Dokyuu Hentai HxEros – 02 – Nothing Can Stand Against Two Beating Hearts

This week we get a look into Retto’s daily life at HxEros HQ, and it’s what you’d expect of three girls with high H-Energy levels. First, the dog Runba steals Momozono Momoka’s panties and gives them to Retto, and she reacts by condemning him for not taking them himself like a man.

Then Tenkuuji Sora wakes up in Retto’s own futon, having mistaken his room for hers. Finally there Shirayuki Maihime, the “most decent” of the three, who drops kibble down her shirt compelling Runba to burrow up her shirt and lick her chest.

So we have the brash, uninhibited girl, the sleepy forgetful girl, and the maternal airhead girl. All just thin caricatures so far, but it’s enough for now. As for Kirara, one meeting with Retto’s uncle and she’s out, not ready to hear she “has what it takes” (i.e. Eros) to be a crucial part of the team.

Back at school Kirara is back to her Iron Maiden act, breaking the heart of a guy on the baseball team, and Retto lets her be, honoring his promise not to tell anyone what went down between them. Kirara can’t help but remember just how precocious and forward she used to be with Retto, even putting his hand on her chest then pulling him close so they could compare heartbeats.

When Kirara asks why Retto bothers fighting the Kiseishuu, it’s because while he can’t do anything about the fact he and Kirara’s relationship was ruined by them, he’s determined not to let it happen to anyone else. Then a bee-like Kiseishuu arrives on campus and attacks the baseball player with a crush on Kirara.

The censor bug is drawn to the kid by his lewd thoughts about Kirara, but while he’s definitely heartbroken about her brusque rejection, he still doesn’t want the bee-woman stealing all of his emotions, and Kirara isn’t about to stand by and let her.

So she goes in, confronts her, and very nearly ends up on the wrong end of her stinger. The moment Kirara thinks her goose is cooked, Retto storms in and delivers a devastating uppercut to the bee-woman, defeating her on the spot, keeping his promise never to let a bug touch Kirara ever again.

The force of his attack is such that it destroys both his and her clothes, however, so when the baseball kid comes back with a cop, they have to huddle up inside an unlocked car. Naked and sweating so close to Retto, Kirara can’t help but remember how it felt comparing heartbeats as kids…only this time it’s her heart beating faster.

Heartened by those good old days when she and Retto had fun together, Kirara reverses her decision and decides to join the HxEros after all. All she asks is that Retto refrain from using her to “recharge” his “stores” of H-Energy and/or Eros. Just as she’s about to note there’s an exception to that rule for emergencies, a stuff breeze gives Retto a full look at her lower half, and the mood curdles instantly!

Over at HxEros HQ Momoka is eager to show Kirara around, but perhaps a bit too eager to have the new quintet bonding in a mixed bath. That said, there’s an unintended positive result of dropping Retto into a pile of naked ladies and accidentally groping Kirara: she gets such a shot of H-energy that when she raises her fist in frustration it not only pokes a hole in HQ’s roof, but destroys the episode’s final boss in one shot!

“GUILTY PLEASURE” are the two words constantly flashing in my head as I watch this funny trashy lunacy. The show is keenly aware of what it is and not ashamed to go all out and flaunt it. And all the details are wonderful: everything from suggestive imagery (upturned faucets, “creative” camera angles) to beats like the bee woman protesting “First I’ve heard of it!” in response to Retto’s promise.

There’s definitely not much to other HxEros, but there’s also an underlying sweetness and depth to the central couple that makes it easier to invest in this beyond just naked bug-busting nonsense. And with above-average visuals and music, it’s a show I have no qualms watching.

P.S. The title of his review paraphrases the Klingon legend of the power of two beating hearts in love destroying the gods and burning the heavens to ashes!

Hamefura – 09 – Anna Bakanina

Ever since bonking her head, Catarina has been possessed by the soul of a middle-class modern Japanese high school student, which means she’s a lot more likely to befriend her maid than the originally “programmed” Catarina. So it’s no surprise Catarina has befriended her maid, Anna.

Most of this episode is told from the perspective of Anna, who may not be a member of Catarina’s harem per se, but does owe her present life and happiness to Catarina’s kindness and strength.

