Komi Can’t Communicate S2 – 07 – …But Sometimes She Can

Komi is haunted by the possibility Najimi saw her holding Tadano’s hand as he slept. She spends all night trying to word a letter of explanation, but because she’s not 100% sure Najimi did see it, she doesn’t want to write anything to make Najimi suspicious. Meanwhile, Tadano wants to thank Komi for coming by, but isn’t 100% sure whether she was actually there or if she was just part of his fever dreams.

In their efforts to not say something that will give the other party the wrong idea, the misunderstandings only mount. Ironically, this is a sign that Komi is indeed becoming better at communicating. She is not just thinking internally and freezing up like the past, but trying to figure out what someone else is thinking or intended. That said, Komi was most certainly not just “checking his pulse!”

The last few episodes have shown an incremental uptick in the Komi x Tadano romance angle, but there are always new weirdo friends to meet, and this week’s is Naruse, whom I honestly can’t remember even in the background of previous episodes, but maybe that’s the point. As invisible as he’s been to me (and the rest of the gang), he is absolutely in love with himself.

Nine months into the school year, Naruse finally decides now is the time to approach Komi. One interesting bit of possibly accidental perceptiveness on his part? He assumes Komi has never spoken to him due to a communication disorder, for which he doesn’t judge her. But he clearly has a blind spot when it comes to the protective wall of secondary friends surrounding Komi, Tadano, and Najimi; he assumes they’re all his fans even if that’s a very big delusional reach.

When Komi returns his hanky that he saw him drop, he assumes it’s a sign she’s in love with him. Because of this, he’s a bit too forward in asking for her contact info, and gets Tadano’s instead. Naruse also has a constant deadpan translator/commentator in Chuushaku Kometani, who I wished would have gotten in a narration fight with the usual female narrator; to no avail.

The third and final segment returns us to the central romance as groups are to be formed for the upcoming class trip to Kyoto. When Tadano asks where she went for middle school, she says Kyoto, but after that she starts acting squirrelly even for her. Tadano correctly assumes she’s not feeling okay. After what may be the first instance I can recall of Najimi getting the eff out of the way, Tadano asks her about it, and she initially says it’s nothing, she’s fine, and they part ways.

But then, when they’re still only about ten feet away, she calls him, and tells him what’s been eating her: she lied about going to Kyoto. Her class went to Kyoto, but she was the last person chosen for a group, which picked her by playing jankenpon. She’ll never know whether the other members of her group welcomed her with a smile, were offended by her presence, or didn’t care one way or another…because she couldn’t raise her head.

It’s Komi’s most extensive and most heartbreaking sharing of her bad old days before she met Tadano (and Najimi), and Koga Aoi does the lord’s work infusing Komi’s tiny voice with meloncholy and longing. It’s also probably the most she’s spoken continuously yet; another sign that things aren’t the same as they were then, and never will be.

Tadano tells her she has friends now. Even if some of the others would “rather be with someone else” (highly arguable), Tadano would rather be with her than anyone else. He adds Najimi in there in case he sounds too forward, but I think Komi gets the idea as she hangs up and finishes their talk in person.

After talking with Tadano, Komi feels a lot better and is actually looking forward to the trip. The next day, in a complete inversion of her traumatic middle school experience, every single girl in the class wants to be in the same group as Komi, so the teacher has to employ a lottery system. To them, being able to spend time with her isn’t a burden; it’s a prize.

Love After World Domination – 06 – Beauty and the Beach

Summer’s here, and Desumi wants to do summer dating stuff with Fudou. Fudou’s completely on board, but doesn’t know if he can handle Desumi in a swimsuit (even though her villainess uniform is basically occult lingerie). But if anyone can arrange it so their respective teams have a battle on the beach, it’s these two.

Back at Gekko’s cafeteria (which I stress is not an evil cafeteria, just a regular cafeteria…which is great) We get more of Beast Princess and Desumi interacting, which is never not fun times. Beast is basically an earlier version of Desumi before she found love, but while Beast thinks Desumi should mind her evil image, she also seems to idolize her from afar.

That said, they’re both the same rank of Princess, which is below the boss-level Monster rank (Culverin Bear is technically Desumi’s boss). So it comes as a great and sudden shock when Bosslar gathers both ranks together to announce the creation of a new unit: one that will be lead by Desumi once she undergoes genetic merging with a Mountain Gorilla. She’s being promited to Monster…and all Monsters were once humans.

The downright strange ramifications of these are too simply much to go into in this brief recap, but suffice it to say I love how the show went there, and simultaneously treats it as a goofy joke and also deadly serious when it comes to Desumi. We also go in-depth into her family life as they call to congratulate her. But Desumi doesn’t want to be a monster. She wants to be a girl…Fudou’s girl.

