ID: INVADED – 03 – A Gawker Just Enjoys the Scene

I don’t believe we’ve been told who precisly Sakaido killed or how to land him in prison, but regardless of his crime it’s awfully hard not to sympathize with the guy. For one thing, he’s always dreaming of his wife and daughter, the good times always turning to bad before he wakes up. They weren’t just murdered, they also suffered terribly.

The pain and regret of not being there to protect them probably broke a sizable chunk of the Sakaido That Was. His investigative work within the Mizuhanome, psychologically invasive as it is, would seem to be not just a welcome respite, but a necessity for keeping what’s left of him intact and carrying on.

The things he did to end up with such a job are also the reason Matsuoka discourages Hondomachi from considering a similar line of work in no uncertain terms. When visiting her in the hospital. She’s missing frontal lobe matter but is already bouncing off the walls, desperate to get back to work, and romanticizes “The Great Detective” a pilot like Sakaido plays within Id Wells. But Matsuoka warns her: it’s a sacrifice tantamount to suicide.

As I said, one Sakaido went into this line of work, and another came out. Hondomachi doesn’t feel she’s loved or even valued by her family, while Sakaido’s family was murdered. Both detectives seek solace and purpose through work, creating their own value. Hell, Hondomachi could be a mirror to Sakaido’s past, when his work kept him away from the family he loved until one day they were gone.

This week’s Id Well is nothing like the previous two, demonstrating that we’re in for a new trippy psychological ride every week or so. This time he and roughly 70-80 random people standing on a giant turret surrounded by infinite waterfalls on all sides…very Myst Uru. This is the Id Well of “The Pyrotechnician”, who is responsible for very public, very meticulous bombings.

Kaeru is there too, already dead, while the others start falling one-by-one to rounds fired by a sniper hiding in the waterfalls. Like the stylized “Brilliant Detective” role Sakaido plays, Kaeru is a stylized version of his daughter, helping him remember himself, grounding him in whatever crazy dreamworld in which he ends up.

Sakaido is good, but not so good he doesn’t get killed a couple of times, requiring his handlers to quickly extract and re-inject him, resetting the scenario but allowing him to learn from the previous dives. But trial and error is only the start of his investigation. He eventually determines that there is only one sniper, but the turret on which his victims stand is turning, allowing the sniper to make quick successions of kills.

Sakaido eventually successfully hides from the shooter until there is only one man remaining other than himself—and it’s always the same man. He also happens to have a handsome but somehow artificial-looking face, which means the Pyrotechnician altered his face with plastic surgery. That is enough for the cops to track him down and for Mitsuoka to apprehend him.

In what seems like going a bit too far with the ironic punishment, the people Sakaido helps to apprehend end up his prison mates, occupying adjacent cells and enabling them to have a dialogue. The Pyro explains that his acts, which netted photos like the ones he took of people gawking and holding up their phones at the destruction and carnage, “exposed the emptiness of humanity” by showing that neither life or death matter.

Sakaido turns it around on Pyro. Just as he was in the Id Well, and in the bombing four years ago when he was a war photographer, Pyro always desired to be the Last Man Standing. He was the ultimate gawker, producing scenes of hell and watching the masses take it in, knowing humans can’t resist.

Then Sakaido tells Pyro his days are over, and that he’ll never see hell again, except in his memories, always a pale shadow of reality. The Pyro can’t really dispute anything Sakaido is saying, because the guy was in his unconscious, where truths are plain to see.

It’s enough to drive Pyro to suicide in the middle of the night. I’m not sure if Sakaido intended that, but he’s doubtless a man who abhors killers, and was none too happy about Pyro mentioning his daughter. ID:INVADED is proving to be a dense, nervy, and captivating depiction of crime-fighting from within the minds of the criminal.

ID: INVADED – 01/02 (First Impressions) – Some Assembly Required

When we meet the self-described “brilliant detective” Sakaido, he’s literally gone to pieces, as has the entire world around him. He soon calms down from the initial horror of such a status and puts himself back together, save a few gaps in his arm. He learns those are a boon, which allow him to fit the various pieces of his environment back together.

We’re in the same boat as Sakaido: a pile of pieces are spread out before us instead of a “whole” world. But it’s not really a world; it’s the unconscious of a serial killer Sakaido is investigating, and all of his victims (plus one little girl) dwell within that unconscious.

As we pull out to the real world, we see a team cops hard at work on the outside of the “Id Well” created by the Mizuhanome system led by Momoki, while Sakaido works within it. There are clues within the well for those clever enough to see them, and Sakaido is the man for the job. We also learn that only someone who has killed can enter such wells.

