Saekano 2 – 08

~Revised from an earlier review~

Here it is: the much-anticipated episode in which Tomoya tries to make up with Megumi. He, and we, spend the entire episode with Megumi and only Megumi, for what feels like the first time in a long while. He ultimately succeeds, and she even ends up in his bed (get your head out of the gutter)!

I know full well no matter how “far” Tomoya seems to get with one girl or another, he may never actually choose one. And yet I can’t deny that one of the reasons I’ve stuck with the show is that there are episodes like these (and the previous ones with Utaha and Eriri) in which Tomoya comes very close to choosing, to the point where the featured girl is his choice of the week, and all others fall away.

Megumi straight-up dismisses the possibility she might like Tomoya, which is discouraging both to me and to Tomoya. But the truth is, Megumi’s dismissal of the possibility feels more and more hollow as the two to share a night of food (and underwear) shopping, cooking, talking, bathing, and finally sleeping over, that wouldn’t be out of place for an old married couple.

Megumi is reliably adorable throughout, and Tomoya is lucky to be in her presence. Entering his house first (where his parents are away), giving him a taste of her curry, wiping food off his face—this is the Tomoya and Megumi I love so much: glorious in their mundane domesticity.

The longer we spend with Tomoya and Megumi in such intimate environment, the less certain Megumi’s earlier rebuff of Tomoya’s “tentative” theory about her feels. I mean, if these two aren’t a couple, then nobody is, right?  I’m not taking crazy pills here.

While quick to reject Tomoya at the mere mention of being jealous of him and Eriri, Megumi couldn’t help but show her hand both then and throughout the episode. Tomoya is his usual dense self in accepting the rejection, but the evening he proceeds to share with Megumi surely have him questioning the finality of that exchange in the A/V room.

Eromanga-sensei – 08

Whether she likes it or not, Sagiri can’t have Masamune all to herself, not matter how adorably she dresses. And though he technically rejected her, the fact Masamune compares Sagiri’s yukata to Muramasa means she’s still in his thoughts, because she was the first person to say what she said about his novels.

Elf also tries to nab her share of Masamune’s attention by dressing like Muramasa; in her case, a school uniform. But despite the fact she and Muramasa are rivals in love and novels, Elf offers the advice she’d offer Masamune even if she didn’t like him: stop worrying about what may or may not be, and have one little chat that settles it all. Of course, she’s clearly not happy at all when he says he wishes she was his big sister.

She is, right, however, that being direct with Muramasa is the best strategy, as her feelings for him haven’t changed since he turned her down, nor is she too uncomfortable to attend the short story competition wrap party he’ll be hosting. They also both acknowledge that they’ve only met each other three times—not enough to get to know each other—and so would both welcome a fourth, fifth, and more.

The fifth wheel, Shidou, arrives first, and has no idea what he’s walking into until Elf and Muramasa arrive at the same time and start immediately fighting over Masamune until Sagiri starts pounding on the floor above them. Elf is also sporting her most ridiculous outfit yet – a frilly lolita-style yukata and flamboyant hairstyle.

The initial awkwardness of the party eventually smooths out, especially when Masamune breaks out all the festival themed food, hoping to create a festival-like atmosphere for Sagiri, who can’t go outside. Everyone shares their ultimate dreams, including “Eromanga-sensei”, who says she wants to be the bride of the one she loves. Oh, girl…

After everyone else files out to go see the fireworks, Masamune stays with Sagiri, and confesses that he’s always been afraid of being alone ever since his birth mother died in an accident. He’s also truly thankful for Sagiri, his new family, for putting up with such a pathetic brother, but she feels no less pathetic for losing the will to leave the house.

As they watch the fireworks from the window of her room, Sagiri reiterates that she never considered Masamune family or her brother; her love has always leaned more towards romance, insomuch as she knows what that is.

Still, if Masamune wants or needs her to just be his little sister, she thinks she can “pretend…for a bit”, only to later remark somewhat ruefully to herself while lying in bed how she’s “gotten much further away”, presumably from her dream of being the bride of the one she loves.

