Juuni Taisen – 11

After giving Tora a proper death to deny her corpse from becoming another one of Usagi’s slaves, Ushii ponders how best to deal with a necromantist so hell-bent on victory, he somehow managed to enslave himself before dying.

“Burning him to ash with fire” is as good a plan as any, but Usagi, or rather, the grotesque undead creature crudely reconstructed by Zombie Sharyu, catches up. When Ushii tries hacking Usagi to bits again, Sharyu jumps out from inside Usagi’s body to pin Ushii down.

It’s as devious a tactic as it is fucked up, and Ushii knows he’s hosed, and has been hosed since the moment Usagi turned Sharyu.

Ushii would prefer death to becoming a part of  Usagi’s menagerie, and Nezumi, appearing at precisely the perfect moment, grants him that preference, using Hitsujii’s bomb to blow up Usagi, Sharyu and Ushii to win the Juuni Taisen, just like that.

It turns out that “perfect moment” was no coincidence, but rather the only “route” Nezumi could have taken in order to win; the other 99 out of 100 ended with him getting killed and losing.

This week we learn that he possesses the skill “Hundred Paths of Nezumi-san”, but to the episode’s credit, we’re shown how it works before it’s explained, in a bizarre, Groundhog Day-style sequence in which Nezumi keeps refusing to submit to a post-victory interview with Duodecuple and ends up killed in various, often grisly ways, only to reset back in Duo’s office.

It’s apropos for a warrior of the rat—one of the ultimate survivors on earth—to not only have more than the “nine lives” of the cat, but be able to look at one hundred different routes in order to pick the one that will lead to his continued survival. Even weirder, he remembers all of the routes he “deleted” by “locking in” to the “winning” route.

After sitting down and talking with Duo about Sharyu’s role in creating a route for Nezumi to live (which he repaid by killing her as she requested down in the sewer), his alliances with Tiger and even Usagi in other deleted routes, and other matters, before the sun comes up and Nezumi is excused to rest and come up with a wish to be granted.

As is his style, Nezumi will come up with 100 wishes, then go through each one as Duo grants them to determine which one would be most beneficial. That should make for an intriguing finale.

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Juuni Taisen – 10

Juuni Taisen may be at the bottom of RABUJOI’s Fall 2017 barrel, but it’s by no means a bad show, and strong, simple, yet heartfelt episodes like this one only help the case for sticking with it till the end. I thought I’d had my fill of Kanae’s endless drinking and killing; it turns out, so had the show.

It wasn’t done telling us Kanae’s story, about how one day, on some random battlefield, she was mistaken for a civilian who had been plied with alcohol by the dastardly soldiers operating in the area. The man making that mistake was none other than Ushii.

Kanae never has the guts to tell Ushii the truth about her, and instead lets him rescue her and take her to a refugee camp on his back. While near him, Kanae soaks up as much as possible about the guy. She wants to know how a warrior like him does the right thing. His answer is simple: first you have to choose to do it; then do it.

Anyone—including Kanae—who is suffering or tortured has to reconcile the fact that it isn’t that she can’t do right, but that she’s chosen not to. Intent is everything. Figuring out how to do right is folly unless one decides that right is what they want to do.

Kanae takes this to heart, and decides she’s going to crawl out of her drunken hole of misery (in which she realizes she’s been suffering the whole time after all) and re-dedicate herself to becoming a warrior that would make Ushii acknowledge her.

That leads her back to the Aira dojo, where she successfully begs her way into the next Juuni Taisen, all to face off against Ushii. To her annoyance, he doesn’t remember her in the slightest (though to be fair, she was wearing a lot more back then).

And yet, the moment she chooses to do the right thing—save Ushii from Usagi’s disembodied killer arms, and take the sword strike meant for her—even seems to take her by surprise. She’ll be damned if she’s going to let such a horrible fate befall the man who not only saved countless innocent lives during his many exploits, but saved her as well.

If it weren’t for him, she wouldn’t even be there; she’d probably have drunk herself to death (though considering the tolerance she’s demonstrated thus far, perhaps not).

Turns out Ushii has never before been saved by anyone the way Tora did. That means he’s determined to save her again to repay his debt, unaware of the debt she was repaying him.

I thought it ludicrous even in this heightened reality that Tora would last long with a wound like that, especially with the jostling of riding on Ushii’s back. It’s not long then, that Tora herself tells Ushii to put her down; even if they find a hospital and her life is saved, she won’t be able to fight in their duel.

Instead, she calls the duel off and asks Ushii to kill her, lest Usagi claim her corpse. It’s a strong argument, and Ushii agrees to do it. Tora leaves the world with no regrets, with a smile on her face. Her wish, as it turns out, was to be acknowledged by Ushii.

