In what has to be one of the strangest conceits of the show thus far, Ninth Daughter Kururi demonstrates her powers of invention by building a kind of “auto-doctor” suit for Takuma. It’s a very thin and random excuse for him to examine most of the sisters’ bodies in various ways.
Aside from a few bizarre moments, it’s not that amusing. It also repeats a number of character beats without adding anything new, and it’s all very lazily-animated.
The second half is focused on Third Daughter Misa, who has to demonstrate to Itsuya what a Midgard date is like. This takes the form of her being alone in a room with Takuma as he folds laundry and she sews a giant stuffed doll for Natsuki in a loose-fitting sweater, leading to various compromising ecchi situations.
Again, nothing much of note here. Things happen to Takuma, he gets embarrassed or nervous or afraid, and the girls berate, praise and titillate him in more or less equal measure. It all happens within the confines of Takuma’s dark, drab house. It was as if, after the battles of last week, the show decided to take a nap under the kotatsu.
Two Minutes into their fight, Futaba thinks she’s won, but Garm’s slashes carry parasitic blades. Takuma is sliced in half, but is immediately put back together by Mistilteinn, summoned from within him due to his growing will to fight. As Futaba keeps Garm busy, he bulldozes through akuma to reach Natsuki.
Once reunited, the only way to defeat the huge boss Svadilfari is to level-up through a five-minute French-kissing session without wearing “a stitch of clothes.” Takuma and Natsuki handle this about as calmly tastefully as they can, but they first have to wipe each other down, and that Natsuki is already exhausted. Much in the way he summoned the tree to save him, Takuma summons a book that warms Natsuki up and recharges her energy.
They continue going at it, and by the time the other sisters are about to get gobbled up by the boss, Natsuki rescues them and uses “Rune” to reinforce her sword, producing a single strike so devastating Svadilfari can’t devour it, leading to its destruction. The battle is over, and Garm is reprimanded by his superior, who takes the form of a grim-looking little boy.
The beauty pageant follows the sisters’ victory. Mutsumi wins, and as per the triplets’ earlier agreement, the winner gets to dance with Takuma. Even so Mutsumi lets Natsuki take her place, considering she wanted to to begin with. Takuma apologizes to Natsuki for turning her down so brusquely,and agrees to dance around other people. Takuma gradually showed more and more spine this week, which is encouraging, while he and Natsuki are growing more comfortable with the roles Odin bestowed upon them.
All nine Valkyrie sisters attend the campus festival despite knowing the chance of an attack there is high, because they have the opportunity to all level up at once. The greater the risk, the greater the reward. Takuma is his usual insufferable scaredy-cat self, but that doesn’t stop him from ending up spilling viscous white liquid all over Yakumo or having to fish an eel out of Misa’s clothes—pretty standard lucky lecher stuff.
When the enemy (whom they don’t know is Garm) strikes, he robs the women of their source of power, the Einherjar by impaling him through the stomach and locking him in the bounded cube, while all the other festival attendees are converted to akuma minions that keep the sisters plenty busy. First sister Ichika and Natsuki protect the entrance, while inside Garm toys with Takuma, counting on him to do nothing and die as he enjoys a McDonalds banquet.
Things start to get dire as Itsuya and Mutsumi end up overwhelmed by akuma army and their various appendages, providing more ecchi content. But it’s Natsuki’s earnest belief that Takuma will indeed stand and fight when the time comes (because he’s done so and saved her many times before) that holds more power than all the T, A, and ahegao. Upon standing, Takuma is swiftly taken down by Garm, but Second sister Futaba finally locates them. He held out just long enough; now a Valkyrie has access to the Einherjar, and the tables can be turned.
Val x Love loses the nice rhythm it had developed in which a different sister’s power was awakened to eliminate a demonic threat. Instead, it felt like nothing of consequence happened. The second daughter Futaba indeed reveals her “Castle” power, but it doesn’t quite fit in a game of tag where she’s the one who is it and thus on the offensive.
While the game of tag is meant to “refresh” Takuma after some stressful exams, thinking he’d be okay with them running around the house destroying stuff as she steals her sisters’ underwear makes Futaba look pretty dumb. The game is a transparent vehicle for incidents of accidental groping.
VxL digs deep into the cliche toy box for the second half, which has no connection to the first, combining a school festival, maid outfits, and jealousy of Takuma’s male classmates for his proximity to Natsuki. Garm ends up using this as an opportunity to transform the classmates into akuma to test a Valkyrie’s strength in human form.
He determines that Natsuki isn’t much of a match even for low-level demons, but that Takuma will spring to the rescue. And there’s the main issue with this episode. Aside from rescuing Natsuki and later telling her he thinks she’s cute, his general denseness, near-constant terrified state and dopey stammering is really starting to get old.
With her two triplet sisters leveled up, it’s the turn of sixth daughter Mutsumi, proving the greatest challenge due to her occupation as a wildly popular idol. Leveling up means going on a date with Takuma and not only getting through his layers of social anxiety, but avoiding being exposed, which could cause scandal and deep-six her career. That’s tricky when Takuma inadvertently attracts all the wrong attention; he’s essentially the anti-idol to her idol, the source of all their fear and hatred rather than hope and love.
Matters are made worse by the fact the watchdog from Hel Garm is shadowing them, but rather than attack the Valkyrie directly, sends the Gjallarhorn to disrupt her leveling up. In one of the weirder and more aggravating depictions of the legendary horn, this one takes the form of a small robot with a siren on its head constantly pointing out the presence of MUTSUMI to the public. Takuma just wants to get away, but recalling how Mutsumi just wants to help her family, he takes her hand to lead her away from the gawkers.