I dunno if that’s a bad thing, Sags! Get over him, get out of that bed, that room, that house; go to school, meet someone whose father didn’t marry your mother. Is that so much to ask?

P.S. Kuroneko Sighting. Repeat: Kuroneko Sighting!!! With her adorable sisters too. That confirms Masamune, Sagiri, & Co. live in the same world as Oreimo, whose MC also had to grow a spine and pick someone, anyone, as long as it wasn’t his damn sister. Obviously, Kuroneko was his best choice.

Saekano 2 – 07

It’s been two months since Winter Comiket, and Cherry Blessing has done well in both sales and critical reception. But with their first game released, Blessing Software is at a crossroads. Utaha is finishing up her newest novel, while Eriri is still blowing past art deadlines (what she’s painting, we never see).

Tomoya’s rival Iori surmises that Cherry was able to surpass his game in reviews (if not in sales) because both writer and artist grew and surpassed themselves. Now that the trio has been through it all together, the girls are far less careful about how they act at school around Tomoya.

Tomoya, Eri, and Utaha are all getting along swimmingly post-Comiket, but Tomoya has been unable to make any progress whatsoever in making up with Megumi. She gives him a listless “good morning” and doesn’t answer her phone when he calls her.

That ignored call is the beginning of Tomoya starting to actually stop and carefully consider everything Megumi had done for and with him, and the manner in which treated her in return. Because he took her commitment lightly and shut her out at a crucial moment, she’s not picking up now to discuss with him the pros and cons of a new, second game.

Valentine’s Day arrives, and when he brings up the possibility of giving her more work, Eriri simply wants more time to relax, not worry about such things, give him chocolate, take his arm and walk with him.

To her chagrin, he has lunch with Utaha, who also gives him chocolate, and offers to sign her real name (not her pen name) “all over his body”, in a classic Utaha tease that’s probably more sincere than Tomoya is willing to realize.

Utaha also released her latest novel, and plans to start another soon. Since she’s already in university, she won’t be coming to school anymore after today. So Tomoya asks her, almost desperately, if she’d write for him again.

Despite her resentment of Tomoya’s protectiveness with Eriri, she bashfully admits she wants to make another game with her. Eriri, out in the hall making sure Utaha doesn’t make any moves, hears Utaha’s warm tone.

If Tomoya can come up with an idea, it looks like Utako Kasumi and Kashiwagi Eri are all on board. Which leaves Megumi (sorry Hyoudou, you’re not a main!). Tomoya makes an effort to track her down, but she slips out just as school ends. He spots her eating alone in a cafe, texts her a request for a circle meeting, and watches her not ignore it, giving him hope that maybe their friendship hasn’t “run its natural course” quite yet after all.

Then he goes home, and late into the night, he plays Cherry Blessing through. Playing it brings up all of the memories he has of Megumi working tirelessly by his side to make the game such a success, and how little appreciation he showed in his words, actions, or lack thereof. So Tomoya curls up in shame. At last—a glimmer of self-awareness from the guy.

Thinking of her also inspires Tomoya to come up with a title for the upcoming game he’ll aim to release in time for Summer Comiket: How to Raise a Boring Girlfriend. Meta! Here’s hoping he can make proper amends—and Megumi is willing to take the fool back.

Eromanga-sensei – 07

Senju Muramasa doesn’t back down on her intention to crush Masamune, and easily dispatches Elf by having the editor inform her just how many more sales she has (14+ mil vs. 2 mil), forcing a quick Elf retreat. Masamune responds with a challenge to his “senpai”: whoever loses the contest will have to do whatever the victor says.

We knew this was the challenge that was coming, it’s just a matter of what Masamune will write, and whether it will be good enough to beat a platinum powerhouse. He decides he’ll convert his little sister novel to a short story, but short stories aren’t his forte.

Enter Elf, who uses her expertise gained by her own strong sales and puts Masamune through a gauntlet of drafts, until he’s got a “passable”, if not yet good enough, manuscript.