All it takes is answering her phone in her native Hakata dialect for Fudou to sense something’s up, and like the Perfect Boyfriend he is, rushes right over to meet her on her roof. She asks him what he thinks she should do, but he tells her it doesn’t matter; she should do what she wants. He’s been with her long enough to know that while there’s no one kinder than her, she needs to turn that kindness inward more.

Desumi doesn’t want to be irrevocably transformed into an eldritch abomination, and never did, so she turns it down. Instead, she informs Bear that she got a tip (from Fudou) that Gelato would be doing test runs in part of the tokusatsu mech Gelato Robo. The Bear, Steel, and Beast and their underlings thus don beachwear and stake the place out. On the Robo Submarine, Misaki and Haru are also in a beachy mood.

In a brilliant sequence of misunderstandings about what she’s watching, Beast, whose real name is Majima Kiki, witnesses Desumi emerge from their hiding spot to take Red Gelato on, bury him in the sand to torture him (actually just for fun), smash his head in (actually a watermelon), and infiltrate the enemy (going to say Hi to Haru and meet Misaki). Because she’s not wearing her usual getup, no one knows she’s Reaper Princess.

Instead, Misaki simply realizes the truth: whoever this Desumi is, she and Fudou are dating, and she’s made Fudou a better and more open person. It’s probably the first time Desumi has been told she’s had a positive impact on Fudou, since she is usually fixated on the positive impact he’s had on her.

After some barbecue, fireworks, and sparklers, Big Gelato prepares to fire the big finale, but accidentally closes one of the missile hatches. Kiki, who had been being chased by Blue Gelato (who is apparently a cad) the whole time, witnesses the resulting explosion just as Desumi is rejoining her, laughing the whole time.

Of course, Kiki mistakes Reaper’s giddy laughter over what a fun day at the beach she’s had as sadistic pleasure in the wake of the destruction of the Gelato submarine. Desumi’s true superpower seems to be tremendously good luck, such that she doesn’t even have to hide how she acts and feels; her comrades will simply assume something else entirely.

Mieruko-chan – 11 – Meowruko-chan

While last week seemingly confirmed that Toono Zen was a Bad Dude who was behind the local cat abuse, all the episode really did was confirm that he’s an odd, lonely young man; it didn’t explicitly show him actually doing anything. Now we learn that both we and Miko judged him too quickly.

First we flash back to Zen’s childhood, which was strictly controlled by his mother, who wouldn’t let him for relationships with anyone or anything other than her without accusing him of “betraying her like his father,” and punished him by squeezing his head if he kept secrets from her.

Fast-forward to the present, when Miko has decided she can no longer stand by and do nothing while Hana is basically starved by the spirits surrounding Zen-sensei. She carefully follows Zen down mostly empty and isolated streets, until he comes across a mangy stray kitten in a tunnel.

Miko had planned to call the police and catch Zen red-handed abusing a cat, but couldn’t let the act actually happen, and cries out when it looks like he’s about to crush the little kitty’s head…which we already saw was a similar gesture her mother performed on him many times.

Zen asks Miko if she followed him and what she’s doing, and the huge ghoul seemingly protecting him pops out and threatens her. Miko runs with the kitten in hand, but trips and falls, though the kitten is unharmed. Startled, it jumps out of her hands and runs right into the street.

Right on cue, Car-kun races down that street at breakneck speed, threatening to flatten the poor kitty. But then Zen leaps out in front of the car to save the kitten, and suddenly Miko has no idea what is going on. Why would he want to save a cat…then kill it?

Turns out Zen wanted to do nothing of the sort. At the hospital, he tells Miko not to blame herself for what happened; he chose to leap in front of the car. He further explains that someone in his area—not him—has been abusing animals, and he was patrolling the area like usual.

Because of the odd way Miko had interacted with him when he answered the message about adopting another stray cat, as well as her odd demeanor at school, Zen assumed she might be the animal-abusing culprit, proving that both of these people simply needed more information before forming assumptions.

Miko gets more context on the hospital’s roof from Satoru, Zen’s friend since grade school, learning about his strict—nay, fucking psycho mother, who killed his pet cat when she found out about it, which…goddamn. Satoru, a vet, is the one Zen brings all the cats he finds so that he can secure new homes for them.

Lately, with the animal abuser, Zen has only found cats who are either already dead or close to it, which explains last week’s suspicious scene. As for why Satoru helps Zen, well…for the same reason Miko wants to help Hana: if your friend is in trouble, you do what you can to help them!

Now that Miko knows that the cat spirits are the result of Zen encountering the victims of the animal abuser, and the ghoul was once his horrible mother, she decides to help Zen out, for his sake, for Hana’s sake, and hell, for her own sake. She addresses Zen’s mother-ghoul directly, asking her to set him free, and she charges after her into the corridor.

