Saekano 2 – 03

Tomoya and Eriri find themselves suddenly confronted by the Hashima siblings, whose Rouge en Rouge game company put out a demo of a game very similar to their own.

While Megumi does her best to keep things diplomatic, it isn’t long until Eriri and Izumi are coming to blows.

Sure, they’re low-impact blows, and each seems to want to empower the other to do their utmost to beat each other (at art, not physically), but then there’s the fact that, at the moment, I don’t much care particularly how well Blessing’s game does relative to Rouge’s.

Isn’t it enough that the team works hard and puts out a game they can be proud of, into which they put their blood, sweat, tears, and passion?

In between acting like she and Tomoya have been married for years, irking certain male classmates, Megumi is preoccupied and fired up by Utaha’s surprise story revision.

But the only way they’ll know whether it works or not, and which script to choose for the game, is by implementing it. That means a lot of work just to catch up to the Rouge demo, with no guarantee their output will surpass their rival’s.

When one all-nighter involving Tomoya and Megumi only nets 20% of the work, other measures need to be taken. When Michiru suddenly arrives, appalled that Megumi spent the night, Tomoya sees an opening, and asks his cousin to recruit her Icy Tail bandmates into doing the gruntwork necessary to plug Utaha’s new story into the game.

They pull a second all-nighter, and considering how late I’m writing this on a Thursday night, I can’t say I don’t relate to their exhausted state when they’ve completed their task.

All that work makes it that much more harsh a slap in the face when Tomoya meets with Utaha and utters the line above. Apparently, after story, art, music, and programming have been combined, neither of Utaha’s stories cut the mustard; at least not now that Tomoya is convinced Iori has a better story up his sleeve.

He requests a complete rewrite—certainly his prerogative as game director—but I assume Utaha is dismayed by his blunt assessment, as I was. In an attempt to outdo Rouge, could Tomoya be overplaying his hand? By demanding perfection when perfection may be unattainable, will he only end up driving his partners away one by one?

Saekano 2 – 02

Utaha has finished her script, and to celebrate has Tomoya take her out for a day of shopping, dining, and watching films that aren’t poorly-received (i.e. ghosty, shelly) live-action anime adaptations.

It’s a date, no doubt about it, at least as far as Eriri is concerned, observing the couple’s interactions from afar like, well, a stalker, with Megumi forced to tag along for plausible deniability.

But Utaha doesn’t merely toy with Mr. Ethical: she makes it a point to bring up the fact that now that the script is complete, her job with Blessing Software is also done, and she’s looking to the future.

She asks Tomoya his opinion not only on where she should attend university (out in Kansai or fifteen minutes away) as well as to pick which script should be used: she wrote two. She’s basically telling the director to choose a direction; not unreasonable.

When Eriri and Megumi meet with Tomoya (thanks to Megumi having a key to his place!) they see the ending and see Tomoya’s dilemma. Eriri both acknowledges Utaha’s artistry, comparing it to the Metronome of Love series she claims to have never read, while complaining that it’s a lot more work.

Still, she doesn’t automatically reject this new ending, nor does Megumi: they, like Utaha, leave it up to Tomoya. Sorry dude, gotta make some hard choices, and not everyone is going to be happy. Especially with Izumi’s doujin game already out there in demo form, living in the same genre as their game.

Saekano excels when Tomoya is one-on-one, as he is with the lovely Utaha most of this episode. But I also liked how their interactions were shadowed by Eriri and Megumi (especially the difference in Utaha and Eriri’s reactions to the movie, which chose a “childhood friend-friendly”, and thus Eriri-friendly, ending).

I can’t say whether the script of Saekano is cliched per se; all I can say is that it is unafraid of commenting on the very genre and medium it exists in, or of being almost self-back-pattingly self-referential and irreverent of those institutions.

But the dialogue is expertly delivered by the actors, and the character design is strong, so even if this show’s ‘weakness’ is its script (which I’m not saying is the case), it’s more than capable of making up for it in other areas, which makes this show enjoyable to watch on any given week.

But I don’t think it needs a live-action adaptation.

Tales of Zestiria the X – 20

zest201

Both Alisha’s enemy Bartlow and her “supporter” Lunarre wrongly believe she’ll take the bait of her suffering Maltran, but they’re both wrong. Maltron knows if Alisha does as she taught, she won’t come for her.

zest202

Instead Alisha and her people infiltrate the palace. It’s not at all certain that Alisha’s order that no one is to die is carried out in the process, as both her men and many of the palace guards are injured and shot with arrows, and it’s asking a lot to think none of them will succumb to their injuries.

