3-gatsu no Lion – 17

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Note: I have taken over reviews of 3-gatsu no Lion from Zane in exchange for ceding Little Witch Academia to Franklin. Call it a three-way trade. What does Zane get? RESPECT.

This was the first 3G of the show’s second half that never really felt like it was dragging. Even in its “weakest” first section, there’s still the formal exchange between Rei and his father, as well as the sun shower and encounter with the ethereal Touji Souda, who could either be a god or a devil.

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Because his dad can tell by reading his face, Rei lets slip that Kyouko isn’t really staying over at his place all the time, and she derides Rei as a snitch under the bridge.

In a 3G first, the Kawamoto sisters finally see Rei with Kyouko, and their reactions are both priceless and true-to-character: Kyouko assumes Rei has found another home to ruin, Akari is polite and stays out of Rei’s business, and Momo is petrified of the Rei-bullying “witch.”

Hina is, well, pissed. So pissed, in fact, that she runs back to Rei and gives him a towering box of food to cheer him up—and all indications are she succeeds in the moment. She also makes sure to give Kyouko a withering middle-schooler stare before steaming off. Akari agrees “just a little bit” with her younger sister that it’s not fair that Rei should just take the “strong-willed woman’s” abuse.

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Kyouko is certainly cast as the Wolf to Red Riding Rei, but in the next segment, 3G turns that on its head, showing the far less outwardly confident and strong Kyouko. She basically stress-eats all of the food meant for Rei. She calls home to tell their dad where she is, but has to give the phone to Rei, because their dad doesn’t trust her.

Curling into (Rei’s) bed (again), Kyouko doesn’t know what to do with herself. She also doesn’t know why she chose Gotou, a man she can’t possibly bring home for Dad to see. In the night, Rei notices her checking her phone over and over, and the blue LCD light it creates, giving the impression the two of them are sinking into the bottom of the sea.

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Kyouko has crossed adulthood, but seems threatened by the only slightly-older Akari has achieved (in the brief, limited moment they crossed paths, that is). Rei is nearing adulthood, and at 18 will still be a second-year at school. Nikaidou has reached his rank, catching up to him, and is looking forward to proving his worthiness as a rival in an official match soon.

Rei puts it perfectly when he says he and Kyouko don’t know how to be proper siblings, nor can they be strangers, so they’re caught in between. Perhaps as they grow older and more mature they can learn and change. For now, Rei awaits the arrival of Spring, the first month of which I hear…comes in like a lion.

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3-gatsu no Lion – 16

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While it could be argued Hayashida-sensei got Rei in this hole by miscounting his absences, he gets resourceful in a bid to dig him out of it, including introducing Rei to the After School (Bunsen) Burners Club, a group of passionate nerds happy to help Rei out with science-y stuff. This was a lot of fun and engendered the most laughs; the mustachioed guy in particular was hilarious, somewhat Excalibur-like.

It’s a relief to the teacher to see Rei interacting and laughing with fellow students. The lesson he imparts upon Rei is that when he cannot overcome something alone, seek out someone to help; otherwise no one will ever seek him out.

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After a brief fake-out with a too-confident looking Gotou, we learn that Shimada was the victor in the third and final match, making him the challenger against the ethereal reigning champion Touji Souya. Gotou was prepared to give remarks on his loss, while Shimada is so spent from the exertion he can barely stand or talk. His spirits are buoyed when Rin asks if he can join his shogi workshop.

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Back at the Kawamoto’s, the girls and gramps are making special boxes for the girls festival and planning what kind of meal to prepare for the special occasion. Hina is frustrated that Rei hasn’t been by, and doesn’t understand why he’d deprive himself of food (and their company) for so long. Gramps understands, though; it’s a matter of pride. He’ll come back when he’s ready.

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The workshop is at Shimada’s house, a modest but gorgeous little home dramatically perched atop a hill in the oldest part of town. There’s a sense Rei has climbed a mountain to reach some kind of temple in order to aid him on his quest to enlightenment. In reality, he doesn’t spend enough time playing in non-competitive matches with peers, which is why Shimada was able to run roughshod over him.

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Shimada is glad to host three gung-ho shogi players in his home for the workshop, but once the three start getting defensive, digging in their heels and barking like petty feudal lords, the toll Shimada’s matches exacted upon his body are amplified, and he cuts the ‘shop short, blaming a stomachache.

Nevertheless, Rei is being exposed to different forms of play, with nothing on the line except his still-narrow personal view of shogi play. Nikaidou even follows him home, as their argument over use of certain pieces at a certain time inspires him to want to demonstrate to Rei what he’s on about on a shogi board.

Overall, this was a pleasant (if a bit thin-feeling) episode that shows some of the incremental steps Rei is taking towards…well, growing up, becoming both a better shogi player and a better man. Notably, there were no scary flashbacks (or scary Kyouko) to be had, but like Hina I too hope he’ll end his self-imposed exile from the Kawamotos soon.

