beat him at the next round of exams—only for it to look like he couldn’t care less when she did. But when they met in the library, she learned that the rivalry wasn’t in her head; that he was only pretending not to care, and he really was watching her. That was when she fell in love with him.

It’s a desperately sweet story, just the latest in a string of them that make one wonder what was really so bad about these two dating (though to be fair we haven’t seen much of the “dark times” that ultimately led to their breakup). In any case, Yume is reminiscing about class rankings because she and Mizuto find themselves locked in a new battle as high schoolers for the top spot. When she sees him taking it easy in the living room, she assumes he’s taking her lightly.

Then the first day of exams passes. With her self-grading she determines she probably got a 96, which is good but still leaves the window open for Mizuto. She sneaks into his room to try to find out how he did, and is so outraged that he left the last few questions blank that she abandons all pretense and angrily confronts him in front of their mom, who has to stop her from striking Mizuto.

Mizuto tells her that yes, he did skip those questions, because as she’s so fond of saying, he doesn’t care what anyone says or thinks, so it’s fine if she has the top spot. Of course, Yume doesn’t want it that way, and storms out of the room in tears. The next two days of exams pass with her trying to focus on her studies and not her jerk of a “little” brother.

When the scores are revealed, Yume finds she’s ranked second below Mizuto, and momentarily has an existential crisis. After all, she’s believed up until now that a key facet of her high school “rebirth” is maintaining that top spot, and anything less would be failure.

But when her friends treat her no differently, and in fact congratulate her for almost beating Mizuto, she realizes that the top spot wasn’t a defining characteristic upon which her entire high school life relied. In short: she’s going to be fine.

Yume assumes that Mizuto beat her to send her that message, and she’s grateful for it, and for his ability to understand her when no one else does. That said, when she races to the library to talk to him, he’s already in a conversation with another girl, one very much like the kind they’d engage in in middle school.

This girl is Higashira Isana, voiced by Tomita Miyu, and she and Mizuto get along like lobster and garlic butter. Even Mizuto is somewhat astounded by just how beautifully the two of them click, completely comfortable being themselves around one another. Isana, who prefers to read barefoot, even asks Mizuto to put her socks on her, and he does it, because what are friends for?!

Foot play aside, Isana is as uncomfortable around others as she is comfortable around Mizuto, as evidenced when the two of them encounter Yume and Akatsuki after school. Isana reverts to a six-year-old hiding behind her dad, but Mizuto, irked by this whole enterprise, heads home without comment.

Yume figures she must be jealous, but considers that wrong now that they’re no longer dating and stepsiblings. So she pretends everything’s fine, and then over-compensates by being friendly, kind, and thoughtful to him at every turn. This, of course, vexes Mizuto to no end.

He brings it up to his new bestie Isana, who suggests that everyone a set of criteria for how they think their life should go, and when that’s threatened, some, like her, get up in arms. When she admits she’s never been one to go with the flow, that triggers in Mizuto the problem: he’s been going with the flow too much around Yume. He needs to be more active and sincere in their interactions.

That said, he doesn’t miss an opportunity to tease Yume by arriving in her room in a fetching vest, drawing near, feeling her pulse, and noting how it’s double the normal heart rate. Yume was just talking about how forgetting about Mizuto made her life easier, only for that house of cards to come crashing down.

Instead of continuing to go along with her “unreasonably calm, sincere, and understanding” attitude, Mizuto asks her what’s up. To her credit, Yume tells the truth: she thinks she feels a little jealous of Isana. When she in turn asks why he was bothered by her not acting snide and sarcastic, he tells her it felt as if what they went through in the past didn’t happen.

Being honest with each other helps Yume and Mizuto make up, and the next time Yume meets Isana, she greets her as if she was Mizuto’s big sister. Isana comes out of her shell a little and shakes her hand, and the air is cleared vis-a-vis Mizuto and Isana, namely that they’re just friends. That said, the more Yume and Akatsuki see them interact, the closer they seem.

At the halfway point of the series, I’m happy about the introduction of Isana. I like her; she’s weird and cool, Tomita gives her a husky lilt that’s a nice contrast to the squeakier girls, and her chemistry with Mizuto is sublime. I’m looking forward to their future interactions.

