BokuBen – 05 – An Eventful Two Days in the Mountains

Ah, the mountains, where the weather can change on a dime…and compromising situations can come just as quickly! The whole class has arrived at a mountain retreat for two days of intensive study, but the thing Rizu seems to be studying more intensively than anything is Nariyuki’s face.

Rizu has probably never been in love, so isn’t sure what to do with the strange mix of emotions she feels whenever she looks at Nariyuki , and in the process of trying to figure them out, she just keeps starting.

In this high-stakes environment, even lending Nariyuki an eraser is an intense competition, with Fumino beating a hesitating Rizu, Nariyuki fumbling, and Uruka passing it to him under the desk—where her legs aren’t crossed. None of this is intentional, but that doesn’t change the fact it’s happening to Nariyuki .

Increasingly embarrassed over her reactions to his presence, Rizu lashes out and runs out for some air, breaking the rules. Once she’s calmed down, she starts collecting mountain udo as an apology, but is so into it she gets lost in the woods as a mountain rainstorm commences. When Sekijo Sawako asks Nariyuki where the hell Rizu is, he realizes she could still be out there.

Using flash cards she surreptitiously dropped, he manages to find her, just as she’s visualizing the mathematically highly unlikely possibility of him doing just that. The problem is, she’s on higher ground and has to come down. That results in her slipping and falling. As she falls, Nariyuki positions himself to catch her, and the their lips end up meeting. As his rice bowl cracks back home, Nariyuki wonders: was that his first kiss?

He gets neither clarity nor assurance from Rizu, who continues to avoid his face as they carry out their punishment for leaving school grounds: cleaning the girl’s bath. Unfortunately, Rizu neglected to hang the “cleaning in progress sign” on the door, so all the girls, including Fumino, Uruka, and Sawako, strip down and rush in before Rizu can stop them.

Rizu confidently declares she’ll take care of it, but immediately fails, is stripped down herself, and forced into a battle of endurance in the very sauna where Nariyuki went to hide. Uruka (surprisingly) is the first to give up, but Fumino’s in it for the long run. Meanwhile Nariyuki is past his limit…

He’s saved by an unlikely heroine: Sawako, who put together the fact that he and Rizu were cleaning the bath and he got caught in a situation not of his making. In exchange being in her debt, Sawako distracts the others so he can slip out.

But as he opens the door to complete his escape, Uruka is there, and the force of the door opening whips her towel clean off, revealing every bit of her non-tanned body. Fortunately for Nariyuki, Uruka is still so woozy from the sauna she assumes she was hallucinating the guy she’s into!

Rizu apologizes properly for putting Nariyuki in so much danger—to be caught peeping in the girls’ bath would probably torpedo his chances of VIP consideration—and they finally address the accidental kiss they both agree was not a real kiss, but an accident. When Rizu tries to ask if Nariyuki “saw anything” in the bath, he assures her his glasses were foggy, something another glasses-wearer might understand.

Back at school, Nariyuki is brought before Kirisu-sensei, Rizu and Fumino’s former tutor who the later described as “very…cold.” Indeed, Kirisu treats their meeting more like an FBI interrogation, and after he tells her he’s doing his best to improve their grades, she immediately brings up the incident of him accidentally kissing Rizu in the forest, something only he and Rizu should know about, but somehow she knows too!

Whether her motives involve ensuring Nariyuki fails to do what she failed to do with her cold methodology, are couched in some kind of repressed feelings for him (this is a harem rom-com), or she just wants Rizu and Fumino to give up on subjects contrary to their talents, Kurisu is poised to emerge as the single greatest threat to everyone else’s success and happiness.

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Grand Blue – 03 – Stepping into a New World

Diving involves a lot of equipment in good order, which means it’s quite a costly activity for a college club to be involved in; far costlier than, say, the tiddly winks club or the pogo stick club. Iori and Kouhei are informed of this in a matter-of-fact way, meaning they will have to help contribute to club funds.

They already have a way for them to contribute right away: by participating in the Izu Spring Festival’s Inter-Club Men’s Beauty Pageant. But before that, Ryuu takes Iori out for his very first scuba-diving lesson. Before he departs, he gets words from encouragement from Chisa.

Chisa is clearly excited that her old friend is about to experience something she’s already familiar with—and which she loves. Things start out a bit rough, as Iori isn’t used to the kind of breathing one does in scuba gear, and when his mask floods he panics.

But once everything is readjusted, he remembers what Chisa showed him at the aquarium, and it’s like stepping through the doorway into a new world. You can see the switch flip in Iori’s head from panic to nirvana, and the look of joy and wonder on his face is plain to see—and something that delights Chisa. “Good, he gets it now,” she seems to be thinking.