Once Sakaido finds enough clues as to the murderer’s whereabouts (literally piecing the world back together), field analysts Matsuoka and Hondomachi (a grizzled veteran and green rookie, respectively) head out to track him down. But their quarry, known as the “Perforator” due to his M.O. of drilling holes in his victims’ heads, uses his latest victim as a decoy to misdirect Matsuoka, then kidnaps Hondomachi.

When the Perforator threatens to drill a hole in her head, a defiant Hondomachi realizes the only way she’ll be located by her colleagues is to drill the hole herself, so she drives her head into the spinning bit, creating an Id Well of her own into which Sakaido is quickly transferred. It’s a reckless risk, to be sure, but it shows us that Hondomachi is willing to take those risks for the sake of Justice.

Unlike the puzzle world of the killer, Hondomachi’s well is a wasteland filled with mammoth drills, one of which kills Sakaido (or rather his avatar within the well) within 69 seconds. But that’s enough for HQ to determine Hondomachi’s whereabouts, and Matsuoka manages to rescue her and arrest the Perferator, who is so impressed by Hondomachi’s initiative he surrenders willingly.

But the Perferator is only a symptom. The disease this weird futuristic police force is pursuing is known as “John Walker”, who resembles the guy on the whisky bottle. His avatar appeared in the Perforator’s Id Well, and is believed to be the one turning people into serial killers.

Sakaido is extracted from the Id Well and escorted back to his spartan prison cell, decorated only by dozens of photos of his wife and daughter Muku—a very effective way to wordlessly humanize him. Every Id Well he’s dove into has featured a murdered girl in Kaeru, who may not look like Muku but still reminds him of her, and why he’s in this strange business in the first place (I’m sure we’ll learn the details of that later).

While there’s a bit of a learning curve with all of the jargon, and there are more than a few similarities to PSYCHO-PASS, the third season of which I didn’t bother with, ID:INVADED nevertheless scratches a future crime unit itch I wasn’t aware of until now.

No Guns Life – 12 – Believing a Man with a Gun for a Head

This episode oddly re-introduces who Inui Juuzou is and what does, as if we hadn’t watched the previous eleven episodes. That’s even stranger considering this case was introduced at the tail end of last week’s offering, even though there wasn’t really any reason to do so other than to pad out that episode. Thankfully, what we get here is a self-contained, efficient and clever little mystery that underscores the dangers not of Extended, but prejudice towards them.

It starts in one direction, with Juuzou being hired by Danny Yoe to protect Rosa McMahon, the daughter of his DoD colleague. Both her parents were recently killed in a car accident. Rosa lost a leg and believes not only that an Extended was responsible for their deaths, but that the Extended reponsible is still haunting her. As such, she is terrified of Juuzou, not even considering him a human.

As it turns out, the creepy Extended “hands” that are floating through the mansion aren’t the enemy—they’re protecting her—but Danny very well could be. Because it’s Juuzou telling her this, Rosa doesn’t believe him until it’s too late and Danny has abducted her. He eventually reveals what he’s after: a mysterious metal locket Rosa’s father gave her.

Rosa is shrewd enough to take Danny’s sidearm, but he gets it back when he swerves the car. All he wanted was the locket, so he prepares to put a bullet in her head (it takes him a long time to load the gun), only one of the “Phantom Hands” arrives in time to take the bullet, saving Rosa.

Meanwhile Mary and Juuzou catch up thanks to a ridiculously overpowered motorcycle that belonged to Rosa’s dad. Juuzou takes Danny down while Mary tends to Rosa, and suddenly Rosa has a lot to reconsider about her feelings towards Extendeds. Mary offers to help her out should she ever need a new leg.

As for the locket, Mary determines it’s a kind of puzzle, that opens when solved. Inside is an antique memory medium that Juuzou makes a big deal about taking as payment for the job, but he really just wanted to get it away from Rosa so Berühren wouldn’t harass her anymore.

All in all this was a fun standalone episode that gave Mary a larger role in the field, introduced Rosa and the weird Hand Extended we see in the OP and ED, and was a cautionary tale about keeping your prejudices in check.

Kabukichou Sherlock – 08 – Adult Swim

Irene doesn’t know the password for the USB drive, so it seems like she and Sherlock will part ways for a time…only for her to end up at Bar Pipecat, ordering the other detectives to do chores and maintenance while Mrs. Hudson is laid up with a bad back (or as she calls it, “that time of the month”). When a new client comes in whose ex is trying to gain custody of their young daughter through blackmail, Irene decides to take the case, picking Watson as her partner.