Rating: 4/5 Stars

Call of the Night – 05 – Feel Them for Me

This week starts off with a day/night in the life of Nanakusa Nazuna…at least before the sun goes down. It’s not even 17:00 when she sun wakes her (but notably does not burn her). The ensuing events are a glorious festival of boredom as she tries to fill time she’d normally be asleep.

When she’s sick of video games and TV and considering cleaning, she heads out into the night (at just 20:00), plays with a kitty, then hits up a not-busy-at-all bathhouse where she finally releases her lilac locks from her trademark braid loops and laments her inability to see her reflection.

While she asks the desk guy to tell her when her watch beeps, his reflexes are no match for hers (though for a split second when she threw open the bath door he saw her nude, the next split second she’d wrapped herself in a towel). Her coat, sneakers, and long hair make for an entirely new, cute look Kou isn’t ready for.

They head back into the bath (on separate sides, natch) and an inner monologue from Kou ensues. His nights of late have been fun and amazing, but his “heart is always busy” with thoughts good and bad, conflicting and confusing. He’s so busy sifting through those emotions he completely blanks out…until Nazuna gets right in his face.

That’s when he asks her to drink his blood. Because as it turns out, when she does, it clears his head, calms him down, and allows him time to assess the feelings he normally couldn’t untangle. He gets his blood sucked to know his own feelings. But precisely because he’s so riled up, his blood tastes so good Nazuna drinks more than usual.

Not in a discriminating mood due to his fatigue, Kou suggests they rest as the nearest place that says it’s for “rest”…which turns out to be a love hotel. The pink neon lights were a dead giveaway to me, but I didn’t just get my neck drained, now did I? That said, once they’re in the room, the fact Nazuna is jumping on the bed like a kid makes things a little less tense.

Nazuna then reveals to Kou that when she drinks his blood, she can also get an idea of what he’s thinking and feeling from the taste, including the desires he has when he looks at her, a woman. Kou tells her it feels “immoral” to feel that way with a “friend”, but she retorts that enjoying the night the way they are is immoral to most.

Nazuna reminds them they have a deal because his blood tastes so good, and now he knows why: because of the intensity and diversity of emotions hanging out with her creates. She wants to taste all of his fun, pain, joy, sadness, and everything in between.

Another night, Kou’s mind starts churning again, deducing that because she finds his blood so tasty, it means she’s drunk the blood of others in order to compare. Even if he weren’t an open book, Nazuna knows his feelings through his blood, so she teases him for being jealous, but also makes it clear it’s a much more businesslike affair for other men and women since she makes her living…as a professional snuggler.

The whole idea of this is super raunchy, but that’s reductive thinking for someone who has only begun to enjoy the call of the night. She offers a friend’s discount for her services, and he orders the massage course. Not only does he learn something new about Nazuna, which he’s always eager to do, but he learns she’s actually quite good at massage, and using various pressure points to redirect blood and oxygen flow.

Nazuna is about to transition from massage to blood drinking (and the lights in the room suddenly go dark and everything is suffused with that intense, intimate red light) when there’s an unexpected ring of the doorbell: one of her clients. Nazuna has not been working since she met Kou (resulting in her being a little light on funds, but after working on Kou, she’s tired, so she asks him to take care of the client.

…The twenty-four-year-old, raven-haired, stressed office worker client Shirakawa Kiyosumi, that is. Kou is worried about not knowing what to do (among other things), but Nazuna tells him just to emulate what she did to him and he’ll be fine. Also, since she knows a healthy measure of his thoughts and feelings every time she goes to the red well, she offers him the reward of another kiss if he does this for her.

Kiyosumi may ether be throwing her money away tonight, or Kou may be a natural at massage and just not know it. The bottom line is that both the night and Nazuna are opening new doors and new experiences for Kou.

The Devil is a Part Timer!! – S2 E03 – Family Matters

With the mission of keeping a smile on Alas Ramus’ face, Maou and Emi play the roles (in Emi’s case, reluctant role) of mama and papa for the mysterious child. They buy her a hat to keep the sun off her face, one of the countless things parents must think about when caring for their child.