The wonder and joy lead to excessive celebration, which is nothing new to Iori and Kouhei, but what is new is the manner in which Iori finds himself waking up: beside a buxom half-naked woman a couple years her senior. This is how he meets third-year student and fellow diving club member Hamaoka Azusa.

Azusa is the kind of girl who doesn’t mind sleeping in the same room with a bunch of guys, but she’s also a good cook, and teaches Iori, Kouhei and Chisa how to make okonomiyaki to raise more funds for the club at the festival. The festival where, in exchange for not having to compete in the boy’s pageant, the boys must convince Chisa to compete in the girls’ pageant.

The lads, likely still hungover, decide the best way to convince Chisa is to liquor her up so she’ll be more open to the pageant. However, each time they try to slip her a spiked drink, she either already has one, politely declines, it’s taken by Azusa, or one or both of them have to take the drink. Before long, they’re drunk as skunks.

Azusa also reveals she knows what they’re up to—to the heretofore unaware but now horrified Chisa—and forces them to confess their true goal. They ask Chisa to enter the pageant; she refuses; and they reveal that they’re trying to get her to enter so they don’t have to.

That night, the lads play naked rock-paper-scissors, which Azusa joins in but doesn’t have to shed a single article of clothing as she whoops everyone. She gets Chisa to admit that it’s not that she doesn’t want to enter, but more that she doesn’t want to bear the embarrassment of the pageant all alone. Azusa also points out that the only reason they asked her at all is because they were supremely confident all she’d have to do is enter and her victory would be assured.

So Chisa agrees to enter…but only if Iori and Kouhei enter too. Thus the embarrassment is shared, if one loses one of the other two could still win, and if all three win, the club funds are tripled, so everyone wins. When the means with which to enter a new world are so expensive, sometimes you just gotta shake what your mama gave ya…proverbially!

Grand Blue – 02 – Underwater Isn’t So Bad

Iori continues to contend with the constant nudity of his male peers, but everyone dresses for dinner, which is when Nanaka observes he’s gone out every day he’s been in Izu, and doesn’t even know where his room is!

Nanaka forcefully forbids him from spending a third night out, but when the boys say they’ll be having drinks with students at a women’s university, Iori begs Nanaka to let him go. She refuses.

Iori doesn’t give up there, an decides he’ll unpack his stuff and set his room up in a way that will convince Nanaka to change her mind. Kotobuki and Tokita volunteer to help, and eventually Imamura is also involved in various ill-conceived makeovers.

They festoon his room in porn, then lolis, then BL, and finally, in order to sway Nanaka most powerfully, slap Chisa’s face on everything. In the last case, Chisa ends up seeing their handiwork before her sister.

It’s a competent example of the “best laid plans” comedy trope, in which Iori keeps trusting his friends, things just keep getting worse, and he just grows more angry and frustrated. His own idea is worse still, suggesting the entire venture was doomed from the start!

Chisa banishes him to an isolated room that also happens to be the meeting room for the diving club; Iori only learns this when he wakes up to find a meeting taking place in the room, and the club ain’t vacating!

Kotobuki and Tokita decide to give the three freshmen—Iori, Imamura, and Chisa—some basic lessons. Chisa is forced to participate despite already being well-versed in said basics.

The swimming lesson goes south when Iori is treated to the sight of way more underwater manhood than with he’s comfortable. The senpais even trick him into totally disrobing just when Chisa emerges from the changing room in her orange bikini.

Iori just can’t seem to prevent Chisa from seeing him in almost exclusively embarrassing and shameful situations!

But when Iori idly says he’s not interested in underwater—something she’s painfully passionate about—Chisa has Nanaka take Iori to the aquarium after-hours.

This visit and the majesty of the underwater to which divers have access doubtlessly inspires Iori, but so does video he sees of an entirely different side of Chisa; one he never sees because he always looks like a jackass around her.

Nanaka is honest about Chisa telling her to take him and why, and the next time Iori sees Chisa, he makes sure to express his gratitude, both by being fully clothed, and by giving her a souvenir. Chisa would’ve preferred a cuter trinket, but she clearly appreciates the gesture.

This was by far the least cringe-worthy interactions between the two childhood friends, and hopefully the start of a trend of more cordial encounters. Still, I also hope the show doesn’t stop mining Iori’s embarrassment/jackassery around Chisa for comedy…it’s still a rich mine!

Grand Blue – 01 (First Impressions) – Learning to Swim

Kitahara Iori moves back to the seaside town of Izu where he grew up in order to attend university. He’ll be living with his uncle, who runs the Grand Blue Diving Shop. Upon entering, Iori is met with a scene he never thought he’d see: a huge group of naked burly guys playing rock-paper-scissors.