In any case, Alisha gets an audience with her father at last, but he’s consumed by malevolence. Baltrow enters the room alone and attempts to take out Alisha by himself…which makes no sense. Why did he go in alone, without any backup?

What would be his killing blow to Alisha is blocked by the king in what I gather is one last act of sacrifice to make up for, charitably, over a season and a half of complete inaction.

Then, before the young, athletic Alisha or her knights can stop him, the slow old Baltrow runs outside and jumps off the balcony, spiting Alisha by not being taken alive. Um, why did everyone just stand around and let him do that?

zest203

With the internal power struggle thus hastily ended and Alisha now the de facto ruler of Hyland, she turns to the next existential crisis: that giant tornado. There’s a dragon inside, and Sorey believes he’ll be the first shepherd to purify it, erasing the myth that such a feat is impossible.

zest204

He manages to get the job done, thanks not only to Mikleo and Rose, but his other squire Alisha joining in to help share the burden of the dragon’s malevolence, as Lailah, Edna, and Dezel handle the small fry.

zest205

And once the dragon is purified and the sun shines over Ladylake once more, our heroes get to enjoy the victory for all of ten seconds before Symmone appears, telling them her master will cover the entire earth in malevolence and end the world, and they don’t have what it takes to stop them.

Well, I asked for more action to masked the seemingly increasing blandness characters, and I got it. But with so much significance placed on Baltrow over the last few months, and the immediate introduction of an even bigger threat, then an even bigger one after that, it all felt rather anti-climatic.

And once more, a preview in which 2D Rose and Alisha bicker over whose late master was strongest was more far more engaging than anything either of them said in the actual episode.

I’m quickly doubting whether my master adequately trained me or if I have enough squires to help bear the burden of Zestiria. Because the eye candy isn’t nearly enough to keep me interested.

16rating_6

Tales of Zestiria the X – 19

zest191

Zestiria can still effortlessly deliver vista after gorgeous vista, but the excitement and urgency came up a bit short this week, and reminded me that it’s rarely been able to satisfying depth beneath its shiny surface. It also has a tendency to be clunky in its pacing, as demonstrated in this Alisha-focused episode filled with perfunctory talking scenes.

zest192

Giant tornadoes are threatening Ladylake…until they aren’t, as they’ve all dissipated so far. Alisha is waiting for the Big One, all while being branded a criminal by the sniveling Lord Baltrow, who is the worst kind of dull wallpaper paste villain. Unable to catch Alisha, he tries to bait her by putting her mentor Maltran on display to starve to death or be picked at by birds. Swell.

zest194

After Zaveid decides to randomly show up to save Alisha and her knights from a giant mud hellion, then leaves to go find and shoot a dragon (see ya Zaveid) Alisha sits by a pond, seemingly for hours, wondering what to do. Lunarre is another random visitor, basically asking her to change up her methods, since, like Ned Stark, her unswerving dedication to high-minded nobility and honor may well get her killed.

zest195

That is, if she didn’t have a Shepherd for a friend. She managed to contact Sorey last week, but he and the others take their sweet time starting off for Ladylake. I know their contact was cut off, but surely her saying “Ladylake is in dire straits” tipped him off that maybe he should hurry to Ladylake, which he, Rose, and the seraphim finally do at the end of the episode.

zest196

I can’t help but think some of the overarching stiffness and vanilla-ness of the show could be pepped up a bit with the kind of light humor in the previews. But those are fourth wall-breaking affairs, and Zestiria isn’t meant to be a comedy.

Still, it’s troubling that the biggest rise I got was from the preview, not from anything in the episode that preceded it. Alisha’s daring stealth raid on Ladylake looks like it might be interesting, but this week was a bit too leisurely getting her there.

16rating_7

Watashi ga Motete Dousunda – 12

wat121

And so Kiss Him Not Me comes to an end, with the ending pretty much in the title all along. Mutsumi’s sudden realization of his romantic feelings for Kae make her other four suitors scramble to keep him away from her, but he eventually outsmarts them with a P.A. announcement calling Kae to the school roof.

wat122

Mu, however, does not discourage the others from joining him on that roof and letting their feelings be known. With everyone saying they like her, clearly, and asking if she’ll go out with them, the onus is on her to choose.

