Chainsaw Man – 07 – Loosening the Screws

When Kobeni accidentally stabbed Aki, Himeno started to lose it, because she felt like she was going to lose the latest in a long line of unfortunate partners. But while she despaired, Denji scoffed. He didn’t ask Aki to save him, and is done owing anybody anything, so he happily dives into the fell eldritch mass that is the Eternity Devil and pulls his ripcord.

It doesn’t take long for Denji to start losing some serious blood, but once he starts drinking the devil’s blood, he basically becomes a self-healing “perpetual motion machine”, boasting that he, not Power, will be the one to win that Nobel Prize.

In a flashback, Himeno visits her parents’ graves with her master; like Aki, she lost them to the Gun Devil, which is why she joined the force. But her master warns that a devil hunter cannot be too earnest straight-laced—devils know exactly how to fuck with and kill those kinds of people. All of Himeno’s previous partners died because they were too sane, and feared the devils, and devils love fear.

Her master “loosened the screws” by drinking heavily on occasion. Knowing that Aki is another upstanding lad, she tried to get him to quit the force and follow her into the safer private sector, but he refused. But as she watches Denji, Himeno sees what the ideal devil hunter is like: window-lickingly insane, unpredictable, and immune to the devil’s mind games.

When Denji’s motor cuts out, Himeno uses her ghost arm to pull his cord, and for three days he tears at the Eternity Devil until he finally reaches its core. By then, it is pleading for its life, but Denji slices it in two. Just like that, the hunters are off the eighth floor and out of the hotel.

No sooner do they leave the hotel than Denji passes out, but Himeno is there to carry him on her back to the hospital. Later, during a mission with Aki, Himeno proposes the whole squad go out for drinks to break the ice … to loosen the screws. Also, bury the hatchet vis-a-vis everyone trying to kill Denji.

Leave it to Chainsaw Man to make the izakaya where the 4th division meets up look like just the place I want to be on a Friday night. The beers are tall, cold, and frosty, and the snacks look delectable (so much so that Power systematically hoards them).

We meet a couple other division members, one of whom recently lost his rookie subordinate, just like that. A haunted look washes over Kobeni as she reckons with the fact that people in their line of work live short lives.

Denji brings up the kiss Himeno promised, but she tells him she needs to drink more first. Things get complicated for Denji when Makima arrives fashionably late wondering what all this talk of kissing is about.

When Aki asks Makima straight-up why she’s so interested in Denji, she says she’ll answer, but only if he can outdrink her. As expected, he can’t, as both he and Himeno fall to her indomitable tolerance. At this point, Himeno’s screws have been sufficiently loosened that she decides to bestow her promised kiss upon Denji’s lips.

It’s his first kiss, with tongue … and also with Himeno’s vomit. Turns out she loosened the screws a bit too much. Denji swallows some of it and gets ruinously drunk (it shocks everyone to learn he’s only 16). He and Arai have a bonding moment when he helps Denji boot—Arai having experience helping his alcoholic mom.

With the hour growing late and everyone sufficiently lubricated, the 4th division departs from the izakaya. Himeno manages to sneak of with Denji, and when he comes to, it’s on her bed, underneath her. She gives him another kiss—this time of beer, not barf—and proposes that they bone. Denji is growing up fast in the 4th Division.

The soft bluish-purple light, Himeno’s fluid movements, and her seiyu Ise Mariya’s gently seductive voice lend an almost sacred beauty to an otherwise profane scene. But it’s also a sad one, because Himeno is clearly compensating for her crippling grief and loneliness, not to mention her part-familial, part-romantic feelings for an Aki who only has eyes for Miss Makima.

Then again, maybe Himeno just figures she could die tomorrow—or later that night—such is the fate of all devil hunters. That being the case, one must take their fun when and where they can get it.

P.S. Every episode of Chainsaw Man has a unique ED and theme, and this one might’ve been my favorite, as it’s a 4:3 standard-def retro-gasm. Reminded me of one of the best OPs of all time, the retro Koimonogatari OP “Kogarashi Sentiment”.

My Stepmom’s Daughter Is My Ex – 12 (Fin) – Weaving a New Tale

As predicted, Yume knocks it out of the park with her festival yukata and hair, but it’s her who wants a picture of Mizuto in his the second she sees it. Instead, he snaps a pic of her, and happens to know her phone’s password.

In her thoughts, Yume admits to feeling considerably lighter after having a good cathartic cry. Now she can hold hands with her stepbrother without embarrassment, and mimics Madoka’s treatment of Chikuma by helping “steady” Mizuto during the shooting game.

