O Maidens in Your Savage Season – 10 – Maiden Abyss

God, where do I even start? I knew I’d be navigating an emotional minefield with a show like this, but in the spirit of one of this episode’s themes, the difference between thinking you know something and actually experiencing it in the moment is as vast as, well, the holes that threaten to swallow up every single character. Certainly far larger than the holes in the sexy underwear Kazusa is investigating on her phone.

Rika just happens to be hanging out with Amagi across the park where Hitoha gets picked up by Milo-sensei. Rika finds Hitoha’s underwear in the trash, freaks out for a minute, then calls a cab to follow them and hopefully save Hitoha and/or Milo from themselves/each other. She’s acting as a good friend would: as best she can with what little, highly concerning information she has.

Meanwhile, after all the hard work he did finding porn not set aboard trains, Niina has likely well and truly ruined them for him as anything pure and innocent, what with her placing his hand on her bum and keeping it there. Izumi pulls away and exits the train, but Niina follows him and demands to know why he’s going so far to refuse her.

Since he asked for advice, Niina offers to let him practice doing it on her. With all of her (not always consciously) honed powers of seduction in overdrive, she asks him straight up if he wants to do it with her, and he rejects her again, but not in the most convincing way.

Before leaving on the next train, Niina passes by and takes note of how hard he was—which is, of course, ludicrous: the hardness of one’s dick and one’s desire to sleep with someone are not the same thing at all. If Niina can’t ever get Izumi to love her like he loves Kazusa, she’ll do everything she can to make him desire her. She’s determined to kill that virginity of hers, and at the moment she has eyes only for him.

Momo plays Street Fighter alone in an empty arcade, and as she watches Chun Li get mercilessly wailed on by Ryu, she comes to a realization that had probably been gestating in her head and heart for some time. She texts Niina, asking to meet up and talk. Just then, Satoshi, a name I rather naively didn’t think I’d have to type again, texts her asking to meet up and talk.

Last week the window (or rather “hole”) seemed to be closing fast for Yamagishi-sensei to put a stop to a situation that, while not strictly illegal in Japan, is still a very bad idea for both parties involved. While yes, he picked up Hitoha, there’s still a possibility he’s just trying to scare her straight by only taking things so far.

Little does he know as he’s driving Hitoha is planning exactly what she’s going to do when they hit a red light: grab Milo’s hand and put it in her. It’s a bold plan to be sure, one I’m not sure she would have actually done, but we’ll never know, because they don’t hit another red light. Instead, Milo pulls in to a love hotel…the cheapest, seediest, least sexy love hotel he could find.

Rika arrives at the love hotel district, but there Hitoha’s trail goes cold, and Amagi really doesn’t want to hang around such a place, as it’s making him think and feel weird things when he’s committed to treating Rika right, a sentiment that makes her swoon when he expresses it.

To our unending relief, we finally learn definitively through his inner monologue that Milo has no intention whatsoever of going through with anything in that dingy lovenest, but makes the mistake of letting Hitoha go off to the bathroom (even more awful than the bedroom! They nailed the details on this shithole) to steel herself up, desperately swiping webpages on what to do in this situation.

She bursts out of the bathroom pounces on Milo, positions herself over his crotch, and starts unbuckling his belt and unzipping. Suddenly, a very stunned Milo has lost control of the situation. Hitoha is just as stunned, but feels if she’s gone this far there’s nowhere to go but forward.

But, once the zipper is down, and there’s no erection, Hitoha gives up and starts to cry, assuming it’s because she’s so “disgusting” to him. Always so condescending and rude in so many of their interactions, Milo drops that act, gently places his hand atop her head and tells her she’s wrong; this isn’t happening not because she’s ugly, but because he’s a coward.

As she cries in his arms, I breathe another sigh of relief. In the end, Yamagishi was the adult here, recognizing he had to to preserve her pride, and the best way to do that was to abandon his own for her sake. That may not satisfy or comfort her in the long run, but it stopped something very bad from happening for the wrong reasons.

Then comes an exchange I wish we didn’t have to witness, because it’s just so hard to watch and so gosh-darn realistic. Satoshi, “The Nice Guy,” didn’t take too kindly to being embarrassed in front of his friends at the cultural festival. He accuses Momo of leading him on, calls her a slut, and demands an apology lest he make it impossible for her to come back to cram school.

