Warning: This episode deals with some upsetting and potentially triggering themes, including rape and sexual assault, physical, mental, emotional, verbal, and sexual abuse, child abuse/pedophilia, and self-injurious behavior.
Our cold open features Lugh and Tarte donning their new threads as they prepare to live their new lives as Illig Balor and his servant. But after the credits, we pivot to the much-anticipated story of third member of Lugh’s assassination team from the first episode: Maha. Herself the daughter of merchants but now an orphan on the streets, she and five other girls survive by giving sightseeing tours to travelers.
They’re close to making enough money for better clothes, and one day Maha dreams of them making enough to buy a house in which to live together. But one stormy day that dream is stamped out when all six girls are captured by men hired to round up kids for his lord’s “orphanage.” I knew shit was going to get bad, but had no idea how bad.
Ironically, Maha and the others get what they were dreaming of: a roof under their heads, food to cook and eat together at a table. But it happens to come at the price of their own freedom. They are essentially slaves, doing whatever is asked of them and being beaten when their captors feel like it. It gradually wears their once enterprising spirits down into the dirt.
Then the captors start getting rapey, pimping the girls out one by one to those with the coin to purchase them for the night. The oldest of them, Ifa, is the first to go through this, and Maha is forced to bathe, dress, and apply makeup to her, essentially making her the involuntary preparer of the lamb to the slaughter.
The sequence of this preparation is plenty disheartening, but then the episode’s absolutely brutal transitions have Ifa being doused three times in a row, succinctly indicating how many times she’s endured hell; the light in her eyes fading more each time.
For anyone still thinking it wouldn’t simply get worse from there, the episode is ready to change your minds in a hurry. At first Ifa is the only one sent away, until one day one of the other girls asks why they never get to go.
Then they go, one by one, each being subjected to the same pre-hell ritual of washing and dressing up as Ifa was. One of Maha’s friends decides the only way to protect herself from further torment is to cut up her face with a sickle; Maha is too late to stop her. It doesn’t matter; her torment doesn’t end.
One day, Maha overhears her captors talking about her being next, despite her having only just turned twelve. Having witnessed the aftermath of what all the other girls went thorough, Maha rushes to the barn, and is ready to cut her face when she’s stopped by a familiar figure, at least to us: “Illig Balor”.
Illig has come to purchase one of the girls—not for a night, but for good. He chooses Maha, and gives her captor more than enough gold. Even so, the captor asks for and is granted three days, during which he intends to pimp Maha out to make some extra money on top of what Illig paid, then rape her himself.
At first, on her way to one of those clients, Maha is trying to put on a brave face; she’ll only have to endure three days of hell, and then she’ll be in heaven with her “prince”. Then her captor has his hands all over her, and she can’t do it. She uses her mana to escape the wagon, but is quickly caught by the captor’s henchman, who also uses mana.
The henchman seems intent on being the first to rape her, but he is incapacitated by Illig, who tells the captor he saw Maha calling for help with her eyes when he bought her. When the captor and his ilk try to take Illig out, Illig has no trouble at all taking them out.
Meanwhile, Tarte sets up a honey trap to get the pervert Viscount arrested, and the hellish orphanage is shut down. The girl who scarred her face even gets it healed by Illig. Maha then joins Illig, her “Prince’s” party, and all’s well that ends well, tempered of course by all of the other mental and physical scars the girls still carry.
Maha had by far the most intense and fucked-up backstory of the trio. Lugh came from another world where he was the finest assassin; Tarte suffered and endured, but for a briefer time. Maha saw and went through some shit.
I left the episode exhausted by the horrors Maha and her friends endured, but also happy relieved they’re now free and safe. The two-plus years that passed in this episode were the crucible in which a future Maha—an assassin Maha—was first forged.