Just when the fireworks are about to start, Mizuto disappears, something Madoka says he always does around this time. All of his relatives have told her to make sure to look after him, like he wouldn’t be able to “survive” without someone watching over him. But as she volunteers to go find him, Yume celebrates how she’s been able to see all these new facts of Mizuto since becoming family.

When they were merely in puppy love and dating, she idolized and glorified him, projecting her ideal of a BoyfriendTM without looking deeper. Meanwhile, while sitting alone at a shrine, Mizuto muses about how he considered the world of books to be the true reality, and the outside world a mere illusion.

The first thing in the world that felt real was Ayai Yume, who was also the first person to evoke the same sentiment everyone had for him: that he would not survive if left alone. That’s why Ayai Yume still occupies that “slot” in his heart that even Isana could never hope to replace.

Yume finds Mizuto at the shrine, and the two have the mother of all passive-aggressive verbal duels with one another, all the while happy they were on the same wavelength. She recounts the phone call they had that he ended abruptly, and she gathered that he called her from this very shrine.

Yume also gathered that Mizuto knew her phone code because it’s 1027, the day of their first kiss, a day they both remember with fondness. Then Yume asks Mizuto why he went out with her, and he says it really just amounted to her finding a seat next to his in a game of musical chairs.

Sitting side by side as the fireworks begin—the fireworks they never got to see together until now—what initially stirred in Mizuto towards Yume stirs again. A tear falls down his cheek before Yume takes his face in her hands and kisses him.

It’s her second first kiss, and with it comes a vow that she, Irido Yume, will eventually win him over, defeating Ayai Yume for that single slot in his heart. The next morning, and then back at school, the two are back to their playfully adversarial selves.

The happiness of the past will never leave either of them, etched into their souls as it is, and they will never feel that particular novel happiness ever again. But that doesn’t matter, because now that they’re both a little older, wiser, honest, and clear-eyed they can now achieve a new happiness; weave a new tale together.

My Stepmom’s Daughter Is My Ex – 11 – A Mess Under the Hood

Ahhh, is there anything nicer than a scene of two lovebirds talking on the phone just to hear each other’s voices? That’s how the episode starts, and it’s like being wrapped in a warm, fluffy blanket. So serene…but also so bittersweet. After the credits the Iridous have arrived at their relatives’ country house, and Yume meets Mizuto’s second cousin, who happens to be an absolute babe—a megane babe, at that!

When the fam hits the river for a barbecue, Madoka again compliments Yume’s figure and swimsuit, while also noting she’s “watched over” Mizuto since kindergarten. Mizuto is off in the shade reading and being antisocial, as always, but Yume learns that when his mom died, he and his dad must have endured a good bit of hardship, making her that much more determined to protect their new family by rejecting her feelings.

Later that night Yume enters the study of Mizuto’s late great-grandad’s study to tell him the bath’s ready, and finds him reading an old book entitled The Siberian Dancing Girl. Mizuto notes that it is his great-grandad’s autobiography of when he was interned in Siberia. It was the first book he ever read start to finish, and reads it every year he comes to his relatives.

He invites her to read it, and she takes him up on the offer, reading it through in one sitting. By the end, she’s in tears, and notices an old dried tear right next to her fresh one. She can’t help but feel closer to Mizuto, having now read the book that shaped him, which no one else but the two of them have ever read.

The next day, Madoka has laid out yukatas for the fireworks festival, and notices Yume sighing profusely. She quickly diagnoses it as Yume being in love with Mizuto and…Yume can’t necessarily refute that! Instead, she opens up a little to Madoka, who proves surprisingly deft at analyzing Yume’s whole deal, invalidating her feelings and trying to find excuses not to be with Mizuto

Madoka also figures the only thing for it is some direct action. To that end, she finagles things so Yume ends up alone in a relatively small, dark room with Mizuto for at least a half-hour. She figures that should be enough time for Yume to build up the courage to say what she wants to say and then say it.

At first, all Yume can do is look forlorn and say “Mizuto”, but in her head the words are streaming like the river she sat beside. She recalls the weight off her shoulders when they broke up, but she’s full of regret over things she never did that she should have, like call him over the summer, or sharing Christmas and Valentines with him.

It turns out, Mizuto doesn’t have to hear Yume say any of these things. It’s all in her face, and in the tears that start to fall. So he calls her as Ayai—which was just her old last name but sounds so much more intimate when he says it—and says that just this once, they can go back in time. So they embrace, and just hold one another until it’s dark out. They’re not pretending, they’re just being two people, not collections of ideals.

When Yume tells him how she figured Madoka was his first love, he immediately shoots that down; he never had feelings for her. He then tosses a jab at her—something about having so much good for her “on paper” but being a “mess under the hood.” He then says her nose is running, and she reacts, only for him to be kidding. That makes her laugh, which allows him to tell her who his actual first love was without saying it. He just says she loved to laugh. She still does!