I’m not sure if Miko intended for the fox spirits to arrive and destroy the mother-ghoul, but I’m not sure what else she expected, considering she put herself in harm’s way. It’s supposedly the third and final time they’ll help her, but at least it was for a good cause, and will end up helping both Hana and Zen. But who knows; maybe this is only the beginning of Miko taking a more active role in helping people with her ability.

Rating: 4/5 Stars

Mieruko-chan – 10 – One More Time

The show delivers one of its creepiest scenes yet without showing a single ghost or ghoul…just creepy-ass Toono Zen, cracking open the door of his pitch-black apartment surrounded by crows, accepting some leftovers from a kindly lady with some suspicious blood on his hand. He retreats back inside when talk turns to the recent maiming of cats in the neighborhood.

How such a guy was able to get a job subbing at a girl’s high school is beyond me, but a lot of the class finds him hot. Naturally, this doesn’t include Miko, who now has to constantly see those tortured cat ghouls writhe around Toono, who looks on the surface like he’s not aware of their presence, but at the same time could simply be hiding the fact he’s aware of them…just as Miko tries to do.

One side-effect of their new substitute teacher and his ghoulish kitty entourage started out as a joke, but is now starting to become worrying: Hana just can’t stop eating. She even inadvertently bails Miko out of a very sticky situation with Toono and the ghouls when they to to the nurse’s office. Yulia sees them go in, and immediately correctly diagnoses the problem: Hana’s aura is being drained by the spirits surrounding Toono.

That Yulia knows this could prove crucial to Miko and Hana in the days ahead, but there are two problems: Hana has no idea what Yulia is talking about, Miko does know but is still apprehensive about talking about it, and Yulia thinks Miko is out to get her. To Miko’s point, ghouls can pop up anywhere at anytime; there’s no safe time or place to talk about them, as evidenced in a “peaceful” park where one cute kid transforms into a ghoul and has to be destroyed by Miko’s guardian spirits.

But that marks the second of three times they’ve helped Miko; the third time will be their last, adding one more lump in her throat. The episode is bookended by two students accidentally interrupting their teacher Toono’s seemingly nightly cat-hunting mission. Here I thought the show was going to try to humanize him a bit at some point, but nope, looks like he’s pure evil.

The forces of evil seem to be amassing around Miko, Hana, and Yulia. With only one guardian intervention left to count on, it may be time for Miko to drop her guard and converse with Yulia about ways to protect themselves from the coming scourge…and prevent Hana from gorging herself.

Mieruko-chan – 08 – Let Sleeping Moths Lie

While shopping with Kyousuke for a birthday gift for their mom, Miko comes across a very cute dress and decides to try it on, since she and her mom are pretty much the same size. Unfortunately, a ghoulish store rep who says “It looks great on you!” kinda ruins the mood…not to mention Miko wears the dress out of the store, basically nixing it as a gift for mom.

While she and Kyousuke find another gift, the trip home is less than stress-free, thanks to a spectral axe murderer walking down the subway car, swinging its axe right into peoples’ heads. Miko has every right to be scared about what the axe might do to someone like her who can see them.

Thankfully, the axe only hurts other ghouls, and goes right through her head without incident. We don’t see Miko and Kyousuke giving their mom the gift of couple mugs. Rather, we watch as their mom makes two cups of tea with them: one for her, and one for her dearly departed husband.

The balance between creepy/gross/spooky/sinister ghosts and benevolent ones continues when Miko and Hana see off their pregnant homeroom teacher, learning that the child she’s carrying is her second try. This explains the odd white specter that’s so interested in the teacher’s belly: it’s the ghost of her dead child.

This was one of the best and most powerful segments of Mieruko-chan to date, because it once again subverts expectations. At first I thought the ghost was a threat like Miko did. But when we see how it interacts with his mother’s hand, it’s as if we and Miko can see the healing love emanate from her. I was well and truly choked up.

Contrast that with just regular choking due to one of the grosser ghouls Miko has come across. With a dozen slithery three-nostriled tusks leaking snot and some unsettling googly eyes, this particular specimen is not the first ghost Miko decides to face “head-on”. Perhaps she’ll face a less gross one later. For now, Miko joins Senpai’s Futaba as a Fall 2021 character who is partial to canned oshiruko.

The final segment brings back two very different cat people. First, Miko and Hana’s substitute homeroom teacher is Toono Zen, the guy Miko wouldn’t let adopt the stray kitten. Between those nasty demonic cats surrounding him and his blood red eyes, I wonder if he has “the sight” like Miko and Yulia, and knows that Miko can see too?