This show is about more than Catarina unwittingly making all of her friends fall madly in love with her. It’s also about her intentionally trying to better the lives of others. When she successfully advances to the second year at magic academy, Catarina throws a pajama party for her girlfriends, and even suggests a boys-only party for the guys.

When talk turns to romance and the girls (taking a page from Catarina) ask Anna about her prospects for marriage, Catarina discretely deflects the question, saving Anna much awkwardness. It’s a gesture that indicates that while she’s too dense to sense the infatuation wafting off her friends, she’s not too dense to detect discomfort in her other friend, Anna, and has her back.

Anna needed someone’s back. The bastard daughter of a rich baron and his maid, when her mom died in a fire and her own arm was burned, the baron basically disowned her, as she no longer had any value as a marriage pawn. That’s when the distantly-related Claes family hired Anna as a maid, and she met Catarina.

Catarina was your typical willful spoiled haughty child of rich people, until she hit her head and…changed. Before she knew it, Catarina was inspiring Anna to start standing up for herself rather than acting so meek and submissive, and Lil’ Catarina has her back when it comes time to refuse her arranged marriage.

If it weren’t for Catarina being a good person and friend to Anna, there’s no telling what awful husband she would have ended up with. In any case, being apart from Catarina wasn’t a viable option for Anna, who had never even celebrated her birthday before she befriended Catarina.

To this day, she keeps Catarina’s little gifts in a wooden box she got from her the first time they celebrated. Anna’s story seemingly comes out of nowhere, but we knew Catarina was all about treating everyone equally regardless of their station in life, and despite it’s sudden inclusion in the story, I still admit to tearing up when Anna told her story. Now we know the first person to fall for her!

As Catarina and Alan had a romantic segment at the end of last week’s outing, it was looking like it would be Gerald’s turn at the end of this week’s, as he gets a fancy handwritten invitation from Catarina. With a sudden hop in his step, he devises the perfect gift for her: a new pair of gardening shears. He was listening, and he knows she’s not like other girls!

Alas, when Gerald arrives, he finds everyone else has not only been invited, but gave Catarina the same gift (they were all listening, and know she’s not like other girls)! She’s gathered them there not to confess her love, but because it’s her Harvest Day and she wants everyone to help out. To that end, she’s had matching olive-green gardening uniforms for everyone…which is an awesome sight to behold! The Cult of Catarina is officially militarized.

Yup, things couldn’t be going any better for Catarina, and it’s frankly been refreshing and heartwarming to see. Unfortunately, nothing ever lasts, and Catarina seems poised for some kind of reckoning, as an anti-Catarina group has been formed from those she stopped from bullying Maria.

They vow to “expose all of the evil deeds” she has committed, which confuses Catarina…as well as myself! What “evil deeds” could these be? Are these girls simply running on older otome code from back when Catarina was programmed to be the chief villainess? Regardless, there’s trouble in paradise…unless she can make this posse fall for her, of course…

Oh…my…GOD she’s in an eggplant costume…

Kakushigoto – 03 – The Accidental Harem

I came into Kakushigoto hoping it would be a lightweight feel-good slice-of-life father/daughter comedy. Yet every time it jumps to a future where an 18-year-old Hime has apparently lost her father pushes it into striaght-up drama territory. Everything in the present and 10-year-old Hime exhibits a thin layer of wistfulness, lending even mundane or comedic scenes more emotional weight, like the shading of a manga frame.

This week only begins (and doesn’t end) with a time leap, so we can still ease into the present-day slice-of-lifeness. But we learn something definitively that I had been suspecting: the house at the top of the hill is the exact same plan as the one 10-year-old Hime lived in. Kakushi apparently had a copy of the house built to the exact specs of the older one…where perhaps he and his wife lived before Hime?

In Mangaland, Kakushi’s entire staff has injuries, a stroke of bad luck and coincidence, so his editor hires a substitute replacement. The regular assistants are impressed with his speed and efficiency, but Kakushi deems him “too efficient” for an assistant.