Iori flees the site, but is quickly caught by two of the dudes, and learns they’re juniors at Izu University, making them his senpais. They were playing a game to determine who would fill their scuba tanks; they’re in a diving club and want to recruit Iori, who declines as he can’t swim.

Iori won’t just be living with his uncle, but his two female cousins as well, Nanaka and Chisa, both of whom have grown quite beautiful in the ten years since he’s seen them. There’s a particular aura around Chisa that suggests she’s looking forward to seeing Iori, or at the very least will give him a chance.

Iori blows that chance without even realizing he had one, because just as he walked in to a debaucherous display, so too does she, with him at its center, half-naked, drinking, shouting, and generally acting a damn fool (i.e., a college freshman). His attempt to smooth things over fails specatularly; Chisa’s first impression of him is that anything he touches must be thrown away.

His senpais Shinji and Ryuu demand he party with them that night, assuring him they’ll get him to orientation on-time. They do, but with two caveats: he’s hungover six ways from Sunday, and he’s in nothing but his boxers. That is how the whole of his freshman class meets him.

Iori has been swept up in the waves of college life, and it feels like his seniors are giving him a “swimming” lesson of sorts. The only way to learn is to jump in and start paddling, but Iori’s attempts to do so only invite more scorn, not just from Chisa, but from a hot blonde guy named Imamura Kouhei, who wears a t-shirt declaring his otaku-ism.

He also gets plenty of attention from the cops for continuing to ask people for their clothes. He finally gets a shirt by recruiting Kouhei to the Diving Club, which is called “Peek-a-Boo.”

Iori is inevitably thrown into more situations of cavorting and heavy drinking, and both he and Kouhei prove ill-equipped to resist the temptation to overdo things. To be fair, the peer pressure to drink as much strong liquor as possible is extremely high…though we see that Chisa is able to sip responsibly and stay above the fray.

The morning after their latest college party experience (involving a staring contest in which one person tries to get the other to spray their drink) both Iori and Kouhei arrive at class in their underwear. Clearly more swimming lessons will be needed…but despite Iori’s insistence the Diving Club is not for him….c’maaahn. You know that cat’s joining.

Grand Blue looks great and is a lot of fun, effectively capturing the raw energy and abandon of early adulthood. Those who have attended college know that it isn’t just about studies, but the experience; the change in one’s lifestyle to something more independent than one’s home. It’s about making a new home, and making a new family.

Most importantly, it’s about trying new things (and yes, sometimes failing and/or suffering). But as Yoda said in The Last Jedi: “The greatest teacher, failure is.”

Hundred – 08

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The bad news: this wasn’t a particularly mockable episode of Hundred. Why? That’s the good news: it wasn’t really that bad, as far as episodes of Hundred go. The ‘fight monsters, then fight over Hayate’ formula has been spiced up nicely by Claudia, voiced by the talented Akasaki Chinatsu, who exhibits her usual tremendous range and energy.

I’ve loved Akasaki’s work ever since Kill Me Baby! and seeing her give Emile a taste of her own medicine is never not fun. Claudia’s also a pretty capable Slayer, so it’s not like it doesn’t make sense to have her around.

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Naturally, Claudia works to separate Hayato and Emile at every turn, an urge she shares with Claire, not least because both know she’s really a girl. Claudia wants Emilia and Claire wants Hayato, but there’s no real alliance between them, which is why Claire puts both Hayato and Claudia on her team while her veep Erica is paired with Emile.

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Even though the Hunters are lurking around hoping to poach savage and slayer alike, Claudia kinda drops the ball by leaving Claire and Hayato alone so she can run back to Emile. Not only is her lie about the two “going on date” inaccurate, it’s also unsuccessful, as Emile isn’t one to simply tuck tail and return to her homeland just because Claire won Round One. By that same token, Claudia isn’t about to give up on Emilia.

As for Claire and Hayato, the former slipping on some mud is enough of a reason to go skinny dipping in a hot spring. She slips again while getting out, landing naked on Hayato, but in between the moments of silliness they have a fine little chat about how both of them are fighting primarily for family, not just out of duty and honor—and how there’s nothing wrong with that.

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Speaking of honor, it doesn’t seem like the Hunters have much, as they start ambushing and scavenging the various slayer teams dispersed throughout the area. Claire mobilizes in her full armor to put a stop to it, but an earlier mention of heavy rain affecting beam weaponry gains significance when the heavens open up just when she’s about to dole out some beamy justice. Looks like a job for Hayato.

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Hundred – 07

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The Quest to Kill Karen continues: she survived a rowdy idol concert, so lets put her out in the blazing sun! Seriously, if she can endure this many trips outside her hospital room, why is she confined to that hospital room?