Then the enemy pays him a visit, intentionally wearing a school uniform in order to “make a better impression.” You see, she wants Masamune to surrender, and instead agree to “be hers”, i.e. write novels just for her.

Elf and an on-screen Sagiri are suspicious of her appearance in the midst of the contest, but it would seem Muramasa isn’t trying to sabotage her kohai, just make him pivot to something she sees would benefit both sides. She also doesn’t flinch at Elf’s claim she and Masamune are living together.

She comes in, and after briefly getting distracted by a sudden jolt of inspiration forcing her to stop her conversation in the middle and start writing (and she’s left-handed!), tells Masamune what her dream is: to be able to go beyond writing stories she’s rate 100-out-of-100, and create something even she, not just a fan, could rate 1 million out of 100.

She only writes at all because of Masamune, whose battle novels were the only things that moved her to the bottom of her heart. When he shifted to rom-com with the little-sister proposal, and stopped writing her favorite novel, she became a wreck, and only by writing her own stuff could she keep going.

So Muramasa, certain her dream is more important than Masamune’s, once again pleads with him to become “hers” and write only for her, promising she’ll support him and his sister the rest of their lives if that’s what it takes. But Masamune’s dream isn’t just his own, and Sagiri leaves her room to tell Muramasa as much.

Also, Sagiri won’t accept any scenario in which she gives up Masamune for anyone else. She earlier says he’s not allowed to date other girls ever after seeing Elf’s tweet. This is highly unreasonable behavior, but younger sibling jealousy is nothing new or abnormal. Masamune shows a united front with his sister and declines Muramasa’s author, saying he’ll instead get her hooked on his rom-com.

I mean, that’s great and all, but surely Masamune realizes he can’t keep indulging Sagiri’s possessiveness, right? And that any future romantic partner has to be chosen from among girls he’s not related to by marriage? Just asking for a friend…

Masamune ends up winning the contest, because even though Muramasa got 15 more votes, her short story ran double the allowed length, and she was disqualified. Whether this was intentional on her part, or if she simply wrote the number of pages she had to write and didn’t care what happened afterwards, the story was all about her and Masamune.

Like Masamune’s story about his sister, Muramasa’s is a love letter…to him. So now Muramasa is not just in love with his novels, but with him in general. Masamune doesn’t have a satisfying answer: “there’s [already] someone I love.”

It leads me to wonder if Muramasa’s only purpose on the show was to be defeated twice in short order and retreat as Elf did upon hearing about her sales…or if the battle has just begun. Either way, he harem has become really crowded.

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Renai Boukun – 06

It’s a half-beach, half test-of-courage episode, with Akane trying to befriend Seiji’s sister Akua in the former and warning Guri to stay away from Seiji in the latter, all while Guri goofs off as usual in both and Yuzu always finds herself closer to Seiji than her beloved Akane.

After he rejects her advances, Shikimi notifies Seiji what was hinted at last week; that Akane and Yuzu’s families serve as swords and shields, respectively, with her role as a branch family member being support of the other two.

Meanwhile Akua remains cold to Akane until she’s attacked by the rabid demon penguin Stolas, then rescued largely thanks to Akane’s brute strength. She concedes that her brother likes strong women, so she’s at least a good match in that regard, if no other.

The beach was little more than a fresh setting for the Akane’s violent lunacy, which is less instrumental in the second segment, in which a Ghostbuster-cosplaying Guri leads everyone on a test of courage through the school at the behest of a couple who wants her to make them a couple forever.

The lunacy here lies in the fast-paced gauntlet of all the typical things you worry about running into at school after dark, from the spirits of dead students to self-playing pianos, moving stone busts, and the ever-present anatomical model. There’s no shortage of energy, at least for a few bursts.

But both during and after the test, at the end of which it’s revealed the couple were dead to begin with and needed a little help passing on to the hereafter, Akane makes it clear to Guri that she’s only going to tolerate this lovey-dovey harem thing for so long, so if she wants to remain friends, she’d better stay away from Seiji.