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3-gatsu no Lion – 15

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Rei gets back to analyzing Kyouko, likening her to a glass with cracks that can never be fully filled. Rei blames himself and Kyouko’s and his dad for creating those cracks. Dad might’ve been the instigator, but Rei puts just as much weight in his role as object of favoritism, whether it was justified or not.

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The new wrinkle here is that Kyouko didn’t want Rei to go away, leaving her even more lonely. But he did. He felt he had to. Considering what Kyouko and her brother had to pay for Rei to be in the position he’s in, he felt it necessary to become an adult as soon as possible so he could “protect them”.

But leaving didn’t end Kyouko’s suffering, it only created a new void in her heart; a new crack. We also learn she first connected with Gotou because his wife is in the hospital, and the loneliness she perceives in him mirrors her own. I wonder if Kyouko ever expected Rei would up and leave the way he did – that he would challenge the status quo so forcefully, at such a young age.

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But leave and challenge it he did…and he failed, and got humiliated, and had his whole world turned upside down. And you know what? Even Grandpa Kawamoto knows (from experience) that failure is good; failure is necessary. No one ever knows that when it’s happening, because it feels terrible, as losing to Gotou in the first of three final matches feels to Shimada.

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Rei already shows some growth by ceasing his skulking and going back to the shogi hall to watch Shimada and Gotou in action with his colleagues. Unfortunately, due to a clerical error by Hayashida-sensei, Rei finds himself two attendance days in the red and heaps of schoolwork to do in order to prevent repeating the grade. Again, he faces potential humiliation and failure, but it will ultimately make him a better person.

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Shimada regathers himself and expends a great deal of his charisma in the second match, in which he manages to defeat Gotou and bring the series even. Afterwards Shimada walks with Nikaidou, who tells him why he wanted him to kick Rei’s ass so soundly.

Nikaidou’s many victories against uninspiring opponents who clearly didn’t work as hard as he did left him “reduced to a lump of ego”, with a head to match. That big head was split in two when he faced off against Rei, but Rei also pulled him out of the dirt and offered him water in the searing heat. Rei saved him, and he repaid the favor with Shimada’s help.

In an interesting merging of the two plot lines, Shimada spots Kyouko yelling over being rejected once more by Gotou on his way home. Seing the young, beautiful woman so strongly affected by the far older Gotou serves as another means of indirect psychological warfare (to go along with Gotou’s impressive arsenal of the direct kind).

But Shimada quickly snaps out of it: it’s just another momentary humiliation; another fleeting failure; either of which will only serve to make him stronger. So too will Rei grow stronger from such things. Now, Shimada, for the love of God: beat that pompous gangster!

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Re:Zero kara Hajimeru Isekai Seikatsu – 25 (Fin)

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This was an episode full of tying up loose ends, the most important of which being Subaru presenting himself before Emilia a better and more useful man than the last time he saw her. He even gets to be a badass action hero! But as a loose-ends episode, it works very nicely, even if it’s not perfect, and leaves a lot hanging in the air (likely for another season, but not anytime soon).

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The first loose end is Betelgeuse, who very annoyingly won’t go down much of the first act. I was pleased Subaru used the Witche’s curse to expel Betelgeuse from his head so Julius could finish him, especially since we got a good look at the Satella herself. She does look a lot like Emilia…if Emilia were all black with a purple outline and glowing eyes!

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I rolled my eyes a little when moments after defeating Betelgeuse, Juli and Subie get a call from Felis another problem fresh out of the blue: an unaccounted-for sack full of fire stones.

There wasn’t any doubt that sack would be stashed in the wagon Emilia and the village children just happen to be riding in, nor was there the slightest chance, even in an often sadistic show like this, that this latest particular bomb would go off.

When Subie and Otto are acting like a comedy duo in a wagon Otto has nitrous’d with his magic in the last episode, it’s reasonable to assume things will work out.

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The whole rescue attempt felt like an excuse for Subaru to confront Emilia as the one who led the army, something she only just learned about from some snot-nosed kids who don’t know how to keep their damn mouths shut. Betelgeuse’s extended demise further delayed the inevitable reunion, and by the time Betel had become a Ghibli Goop Monster with his head on fire, I had long since had my fill of the manic bastard.

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But the how of how Subaru came to triumphantly reunite with Emilia didn’t mar the fact that this episode took great strides to repair what had been an estranged relationship not just between these two, but between myself, representing the non-manga-reading audience, and Emilia. Takahashi Rie does a great job reintroducing Emilia-tan to us, as she gets to express a good number of powerful emotions during the final ordeal.

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Subaru basically gets to make the perfect series of gestures to reunite with Emilia, swooping in, grabbing the bomb, and running off to get it away, but not before telling Emilia he loves her. After smashing the whales, the giant fallen tree is the gift that keeps giving, as its trunk largely shields Subaru from the blast he’s still pretty close to when the stones detonate.