When the girl’s mother suffers a fainting spell, Sherlock is left to babysit her, and while things start out rough at first (rice bowl with fried egg and a chocolate bar? NO GO) the two come to a sort of truce. Meanwhile Irene proves an astute investigator and gatherer of information, making more progress than all the other detectives and locating the blackmailer ex’s home, at the night swimming pool right next to the district’s famous Elephant.

Turns out the guy is a serial blackmailer, manipulator, and trafficker of underage women—a super bad dude. A woman Irene used to co-star with, who is also being blackmailed, ends up giving Irene the clue she needs to find the safe containing all of the compromising information, including the client’s.

At this point Sherlock joins the investigation (his rakugo is quickly dismissed by Irene as too slow), and the two end up sharing a tanning bed as a hiding spot, only for the blackmailer to be murdered by the actress in a crime of passion. Irene lets her get away, since she’s suffered enough, but when she returns to her hotel room, Irene finds the actress’s ear in a box. Jack the Ripper has apparently made Irene his next target.

TenSura – 13 – A Brand New Beginning

When Souei locates the Chieftain’s daughter in a tough spot and reports to Rimuru, the Slime orders him to help. By the time Rimuru and his forces arrive, Souei has already defeated all of the orcs. After healing the Daughter Rimuru forms an alliance with the Lizardmen on the spot.

Rimuru sends forces to help both her overconfident brother and the father he imprisoned. Meanwhile, a pissed Treyni the Dryad slices Laplace’s arm off with an Aerial Blade in attempt to shoo him and Gelmud out of the forest.

Lord Gabiru, once more egged on by his loyal underlings, puts on a flashy display as he fights an orc general one-on-one—the combat animation and sound effects here are excellent as always and pack a great punch—but he can’t do much actual damage against the great orc, and ends up having to be rescued by none other than Gobta.

Gobta is joined by Ranga, while Benimaru, Shion and Hakurou start obliterating the orc army in large chunks. Benimaru creates massive domes containing a kind of orc-killing dark-elemental magic, Shion’s straight slices with her greatsword cleave both enemy columns and the ground they stand on, and Hakurou’s lightning-quick blade fells scores of orcs before they know what hit them.

Ranga even gets to evolve again, decimating the army with a Death Storm wide-range attack before leveling up to at “Tempest Star Wolf.” It’s basically a rout, as the orcs can’t mount any kind of resistance against the overwhelming force of Kijin and wolf.

Gelmud flees the forest to report matters to the Demon Lord. Rimuru, who only had to observe the battle from the sky this week, dons Shizu’s mask, perhaps preparing to draw from her and Ifrit’s power to defeat the Orc Lord. As with OverLord, sometimes it’s just fun to watch the good guys unleash hell on the bad.

Zombieland Saga – 08 – An Unexpected Father-Daughter Reunion

It’s a Lily episode! By which I mean, it’s a Gou Masao episode, since we learn that’s her birth name. And it’s just as much a Gou Takeo episode, Takeo being Lily’s father. That makes this the first episode of ZLS that is at least partially told from the POV of a person who survived one of the members of Franchouchou.

At first the show plays around with the idea this immense mountain of a man could simply be a creep, but I never bought into that angle. Instead I see his fatherly determination to confirm whether “Number 6” is really his Masao. That enthusiasm earns him a rolling sobat from Saki, protecting her girls. But Lily later reveals to Sakura that the giant was indeed her father.

Lily explains the vast size differential by saying she took after her mother, who died when she was very young. Her father raised her on his own, and when she noticed how much he loved TV, she signed up for auditions, got cast in one thing after another, and never looked back.

However, Masao AKA Lily put so much stock in her tininess and cuteness that the day she found a hair on her leg she refused to go out and perform, and when she found a whisker on her face, she basically died of mental shock.

From Takeo’s POV, he was a bad father, pushing Masao too far. When he saw her smile appear posthumously on TV, he picked up the set and threw it at the wall, and ceased to watch any TV ever again.

Lily and her dad’s next meeting is a lot more cordial as both apologize, but Lily doesn’t betray who she really is, and her dad doesn’t pry, convinced No.6 just looks like his daughter—besides, from where he’s standing, there’s no way she could just come back to life. His daughter is gone; he doesn’t want to cause some girl undue stress or harm just for resembling her.