Unbeknownst to either Maou or Emi is the fact that Suzuki, Chiho, and Ashiya are tailing them. Suzuki wants to see Emi’s face while she’s on a date with a man, Chiho is curious and a little worried, and Ashiya just wants to make sure Maou doesn’t spend too much.

Alas seems particularly drawn to bright colors, such that watching a colorful power ranger show suddenly activates a purple crest on her forehead and makes her drowsy. Maou and Emi take her out of the show, and while Maou goes to obtain a cold drink, a mysterious woman in white appears, seemingly heals Alas, and disappears before Maou returns.

With Alas feeling better, Maou and Emi take her up into the Ferris Wheel. Suzuki and Ashiya follow, but Chiho is held up when she helps an old lady with the ticket machine, so the other two end up nice and cozy in what Suzuki describes as “a private room in the sky”. Suzuki x Ashiya shippers: it’s time to eat!

When Emi tells Maou to spill the beans about what’s going on with Alas, he tells her how the day his clan and parents were slaughtered, a passing angel took pity on him and saved his life. To Emi, this means an angel was indirectly responsible for letting the Demon Lord rise to power and conquer Ente Isla.

Alas, he surmises, could be an incarnation of Yesod, one of the sephiroth, or cosmoplastic orbs of the Tree of Life. That means Alas is beyond angels and demons, but in her own special category. Whatever she is, she needs to be cared for, and Maou and Emi do a good job throughout the day.

However, that day is interrupted by unwanted visitors: Urushihara and Suzuno are captured by Gabriel and his heavenly regiment. Gabe has a simple ultimatum for Maou and Emi: hand over both Alas Ramus and the sacred sword. Neither are interested in handing over either.

When Gabe resorts to brute force, Chiho appears and shields Maou from further harm, bowing and shedding tears on his and Alas’ behalf. Disinclined to look or sound like the “bad guy” (he is an angel after all), Gabriel decides to withdraw for the time being.

However, he promises he and his heavily heavies will be back first thing in the morning to collect the child and the sword. With that threat looming, Maou asks Emi to stay at their place tonight, an offer that flusters both her and Chiho. Time for a sleepover!

Call of the Night – 03 – Night Fight

While I could absolutely keep watching just Kou, Nazuna, and the night for ten or eleven more episodes, the introduction of Asai Akira doesn’t ruin the vibes. In fact, she brings a unique dynamic: Kou’s only human friend, something he didn’t think he had in her. When he placed the blue watch on the mailboxes, he didn’t mean to place it right above Akira’s, but that’s how she took it.

When Kou was an aloof kid off on his own in the playground, only Akira went to him to see what he was up to. When he said he was fine not joining the others, she joined him instead, and declared them friends. He didn’t object, but he probably forgot that exchange that Akira dutifully maintained. She still considers him a friend, and is glad he’s doing okay.

So Kou begins leaving ever-so-early from his nightly visits to Nazuna’s for some bed-lying and blood-sucking so he can meet up with Akira (who is an early bird to his night owl). Nazuna jokes that he’s going off to see another woman, and immediately senses from his expression that she’d accidentally nailed it. That said, Kou admits in voiceover that he and Akira don’t do much other than exchange inoffensive small talk.

On one such occasion in the park, he asks if Akira is having fun. She puts the question to him, and he says he isn’t not having fun, so she replies that she is. Just as Kou, extremely inexperienced in such things, starts wondering if Akira likes him, Nazuna menacingly emerges from the shadows only to give Kou a friendly pat on the shoulder and congratulate him for doing “hanky-panky”.

She tells Akira her and Kou’s relationship is “purely physical”, and while Akira’s mention of romance (upon hearing Kou call her “Nazuna-chan) once again makes Nazuna blush, she shakes that off by basically marking her territory, sucking Kou’s neck right in front of Akira and announcing she’s a vampire.

At a 24-hour café, the three sit, and Akira tries to grasp the situation. She asks Kou if he’s skipping out on school because of Nazuna. While she may kind of be the reason now, she wasn’t the original reason, which was that he simply couldn’t be bothered with it anymore. Akira feels the same way, especially with Kou gone, but didn’t ditch because she thought she had to go.