Kae flees to A-chan with her predicament; A-chan is understandably frustrated with Kae putting everything in fujoshi terms, but the solution they come up with is for Kae to do things dating-sim-style. The scene is another hint that Kae simply isn’t ready for a 3D romantic relationship.

wat123

She goes on dates with each of the suitors, and has a wonderful time with each of them, as each of their charms are laid bare before her. But it doesn’t make it any easier to choose among them; indeed, it only make the choice harder and more confusing.

All five are great, they’re just lacking that special something that would compel her to choose one over the others. Which is why, in the end, she chooses no one. The status quo prior to their confessions is the situation at the end, for Kae doesn’t “love” any of them the way she loves Shion, who may be resurrected in a new season of his anime.

wat124

So there you have it. Kae has never subscribed to the notion that the princess belongs with the prince, or even that the princess belongs with another princess. She’s all about 5×7, tops, bottoms, and lords. Furthermore, she lives a full and happy life not with a boyfriend or girlfriend, but with her sixteen waifus.

“Sorry, that’s how it is,” she says to her shocked, former suitors. And I can’t really feel that bad for them. They’re all still friends, both with her and with each other. Hopefully they can get over the fact she’s not the kind of girl who’d date them, and never was.

It’s a fitting end to a satisfying, if not perfect show that centered on a genuine ‘unconventional’ girl (whatever that means) who may be a bit naive when it comes to romance, but in the end knows what she wants and what she loves, and isn’t about to conform.

16rating_8

Sousei no Onmyouji – 13

sno131

Yes, this show is still around, and yes, I’m still watching! Who would have thought that Benio not only had an evil overpowered brother who needs to be defeated down the road sometime, but also both their parents were killed by an overpowered Kegare that’s the equivalent of an Arrancar in Bleach: a kegare with human (or humanoid) form. This girl just has the worst luck.

But hey, someone’s looking out for her, and that someone is Rokuro. After getting the lay of the land, he peaces out of Magano with Benio at his earliest convenience, since Benio is in no condition to fight.

sno132

He uses a med-talisman on her, and she wants to head right back in there, but he tells her to eat first and cheer up, assuring her that her late parents would much rather she kept living than die trying to avenge them.

As he goes in to get a better idea of who they’re up against in Kamui, Benio actually listens to Roku and eats his stone-cold oyakodon, which actually isn’t that good at all, but Benio still scarfs it down. As she does, she really does cheer up, remembering all the positive reinforcement and support Rokuro has offered her over their time together.

sno133

Back in Magano, Rokuro learns that Kamui is primarily concerned with being “entertained”, and with his demon gauntlet thingy, Rokuro seems able to provide the absolute minimum quantity of entertainment for Kamui to reconsider killing him quickly. Roku has potential, after all, and anyone or anything that can land a blow on Kamui is someone he isn’t in a hurry to kill. That would be boring!

Of course, it isn’t long before Kamui turns up the difficulty level a tick, and Rokuro is shot back and bloodied with ease. That’s when a reinvigorated Benio returns (albeit hopping on one leg) to relieve him.

sno134

Benio certainly has a head full of steam, but it’s been abundantly clear for a while now that neither she nor Rokuro can accomplish much on their own; they have to combine their power in order to make progress.

And progress that make, as Rokuro catches Benio from out of the air, the two combine their spiritual energy (or whatever), her sword gets bigger and meaner, and they deliver an epically crushing blow to Kamui.

sno135

Kamui survives, but a limb lighter, and decides he’ll withdraw for now and wait for these two to become stronger, or, if they produce a Miko, send him or her to face him. It doesn’t really matter, as long as he’s entertained.

I actually like the guy’s philosophy; it’s at least more interesting that just a mindless killing machine. Guy’s got a code, and he’s got priorities. He even remembered Benio’s ‘rents, and how they were one of his only victims who actually sacrificed themselves for someone else, namely their daughter.

Turns out the encounter between Rokruo+Benio and Kamui was all but set up by Arima, to further bring the two together, and you can hardly argue that it worked like a charm.

Benio wakes up in bed with Rokuro, in the lovenest Arima prepared for them, no more willing to follow through with the plans Arima made for them than before, but still no less grateful for Rokuro’s support. Her parents told her being scared is okay, because they’re not alone. And she’s not alone here.