While Saki is the leader of Franchouchou, she’s always erred on the side of mocking Lily, both for her tiny stature and later for her butch real name and ridiculously vain way of dying. But Sakura has shown she’s much better with Lily, and in Sakura Lily finds the shoulder she needs to cry in after putting on a brave face for her dad.

Sakura and the other girls put their heads together and get clearance from Tatsumi to hold a free public show and invite Lily’s dad, who almost doesn’t attend, but changes his mind at the last second. He’s then treated to a concert in which the other idols provide backup vocals and moves and Lily is in the spotlight.

She sings a song with lyrics that, while perhaps a bit too on-the-nose and even kinda sappy, nevertheless successfully delivers her feelings to her father, even if he still doesn’t realize she’s really his daughter. The next time he’s at work, he doesn’t go out for lunch while his co-workers watch TV, which of course features that chicken commercial in which Lily appears.

Steins;Gate 0 – 06 – New Year, Same Old Problems

“Kana” is definitely Shiina Kagari—even if the Oopa were a copy, there are certain things (the sound of her name, words from her future adoptvie mother) that give her an odd sense of nostalgia. And Suzu would recognize the girl who pulled a gun on her a mile away.

Okabe contacts Kiryuu to tell her Kagari has been found, but to request she continue investigating the group that was after her. After Kiryuu hangs up, we get our first sense that something is going to come to a head this week.

Little did I know when watching her teasing Maho that Judy Reyes of all people could also be involved.

It’s New Years, so the whole gang goes to the shrine, both to pray and give offerings and see Mayushii, Rukako, and Feyris in shrine maiden garb.

Everyone has lots of fun, but Judy shows up with Leskinen to say a quick ‘Hi’, while turning to leave she spots Kagari and gives her one hell of a sidelong glance.

There are more foreboding doings as Tennouji acts particularly shifty and a man in black lurks behind a wall, all while Mayushii & Co. bring the party to the lab and continue enjoying themselves.

Maho is among those having a good time, but gets a sudden video call from Amadeus, and answers the phone without leaving the room. Before long she’s surrounded by everyone curious about who her caller is, and Maho has no choice but to reveal the AI with Kurisu’s memories to them.

She apologizes to Okabe as the others talk with Amakurisu, but Okabe isn’t mad; he knows he has to start thinking of Kurisu, Amadeus, and Kagari as three distinct individual entities. He also needs to keep protecting the world Kurisu sacrificed herself to protect, no matter how much it might hurt or how easy it is to look back.

Unfortunately, Okabe is caught quite off guard when an armed gang once again infiltrates the lab and points their guns at Mayushii, Kagari, and the other guests. Suzuha is also caught off-guard, so it’s not like Okabe was alone in being lulled into a false sense of security. They weren’t direct witnesses to all of the strange things going on on the periphery of this episode like we did, after all.

When Kiryuu’s SERN assault team raided the lab back in the first season’s twelfth episode, it marked the official end of “fun and games.” That moment arrives six episodes earlier in S;G 0, and it also has the burden of trying to top that devastating, show-defining moment. Suffice it to say the ending of this episode wasn’t nearly as shocking, for the simple reason that we’ve seen it before.

History would seem to be repeating itself, and his loved ones apparently aren’t safe even here, in this Kurisu-less World Line. Then again, Mayushii wasn’t shot…yet. Perhaps, like Kagari and Kurisu, events only resemble what happened before, but may in reality be something completely different. But whatever that ends up being, it probably won’t be pleasant.

Steins;Gate 0 – 05 – Time Goes On

Needless to say, the sudden appearance of Moeka Kiryuu puts Okabe on edge, and even if this is not the same world line in which she killed Mayushii, he suspects she’s still a “Rounder”, and cannot fully trust her. Suzu can tell almost immediately that Moeka is someone Okabe knows (or knew), even if he won’t come out and say it. Nevertheless, Okabe assents to Daru’s hiring of Moeka in order to find the lost girl.

Meanwhile, Hiyajou can tell that Okabe hasn’t been answering Amakurisu’s calls, and feels partially responsible for telling him that Kurisu he knows is dead, even if a part of her is jealous that he was so much closer to her. With Leskinen’s unsolicited blessing she strikes out into Akiba to meet with Okabe, but suddenly feels extremely paranoid about being followed.

The camera angles, editing, and music all conspire to make us really feel that paranoia, initially brought on by the sudden appearance of Moeka and only intensified here. By the time Hiyajou is calling Okabe in a near-panic, and he runs out to find her dropped bag, I truly feared for the worst, as he did.