She thinks she’d have more fun if Kou were around, so she asks him to come back to school. When Kou doesn’t immediately refuse and seems to hesitate, Nazuna seemingly gets miffed and suddenly splits. Kou follows after her, asking if she’s angry and why, but Nazuna doesn’t feel like spilling it out, and is clearly still mad, so she flips him off and does her vampire warpspeed thing. Kou looks for her all night, without success.

Finally, in that magical in-between time just before sunrise, Kou falls on his face while climbing some stairs, then uses his receiver watch to call Nazuna. She responds, and he proceeds to tell her that while he doesn’t really “get” fights like the one they’re apparently in, but he wants to make up with her. With that, Nazuna suddenly appears, and is once again as honest with him as he was with her, saying she was “ticked off” by him hesitating after Akira asked him to come back to school.

Turns out she misunderstood; Kou hesitated because he wasn’t sure how to tell a human friend that couldn’t go back to school because he wanted to become a vampire. With that cleared up and the two well and truly made up, Nazuna notices the blood from Kou’s tumble, and proceeds to kiss him in order to drink it, remarking that “a lot came out”. She liked how he said human friend, and that it suggested he had a vampire friend too. Kou may not know this since she’s his first, but vampire friends do kiss.

Heroines Run the Show – 11 – The Mask Falls

Our episode opens on someone we haven’t met before: an extremely enthusiastic café maid adding her love to her customer’s omurice. When she removes her wig and puts on those distinctive glasses, we discover it’s Chizuru, who it would seem we still haven’t met…not for real, at least.

Chizuru doesn’t seem to like working her ass off at this job, but she apparently needs to so she can keep making money to send…to LIPxLIP, and Aizou in particular, with whom she is particularly smitten. She has hidden that intense infatuation from both the boys and her friends…but one day she’s sloppy, and Yuujirou hears her phone when she snaps multi-burst shots of them playing basketball.

Back at work and as popular as ever, and with the scandal well behind them, the boys have a new problem: Hiyori isn’t around anymore. Their new old manager mixes up their drinks. It’s a little thing, but after Hiyori made that mistake she never made it again; it speaks to what a dedicated, detail-oriented hard worker she was, and what a void she leaves. Hiyori has done her best to forget about her old job and focuses on track, but her times are slower and she’s clearly eating more at lunchtime.

When Juri notes that the harassment of her has mercifully ceased, Hiyori says she’s most sorry about “hurting the fans”, and as Chizuru is one of them, she has to quickly excuse herself so she can drop the friend facade, whip out one of the photos she took of Hiyori with LIPxLIP, and curse her as she blots her out with a Sharpie. Yuujirou witnesses the entire tirade.

Juri invites herself and Chizuru over to Hiyori’s for a pizza sleepover, but the discussion becomes awkward when Chizuru answers that yes, she does have a crush. That’s when Yuujirou strategically side-checks her in such a way that her bag goes flying…and the incriminating photos fly out too.

Juri’s cavalier reaction—almost as if a part of her she expected something like this, is contrasted by Hiyori’s sheer bewilderment. She’s genuinely unsure of what’s going on, until Chizuru makes it nice and sparkling clear: she fucking hates her guts!

The sleepover obviously cancelled due to the death of good vibes, Hiyori instead runs all night, only to replenish all the calories she burned with another crepe sesh with Mona-chan. Mona draws from her own experience “hating” her sister to tell Hiyori that “hate” is often just an easy label for more complex feelings buried beneath all the bluster.

Hiyori is all aboard with the idea of reaching out to Chizuru and asking her how she really feels, but Chizuru doesn’t want to talk, and avoids her at every turn the next day. I thought at first Hiyori’s superior speed would have the advantage in the ensuing cat-and-mouse, but lest we forget, Chizuru snapped those photos while remaining totally undetected. It’s like trying to corner a ninja!

When Hiyori finally does tackle Chizuru, none of Chizuru’s hostility has dissipated. If anything, she’s even more annoyed that Hiyori won’t leave her the ef alone. But when pressed, Chizuru maintains that she did nothing wrong, and that it’s the “nobody” Hiyori’s fault for getting so close to the idols and not “knowing her place” like Chizuru.