16rating_8

Musaigen no Phantom World – 04

mpw41

It’s very appropriate that this week’s episode of Phantom World begins with a binge session at a restaurant, as it’s Restaurant Week here and I just got back from stuffing myself. The episode then transforms into an all-you-can-eat smorgasbord of whimsy focused on the show’s resident eating champion, Izumi Reina.

After dinner, she splits from Haru and Mai and ends up boarding a very unusual bus that takes her…somewhere. Our first go-round with the process is very mysterious, because one minute she’s boarding the bus, the next, she’s outside the front gate of her house. The next morning, Koito (Hi Koito!) confesses to witnessing the whole thing, determining that Reina is possessed by a phantom.

mpw42

That assertion proves very true when Haruhiko boards the bus with Reina next time. She’s totally out of it, as if hypnotized, but he’s lucid as the bus transports them, in a sequence that (not accidentally) owes much to the train journey in Spirited Away, to another place; an idealized storybook home complete with adorable bunny caricatures of Reina’s parents (who are a lot stricter in real life.)

As is usually the case in scenarios such as this, eating the food is a bad idea, but Haruhiko realizes this too late, and grows his own bunny ears and a pastel texture to his character design that indicates he’s been “taken” by this place. He acts out Reina’s fantasy as his big brother, until the fantasy breaks and the two are back at the front of her real house, with her real father wanting to know who Haruhiko is. Reina sends him home, promising to explain everything later.

mpw43

Turns out Mai reminds Reina very strongly of her real big sister, who got tired of their parent’s tightassery and flew the coop. So after Haruhiko fails miserably in trying to sketch-seal the bus the next time (he’s still under the phantoms’ influence), Mai and Ruru board with Haruhiko and Reina, and end up in the fantasy world with them. Ruru, who is unaffected by the food, ends up accidentally gives Mai a taste, thus bewitching her too.

mpw44

It’s not until Haruhiko goes to the bathroom of all things, that he snaps out of it; I imagined the food he ate was the cause of the hypnosis, and when he shat it out, the effects dissipated. He refers to the bathroom as a portal between the real and unreal, or some such. In any case, he takes a chance and ends up successfully snapping Reina out of it by hugging her, a gesture that always elicits a reaction in the form of a martial arts throw.

Once she’s lucid, watching the still-bewitched Mai interact with her “phantom parents” Reina realizes the phantoms fed on her desire for her family to be whole again, creating a world where she could live happily ever after even without that sister.

When the phantoms tell her to make a choice, Haruhiko beseeches her to stay in the world in which she belongs, so she can be there if and when her sister returns home. Reina chooses to reject the phantom world and stay strong beside her senpais. All in all, a very lush, atmospheric episode with heavy Ghibli influence, which taught us a little more about Reina. Though we still don’t know where all that food she eats goes…

8_mag

Noragami Aragoto – 13 (Fin)

na131

Noragami Aragoto doesn’t pick up right when Ebisu is about to be blasted by a pacification ring; instead, it skips to Yato escorting a young man to the Olive Tavern. It doesn’t take long to realize the boy is the reincarnated Ebisu, which means the adult Ebisu he knew and befriended in the underworld was executed.

na132

Yato is clearly sick about this whole situation, and Yukine and Hiyori stay on the periphery pondering what they should do as he himself wonders how he can change; how he can cease being a heartless war god now that he has a heart, and follow Ebisu’s example of working to protect and save people, and becoming a god people want to remember and have faith in for things other than contract killing.

na133

By the end, Yato, perhaps without knowing it, changed Ebisu. Once, he had no qualms about dying over and over, because his shrine maidens would always tell him he’d reincarnate every time without fail, and so should never fear death. In fact, due to his lives’ work, Ebisu kinda had to die a bunch of times in order to make progress researching phantoms and acquiring the locution brush. Needing to break eggs to make an omelette, so to speak.

But by the time that last ring blasted him, Ebisu didn’t want to die and be reborn again. He wanted to live and stay in the world as he was. It was, in fact, his dying wish, and the reason Yato is so beside himself; Ebisu, who told him he’d make a great god who could make people happy, managed to change himself at the end from what he always was.

na134

Now that Ebisu is back, but with close to no specific memories of his past self, it falls to his overseer to raise him back up into a useful member of god-society. And if that overseer has his way, this Ebisu will never see or touch the locution brush again. Yet when Bishamon and the other gods who assisted him hear of his noble ventures for the first time, they don’t necessarily agree that Ebisu should be stopped; in fact, it wouldn’t be what the past Ebisu or Ebisus wanted: for his reincarnations to carry on his work until he makes a breakthrough.

na135

Back freeloading at Kofuku and Daikoku’s, a restless Yato takes Yukino to a secluded lake, where he asks his exemplar, heart firmly on sleeve, to help him change: from a god of war and calamity to a god of fortune and happiness; the god Ebisu saw in him.