That confuses them at first—how could an assistant be too fast and efficient?—until they find that assistant published his first work. Once an assistant has reached a certain level of skill, there’s nothing stopping them from striking out on their own, without even mentioning how he worked for Kakushi for a few days or so!

As for the curious design of the house, Hime’s friends wonder out loud if Hime and her dad are poor (of course, one of them has an elevator and concierge in her house, so wealth is surely relative). Hime had never thought about finances before, but takes it upon herself to pinch every penny.

Kakushi comes home on a hot summer day to find the A/C suspiciously turned off and Hime pressing her body against the nice, cool floor. He proceeds to tell her he makes far more than the average salaryman, almost betaying that he’s not really a salaryman before recovering and saying he’s more like upper middle management. He also almost explains why the house looks the way it does, but stops himself.

Since Hime found not only clothes but age-appropriate cooking recipes in her 10-year-old box (her mom really went the extra mile), Kakushi allows Hime to cook with the housekeeper. Turns out the housekeeper is from Indonesia, and so puts an Indonesian flair on the recipe. This mirrors a situation at work where the studio is digitized and they receive a rainy day from a remote artist, only it’s an Indonesian day, not a Japanese one.

Hime’s school sports festival arrives, and Kakushi tries to get himself in shape should he have to do anything athletic. There’s a fun bit discussing the various muscle groups used while reading manga. Then he has trouble drawing a high school girl character aspiring to be an idol, only to come home and find a high school girl aspiring to be an idol in his house, the guest of her first-ever fan, Hime.

The girl, Senda Naru, is so surprised that an adult (and a man) is so eager to hear her story (because Kakushi needs material for his manga), that by the time they part ways she’s developed a bit of a thing for him. She won’t be the first!

As Kakushi openly expresses his worries about his daughter not having a mother around, he inadvertently compliments both his cooking teacher You and the local florist Kumi. When the clothier sells his salaryman disguise and he has to go out in public in white tie like a groom, he runs into Rokujou, who assumes he’s proposing and wigs out.

By the time the festival rolls around, Hime has an entire cheering section composed of her dad, and his rather sudden but diverse harem: You, Kumi, Rokujou (who turns into a demon when she sees Kakushi with the other women), and the aspiring idol Naru. Yet Hime is more bemused than appreciative; for all of Kakushi’s worries, Hime isn’t missing a mother in the slightest. If anything, she’d rather spend more time with just him!

The fact she’s so naturally mature about these things at ten years old (not to mention how quickly she learns how to clean and cook) makes be believe that despite having neither parent alive, 18-year-old Hime is going to be just fine. That means Kakushi did a great job, despite his insecurities … which makes the time leaps a little less sad.

Sword Art Online: Alicization – War of Underworld – 10 – The Turn of the Tide

After a quick look at Asuna utilizing the STL to enter the Underworld, she makes her appearance and saved Bercouli, Ronie and Tiese. The latter two are the first she meets, and she corrects their assumption that she’s the actual Goddess of Creation Stacia. When they thank her for saving everyone, including Kirito, Asuna asks to see him at once.

Their reunion is powerful but muted on the surface, like Kirito himself, but he still manages to shed a good number of tears upon hearing his girlfriend’s voice, seeing her face, and feeling her embrace him. It’s also clear to the pages that these two definitely know each other. But when Asuna leaves the tent, she is attacked by Alice, and the two spar magnificently until Bercouli breaks it up.

A good deal of exposition follows, as Asuna explains who she is, where she and Kirito come from (in terms they’ll understand), and the forces at work beyond the Underworld. Her mission as a representative of Rath is to bring Alice to the real world before the enemy, or the entirety of the Underworld will be erased. Bercouli figures out for himself that the enemy Asuna seeks is Emperor Vecta.

Despite all the sitting/standing around and talking, this is still an episode I enjoyed immensely. Not only did Asuna finally reunite with Kirito, but she and Kirito’s Underworld allies finally get on the same page. Alice is reluctant to “run away” to the real world with her, but the alternative is much worse, she agrees to do so, but only after the Dark Territory is defeated, or a peace negotiated.