Whatever his deal, homeroom is not going to be pleasant for Miko for the foreseeable future. As for the tough yakuza-looking guy, he takes his time finding just the right cat food and cake to celebrate his late wife’s life, their anniversary, and the lives of their two beautiful white cats, who continue to watch over his new fuzzy companion as benevolent spirits. Mieruko-chan continues to spook me out and melt my heart.

Rating: 4/5 Stars

Mieruko-chan – 07 – Tunnel Visions (of Horror)

Things are only getting spookier for Miko, and it’s largely Hana’s fault! When Hana’s photo gets a lot of likes on Instagram (666, to be exact) she believes it’s her calling to be a photographer, and buys a Polaroid to take more. Yulia, waiting for an opening to exact her revenge on Miko for humiliating her/choking her out, eggs Hana on by suggesting a bus trip to the mountains for some prime photo spots.

Yulia’s motivations aside, this is the first time in a long time, maybe ever, she’s gone on a trip with friends. That said, she sticks to her mission, getting Hana to enter a tunnel known to be haunted so Miko will have no choice but to admit she also sees ghosts, and deal with them. Of course, at first it’s normal stuff that gets Hana spooked: the darkness and a sudden drop of water falling on the back of her neck.

When Miko trips in the dark, then dusts off her hands, Yulia believes her rival is setting up some kind of supernatural barrier. Because of the discrepancy between the types of ghosts Yulia and Miko can see, Miko’s gestures seem to coincide with the ghosts Yulia can see shriveling up and vanishing, as if Miko exorcised them. But Yulia can’t bigger and much more horrifying monster that is devouring the ones she can see.

Yulia makes things worse by trying to get Miko to admit she can see the ghosts too, totally unaware the biggest and baddest instantly reacts to the sensation that the humans can see them. Miko has been operating under the assumption that this is, as Egon once said, “very bad”. The monster prepares to swoop down on the three girls, but is stopped and defeated by the shrine spirits, who once again protect Miko.

Hana takes Miko and Yulia’s defeated, exhausted expressions on the ride home as shared disappointment in not getting to the end of the tunnel to the photo spot. So she gathers the two close for a selfie. That ends up making Yulia’s day, as it’s established her belief in ghosts cause other classmates to ostracize her, but she’s finally found new friends.

As for Miko, she’s just trying not to overthink why some spirits protect her while others want to kill her, Hana, and now Yulia, or what one of the ones protecting her meant by “three times”. But as the preview says, things are going to get spookier before they become less spooky, so Miko will likely need all the spectral allies she can get!

Rating: 4/5 Stars

Uzaki-chan wa Asobitai! – 09 – Mother’s Intuition

After weeks of affable but otherwise frustrating wheel-spinning, the romantic part of this rom-com has really come along in the last couple episodes. I was hoping for that to continue in this ninth installment, and it mostly does. No there are no confessions or anything—those would be wildly out of character!

Instead, the romance comes through in the closeness and comfort these two have come to share. Oh, and Sakurai meets Hana’s mom, Tsuki! Unlike Uzaki, Sakura can only see the surface man. For one thing, she’s surprised her daughter’s senpai is a man at all. For another, he’s big and scary!

Mama Uzaki’s handling of her fear is demonstrated in a rather ingenious camera shot we don’t see often in rom-coms: while she appears to be across the kitchen table from them, the camera pulls back to reveal she’s really all the way across the room!

While Sakurai turns out to be more well-mannered than he looks, Tsuki’s misunderstandings continue when one of their cats jumps on her lap and Sakurai can’t help but stare at it. Being a big fan of a soap opera in which an older woman is being seduced by a younger man, she assumes Sakurai is looking at her chest, and thus has his eye on her.

This misunderstanding persists when Tsuki visits Hana and Sakurai at the cafe and meets the owner and Ami. They tell her the kids of customers love Hana, while older women love Sakurai’s blend of dignified hunkiness. This leads Tsuki to wonder out loud if he likes their attention, to which Ami’s reply is priceless: “He’s no cougar hunter. He’s just a doofus!”

Tsuki has cause to question Ami’s assurances when she overhears and misinterprets Sakurai and Hana’s conversation about the need to mature adult beans, how it leads to more richness, if one overindulges you’ll be so excited you can’t sleep, and how he plans on getting a good taste before long. It’s just coffee shop talk, but Tsuki is convinced Sakurai has the hots for her.

Back at Sakurai’s place, he and Uzaki are playing video games as usual, and after beating him soundly, she has him get her a drink, noting she’ll do “whatever it takes to see [him] frustrated.” This leads Sakurai to compare her to her “quiet and kind” mom, and Hana starts to carefully observe Tsuki at home.

The next day at the cafe, Uzaki’s persona and very way of speaking has transformed to the “quiet and kind” Sakurai apparently craved…and its a nightmare for him! Rather than endure her continue to act and sound as sweet and reserved as her mom, Sakurai literally folds, bowing and apologizing for messing up.