As if to underscore her seriousness, Akane doesn’t whip out her knives to threaten Guri. She also tells the very naive cupid that love, happy or sad, causes one’s heart to ache, and if that’s not happening with Guri, maybe she should reconsider being her rival.

I knew things were eventually going to get more serious, but I’m still not convinced that’s the best move for a show that doesn’t have a lot going for it besides its rapid-fire comedy.

Renai Boukun – 05

As expected, the pink-haired sadist doesn’t get to torture Seiji for long, as Akane arrives to rescue him, We learn she’s Shiramine Shikimi, cousin to Akane and Yuzu, who loves receiving pain as much as she loves doling it out. She also likes stealing things, particularly from Akane, and Seiji is one such thing.

A fight ensues, and Shikimi is able to repel Akane’s attacks and restrain her, then scolding her for becoming weaker and being a sorry excuse for a “weapon princess”. She’s more impressed with Yuzu’s shield. This is all to imply that Akane and Yuzu have never been ordinary high school students, but some higher calling they’ve yet to share with Seiji.

This is where Renai Boukun ditches the comedy altogether and gets a lot more serious, especially with the newly-arrived Guri telling Shikimi she can’t make her a part of the harem because there’s no real love inside of her.

Your mileage may vary on whether this show needs to be this serious or dramatic; I’m not the biggest fan of it. In any case, all the excitement leaves Seiji knocked out, and he then dies. Not even a fifteen-minute kiss from Akane can bring him back, Sleeping Beauty-style.

His death segues into the episode’s second segment, in which he meets Guri’s father Kami and his…er…neighbor Tiara? Coraly is also there. “Heaven” is little more than an ordinary Japanese living room.

There, Kami (‘God’) tells him he’s killed him “for the time being” so he could meet the one his daughter has latched herself onto. He wants her to one day succeed him as Kami-sama, so he wants Seiji to teach her about love, something she’s not made much progress with despite being assigned cupid duty.

Maou (‘the devil’) also stops by, wanting to convert Guri to demonhood, but as these are not humans, they don’t have a specific deadline in place for either thing to happen. Seiji can’t promise anything, because as Kami is well aware, Guri is a free spirit who will do what she wants when she wants to, which is rarely the same thing for long periods.

Seiji returns to the world of the living, where Akane is chasing Guri with her knives and Yuzu was about to kiss him as well, only for her and Seiji to knock heads. Seiji asks why Guri never let on about her father or the succession; Guri simply explains that stuff is boring and she doesn’t want to waste time talking about it. Fair enough!

Last week ever-darker elements of violence and sexual deprivation were introduced; this week there’s a lot more character drama and a general plot course is set, with various parties vying for Guri’s future just as the girls vie for Seiji. That’s all well and good, but it was also IMO the least funny, and least surprising, episode of Love Tyrant yet.

Eromanga-sensei – 06

When Megumi repeatedly calls LNs “creepy”, Ishikawa Yui breaks out a more Mikasa-esque voice for Tomoe, going at Megumi as if she were trying to hurt her beloved Eren. Masamune avoids blows, but Tomoe enacts her revenge by getting Megumi totally hooked on the books she once so cavalierly looked down upon.

Megumi’s original purpose for checking out some novels was to get closer to Sagiri, and she gets closer than she bargained for, not only being allowed an audience with Muramase’s sister, but serving as a lewd model, bound and blindfolded.

Sagiri is so excited and inspired by her new model, she can’t help but impulsively relieve Megumi if her shimapan, an effective if dated way to blow up her “lewd girl” persona. That being said, Megumi gets what she wants: actual contact with Sagiri, and a promise of continued novel exchange—the foundation of a friendship.

When Masamune’s publisher tells him they won’t be publishing his little sister LN for a year (because the younger, more popular Senju Muramasa snatched his earlier publishing spot), Yamada offers to help him get published. But they’re both early for the meeting, so they have a little date that both know is a date but pretend it isn’t.

Yamada, who is surprisingly not the most irritating girl in the show, and has grown quite a bit as a character in her last few episodes, explains how book sales are like the ultimate game, so it makes sense to always keep score. Despite losing to Senju like Masamune in that department, she dismisses Senju as someone playing a “one-player game” with different rules.