Mercifully (though also a bit disappointingly) the person initiating contact with Hiyajou turns out to be Professor Judy Reyes, a colleague at her university. While communicating in English Okabe fails to correct Reyes’ assertion that he’s Hiyajou’s boyfriend (though the prospect makes Hiyajou blush).

Once they’re alone, Hiyajou brings up Okabe’s lack of responding to Amakurisu. She’s no dummy (obviously), and can tell Kurisu had an incredibly “large presence” in Okabe’s life; far larger than he lets on.

When she reminds him that Amadeus is merely a system, Okabe tells her he simply needs more time. He’s confused, but that’s because he’s not willing to dismiss Amakurisu out of hand, at least not yet (and with no other alternative).

Okabe (and the episode) finally remember the somewhat urgent call Rukako made to him about a guest of his family’s…he comes to the lab with that guest in tow, and Okabe is shocked to find that guest is a dead ringer for Kurisu. However, he later chalks it up as a coincidence (plenty of blue-eyed redheads with bangs out there, after all).

Rukako informs Okabe that the girl has amnesia, and they’ve simply been calling her “Kana” in lieu of her name. She’s hoping Okabe with all his brainy sciency know-how can find a way to help Kana find her real name, where she came from, and how she lost her memory.

While flattered, Okabe is honest about not being an expert in any of that stuff (even if he knows people who are), but Kana’s identity is quite surreptitiously revealed by Mayushii, who recognizes the oopa that is the only possession of Kana’s that might be a clue.

What’s odd is that the oopa is from a very recent movie, but looks like it’s much older than that. Upon the pointing out of that fact, Kana suddenly collapses, just as Suzuha shows up, and instantly recognizes the girl for Kagari, the girl she lost. Well, now she’s found. What’s next; and is it merely a coincidence that she so closely resembles Kurisu?

Steins;Gate 0 – 04 – Another Girl Lost in Time

Okabe experiences a number of strange flashes in various world lines before waking up in bed, only to eventually return to the roof of the lab with Maho. They include running from enemy forces (likely in the bad future) and answering a mysterious phone call. He wonders if he somehow experienced Reading Steiner, and fears for the worst.

Thankfully, both Mayushii and everyone else are fine, so if there was a world line change, it was a subtle one, at least in terms of how it affected his life. Later, Amakurisu suggests Okabe give his mismatched present (a sexy red dress) to Maho, saying she’d likely be “surprisingly happy.”

Okabe doesn’t do that, but both Maho and Leskinen can tell he’s gotten close to Amadeus in not much time at all, feeding Leskinen’s hope that the AI will be able to fall in love, which would obviously be a huge breakthrough.

It seems like fate that they’d find the person who just happened to be in love with the real Kurisu. Maho just wants to know more about the side of her good friend and colleague that she never knew, lamenting that she “knows nothing”, despite the fact she is not Jon Snow.

Meanwhile, as Suzuha tries to get her eventual dad to go on a date with her eventual mother, Daru senses Suzu is hiding something, and isn’t thrown off by Suzu’s weak “it’s nothing.” What Daru learns is that Suzu did not board the Time Machine alone, but took Future Mayushii’s adopted war orphan daughter, Kagari.

In 1998, Suzuha and the 11-year-old Kagari were separated in Akiba, meaning in the present she’s a 22-year-old woman. Suzuha has been busy searching for her, with no success. Daru relays this information to Okabe, along with a request to help with the search.

Okabe quickly agrees, and when Amakurisu gets word of his task, she offers to search the vast networks she has access to in order to assist him. He pockets that offer for now, not wanting himself or Amakurisu to get into any unnecessary trouble (doing what she proposed may not be legal, strictly speaking).

After a flashback to 1998 when Kagari pulled a gun on Suzu in order to stop her from changing the future (the one in which her mother Mayushii lived), we’re back in the present, where Okabe asks Rukako and Feyris (who both grew up in Akiba) to put feelers out about a girl.

Feyris gets back to him about a “ghost with braids” asking people about a lost little girl (obviously Suzuha), but nothing concrete about Kagari. As Okabe is receiving Feyris’ call, he spots Dr. Leskinen turning a corner, but when he follows him he hits a dead end of boxes. Weird.

When Okabe returns to the lab, Daru has called someone he apparently knows who may have information for them. While waiting for this person to arrive, Okabe gets a call from Rukako with an urgent request to come meet him at his house, and no other time will do.

Then there’s a knock on the door, and who should be on the other end but Kiryuu Moeka, the sight of whom triggers all of the awful dealings Okabe had with her in other world lines. Oddly, I knew with some certainty that it would be her, partly because there was just something off about the suddenness of Daru’s connection.