But by adding that he “prefers the usual Uzaki”, he sets off a heated lovers’ quarrel between them, as Ami perhaps over-zealously imagines the two taking on different personas based on the clientele. It’s clear that if Ami and not her dad were in charge, the cafe would become a very different (but not altogether worse) place!

Uzaki and Sakurai’s bickering is stopped not by the owner or Ami, but by one of the little kids whose mom is a regular. The girl gives them a ticket for a shopping district lottery, and as they head over to try their luck after work, the couple is chastened by having been scolded by a child. That said, Uzaki is also secretly elated Sakurai prefers her “usual” self—but damned if she’ll let him see it!

In keeping with situations that continue to help bring these two together, they end up winning the lottery’s grand prize: a two-night trip for two to Tottori, which is apparently the home of Detective Conan. And in the very next scene, they’re already there! I found it refreshing there was no debate or waffling over whether to go; they just go.

As for the bizarre oil-slick faces who are watching the couple…I’m somewhat stumped. Assuming they’re not Conan villains (I’ve never read or watched so I know next to nothing about that venerable franchise) I’m guessing it’s Ami and Sakaki, but would the two really drop everything to follow Uzaki and Sakurai to Tottori? We shall see…

BokuBen 2 – 03 – Lifesaving Bangs

Rizu, feeling like her bangs are getting a bit long, aims to trim them…a bit, but thanks to her dad surprising her, she cuts off a bit more than a bit. Fumino and Uruka’s mixed reaction doesn’t help matters, but it’s around Nariyuki whom Rizu feels most self-conscious, and so takes great pains to hide her face so he won’t notice.

When Fumino sees that Nariyuki is taking Rizu’s face-hiding as a sign she hates him, she removes her ridiculous mask, only for Nariyuki not to notice any change whatsoever. Rizu hates the contradiction of being upset that he didn’t, but he’s determined to figure out what the change is, and eventually redeems himself.

In addition to keeping his promise to call her by her given name, he tells her how her facial expressions have changed since they first started studying together. While she once looked sullen and detached, now her face is more bright animated, even joyful. Not even caring about her bangs anymore, Rizu deems him correct…just not in the way she expected.

We stay with Rizu as the episode’s focus, but the POV shifts to her self-appointed rival (and not-so-secret admirer), Sekijo Sawako. Earlier, their soulmate status was confirmed when they changed hairstyles on the same day (even though Rizu’s was an accident), and when Sawako notices Rizu’s pen case getting a little tatty, she offers to take her shopping for a new one.

The next day, after obsessive minute-to-minute preparation and anticipation that kept her up all night, requiring at least nine cans of coffee, the two meet up for their long-awaited date. But after plying Rizu with at least 2,000 calories in snacks, Sawako spots Nariyuki, and determines she needs to put “Rizu’s happiness first” by cutting their date short and letting Rizu go with Nariyuki.

Both Rizu and Nariyuki are confused by this move, and Sawako ends up sulking at a claw machine, remembering her middle school days when her high test scores would annoy her less brainy classmates.

It wasn’t until she took an exam beside her that Sawako met Rizu and became absolutely enthralled and inspired by her “cool beauty” attitude, calmly calling out the dumb boys. From that point on Sawako gained more confidence in herself and started to care less and less about what they thought…all thanks to Rizu.

Sawako explains all this to Nariyuki when he comes looking for her, and that she believes Rizu “saved her life” with her inspirational attitude. Rizu, who was also looking for Sawako, hears the tail end of this, but rather than being insulted, she’s actually glad that something she considered a weakness—not being great at reading people’s feelings—was seen as a strength and inspiration by Sawako.

Sawako’s tsundere antics can be tiresome, and I’m not sure we needed her to fall on Rizu, grabbing her boob and exposing her own underwear in the process, but I was glad to get her backstory and motivations for why she treats Rizu as both a rival and kind of soul mate and lodestar. I also appreciate that like Fumino she’s aware of the potential of a Rizu x Nariyuki, even if those two remain as clueless as ever.

BokuBen 2 – 02 – At Their Service

After focusing on the main tutee trio last week, we shift to the lives of Kominami Asumi and Kirisu Mafuyu, both of whom end up in Nariyuki’s debt; the lad is nothing if not useful and industrious. When her fellow cafe maids conscript him to accompany her on her new maid cooking and cleaning side-gig, the clients they encounter are one coincidence after another.

First, there’s Kirisu, who refuses to let Asumi in until Nariyuki has already cleaned her place within an inch of its life. Then Uruka’s sick mom hires them, unbeknownst to Uruka, who is so frazzled to have Nariyuki in her home she cleans and cooks a sumptuous meal for the three of them without thinking—such is the power of her natural domestic skills.