Asuna agrees to join them in that fight. Now, at least, Alice is aware of the stakes of having a target on her back; merely sacrificing herself will be pointless, as it will spell the end of Underworld’s usefulness to the enemy. Once everything is laid out, the various parties head to bed…but it isn’t long before Asuna goes to Kirito’s tent, which Alice previously had forbade her to enter without her permission.

The two women reach a compromise: in exchange for access to Kirito, Alice wants to learn more about Kirito from Asuna, who is happy to agree (though she warns it’s “a very long story”; a nice meta quip). The two start by listing all the weeks, months, and years they’ve known Kirito, and in what capacity. His page Ronie joins in the “information sharing”, as does his former master Sortiliena Serlut.

Even in his present vegetative state, Kirito was able to bring together four strong, talented, kind people together to share stories about their time with him. The “competition” never strays into the realm of the absurd (watching the four tug at his arms and legs, for instance just wouldn’t do). I also appreciated the show didn’t throw in a cliffhanger introducing the latest threat, but ended on an earned, calm, and optimistic note.

Welcome to Demon School, Iruma-kun – 02 (Second Impressions)

Iruma-kun’s next challenge is to summon a familiar or face expulsion. Since getting thrown-out of Magic/Demon School fits his ‘dont get eaten’ objective, he approaches this task with a casual air that completely pisses off his teacher, and further boosts his notoriety amongst the class.

Unfortunately, the ritual to summon a familiar is very similar to the ritual a human would use to summon a demon… which results in Kalego-sensai becoming Iruma-kun’s familiar and further boosting Iruma’s standing in the school…

Sprinkle on Grandpa’s wake the dead alarm clock silliness, tension with the student council, and Azz-kun’s aggressive application of force against anyone in Iruma’s way, AND introduce two love interests, and a lot happened this week.

In many ways, WtDS feels like several short-format animes strung together? Every 3-5 minutes contains related jokes, and the following 3-5 minutes may not have immediate connects to the block before it. I wouldn’t go so far as to say the developments were interesting but all of it was adorable, easy watching fun.

Welcome to Demon School, Iruma-kun – 01 (First Impressions)

Iruma-kun is a 14 year old boy who has a hard time standing up for himself. You see, his deadbeat parents have sell him to pay the bills. Recently, they even sold his soul to a demon. Fortunately, that demon just wants a grandson.

Unfortunately, ‘Grandpa’ is the director of a demon school and goes out of his way to skwee and show off his lovely grandson (now honor student) at the entrance ceremony. This immediately gets Iruma dragged into a duel, which he wins due to ‘infinite defensive capability’ after years of working on a tuna boat, and other traumatic things.

Iruma also pulls off this season’s second german suplex! Who knew that would be a thing in anime this fall? Regardless, this sudden turn of events is both funny and fortunate, as it prevents a female student from being injured in the fight.

Thus, having won a powerful subservient demon via his first duel, and the adoration of the student body, Iruma seems pretty set up for a season of light-hearted humor, bright colors, good enough action, and maybe even some harem building? While none of that is particularly unique, I found it charming and look forward to whatever nonsense comes next.

Oigakkosan’s Summer 2019 Anime Season Wrap-up

Arifureta began as a grim, visually unremarkable dungeon crawler, hinting at global conflicts and structures of political and social control… before devolving into guy-shoots-monsters-gets-harem-rinse-repeat. Pitting guns, missiles and motorcycles against orcs and wolves is tricky to make compelling, and Arifureta’s mediocre animation, slow plot, and constant battles doesn’t help.

Worse shows aired this season but few featured dragons being anally raped by the protagonist with a giant metal spike, nor said dragon joining said protagonist’s harem afterwards. However, and I’m going out on a limb here, even if this is up your personal kink, Arifureta’s PG-13 sensibilities probably wont go far enough for you. Niche at best, Barely Watchable for the rest of us.

Dr Stone is delightfully consistent with it’s focus on science process, over the top characters, and methodical plot to rebuild society from the stone age up. While its medium term objective (defeat super-strong/ super evil antagonist with science) has taken a back seat to gaining support of the villagers Senko discovered mid-season, its not forgotten.

We’ve learned about electricity, food chemistry, and glass as much as human nature, motivation and weakness. Hand in hand with lovable characters and charming visual style, Dr Stone is probably my most recommended show of the season.