Momo isn’t apologizing, and she’s not going back to cram school either, and that’s that. But as she walks away, Satoshi grabs her arm, because he’s not done with her yet. She’s not showing him proper respect, you see? For that, Momo cries out so all the passersby can hear, and naturally Satoshi calls her weird and crazy and scurries off. What an apocalyptic boob. Maybe don’t grab girls who couldn’t be less interested in you and are trying to walk away, brah!

As Niina walks around the same district where we’ve already seen Rika, Amagi, Hitoha and Milo, she thinks about how she always, always gets comments and cat calls whenever she walks down this street…until now. It’s as if Izumi’s rejection of her has marked her as some kind of hideous creature from which all ment will keep their distance.

After years being looked at the wrong way, suddenly she no longer feels the attention…and she’s not feeling so great…like withdrawal from a drug you were forced to take. Then Momo calls her, again asking to meet up. After being touched by a guy, Momo wants Niina to touch her, to “purify” her, because she’s in love with her.

No longer feeling waves of desire from men in her radius, suddenly Niina is confronted by a woman, stating in no uncertain terms she wants to be touched by her. Niina isn’t sure how to respond, so she apologizes and ends the call.

And that, inexorably, brings is to Miss Smartphone Sexy Underwear Shopper. Kazusa is in a wonderful little bubble of bliss, as she has been ever since she and Izumi became a couple. That bubble only grows larger when Izumi gives her a quick “just calling to say I love you” call from the station where he’s still processing what happened with Niina.

It’s clear with this call Izumi is trying both to assuage the measure of guilt he feels and ease the swirling of confusing thoughts in his head by reiterating his feelings to Kazusa, clearly, out loud. He’s a mess, and the call does little to fix that.

After the call, Kazusa beams like we’ve never seen her before, then continues her underwear shopping. In voice-over, she states that at that time she had no idea what vast and widening holes her friends were staring down, nor that she’d soon be staring down her own once her blissful bubble inevitably bursts.

The next morning, Izumi can’t even hold hands on their walk to school for some vague fear of “the neighbors.” That last exchange with Niina really did a number on him, huh? Sure looks like it could be the beginning of the end for these two…before so much as a peck on the cheek.

That just leaves us with Rika and Amagi, the one couple that seems to actually, ya know, be okay! Just as Rika is starting to contemplate getting a little closer to him, the teacher (who is, let it be said, shitty for doing this) announces that her friend Sonoe got pregnant and is dropping out of school. As if the previous twenty minutes of carnage weren’t enough, one last savage dagger before the curtain.

I need a drink!

(Of Misery)

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O Maidens in Your Savage Season – 09 – What Now?

At least, for a little while, we get to experience the pure initial jubilation of Kazusa and Izumi being a couple, meeting outside their adjoining houses, and walking to and from school together. Everything looks brighter and shinier, food smells and tastes better, and Izumi looks cuter to Kazusa’s eyes. They’re very much on cloud nine, but throughout it all there’s the underlying knowledge that it just can’t last.

Rika, too, admits she has changed, as a “victim of love”, but has also learned that boys are far more sensitive and nuanced than she thought, and tells the rest of the club to value them as humans—something only she didn’t do before.

While all five girls were in one way or another “losers,” now suddenly Kazusa and Rika are “winners,” having broken the plane of boy-girl romance, and their subsequent floating on clouds does not go unnoticed by those left behind. As a self-proclaimed “loser” himself, it’s Milo-sensei’s experience that winning stifles the imagination, which suits Hitoha just fine.

You could also say that winners are so busy winning their guards are down. Kazusa buys Niina’s half-hearted congratulations, but what Niina doesn’t tell her is that she’s still considering whether to steal Izumi from her, and if so, how. Momo isn’t okay with that, and promises Niina that losing two friends (her and Kazusa) for one boy isn’t worth it.

Niina begs to differ: after all, saying she can’t have sex with mere friends—something Momo doesn’t seem that sure about.

So as their destruction is plotted, Kazusa and Izumi go about their wonderful glittery romance…only the glitter gives way to awkwardness when they find themselves alone in Izumi’s house together. What’s the next step for them? They have no idea, not just what they want to do, but what the other person wants to do.