In the rancor she dispenses, Hayami Saori brings back shades of Hatoko’s Rant and demonstrates once more why she’s among the best in the business. When given dramatic meat, she leaves nothing on the bone. The tussling gets more and more physical until the two are literally throwing right crosses at one another, but only Chizuru’s lands, knocking Hiyori clean out with a fountain of blood.

When Hiyori wakes up in the nurse’s, Yuujirou and Aizou are with her…and so is Chizuru, asleep by her bed, clutching her hand, her eyes raw from tears. Seeing her there, one can’t help but forgive her, because she wouldn’t be there if she didn’t actually care about Hiyori. Perhaps she can ditch the easy, safe hatred and explore the true feelings beneath, but the episode wisely doesn’t wake her, leaving us to wonder until next week.

Love After World Domination – 04 – Can’t Take Me Home

This week showed that while many of the characters play rather cartoonish heroes or villains, at the end of the day everyone’s a normal human being. Desumi even attends high school and has normal friends while she’s not “at work”. But while hanging out after school, she spots Fudou with the new Pink Gelato, and her reaction—running away in tears—is as intense as her friends are confused.

Pink, AKA Haru, is also confused…by the photo of Fudou with what looks an awful lot like a girlfriend. She and Fudou aren’t on a date; she needs to ask him about the photo. But instead he intuits the reason for their meet-up is that she’s interested in upping her physical training regimen. Haru is helpless to stop him from going off on his favorite topic, and she ends up relieved, as there’s simply no way Fudou would have a girlfriend.

But he does, and she’s pissed. When Fudou and Haru’s coffee is interrupted by a call of duty, Fudou finds and engages with Desumi expecting them to go through their usual dance, only this time Desumi’s dropkick lands. He thinks it’s an accident, or they’re just a little out of sync today, but eventually he realizes Desumi is hitting him on purpose.

The two end up in a secluded warehouse, where Desumi admits that even though her brain didn’t really think Fudou was cheating on her, the sight of him with Haru sent her heart into such turmoil she didn’t know what to do with herself. In fact, she started to think maybe someone “girly” like Haru would be better for him than a jealous, violent, loathsome outcast like her.

Fudou is swift in both his comforting hug and his rebuttal: he will only love her, with everything he’s got, as long as he lives. With her totally undeserved self-loathing out of her system, she and Fudou simply exist together for a bit, hand in hand, planning an afterschool date in their school uniforms…when all of a sudden they notice that Pink Gelato is sitting right next to them.

Fudou and Desumi are certain they’re 100% busted and doomed. But the thing is…they aren’t, at least not for the time being. They both believe Haru is planning something, and simply biding her time before she drops the hammer. But Haru is conspicuous in not only not telling anyone what she saw, but acting like she never saw it; like everything’s normal.

That is, until Fudou and Desumi’s after-school date. After a civet(!)-based false alarm, Desumi realizes Haru is lying in wait, and sends Fudou off on an interminable and ultimately doomed Starbucks run. Haru doesn’t mince words, challenging Desumi to a duel. Despite her transforming into Pink Gelato, Desumi handles her easily even in her school uniform. After all, Pink’s only been at this six months; Desumi’s a veteran enemy commander.

Desumi puts the end to the fight by knocking Haru out, but Haru is shocked to find that when she wakes up, Desumi is still there beside her. She admits that she joined Gelato 5 because she was in love with Fudou. She always suspected someone so amazing would have a girlfriend, but never expected it to be someone else she knew. Turns out Desumi rescued her from some thugs in an alley…and inspired her to become stronger.

Haru heard everything Desumi said to Fudou in the warehouse about how “love was making her weak”, but after fighting her, Haru assures her she’s as strong as ever. As for why she didn’t snitch on them, well…as much as she wanted Fudou to be hers, it just wasn’t in her to steal happiness from Fudou or Desumi. When Haru says this her eyes well up with big soppy tears. Desumi can’t help but hug her, and then she starts crying too.

When a very confused Fudou sees Haru’s head in Desumi’s lap and asks what’s going on, Desumi simply shushes him; let Pink Gelato rest a little more. Once she’s awake and back in her uniform, the three walk a bit together. Having experienced a catharsis, Haru is now rooting for Fudou and Desumi…but playfully won’t rule out stealing Fudou if given the chance.