She doesn’t believe Senju would be disappointed in the slightest if Yamada crushed her. Yamada accidentally tells Masamune she loves him, because she knows he would be disappointed, and thus a more worthwhile opponent. She quickly walks back the “I love you”, but the vulnerability and honesty of that moment, along with an earlier scene where she stops when she realizes she’s acting tsundere were nice touches.

The date over, the two mosey to the publisher, and encounter a girl who like Yamada is not dressed in normal modern attire, but traditional Japanese garb. Yamada assumes she’s a rookie when she spots her manuscript and is back to the haughty self she was when she first met Masamune. I guess this is just how she initially interacts with peers in her field? The girl doesn’t give her much in return, but accompanies them to the offices.

There, Masamune’s publisher denies his request to go with another house for his novel, but does suggest an alternative: he’ll enter a short-story competition with four other young authors, and the winner will get published not next year, but in September. Masamune emphatically expresses his intense enthusiasm and signs right up, claiming it’s the first brick of the road to realizing his dreams.

Perhaps a bit too emphatically, as the yukata girl finally speaks up, and not in a docile tone, announcing she’ll be the one to crush his sentimental, shonen-esque little dreams in favor of her own dream. She’s no rookie, after all…she’s Senju Muramasa, and she won’t have Masamune speak her name without the -senpai honorific.

So…Senju is a cutthroat, competitive maniac, eh? Well…I guess that’s probably better than what I expected (someone who is pre-in-love with Masamune / his work despite being more successful than him). In any case, the whole group of girls has now been introduced; we’ll soon see if and how Masamune interacts with the newest and most hostile.

Eromanga-sensei – 05

I wasn’t really serious when I stated last week that Sagiri saying “she’s in love with someone” meant a rejection of Masamune. This week Sagiri barely hides her brocon, and if anything is brassed off that her brother won’t return those feelings, because he doesn’t want to admit he’s a siscon. What both can agree on is that if Masamune is going to write a novel about a little sister, she’s going to illustrate it.

Masamune ends up ignoring Elf’s initial pleas to be rescued by her fastidious editors, so caught up in planning the look of the heroine with Sagiri (the more it looks like her, the better), but Elf manages to finally get his attention with a barrage of arrow fire, and he catches her in a manner she later romanticizes when she finally gets to meet Sagiri, and has fun both playing video games and posing in lewd positions until Masamune gives her up to the editors.

While working on his project proposal, which if approved will get the fast track to publication, Sagiri is eager to show him her completed work using Elf as a model. The illustration inspires Masamune to put an Elf-looking character in the novel, which I thought would really irk Sagiri (since another girl is intruding on her life with her brother and now their art) but she takes it well, and wants to continue inspiring him by drawing different kinds of girls she can only draw if she sees in the flesh.

That would create a problem for Masamune…if he wasn’t surrounded by girls. While I still loathe Megumi, at least her role as the only “otaku outsider” becomes clearer, as she so blithely looks down on the kind of books Masamune and the others create and adore.

The final member of the harem also comes a little more into focus, though she’s only mentioned by name: Senju Muramasa, sharing her name with the legendary student of the legendary swordsmith Masamune; fitting since it’s implied she’s younger. With Elf now a neighbor, friend, and collaborator, Masamune needs another distant rival…at least until that distance suddenly closes, which on this show is pretty likely.

Renai Boukun – 04

“There are piranhas in that pond.”

The Gist: Yuzu-chan takes center stage this week, with a silly backstory that explains her love for her sister Akane and establishes that Yuzu has always been a tripping-prone klutz for…some reason. We also learn that Yuzu doesn’t actually attend Akane/Aino’s school but, instead, an all-girls school in which she uses male body-doubles in drag to fill her place.

Back in the present, Shiramine Shikimi shows up and is clearly just pretending to be a meek girl in need of help. (She’s obviously the mean pink haired girl from Akane x Yuzu’s past) After getting Aino to follow her to an abandoned hospital, she traps him with magic gum and begins to torture him with nails and BDSM.