Given’s relationship story is lovely, thoughtful, and matured with deeper issues of loss. The wow is in the details. From taking a dozen buses just to stand by the ocean, just to stand where you once stood with a close friend, to walking off stage after only one song, Given doesn’t over explain itself with dialog.  It’s solid but, like real romance, the best parts come from getting to know the characters. So I called it quits after episode six. Still, highly recommended

Granbelm finally developed an emotional core: Mangetsu is a magic puppet created by Ernesta’s subconscious desire to have a friend who isn’t an effed up mess. Also, despite earlier signs that losing wasn’t that big a deal, it has been revealed that girls die all the time in magic fights but no one remembers because… magic amnesia.

These are solid reveals and Mangetsu’s heart filled good bye to the cast (almost all of which immediately forget she ever existed) was strongly delivered. It just took way too long to develop. Combined with a dull pure evil villain, power levels that swing at the whim of the story, and Granbelm’s misunderstanding of what a mystery is (as opposed to just being confusing) and the show is only watchable.

Maou-sama, Retry! started off so absurdly bad, so generically Demon Lord/Isekai, that it had a certain charm. As it strolled forward, it took no greater objective than to introduce new characters to Maou’s harem, and forget about previous characters and potential destinations for the story. Aku hasn’t even been in the previous two episodes. The result is powerfully without purpose. It doesn’t care. You shouldn’t either. Barely watchable.

UchiMusume also suffers from a lack of purpose and follow through. For a show that features a central character who’s past is a mystery, and a hero who occasionally kills people for political gain, there’s an awful lot of wandering around aimlessly and eating food!

The result is harmlessly cute but smidgens of world building do not make up for a four episode long trip to and from a village to buy a new trench coat. It’s Barely watchable.

Arifureta: From Commonplace to World’s Strongest – 01 (First Impressions) – The Pit of Misery, Dilly Dilly!

Arifureta doesn’t bother with any light-hearted introductions or explanations into how Nagumo Hajime and his class ended up transported to a new, fantastical world, it simply plops us right beside him as he wallows in an abyss of despair. He’s weak, ineffectual, and his only magical skill is transmuting the rock in his immediate vicinity.

He was underleveled way further up in this labyrinth; now he’s prey for prey. When a giant polar bear-like monster with a tanuki face slices his left arm off and eats it, he retreats into a cavern of his own making and passes out under a healing holy crystal, bleeding and waiting for death.

Then and only then do we get some insight into how he ended up in this situation: he was on a quest in the labyrinth when a careless classmate touched something that transported them to a far more dangerous level.

He manages to save his classmate Kaori from a rampaging behemoth, but while the others cover his escape, one of them targets him directly, sending him plummeting into the abyss where we first meet him.

Kaori, who may not see Hajime as a love interest but still looks out for him, warns him not to come on the quest after she has an awful dream about him meeting his doom, but he convinces her to help protect him, and he’ll be alright.

Turns out her dream was prescient, but when Hajime wakes up in the abyss, in pain but still not dead, he decides to change his tune and pump himself up into Survival At All Costs Mode. First, he drinks holy water, then he captures a smaller monster and eats its raw meat, which ends up poisoning him and turning his hair white.

But that’s not all: in addition to his badass hair, Hajime’s muscle mass and stats have all increased, and he’s gained the skill of the monster he ate. Much like Rimuru Tempest when he first arrived in a new world as a Slime, Hajime uses the ample resources around him to continue leveling up and build weapons that will let him defeat ever more powerful foes.

It’s a very A-leads-to-B-leads-to-C procedural process, but one thing’s for sure, Hajime’s seiyu Fukamachi Toshinari stops sounding so annoyingly whiny and adopts a cooler voice to go with his cooler appearance and upgraded skill-set. It’s as if he had to fall into the deepest abyss (and get betrayed by a classmate) in order to awaken the will to become a stronger person in this world.

Armed with a pistol and grenade, Hajime locates the bearlike monster who ate his arm, and utilizes all of his new skills to tear its arm off and eat it, then puts a bullet between its eyes. Hajime is no longer messing around; he’s going to survive and get home, and he’ll kill anyone “in his way.”