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For THAT. She’s got them hanging out for that. Gotta cushion Hayato’s clumsy falls, right?

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Oh, great, here we go: Bishounen Bad Guy #4,678,594. Claire’s older brother Judar. I’m sure he’s not up to no good, no sir!

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“Mmmm…but not you, Karen. Sorry.”

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Boobs? It’s boobs, right? Gotta be boobs.

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WHOA…Judar went and splurged on the most expensive lamp at IKEA Little Garden! Wait a minute…there’s a girl in there! Judging from all the white mist around her body, she’s nude, too! She’s your and Claire’s sister Liza, you say? Why’s your sister nude in there?

Never mind; Judar wants to see if Hayato’s Super-Awesome Energy can wake her up, even though she powers the entire city-ship? Uh, buddy, you got backup generators, or am I missing something?

Claire pulls a gun on her brother when she finds him down there with Hayato. How’d she catch up to them so fast, when it took the two of them so long to descend and get through all those security doors? Is Judar just messing with Hayato, and there’s a screen door that leads straight to the top deck?

Never mind again; I’d probably pull a gun on him too. Dude’s totally evil.

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Some people immediately took a hatred to Emilia’s highly-caffinated childhood friend Claudia Loetty and wanted to lower her into a volcano mere seconds after meeting her. Wouldn’t you know it, I was not one of those people!

I dunno…I kinda love her. Her voice actor (I wanna say Akasaki Chinatsu, but not sure) has stellar range and timing, and Claudia is pretty much the manifestation of all the built-up misfortune Hayato has been collecting while taking all of those lucky ass-backward trips into lady’s hearts, crotches, boobs, and mouths.

Sure, at some point Claudia may also come to fall for Hayato, but that seems a pretty long way off. And any cute girl who doesn’t love Hayato and is actively trying to make his life harder is alright with me. Hayato needs more people like this in his life, lest he take what he has (everything) for granted.

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You see? There is nothing inaccurate about this statement. This girl speaks the truth. She is after my heart. Take it to him, sister!

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Yes, because she’s desperately in love with Emilia (who turns out to be a princess back home in Gudenburg, dontchaknow!), Claudia has zero patience for those who’d seduce her  (hence her hissing and spitting upon meeting Hayato). She also challenges Hayato to a duel in a dojo, her with her flail/mace thingy, and he with his shinai.

It doesn’t seem like a fair fight, until Hayato easily defeats her in the most hilarious way possible. She then tries to bargain for a rematch, but is refused and runs off crying. Yes, Claudia is very very annoying, but I’m very glad she’s around. She made this normally bland, stolid love-fest genuinely interesting and funny for once!

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Hundred – 06

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Anyone hoping this week’s Hundred would out-do Bakuon’s T&A quota may come away disappointed: there was precious little time for girls to throw off their clothes and jump Hayato, what with all the battlin’ going on. And hey, what do you know, Sakura’s Hundred also gives her defensive capabilities. Why does she need a part-time bodyguard, again?

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Apparently not from the pack of elite variants who poach savages. The group of three (four?) make the Little Garden students look a bit silly; though perhaps that’s not entirely fair as you’re talking about pros (albeit young ones) against amateur students. Nice outfits, though.

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Sakura expresses a little confusion over Emile’s possessiveness towards Hayato (being a “boy” and all), but nothing comes of it, and in any case, there’s no time for fooling around since there’s savages to fight! Only the hunters fought and beat the savages for them. And there actualy was time for a lot of standing around and talking. As for the savages, they seem really slow and dumb.

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The savage hunters, imaginatively called “hunters” by Claire at their debriefing, are after savage cores, because cores and variable stones are basically the same thing, both technologically and monetarily speaking. But this is all Top Secret, so don’t tell anyone, even though the science loli told half the cast.

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Sakura spends a good amount of time on a beach with no bodyguard, it seems, because she’s already there when Hayato answers her summons. When Hayato says everyone’s looking forward to the concert, Sakura goes into a pity spiral, saying people are only affected by her song because she’s a variant and that’s her skill. Hayato rebuts: she touched him and Karen way back before she was an idol, so quit hatin’ on yoself!

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The concert ensues, and, erm, it’s okay I guess? Pretty underwhelming. They never even bothered to animate Sakura singing; not even once! Which begs the question, why have such an ambitious idol concert scene if you don’t have the budget? I don’t know, but at the end Sakura breaks out the same song she sang to Hayato and Karen, which is nice.