Hiiro appears on queue to dissuade Yato, dismiss Yukine, and drag her brother back to their father to be “praised”; thus continuing the same cycle of death and soft smiles that’s been going on for centuries. She also points out that the plan to use Ebisu as a scapegoat to allay suspicion from their father, who also works with phantoms, worked like a charm.

But no more. With Yukine beside him for strength, Yato overcomes all the warm memories of him and his sister, and does what is necessary to truly change: release her as his regalia for good. When he does so, Hiiro’s smile changes to one of shock, disbelief, and even despair. But that’s not surprising: Hiiro has never changed, and may never change. It does, however, make me wonder if she could change, once enough centuries have passed.

na136

Now officially free of Hiiro, Yato turns to Yukine to be his guide on his new path to becoming a less calamitous god, something he has no idea how to do since he’s “only good at killing.” But he’s wrong, and Yukine tells him there’s very little he needs to do that he hasn’t been doing already.

Really, getting rid of the temptation of Hiiro and his dark past was the most important step. He already makes people happy, like Yukine and Hiyori, who has faith that together Yato and Yukine can slay disaster before it strikes. And no, she doesn’t ask to have her tail fixed, nor does Yato offer it. She seems content with being the way she is for now.

The happy ending is only marred by the revelation that Fujisaki, the handsome young man who got along so well with Hiyori, is, in fact, Yato’s father. He joins his classmate, who cannot see the large retinue of phantoms by his side, along with Hiiro. Maybe she’s not going to change anytime soon after all.

As for his dad, it doesn’t look like he’s given up on bringing Yato back into the fold. No doubt many of the disasters thrown Yato’s way will be of his father and sisters’ making. He must be ever-vigilant. But as Kofuku says, with Yukine and Hiyori by his side, he’ll be fine.

9_mag

Owarimonogatari – 12 (Fin)

omg121

Yeesh, I’m running out of shows to watch, fast! With the conclusion of Owarimonogatari (which I thought was ending next week for some reason), Only One Punch Man remains on my Fall list. And like Asterisk and RKC, the main event of this finale is a duel; this one between Araragi and Shinobu’s first minion. Before he steps into a battle that might end in his death, he gives his girlfriend a call, and she knows and says all the right things she should.

She saw Kanbaru’s feelings early on as a burden, but wants to be someone able to tolerate and bear that weight, as part of her wider self-improvement kick that also includes becoming Araragi’s bride. When they exchange “I love yous”, I really felt the love and the committment these two have to each other.

omg122

When Araragi arrives for the duel at the designated spot, the First is somewhat incredulous about Shinobu’s commitment to Araragi, for allowing him to show up in such a “weak state.” Izuko sets the rules: they’ll stand back to back on either side of a non-lethal electrified kendo sword, take ten steps, then turn around, and the first to score a hit on the other wins, regardless of who gets the sword first.

A wrench is thrown into the works when Tsubasa sends Araragi a pic, and Izuko throws further wrenches into the works by saying both Tsubasa and Senjogahara are in potential danger and require Araragi’s immediate attention (I’m a bit fuzzy on all the past series but I do remember a Nekomonogatari running at the same time as this).

Basically, she sees it as finally making him choose a girl once and for all: Shinobu, Tsubasa, or Senjogahara. Araragi…stays put. He delegates the duty of checking in on the others to Kanbaru, who is only too happy to oblige. Of course, we know she’s already helped immensely by beating Shinobu in an argument.

omg123

Speaking of Shinobu, she seems to revise Izuko’s duel by splitting the non-lethal sword in two and replacing it with Kokoro-watari, making this a duel to the death again. Araragi, who had faith in the other girls not to hold it against him for staying put, and knowing he won’t get to the sword in time, lets the first take it, then affixes a talisman to his suit. He may not have “hit” him, but he did “touch” him before he was touched, making him the winner. Also, that talisman turns the First into jelly.

omg124

Araragi prepares to put the suffering First out of his misery, but he’s stopped by Shinobu, finally meeting the re—and now re-de-assembled first minion, whom she calls Seishirou, face to face (his face is the only recognizable bit left), just as Kanbaru pleaded with her to do. Rather than let her second minion kill her first, she apologizes to Seishirou and says goodbye properly, with a firm rejection: she likes someone else now. She dumps Seishirou…then eats him.