Isekai shows are like American crossover vehicles: there are a lot of them, and most of them are exactly the same, but still others are actually good. I’m not quite sure what Arifureta is quite yet, but it at least distinguished itself nicely by putting us right beside a protagonist who had already literally hit rock bottom.

Aside from some glimpses of his elaborately kitted-out classmates and the awakening of a starving, red-eyed Loli, this was a stripped-down and minimalist outing that focused on one young man shrugging off death and despair and improving himself to the point he can climb out of the darkness.

I’ll see where he leads…especially since Youjo Senki taught me the dangers of passing judgment on a show after its first episode.

Hensuki – 01 (First Impressions) – A Short Leash

Kiryuu Keiki gets to hang out with three cute girls in the Shodou Club (four if you count his imouto, which he doesn’t), but he wants a girlfriend. So imagine his shock when he finally receives a love letter from a secret admirer…along with a pair of underwear.

From there, Keiki tries to investigate which of the three girls (excluding his sister) could be the “Cinderella” to his Prince: the cool, mature senpai Sayuki (Taketatsu Ayana), the adorable blonde kohai Yuika (Hidaka Rina) or the approachable classmate Mao (Nomizu Iori).

In his interactions, the girls exhibit what could be construed as signals indicating they are the culprit, in addition to having feelings for Keiki beyond mere friendship, but nothing concrete until Sayuki happily accepts a date offer he accidentally makes when thinking out loud.

When he asks Sayuki straight up if “she has a secret” she’s not telling him about, she flees, and spends the entire next day at school very obviously avoiding him. Mao suggests he employ the “wall slam” tactic (much more effective in anime than IRL), which he does when he spots her walking home.

He tells her he knows her secret (assuming its the note and underwear); when she asks if that means he dislikes her now, he tells her it’s quite the opposite; after the initial shock, he was glad. Mind you, he makes no mention of what he’s talking about.

The next day, Keiki reports to the clubroom as requested, Sayuki makes him close his eyes, and when he opens them, she’s wearing a collar and leash,  exposed her bra, and asking to be Keiki’s pet. That’s when Keiki knows he’s in for something a lot stranger than he bargained for!

Hensuki is another show that would probably benefit from being 12-13 minutes instead of double that; the “investigation” drags on too long even if it’s also meant to introduce the main players. While a decent-looking, this show is utterly by-the-numbers and generic except for the twist at the end, which doesn’t definitively answer the question of who gave him their underwear.

This will be the story of a guy whose female acquaintances each have their own unique kinks, which they’ll reveal to him because he’s a kind and understanding dude. It is notable that the show so far exhibits a particularly soft touch when it comes to its ecchi element. But where this goes from here—and whether and how the premise can be sustained for 12 episodes—very much remains to be seen.

Isekai Quartet – 04 – Common Ground

Little by little the various newly-mixed characters are starting to learn more about each other. Ainz Ooal Gown and Tanya end up exchanging Evil Death Stares until they loosen up and both realize that despite their appearances they’re both men from modern Japan, which is vastly comforting considering how crazy anyone else in their respective other worlds would think they were by bringing it up.

Two women who find kinship in feeling the same way about their man (specifically, that there’s no better one)? Rem and Albedo! When Cocytus protests compulsory participation in the talent show, Ram simply tells him the teacher’s word is law.

When both Subaru and Kazuma are running late, their much more athletic female friends (Rem and Darkness, respectively) literally carry them as they run fast. Neither man feels right about this, but put an end to the carrying only when they see each other.

While serving punishment for being late as a result, the two learn that they have a lot in common, except that one of them was summoned and the other reincarnated. And one’s a shut-in and the other isn’t. But they both love tracksuits!

When Kazuma starts describing the awful situation he’s in (which honestly doesn’t sound so bad), Subaru tells him he “knows how he feels” despite the fact he lives in a mansion with the girl he’s trying to win, along with two twin maids, one of whom is in love with him. Kazuma takes particular umbrage to Subaru calling that a bad deal, and with good reason…it’s not!