Despite having frequented the mall since he was little, Takuma leads them not to an exit, but a dead end, and he and Mutsumi must squeeze intimately into a storage locker as their pursuers close in. Due to their positions and height difference, Mutsumi can’t kiss him on the mouth to transform instantly; she must resort to kissing his chest, which takes three minutes. They just make it thanks to a last-minute assist from the eldest daughter Ichika, and Mutsumi flies them out of there with her signature wings.
While the constant references to MUTSUMI’s ample bust (and ample close-ups of same) weren’t the most necessary, they do paint the picture of the challenges she faces every day as a cute-yet-pure idol. And yet we learn through her inner thoughts throughout the date (delivered with gusto by the squeaky but talented Hidaka Rina) that she has the same desires as anyone else.
While she thought she’d given Takuma nothing but bad memories on their date, when they’re floating in the sky watching the sunset, Takuma actually smiles, fondly remembering sunsets he watched with his mom. Garm and that horrid horn aside, the foes he and Mutsumi had to beat this week weren’t demons, but rather his fear and her fame. On to the next sister!
This week it’s the turn of Odin’s fifth daughter, the Student Council President Saotome Itsuya AKA Schwertleite. A raven-haired maiden beloved at school for her peerless looks and elegant ladylike aura, Itsuya has somewhat less ladylike plans for Takuma after witnessing what she deemed was a pretty chaste exchange between him and her sister Natsuki.
In her head, she’s not that interested in Takuma at all. He’s just a means to an end: if he can awaken her powers and she can save the world, she’ll get a pat on the head from Odin. It’s a simple, childish wish that she keeps entirely to herself, until a frosti shows up ahead of schedule and she suddenly has to level up with Takuma in a hurry.
The thing is, her full-speed-ahead approach doesn’t work on the nervous, petrified Takuma, and once she starts to undress and moves in on him, she suddenly loses her nerve as well, as she can no longer reconcile her mature outward manner with her inner innocence.
Seeing her freeze up in fear causes Takuma to remember what his mom did to calm him down—a good old head pat—so he gives one to Itsuya and it manages to do the trick. The extent of their hanky-panky is that head-pat and a kiss on the cheek just like Natsuki’s, but it’s enough.
With Natsuki just barely holding on against the monster (even getting all bondaged-up and getting her outfit torn), Itsuya swoops in with her chain of white crosses, enveloping the frosti so Natsuki can finish it off with a giant sword. Mission complete, and now two of Odin’s daughters have leveled up. Seven to go.
We also learn that Itsuya’s treasurer in the StuCo is actually Garm, named for Garmr, a helldog/wolf whose howling heralds the coming of Ragnarök. He’s listed as a “watchdog” and sports a level three times higher than Natsuki’s. If he starts something, head pats and cheek pecks may not be enough to beat him.
This is the story of Akutsu Takuma, who is huge and scary-looking and thus is always likened to an akuma or demon and ostracized. In reality, Takuma is just as scared of people as they are of him, and prefers to live and study alone.
And yet, after a discussion among class boys about the school’s three most beautiful girls, Takuma comes home to find not just those three beautiful girls (in the middle of undressing no less) but five other women of various ages, all of whom have the same last name Saotome which isn’t his. He doesn’t like this situation, but it’s been this way for some time.
Val x Love makes an interesting choice to ease us into its supernatural elements by first presenting everything mundanely, and offering only hints as to what the Saotome sisters really are, why they alone don’t fear him, and why Takuma has allowed them to take over the house he inherited from his departed parents.
What is prevalent throughout the episode are references to a spate of recent “suspicious attacks” that many attribute to akuma; but until one actually appears, one could imagine people were only being superstitious (if you didn’t watch the OP, that is). In reality the attacks are being caused by summoned demons, one of which Takuma encounters when he’s out shopping with the second-youngest sister Natsuki, on the orders of the second-oldest, Ichika.
The other sisters gather on the roof to watch the result. Turns out the nine of them are Valkyries of Valhalla, brought to Midgard by Odin to save humanity. Because “love is the source of a maiden’s power”, the more they are loved, the stronger they are. Natsuki was chosen by the others to level up first, and after Takuma is wounded saving her from falling debris (not the first time that’s happened), she disrobes, has him massage her breasts, and kisses him.
In a massive flash of heavenly flame, the giant akuma is utterly eliminated, and for a few moments we see Natsuki in her Valkyrie form as Siegrune, The Blade, before passing out in Takuma’s arms. This makes Takuma Einherjar (named after those who died in battle and go to Valhalla), here the lover of the nine Valkyries appointed by Odin to raise their levels.
If that all sounds like a lot of poppycock, I’m here to tell you…it’s not the worst? I was expecting more comedy from a show that had it among its genres, but it mostly arose from the fact such a large brute as Akuma is so intimidated by everyone, and yet has what in his case is a case of very-unlucky lechery. The akuma designs are marginally striking, while the action was brief but convincing. High marks also go to Technoboys Pulcraft Green-Fund, who composed all of the music.
For those who see the Valkyrie angle as just another excuse for a lame harem, consider that Takuma’s strong reluctance to have in one feels more genuine than most harem MCs. His introverted personality and public perception that constantly feed his self-loathing make him a sympathetic lead. As he is the source of love that powers the Valkyries, they too could fuel a transformation in him from someone who only hopes to become a quiet, respectable person to something far greater.