The final straw for Asumi comes when the third client is a hungry Fumino, who made a mess attempting to cook but didn’t expect people she knew to come to clean, so she calls Rizu, who arrives with enough noodles for the four of everyone.

With Asumi’s pride as a maid well and truly devastated, she ends up cooking and cleaning at Nariyuki’s house, impressing his younger siblings, who wonder when he’ll marry her. Asumi contents herself with having Nariyuki’s head in her lap as she cleans his ears, a “special service” she’s all too happy to perform for him on the house.

On to Kirisu-sensei, who gets furious at Fumino falling asleep in class, but after pulling an all-nighter preparing quizzes, ends up having trouble staying awake in class the next day. She convinces herself that no one notices the first time she nods off, but Nariyuki saw her and is pretty sure what’s up.

During an unplanned, lengthy, and extremely boring school address, Kirisu is again on the verge of appearing hypocritical and bringing shame to her fellow faculty, but Nariyuki again notices and fakes a loud sneezing fit to keep her awake. She suspects he’s helping her on purpose, but again chalks it up to overthinking.

When she arrives at her front door ready to pass the f out, to her dismay she’s misplaced the key. She runs into Nariyuki, and the two spend the rest of the afternoon into the evening searching everywhere for it, before Nariyuki suggests she double-check the substantial contents of her bag.

Sure enough, her sleep-deprived past self placed the key in her pouch of USB drives. But immediately upon opening her door, she passes out in the entryway. Being a scholar and a gentleman, Nariyuki can’t leave her in such a state, and so gently carries her to bed, noting how slender and light his teacher is and then apologizing to no one in particular for thinking about weird stuff.

Fumino, Rizu, and Uruka form the heart of BokuBen, but this week reinforces the notion that they don’t have to always be in the spotlight. Asumi and Kirisu-sensei bring their own energy and dynamics with Nariyuki, resulting in a thoroughly amusing and energetic outing.

BokuBen 2 – 01 – Chests and Tests

First thing to understand is that this is a continuation of a Spring 2019 series, so before diving into this I’d advise watching the first season, my mostly-glowing reviews for which you can find here.

For those who are all caught up, BokuBen 2 offers more of the same vibrant brand of ecchi-related misunderstandings between various girls and their well-meaning male tutor and friend which inherently get in the way of the tutoring, hence the English title We Never Learn!

This week, Yuiga Nariyuki spends the most one-on-one time with Ogata Rizu, in which the first such misunderstanding is a mix-up between test scores and cup sizes. Since the worst test score is an E and Rizu is well beyond E in cup size, the wording of Nariyuki’s earnest attempts to encourage her (“There’s room for growth!” “I know how you feel!” “Let’s both grasp what we want!”) only serve to reinforce Kominami Asumi’s claim that Nariyuki is a “secret horndog.”

Nonetheless, Rizu believes she’s the one being immature about this, and that there’s nothing wrong with a boy she likes admiring her chest. Nariyuki is a half-beat too late in their conversation to clear things up, as Rizu finally offers to let him touch them “for only a second” just as her beastly father arrives at their booth.

The next segment involves Nariyuki in a group study session at a cram camp called “the Getting Inn” (not suggestive at all!) with his three tutees plus Asumi, when Fumino accidentally slips up and calls him by his given name, like she did when they had to get a hotel room together and pretended to be siblings.

Rather than reprimand Fumino (or think a little longer about why she called him Nariyuki), Takemoto Uruka wants in, and won’t respond to Nariyuki until he calls her Uruka. She also insists Rizu start calling her Uruka. As with Fumino going back to Yuiga before slipping up here, who knows if the given name-calling will continue, but the fact it’s not an unthinkable concept shows growth among the friends.

Things get a lot more intimate between Nariyuki when his three primary tutees when they head into the hot spring bath early, just before the men and women signs are changed. When Nariyuki heads in, he believes, correctly, that he’s in the men’s bath when he encounters a nude Fumino washing her hair.

Once the three realize they’re in the wrong, they prepare to skink away, but are blocked by the arrival of three more boys who most certainly are horndogs. Thankfully, they’re sufficiently distracted by their own attempts to widen the bamboo in order see into the women’s bath that the girls are able to escape into the steam, while Asumi on the other side jabs her fingers into one of the peeping tom’s eyes.

Once everyone is dressed, the girls thank Nariyuki for being a gentleman about things, but he must torpedo the goodwill by presenting Fumino with the bra she left in the changing area. The implication is that he knew it was hers due to the cup size, expressed through a very unexpected but appreciated parody of the touching ending shot of Nausicaä of the Valley of the Wind.

O Maidens in Your Savage Season – 12 (Fin) – Using the Same Words on a Train with No Brakes

The girls might be referring to the hostage situation, but the real train with no brakes each one of them is on is adolescence. It’s a crazy chemical, biological train where bodies take off before minds are ready; where feelings are felt before the words to express them can be found.