I’m officially convinced that this show suffers from a terrible title, especially the English translation. All it does is tell you the surface scenario: step mom, daughter, ex. This is about that, but it’s also about so much more, about everything that came before that, and has managed to make something so wacky on paper incredibly moving and compelling under the hood.

GODDAMN TEARJERKER™ CERTIFIED

Call of the Night – 04 – Lay Your Troubles Down

Asai Akira can’t sleep. She gets up way too early, and with nothing else to do, simply goes to school early. Her home life seems lonely. There’s nothing for her there but a roof, a bath, and a bed.

For once, Kou doesn’t have to wander all over the city looking for Nazuna; she’s waiting for him in the park. But she doesn’t spot him, so he wanders around anyway. He isn’t ready to see her yet, but when they do meet in the night, he confidently offers her his neck in a way she finds lewd. You see, he believes he’s in love, so drinking his blood now will turn him. He’s ready.

So she drinks his blood as he stands there, half-confident, half-terrified, and…nothing happens. He’s still a human, and his blood still tastes great. Turns out he’s not in love with Nazuna; not yet. Nazuna tells him it’s love’s wild sibling lust. Also, she thinks kissing is just something friends do!

The next night, Akira wakes up before midnight and knows she’ll never get back to sleep, so she heads to school as usual, except she runs into Kou, who invites her to join him in answering the proverbial call of the night. They hang at Nazuna’s for some late-night PSOne games. Nazuna is unbeatable at Street Fighter, while a dating sim leads to talk of bosoms.

Akira was initially worried about what Kou was getting up to of nights, but if this night is any indication, his nights are pretty wholesome. Then Nazuna invites both of them to sleep in her bed, and it’s extremely awkward for Akira, especially when Nazuna drinks Kou’s blood right next to her.

Nazuna tells Akira that Kou’s blood is uncommonly tasty, but Akira wants know know what Kou gets out of their little arrangement. That’s when Kou comes clean about wanting to become a vampire. After all, why keep things from a friend?

When Akira asks if he’s already one since his blood has been drunk, he clarifies that he must fall in love with Nazuna to become a vampire. That causes Nazuna to curl into a ball of embarrassment, unable to handle talk of romance as usual.

Eventually the three settle down for the night, and with rain falling outside and no umbrellas, Akira lies beside them, specifically next to Akira. He tells her he knows she was worried about him so he wanted to show her what his nights are like. She tells him to uncross his arms so he can relax, and when his hand touches hers, she doesn’t mind.

Smiling, Akira tells Kou that he should be what he wants to be, because even if he’s a vampire, they’ll still be friends. She says goodnight and turns over, but her smile remains because she can’t remember the last time she said “goodnight.” It felt good, and with the darkness and Kou beside her and the calming rain outside, Akira finally catches some Zs.

Too many Zs, in fact, as she’ll be late for school. But before she dashes out the door, Nazuna asks if she slept well, because that’s what happens when people are satisfied with their day. Akira must’ve been, for she couldn’t sleep before, but here she did. I wonder if she’ll make it a more frequent thing?

Rating: 4/5 Stars

Call of the Night – 03 – Night Fight

While I could absolutely keep watching just Kou, Nazuna, and the night for ten or eleven more episodes, the introduction of Asai Akira doesn’t ruin the vibes. In fact, she brings a unique dynamic: Kou’s only human friend, something he didn’t think he had in her. When he placed the blue watch on the mailboxes, he didn’t mean to place it right above Akira’s, but that’s how she took it.

When Kou was an aloof kid off on his own in the playground, only Akira went to him to see what he was up to. When he said he was fine not joining the others, she joined him instead, and declared them friends. He didn’t object, but he probably forgot that exchange that Akira dutifully maintained. She still considers him a friend, and is glad he’s doing okay.

So Kou begins leaving ever-so-early from his nightly visits to Nazuna’s for some bed-lying and blood-sucking so he can meet up with Akira (who is an early bird to his night owl). Nazuna jokes that he’s going off to see another woman, and immediately senses from his expression that she’d accidentally nailed it. That said, Kou admits in voiceover that he and Akira don’t do much other than exchange inoffensive small talk.

On one such occasion in the park, he asks if Akira is having fun. She puts the question to him, and he says he isn’t not having fun, so she replies that she is. Just as Kou, extremely inexperienced in such things, starts wondering if Akira likes him, Nazuna menacingly emerges from the shadows only to give Kou a friendly pat on the shoulder and congratulate him for doing “hanky-panky”.

She tells Akira her and Kou’s relationship is “purely physical”, and while Akira’s mention of romance (upon hearing Kou call her “Nazuna-chan) once again makes Nazuna blush, she shakes that off by basically marking her territory, sucking Kou’s neck right in front of Akira and announcing she’s a vampire.