Of course, this may not be a Killer Kiryuu…but from the glimpse of the hair of Rukako’s guest, it’s pretty clear her assistance isn’t needed to find Kagari…Kagari is that guest. All Okabe has to do is go to Rukako’s and he’s found her. The question is, will he be able to?

Inuyashiki – 11 (Fin)

Early in this final episode, I was deathly afraid Hiro would somehow repair himself and pay Ichirou and his family a visit, and there would be no way Ichirou would be able to fight Hiro off and save his family; indeed, they’d likely be part of the ample collateral damage of such a fight.

That fear was only amplified when Ichirou showed his entire family the machinery within him, confessing to them that he might not be their Ichirou, but a fake. When his wife asks him to describe their honeymoon, he recalls every detail with such emotion both she and Mari end up bawling and embracing him…of course he’s their Ichirou. Only his son stays away, still understandably weary of this shocking news.

As for Hiro, his arms aren’t coming back, and he seems to have given up on destroying Japan. He shows up in Andou’s room to read the latest Jump, but Andou can’t allow the charade to go on, and calls Ichirou. Hiro splits before he arrives, and later watches Shion and her grandmother from afar, not daring to get too close lest his awfulness infect them any further. Hiro is also constantly hearing desperate cries for him to just effing die already for all the horrendous shit he’s done. He’s not in a good place.

As for Ichirou, honesty proves to be the best policy, as his family quickly embraces him (I love how his office didn’t even acknowledge him as the healing god on TV). He takes the fam out to eat and they take a riverside stroll afterward, in a wonderful display of family camaraderie.

In an earlier talk with his boy while walking home, Ichirou tells him how death makes life precious, and that now that he’s a machine he realizes he took being human for granted.  Even so, you can’t deny his family is being a lot nicer to him now that he’s a machine, when before, only his dog Hanako seemed to care whether he lived or died.

At the same time, perhaps they weren’t ever as disdainful as the earlier episodes depicted; maybe we were just seeing things from Ichirou’s woe-is-me perspective. It wasn’t as if he was the only member of his family feeling underappreciated or downtrodden.

In any case, that odd ominous sense of finality to the family interactions is explained by President Donald Trump of all people on the TV: Remember that Giant Asteroid? It’s still headed to Earth, where it’s expected to wipe out all life in three days. Trump basically tells the losers of the world to pound sand; he has no regrets about his life.

Such a comforting voice in trying times, is the Trumpster’s. A good chunk of the masses respond by engaging in widespread illegal activity. Something has to be done, and we know who needs to do it.

While I know the asteroid has been mentioned for some time, the shift from the Ichirou-Hiro conflict to Stopping the Asteroidocalypse still feels very sudden, and once this episode ended, I felt a bit like an entire arc had been awkwardly squeezed into one episode.

That being said, the execution, while hasty, still made an impact, what with Mari’s tearful farewell of her father (who promises he’ll be back) and the gorgeous shots of Ichirou floating around space. Unfortunately, even his formidable arsenal is ineffective at altering the asteroid’s course.

Enter Hiro, who followed Ichirou into space, and who believes the course will shift if he self-detonates on the asteroid’s surface. As horrible as he is, Hiro doesn’t want Andou or Shion to die, so like Ichirou, he’ll do all he can to stop that from happening.

When the night sky turns to day for a few minutes, both Andou and Shion seems to sense their friend is gone. For all the hundreds of people he killed in various awful ways (and if looking at things dispassionately), sacrificing himself to save the entire population of earth seems like a sufficient means of redemption.

It’s too bad then, that Hiro alone can’t save earth; he only blew up part of the asteroid; to finish it, Ichirou has to blow himself up as well. While I’m sure he didn’t like breaking his promise to Mari, he’d have liked her being incinerated by a meteor even less.

Also neither Ichirou nor Hiro in their current states were anything that should have been anywhere near humanity; they were simply too powerful, on both the good and bad side of things. They should have died when that alien ship squashed them. Turns out they got some bonus time, but now that time has ended.

The simple, quiet epilogue of Mari learning her manga won the competition in Jump (to Andou’s surprise as well) is the product of Ichirou lovingly supporting his daughter’s creative dreams, and earning back her respect and affection in return. No doubt the next work she publishes will be dedicated to her father’s memory.

Inuyashiki – 10

Turns out the woman, father, and baby we met last week weren’t the ones in the plane that crashed. Hiro has taken control of dozens, many of which find targets on the ground below, but Ichirou is finally able to take action,  commandeering and soft-landing ten planes in the bay – including the one with the woman, father and baby.