It’s amazing how quickly this love triangle came together this week, and how affecting it was throughout its progression. From Desumi’s early jealous spiraling and Fudou’s stalwart vow he’ll never leave her side, to Haru’s discovery of their tryst and how she handles it, this was Koiseka at its best and most heartwarming.

Kaguya-sama: Love Is War – Ultra Romantic – 03 – Heads Up, Tails Down Bad

Kashiwagi P.I.

Kaguya-sama is to my mind never a show that has to scape the bottom of a barrel, because it has a whole cellar full of barrels that are always full. Take the oft-sampled scenario of the romantically inept Student Council having to give advice to the far more experienced Kashiwagi Nagisa. In this case, Nagisa has come suspecting her boyfriend of cheating on her with her friend.

Nagisa proceeds to confess to a number of actual crimes of privacy invasion before making the ludicrous statement of hiring a P.I. because she trusts her man, but every time Miko tries to point out how rashly Nagisa is acting, Kaguya steps in to support Nagisa’s theories. When Miko says going to karaoke with someone is cheating does Kaguya say it isn’t (due to what happened with Miyuki and Hayasaka). Miko is feeling so bad she has to listen to her self-affirmation audio.

Ultimately by talking things through with Kaguya and Miko, Nagisa works up the courage to confront her boyfriend directly. When he reiterates that he likes her and gives her a gold heart necklace, all is forgiven. Miyuki and Yuu believe the guy made a slick move, while Kaguya, Miko and Chika all agree the necklace is lame as hell! Then Nagisa and her bae start making out, and we’re reminded that it’s the student council that’s lame to cast aspersions about gifts when none of them are officially dating.

Lovesick Heart of the Nation

The second segment involves the other side of the love triangle: Nagisa’s old friend Shijou Maki (a dynamic Ichinose Kana). After pretending not to care about Nagisa telling her not to hang out with her BF so much, she walks home slumped over like Charlie Brown (or George Michael Bluth). Yuu and Miyuki are chatting spiritedly when the latter suddenly steps on the prone Maki’s head, accompanied by a sound effect for the ages.

Just as Kaguya and Miko had to counsel (i.e. endure) Nagisa, Miyuki and Yuu are pressed into service as advisors to Maki, who is a particularly haughty member of a Shinomiya branch family, is possessed of incurable tsundere-ness, and can flip the cuteness on and off like a plasma globe. She goes to some dark places but you can tell it helps just to have someone to listen to, even if she deems them (mostly Yuu) an ignoramus.

The two boys agree to help her steal Nagisa’s boyfriend in large part due to this ability to come across as unbelievably cute and sympathetic. Yuu also admires her unvarnished honesty about everything but her love of Nagisa’s bae (finally admitting she does after denying it ten straight times).

After a tense, hostile interaction with her “auntie” Kaguya, Maki says both boys said she was cute, which has Kaguya in Miyuki’s face like stink on shit. But Miyuki can’t very well say he finds Maki cute because she reminds him of Kaguya, not can he?!

Polygraph-Enhanced Fun

In the final segment, Kaguya, still curious about what exactly happened at that group date, asks Chika what goes on at such functions. Chika hasn’t been to one either, but is aware of group date games like one played with 10-yen coins and revealing yes-or-no answers that are kept anonymous by a handkerchief.

Like most seemingly innocuous little games Chika suggests the council plays, this one becomes a battle of wits between everyone to get the others to admit to something they wouldn’t normally admit to. Chika naturally wants to know who is currently in love (three of the five of them…but who’s the third?).

Yuu wants to know who hates him (only one…but it might not be Miko?) Miko wants to know that she’s necessary and wanted (five yesses…even from Yuu). When Kaguya notices that you can tell whose answers are whose by the mint date of the coins, she tries to trap Miyuki into a confession, with the added protection of Chika insisting on a polygraph if any lying is suspected.

Of course, she’s giving Miyuki too little credit not assuming he’d have a defense—in this case a second coin in his pocket that has the same mint date as two others. Unfortunately, his counterattack, to reveal Kaguya has been using the mint numbers to get a leg up, fails when two others admit to doing the same.