Fear not! While it ends to be continued, Guri x Yuzu x Akane are on their way and at least 2/3 of those characters have an idea what is going on…

Cell phones occupied much of the humor this week. The biggest player being Guri’s new smartphone, which is full of romance-specific apps as well as a weather report for the afterlife. However, Aino’s flip phone makes an appearance to deliver a gag that Guri has sent him undressing pics of Akane with the subject line “Present for your personal pleasure.”

Otherwise, much of the humor focuses on Yuzu’s foolish personality and the phone’s “Compatibility Barometer” which shows the various one-sided romances in the four way couple. Unsurprisingly, from a humor stand point, Yuzu and Aino would make the strongest couple, even though neither would be happy to admit that…

The Gist: Renai Boukun is all about great gags and subtle details. Yuzu’s family fountain is full of Piranhas, the unexplained app icons on the phone featuring art for each of the show’s characters, rescuing Yuzu from an extremely shallow stream, great audio cues and timing like Yuzu’s rejection noise and face — it’s all hilarious!

Renai Boukun also took a risk this week. Going dark with Shikimi — really dark with a sadist dry humping a torture victim — spins our soft and care-free expectations of the show on their head. It says boldly that anything can happen. Except, that’s not really want anyone should want from a well timed comedy is it?

Renai Boukun – 03

The Gist: Akua meets Guri officially, Akua and Aino work out their troubles, Guri’s love note book gets burned up, everyone is worried their relationships have fallen apart, Tiara-san is introduced, the trouble with the notebook is resolved, everyone is happy ever after. (sorta)

So much wacky goodness happens this week and basically none of it matters in detail. Sure, Akua is chased by a rapacious demonic penguin that cemented her relationship with her brother long ago in their childhood. Sure, Guri’s notebook is burned during a hilarious gender-role-reverse-expetation fight between a bad boy and a squad of scorned ladies. Sure, Tiara-san is one trashy former cupid that god knocked up and her phone has now replaced Guri’s book as the prop of the show.

But the joy of Renai Boukun is just in the timing of all these absurd happenings. The penguin could have been pedo-bear or an 8 bit character or anything random as long as the joke remained that it talked with its eyes. Guri could have lost the notebook in any number of ways — or the relationships could have become at risk through any number of megufins — as long as she basically showed no concern while all the other characters freaked out. Tiara-san didn’t even have to exist — they could just have written ‘love note’ on a new book and had everything else play out the same.

But, despite the lack of importance to any detail, all the precision in how those details play out in sound, framing, gesture and timing works very very well. Giggle on the floor blade sticking out of your head wonderfully well.

“It’s okay! There’s steam and mysterious lights. So people can see anything important.” – Guri, nude in the bathroom

The Verdict: Love Tyrant is almost the complete opposite of QZGS in so far as Love Tyrant doesn’t look special at all and doesn’t try to be cool either. In fact, if the comedy were not so tightly orchestrated, I wouldn’t even think it was trying hard to do that.

In short, Love Tyrant doesn’t take anything seriously in it’s search of fun. Laugh with it as it laughs at anime in general, and the romance genre specifically. Laugh until you puke. And love it!

Saekano 2 – 00

Saekano is back, baby! And it has not changed its ways, no sir. In its Episode 00 special, it doubles down on the enticing Episode 00 of its predecessor, piling on the fan service thick and garnishing with witty banter.

We arrive in the middle of an argument between Eriri and Utaha about an anime they disagree about, and again they seem to be talking about the very anime they’re in, and whether it’s deserving of a second season. After this first taste, I’d tend to agree with Eriri.

Like the hot springs episode 00 of last season, all the girls are after Aki’s attentions in one way or another, and everyone remains consistent in their respective approaches: Michiru with the cousin angle, Eriri with the childhood friend angle, Utaha with the Mr. Ethical schtick, and Megumi with the stealthiness and running commentary. Saekano 2 adds Hashima Izumi, another childhood friend of Aki’s and a fan of Eriri’s, to the mix, because hey, why not?