But Hiro has already caused much carnage, and hundreds if not thousands of casualties. And perhaps more pressing to Ichirou, Mari calls him to say she’s trapped atop city hall in the observation deck, where there’s a fire raging and where oxygen is running out.

Ichirou could probably save Mari and the others in City Hall in two shakes of a lamb’s tail, but there’s a problem: Hiro has found him. In their first encounter, he bolted as soon as Ichirou got up from Hiro’s bang; here, he wants answers, and isn’t satisfied with the ones he gets.

Hiro is upset that he’s the villain, while the old man is the hero, and so lashes out like a child would, first by grappling with Ichirou, then by bang-bang-banging him mercilessly. Finally, Ichirou counters with a bang of his own, but Hiro is only momentarily stunned.

As previewed in the show’s OP, a no-hold-barred battle between Hiro and Ichirou, nobody wins or loses except the city crumbling around and below them. When they’ve finally beaten and blasted each other unconscious, their “fail-safe”/”autopilot” systems kick in.

It’s here where it’s indicated that for all of the carnage and mayhem Hiro has caused, Ichirou’s system may be the superior of the two, and not necessarily due to any mechanical differences. Rather, because the original human that was copied by the mysterious aliens was older and more experienced.

This enables Autopilot Ichirou to destroy the hapless $100 billion space station in orbit and use the falling debris as cover for a sneak attack. He essentially scalps and literally “dis-arms” Hiro, and both fall back to earth with a crash and a splash.

At this point, I didn’t have very high hopes for Mari’s survival, and indeed she looks to have succumbed to smoke inhalation and asphyxia by the time Ichirou finally arrives. We watch him quickly descend into a new sub-level of despair as Mari’s life flashes before his eyes, but after much perseverance he manages to revive her.

Mari reacts to learning her father came when she needed him most with a big hug and a lot of tears. There’s no time fo Ichirou to explain or try to hide what he is; he must save the rest of the sightseers atop the building, including Nao, and after sending Mari home, he’s all over the city, saving as many as he can as those around him call him “god”.

Meanwhile, Hiro’s in a bad way, but he’s obviously not dead. Two good Samaritans encounter find him in an alley, and when he manages to mutter “water”, they give him some juice from the nearby vending machine, unwittingly helping a potential country-destroyer get back in the game.

I hope Ichirou realizes it isn’t ovr between him and Hiro, and that he isn’t so caught up in helping strangers that he neglects his family’s safety.

Inuyashiki – 09

The day after he kills an entire gaggle of press and an entire station full of police, Shishigami Hiro is all everyone is talking about. Due to his attractiveness, a number of fan clubs crop up, and many girls aren’t ashamed to voice their admiration for him. It’s a chilling reminder that this kind of “villain worship” happens in real life all the time.

Meanwhile, Hiro hacks all screens in Japan and makes an announcement: because Japan will never stop hunting him, he has declared the entire country of 120-odd million his enemy, and intends to kill every last one of them. He starts picking off targets from his rooftop vantage point, but also uses the screens of televisions and smartphones to execute people.

Andou gets Ichirou to send a hack of his own warning people to put away their smartphones, but it’s too late. In a half an hour, 100 have been murdered. He intends to kill 1,000 tomorrow and cheerfully asks the people to “look forward to it” before signing off.

Needless to say, it was hard to watch Hiro “gun” down throngs of people down in one of the busiest business districts in the world, and a place I spent a lot of time walking around. That sinking feeling is made worst by the fact he knows Chakko betrayed him (but wrongly believes he’s working with the police).

Hiro has also completely lost whatever goodwill he had with Shion. When he contacts her she begs him to stop the killing, but he responds as a machine would: there’s a problem, and they can’t live together in peace until he’s fixed it. He talks of eliminating Japan with the detached urgency one speaks of tying one’s unlaced shoe.

I doubt it will be long before even Andou and Shion enter Hiro’s crosshairs. The next day, as anticipation mounts as to whether, when, and how he’ll kill 1,000, we watch a pretty young woman board a plane, and once in the air, pacify a baby with a YouTube video.

Meanwhile, Mari is playing hooky with her friends in Shinjuku, but wants to keep the promise to come home with a treat for her dad’s dog. With Andou using Ichirou’s last name so often during their phone convos, it’s only a matter of time before Ichirou’s family is at risk too.

All the while, Mari seems to suspect/realize her father is the hero trying to stop Hiro, but is so unused to communicating with him she can’t seem to bring it up to him, or even thank him for going to bat for her over her future.