And that’s that. Or so Araragi recounts to Oshino Ougi in his room. In this epilogue we’re finally aware that all this time Araragi has been narrating this arc to Ougi, listening with relish.

omg125

Strangely, Ougi wonders if Shinobu really at all of Seishirou, including his suit of armor; the titular “Shinobu Mail.” Araragi is pretty sure she did, but doesn’t seem 100% certain, and that little bit of uncertainty is a thread Ougi seems eager to pull on, pondering whether Izuko used the armor to forge another Kokoro-watari (and shorter Yume-watari) leaving Araragi with Seishirou’s last name, Shishirui.

Araragi exits his room to find a traditionally-dressed Ononoki, who scolds him for not coming up with merits for being with Shinobu instead of the Seishirou; or for believing “nobody becomes happy” when he’s her minion, something he still believes because of the misfortune that could be brought on everyone, including Shinobu herself.

Ononoki doesn’t want him being content with putting up with misfortune, but “aiming for the happy ending.” Embracing misfortune is negligent and not trying to become happy is cowardly, in her mind.

In Araragi’s final sililoquy, he remains unconvinced anyone is happy, but is comforted that there’s still plenty of time ahead of everyone. As the first demonstrated quite forcefully with his four-century-long suicide, given enough time, anything is possible, including happiness.

8_ses

Attack on Titan – 19

titan191

What does Levi’s big flare gun shot set into motion? Well, in the immediate moment, not all that much; it’s only an acoustic round that doesn’t seem to affect the She-Titan at all, but could serve as a signal for the soldiers ahead of them, as well as wiping everyone’s slate clean, so to speak, and focusing them.

But the more Eren focuses on what’s behind him—scouts engaging the Titan and getting killed, while he runs away—the more upset he gets, to the point he’s ready to bite his hand and become a Titan himself so he can stop the killing. Levi, looking ahead the whole time, doesn’t discourage him from this. Rather, he tells him to make his own choice, though Petra begs Eren to believe in her and his other comrades.

titan192

Those words—“Believe in us.”—triggers a flashback, which is another suspension of the momentum of the present events, but actually turned out to be a worthwhile detour. When Eren climbs down a well to test his Titan-transforming powers, biting his hand doesn’t work. Levi tells him not to sweat it, and they have some chow.

But as Eren reaches for a spoon that’s just out of reach, the Titan transformation occurs, as he unwittingly creates a partial Titan torso and arm grasping that spoon. All of a sudden, Eren’s comrades draw their swords and start yelling, ready to kill him if he so much as flinches. The sense of cascading fear and mounting chaos in this scene was quite palpable.

titan193

Eren tries to de-escalate by shouting “Be quiet for a second!”, but he’s really saved by an elated Hange Zoe, whose mouth is literally watering at the chance to see Eren’s ability in the hot, skinless flesh. Ironically, it’s Hange’s crazed, reckless thirst for knowledge and unapologeticly light mood that defuses the tense standoff. And Romi Park is immensely entertaining in this role.

An assist goes to Levi, who stood between Eren and his trigger (or rather blade)-happy officers and insisted they all basically chill the fuck out. No one acts in the time between Eren’s transformation and Hange’s arrival because the others are heeding their Captain, even if the compulsion to act decisively without thinking too much is strong.

titan194

In fact, those instincts are one of the very reasons Levi chose them for his unit. None of the men or woman directly under Levi can be said to be like Armin; they’re not overthinkers. If they see an imminent threat, they don’t assess; they act. But another reason he chose them is their unswerving loyalty. When Hange determines Eren’s actions were involuntary, they know when they’re wrong and that they were threatening jerks to Eren, and not only apologize, but bite their own hands.

Would they act exactly the same way as they did if the clock was turned back (as tends to happen on this show) and they faced identical circumstances? Definitely, but that’s not going to ever happen, because now they know a little more about Eren and his ability: he only transforms when there’s a specific purpose to it, whether it’s protecting his friends from a cannon, plugging the gate, or reaching for a spoon.

titan195

That night when Petra and the others bite their hands pledge to believe in Eren, and urge him to believe in him; that’s the end of Eren’s deliberations. Petra’s look up top is the same as the one from that night, an earnest plea for him to put his trust not only in himself, but in her, and Levi, and the rest of his comrades. Rather than transform, with the purpose of beating the She-Titan, he decides to keep racing forward on his horse. He’s growing a lot on this mission…without having to grow into a Titan.