At a hotel in Odaiba overlooking the Rainbow Bridge and Statue of Liberty (yes, Tokyo has its own small one) the game-making group has gathered, and donned swimsuits because Megumi wouldn’t pose in a bikini unless everyone else was so attired. Aki has zero designs on spending the night, but when all the girls but Utaha end up in the room and she’s nowhere to be found, it’s clear she’s used her power of the purse to arrange things so she’d end up alone with Aki.

She claims to have only poured ginger ale for Aki and herself, but he has the sneaking suspicion it’s actual alcohol, and we know how that turned out for him and the girls at the hot spring. Unfortunately for Utaha (but fortunate for everyone else), while she turned her phone off, Aki’s remains on, and the gig is up. Utaha has not given up, but I wonder how far she realistically thinks she can get with such schemes.

At first Michiru only seem to be here to do pool suplexes on her cousin and put him in holds that mean something a lot different now that they’ve both grown, but it turns out she’s been working hard like Eriri and Utaha, writing not one but ten pieces of BGM for the game so far. As she gives the others a sample, her work has a motivating effect on the artists and scriptwriter, and they whip out their own tools of the trade and get to work as Izumi looks on in awe.

That leaves Megumi free to slip out and admire Tokyo Bay with Aki, among many other couples. For all the attempts of the others in the harem, it’s clear who truly has the upper hand, and she makes it look effortless as usual. For all the inappropriate contact Aki endured from Michiru, the advances from Utaha, the hugs from Izumi, and the reminiscing with Eriri, simply standing close but not too close beside his heroine seems to be ideal for Aki.

The other girls may be shapely and beautiful (and the camera never lets us forget it) but Megumi’s appeal just seems to run deeper and fuller. I look forward to seeing how she, Aki, and the others traverse their relationships with each other as the development of their dating sim progresses. And the only people who would sit there and find faults in someone’s hard work are pathetic losers who have forgotten how to enjoy life!!!

Chaos;Child – 00 (First Impressions)

screen-shot-2017-01-19-at-12-02-26-pma typical 58 second scene in Chaos;Child, where nothing but text happens…

The Gist: People are killing themselves (or being killed by someone else) in weird ways in Shibuya. Chat rooms are going crazy and giving the event names like ‘new generation murder’ and so on. Meanwhile, our protagonist who lives in a shipping crate with a bunk bed, bottles of cola, and a computer to chat with, has accidentally seen a girl killing someone to a wall with cross-shaped knives.

Or maybe he hasn’t? After all, early on, we see him yelling at empty space behind him in the shipping container…

screen-shot-2017-01-19-at-12-00-29-pmthis shot lasts 28 seconds but is narrated at least…

The Verdict: Chaos;Child is unwatchably terrible. I’m told it may relate to another series, which may be necessary to understand what is going on and/or care about the cast, who are poorly introduced between endless static shots of chat room text.

Seriously, during the first 5 minutes, more screen time was given to un-moving computer screens of text than the cast, and the only character who did get screen time (amidst still shots of his statues and H-dvds) was completely un-relatable shut-in.

I assume there is an audience for this show, especially if it is based on a lite novel or a game or enjoy average still-shots of guro, but it completely fails as animation, let alone an entry point for newcomers.

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Ozmafia!! – 01 (First Impression)

Screen Shot 2016-07-06 at 5.20.59 PM

Bashful, good-at-nothing boy shows up at private academy, wanders into forest while not looking where he is going, gets confronted by an aggressive swordsman wearing an Imperial Japanese uniform, the swordsman chases the boy and then we meet the teachers and get formal introductions.

Ozmafia manages to make four minutes feel like an excruciatingly long period of time. There’s a slight ‘super-deformed’ vibe to the characters, each of which sports a 3-diamond glare pattern in his hair, and that’s the full extent of the creativity it has to offer.

This show is watchable in so far as nothing offensive or particularly eye-sandpapering happens…but that’s because nothing really happens at all. Skip!

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