YU-NO – 01 (First Impressions) – Time is Reversible but Cliches are Innumerable

Howdy, and welcome to the Spring 2019! Our first entry is YU-NO, a bright, brisk show about an easygoing orphaned high school dude named Arima Takuya who is suddenly tangled up in all this curious business of time travel, parallel universes, and various other things he did not expect, including the discovery that his folks aren’t dead after all.

Takuya is a bit of a cad, acting as both quasi-casanova and class clown. He has a jovial sidekick who calls him “boss.” He draws both the ire and likely fancy of the class idol, Shimazu Mio (an always welcome Kugimiya Rie). His hot teacher wears an outfit perhaps better suited for…not school.

His guardian, whom I’m guessing is his older sister, cousin, or aunt judging by the same last name, is in charge of some kind of construction project. His dad, a researcher believed to have died in a cave, is survived by his colleague Ryuzoji, whom I immediately suspected was a bad guy due to his suite and beard. Oh, and Ryuzoji’s secretary used to teach at Takuya’s school, and they may have slept together in the past. Neat!

The episode starts with Takuya interacting with one attractive woman after another, establishing the various players I saw on the promo art. Perhaps that was a mistake, but the fact his interactions feel so regimented lends each of the female characters a kind of mysterious significance anyway.

When Takuya gets home, the tangling begins, with a mysterious package arriving in the mail containing a weird relic of the type Ryuzoji was looking for, followed by a call on the phone with no one on the other end. If that isn’t enough weirdness for one evening, Takuya switches on the news and a strange lightning strikes very near his guardian when she’s giving an interview.

Takuya rushes to her, and she’s fine, but also encounters his sidekick and Shimazu, who have just finished investigating the shrine near the construction site. They all encounter a blue-haired girl in their school uniform—no doubt the transfer student his sexy teacher mentioned—and this student, Hatano Kanna, warns Takuya both there and the next day after her intro to the class to convince his guardian to cancel all construction at the site, warning that it’s “dangerous.”

That’s a pretty vague warning to someone who is not directly responsible for the construction site, but that night, Takuya gets another mystery package that contains a weird book labeled “Parallel World Constitutive Theorem” and “Reflector Device Construction” containing a drawing of this weird relic thing, and a letter form his dad telling him to go to the shrine at a certain time with the device.

Takuya does as the letter instructs, and there he finds a naked blonde young woman with fairy-like ears who only says one thing to him—”Yu-no”—before kissing him and then de-materializing into glow-dust. Takuya is rightly a bit freaked out by this series of events!

They only get stranger, as both his guardian and Ryuzoji appear at the site, only for Ryuzoji to pull a gun on Takuya and demand he hand over the device, as it enables its bearer the ability to “cross Neumann space.” His dad intended it for him, but I guess Ryuzoji has other plans? In any case he has a beard so he’s bad news.

Fortunately, more weird gold lightning strikes, and one of the bolts hits Takuya while he’s holding the device. Instead of getting fried, he’s shot through some kind of tunnel in spacetime, travels through various twisted  hyper-dimensional pathways, and spat out right where he began. Only, as he learns when he returns to school to find both his guardian safe and sound and a cheerful, gun-less Ryuzoji, he appears to have traveled a day into the past. Dun-dun-dunnnnn!

If this introductory episode left me with a bunch of questions, it’s because it wanted it to be that way. That’s fine, as we’re closely following the MC, who’s as much in the dark as we are, especially when Ryuzoji starts blurting out weird lingo. That said, there were an awful lot of familiar cliches that didn’t really bring much to the table. It’s all very by-the-numbers and didn’t once ‘wow’ me. I’ll at least give this another week to see where this goes, but color me unimpressed so far…

Kaguya-sama: Love is War – 07 – Two Pyramids

Once again Miyuki is relied upon by a fellow student for romantic advice, only this time, it’s something he’s confident he can handle: how to hold a girl’s hand. I mean, he has shared an umbrella with one already, no?”  Miyuki makes this all about economics, urging the boy to get a job so he can afford surgery for his sweaty hands, training for a boater’s license (which Miyuki himself inexplicably has), and rent a boat on which to introduce his hand to Kashiwagi’s.