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After giving Karen, who really should be dead from all the exposure to the outside (why else would she be confined to a hospital room the rest of her life?) an autograph and handshake, Sakura closes in for a big ‘ol smooth on Hayato’s cheek, making the polyamorous lil’ scamp blush like a rose – and outrage all the other girls present currently crushing on him.

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It wouldn’t be Hundred without closing with an even more ridiculous portrayal of Hayato’s harem, in which three of his girls tug and pull at him like he’s the last carton of milk at the store during a blizzard. You break him, you bought him, ladies…and what are you gonna do when you get him?

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Hundred – 05

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What’s Kirishima Hayato’s secret for getting all these hot ladies falling at his feet? From what I can tell, it’s to be as nondescript and vapid a character as it is possible to be while still able to be called a “character.”

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They don’t just fall at his feet of their own accord, though: they forget they don’t have their bikini top tied on, or slip and fall on top of him. So it’s not just vapidity, but the fact that physics itself seem to favor the guy.

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Hundred does its darndest to not spend any more time than it needs to on silly matters like protecting civilization from a scourge of powerful monsters. Instead, it prefers having Hayato go on a date with Emilia after turning down Claire’s swimming challenge.

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Wait, but isn’t he supposed to be Sakura’s bodyguard, you ask? Apparently not full-time. Which is unfortunate, because Sakura disappears when he’s off the job. Thankfully, she used his GPD signal to track him down so she can take him somewhere special to her. Emilia gets ditched. Don’t hate the playa…

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I’m not sure Hayato signed up to have Sakura prattle on interminably about her increasingly dark and cruel past as they admire the islands’ version of the grand canyon (the geography of this place, and why its not overrun with savages, escapes me).

I think I fell asleep during some of the exposition, but from what I heard, Sakura had the same virus as Karen, was sold to a mad scientist and injected with Savage cells in an attempt to build a super-slayer. Not-fun times.

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Then Sakura proceeds to connect every significant part of her life to Hayato, from the one who set her on the path to idoldom, to the one who preserved the place where she apparently has good (rather than horrifying) memories, and the fact both of them are variants and thus “share the same fate.”

I imagine Sakura is going to be disappointed when she learns that Hayato does not and will not belong to just one woman. He belongs to them all. His blandness…it’s just so breathtaking.

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Oh HEY! It’s a savage! Those variant kids from last week, perhaps? They come pretty late in this episode. In fact, they come at the very end, before Hayato has any time to break out his Hundred and, you know, fight them.

Instead we spent what felt like an eternity watching Hayato jump from one girl to another, turning one Claire for Emilia, ditching Emilia for Sakura, and telling Sakura, who is pouring her heart out, to “calm down there.” Maybe the real monster in Hundred is Hayato.

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Hundred – 04

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I’ve taken over Hundred from Hannah, but she didn’t say anything about reviewing it seriously, so I won’t be, and if you actually take this show seriously, do not read this.

One thing I think we can ALL agree on is that Hundred’s first three episodes were seriously deficient when it came to the presence of girls in love with Hayato in one form or another. Seriously, where’s the love for this guy?

That starts to change in a hurry, as sparring with Erica und Fritz earns him the adoration of random extras, and famous idol Kirishima Sakura, who is all pink, natch, has seen YouTube videos of his battles and wants him to be her bodyguard.

With three Savage modules believed shot down but still unaccounted for, it’s the perfect time to put 100,000 warm bodies in mortal danger. The show must go on!

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Baaaaw loogit Big Bro Hayato being a Good Big Bro, securing a ticket to the concert for Karen! Sure, she’ll be one of the people in danger if things go wrong, but family should stick together, especially in potential battle zones. Besides, the fresh air might do her some good…or kill her.

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Aww, sorry Emilia. I guess Hayato can’t keep everyone happy all the time; inevitably making some girls who like him happy means making other girls who like him (or in this case, girls disguised as guys who like him) unhappyor at least disappointed. But hey, at least we know Emi didn’t surrender her key to Hayato’s room.

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Sakura’s very very pink, sure: Pink hair, pink eyes, pink flowers, pink cheeks…she’s pink, capiche? Other than that, she’s your typical dime-a-dozen anime idol, without any particularly exceptional qualities…except perhaps the brazen audacity of holding a concert in an unsafe place, putting her fans in danger. But hey, she’s taking their money and the fine print’s right there on the back of the ticket: Kirishima Sakura LLC is not responsible for death or dismemberment by Savage, etc. etc.

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She’s also a total tease and Hayato takes the bait, embarrassing her in the process when he takes her up on her worryingly detailed plan to marry him.