It is here when Emilia, still processing everything Subaru has done for her these last few days/weeks, completely unbidden, springs into action, rushing into the danger, desperate to find Subaru alive and alright. And perhaps because the show is finally done torturing us, he is!

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From there, there’s no long, sprawling epilogue, showing what becomes of who. Just a simple scene of Subaru lying on Emilia’s lap, the two of them overjoyed to be together again.

The way Subaru describes it, Emilia is made happy for the first time by the prospect of “special treatment.” This can’t quite match the Rem Confession episode in emotional power, but it comes darned close with much less time to work with.

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I also appreciated that Emilia doesn’t have an instant reply to Subaru’s confession. It’s all well and good to say “I love you too”, but loving and being loved are so new to her it’s going to take time. Time Subaru assures her she has.

Subaru doesn’t wake up back in front of that convenience store, but merely admires Emilia’s tearful, radiant smile, as the episode fades to white and we’re treated to an extended mix of the original ED.

All in all, an imperfect but still solid and satisfying, and entertaining finale. If a second season comes along one day, I’ll surely be tuning in. If not, it was a fun ride. Often stressful, enraging, and heartbreaking…but also fun.

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Re:Zero kara Hajimeru Isekai Seikatsu – 24

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So, the first attempt to save the village and take out the Witch’s Cult was met by some mishaps, such as the time-consuming misunderstanding that led to a confrontation with Ram, the killing of villagers before evacuation was complete, Emilia taking the field of battle, putting herself at risk, and oh yeah, Subie getting possessed by Betelgeuse.

But when Julius and Felis killed him, he died and came back just like he always did, without any twists due to his possession. And fortune not only smiles, but beams on him, as he wakes up right in the middle of the planning phase, allowing him to casually introduce the new information he gleaned about body-snatching, the traitor in their midst, and Ram.

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His new plan revolves around convincing Emilia to go along with “Crusch’s plan” to evacuate the mansion and village, including Emi-tan herself. She agrees, because she believes the plan put before her, while not entirely or even partially of her own making, is the best plan as far as she can tell.

So she’s put on a wagon with some enthusiastic village kids, and sent off to safety, while Subie and the knights capture the traitor and take the metia he was using to pass information to the cult. It’s important to note Subaru himself wore the recognition-blocking robe Emilia threw at him, so she had no idea he planned all this.

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Suffice it to say, thanks to learning the lessons of last week’s ‘dry run’, everything goes off without a hitch, as Subaru once again confronts a Betelgeuse now weakened by a lack of fingers nearby. Subie also allows Juli to uses a spell, Nect, that lets him see with his eyes, alowing him to see the unseen hands and cut through them.

This achieved one of Subie’s secondary objectives: to properly make up with Julius. He is, after all, a crucial part of the plan and why, when the episode ends, it looks like the end is near for the Sin Archbishop, and very good for Subaru, who has once more learned from his past mistakes, put pride aside, planned carefully, and relied on and trusted in others.

This is how he has truly become Emilia’s knight.

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Re:Zero kara Hajimeru Isekai Seikatsu – 23

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False Alarm: No Fresh Hell, just not completely dealt-with Old Hell on this week’s menu. Hell leftovers, if you will. Ram puts the convoy under an illusion spell because she fears Subaru switched sides and the convoy is his invading force. This is due to a misunderstanding: the letter sent to the mansion was blank, usually a declaration of war.

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No harm, no foul, then, right? Ram accepts Subaru’s explanations, and while she’s not in love with him like her sister, he and she still have quite a bit of history which lets her withdraw her aggressive stance with confidence.

It’s also confidence Subaru needs in order to tell the people of the village they need to evacuate. At first a couple of malcontents curst the “half-elf” who brought this upon them, but with Ram’s help, Subie successfully persuades the villagers, even the racists, to cooperate.

Just when Subie is about to head for the mansion with Juli and Felis, the latter discovers one of the merchants has been possessed by a member of the witch’s cult. The man self-destructs, nearly killing Felis and Subie, and the remnants of Betelgueses fingers attack the village.

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Smoke (and Unseen Hands) fills the sky, blood stains the ground, adn the scene starts to resemble one of Subie’s past nightmare scenarios. But this time, he isn’t singularly responsible for failing to detect the cult’s, inside men; he’s just one part of an alliance made up of far more capable people than he who also missed this one.

That being said, and in spite of her earlier warnings to the villagers falling on deaf, non-pointed ears, Emilia arrives to help deal with the threat and protect the villagers who still live.

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She and Pick manage to take out all of the fingers…that they know of, all of whom talk and move and act like Betelguese. But even Emi’s last defeated opponent isn’t the end. When one of Juli’s lesser spirits, deployed to protect Subie, leaves Subie’s body, Betelgeuse possesses him.

Since we’ve never seen Betelgeuse leave a body that went on to survive, it sadly looks like the end for this version of Subaru, as he compels a reluctant, emotional Felis and Juli to kill him before Betelgeuse completes his hold. When the curtain falls on the episode, it would seem they obeyed him.

Will we shift to the focus of everyone but Subaru now that he’s left this world, or will we continue to following him as he respawns…wherever it is he respawns? Whatever the case, I doubt this turn of events will be resolved as quickly as Ram’s misunderstanding…

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Re:Zero kara Hajimeru Isekai Seikatsu – 22

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With the White Whale(s) defeated, Subaru redirects his allied force towards the Witch’s Cult, which no one will be taking lightly despite the huge advantage they seem to have. This requires Subie more-or-less make up with Julius, who has arrived to help.

Subie still maintains he hates “Juli’s” guts, but the two still exchange apologies and words of gratitude. While Puck assures an exhausted Lia that she and the manor will be safe, Subie uses his stench to lure the cult members, who appear right on cue.

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It’s the return of Smug Subie, as he’s holding all the right cards this time, and it’s the cult and Betelgeuse who don’t have a clue what’s coming. Mimi and Hetaro swoop in and demolish Betel’s base with their shouts, then Old Man Wil bisects Betelguese from behind.

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It’s almost too easy, leading me to wonder when the other shoe will drop. Sure enough, in the midst of celebration and preparation to go after the ex-sin archbishop’s “Fingers”, Unseen Hands quite suddenly appear out of the woods and quickly kill five anonymous members of Subie’s allied force, then an arm drags Subie into the trees.

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There, he meets someone of indeterminate gender but the same exact manic way of speaking and biting their nails raw as Betelgeuse. Their only problem is they dawdle far too long before killing Subie, and Mimi, Hetaro, and Wil are able to arrive in time to kill them and save Subie.

Now that they know the remaining 99 or so cult members could all be Sin Archbishops, Subie laments putting everyone in such grave danger. Wilheim won’t hear of it: he asks Subie to keep fighting as long as he’s still standing. Not to become stronger, but simply to be strong. This guy speaks from experience, so Subie takes the simple but powerful words to heart.

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With that, the hunt for the remaining fingers, and the evacuation of the village and manor in Margrave Mathers’ lands continues. Just as Subie is heeding Felix’s suggestion that he should finish making up with Julis, he sees a blue petal float past his eye, and everything freezes.

He and his ground dragon are left alone in the blue, icy stillness, with a blue flower-clutching Ram before him. What fresh hell is this?

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Re:Zero kara Hajimeru Isekai Seikatsu – 21

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Even getting as far as Subaru did in forming an alliance to fight the White Whale felt like a victory to me, but the fact remained, the actual battle was far from over after some hard fighting last week. Subaru hadn’t gotten an arc victory since saving Rem eons ago. The victory we got this week was a little safe, but it was what I wanted, when I wanted it, so it’s all good.

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I enjoyed Krusch going all in on another Subaru Crazy Plan, then using him, the “weakest among them”, to rally her depleted troops. Subie’s plan is indeed quite crazy, as it involves Rem firing him up to the “lead” whale that’s controlling the other two, and using the Witch’s curse to lure it where he wanted it – underneath the colossal tree Krusch agrees to fell.

The timing worked out extraordinarily, almost lazily well, and it seems like an unspeakable crime to bring down a tree that must be millenia old, but their options were limited.

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From there, Wilhelm, who is not dead and escapes from the whale that swallowed him, delivers the coups-de-grace to the whale. In the process, we see that Wil challenged Theresia to a duel shortly after she was named Master, and he won the duel, making him demonstrably the better sword.

I still maintain that Theresia would have prefered the man she love live a long life not dedicated to facing and fighting the whale that killed her (and very likely getting himself killed in the process). But Wil needed this for closure, and to make up for failing to protect her.

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Both Wil and Krusch express their deep gratitude and desire to continue working together. Subie even half-jokingly suggests Krusch as his #3 Girl, though Krusch only admits to the occasional tug of the heartstrings. She also vows to always be friendly and show favor to him, no matter what happens in the selection fight to come. Krusch is great.

Speaking of great, Rem is too injured to move and immediately join Subie on his next mission to destroy the cult, but he reiterates all the ways she’s already saved him, and how she can let herself rely on him now and again. He also promises she can remain by his side when they return to one another, and share a farewell Eskimo kiss.

I like how this episode contained the climax and end of the battle as well as all the celebration and rest needed. Next week, one of only four episodes left (that I know of) will thus be able to focus on Subie’s goal to eliminate the cult and its threat to Emilia…who I also hope we’ll see at some point.

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Re:Zero kara Hajimeru Isekai Seikatsu – 20

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In an initially cryptic prologue, a young man who looks like a more well put-together Subaru approaches a fair lass who looks like a redheaded Emilia. It’s actually a very young Wilheim van Astrea meeting his future love, Theresia, but I’m sure the resemblances aren’t an accident.

Theresia may be gone and isn’t coming back, but this entire grand battle is Subaru’s attempt to protect Emilia from a demise (and, in turn, himself from Puck’s primal wrath). He couldn’t do it alone, so he called upon those with common purpose, and the result unfolds this week.

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Watching him dust himself off and craft the plan and set up the pieces made for a World Heritage List-worthy outing; and while it wasn’t really in doubt that the payoff would, er, pay off, there was also a lingering feeling that Subaru was due for another setback. This is Re:Zero, after all. Not victory comes easily, nor on the first try.

That being said, the joint Karsten/Hoshin army packs a whollop, unleashing all their best attacks and dealing seroius damage to the whale, who is none to happy that the ambush tables were turned. One weapon even turns night into day, which makes the battle a lot easier to see. This isn’t ufotable-level combat, mind you, but it doesn’t need to be, and gets the job done.

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After Wilhem cuts out one of the whale’s eyes (GROSS!), it unleashes a cloud of fog, and its counterattack begins. We see concern in Crusch’s expression as the sky dims, and Wil remembers telling the lovely redhead in the ruins how his sword is the only way to protect someone as a knight.

He failed in that task, but not for want of trying, and is resolute in his desire to make up for the failure by vanquishing the whale once and for all.

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But the whale has more tricks up its sleeve: its fog cleaves the earth and utterly destroys a good chunk of the force. Many of the survivors succomb to the whale’s devastating, mind-piercing song, which makes them hurt themselves. Fortunately Felis is there to neutralize the effects with his healing magic.

Subaru sees that someone needs to step up and change the tune of this battle, and decides it should be him. He openly mentions Return by Death, which has the desired effect of infusing him with a fresh batch of the Witch’s stench, drawing the whale to him like a fish to a lure.

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This gives Wil a fresh chance to do more damage to the whale, but he ends up in the wrong position at the wrong time: right in front of the whale’s mouth as it scoops the earth around him up like a cloud of shrimp.

Wil stops and recalls one last time, the night he was saved by the Master Swordsman, who turned out to be Theresia. The fact is, he was never strong enough to protect her; instead, the reverse was the case. Even when he lashed out in frustration, Theresia proved she was the better swordsman, even if she didn’t understand why.

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But Wil never got over the face he could not protect the woman he loved, nor stop her from protecting him. He saw himself as the expendable one, and would have died happily if it meant she could live on, or even better, especially if she could then step down as Master Swordsman.

But that’s not exactly fair to Theresia, and I’m glad the show brings up the fact Wilheim’s desire for revenge, and putting himself in the literal jaws of the whale, may not have been the right thing to do, or indeed what Theresia wanted. She died to save him so he could live on. But he spent the last fourteen years living only for this day.

Whether he survived this battle or died fighting, he was going to end things. And I’m not sure Theresia would approve. Especially since we learn there isn’t just one white whale, but several. Talk about a Re:Zero knife twist!

What if now, Subaru has to die, plan all this out again, and the next time, include Priscilla and possibly others? I’m also weary that the Witch’s Cult will take advantage of the Karsten’s scattered, weakened army to launch their own strike.

The plan was sound, it just wasn’t quite enough to end things. Will Subie be able to accomplish what Wilheim couldn’t—save the one he loves—without sacrificing himself?

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Re:Zero kara Hajimeru Isekai Seikatsu – 19

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MAN, I LOVE IT WHEN A PLAN COMES TOGETHER.

It’s a tired phrase, but I can’t think of a more apt use for it than the latest Re:Zero, where Subaru gets to start over from Zero and doesn’t squander the chance. Rather than begging like a babbling loon for an obscure, partially-formed goal, he comes to Crusch Karsten—and Anastasia Hoshin, and the Merchant’s Guild—with a sensible, viable arrangement, with the White Whale at the core.

In this manner, Subaru unwittingly becomes the catalyst for a grand battle that was in the making long before he arrived in this world. EVERYONE detests the White Whale. Thanks to his past lives, he not only knows how to properly approach and negotiate with these people—from a position of strength and common cause, and pride—he knows where the White Whale will show up next, and most importantly, when, thanks to his “metia.”

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When Subaru is speaking to Crusch, and Felis, and Wilheim in a manner that makes them receptive, he seems to find the unlikely hero within himself, a hero who has united groups with various opposing interests in less important areas but a shared loathing of the White Whale.

And because of the way he composes himself and presents his plan, everyone is not only willing, but eager to hear him out. Crusch is suspicious at first, but she can see the wind of dishonesty when someone lies, and Subaru, though clearly still intimidated, is making an honest, courageous effort that she doesn’t overlook.

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Part of me hated Crusch for so cruelly refusing Subie’s assistance the first time around, but I couldn’t blame her, as he was giving her no reason to help or believe him. Here he did his homework, recalling all the various goings-on in his past lives (combined with Hoshin’s major burn) to uncover the battle Crusch was preparing for anyway, and offer something that could give them all a decisive advantage over their foe.

Everyone works through the night to get ready, and Subie meets Hoshin’s mercenary captain Ricardo, numerous veterans who came out of retirement to, like Wilheim, avenge their lost loved ones upon the Whale. Subaru sees this is bigger than him, but none of this would be possible without him. He’s making it, damnit…he’s making it!

And God, it’s so good just to see everyone smiling and laughing again, even if it is, in part, to hide how goshdarn scared they all are of the task before them.

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This week, Subaru succeeded in all the ways he failed in previous attempts to save Emilia all by himself, or with last-minute help from others. Even though Priscilla isn’t a part of the alliance (and is totally absent this week), her reaction to Subie trying to kiss her feet was a powerful lesson Subie keeps with him, and is brought up again when he chooses his ground dragon, a breed known for its intense pride. He can’t accomplish anything alone, and he can’t inspire or convince others without that pride.

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Last week was ALL Rem and Subie, elevating Rem to “best girl of the year” status for many. I don’t have many strong arguments against that, so I’ll let it stand, especially when she doubles down this week on her absolute faith in Subaru, keeping his spirits up even when he starts to doubt if his cell phone will actually help them (considering how cruel this show can be, I too was worried this to all be for nothing).

But now Rem isn’t the only one trusting of or grateful to Subaru. He’s convinced two candidates battling for the throne to join forces, for crying out loud. And the merchants! As for stern-faced Wilheim, he gets a lot more fine strokes this week as one of those older men in this world who lost something to the WW, and is grateful for the opportunity to avenge his wife (who was once Master Swordsman, underscoring how dangerous the WW is).

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Perhaps one of the best moments of a highly satisfying and morale-boosting episode, another gem in a show full of them, is the moments of silence as the hour of the Whale’s arrival approaches. There’s so much built-up tension, combined with the possibility that it might not show up, or that the Witch Cultists would ambush the army.

Then the silence is broken by a strange electronic musical noise that took be totally off-guard (even though he said he’d set it earlier): Subaru’s cell phone alarm.

The cheerful chime feels like a terribly foreboding harbinger to some foul occurrence, but then the whale makes its appearance, and Subaru charges in first with Rem loosing her magic with prejudice. That changes Crusch’s face from terror and worry to a defiant smirk, and the battle begins.

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Boku dake ga Inai Machi – 07

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As expected, shortly after Satoru is arrested he’s able to activate another revival (there wasn’t much he could have done in a jail cell), but despite knowing it was going to happen an infectious wave of relief still washed over me, just as it washed over Satoru upon realizing he was back in the museum with a very alive Kayo. This time he thinks out loud and means it, and starts responding to Kayo’s “Are you stupids” with “Yeah!”

This time Satoru is doing away with all pretense and restraint. If he’s suddenly acting strangely for a kid of his age to people around him, so be it. No matter what the consequences are for him, he won’t let Kayo die again…and he’s operating under the assumption this is his last revival, having already been given an unheard-of third chance.

As such, the relief soon washes away, replaced with the weight and suspense of everything he must accomplish in the next couple of days; a weight that never lets up.

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For a moment at school, I thought he was in trouble again, because I still can’t bring myself to fully trust Kenya, but again I was all but proven wrong for suspecting him of anything but the noblest of intentions. He’s simply a good enough friend to know when Satoru has completely changed.

When he asks Satoru “Who are you?”, Satoru gets to think out loud on purpose again: “A superhero.” He hopes to become one, anyway, but as far as Kenya’s concerned, he already is one, even if he doesn’t have the results yet.

I loved how Satoru’s plight is filtered through the prism of two kids talking about friends and heroes. It doesn’t feel like material that should be over the kids’ heads because we know Kenya isn’t your typical 10/11-year old, and Satoru is an adult.

Another tense scene was with Satoru at Yuuki’s place, where he probes Yuuki in preparation to give him an alibi, so that whatever happens, his life won’t be ruined by the events to come. What’s striking, and highly disturbing in its ambiguity, is Yuuki’s initial reaction to hearing that Kayo is in Satoru’s group of friends now.

This was the first time since siding with Satoru on Yuuki that I thought both of us might be being overly naive, and that Yuuki’s odd interest in Kayo could have been something going on for a while now.

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Regardless, Satoru takes Yuuki’s secondary reaction – one of joy – to mean he’s still good, so he proceeds to duck out on his birthday party to toss a rock through Yuuki’s dad’s window so that the cops will come, securing Yuuki’s alibi.

After that, Satoru spots Kayo’s mom, and seriously considers pushing her down a flight of steps to her death, but he’s stopped by Kenya, who has been following him. Kenya agreed to help him out, and he realizes he may have to get his hands dirty, but killing Kayo’s mom will only create new problems, and Satoru was too close to the situation to see that.

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From there, Satoru starts walking Kayo to her house as before, but this time, in another magical little back-and-forth, he announces his intent to “abduct” her, and she consents to let him. Satoru takes her to an abandoned bus hideout with a heater and blankets.

I understand the plan: simply keep Kayo out of the equation altogether; away from those who might kill her. But unless someone is with Kayo the entire time, it also looks like the perfect place to kill her where no one would notice. What makes it a great hideout also makes it a great grave.

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The first time she’s left alone, however, that doesn’t happen, allowing me to lower my guard just a little. She’s knitting away when Satoru calls on her, and they have a hot meal and fall asleep huddled together (something they’re embarrassed about upon being woken up by Kenya in the morning…they are kids, after all.)

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It worked for a day…but so did Satoru’s first plan. And that crushing weight I was talking about didn’t go away just because Satoru brought not just Kenya but Hiromi into the hideout. Kayo makes a neat little adjustment Satoru hadn’t though of: that she was the one who instigated all of this, thus absolving everyone involved of blame whatever may happen.

Rather than pick Satoru’s Joker, she takes an Ace to match her last card. She wins here, but the foreboding at this point is almost unbearable. I couldn’t help but wonder why the guy smirking under the umbrella in the present was so emotionally invested in Satoru’s downfall, or Yuuki’s bizarre reaction, or the ominous scenes of Yashiro noticing Kayo gone in class, then making a phone call in the faculty lounge.

It’s also just the seventh of twelve episodes, so it’s clearly not all smooth sailing form here. Sure enough, when an adult with a backpack pays a visit to the bus, not knocking the way Satoru would or saying a word, but just entering, Kayo under her blanket already looks like a body under a shroud, and the bus a cold, dark tomb.

Once again, the show mercilessly cuts to credits just before confirming that Kayo has in fact been lost to us once more. That leaves us simmering with a tiny shard of irrational hope for another week, knowing we know that hope is irrational, but not being able to let it go.

In reality, all I can realistically hope is that Satoru can engage revival and try again. Because if I put my heart aside and use my head, this isn’t going to go well for Kayo.

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Boku dake ga Inai Machi – 06

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The events of this episode reveal that the antagonist of BokuMachi doesn’t have any particular desire to erase everyone in Satoru’s life before erasing him. If he did, he’d have made sure Airi was killed. Instead, Satoru manages to rescue her, only to find he’s too weak to carry her out. But he only foils the enemy temporarily.

Enter the pizzeria manager to take over (and claim the credit), though this time he lets Satoru leave rather than screw him over again. But in a crucial moment of consciousness, Airi sees who really saved her – Satoru – and slips her phone into his pocket.

So begins the first episode of BokuMachi that didn’t totally bowl me over in rapt awe (hence the 8), but did begin the necessary work of establishing the basics of what’s going on, who’s doing it, and why – much like a detective starts piecing photos together on a cork-board.

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The phone shows that the arsonist meant to frame Satoru for the crime. When he contacts his mother’s colleague Sawada, a bigger picture takes shape than a simple comprehensive destruction of Satoru. He’s only the latest in a string of innocent men framed for the crimes of the criminal who killed Kayo and the other two youths.

His M.O. is to manipulate the crimes in order to divert police suspicion on those innocent men. The more they investigate, the further from the truth – and from the actual culprit – they get. This is a very intriguing crime story, though I did feel the show lag a bit as a lot of information was dispensed in very straightforward fashion.

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When talk moves to Airi, who is in the hospital under somewhat incompetent guard, Satoru suspects she wasn’t targeted just to strengthen the case for his guilt in his mother’s murder. Instead, the culprit was someone who know both his and Airi’s schedules – someone who was at the pizzeria. Obviously, not the manager, but the suited fellow whose face we didn’t see is the obvious choice.

Meanwhile, Airi is upset about how things have turned out, and wastes no time breaking out of the hospital to continue helping Satoru. It’s clear she’s being watched, and when a hand comes down on her shoulder from behind, we expect nothing good. But then Sawada visits Airi in the hospital, only to find her mother, who was the one who grabbed her.

Her mom, still inspired by her daughters faith in her dad, is willing to believe in Airi here as well, and takes her place in the hospital bed to allow her to move freely. What a cool, nice mom!

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Airi meets Satoru, and Satoru says his embarrassing thoughts aloud not once but twice. I liked this little detail because it shows that even if he’s not a 29 in a 10-year-old’s body, he’s still an introverted guy whose communication skills aren’t the best.

However, the name Airi suggets could be their man – Nishizono – doesn’t match the list of suspects from Sawada’s files. He’s hit a roadblock, and at the worst possible time: turns out Airi was followed without her knowledge, and the police surround and arrest Satoru.