His faith in his comrades and the Scout Regiment in general pays off, as the She-Titan, having been harried by several scouts who gave their lives to enable Levi, Eren, Petra & Co. to stay just ahead of her, is led straight into an elaborate trap consisting of hundreds of restraining wires that stop her in her tracks.

This was Erwin’s plan all along: using Eren to draw the She-Titan into captivity. She’s covering her nape, but they believe someone is in there (probably someone with that same hairstyle, I’m thinking), and they’re itching to get her out of there so she can answer for what she’s done…whoever she is.

9_brav2

Attack on Titan – 18

titan181

A survival crisis crops up when Armin, Jean, and Reiner are stuck in an exposed area with only one horse, and consider leaving someone behind, possibly to die, but Krista Lenz, who happens to be some kind of horse whisperer, rescues the three guys by bringing two horses with her, causing them to fall for their pretty savior right then and there.

titan182

That scene is a nice little breather before returning to the dilemmas at hand: the formation is off course and being torn to smithereens by the Female Titan, who continues to repel any scout attack against her, displaying intelligence and creativity even most elites have never seen.

The show’s penchant for dark humor is amplified when she spins one poor soldier around like a stone in a sling, before apathetically letting him loose behind her. I was waiting for the awful crunching sound of the guy hitting the ground,but we were spared.

titan183

Ultimately, the She-Titan’s goal is Eren, as Armin deduced from her course. The balance of this episode becomes about Commander Erwin’s strange orders and how all the lower-downs handle them. He shoots his elite core with Eren into the depths of a forest of really tall trees, which is really cool and looks like a place I’d want to camp were there not Titans around.

In fact, one wonders why humans didn’t just build settlements in the treetops, out of reach of the Titans. I guess there just wouldn’t be time to build, and in any case, the Colossal and Armored Titans would wreak just as much havoc on a forest as on a wall. That doesn’t change my opinion that a tiered tree-city would be cooler than a walled one, but I’ll table that wish in the interests of proceeding with she show we have.

titan184

In the show, Jean, Eren, and several others are outright confused by Erwin’s moves, and wish he’d just explain to them what his plan is so that they won’t be so damned jittery. That doesn’t happen; even the elites under Levi’s command look like they have no clue what’s going on. Again, one can hardly blame them; when the She-Titan suddenly appears in the forest and goes after Eren it’s pretty damned frightening.

But neither Erwin nor Levi will tell anyone anything until it’s time to set into motion whatever trap they’ve set for the Female Titan, if that’s indeed what’s going on. Levi simply orders everyone to cover their ears (what about their horses’ reins?) before firing what looks like a flare gun. And that’s where the episode leaves us, on the edge of our seats, wondering what pulling that trigger will do (beyond launching a flare, of course). Fortunately I won’t have to wait a week to find out.

Also…I doubt it’s just me, but isn’t it a bit suspicious that Krista and the She-Titan have the same hair and eyes, and that Krista showed up immediately after the She-Titan disappeared? Probably just a coincidence.

8_brav2

Attack on Titan – 17

titan171

Wow, AoT really geeks out this week with the intricate enemy scouting formation dealie Erwin cooks up for the regiment. It’s a clever way to make a group of mounted humans work like one big organism, complete with eyes on the flanks that communicate to the brain controlling navigation in the center, through the use of colored signal flares. Considering the enemy is one big organism, strength in numbers makes sense, just as it does on the Serengeti.

titan172

And naturally, because this is AoT, it doesn’t take long for Erwin’s delicately-crafted formation to start getting completely torn up by Titans, including one very frightening “centipede” variant that chases and nearly nabs a straying Sasha, who is thoroughly freaked out by the experience, causing me to wonder if she should really even be out there participating in an operation.