They aren’t communicating properly yet, nor have they set boundaries or lack thereof, so they make assumptions, some of which are right, like Izumi sitting beside her. They hold hands together, but they both get hung up on how sweaty their hands are, and then Izumi’s mom comes in and suddenly they’re six feet apart.

Ultimately, they won’t know what they want to do until they try something, and they won’t know what to try with each other until they discuss it. Right now, their deep, ten-year familiarity is clashing with the newness of their boyfriend-girlfriend status, and resulting in a bit of a short-circuit.

Meanwhile, the fact Kasuza is with Izumi and Rika is with Amagi means the lit club is suddenly taking a break, giving the recent festival as an excuse, but let’s not fool ourselves: Momo and Hitoha and especially Niina are only going to sit and listen to Rika and Kazusa talk about how great it is to be dating boys for so long.

So Momo goes home alone, not knowing quite what to do about the rift between Niina and Kazusa. Niina invites Izumi to “ride the train” with him assuming she’s willing to offer advice as a friend. Hitoha ambushes Milo-sensei in the clubroom with an “expose,” and give him an ultimatum: sleep with her, just once, or everyone, including his beloved Tomita-sensei, will find out about all the things he’s said to a high school girl.

While I doubt Hitoha was simply bluffing here, the fact remains, she wasn’t 100% prepared for him to not only say “okay” to an offer of sex, but set a time and place for him to pick her up. Milo is quickly approaching the point of no return, but his feelings for Tomita, and the threat of her knowing how deviant he’s been, are clearly clouding his judgment.

Later, Hitoha waits at the agreed-upon time and place, and gets in when Milo-sensei stops and tells her to, tossing her underwear into a nearby garbage can. No good can come of this!

In a nice bit of synergy, the same book that Rika and her new gal friend Sonoe (with whom she now interacts far more comfortably) bond over in the library is the book Niina presents to Izumi on the train, describing his relationship with Kazusa to the The Little Prince and the one rose on his planet. When he went to earth, he found that roses were commonplace, but a fox told him that the sum of his time and experiences with that first rose make it unique.

Saegusa tells Niina that she’s the fox, saying the words that will lead to the Prince living the rest of his days with that one special rose, while the fox itself is never mentioned again once they part ways. To not be forgotten like the fox in the story, Niina has to make a bold move.

Whether someone was actually touching her bottom on the train once it gets crowded is immaterial; the point is, Niina wanted a situation in which she could tell Izumi to place his hand on her bottom. Not only that, there’s now a record of their exchange on their phones she could potentially use against Kazusa.

So one of Izumi’s hands is sweatily, awkwardly clutching Kazusa’s as the ticking of the clock grows louder and louder, and the other hand is resting on Niina’s bottom, with Niina’s hand guiding and keeping it there. So, as is asked many times in the heads of the characters this week, What Now?

Trouble…that’s what!

O Maidens in Your Savage Season – 08 – Where Legends are Made

This week, with the cultural festival as the backdrop, every O Maiden decides they’re going to make a choice that will hopefully ensure them happiness and stability as they move forward.  Naturally, things don’t start out smoothly for anyone.

For Kazusa, it’s deciding to tell Izumi upfront how she feels. As her performance with Niina looms, Kazusa is mindul, and nervous, of the fact that Izumi is about to witness her essentially rehearse her confession to him with Niina on stage.

Momo decides she’s not going to entertain Sugimoto’s vapid attention any longer, something she’s even more sure of when he shows up with two of his friends. When Rika sees another girl flirting with Amagi, she starts to realize they can’t have relationship if she insists on keeping it secret from the world.

Then there’s Niina. She seems the most lost out of everyone, caught between feelings for Saegusa and Izumi, but neither sure what those feelings are or how to act on them. For his part, Izumi is taken aback when she puts her hand on his face, leading to her scurrying off while he struggles to hold three teapots—which I’m sure is a metaphor for something.

Hongou finds her encounters with Milo-sensei almost completely dominated by the presence of the modern Japanese teacher Tomita-sensei, who has clearly taken a liking to Milo. Tomita doesn’t see Hongou as a threat, she sees her as a child and a student, and there’s clearly the sense Milo appreciates having Tomita around, almost as a shield from Hongou’s potential mischief. But any discomfort he has comes out of his refusal thus far to set clear boundaries, a responsibility that’s his and his alone.

While wallowing in the rest area, Rika is joined by Sonoe, and the two get to talking about the latter’s boyfriend. Sonoe, who it should be said is clearly ready to move on from bullying Rika to a conventional friendship between hotties, tells Rika how her thing with her boyfriend was physical at first, but became romantic when she learned he was a nice guy. Also, that it’s only natural to want to show off and be proud of the person they like. There’s nothing to be ashamed of.

Izumi in the audience would be awkward enough, but Saegusa also joins the crowd, sitting right beside Izumi. Suddenly, it’s a rehearsal for Niina as well as Kazusa, in which to somehow prove to Saegusa that she’s not boring, that despite having become a woman, she can still be unpredictable like a child.

When nobody expects it, and just when Kazusa is starting to get into rhythm with Izumi less of a source of stress and more of a calming presence, Niina flips the script, walks out into the crowd, and puts her hand on Izumi’s chest, shocking everyone there (and no one more than Kazusa), but eliciting an impressed smirk from Saegusa.

Izumi takes Niina by the wrist to talk in private, whipping the crowd into a frenzy as they hoot and applaud what looks to all the world like two lovers shuffling off to be alone. In the moment, it looks like a heel turn for Niina (if you’re an KaZumi shipper, like me).

Izumi is surprised when Niina tells him even she didn’t really know what she was doing, he surmises that it may have been to make Saegusa jealous, and that if she still wants to do that kind of stuff because she still likes Saegusa, he’s willing to help her. The key is, she should focus on what she wants, not how others will see it. A tall task for someone all but defined by observers. But the one thing Izumi can’t see is the real reason Niina reached out to him: she likes him.

As for Kazusa, she also considered the fact that it may be game over for her and Izumi before she even took her shot, but she’s determined to take that shot anyway. Seeing how Niina looked when she touched Izumi clinched it for her: for someone who clearly likes him that much to still support Kazusa, who only ever thought about herself…that’s the person she’d want to be with Izumi, rather than some rando.

Everything comes to a head at the bonfire that concludes the festival. Due to the buzz caused by the performances—no doubt supercharged by Niina’s improvisation—the whole school is aware of the urban legend about standing in the shadow of the one you love, and people are trying it out.

It’s the first time Hongou’s work has reached an audience so large, and the pride in her accomplishment fuels her confidence in wanting to try it out on Milo-sensei. Unfortunately she doesn’t come close to getting a chance; Milo is well away from the bonfire’s flames, chatting with Tomita-sensei.

Rika fares better. Turns out Amagi wasn’t as close to giving up on them as it seemed last week, but Rika goes for broke and confesses to him in front of everyone, telling him she can now see the difference between romance and sexual desire, but more to the point, she doesn’t care anymore about anything other than Amagi knowing she’s in love with him. He responds by hugging her, telling her he’s never been so happy.

Momo was successful in getting Sugimoto to take a hike, but that leaves her alone at the bonfire when everyone else is busy with their respective love interests. Still, you get the feeling she’d rather be alone than have those annoying dudes buzzing around her, so it’s a win for her.

Niina tells Saegusa that she’s decided to let herself “obsess” over someone for the first time, and see where it goes, after a lifetime of keeping her distance. She’s pretty much asserting she has to look out for herself, even if it hurts Kazusa and ends up fruitless, as Izumi just doesn’t see her that way, and has—has always had—someone closer to him.

That brings us to Izumi, who beats Kazusa to the punch and and confesses to her first, moving her to tears of joy and relief. He references that day years ago when he first saw her as a girl, and after all those years of her protecting him, he decided he wanted to protect her too. Big sister, little sister, good friend…she’s been all of those things to him, but now he knows all of those characterizations are reflections of the love he’s always had for her.

The two walk to the riverfront hand-in-hand to admire the cityscape, at peace and happy as clams. So many weights have been lifted on this night, but the smooth sailing will only last so long with four episodes left. Storms lie ahead, and the strength of all of the night’s confessions and rejections place will be vigorously tested. I’m fist-pumpingly happy for Kazusa and Rika, but love and pain do go hand in hand!