At a 24-hour café, the three sit, and Akira tries to grasp the situation. She asks Kou if he’s skipping out on school because of Nazuna. While she may kind of be the reason now, she wasn’t the original reason, which was that he simply couldn’t be bothered with it anymore. Akira feels the same way, especially with Kou gone, but didn’t ditch because she thought she had to go.

She thinks she’d have more fun if Kou were around, so she asks him to come back to school. When Kou doesn’t immediately refuse and seems to hesitate, Nazuna seemingly gets miffed and suddenly splits. Kou follows after her, asking if she’s angry and why, but Nazuna doesn’t feel like spilling it out, and is clearly still mad, so she flips him off and does her vampire warpspeed thing. Kou looks for her all night, without success.

Finally, in that magical in-between time just before sunrise, Kou falls on his face while climbing some stairs, then uses his receiver watch to call Nazuna. She responds, and he proceeds to tell her that while he doesn’t really “get” fights like the one they’re apparently in, but he wants to make up with her. With that, Nazuna suddenly appears, and is once again as honest with him as he was with her, saying she was “ticked off” by him hesitating after Akira asked him to come back to school.

Turns out she misunderstood; Kou hesitated because he wasn’t sure how to tell a human friend that couldn’t go back to school because he wanted to become a vampire. With that cleared up and the two well and truly made up, Nazuna notices the blood from Kou’s tumble, and proceeds to kiss him in order to drink it, remarking that “a lot came out”. She liked how he said human friend, and that it suggested he had a vampire friend too. Kou may not know this since she’s his first, but vampire friends do kiss.

Rent-a-Girlfriend – 15 – Hello Neighbor

Chizuru lost her key at some point during the evening, and the landlord is out, so she invites herself into Kazuya’s apartment. To do exactly what Kazuya is not sure, but as you’d expect of our horny jackass protagonist, he has a lot of thoughts on the matter, culminating in him almost asking if she wants to spend the night at his place.

He fails to realize that might not even be a last resort for Chizuru, and that there are other resorts to explore, like whether she left her back screen door open. That said, getting around to her side to look is awkward at best and dangerous at worst. Luckily Kazuya is there to keep her from falling; unluckily he grabs her bum, then they both lose their balance and he ends up on top of her again, just as Mami rings his doorbell.

This is when the potential of the classic sitcom “hide one person from the other person” scenario nearly reaches full flower, especially as Kazuya failed to lock the door after Chizuru came in. The two of them hide in the kitchen helplessly as Mami rings again, opens the door, looks in, assumes Kaz has gone shopping…and leaves.

After both Kazuya and Chizuru breath a sigh of relief, the recriminations begin: Why, Chizuru wants to know, is Mami popping by his place at 11 PM? He doesn’t know, but it may have something to do with her talk with Chizuru on that bridge, which she’s unaware he overheard. Regardless, Mami is well on her way home when she realizes she saw a fancy girl’s purse in Kazuya’s apartment, and her eyes go dead. So this isn’t over!

Kazuya and Chizuru return to where they were before Mami arrived, which is exactly how to deal with the situation of Chizuru being locked out. But then she sees the light in the landlord’s is on, so she heads down there. That’s when Kazuya remembers her gran’s words and tells her straight-up that she can always come to him, her neighbor, if she needs help and can’t ask family or friends.

That’s when Chizuru partially drops her armor and tells him that other than her hospitalized gran, she has no other family. She promised her late gramps that she’d become and actress, and so she’s following that dream with everything she can, including working as a rental girlfriend to pay for that dream. She tells Kazuya she’s “not that special”, just a normal girl chasing a childish dream.

Clearly moved by her opening up, Kazuya proceeds to let her know a little more about his family situation, and how he doesn’t really have a dream like hers, but nevertheless has a future lined up taking over the family shop. He doesn’t mean to brag, only to acknowledge that he’s lucky, and to reiterate that no matter how she might value or de-value herself, he wants to be by her side.

Adding “forever” at the end of his statement was probably not the best idea! Still, Chizuru says if he wants to stay by her side, she can’t very well refuse…amending that at the end by saying that’s a “rental girlfriend’s job.”

While pure luck brought Chizuru into his home, and their initial interactions were awkward, their evening ends having grown just a little closer to each other. Kazuya saw a little bit of the Chizuru her grandmother described, as well as the Chizuru that is receptive to being cared for. Kazuya hasn’t experienced the pain and loss she has or worked remotely as hard as she has for his future, but he can empathize. She’s not just a hottie; she’s a person he wants to support, labels be damned.