It’s a bit harsh to say Sash should be used to it by now, this job is going to entail a lot more close calls with Titans than steamed potatoes. Also, that crawling Titan was pretty freaky. Hell, she reacted like I would have. The thing is, Crawly isn’t the scariest Titan this week by far. That goes to one a lot…different.

titan173

I’m talking of course about the 14-meter elephant in the room: a female Titan that is incredibly fast, quick, and smart. So smart, she’s aware her nape is her weak spot and guards it from attacks, and rather than step on the cloaked Armin, daintily pulls his cloak back and gets a good look at his face before getting up and moving on. Without eating him. This is a weird Titan, indeed. And as Armin, resident brainiac, opines, it’s behavior that puts her in a very small class of Titan, along with Colossal, Armored…and Eren.

Combined with Hange’s discovery that Titans are far lighter than one would think, and those secrets in the basement, and Eren’s unique-so-far ability to transform into a Titan, the body of evidence is growing that some Titans may be humans in Titan bodies. Could there be a civilization far beyond the horizon that sent Colossal, Armored, and this She-Titan as “generals” of sorts to herd the dumber hordes of Titans to feed, like so many foot soldiers? The mind boggles at the possibilities.

titan174

But the Scout Regiment doesn’t have time to stoke their chins and consider those possibilities. They have a formation to keep and a mission to complete. Armin, with help from Jean and Reiner, manage to escape the She-Titan after trying and failing to take her out, and from the direction she’s headed, Armin believes she’s looking for Eren.

This was a thrilling episode pretty much from start to finish, doubly admirable considering Eren and Mikasa weren’t even in it, and it took place on a mostly flat field. The 360-degree cameras following the soldiers as they fought the Titans, as well as the unique way the She-Titan looks and moves, all added to the engrossing spectacle. And because much of the episode took place on horseback, things literally moved along quite nicely.

9_brav2

Attack on Titan – 16

titan161

The mystery of who killed Sonny and Bean remains that this week, as an investigation turns up no culprits. But there isn’t time to worry about that now; the Scout Regiment must prepare to head out beyond Wall Rose to retrieve the secret in Eren’s basement, which is a potential MacGuffin if I ever heard of one.

While last week focused entirely on Eren settling into his new assignment, this week gets back to his fellow 104th cadets, who must still choose which regiment they’ll join, despite being profoundly traumatized by the battle and the clean-up that followed. Some are sure of where they’re going—Mikasa and Armin to the Scouts, Annie to the Police—but Connie, Sasha, and especially Jean wring their hands a lot more.

titan162

When the night of the choosing is upon them, scores of cadets head for the hills after hearing Erwin’s stirring but not altogether encouraging speech, curtly informing them that in the last four years, 60% of the Scouts have been wiped out, and he can’t guarantee those losses will go down just because they now have Eren.

What Erwin does do, without sugarcoating anything, is lay out their plan to return to Shiganshina, in hopes the answer to defeating the Titans for good lies there (a huge assumption, but one made by desperate people).

titan163

The ones who remain, less than two dozen, include all of the cadets who hung around Eren, Mikasa, and Armin, except for Annie and Marco. I’m gradually learning their names, but to be honest there are so many and they get so little time on screen it’s tough keeping track of them all, aside from the very distinctive Sasha, Connie, and Krista.

titan164

There’s no rest for the weary, as the newly-minted Scouts are immediately integrated into Erwin’s plan to do a practice run outside the wall to test whether getting Eren to Shiganshina is possible. This means Eren is reunited with Mikasa and Armin, and to the show’s credit, Mikasa demonstrates her undying devotion to Eren by neither forgiving nor forgetting what Levi did to him.

Eren is surprised to see Jean, and almost disproportionately devastated when he learns Marco died. But Marco, it would seem, is one reason Jean joined up, despite lacking what he perceives as Eren’s “death wish.”

titan165

Marco died quietly, ingloriously, and no one witnessed his end, nor will any songs be sung. It just happened, like it did with countless other humans, be they soldiers or not. He also died without Eren ever noticing, until he was told by those who saw his body. I guess Jean took another look at himself as a military policeman after all he’d been through, and heard the words of praise from a comrade, and decided “I can contribute more directly to the cause.”

By doing so, he figures to die in a manner more likely to be remembered. But he’d rather not die at all, which is why he implores Eren, who still isn’t sure he can control his Titan form, to please, please don’t let them down. Don’t let any more of his comrades end up like Marco. Jean tells Mikasa not everyone can die unconditionally for Eren like her. Jean has conditions. If he’s going to die, he wants it to be for a good reason, and for someone to notice when it happens.

As the Scout Regiment storms out of the gates with purpose, in search of glory and salvation, there’s a good chance those conditions will be met.

8_brav2