When Miyuki and Kaguya are alone in the more dramatically-lit office after school (one of my favorite kinds of Kaguya-sama scenes), Miyuki asks Kaguya if she had group dates on her mind because she heard he went on one. He then clears the air by admitting he did, but didn’t do anything frivolous, and says he wants “at least her” to believe her. When he asks if she does, she doesn’t answer verbally, but sneakily leaves her answer—yes—in coin form on the desk.

While this didn’t pack the emotional or dramatic punch of last week’s masterpiece, it was still a strong episode that followed up on the aftermath of that group date while bringing back Nagisa, a model of romantic honesty, and introducing the intriguing, imperious Maki as a kind of “Kaguya-Lite”. It also looks like the Starship Troopers ending wasn’t a one-off…Good!

Kaguya-sama: Love Is War – Ultra Romantic – 02 – Better to Not Put on an Act

The Ishigami-Iino Accords

Kaguya-sama is about far more than two goofs who won’t admit their love out of pride and fear. It has the ammo to provide a veritable kaleidoscope of spinoff stories about its other characters. Ishigami and Iino Don’t Get Along could not only be a decent series unto itself, but has an incredibly catchy English title!

That Ishi-Iino isn’t a spinoff from the Kaguya-sama: Love Is War Cinematic Universe is a shame, but it’s also the mark of a great series that it keeps you wanting to see more of its greatness. Also, it’s good enough that it doesn’t have to spin things off. Sometimes a small taste is enough.

So we’ve known for a while now that Ishigami and Iino hate each other…but do they? Sure, they seem to inhabit opposite ends of the Discipline-Rebellion Spectrum, but we know better. Ishigami has as strong a sense of justice as Iino, especially where Iino herself is concerned. He just chooses to conceal it behind an outer crust she loathes.

By the same token, Ishigami obviously respects Iino’s honesty and diligence, or he wouldn’t stand to defend her from embarrassment. The thing is, their practiced hostility has escalated to a level neither Miyuki nor Iino’s friend Osaragi can suffer. Hence, the Ishigami-Iino Friendship Plan.

After an exchange of compliments turns into a hatefest, ear-cleaning becomes awkward contortionism, and Pocky-eating leads to aggressively gnashing teeth, Osaragi ditches Miyuki’s plan and pulls out the big guns, telling the two what a good match they are, and how it’s “typical teen behavior” to not be able to stop yourself from being mean to the one you like.

Ishigami and Iino are so shocked by the checkmate they relent on the spot, then devolve into an automated, emotionless, auto-tuned exchange of Iino saying “I like you quite a lot” and Ishigami returning the sentiment. It’s very far from normal human interaction, but by the letter of what the segment victor Osaragi and Miyuki set out to do, it gets the job done.

Play Along, All Right?

Of course, simply getting the job done on paper is not Kaguya-sama’s M.O., as evidenced by the epic two-parter that closes the episode. This might also just be my favorite segment of all the shows two-plus seasons. After declining several times in the past, Miyuki finally accepts an invite from classmates to go out for karaoke and “networking” with kids from other schools, unaware that it’s really going to be a group date.

Hayasaka can’t help but point this out to Kaguya, but Hayasaka ends up being inconvenienced, as Kaguya orders her to attend the group date and make sure no girls get near the President. Hayasaka is so good at getting herself mixed up in Kaguya’s man mess that one frankly can’t rule out that she does it on purpose, for sport or personal achievement.

This scenario marks the return of Hayasaka’s alter-ego “Miss Herthaka”, and when Miyuki recognizes her, she’s grumpy enough with her plight that she decides to take the fact that he dumped her like a bag of sand when last they met and run with it like Marshawn Lynch in Beast Mode.

After making clear to Miyuki’s pals that he dumped her, she takes the stage and belts out a stirring, pitch-perfect rendition of “My Feelings” by Akasaka Saka/Giorgio Giorgio. If there’s such a thing as anime nirvana, it’s this.

What makes this performance so powerful is that it’s not played 100% as a joke. Hayasaka is legitimately frustrated both by her past failure to seduce Miyuki and Kaguya’s continued taking of the President for granted as someone who will always be available to her.