Her “Love sense” going off, Detective Chika intervenes and offers the much simpler and much more affordable advice of “do your best,” which the lad takes with gratitude and ends up succeeding, sweaty palms and all. The eavesdropping Kaguya, not wanting Miyuki’s work to spoil her summer plans for him, offers side-splitting commentary during the advice session, while Miyuki loses the round because thanks to Chika he lost a potential part-time recruit.

From there we transition to a budget session between Miyuki and Yuu, with the latter going off on various anti-youth rants fueled by his jealousy for the sports club members getting all the girls. The two main status pyramids at the academy are that of economic background (how rich your parents are) and clubs (with anime club being below “no club at all” in precedence).

Miyuki is just trying to keep Yuu focused on crunching the numbers, but also says that participating in a cultural club is possible in the StuCo, as Chika (board games) and Kaguya (Japansese archery) are both club participants. That sends Yuu on a different rant, as he describes Kaguya’s flat chest as perfect for archery, compared to the bouncing Chika would have to contend with.

Little does he know both girls are right behind him. Chika carefully crafts a paper fan with which to beat Yuu senseless. When Yuu heads home to prepare a will, the girls start pulling at Miyuki, urging him to join their respective clubs. Even though he ultimately has to turn both down (his part-time job precludes clubs), he lets them tug at his arms for a bit, because it’s nice to be popular. This nets him a win to cancel out the first segment’s loss.

The third act doesn’t declare a decision either way for Miyuki or Kaguya, but the latter ends up embroiled in a fit of uncontrollable, boisterous laughter every time Chika says “wiener” in relation to her dog. While Miyuki has made great strides in her social interaction, she’s still a grade schooler when it comes to dirty words (or those that can be construed as such).

Once Chika realizes every time she says “wiener” Kaguya can’t help but roar with laughter, she’s already won; after all, she loves hearing Kaguya laugh, and the louder the better. She takes it up a notch when Miyuki arrives, threatening to make him say the word “wiener”, causing Kaguya to debase herself in front of her beloved President.

When Chika fails every time due to verbal blocks from Kaguya, she gives up and loudly protests that Miyuki “won’t give her wiener.” The resulting torrent of double entendres mortifies Miyuki, who quickly flees, while Yuu listens in on Chika’s continued liberal use of the word “wiener” from the other side of the door, his nose bleeding profusely. Winner: Chika.

Saekano 2 – 08

~Revised from an earlier review~

Here it is: the much-anticipated episode in which Tomoya tries to make up with Megumi. He, and we, spend the entire episode with Megumi and only Megumi, for what feels like the first time in a long while. He ultimately succeeds, and she even ends up in his bed (get your head out of the gutter)!

I know full well no matter how “far” Tomoya seems to get with one girl or another, he may never actually choose one. And yet I can’t deny that one of the reasons I’ve stuck with the show is that there are episodes like these (and the previous ones with Utaha and Eriri) in which Tomoya comes very close to choosing, to the point where the featured girl is his choice of the week, and all others fall away.

Megumi straight-up dismisses the possibility she might like Tomoya, which is discouraging both to me and to Tomoya. But the truth is, Megumi’s dismissal of the possibility feels more and more hollow as the two to share a night of food (and underwear) shopping, cooking, talking, bathing, and finally sleeping over, that wouldn’t be out of place for an old married couple.

Megumi is reliably adorable throughout, and Tomoya is lucky to be in her presence. Entering his house first (where his parents are away), giving him a taste of her curry, wiping food off his face—this is the Tomoya and Megumi I love so much: glorious in their mundane domesticity.

The longer we spend with Tomoya and Megumi in such intimate environment, the less certain Megumi’s earlier rebuff of Tomoya’s “tentative” theory about her feels. I mean, if these two aren’t a couple, then nobody is, right?  I’m not taking crazy pills here.

While quick to reject Tomoya at the mere mention of being jealous of him and Eriri, Megumi couldn’t help but show her hand both then and throughout the episode. Tomoya is his usual dense self in accepting the rejection, but the evening he proceeds to share with Megumi surely have him questioning the finality of that exchange in the A/V room.