But before they do, Satoru tells Airi about an idea he had for a manga: a Grim Reaper who made a clerical error and killed a young boy. He resolved to fix his mistake, but only ended up drawing more and more people to their doom. When he compares himself to the reaper, Airi objects: both the reaper and he should have more faith in themselves, and not focus too hard on their subjective impressions of how their actions affect others.

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After all, Airi is still alive and unhurt. As Satoru is taken away and Airi’s cries of protest go ignored, Satoru turns around and says what he thinks a hero would in such a situation: that he can keep fighting because she believes him. Then everything freezes and goes black-and-white as Satoru spots the same suited fellow with red eyes who he saw on the balcony the night his mother was killed.

Considering there’s little Satoru can do in jail, I imagine this is a Revival. Assuming it is, I wonder when he’ll end up as we enter the second half of the season, and what he’ll be able to do differently in that time now that he has a much firmer handle of the situation, but also knowing his adversary is an extremely crafty son of a bitch.

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Noragami Aragoto – 13 (Fin)

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Noragami Aragoto doesn’t pick up right when Ebisu is about to be blasted by a pacification ring; instead, it skips to Yato escorting a young man to the Olive Tavern. It doesn’t take long to realize the boy is the reincarnated Ebisu, which means the adult Ebisu he knew and befriended in the underworld was executed.

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Yato is clearly sick about this whole situation, and Yukine and Hiyori stay on the periphery pondering what they should do as he himself wonders how he can change; how he can cease being a heartless war god now that he has a heart, and follow Ebisu’s example of working to protect and save people, and becoming a god people want to remember and have faith in for things other than contract killing.

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By the end, Yato, perhaps without knowing it, changed Ebisu. Once, he had no qualms about dying over and over, because his shrine maidens would always tell him he’d reincarnate every time without fail, and so should never fear death. In fact, due to his lives’ work, Ebisu kinda had to die a bunch of times in order to make progress researching phantoms and acquiring the locution brush. Needing to break eggs to make an omelette, so to speak.

But by the time that last ring blasted him, Ebisu didn’t want to die and be reborn again. He wanted to live and stay in the world as he was. It was, in fact, his dying wish, and the reason Yato is so beside himself; Ebisu, who told him he’d make a great god who could make people happy, managed to change himself at the end from what he always was.

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Now that Ebisu is back, but with close to no specific memories of his past self, it falls to his overseer to raise him back up into a useful member of god-society. And if that overseer has his way, this Ebisu will never see or touch the locution brush again. Yet when Bishamon and the other gods who assisted him hear of his noble ventures for the first time, they don’t necessarily agree that Ebisu should be stopped; in fact, it wouldn’t be what the past Ebisu or Ebisus wanted: for his reincarnations to carry on his work until he makes a breakthrough.

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Back freeloading at Kofuku and Daikoku’s, a restless Yato takes Yukino to a secluded lake, where he asks his exemplar, heart firmly on sleeve, to help him change: from a god of war and calamity to a god of fortune and happiness; the god Ebisu saw in him.

Hiiro appears on queue to dissuade Yato, dismiss Yukine, and drag her brother back to their father to be “praised”; thus continuing the same cycle of death and soft smiles that’s been going on for centuries. She also points out that the plan to use Ebisu as a scapegoat to allay suspicion from their father, who also works with phantoms, worked like a charm.

But no more. With Yukine beside him for strength, Yato overcomes all the warm memories of him and his sister, and does what is necessary to truly change: release her as his regalia for good. When he does so, Hiiro’s smile changes to one of shock, disbelief, and even despair. But that’s not surprising: Hiiro has never changed, and may never change. It does, however, make me wonder if she could change, once enough centuries have passed.

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Now officially free of Hiiro, Yato turns to Yukine to be his guide on his new path to becoming a less calamitous god, something he has no idea how to do since he’s “only good at killing.” But he’s wrong, and Yukine tells him there’s very little he needs to do that he hasn’t been doing already.

Really, getting rid of the temptation of Hiiro and his dark past was the most important step. He already makes people happy, like Yukine and Hiyori, who has faith that together Yato and Yukine can slay disaster before it strikes. And no, she doesn’t ask to have her tail fixed, nor does Yato offer it. She seems content with being the way she is for now.

The happy ending is only marred by the revelation that Fujisaki, the handsome young man who got along so well with Hiyori, is, in fact, Yato’s father. He joins his classmate, who cannot see the large retinue of phantoms by his side, along with Hiiro. Maybe she’s not going to change anytime soon after all.

As for his dad, it doesn’t look like he’s given up on bringing Yato back into the fold. No doubt many of the disasters thrown Yato’s way will be of his father and sisters’ making. He must be ever-vigilant. But as Kofuku says, with Yukine and Hiyori by his side, he’ll be fine.

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