The reaction of Tomita-sensei, the principal and vice principal to the girl’s act of rebellion couldn’t be any appropriate: they shrug and go back home, hoping things will cool off by morning, or in about a day or so. They’re not looking down on their students or mocking their seriousness.

Instead, all they have to do is remember when they were that age to know that in this case, anything they try to do or say in this situation can only make things worse. Better to let the crazy kids work things out; to find the brakes. Also, Tomita will be by in the morning with McDonalds breakfast! She’s an angel.

What Tomita also does is call Rika, the person for whom the girls kidnapped Yamagishi-sensei, and who arrives with Amagi by her side. But this isn’t just about Rika anymore; it’s about settling things among each other, so they don’t let Rika or Amagi in.

Rika contacts Izumi, who contacts Kazusa to tell her he’s coming. He sneaks in to find Niina tangled up on the floor with Momoko as Kazusa looks on. Niina thinks it the best time to confess her feelings to Izumi, but Momoko doesn’t accept Kazusa “giving her permission”, and she sure as hell doesn’t have hers.

Izumi somehow makes things far worse by declaring he’ll clearly state how he feels about both of them, then proceeding to say that he loves Kazusa but is sexually attracted to Niina, words so lacking in nuance and open to interpretation they end up satisfying no one.

No one, that is, except Niina, who we’ve known for a while now is too far removed from traditional “love” to value it as much as the pure physical attraction she can make better sense of, since she’s experienced it herself, most powerfully on the train when, as she says “he touched her.”

Those words also lack nuance and serve to stir the shit further, until Kazusa suggests they simply dispense with further words and make it a pure neolithic fight, like their pillow war at the bathhouse. Rika, who arrived with Amagi in time to castigate Izumi for his harsh and imprecise words, laments that her girls have been “driven mad by lust” but doesn’t think abandoning language is the answer.

The only adult in the room, Yamagishi, free of his binds, suggests that they combine some kind of “fight” with language: color tag. By having those who aren’t “it” look for a color the person who is “it” describes in a very personal way, it will enable them to reach beyond mere words to find the thoughts and feelings behind them.

Momoko fails to find Hitoha’s “gray sigh,” but when she just blurts out “peach-colored Momoko” despite not knowing what it is at the time, Niina still runs at full speed to find it.  Niina wants to understand Momoko’s feelings so they can continue being friends. Happy that Niina feels that way, she embraces Niina, declaring she is now “it.”

Niina tells the others to find the “Blues of our youth,” which leads Kazusa to a dark hall, where she thinks about how she’s felt like she’s been lost in that darkness ever since Niina fist mentioned sex during club, confused about romance, sexual desire, and everything in between. But once her eyes adjust and the moon peeks out of the clouds, she and the hallway are bathed in blue light—the blues of their youth.

Izumi ends up right there with Kazusa, and manages to use the opportunity to put how he’s feeling into better, more useful words. To Kazusa’s dawning realization and delight, he’s finally using the same words she would use to describe how she feels. Now they both have a useful tool to fall back on if they ever get anxious in the future. Neither of them are experts on what they’re headed into, but they’re speaking the same language, so they won’t be walking that path alone.

On the other fronts, in addition to Niina and Momoko making up, Hitoha notes Milo-sensei’s dedication to the advisor role even in such an unusual situation. When he plays the “you’re nothing if not entertaining” card on her, she proudly warns him not to “attempt to satisfy me with half-hearted platitudes,” as that isn’t entertaining.

Finally, with things calming down around them, things aren’t as bad as Mom-Mode Rika initially feared. She’s more concerned about Amagi’s experience kissing other girls. But Amagi isn’t that experienced after all, as he’s never kissed anyone on the forehead before, as he does with Rika, and which he states makes his heart race more than any past kiss. Dawwww.

The other girls find them before they’re able to start making out, and Amagi, Izumi, and Milo are all dismissed so the five girls can finish working things out without further interruption from members of the opposite sex.

Their group catharsis takes the form of a massive poster and banner-painting project that leaves the facade of the school plastered in revolutionary slogans and the girls sleeping in their clubroom, spattered in paint of all colors.

Those literal colors represent the proverbial colors that color the blank white canvas of youth as one goes through one’s savage season. To be so colored is no curse, nor anything of which anyone need be ashamed. They are necessary and inevitable—as much as a train with no brakes will, after enough distance with the throttle pulled back, eventually slow down and become more manageable.

After some time passes, it seems all of these young women are managing fine with the bevy of new colors that have been splashed across their canvases. Jujou sends Rika a photo of her, her boyfriend, and their new baby, aged two months. Rika is on a date with Amagi. Hitoha is working on a performance for Milo and Tomita’s wedding. Niina and Momoko are hanging out and having fun.