She also leaves her clothes and underwear carefully strewn around the bathroom when she calls him in to hand her her PDA, because this is 1993 and PDAs are a thing and you do NOT just leave them on the countertop and leave the bathroom, no sir, you have to hand the PDA to the naked girl in person while stepping over her bear pantsu which are an “exception” to her usual pantsu, which are vintage PDA-themed.

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Because this is Macross Hundred, Sakura’s fight is on the stage, and her “weapons” are her voice and a sleek flight suit that is extremely skintight and very similar to her skin tone, making it appear like she’s wearing barely anything at all when she’s actually covered neck to toe.

Sakura’s ability is called “Fairy Tale Fairy”, and I don’t know why Hayato doesn’t just say fuck it and storm off after being subjected to such a terrible ability name. Instead, he watches Sakura fly around for approximately seventy hours.

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His duties for the first day thus complete (who needs a bodyguard when they’re ASLEEP?), Hayato returns to his dorm and is elated to find it deserted, hoping to take a bath by himself.

Early on, Karen read Hayato’s fortune in the cards and warned him to be careful with women and water. I’ll just say for the record that he does not follow her advice.

But Emile/ia is in there and invites him to join her, so they get in some nice nakedtime that’s actually quite subdued until she pounces on him, they end up in an awkward position, and she runs away calling him a pervert. But the scar she got in a tragic PDA accident years ago is healing up nicely because he’s around, so it’s all good!

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Well, not ALL good. Three human-looking baddies whom I assume are Savage (or half-Savage variants) are staking out Sakura’s stage, assuring us they’re on humanity’s side, but not coming off as very convincing. I mean, for a start, where are their PDAs?

But hey, I’ll take Hayato & Co. fighting human-ish Savages than slow, lame monster-ish Savages any day. But why wasn’t THIS in Karen’s card-reading?

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DanMachi – 13 (Fin)

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Rather than end its 13-episode run with a “To Be Continued” or other cliffhanger silliness (though I’m not even sure if this was meant to get a second season), DanMachi decides to spend its last episode the same way the end of a good RPG ends: with a huge final battle and a classic “good ending.”

The end definitely snuck up on us, and thus it was hard not to feel like things were rushing a little, but I was still glad for the finality of the boss battle, and all the character work and action it entailed.

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The boss himself is…well, naked and kinda dumb-looking, which has been DanMachi’s problem from episode one: none of the enemies are particularly scary-looking or even particularly creative in design. This is something the most recent GARO almost always got right (to say nothing of the nightmare-inducing Gauna of Hannah’s Sidonia.)

In addition to being somewhat goofy-looking, this boss doesn’t really DO much besides mill around waving his arms around. I’m not sure I buy the fact they can’t escape the level either; if the entire town can be mustered to fight the boss, surely some of them can use their magic to open an escape route.

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The show clearly understands the concept of distractions, decoys, and well-timed combos, because several of each are unleashed on the boss, to no avail due to his ridiculous regeneration ability. Dumb-looking or not, this is definitely the toughest boss the show has given us yet.

The combo that works in the end is akin to saving up all of the full overdrive gauges of your whole party, then unleashing those overdrive attacks in quick succession to bring the beast down, or at least shave off a decent amount of his HP.

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Ryuu, Mikoto, and Welf are involved in the final combo, which sufficiently softens up the boss for Bell’s “Hero’s Strike”, which causes a fade-to-white yet still doesn’t quite finish the boss; for that, he has to use the trusty runeblade Hestia made for him (and which symbolizes their love and devotion to one another) to crack the central crystal and send the boss to Nowheresville.

The final casualty list? Well, no one we know. In fact, those scumbags who kidnapped Hestia last week even gain a grudging respect for Bell, a nice bit of development even if its for characters we care about. As for those we do care about, they’re all fine, in good shape for what I imagine to be a second season a year or so hence.

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At least, that’s what I hope. After all, there’s still a lot of stories to be told both inside and outside the dungeon, many levels yet to explore and conquer, not to mention Bell being the “Last Hero of the Zeus Familia” or something.

As for Freya…well, not sure why her character existed at all this season, except that she’ll eventually play a bigger role later on, when Bell presumably grows ever more powerful and popular.

Until then, I bit adieu to DanMachi, a solid action fantasy with lots of heart, likable characters, and rich world-building that never failed to entertain.

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DanMachi – 12

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This week’s DanMachi was a bit of a two-face: starting with a bit of a plodding lull thanks to the low-danger surroundings, but escalating into more exciting RPG-style action, complete with a kidnapping, an unfair duel, and the arrival of the cavalry.

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But first, all the girls are nude, Wooooo! Seriously though, this wasn’t that exciting, but I was surprised and a little impressed that when Bell inevitably ended up in the midst of the girls, he didn’t receive a beating. The girls’ reactions range from quietly embarrassed to indifferent to downright glad (the latter in the case of the Sand Snake-like girls and Hesty, she of the ample bust).