After the song, Hayasaka and Miyuki have a serious discussion about putting on acts. When she rants about her “little sister” forcing her to come to this to get over being dumped, he feels like he’s talking to the something like the “real her” … which of course she is, since she’s voicing real frustrations! Miyuki, always forthright in everything but his love of Kaguya, feels he can relate to her better, and you get the feeling he likes this “Herthaka” more than the obviously fake one from their first encounter.

Hayasaka then reveals her position on the matter, which is that “no one will ever love you unless you’re acting”, and that weakness and ugliness must be hidden by that acting. He then puts it to him whether he’s actually the real Shirogane Miyuki, or if he overreaches and bluffs. He thinks on this and decides it would probably be best to call it a night.

Hurt You Just a Little

When some rando tries to put the moves on Hayasaka the moment she’s alone, Miyuki returns, takes her by the hand, and leads her to safety, telling her to “play along”. She’s so moved by the gesture, she reserves a room just for her and Miyuki, where she plans to succeed in Kaguya’s dare for her to seduce him.

Hayasaka reports this to Kaguya via earpiece, who is in her covert ops outfit on a rooftop. And again, this is all played straight. We have a legit love triangle here! There’s a part of Hayasaka who likes Shirogane and a part of her that wants to win, and when opportunity like this knocks she’s not going to ignore it. What started as a playful dare is no longer just a game. When Hayasaka cuts off communication, Kaguya panics.

She knows that normally Hayasaka operates within the bounds of common sense. But she also knows that Hayasaka was furious for having to go to the group date to begin with, so who knows what she’s capable of. Kaguya finds the door of the booth where they are, but there she’s paralyzed from further action.

The window is covered by Hayasaka’s coat, rendering it a Schrödinger’s Shirogane scenario. Whatever is or isn’t happening in there, Kaguya’s imagining of what it might be is far worse. And she knows she can’t just barge in without “losing”, i.e. revealing she cares so much about Miyuki that she’ll stalk him when he’s hanging out with friends (which, yes, she does, and is!).

Her solution? Invite Chika to karaoke, being sure to give her the number of the booth. But before Chika can arrive to open the box, Kaguya starts hearing suggestive noises and a flurry of double entendres. When Miyuki exits the booth to go to the bathroom, Kaguya slips in and learns the truth: Hayasaka’s strange utterings were reactions to Miyuki’s rapping.

While I saw this coming, it’s still an excellent callback to Chika’s attempts to improve Miyuki’s vocal skills. But I don’t believe rapping lessons were part of her curriculum judging by the state of Hayasaka. When Chika finally arrives and hears Hayasaka describe what she heard, it immediately puts her off karaoke and the three take off, leaving Miyuki all alone.

On the ride home, Hayasaka admits to Kaguya that she had become somewhat jealous of how happy and carefree she’s been of late, and selfishly wanted to take her down a peg, or as she puts it wanted her to “hurt just a little.”

She accomplished that mission admirably thanks to her intimate knowledge of Kaguya, but Kaguya already knew it must’ve been something like that thanks to her intimate knowledge of Hayasaka; specifically, how twisted her personality is. Hayasaka shoots back that Kaguya’s no different than her, and Kaguya doesn’t argue that fact.

While Hayasaka might have started out as Kaguya’s maid and attendant, the fact of the matter is in the ensuing years they’ve grown into something far more like sisters. Siblings love each other, but they can also irritate or hurt each other like no one else. I really loved this sprawling segment’s ability to balance humor and character drama so perfectly.

Mind you, the credits could have rolled during this last exchange between Kaguya and Hayasaka, but that would simply be “getting the job done.” Instead, the end credits roll over an lovingly, amazingly detailed intro for a Starship Troopers anime adaptation, with Miyuki, Kaguya and Hayasaka reflecting that film’s triangle of Rico, Carmen, and Dizzy.

Again, this ED could be a whole show, and it would be incredible. But here it’s just a fun throwaway gag. We live in rare and tremendous times that anime like this is still made.

RABUJOI WORLD HERITAGE LIST

%d bloggers like this: