O Maidens in Your Savage Season – 11 – No Time to Take Things Slow

Rika truly was transformed by her love of Amagi. Far from being disappointed or feeling betrayed by Juujo for going and getting herself knocked up, Rika is firmly in her corner. When Hitoha argues the other side too far, Rika almost calls out Hitoha’s own relationship before storming off, leading Hitoha to declare it’s “wrong to stop in the middle of things”—a glorious line considering its subtext.

Kazusa and Momoko are out of the loop, and so ponder and worry together right up until Momoko asks her who’d she’d rather sleep with to keep the world blowing up: her, or Milo-sensei. When Kazusa says she’d pick Milo because she’d “have to go with a guy,” then goes in for a “best friends!” hug, Momoko dodges, warning Kazusa to watch out for Niina before storming off herself.

Hitoha has noticed her interactions with Milo have become “softer and warmer” since their semi-cathartic encounter. She believes it’s because he interpreted her childish tears as being “overwhelmed by his kindness” when in reality, she felt so pathetic it actually felt good. With that in mind, she’s not quite ready to give up on him.

Meanwhile, Niina has never felt hatred about her present self, or more determined to eliminate that self as soon as possible. With Izumi unwilling to play ball, she arranges a meeting at a hotel with Saegusa, who is, unlike Milo, perfectly willing to follow through, the pervert.

But as he starts to touch her, Niina discovers something about that self she hates so much: it won’t be killed so easily. When Saegusa’s gross face and gross mouth and gross white nose hairs get too close, she instinctively slugs him, and flees.

The next morning, the only two who show up for lit club are Kazusa…and Niina. After a beautiful monologue that begins with her being lost in the haunted forest of those nose hairs, she tells Kazusa straight up that she’s in love with Izumi and plans to confess to him, even if he loves Kazusa.

To Niina’s shock, Izumi doesn’t react in anger, but in understanding, love, and gratitude. She wouldn’t have had the courage to confess to Izumi were it not for Niina’s help, so what kind of friend would she be to deny her the opportunity to do the same?

Niina and Kazusa go into the “best friends” hug Momoko wouldn’t, and everything seems hunky-dory…until we see Kazusa racing home in an absolute panic. She’s not sure what else she could have done in that situation, but she sure as shit isn’t happy about it!

In this episode full of people who believe they’re running out of time, Kazusa believes the only thing to do to stave off the threat of Niina is to put her mark on Izumi immediately. It just so happens his folks aren’t home, and she invites herself up to his room.

Her sexy underwear didn’t arrive in time, but she intends to make do, presenting herself for him to kiss, and when he expresses confusion, she declares her desire to do it with him, straight up. He tells Kazusa he wants to “treat her right” by taking things slow, but he also brings up Niina, souring the mood and leading to Kazusa’s early exit.

To add insult to injury, the underwear arrives, but Kazusa is so flustered by their presence she quickly snips them to tiny shreds with scissors. We segue from that particularly childish display to a very mature and elegant phone conversation between Rika, who is growing increasingly weary of herself (calling herself “a shameful disgrace”, and Amagi, warning her not to badmouth the girl he likes.

Their bliss is rudely interrupted by her mother bursting in the room. The next day there’s an all-school assembly where the principal and vice-principal announce that all “non-platonic interaction between the sexes” is banned with immediate effect. Rumors fly through the student body, including that Sonezaki and Amagi were spotted outside a love hotel and will now be expelled.

The scene of Rika being guided into a cab by her mom, like some kind of criminal, possibly never to return, is witnessed by Kazusa, Niina, Momoko and Hitoha, in an unlikely but very welcome reunion. It’s the start of the girls deciding to put aside their differences for Rika’s sake, their sakes, and the sake of the entire school.

Hitoha, who (rightly) blames herself for putting Rika and Amagi in that place at that time, is ready to confess, but Milo-sensei beats her to it, albeit keeping her name out of it (though he refers to her as “someone he’s considering a future with” in his lie). But the principals won’t budge; after Juujou, they’re prepared to make an example of Rika and Amagi.

Later, in the clubroom, Milo assures Hitoha he’ll keep fighting for Rika, but also admits he doesn’t quite have a plan for doing so at the moment. That’s unfortunately not good enough for these maidens in their savage season, who must make the most of this time and can’t afford to endure the oppression of the school’s new ban.

So, after Kazusa gives Izumi a solemn call telling him she’s about to commit a “grave sin,” she joins her sisters in kidnapping Milo-sensei, beating and tying him up, and using him as a hostage. The school staff is sent their demands, and when they arrive at the school the four girls are there to repeat them: lifting of the ban, reinstating of Rika, and an apology, or else.

No negotiations, no retreat: the maidens have spoken! As amazingly awful as it was to watch them nearly destroy each others’ friendships, this latest emergency of injustice has brought them back together, at least for now. Watching them use their powers to save one of their own another is an inspiring sight to behold, though I can’t see there not being serious consequences. Still, what’s done is done—and they did it together.

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O Maidens in Your Savage Season – 10 – Maiden Abyss

God, where do I even start? I knew I’d be navigating an emotional minefield with a show like this, but in the spirit of one of this episode’s themes, the difference between thinking you know something and actually experiencing it in the moment is as vast as, well, the holes that threaten to swallow up every single character. Certainly far larger than the holes in the sexy underwear Kazusa is investigating on her phone.

Rika just happens to be hanging out with Amagi across the park where Hitoha gets picked up by Milo-sensei. Rika finds Hitoha’s underwear in the trash, freaks out for a minute, then calls a cab to follow them and hopefully save Hitoha and/or Milo from themselves/each other. She’s acting as a good friend would: as best she can with what little, highly concerning information she has.

Meanwhile, after all the hard work he did finding porn not set aboard trains, Niina has likely well and truly ruined them for him as anything pure and innocent, what with her placing his hand on her bum and keeping it there. Izumi pulls away and exits the train, but Niina follows him and demands to know why he’s going so far to refuse her.

Since he asked for advice, Niina offers to let him practice doing it on her. With all of her (not always consciously) honed powers of seduction in overdrive, she asks him straight up if he wants to do it with her, and he rejects her again, but not in the most convincing way.

Before leaving on the next train, Niina passes by and takes note of how hard he was—which is, of course, ludicrous: the hardness of one’s dick and one’s desire to sleep with someone are not the same thing at all. If Niina can’t ever get Izumi to love her like he loves Kazusa, she’ll do everything she can to make him desire her. She’s determined to kill that virginity of hers, and at the moment she has eyes only for him.

Momo plays Street Fighter alone in an empty arcade, and as she watches Chun Li get mercilessly wailed on by Ryu, she comes to a realization that had probably been gestating in her head and heart for some time. She texts Niina, asking to meet up and talk. Just then, Satoshi, a name I rather naively didn’t think I’d have to type again, texts her asking to meet up and talk.

Last week the window (or rather “hole”) seemed to be closing fast for Yamagishi-sensei to put a stop to a situation that, while not strictly illegal in Japan, is still a very bad idea for both parties involved. While yes, he picked up Hitoha, there’s still a possibility he’s just trying to scare her straight by only taking things so far.

Little does he know as he’s driving Hitoha is planning exactly what she’s going to do when they hit a red light: grab Milo’s hand and put it in her. It’s a bold plan to be sure, one I’m not sure she would have actually done, but we’ll never know, because they don’t hit another red light. Instead, Milo pulls in to a love hotel…the cheapest, seediest, least sexy love hotel he could find.

Rika arrives at the love hotel district, but there Hitoha’s trail goes cold, and Amagi really doesn’t want to hang around such a place, as it’s making him think and feel weird things when he’s committed to treating Rika right, a sentiment that makes her swoon when he expresses it.

To our unending relief, we finally learn definitively through his inner monologue that Milo has no intention whatsoever of going through with anything in that dingy lovenest, but makes the mistake of letting Hitoha go off to the bathroom (even more awful than the bedroom! They nailed the details on this shithole) to steel herself up, desperately swiping webpages on what to do in this situation.

She bursts out of the bathroom pounces on Milo, positions herself over his crotch, and starts unbuckling his belt and unzipping. Suddenly, a very stunned Milo has lost control of the situation. Hitoha is just as stunned, but feels if she’s gone this far there’s nowhere to go but forward.

But, once the zipper is down, and there’s no erection, Hitoha gives up and starts to cry, assuming it’s because she’s so “disgusting” to him. Always so condescending and rude in so many of their interactions, Milo drops that act, gently places his hand atop her head and tells her she’s wrong; this isn’t happening not because she’s ugly, but because he’s a coward.

As she cries in his arms, I breathe another sigh of relief. In the end, Yamagishi was the adult here, recognizing he had to to preserve her pride, and the best way to do that was to abandon his own for her sake. That may not satisfy or comfort her in the long run, but it stopped something very bad from happening for the wrong reasons.

Then comes an exchange I wish we didn’t have to witness, because it’s just so hard to watch and so gosh-darn realistic. Satoshi, “The Nice Guy,” didn’t take too kindly to being embarrassed in front of his friends at the cultural festival. He accuses Momo of leading him on, calls her a slut, and demands an apology lest he make it impossible for her to come back to cram school.

Momo isn’t apologizing, and she’s not going back to cram school either, and that’s that. But as she walks away, Satoshi grabs her arm, because he’s not done with her yet. She’s not showing him proper respect, you see? For that, Momo cries out so all the passersby can hear, and naturally Satoshi calls her weird and crazy and scurries off. What an apocalyptic boob. Maybe don’t grab girls who couldn’t be less interested in you and are trying to walk away, brah!

As Niina walks around the same district where we’ve already seen Rika, Amagi, Hitoha and Milo, she thinks about how she always, always gets comments and cat calls whenever she walks down this street…until now. It’s as if Izumi’s rejection of her has marked her as some kind of hideous creature from which all ment will keep their distance.

After years being looked at the wrong way, suddenly she no longer feels the attention…and she’s not feeling so great…like withdrawal from a drug you were forced to take. Then Momo calls her, again asking to meet up. After being touched by a guy, Momo wants Niina to touch her, to “purify” her, because she’s in love with her.

No longer feeling waves of desire from men in her radius, suddenly Niina is confronted by a woman, stating in no uncertain terms she wants to be touched by her. Niina isn’t sure how to respond, so she apologizes and ends the call.

And that, inexorably, brings is to Miss Smartphone Sexy Underwear Shopper. Kazusa is in a wonderful little bubble of bliss, as she has been ever since she and Izumi became a couple. That bubble only grows larger when Izumi gives her a quick “just calling to say I love you” call from the station where he’s still processing what happened with Niina.

It’s clear with this call Izumi is trying both to assuage the measure of guilt he feels and ease the swirling of confusing thoughts in his head by reiterating his feelings to Kazusa, clearly, out loud. He’s a mess, and the call does little to fix that.

After the call, Kazusa beams like we’ve never seen her before, then continues her underwear shopping. In voice-over, she states that at that time she had no idea what vast and widening holes her friends were staring down, nor that she’d soon be staring down her own once her blissful bubble inevitably bursts.

The next morning, Izumi can’t even hold hands on their walk to school for some vague fear of “the neighbors.” That last exchange with Niina really did a number on him, huh? Sure looks like it could be the beginning of the end for these two…before so much as a peck on the cheek.

That just leaves us with Rika and Amagi, the one couple that seems to actually, ya know, be okay! Just as Rika is starting to contemplate getting a little closer to him, the teacher (who is, let it be said, shitty for doing this) announces that her friend Sonoe got pregnant and is dropping out of school. As if the previous twenty minutes of carnage weren’t enough, one last savage dagger before the curtain.

I need a drink!

(Of Misery)

O Maidens in Your Savage Season – 09 – What Now?

At least, for a little while, we get to experience the pure initial jubilation of Kazusa and Izumi being a couple, meeting outside their adjoining houses, and walking to and from school together. Everything looks brighter and shinier, food smells and tastes better, and Izumi looks cuter to Kazusa’s eyes. They’re very much on cloud nine, but throughout it all there’s the underlying knowledge that it just can’t last.

Rika, too, admits she has changed, as a “victim of love”, but has also learned that boys are far more sensitive and nuanced than she thought, and tells the rest of the club to value them as humans—something only she didn’t do before.

While all five girls were in one way or another “losers,” now suddenly Kazusa and Rika are “winners,” having broken the plane of boy-girl romance, and their subsequent floating on clouds does not go unnoticed by those left behind. As a self-proclaimed “loser” himself, it’s Milo-sensei’s experience that winning stifles the imagination, which suits Hitoha just fine.

You could also say that winners are so busy winning their guards are down. Kazusa buys Niina’s half-hearted congratulations, but what Niina doesn’t tell her is that she’s still considering whether to steal Izumi from her, and if so, how. Momo isn’t okay with that, and promises Niina that losing two friends (her and Kazusa) for one boy isn’t worth it.

Niina begs to differ: after all, saying she can’t have sex with mere friends—something Momo doesn’t seem that sure about.

So as their destruction is plotted, Kazusa and Izumi go about their wonderful glittery romance…only the glitter gives way to awkwardness when they find themselves alone in Izumi’s house together. What’s the next step for them? They have no idea, not just what they want to do, but what the other person wants to do.

They aren’t communicating properly yet, nor have they set boundaries or lack thereof, so they make assumptions, some of which are right, like Izumi sitting beside her. They hold hands together, but they both get hung up on how sweaty their hands are, and then Izumi’s mom comes in and suddenly they’re six feet apart.

Ultimately, they won’t know what they want to do until they try something, and they won’t know what to try with each other until they discuss it. Right now, their deep, ten-year familiarity is clashing with the newness of their boyfriend-girlfriend status, and resulting in a bit of a short-circuit.

Meanwhile, the fact Kasuza is with Izumi and Rika is with Amagi means the lit club is suddenly taking a break, giving the recent festival as an excuse, but let’s not fool ourselves: Momo and Hitoha and especially Niina are only going to sit and listen to Rika and Kazusa talk about how great it is to be dating boys for so long.

So Momo goes home alone, not knowing quite what to do about the rift between Niina and Kazusa. Niina invites Izumi to “ride the train” with him assuming she’s willing to offer advice as a friend. Hitoha ambushes Milo-sensei in the clubroom with an “expose,” and give him an ultimatum: sleep with her, just once, or everyone, including his beloved Tomita-sensei, will find out about all the things he’s said to a high school girl.

While I doubt Hitoha was simply bluffing here, the fact remains, she wasn’t 100% prepared for him to not only say “okay” to an offer of sex, but set a time and place for him to pick her up. Milo is quickly approaching the point of no return, but his feelings for Tomita, and the threat of her knowing how deviant he’s been, are clearly clouding his judgment.

Later, Hitoha waits at the agreed-upon time and place, and gets in when Milo-sensei stops and tells her to, tossing her underwear into a nearby garbage can. No good can come of this!

In a nice bit of synergy, the same book that Rika and her new gal friend Sonoe (with whom she now interacts far more comfortably) bond over in the library is the book Niina presents to Izumi on the train, describing his relationship with Kazusa to the The Little Prince and the one rose on his planet. When he went to earth, he found that roses were commonplace, but a fox told him that the sum of his time and experiences with that first rose make it unique.

Saegusa tells Niina that she’s the fox, saying the words that will lead to the Prince living the rest of his days with that one special rose, while the fox itself is never mentioned again once they part ways. To not be forgotten like the fox in the story, Niina has to make a bold move.

Whether someone was actually touching her bottom on the train once it gets crowded is immaterial; the point is, Niina wanted a situation in which she could tell Izumi to place his hand on her bottom. Not only that, there’s now a record of their exchange on their phones she could potentially use against Kazusa.

So one of Izumi’s hands is sweatily, awkwardly clutching Kazusa’s as the ticking of the clock grows louder and louder, and the other hand is resting on Niina’s bottom, with Niina’s hand guiding and keeping it there. So, as is asked many times in the heads of the characters this week, What Now?

Trouble…that’s what!

Wasteful Days of High School Girls – 01 (First Impressions) – An Interesting Woman (Or So He Says)

Wasteful Days picks up on the first day of high school for three friends who have been together since middle school (and possibly longer). Particularly for the liveliest of them, Tanaka Nozumu (voiced by the always-energetic Akasaki Chinatsu), this is supposed to be the start of their amazing high school lives; the pinnacle of youth. She hoped to become popular with the guys. The only problem is, they attend an all-girl’s school.

The only guy is a teacher who makes it clear he’s only into college girls, and manages to creep out the entire class. From there, Nozumu seeks out advice from her classmates, assigning them nicknames in the process, from from “Serious” (the girl who regularly checks stocks) to “Loli” (self-explanatory). No one is of any help, particularly her two friends, Saginomiya Shiori (a listless Toyosaki Aki) and Kikuchi Akane (Tomatsu Haruka).

The veteran all-star voice talent and the pacing of jokes somewhat make up for the fact that only a few of the jokes land, and I particularly liked the various cutaways and instances of characters reacting by just…walking away. But the full episode length makes it feel like there aren’t quite enough jokes to fill the space—a 12-minute runtime might’ve been a tighter affair. As it is, my mind often wandered.

There is a nice sequence of “possible” (but highly contrived/far-fetched) scenarios in which Nozomu encounters a hot guy, but they’re all in her head, and all are rejected as absurd by her friends, neither of whom have much energy for her antics. That being said, you get the feeling these three stick together anyways, as friends tend to do, due to pure inertia, and in the absence of strong new bonds.

If nothing else, this show captures the ennui and irrelevance of high school life as much as O Maidens captures the drama and angst. The fact it’s early in the Summer season means I don’t have a full plate yet, so this will stay on my list for now. But as tends to be the case, if better shows come along in my wheelhouse, it may signal the End of (Wasteful) Days.

Ao-chan Can’t Study! – 04 – A New Challenger Approaches

After waking from a recurring dream where a younger Ao is teased by her peers for the origin of her name (which is messed up enough) things only get worse for Ao, as her father presents her with a gaudy envelope left by a young woman. Inside is a photo of the girl in bed with Takumi.

Ao doesn’t understand why he’s chasing her if he already has a woman…unless he wants a threesome (he doesn’t). But his soccer senpai says Takumi attended to a mixer and claims he “went home” with one of the girls there. The “confirmation” leaves Ao a wreck…though her father didn’t help by painting the girl as resembling one of his “insatiable beauty” characters.

The girl in question turns out to be Takaoka Miyabi, one of Ao’s classmates in grade school who knew her raunchy name origin. Miyabi makes it plain to Ao: shit or get off the pot. Correction: just get off the pot; she wants Miyabi and she detests women who string men along, like she thinks Ao is doing

Of course, Ao isn’t doing that: her delaying is the result of her struggling with feelings she’s never felt, doesn’t understand, and which have been warped by her unorthodox upbringing. When Takumi calls her to assure her nothing happened at the mixer, Ao has already made up a narrative of what happened—and what’s happening—in her head.

So she tells Takumi not to talk to her at school anymore. He doesn’t, and avoids her, which neither of them like, and Miyabi swoops in and snags a date with him.

Everything would seem to be going to plan for Miyabi, who is, ironically using the very “manual” written by Ao’s dad, under a female pseudonym, that he also offered to his daughter. There’s just one problem: Takumi has no romantic interest in her, is concerned with Ao, and she can tell.

Fate itself seems to favor Ao when she and Takumi end up together in a haunted house—though it’s so dark they don’t realize who each other are until simulated lightning strikes reveal it. But their fight continues, as Ao insists Takumi find Miyabi and continue on his date.

Later that night, Miyabi is determined to take Takumi to a hotel and get a real picture with him; the one she sent Ao was simply photoshopped. Her impressive ‘shopping skills aside, she can probably no doubt sense Takumi’s distraction from Ao…and so asks what he’s going to do about her.

Takumi doesn’t know because he’s not sure whether Ao likes him or not, but the way he describes her flaws as things he’s not bothered by makes it clear he’s not over her yet. So Miyabi tells him Ao doesn’t like her, and is merely being “cocky” making him wait for her answer. But she assures him that her emotions and intentions are clear.

Quite the stirring soap opera hot pot we have simmering here! I must say I wasn’t expecting such a cliffhanger, or for a half-length episode to be packed with so much story. What will young Takumi do…take the easier route with a willing Miyabi, or try to make up with Ao and, in doing so, provide a means for them to gain more insight into each other’s feelings?

Domestic na Kanojo – 07 – Advance and Retreat

We begin with Natsuo and Hina going on a “date” to Kamakura. The teahouse lady mistakes them for a couple. They see the sights and have a lot of fun; their chemistry is unassailable. Then they head for the beach, and Natsuo brings up Hina’s “child” comment from earlier.

Hina admits she was just trying to say the thing that would hurt Natsuo most, since she was already in a relationship with Shuu and she and Natsuo were now siblings. Then she tells him how she met Shuu: like Natsuo with Hina, he was her teacher and first love.

When her friends shunned her for being too cute and flirty, he was her only friend. When they met up by chance years later, he was wearing a ring, but she couldn’t turn him or her happiness down when he said they should get together.

When Natsuo hands her his newly-completed novel, whose heroine is modeled after her, he confesses he’s been in love with her for a long time. Hina’s reaction follows the general pattern of their incident in her bedroom: she draws closer, taking his hand, and proposing they go out together, keeping it a secret from their family and everyone else.

But then, as when she basically teased Natsuo’s lack of experience, Hina brings the hammer down, taking Natsuo a bit too far into the surf to make a point: for them to be together when they’re family will most certainly backfire stupendously. She likens it to double suicide, be it socially or literally.

Natsuo knows it’s not possible, but merely asks they stay in the surf a bit longer so he can hug her and cry it out. That night after they get back home, Hina reads the whole book in one night, and it brings her to tears. Through the pages she can probably feel Natsuo’s longing, because it’s exactly how she felt with Shuu. She can hardly blame him for something when she knows full well we aren’t in control of who we fall for.

Things seem to return to a friendly sibling relationship between Natsuo and Hina, but Rui’s crush on Natsuo continues, culminating in her visiting Natsuo’s room one night. She notes that on the day they met (and did it), they never actually kissed. She wants to try doing so now.

Despite things being cordial with Hina, Natsuo is still a wreck, and it’s at least partially his desire to prove Hina wrong about something like them being utterly impossible that leads him to acquiesce to Rui’s request. To hear Rui so earnestly describe how calm and at rest she felt while kissing him, well…it certainly complicates matters for young Natsuo.

At this point Miu seems to be the best bet for him in terms of romantic interests who aren’t related to him, while Momo would obviously welcome his company anytime. Still, with Rui stating her intentions to keep continue their kissing sessions on the downlow, it’s clear that it’s not going to be as easy as going out with Miu or Momo.

After spending the evening with Natsuo and Rui tutoring them for their upcoming exams, Rui brings up Ashihara and his apparent rapport with her, intriguing Hina. Later that night, while perhaps going to visit Rui’s room, Natsuo sees that Hina’s door is open.

Before he can knock, he hears a…a noise, and when he peeks through the crack in the door, he sees Hina pleasuring herself, letting out Shuu’s name when she finishes. I’m not sure why she didn’t completely close the door, but never mind; the deeply private moment Natuso witnessed can’t be unseen or unheard.

As disturbing as it was to see Natsuo linger by the door as long as he did, he saw in Hina what she sensed in him: an unbearable longing for the one they love. She may have broken things off with Shuu but she’s most definitely not over him. No doubt that will evoke some guilt in Natsuo, who, along with Rui, gave Hina such a harsh “him or us” ultimatum.

Domestic na Kanojo – 06 – Exalting In Life’s Freedoms

With all the women he’s juggling, Natsuo has barely had any time to work on the novel he’s writing. During a study period, he reads on the roof, and discovers Kiriya-sensei up there smoking. Kiriya is happy to see a student reading literature, and when Natsuo tells him who he’s reading, he tells him he has good taste, then proceeds to…flirt with him? Whatever the case, Natsuo has piqued Kiriya’s interest.

Natsuo also seems to have inadvertently drawn the mild ire of one Tachibana Rui, who reports that Momo loved the yukiudon he made her while pointing out that he never made it for her at home. Natsuo assumes Rui doesn’t know what a jealous face she’s making, but wishes she wouldn’t make it. Rui is also there to ask him a favor—and not a sex favor, this time! She just wants him to accompany her as she checks out clubs. Natsuo’s guy friends tag along, but only to watch the girls playing sports.

Both Rui and Natsuo seem to find a cultural club with promise in the Literature Club, but no one is there to greet them. Natsuo sees a book on the shelf both he and Rui are interested, and so “borrows” it. When he returns to return the book, he hears a tiny voice within the stacks, and spots Kiriya-sensei seemingly kissing a female student.

He tries to flee but his shoe squeeks, and Kiriya introduces the girl, Ashihara Miu (voiced by the very talented Kohara Konomi of Tsuki ga Kirei fame), who explains that she was helping sensei with an eyelash. Considering how earnest Miu turns out to be, I’m mostly able to go along with her explanation. Natsuo is thus caught having “borrowed” a book, and Kiriya blackmails him into joining Miu as the second and only other member of the Literature Club, of which he is the faculty adviser.

Natsuo’s first duty as club member is to help Miu hand out flyers to recruit other members. It takes him until sunset but he manages to distribute all of his share, only to find Miu in the back entrance, having failed to hand out a single flyer. Natsuo reassures that her there are some things some people just can’t do, and it falls upon those who can to do them. Miu is definitely grateful for his kindness.

The next day in club things get a little weird, when Kiriya-sensei, basically reading from his two students’ face that they are romance novel writers with very little if any romantic experience, and suggests that the two gain some by…kissing each other. Yeah, you read that right.

[Slowly raises hand] Um, I’m sorry, but that’s kinda fucked up? Even a suggestion coming from an adult in authority can sound like an order a kid can’t refuse, and indeed, Miu goes along with it, closing her eyes and dutifully awaiting Natsuo’s kiss. He leans in, but ultimately can’t do it when he sees a tear welling in Miu’s eye. It just feels wrong…because it is. Kiriya doesn’t force the issue and moves on, but still…this guy has serious boundary issues, and might need a good arresting.

That night, as Natsuo works on more flyers, Hana gives her two cents about Kiriya (he’s “a bit odd”—no shit, Sherlock!—but performs his faculty duties “flawlessly” and so is given a wide berth). As for Rui, watching Natsuo become so invested in something leads to her deciding to join his little club right there on the spot. (BTW I did enjoy Hana playfully feeding both Natsuo and Rui chocolates to cheer them up).

The next day Natsuo and Miu exchange apologies and move beyond the previous day’s strangeness, not by talking but by exchanging notes in the library, thereby upholding the silence rule. Natsuo does, however, manage to make Miu laugh with his artist’s impression of Kiriya (whom Miu assures him never made her do anything like yesterday before, which again, I hope she’s right).

Miu is glad to hear Natsuo has an “acquaintance” interested in joining, and even more delighted when he shows up with two new members: Rui and Momo (who tagged along because…she felt like it?) Far from threatened by the presence of two cute girls flanking Natsuo, Miu transitions seamlessly into a pleasant chat with Natsuo, which has an particular affect on Rui she can’t yet identify.

One Sunday, Rui just needs to get out of the house, and ends up at the cafe, the teenage equivalent of going day-drinking, asks her barista why she’s felt so “off” lately, before proceeding to recite the textbook definition of falling in love. Since Rui’s never done so, she worries there’s something wrong with her, but the owner (a former yakuza who fell for a rival lieutenant at first sight) assures her it’s perfectly normal.

He doesn’t go so far as to tell her she’s feeling what he felt, but encourages her to listen to her heart and follow where it leads. So yup, despite being the person to sleep with Natsuo and then drop him like a hot potato, there’s a lot to indicate Rui has real feelings for him.

That’s probably bad news for Rui, as she was so clear so often that the sex they had was without feeling and only to gain experience, Natsuo may be infatuated with Rui the least of the now four women in his circle.

Before and after sleeping with Rui, he loved Hana, after all, and he’s probably not 100% over her. With Shuu out of the picture, now Hana seems interested in spending time with Natsuo (and only Natsuo) but whether she has any romantic intentions or simply wants a good relationship with her stepbrother, we shall see.

I assume Natsuo sees Momo more as someone he needs to look after (and out for) lest she descend into her worst impulses—which we learn cause her to drop in class rankings, as she’s as voracious a studier when she doesn’t have a man as a slacker when she does.

Finally, there’s the newcomer Miu, who actually looks like the healthiest, best fit for Natsuo (it doesn’t hurt that she’s adorable as all get-out).  They share a passion for reading and writing, have great chemistry right out of the gate, and most importantly, she’s not family! Natsuo certainly has no shortage of choice when it comes to women. It will be interesting to see how he reacts to being pushed and pulled by all their opposing interests.

Domestic na Kanojo – 05 – There Was No Going Out

With Hina breaking up with Shuu and the family back together and humming along nicely at home, Rui is enthusiastically approached by a classmate named Kashiwabara Momo. She asks if Rui will be her friend,  insists on first-name-basis, and gives her one of the dozens of plushie dolls she has tied to her bag, which…Yikes!

When Rui’s lunch group sees the doll, one of them promptly tosses it in the bin, warning Rui not to catch Momo’s “flirt bug.” There are all kinds of rumors about her sleeping with one guy after the other; even multiple guys at a time. Rui calmly gets up and retrieves the doll from the trash; rumors or no, it’s up to her whether she hangs out with Momo.

Rui’s decision is to hang out with Momo (who’s already made a doll in Rui’s likeness) after school and try to get the proper measure of her. By Momo’s admission she’s been with a lot of guys (thirty by her count), but never more than one at a time, and always in proper relationships that almost always seem to end badly (including one case where the guy locked her up) Yikes!

While at the bookstore, Rui and Momo happen to bump into Natsuo, whom he’s introduced to Momo as “something like” a friend of Rui’s. Then we see first hand how Momo goes about pursuing a guy: she expresses interest in the books he likes, accepts his offer to lend her one, and is then fully smitten when he draws her close to protect her from an errant biker. And that’s pretty much it: she’s totally into him, and asks Rui if it’s okay to ask him out.

Momo is being courteous to her friend by giving her the opportunity to decline the pairing, in the instance she likes Natsuo that way (Momo doesn’t know their domestic situation). In the moment, Rui simply tells her there’s no problem, but it leaves her uneasy later, no doubt due to feelings related to Natsuo she can’t quite process.

But she said no problem, so Momo goes ahead with her pursuit … and rather aggressively, I might add, presenting him with her LINE ID and a note asking if he’ll go on a date with her later, then incidentally presenting her side-tie panties in a quick spin move. But something comes up, and even if Natsuo used LINE (he doesn’t), that something is more important: Rui suddenly develops a severe fever.

No one else is home, so it’s up to Natsuo to nurse her, which means wiping down her sweaty body (“Younger sister, sick person” is his mantra) and even administering a suppository. (Yikes!) Without trying, the two achieved a much deeper level of intimacy, and there’s no hiding anything…which is likely why Rui (normally very direct) feels comfortable brings up Momo’s crush on him, and her uneasiness about that.

The next day Momo isn’t mad (she’s relieved his lack of LINE, not the fact he didn’t like her, was the reason) and has prepared an extremely elaborate homemade lunch with him. They don’t get through that much of it when Momo invites him to her place, and before Natsuo knows it, he’s in her bedroom making out.

They’re interrupted by a text from Rui saying the rest of the fam will be home late again and asking what he wants for dinner. It would be sweet and comforting, if it didn’t so amplify Natsuo’s self-consciousness about his present situation.

The plot further thickens when Momo tells him she never has dinner with her parents, who are virtually never home, before asking him to unbutton her top. Natsuo steels his resolve: sleeping and going out with Momo will help him get over Sensei.

Then Natsuo notices the scars on Momo’s wrists, essentially ending Natsuo’s advance despite her saying they’re “not recent.” Those scars are the final piece of the Kashiwabara Momo puzzle. The compulsive doll-making,  lunch-making, sex, and her scars: they all point towards an emotionally vulnerable and above all desperately lonely young woman.

She’s trying the best she can to exist in this world, perhaps the only way she knows how, by offering all of herself to anyone who will acknowledge her existence. But the world has not been kind to her in return. She assumes Natsuo will be the latest guy to freak out about her scars and leave her alone again, but instead he asks for the location of the nearest grocery store.

He whips her up the one dish in which he has reasonable confidence in making, and while it’s hardly haute cuisine, it’s all in the feelings and intent with which he made it. Natsuo didn’t make her dinner something out of it in return, like many if not all the other people Momo’s ever known. He just wanted her to experience what it was like to eat with someone else, something he realizes he’s taken for granted with his new bigger family.

The meal and sentiment bring Momo to joyful tears, as no one has ever made such a gesture to her. But Natsuo insists he won’t go out with her, because he doesn’t want either of them going out with “people we need to depend on.” He sees in Momo a little of the part of himself that feels desperately lonely and incomplete without Sensei, after all.

Casual sex with Momo wasn’t going solve his problem, any more than it ever solved Momo’s problems—it was only going to be a temporary salve. But a lasting friendship? That just might do the trick.

Domestic na Kanojo – 04 – This Is How It Should Be…Right?

Deciding they can’t just hole up at Natsuo’s friend’s house, Natsuo and Rui spend the better part of half this episode stalking Hina, but coming up with absolutely nothing. They even steal her phone while she’s in the bath so Rui can try to imitate her sister’s voice and break up with Shuu. It all fails. But then something fortuitous happens: Hina and Shuu come to them, at the very cafe where Natsuo’s friend works and where Natsuo and Rui are discussing their next steps.

Things accelerate quickly, as Natsuo comes right out and demands Shuu end it. Shuu is non-committal, and when he tells Hina he still needs more time before he can divorce his wife, Rui throws a glass of water in Shuu’s face and runs off. Natsuo catches up to her, to be a shoulder to cry on. This whole process of confronting Hina’s affair has definitely brought Natsuo and Rui closer together. Neither of them are happy with how things turned out, and both are in agreement that they want Shuu out of the picture.

Ultimately, however, it’s up to Hina to make the choice. Shuu seems fine with the status quo being maintained indefinitely, where he’s with both women and doesn’t have to take responsibility one way or the other. The next morning, Rui’s eyes are puffy from crying all night, and doesn’t speak to Hina when she suggests they go shopping together for a birthday gift for their mom.

Natsuo, meanwhile, is off to visit his mother’s grave. We get a flashback to ten years ago: Natsuo was in first grade, and a crybaby. Worried about, well, worrying his mom once she passes away, he resolves not to cry, even at the funeral where it’s expected. He wishes she were still alive, and wonders how life would be if that were so.

Then he’s surprised to find Hina and Rui join him at the grave. They’ve come to formally introduce themselves to his mom and give offerings. Hina also informs Natsuo that she’s broken up with Shuu. Natsuo is delighted, and Rui is beaming. Hina even says she’s been thinking about doing it anyway due to Shuu’s half-year-long reluctance to leave his wife.

What stopped her from leaving him was her genuine love for him…but ultimately family came first. She couldn’t go on with Shuu knowing it made them so unhappy. The show seems to be taking Natsuo and Rui’s side in this instance, but will things really be that simple as Hina pulling the plug? And what of Shuu’s observation that Hina doesn’t seem to treat Natsuo like a kid? I forsee more potholes on the road of familial bliss. This is a drama, after all—not…some kind of…“constantly happy times-having” show…

Domestic na Kanojo – 03 – The Scary Realm of Adults

Natsuo visits his best friend at the cafe where he works, and describes the incident with Hina and her boyfriend last night. His friend diagnoses Natsuo as jealous, and he can relate. He observes women stuck in non-ideal or flat-out bad relationships at the cafe all the time, and jokingly(?) wishes they’d just break up and date him. Like the young “office lady” who is in an affair with a married man. His friend later spots that woman outside, and to Natsuo’s shock, it’s Hina.

Not only is Hina doing something morally questionable by sleeping with someone else’s husband, but she’s doing something contrary to Natsuo’s perfect ideal of her up to that point. Like catching her crying on the rooftop and then watching her drink herself to sleep, it’s another crack in that facade.

When he confronts her at home, she kindly tells him to stay out of her business, as she dwells within the world of adults where kids like him shouldn’t set foot, and that’s basically that. Then Natsuo kisses her, she shoves him back, slaps him, then kisses him back.

Before Natsuo knows it, he’s being pushed onto the bed by Hina, but she stops when she sees his eyes, which she immediately detects as those of a child. He may have thought his stolen kiss was bold and cool, but she can sense his fear now that she’s responded to it.

With that, she gets off of him and shows him the door. It may have been harsh, but Hina is right that her business is her own, and she gave him fair warning not to stray into it. Also, Natsuo initiated with the kiss. That being said, she doesn’t feel good about having but Natsuo in his place. Indeed, she feels like shit/

The next day Natsuo’s father finds a note from him saying he’s gone to his friend’s house for a couple days. Pops and his wife quickly assume it’s a move protesting the marriage, but Rui knows better why Natsuo left, and Hina’s not great at hiding from Rui that she knows as well.

Natsuo moulders away in his friend’s room, not even moving for the entirety of a cafe shift. But as luck would have it, Natsuo is looking out the window when Rui walks past, clearly looking for someone. They meet eyes and he meets her downstairs, and his friend’s mom invites them in.

Rui isn’t copying Natsuo, she’s simply “boycotting” Hina’s affair, much like Natsuo, if for different reasons. One reason they share is that they both had a higher idea of who Hina is, and she’s letting them down with her adultery, and if she wants her little sister and stepbrother in her life, she’ll have to make a difficult choice.

After a strategy session with Natsuo’s friend , he and Rui return to a dark house where their folks are considering signing divorce papers. Such is the result of Natsuo and Rui not telling their folks what’s actually troubling them; they make the most obvious assumption based on the little they’ve been given.

Natsuo and Rui reassure their folks they don’t oppose the marriage, but don’t tell them why they ran away from home. They’re back now, and willing to endure one more awkward day with Hina until they set their plan into motion. We’ll see if the show leans more toward their side, even as it’s offered little hints that explain, if not entirely justify, Hina’s behavior.

She likes this guy, wants to be with him, and wants to make it legit by having him divorce. She feels things neither Rui nor Natsuo have ever felt, and thus dismisses their concerns out of hand in addition to looking down on them as simple kids. I wonder if some compromise or middle ground can be found.

Musings:

  • Natsuo’s pal puts the pieces together pretty fast that Hina’s affair is what triggered Rui into sleeping with Natsuo. Rui doesn’t really mind Natsuo telling his friend, as he doesn’t attend their school.
  • I like how we get a little snapshot of Natsuo’s friend’s family life. Everyone wears glasses there, his mom is really nice, and his sister is eager to see him with a girlfriend.
  • That said, Natsuo’s friend’s boss at the cafe was…uh…something.
  • Speaking of parents, Natsuo’s pops and Rui’s mom really are kind and generous people who’d put their happiness aside for their kids’ sake.
  • Who else thought Hina was going to take it further after ripping Natsuo’s shirt open? Yikesy…

Domestic na Kanojo – 02 – Not So Strange After All

When Rui interrupts Natsuo’s kiss, she silently judges him as she roughly drags her sister to her bedroom. In retrospect, kissing an unconscious Hina definitely wasn’t his finest moment, even if it was a kiss meant to put a lid on his crush on her now that they’re step-siblings.

The next day at school, a late, bed-headed Natsuo learns that Rui has transferred to his school, and she’s immediately the talk of the school due to her being cute. Natsuo isn’t clear enough with his words, and gets Rui to think he wants them to act like strangers.

But the mere fact they went off into the courtyard together to have a private chat is suspicious enough to Natsuo’s classmates, who are well aware both he and Rui snuck out of the mixer together. When he meets with Hina, she asks if she kissed him while she was drunk last night, and apologizes in advance if she’s too “relaxed” at home again.

Rui was surrounded by girls in the morning, but by afternoon she’s all alone; Natsuo knows something’s up and has a pretty good idea: Rui is socially awkward, standoffish and fairly tactless. It’s as difficult for her to make and keep friends as it is easy for her big sister.

Natsuo offers to help her by pretending to be a (girl) classmate, and Rui is still her usual self-defeatingly honest self, but the two end up engaged in a dialogue that soon captures the attention of the entire class, who think some kind of skit is going on. Suddenly, Rui doesn’t seem so hard to approach, now that they know who they’re dealing with.

That night, a nude Natsuo predictably walks in on Rui in the bath, but thank goodness for once it doesn’t result in a blood-curdling scream and/or punch. As Rui quite logically points out, there’s nothing he or she haven’t seen before (interesting considering she once said to “forget” their tryst ever happened).

Rather than send him out, Rui calmly invites him in, and it’s Natsuo who hesitates. First of all, she wants to thank him for giving her a helping hand in breaking the ice with her class. But she’s also curious about why he tried to kiss Hina.

At first she dismissed him as an indiscriminate womanizer, but spending the day at school changed her mind about that. So instead, she wonders if he was merely trying to cheer her up in light of her recent boyfriend troubles.

Obviously, Natsuo doesn’t know about Hina’s boyfriend troubles. After the three step-siblings have dinner alone together when their newlywed folks go out for dinner (with Rui emerging as the best cook of the sisters by far), Natsuo brings up the subject, and Hina just as quickly deflects.

In a spot of bad timing, her boyfriend Shuu calls and she goes out to the front of the house to talk to him, insisting Natsuo not go outside with her. Nearly a half-hour later she rushes in, shaking and clearly upset, but still refuses to admit to Natsuo that she’s hurting.

Then there’s a knock at the door and the doorbell rings repeatedly, and both Hina and Natsuo assume its Shuu. Rui ends up the one to get the door, and it’s just their folks, a little tipsy from celebrating their marriage becoming official.

In his first days as stepbrother to both Rui and Hina, Natsuo is already trying to help them with their troubles. Rui will probably be fine with making friends in class, but Hina’s problems will be tougher to tackle, especially since she’s so reluctant to be helped (and she’s well within her rights, as an adult, to not want to seek help from a kid).

Regardless of whether he can help Hina, the fact is Natsuo’s new family and living situation is not nearly as crazy as the initial premise indicated. Whatever he may have done with Rui in the past, and however he feels about Hina, a new and powerful element has been introduced to his relationships with both: he’s unconditionally there for them, and doubtless they’re there for him.

Kuzu no Honkai – 07

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Moca startin’ the day of ACCA-style!

The morning of her date with Mugi, Moca is on cloud nine, but she doesn’t have any illusions about suddenly winning his heart. Having an elegant breakfast and getting all dolled up is as much or more for her than for Mugi’s sake. Still, she has to try today, for she, a student of fairy tales, doesn’t think people should settle for replacements.

This week Moca accomplishes something neither Hanabi nor Mugi have been unable to in seven: confront her unrequited love head-on, face the object of that love, and, through a clean-ish rejection, be able to move forward. By doing so, she becomes, by default, the bravest of those three people.

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While Mugi is off on a date with Moca (unbeknownst to her, obv) Hanabi continues her half-cocked mission to seduce Takeya, but soon learns it isn’t so easy to elicit love in someone. All Takeya wants from her is sex right now, Hanabi doesn’t give it to him, so he leaves her to go bang some other chick.

That’s where Takeya is at at this point. It looks pretty hopeless for Hanabi, and I must have mistaken all the confidence she seemed to exude at the end of last week when getting her “project” off the ground.

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Moca, meanwhile, is always on the verge of tears, she’s both so happy about the dream-like date with Mugi, and devastated that the happiness is tempered and sullied by the fact Mugi feels obligated to take his childhood friend on a date.

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Since we’re in Moca’s head most of this week, we learn a lot, like how she’s always loved Mugi, since they were little kids, and how with waterworks, she knew precisely how to get him to do her bidding and acknowledge their special bond.

Mugi and Moca got used to this cycle of behavior for years, and the nature of their past is ultimately what stops things from going too far in the present.

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Moca is cute. She knows she’s cute, and while in Mugi’s bed, she thinks it might be enough to hear it from Mugi to allow her to keep on living (just as his not recoiling when she held his hand did). Mugi curses himself as a pathetic coward who is going straight to hell, because there’s something deep within him that is screaming this is Moca; this is wrong, and things go no further than the removal of clothes.

For too long she was, as she says, a sacred ornament to be admired, and he can’t sully her, even though he tries his darnedest. At the same time, now that things have gotten so real with Mugi, the “dream” of the two living happily ever seems to shatter for Moca. This is the way she and Mugi are; she’s “important” and “special” to him, but that only goes so far. They can’t be a man and a woman.

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Moca really put herself out there, and by the end, there’s a kind of release of pressure. And she also becomes a kind of catalyst, as Mugi’s night with her has the same general effect as Hanabi’s lonely, aimless night, and one fine day on a hill overlooking the town, the two agree that they’ll tell Akane and Onii-san how they truly feel, before the end of Summer vacation.

They are cowards, they admit that. But Moca showed them they don’t have to stay cowards. And if they’re both rejected, Hanabi wonders what will happen next; whether she and Mugi will start to date for real; whether they’ll both be able to say goodbye to their respective loves forever and accept what life has given them…or another path is needed.

Playing the Moca Card this late in the game turned out to be another good move. She’d been the weakest, least developed character in the love polygon to this point, but this week really fleshed her out nicely. More to the point, both by staying on Mugi and keeping him from Hanabi, she inadvertently showed them the only way forward.

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Kuzu no Honkai – 06

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Hanabi is tired of feeling empty, or that she’s being hollowed out. She wonders more what it’s like to play with peoples emotions; whether it feels as good as Akane makes it seem. She wants to claim everyone who likes her for her own – no mean feat, but she feels like she can’t not try.

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Because Akane doesn’t want Ecchan, Hanabi tries to cut her loose as quickly as possible to avoid complications and ruining their friendship. But Hanabi and Ecchan have already slept together, so their relationship is irrevocably changed.

Not only that, Ecchan won’t let go; she’s not simply giving Hanabi leave to use her, she’s insisting. And because of their bond, she knows Hanabi won’t resist. Indeed, Hanabi considers it just punishment for what she did to Ecchan.

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After recovering from a fever (likely brought on in part from the stress of dealing with all this shit) Hanabi goes into town and bumps into Takeya, the guy she and Mugi saw with Akane. As soon as I realized who it was, I knew some trouble was going to ensue. After all, Hanabi is on a mission to beat Akane at her own game.

I’ll allow the coincidence, because it results in some of the best inner monologue by Hanabi yet; a sometimes disturbing, sometimes hilarious play-by-play commentary of her interactions with Takeya. She starts out with Don’t touch me, don’t get near me, then the light bulb goes off.

Before our eyes and ears, she starts to put in play what Ecchan says Hanabi naturally has: a knack for nabbing guys. It rarely occurs to her that she’s an attractive being, since she doesn’t really trust anyone other than Onii-chan, and her own inner voice despises her.

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When she learns he knows he’s one of many and will “never have [Akane]” to himself, his value to her drops considerably, but not completely. Taking something of Akane’s – particularly someone so into her, is one of her goals, so even though she almost caves and sends Takuya away, she manages to salvage the situation.

Takuya is, for the most part, respectful and keeps his ears open to what Hanabi does and does not want, and agrees they’ll take things slow, and not go all the way their first time.

Hanabi’s closing inner remarks regarding their date are suitably devastating in their frankness, and indicate she might just be getting the hang of this: I’ll pretend with you as much as you want. Then you can fall for a fake version of me.

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Another thing Ecchan said to Hanabi is that there’s nothing wrong with having oneself be the only one who knows one’s true self. Akane doesn’t seem to let anyone else know. After that bit of advice, Hanabi considers whether Akane truly is happy, or is lonely and sad as she, just better at hiding it. There are no true answers to be had, as it should be.

As for Ecchan, she acts against Hanabi x Mugi, planting in his head the possibility that Hanabi is still “cheating” on him with another guy. Hanabi never told Mugi who she slept with, and actually is popular with the guys, so Mugi has no problem letting that seed sprout suspicion in his head. Ecchan is still very much gunning for Hanabi.

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Well now, that’s a pretty apt subtitle there! I was beginning to think Kuzu had forgotten about Moca. But then, Kuzu doesn’t do anything by accident. After a slightly jarring introduction in which we kind of had our fill of her, the show wisely kept her away, knowing her extended absence would be noted, and increasing the drama when she suddenly shows up at the end of this episode.

Moca gets to the point, with honesty and forthrightness that seems to tick Mugi off, calling it “unexciting” in his head. Moca probably doesn’t even know who Ecchan is, but inadvertently benefits from the doubt she planted in Mugi’s head, adding water and fertilizer to the sprout by telling him Hanabi doesn’t really want him.

Then fruit is borne: Mugi asks Moca on a date. If Hanabi can have her something on the side, why can’t he?

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The episode closes with Hanabi stringing Takeya along via text (I love her fireworks avatar, as that’s what her name means), continuing to play the field, her bedroom window open to the Summer night, the night before vacation starts.

It’s a long way from being feverish, under the covers, and completely at a loss for what to do or who she is. Hanabi is now on a mission, and her date with Takuya gave her confidence. She just looks more with it, even if she still very little to no idea what she’s doing, but I think that’s part of what she’s learning: you’re only as weak as you look to others.

Like Moca with Mugi or Ecchan with her, she also seems to understand that persistence is necessary to achieve her goal of beating Akane. She can’t stop; if she does, she’s back in bed, back in her head; empty, hollowed out, alone again. She’s only lost if she stops and thinks about where she is or isn’t.

She’s still certainly no match for Akane yet, but good God, imagine if she becomes a match…or even surpasses Miss Minagawa? As Ecchan says (and Mugi agrees), what makes Hanabi great is her “danger.” It should be an interesting Summer.

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