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Also not particularly bothered by Bell (who is the victim of a prank by Hermes) is Ryuu, whom he finally gets a chance to thank for coming to his aid. Ryuu tells him she planned to come at some point to pay respects to her familia, who fell into a rival familia’s trap and were massacred.

Ryuu was the only survivor, and after she avenged her familia by single-handedly killing the other, she was banned from the Guild. Syr found her lying in the street and brought her to the tavern, where Mama Mia brought her in despite knowing what she did. It’s a nice bit of backstory from one of the more interesting characters in DanMachi, due to her complexity.

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Ryuu’s no saint, but she can tell Bell is a kind person worthy of her respect and friendship, who like her benefactors, can see the good in her, being good himself. But we see the other ugly side of people (not just humans, since Ryuu is an elf) in Moldo, a veteran adventurer disgruntled with Bell’s rapid rise. Wanting to put him in his place, he kidnaps Hestia and challenges Bell to a duel.

It isn’t until the duel starts that Bell learns Moldo has invisibility magic, which is a bit too on-the-nose dirty for the bad guy. He says he’s not shameless enough to hurt Hestia, but his tactics certainly seem cowardly. But that’s the thing: his tactics make him stronger, at least initially, in the fight, and his cohorts rally behind that power, despite the cowardice of it.

That’s because, well, they’re weak too, and opportunistic. Even though they outnumber Bell’s friends who come to break the fight up, they seem outmatched by them.

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That being said, neither side “wins” the battle, because Hestia unleashes her divine power to compel everyone to cease fighting. It’s cool to finally see her exhibit abilities beyond reading Bell’s back and pulling off a ridiculous dress like a rock star. As she emits and otherworldly glow, it’s clear no one wants to mess with her.

By the way, it looks like Hermes wants to test Bell’s abilities, or, as he says, teach him about the cruelty and injustice inherent in humanity. Not sure why he thinks Bell will learn such a lesson especially when Bell has plenty of really good people as friends and allies. The fact of the matter is, there’s good and evil in everyone.

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The second half of this episode makes up for the slower first, and even the first half had that nice interaction between Bell and Ryuu. And I especially liked how after Bell ran off to save Hestia, she ends up saving him and everyone else from a protracted brawl. It remains a very balanced relationship. Bell is still very naive at times, but he also happens to have the strength—and friends—to deal with the predicaments his naivete gets him into.

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Nagato Yuki-chan no Shoushitsu – 08

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Nagato Yuki-chan took it easy this week. Like, really easy. Like, it just hung out in an onsen as the lit club simply relaxed. This was a very relaxed episode. Whether it was relaxing depends on your patience. I suppose it makes sense, though, as this rest marks the halfway point of the show’s rather unusual 16-episode run.

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One of the curiosities of this particular onsen is that its open-air bath is an omiai or matchmaking bath, with a small door that offers views between the men’s and women’s sides of the bath—that only the women can open (which is the way it should be!) This is different from the usual “guys try to sneak a look at the girls” angle.

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That being said, if you were itching to see Haruhi, Yuki, Asahina, Tsuruya and Mikuru in various states of tastefully covered-up nudity, you were in luck this week. From the tight closeups of the girls disrobing to Haruhi’s general (and very true-to-character) lack of modesty, the onsen fanservice was present and accounted for.

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Post-bath, pre-dinner activites? It had those too, from a table tennis tournament totally rigged by Haruhi, to a karaoke tournament she flakes out of when she suddenly gets bored, which happens the moment Kyon is about to sing. What’s mildly funny is that he’s so into it he doesn’t notice his friends have left him and he’s singing to some random woman cleaning the bath.

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Like previous episodes, this one was also not afraid to take long pauses of calm silence. Kyon successfully repels Haruhi and Koizumi and enjoys a good twenty seconds before deciding to go back to the baths, at the exact same time Yuki decides to do the same thing. Then Yuki opens the matchmaking window on a whim to find Kyon right there on the other side, perfectly framed in the heart-shaped hole in the frosted glass.

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She apologizes, he tells her she doesn’t have to, and invites her to open it again—it’s for conversation, not peeping, after all—but the sound of the others spooks her. Nevertheless, the two have a good relaxed laugh on their respective sides, and the requisite Yuki x Kyon Moment is achieved, though Yuki once again fails to confess her feelings.

If nothing else, this episode made me want to take a long, hot, possibly herb-infused bath, followed by a brief spell in the sauna, a cold fruit milk, and a multi-course Japanese meal. Sounds heavenly.