The next day at college, Kazuya crosses paths with Chizuru and is fully prepared to pretend they don’t know each other, per their agreement. But Chizuru, clutching her books, loosens one hand into subtle good morning wave, and acknowledgment that they do in fact know each other. That little gesture makes his entire day, and as he’s making copies and he imagines the copies are photos of her, it’s clear to him and us he’s “down bad” like never before.

So naturally, Mami sidles up to him from behind asking him what’s up, and his outsize reaction to her sudden appearance would automatically make anyone suspicious. Looks like we’re in for a bit of Mami and Ruka cooking time next week.

Call of the Night – 02 – Not Just Any Neck Will Do

Kou and Nazuna met quite by chance, so it’s not surprising the next night when Kou looks everywhere and can’t find her. They set neither a time nor a place. Fortunately fortune smiles upon him as Nazuna eventually drops in on him, saying she was busy looking for some rando to drink blood from.

Since Nazuna told Kou before that drinking blood is like eating and “copulating” at the same time, he’s a little miffed that she’d copulate with just anyone, but she tells him that’s just what vampires do. Different necks are like different kinds of food to them.

What matters is they found each other, and Kou wants to make sure it’s easier next time, so asks if they can exchange numbers. Only problem is, Nazuna doesn’t have a phone. Well, she does, but she apparently bought it in the 80s, because it’s almost the size of her boombox.

Nazuna led Kou to her place to find said gigantic phone, and once they’re there, she soon plops into bed after a long night of searching for necks to bite. Kou isn’t sure what to do until she opens the covers so he’ll join her. But the prospect of her sucking other necks sticks with him.

That’s when Nazuna confesses she was looking for him all night too…she was just too embarrassed to say it. Kou accepts her apology, and unlike the last time when he whipped out his neck willy-nilly, here he gets the timing right, and she leans in for a drink.

Both the character design and Amamiya Sora’s voice acting really nail that combination of predation and vulnerability has always made vampires so fascinating. As she dozes next to him, happy as a clam, Kou is relieved and happy not that she finds his blood tasty, but because they both felt the same way: they wanted to see each other again.

The next night they have an equally hard time finding each other, but the inevitably do, and Kou presents her with a solution to her problem that avoids her having to buy a (new) cell phone: a pair of receiver watches. While a desperately dorky thing, I’m not surprised that Nazuna is into it and wants to play with them.

This leads to Kou telling her a story of how he bought a pair when he was younger, even though he didn’t have a friend. Instead of making one, he hid the watch hoping someone would find it, but while it was eventually taken, he never worked up the courage to use it to call that person (or rodent).

Nazuna is right that it’s a bleak story on its face, but Kou is also right that being around people can make some people more lonely than being on their own. The two dorks proceed to have a grand old time communicating and laughing together on their watches, culminating with Kou remarking that they’re like a couple that just started out.

Nazuna puts the perfect capper on the evening by giving Kou another aerial ride over the city lights, this time to a new insert song. At times, the pair look like they’re dancing in the sky, ’cause they kinda are. The puppy love is strong here, and these two are simply the cutest.

Nazuna lands them on the school roof, and even though Kou hates school during the day and has not been going, the night makes it a more enjoyable place to be. Nazuna walks up to him and casually sucks his blood for the first time outside her apartment—and at school, no less! As she puts it, “Talk about indecent behavior!”

But while Nazuna is super casual about drinking his blood, showing a lot of skin, and saying “copulate”, Kou soon picks up that when it comes to love and romance, she gets super-embarrassed, which is how Kou “gets back” at her stolen neck bite by calling her by her first name and adding “-chan”, which turns her beet-red and has her covering her face with her awesome cloak.

On the way home just before daybreak, Kou wonders if the blue receiver watch he left atop the mailboxes is still out there somewhere. Just as he’s dismissing that idea, he gets a signal from his red receiver watch, and a girl in a school uniform and messy dark hair calls him by his name…

Rent-a-Girlfriend – 14 – The Usual Is Ideal

Kazuya isn’t quite sure what he’s doing, but he wants to support Chizuru in her pursuit of acting, and he’s also pretty sure he loves her. Booking her every week will certainly support her financially, but when she tells him it’s a bit much and there’s “nothing in it for him”, it reminds him that their rental girlfriend-client relationship is purely transactional as far as she’s concerned.

Nevertheless, Kazuya is serious about supporting her, so much that he bows before Ruka and basically asks her to let him keep going on rental dates with Chizuru. Ruka, who is saintly in her patience of this dude, agrees as long as she gets to accompany him to Chizuru’s play to see if she’s really that great an actor. As for their rental date, Kazuya asks Chizuru to drop the act, as his “ideal” of her is the real Chizuru he knows.

