TONIKAWA: Over the Moon For You – 09 – New Digs, New Threads

As  foreshadowed last week, Nasa doesn’t lose much when they return home to find the apartment building burned down. All his valuable paperwork and data is either at the bank or in the cloud, and he not only has renter’s insurance, but a full grasp on what’s needed to make a claim. Tsukasa marvels at how much Nasa keeps proving why she loves him so much.

It’s not just because he keeps a cool head and doesn’t express anger or regret in the face of what would be a disaster for most people. It’s that the first thing on his mind is that everyone else in the building was okay (they are). The only possession that survived was the tree commemorating their marriage, which can easily be transplanted.

When Nasa and Tsukasa head to the bathhouse to have a nice long soak and consider what’s next, Kaname ends up offering a detatched house on their property where they can stay until they find a suitable new place. Nasa thinks it’s good luck, but Tsukasa knows otherwise: by being someone so kind and well-liked, people are quick to help someone like Nasa.

Kaname does consider one potential problem: now that Nasa and Tsukasa are staying on the Arisugawa’s property, the time will come when Aya finally realizes Tsukasa isn’t just any “relation” of Nasa’s, but his wedded wife. In the end, no amount of hints can crack Aya’s Airhead A.T. Field, but Kaname and Aya’s mom just comes right out and says it.

Aya starts to go into a flashback about Nasa, her first and only love, but her mom cuts her short. As someone whose own husband cheated on her and left her for a younger woman, Aya’s mom wants her to do whatever she needs to do—cut her hair, go to school abroad (on her own dime), whatever—to get over it and move on.

Aya knows that in times of heartbreak one should hold their head high, so she does so and congratulates Nasa and Tsukasa, then considers becoming a YouTube idol…an idea quickly shot down by everyone.

Nasa and Tsukasa may be set with a new place to live for the time being, but Tsukasa did lose quite a bit of her wardrobe in the fire. That means it’s time to go to the laundromat, but the new husband and wife quickly become embarrassed over the prospect of handling one another’s…unmentionables.

They decide to go to the ‘mat together, and watch their clothes mingle in the wash together, something that’s so mundane and yet also so intimate. Tsukasa also lets slip that under her tracksuit she’s not wearing any underwear, since it’s all in the wash. Not wanting to make a big public display of affection, Nasa instead snaps a picture…and draws Tsukasa’s ire.

At the end of the day, what’s called for is a clothes shopping trip, and not to the department store’s discount clothes section, but to Harajuku, a place Nasa has neither ever been to shop. He gets to see Tsukasa try on one cute outfit after another, and even a few outfits he picks out for her, revealing his girly side.

When the time comes to buy underwear, Tsukasa initially holds Nasa’s hand, but changes her mind and deposits him on a bench, instructing him to simply not look like someone who should be arrested. When their shopping is done, Nasa makes, as Kaname calls it, another manly “move”, asking Tsukasa if, at some point, he, her husband, would be able to see her in her underwear.

She turns beet red and turns away, but doesn’t reject the request out of hand; in fact, she says he can see “as much as he wants”. Of course, that won’t be much for the foreseeable future; the two are so embarrassed by the subject being broached that they drop it immediately so they can then shop for clothes for Nasa. Still, it’s a good thing those questions are being posed. They are married, after all!

Rating: 4/5 Stars

Carole & Tuesday – 03 – ASCENSION!

After a rough first impression (I believe accusations of cyberstalking are leveled), Gus Goldman introduces himself to Carole & Tuesday, dropping names left and right. Unfortunately, the pair is #notimpressed because they don’t remember Bruno, Justin, or Brian Epstein—being from a much younger generation.

Brass tacks: Gus knows talent when he hearts it, and if they want to do what they do for more than just fun, he wants to be there to help them. His enthusiasm and earnestness make up for his underwhelming Wikipedia page. But since nobody’s become a commercial hit quite yet Gus has to insist his talent pay for their own Margherita.

Meanwhile, Tuesday’s mother leaves getting her back to her son—lest police involement sully her campaign—then (presumably) retires to the boudoir with her toyboy. How I hope Tuesday’s bro doesn’t try to drag her back to this horrid gilded cage.

As Angela is asked 37 questions on some kind of vlog of her life (and introduces her extremely annoying AI pet rabbit Aladdin), C&T are at the laundromat waiting for their clothes to be done.

Tuesday likens the still, then suddenly-spinning clothes as mirroring the two of them, and Carole starts stomping and clapping out a beat, with Tuesday joining in and the two starting to sing an impromptu song (albeit one that is not clandestinely recorded).

Just messin’ around in the laundromat is a kernal that germinates as the two refine the music and lyrics, and their song is the soundtrack for a montage of their day in the life in Alba City, all gorgeously rendered and adding to the lush textures of both the sprawling city and their digs.

As for Gus, he vows to lay off the sauce now that he has a new client. Whatever his reasons for copying Motörhead in the past, he seems genuinely determined to put a human musical duo on the map—no small feat in a Martian cultural continuum in which AI has taken over so much of the creating.

What was billed as a trip to a voice coach friend of Gus’ turns out to be…something else entirely: a SPACE YOGA session so bizarre to Tuesday’s sheltered psyche she fears she’ll have nightmares about the experience.

Angela’s experienced at Artience is no less nightmarish. When she can’t hit a high note, Tao activates her restraints and deploys all manner of nasty-looking torture instruments, all an elaborate artifice in order to goad Angela into screaming…and hitting that high note she thought impossible.

She still voices her complaints to her mother, a former child star herself. But her mom insists she keep at it, lest she become as forgotten as she now is due to people moving on and her career not moving on with it. This looks like a classic vicarious parent situation. I hope Angela actually wants to continue as Tao’s guinea pig for her own sake, not just Mom’s.

Thanks to Roddy, C&T score a meet with the famous celebrity DJ Ertegun, whose sold-out megashows are the toast of the town. When they arrive at his waterfront mansion, Gus is prepared to make the pitch, but he’s held back by Ertegun’s security, leaving C&T on their own among the tacky pop art, including Banksy’s self-destructing painting!

Ertegun makes them wait as he talks on the phone by the woman-filled pool, but when he finally comes in, he initially scares the shit out of them by seemingly stripping in front of them; mercifully, he’s got boxer briefs on, and merely shed the robe so he could do some push-ups while he raps with them.

Either Roddy didn’t explain why C&T wanted to meet with Ertegun, or Ertegun didn’t listen to him (probably the latter), because Ertegun doesn’t know why C&T are there: he assumes they want autographs, selfies, or…him (Gus warned earlier them not to give him a leg massage).

When he learns it’s a pitch, he immediately shuts them down, rejecting them without so much as listening to a single bar. Why is he so confident they’re boring generic trash? Well, for one thing, “he’s DJ Ertegun,” which is apparently sufficient explanation. But for another? Because they’re not AI. Like Tao, Ertegun doesn’t trust humans to make good music, except through technology.

Tuesday wigs out and burns their lyrics with the DJ’s cigar lighter, setting off the sprinklers before running away. Ertegun doesn’t seem particularly miffed that all his goofy art is getting doused, but I imagine T&C left an stronger impression on him!