And Kazusa and Izumi are holding hands, in public while taking a train together. In a marvelous callback to an earlier episode when their train enters a tunnel, she thinks to herself with a placid smile, “It fit.”

O Maidens satisfied my desire for a candid and genuine teen romantic drama that didn’t rely on cliches and didn’t hold back. It was packed with richly-rendered, distinctive, and ultimately lovable characters, and didn’t hesitate to put them—and us—through the wringer, but also didn’t keep us or them in that wringer, and balanced drama and comedy with aplomb. It looked great, too.

Finally, while that ship was built on stormy seas, it managed to sail the ship I wanted! It would have been a dealbreaker if it hadn’t, but that makes all the difference between simply liking or admiring a show, and actually loving it. O Maidens just…fit.

HenSuki – 05 – Beware the White Rabbit

In an effort to keep “Witch-senpai” from monopolizing Keiki, Yuika joins the Shodou club, even abiding by Sayuki’s directive that she dress as a bunny girl for a day. Mao also joins, but doesn’t have to wear a costume, as Sayuki is already a huge fan of her BL manga.

But Keiki has bigger problems than the three weirdos in his orbit joining forces: a fourth weirdo who took an incriminating picture of him. She intends to blackmail him, but isn’t interested in him, only his friend Shouta.

This fourth girl is Ootori Koharu, who despite being tiny and having a bunny-like aura, is actually older than Keiki, and a third-year. That makes her demand to Keiki difficult, as she’s obsessed with Shouta and wants to meet him, but Keiki knows his best mate only likes younger girls.

Thanks to some inspiration from Mizuha, Keiki crafts a plan: when the summer unis come out, which are all the same color regardless of year, he’ll have Koharu meet Shouta wearing a hoodie concealing the bow that indicates she’s older. She also addresses him as senpai. Shouta falls for it hook, line, and sinker.

Things bode well for Keiki having the photo of him groping Sayuki deleted from Koharu’s phone—though I hasten to note she didn’t actually do it yet. Instead, after another quick check on the shodou club (which is a bit too much concentrated weirdness for Keiki’s taste), he spots the vice-chairperson Fujimoto descending the stairs with a tall stack of printouts.

Predictably, one of the papers ends up under her shoe, and she slips and falls, but Keiki saves her, ending up underneath. In a subversion of cliche, Fujimoto is not mortified by their ensuing amorous position. On the contrary, she’d prefer if they stayed that way a little longer. Could Keiki have finally found his Cinderella?

HenSuki – 04 – The Desired Outcome

Last week, before I endured a week of high-altitude training, I presupposed that Nanjou Mao has a particular interest in Keiki, but considering she was neither a sadist or masochist, the particular peculiar shape that interest took remained up in the air.

Keiki gets a bit of a reprieve this week when both Yuika and Sayuki independently offer their apologies for “going too far” and urge him to “make up” with Mao. When he confronts Mao after class, she asks if he’ll hang out with her and Shouma at the arcade, like they used to.

There, we get the second hint of Mao’s interest—her first was the very characteristic Stressed Mangaka Girl Look (AKA the School Queen/Home Nerd Look popularized by Kare Kano, but I digress). When Keiki slips and is about to fall backwards, he’s caught in an inadvertent wall slam by Shouma, which excites Mao very much.

Later, while walking Mao home, Mao wonders out loud if he wants to be in a couple rather than a trio. Keiki also notices Mao staring intently at a photo of Shouma, and gets the wrong idea that she likes Shouma. But when he pries too deeply and too directly, she runs off on him, even in the pouring rain, leaving him with the rank of Sex Animal Sergeant.

Having made next to no progress, Keiki seeks advice from Mizuha, of all people, who was previously peeping at his porn stash, puts his head in her lap, and hides an annoyed look from her brother when he discusses other girls.

Still, she advises him to go all out, but act naturally, and if it doesn’t work, she’ll surely will be there to comfort him. When Keiki once more confronts a sleepy Mao after class and apologizes profusely for hurting her feelings, and unwisely offers to do “anything” to make things right.

Mao declares she wants Keiki in a relationship…not with her, but with Shouma. That’s right: Mao is a fujoshi, and her Shortcake series uses Shouma and Keiki as her character models. She wasn’t jealous that other girls were coming on to him; she was angry that they were ruining her image of Keiki as a BL model!

If he refuses to date Shouma, she threatens do everything in her power to impede all of his other romantic endeavors. So now all three of the non-sister girls in Keiki’s circle have some quirk he’s not sure he can live with. If that weren’t bad enough, someone leaves an envelope in his shoe locker containing a photo of him groping Sayuki…perhaps an prelude from one of the yet-to-be-introduced other girls?

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