I don’t know if hearing that makes Chizuru happy or what, but I do know that after their date is over and they part ways, she walks right back up to him, not as his rental date, but as Chizuru, and they continue hanging out. But when they go to the batting cages, it’s because Chizuru wants to blow off steam without being hit on by other guys. Kazuya is her shield, but his reward is getting to see her athletic side, along with her home run smile and full force of her high-five.

We then learn that the batting cages were also to kill time before going to visit her grandma, who is back in the hospital. Chizuru knows her gran likes Kazuya (not to mention still believes they’re actually dating), and while she takes a good long time replacing the water in the flowers, it affords Kazuya and her gran another chance to talk about stuff.

When Kazuya says he saw Chizuru’s play and thought she was amazing, and goes on to say she’s incredible and strong while he’s just a burden, Chizuru’s gran can’t help but laugh. She’s known Chizuru a lot longer, so she knows the real real Chizuru is, at the end of the day, a somewhat lonely, needy girl who loves acting and praise, and covers up those weaknesses with an “armor of ice.”

Gran knows that someday that armor won’t be enough for her granddaughter, and she’ll need someone who “sees her for who she is,” and solemnly asks Kazuya to be that someone. Kazuya, for all his issues, at least prefers the genuine Chizuru to her distant, performative rental persona, and now knows that even that version of Chizuru he believes to be so strong is just like him; always beset by and trying to hide her weakness.

Kazuya is also serious about not letting Gran down about being there for Chizuru, even if not as a real boyfriend. I can’t help but question his credibility to do so when he can’t even manage to toss his used tissues in the dustbin. But that also means there’s plenty of room for growth.

As Chizuru appears at his door to declare she’s lost her key and a preview involving Mami at his door too, next week looks to be a sitcommy scenario, but I hope the more serious matters explored this week aren’t left by the wayside.

Komi Can’t Communicate S2 – 12 (Fin) – Eraser War and Peace

It’s already March and White Day is upon him, but Tadano doesn’t know what to get Komi. Candy means you like someone, cookies mean they’re just a friend, but to him Komi is kinda-sorta both. What to do? Well, under the unconvincing guise that he’s getting a gift for Katai, he enlists the help of his sister Hitomi, who is excited about her big bro “gettin’ some”, in the parlance of our times.

White Day is actually Saturday, but everyone takes care of their business on Friday…except Tadano, who instead invites Katai to dinner. That only makes his task more difficult as he must go to Komi’s house the next day and brave her parents.

But he does make it, and delivers a very sweet and thoughtful gift of hand cream, along with a single candy. Just like she gave him the very best of the “friendship” chocolate she made, the single candy is an acknowledgement of something more than just friends, and it’s not lost on Komi.

Komi seems a little out of it to Tadano one day, but before he can ask her what’s up, Najimi goes and starts the eraser war to end all eraser wars. Much like the snowball fight with the kids, this takes an extremely mundane classroom activity to a ridiculous level of intensity that involves the entire class and ends with Komi claiming an easy, stylish victory.

Then the class clears out, leaving just Komi and Tadano together in the classroom as the rains fall outside. Komi, increasingly unafraid of speaking out loud to Tadano, tells him she feels lonely since the closing ceremony is upon them and they’ll be in a new class soon.

Tadano uses the rain as a metaphor to ensure her that things will be alright, and that they shouldn’t lament the end of one year, but celebrate how amazingly full and fun that year was, in which she made one friend, then two, then three, then, I dunno, something approaching twenty.

The first day of the new school year, there’s every indication Komi and Tadano ended up in the same class together again, and when he says good morning, she puts the notebook away and tells him she’s looking forward to another year with him. It’s Peak Sweet Komi, and a perfect way to close the curtain on the second—and most likely not final—season.

Love After World Domination – 02 – We Are Who We Are

After showing us the current state of their relationship in the premiere, Koiseka takes us back six months ago to when Desumi and Fudou first met. Standing atop a building and looking down on him, backlit by a crescent moon, he found himself immediately captivated by her gleaming green eyes shining through her cartoon skull mask.

From there, we’re given more world-building through action as the Gelato 5 battle Gecko while “Hero TV” copters hover and record. Under the pretense of going somewhere to duel where collateral damage would be minimal, Desumi and Fudou are almost caught, but Desumi wisely plays dead as he and his comrade Misaki (Yellow Gelato) are interviewed by a reporter.

When they’re alone again, Desumi is feeling a little lonely since she just saw how popular Fudou is with the ladies. Then he asks how he can make it up to her, and she says she wants to go on an ordinary date. The only problem is, neither of them have ever been on a date, so Fudou relies first on Google and then a drunk Misaki to help him plan one.

