The Misfit of Demon King Academy – 01 (First Impressions) – Three-Second Rule

Now that’s more like it! While Lapis Re:LiGHTS felt sterile and lacked oomphThe Misfit has style, passion, and confidence in the story being told, and manage to mix some appealing character moments in with the obligatory introductions. It also teaches an essential lesson about being kind to others, especially family, and not judging books by their covers.

Within two minutes of arriving at the titular academy, our initially nameless MC makes a new friend and gains an enemy. During the entrance trials, that enemy learns that despite looking like a normal new student without a drop of royal blood, the MC makes sport of their duel, killing and resurrecting him at will until he loses the will to go on.

Contrast that with his attitude toward his new friend Misha, whose letter he picks off the ground before they met, can sense his immense power, and whom he invites for dinner at his loving, doting, conclusion-jumping folks. Those folks, by the way, reveal that their son is only a month old.

It’s abundantly clear before he says his name or reveals his true self that the MC is the reincarnation of the Demon King of Tyranny, Anos Voldigoad, and to its credit the show doesn’t over-explain anything. Instead it lets the cozy chemistry and quiet friendship between Anos and Misha play out organically, with her patting his head unbidden when he lists all the horrible names he’s been called.

Their instant easy rapport contrasts nicely with Anos’ absolute ruthlessness in the arena, be it a school-sanctioned trial or in the case of his would-be rival’s brother’s case, a sudden ambush. Where Zepes Indu was a cocky little shit, his brother Leorg throws racism into the mix, deeming only those of pure blood to be worthy of the Demon King’s power.

Before telling Leorg who he is, Anos simply shows him, by letting the older brother’s origin magic bounce right off (since Anos is the origin) then zombifying Zepes and forcing Leorg to reconcile with his brother in order to face him together. It’s interesting that this reincarnated Demon King isn’t so much concerned with toying with far less powerful opponents (though he does) as much as he wants to make them stronger so they can give him a fight!

Anos sensed from the start that as his descendants, the apples have fallen very far from the tree, but perhaps the first step to making them stronger is by strengthening the bonds of family. After all, he’s got himself some very fine parents, while Misha’s guardian also adores her (though her folks are apparently busy, she also has an older sister whom we’re sure to meet soon).

As Anos strikes down all comers, Misha stays by his side, heartened by his kindness and his offer to be comrades and friends, and there to tell him when his two-millennia-old jokes won’t cut it—an amusing quirk of Anos’ that isn’t overused.

Misfit of Demon King Academy is fun to watch but also gratifying because it feels infused with the enthusiasm of its creators, rather than feeling like an exercise of efficiently going through the motions. Most importantly, Anos is one cool, sassy dude; a nice complement to Misha’s understated charm. I’m definitely down to watch more of this!

Fate / Zero – 12

“Why do I always sit on my smokes?”

After the Rumble in the Marble, most Servants take a step back and assess the situation. Kiritsugu sits in a dark hotel room and pores over intel as he chats with Maiya on the phone…and that’s about it, really.

“I like the way your tent your fingers. Why don’t you work for me?”

Reports and conversation are the name of the game again, but instead of interacting with Saber and Rider, Archer is stuck with Kirei, trying to connect the dots as part of his larger plan to make him one of his men. Kirei delivers his report on the motivations of the other Masters to Archer, who points out that the one that seems to interest Kirei the most is Matou Kiriya, who also seems to be enduring the most pain and suffering.

“I mean, this isn’t how I would drive, but this is fine too, I guess…”

Pain doesn’t seem to be an issue for Iri, while Saber doesn’t seem to be feeling the lasting effects from her throughout putting-down she endured at the hands of Rider and Archer. But Saber does find it odd that Iri has her drive and perform every other task that requires the use of her hands. When she asks Iri about it, she reveals she’s become extremely physically weak as a result of shutting down her sense of touch (a homonculus ability, apparently).

While she believes she can recover a bit of strength by sitting in the right kind of magical circle, the bottom line is that she’ll be relying on Saber more and more as this War progresses. Saber, obviously, is up to it. I must say I underestimated her mental toughness. That circle is drawn in a storeroom on a Japanese mansion that looks very much like the place where Emiya and Saber live and practice in UBW.

“Feel that sting? That’s pride, fuckin’ with you!”

From there it’s back to Archer gradually wrapping Kirei around his finger, Emporer Palpatine-style. He gets Kirei to pretty much admit that he is actually capable of joy, and even if he’s previously considered such feelings to be a sin, Gilgamesh isn’t a fan of this newfangled puritanical philosophy that generated people like Kirei and Saber. Joy is joy, and leads to happiness.

So Archer gets Kirei to ‘find his bliss’, and Command Seals suddenly reappear on his hand. Archer believes it’s proof the Holy Grail isn’t done with him; indeed it’s almost as if the Holy Grail rejected his previous role as Toosaka’s ally and spy and reinstates him as a full Master. Archer also suggests Kirei go out and steal a new Servant, and not-so-subtly picks up the Archer piece from the chessboard to indicate who he should pick.

While there were some nice character beats, you can really only portray two people sitting around talking for so long from so many angles before it gets a bit tedious. In other words, another cool-down episode on the heels of a solid 10. That leaves one episode left in the first cour.