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Saenai Heroine no Sodatekata – 11

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It sounds like Hannah was pretty disappointed about her show squandering its promise…though that’s partly on her for even remotely thinking that show was going anywhere daring or compelling.

Not to be smug, but didn’t have that problem with this latest Saekano. Last week focused heavily on the wild card Machiru, setting her up as someone who could genuinely challenge Tomoya, who was in need of some challenging in the midst of all his ladykillin’.

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What last week failed to do was show us what would happen when his harem came into direct contact with his purple-haired, skantily-clad cousin. The results were momentous; everything I hoped for and more. Utaha hawkishly defends otaku culture, while an initially flabberghasted Eriri even finds some common ground when Machiru mentions that, on some rare occasion, Tomoya can be cool and come through for you.

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We also find that exposing oneself to Michiru isn’t enough to convince her to compose your dating sim’s soundtrack; far from it. In fact, part of what gets Utaha so steamed is Michiru’s outsider-looking-in perspective of Tomoya, and his obsession with otaku culture, is something to mature out of rather than cultivate. When Michiru disses Tomo, she disses everyone in that room. Except for Kato…who is definitely in that room…watching and waiting.

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Michiru’s reasons for not jumping into Tomoya’s project go beyond her semi-maternal dubiousness with his present course in life. She’s got her own dream of being in a band, after all. When she says she needs a manager to appease her dad, Tomoya is eager to step in, but when she tells him it won’t be a part-time job, it becomes her dream versus his. That’s right: Michiru isn’t perfect; she’s selfish too.

What’s so awesome is how much sense her selfishness makes. She’s known Tomoya all their lives; and she has an idea what he could and should be that just doesn’t jibe with what he is and wants to be. But it’s her affection and concern for him, not merely her own self-interest, that comes through when she says this manager job could be just the excuse he needs to drop this whole gamemaker charade.

And she calls it a charade because she had a good look at his fellow circle members. While she’s well aware that they all have their reasons for being in that circle (calling Tomoya a sly dog in the process), she doubts their commitment to making the game is anywhere near Tomoya’s level.

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Of course, we know better, and so should Tomoya, but Michiru’s words create genuine conflict in his heart. Suddenly he’s not just the fumbling leader of a haremy doujin circle, but a guy trying to find out whether his dream is really as quixotic as she says. But Kato is up all night at Eriri’s working on the game, knowing Tomoya is a week behind; and Utaha is up too. They’re all working their pants off while he worries.

He then makes the best decision of this episode and calls Kato early in the morning, and they have this lovely, natural boyfriend-girlfriend phone conversation, in which he voices his anxieties.

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Yet again, Tomoya luxuriates in the very thing he has no idea he has with Kato, yet simultaneously must know on some level he has. Kato gets him out of his house, where he’d been worrying all night rather than working, and gets some breakfast into him, ever the practical mind. But in an ingenious gambit, she talks through the game prototype to comfort and reassure him.

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And in an even more ingenious and somewhat diabolical scheme, she keeps her hand firmly planted on Tomoya’s and the mouse as the dialogue starts going to places Tomoya rather wouldn’t; things about having feelings for attractive cousins, something to which she can relate.

While Kato claims the dialogue was simply random, let’s get real: there’s no way it was random. This was calculated payback for Tomoya “steppin’ out” on Kato, and it was absolutely glorious. For the first time in a while, she’s able to make Tomoya squirm as much as Michiru.

At the same time, she proves how good she is for him by picking up his slack without even being asked to, and not feeling forced or obligated to. It’s a brilliant dynamic.

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His confidence in the project thus restored, and his apology delivered, he shares an earbud with Kato so she can hear Michiru’s music, and she agrees that she’d be perfect for the soundtrack. And it could be that Kato’s little piece of mischievousness also inspired Tomoya to come up with a plan to snag his cousin.

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As he is a man of wide-ranging otaku means and connections, he’s able to get Michiru’s band a slot at a live performance, a gesture he uses to prove to her he can be an effective manager. In turn, Michiru lets him see her get teary-eyed for the first time since he carried her on his back when she twisted her ankle years and years ago. She also apologizes, admitting she was being selfish.

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Thus, Tomoya has his cousin right where he wants her: in his debt. Tomoya looks awfully proud of himself as the episode cuts to black, but I’m certain more compromises are in store for him, and managing both Michiru’s band and a circle full of girls competing against each other won’t be a cakewalk either.

Still, I’m willing to come out and say these past two episodes cemented Michiru’s place as my second-favorite girl after Kato. As she demonstrated quite emphatically, there’s simply no beating Kato!

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P.S. I’ll be watching Saekano’s final (for now) episode later tonight and hopefully have a review of it up not long thereafter.