The two meet on a lovely day in the park, with Fudou wearing glasses and his hair different as a “disguise”, and he marvels at how resplendent Desumi looks in normal clothes. However, under the assumption that the best date is one where they do something they both enjoy, Fudou has planned a date mostly of weight training and running.

By the time Fudou breaks out a backpack full of sugar-free protein bars, Desumi excuses herself to “go to the bathroom”, and it sure looks like she’s noped out on Fudou’s sorry excuse for a date. A sober Misaki calls him from a hot spring to tell him to ignore all the advice she gave him while drunk, then proceeds to tell him he’d better not do all the things he just did on his date.

Fudou, suddenly an emotional wreck, wanders the park looking in vain for Desumi, whom he’s sure took off because his date plan sucked, and just wishing with all his heart that she’d give him a second chance…and then he feels a cold drink on his temple, and Desumi is there, wondering why he’s acting so strange. When he tells her, she laughs. Of course she’s been having fun on their date, because she’s on a date with her sweetheart!

The two then hold hands and lean in for a kiss, but are rudely interrupted by their respective alarms calling them to duty. In the ensuing battle between Gelato and Gecko, both the Reaper Princess and Red Gelato are understandably out of it, still soaking up the pure bliss of their wonderful date…no doubt the first of many!

While a gold-standard series like Kaguya-sama blows Koiseka out of the water in both comedy chops and production values, Koiseka is by no means a slouch in either department. It looks as good as it needs to, and the chemistry and sweetness of its couple is impossible to resist. I also enjoyed the cute little post-credit segment introducing Desumi’s kitty Hellko, who is glad her mistress is smiling and laughing more.

Akebi’s Sailor Uniform – 12 (Fin) – You’re Lithe in April

For its finale ASU takes a somewhat unique and refreshing approach to the sports festival formula: it starts at the end, with Akebi’s much-anticipated dance in front of the whole school. Before taking the stage she admits to Usagihara that she’s a little nervous.

Usagihara knows she’ll be fine, because there’s a surprise for Akebi: joining her on stage for accompaniment is Erika, who is clearly her best friend. Unsuccessfully holding back tears at this surprise, Akebi proceeds to do what she took the stage to do: dance her heart out. This is yet another opportunity for the production team to flex its animation muscles.

The dance is interspersed with scenes from the preceding festival, in which Akebi cheered on everyone in the crowd, while they cheered and supported her in her events, and now in the auditorium. It’s a nice way to break up the one weakness to the performance, which is a pretty but also somewhat bland and repetitive song, and also show all kinds of sports action.

A clever creative choice is for the assembled classmates and friends to recognize Akebi’s acrobatic dance moves in both her earlier cheer dancing and athletic feats, some of which reach incredible, lyrical heights. Then Erika switches to violin and the performance is taken to another level still. When the dancing’s over, Akebi and Erika hold hands as they bow to the crowd.

The Monday morning after the even, Akebi is naturally still fatigued from exertions both athletic and artistic. She almost can’t believe what went down during the festival and afterward, as if it were a dream. But it’s not, and she overslept so her sister made breakfast, and Akebi’s whole family is there to greet her and her bed head.

The final scenes echo the first episode, first when Akebi runs through gorgeous landscapes on her way to school, then encounters Erika alone in the classroom. This time, however, Erika isn’t smelling her nail clippers…and also, they’re the best of friends!

Akebi had once been in a class of one with no one her age to hang out with…but thanks to her joyful gregarious personality and her mom’s sewing skills, she now has not just one but at least fifteen friends in her class, and plenty more outside. They enrich her life, and she theirs—a bright and joyful balance.

Akebi’s Sailor Uniform – 11 – Volleydaaaaaw

As soon as Erika learns the Athletic Festival after-party will include a solo dance by Akebi, she decides she wants to be the one accompanying her on the piano. Usagihara gives her the encouragement (and the Miki-chan CD) she needs to make it happen, while keeping it a pleasant surprise for Akebi when the time comes.

As for Akebi, she and her volleyball team learn, through playing against an actual volleyball player like Washio Hitomi, that they aren’t that god at volleyball. They don’t lack heart, but they need practice, and more critically a place to practice. Akebi has a tearful call with Mako-sensei, who is so happy Akebi has made friends and gives her permission to use her old school gym.

At first it looks like it’s going to be just Akebi, Usagihara, Shijou and Minakami (plus Kao, who wants to know what it’s like to not be at that school all alone), but Washio and Nawashiro, initially thought to have been indisposed that day, show up to help the novices practice. I love Kao’s reaction to seeing the statuesque Washio, as well as Washio’s response: lifting Kao as high as only she can.