But that’s assuming she, and the rest of Japan, have a future. That plane with the woman and the baby? Hiro pulls it down in the middle of Shinjuku, in a sickening echo of 9/11. As his destructive capabilities increase, 10,000 dead tomorrow isn’t outside the realm of possibility.

Ichirou HAS to find him and stop him. But right now, he seems over-matched and overwhelmed, and it’s hard to blame him. If there’s a mark against this episode, it’s how ineffectual and unprepared Ichirou was against Hiro’s slaughter. He sent Andou’s warning to phones, but that just wasn’t enough.

Inuyashiki – 08

Hiro never bothered to cover his tracks that well, and so it was only a matter of time before a SWAT team showed up. In their attempt to capture him, Shion and her grandmother are killed, and the ostensible sociopath, who has chosen them as tethers to his humanity, is clearly very upset and guilty about that.

The police empty clip after clip into him but of course cannot penetrate Hiro’s skin, and he’s able to escape with Shion and her grandma and, I assume, heal them. Still, he leaves them behind, with words of apology, and will likely never let them get in harm’s way again—which means never coming near them again.

It’s a busy episode of Inuyashiki that checks in on just about everyone, even a random cop duo who hope to catch Hiro soon. But its focus is on Ichirou’s daughter Mari, who gets some welcome development beyond the thin outline we’d gleaned thus far of a girl ashamed to have such a poor, pathetic old-looking man for a father.

Turns out that was not nearly the whole picture. Mari’s grades aren’t great, and isn’t that interested in going to college. Instead, she wants to strike out as a mangaka, utilizing a craft she’s honed in secret since elementary school. She’s motivated by her neighbor and classmate, the rich and entitled son of the famous mangaka Oda, and she resents that he’s trying to follow in his footsteps simply because it seems like the natural thing to do.

Meanwhile, Ichirou continues to explore and refine his abilities with the help of Andou, another classmate of Mari’s, and it isn’t long before she spots the two walking and talking together. She stalks them, and dismisses the wild (and hilarious) theories that initially enter her mind (Andou is asking for permission to pursue Andou; her dad is into younger boys; Andou is his bastard son).

She keeps following them, watches them go into hospital rooms, then Googles the “miracle worker” who has saved over 120 lives. Then she sees her father launch himself into the sky like a rocket, and nothing will ever be the same.

By that, I mean Mari immediately starts to think of her father in a different way. Not much time is spent on her processing what she’s seen—it would understandably take some time—but when her mother confronts her on her low grades and insist she abandon the manga hobby and go to college, expense be damned—Ichirou walks in and immediately takes her side. 

Granted, Ichirou probably has no idea Mari knows anything about his abilities, so there’s no leverage at play here. Indeed, a pre-transformation Ichirou may have taken his wife’s side instead, because he struck me as a bit of a pushover. But not now. Now he’s willing to let his daughter embrace her dream, because he wants her to be happy.

As for Shion and her Grandma? They’re alive and well, in a new apartment, receiving payments from “him.” He healed them, but apparently could not wipe their memories. My money is on Shion trying to reach out to Hiro again, perhaps to her peril…again.

But being apart from Shion, her grandmother, and their quiet, simple life, not to mention the reason he had to leave it, has an immediate and strong negative impact on Hiro, who slips back into his old homicidal ways. The ones he cares about may still be alive, but it doesn’t change the fact that the police killed them, obviously lacking the knowledge he could repair them.

Had the police left him alone (whether that was the right thing to do or not), he may have continued on his peaceful course. But now he wants revenge, and to lash out at those who dared hurt Shion and her grandma. So he heads to the station and starts systematically slaughtering every policeman he sees—including the two cops we saw earlier.

When he’s done inside the headquarters, he goes outside to find a huge force waiting for him. A sniper knocks him down, and SWAT teams riddle him with bullets anew, but they can only slow him down; they can’t stop him, or really even hurt him. Even when “unconscious”, his defensive systems deploy and eliminate all threats with grim efficiency.

All of this unfolds before the video cameras of the media, which it seems Hiro doesn’t kill. Indeed, he leaves one defiant policeman alive so he can witness him killing all the other police around him, to prove to him he will always win in the end.

But because those cameras are capturing him, Ichirou and Mari are watching on the news, and Ichirou doesn’t see the boy who fought to protect Shion and her grandmother, or saved as many lives as he killed (though he’s now clearly “in the red” again). Ichirou just sees a butcher only he can stop.