I never watched Haikyuu!! but speaking as someone who has watched a bit of anime, I’m confident in saying the volleyball action animation is excellent. From the power and grace of the experienced Washio to the fumbling and incoordination of the newbies, it captures all of the beauty inherent the sport. Perhaps more importantly, it’s another opportunity for Akebi to revel in all of the friendships she’s made, working together in hopes of winning at the festival.

When Akebi shows her to the restroom, Usagihara notes just how old the school is, and learns that their little practice session is not only the most activity that gym has seen in years, but also might be the last time such a session can take place. Once Kao graduates, the school will close. So Akebi is happy she could bring friends there.

Akebi returns to the gym just as Mako-sensei decided to peek in on their practice, and is surprised to find that practically her whole class turned out to practice with her, preparations Usagihara made in case Washio and Nawashiro couldn’t make it. Mako-sensei and Akebi cant help but get emotional, while Kao leads her big sis by the hand to continue practice with everyone. Akebi shows her gratitude by giving Usagihara a big and lasting hug.

As for Erika, she’s in her own little world in her dorm room, practicing the Miki-chan piece while wearing earbuds and envisioning Akebi dancing around her in a placid ocean. Akebi truly transforms into a magical girl, gracefully darting around as Erika accompanies her. It’s another big flex from the animation staff, as the scene is simply bursting with love, tranquility, energy, and beauty.

Vanitas no Carte – 16 – Mettre Fin au Cauchemar

Vanitas no Karte always knows the right time for a moment of goofy levity, such as when Vanitas & Co. discover the same soldiers the beast already slew, leading him to conclude they’re in a looping closed world created by a curse-bearer. Jeanne uses her gauntlet to launch herself into the air and towards Chateau d’Apchier to fight the beast, as is her duty. She wasn’t counting on Vanitas hitching a ride!

As he’s walking in a corridor with Jean-Jacques, Noé suddenly doesn’t feel so swell…turns out his food was drugged. Likely expecting more visitors, J-J wants him to sleep things off until things die down. But first he wants him to drink his blood, so that in case anything happens to him, at least one person will remember not the legends, but the truth of who he and Chloé were.

Noé thus travels down memory lane through J-J’s eyes, as he flees his home and abusive father, gets lost in the woods, and encounters the Silver Witch, only to find that they’re two peas in a pod: vampires who have done nothing wrong but have still been scorned and abandoned. The two become fast friends, and J-J devotes himself to her entirely.

The townsfolk of Gévaudan don’t give up the hunt for the “Beast”, and  Chasseurs and Bourreaus soon come to force the issue. Knowing that Chloé isn’t responsible for the deaths but not knowing who is, J-J decides the only way to protect her is by becoming the Beast. Like Chloé, the scarred and world-weary J-J was all too easy a target for Naenia’s manipulation.

One night, J-J ends up badly wounded, including from his own father, who joined the hunt for the Beast. Naenia lures Chloé out of the castle to save J-J, but the two end up cornered by Jeanne, who seems ready to do her duty here as she does in the present. That is, until she gets a good look at her big sister, her eyes fill with tears, and she hesitates.

The thing is, at this point Chloé wants death, and is happy that Jeanne will be the one to deliver it. When it’s clear Jeann won’t do it, Chloé leaps of the cliff with J-J in her arms, only to be caught by Naenia, who promises vengeance in exchange for Chloé ‘s true name. Now we’re up to speed!

Vanitas, on the other hand, isn’t, but as Jeanne fights the Beast, he finaly reunites with Noé. When he learns that Chloé became a curse-bearer willingly for vengeance, Vanitas deems Chloé unsuitable for treatment—no point saving someone who doesn’t want to be saved, right? But Noé insists, and Vanitas agrees to treat them—provided Noé can inspire his help.

Vanitas reaches the library and finally meets Chloé, telling her he’s there to save her and demanding his book back. In the funniest gag of the episode (and indeed the season so far), Chloé pleads genuine ignorance. She liked the shiny jewel on the book, but when she couldn’t rip it off she just tossed the book…somewhere among the literal mountains of books. Yes, in this arc the titular Vanitas no Karte is naught but a MacGuffin…which rules!

As for what exactly Chloé is doing with her newly operational, keyboard-controlled Alteration Engine, Naenia claims she’s going to use it to wipe Gévaudan and its environs from the face of the earth, a potentially fatal bit of tampering with the World Formula Vanitas cannot allow.

But Chloé, it would seem, had other plans that even Naenia didn’t know about. To whit: Chloé uses a command “Perpetuate Existence” to give Naenia a physical body, which is to say, imprison her within one. Is Chloé officially showing her colors as someone who doesn’t want the world thrown into chaos, but rather wants to end Naenia’s reign of chaos? I am very intrigued to see where this goes.

Rating: 4/5 Stars

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