She did more than that. By saving him, perhaps if he survives Nezumi and what’s left of Usagi, Ushii can continue his life of doing what’s right. All because in one crucial moment that made all the difference, Tora chose to do the same.

Saekano 2 – 03

Tomoya and Eriri find themselves suddenly confronted by the Hashima siblings, whose Rouge en Rouge game company put out a demo of a game very similar to their own.

While Megumi does her best to keep things diplomatic, it isn’t long until Eriri and Izumi are coming to blows.

Sure, they’re low-impact blows, and each seems to want to empower the other to do their utmost to beat each other (at art, not physically), but then there’s the fact that, at the moment, I don’t much care particularly how well Blessing’s game does relative to Rouge’s.

Isn’t it enough that the team works hard and puts out a game they can be proud of, into which they put their blood, sweat, tears, and passion?

In between acting like she and Tomoya have been married for years, irking certain male classmates, Megumi is preoccupied and fired up by Utaha’s surprise story revision.

But the only way they’ll know whether it works or not, and which script to choose for the game, is by implementing it. That means a lot of work just to catch up to the Rouge demo, with no guarantee their output will surpass their rival’s.

When one all-nighter involving Tomoya and Megumi only nets 20% of the work, other measures need to be taken. When Michiru suddenly arrives, appalled that Megumi spent the night, Tomoya sees an opening, and asks his cousin to recruit her Icy Tail bandmates into doing the gruntwork necessary to plug Utaha’s new story into the game.

They pull a second all-nighter, and considering how late I’m writing this on a Thursday night, I can’t say I don’t relate to their exhausted state when they’ve completed their task.

All that work makes it that much more harsh a slap in the face when Tomoya meets with Utaha and utters the line above. Apparently, after story, art, music, and programming have been combined, neither of Utaha’s stories cut the mustard; at least not now that Tomoya is convinced Iori has a better story up his sleeve.

He requests a complete rewrite—certainly his prerogative as game director—but I assume Utaha is dismayed by his blunt assessment, as I was. In an attempt to outdo Rouge, could Tomoya be overplaying his hand? By demanding perfection when perfection may be unattainable, will he only end up driving his partners away one by one?

Saekano 2 – 02

Utaha has finished her script, and to celebrate has Tomoya take her out for a day of shopping, dining, and watching films that aren’t poorly-received (i.e. ghosty, shelly) live-action anime adaptations.

It’s a date, no doubt about it, at least as far as Eriri is concerned, observing the couple’s interactions from afar like, well, a stalker, with Megumi forced to tag along for plausible deniability.

But Utaha doesn’t merely toy with Mr. Ethical: she makes it a point to bring up the fact that now that the script is complete, her job with Blessing Software is also done, and she’s looking to the future.

She asks Tomoya his opinion not only on where she should attend university (out in Kansai or fifteen minutes away) as well as to pick which script should be used: she wrote two. She’s basically telling the director to choose a direction; not unreasonable.

When Eriri and Megumi meet with Tomoya (thanks to Megumi having a key to his place!) they see the ending and see Tomoya’s dilemma. Eriri both acknowledges Utaha’s artistry, comparing it to the Metronome of Love series she claims to have never read, while complaining that it’s a lot more work.

Still, she doesn’t automatically reject this new ending, nor does Megumi: they, like Utaha, leave it up to Tomoya. Sorry dude, gotta make some hard choices, and not everyone is going to be happy. Especially with Izumi’s doujin game already out there in demo form, living in the same genre as their game.

Saekano excels when Tomoya is one-on-one, as he is with the lovely Utaha most of this episode. But I also liked how their interactions were shadowed by Eriri and Megumi (especially the difference in Utaha and Eriri’s reactions to the movie, which chose a “childhood friend-friendly”, and thus Eriri-friendly, ending).

I can’t say whether the script of Saekano is cliched per se; all I can say is that it is unafraid of commenting on the very genre and medium it exists in, or of being almost self-back-pattingly self-referential and irreverent of those institutions.

But the dialogue is expertly delivered by the actors, and the character design is strong, so even if this show’s ‘weakness’ is its script (which I’m not saying is the case), it’s more than capable of making up for it in other areas, which makes this show enjoyable to watch on any given week.

But I don’t think it needs a live-action adaptation.

Tales of Zestiria the X – 20

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Both Alisha’s enemy Bartlow and her “supporter” Lunarre wrongly believe she’ll take the bait of her suffering Maltran, but they’re both wrong. Maltron knows if Alisha does as she taught, she won’t come for her.

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Instead Alisha and her people infiltrate the palace. It’s not at all certain that Alisha’s order that no one is to die is carried out in the process, as both her men and many of the palace guards are injured and shot with arrows, and it’s asking a lot to think none of them will succumb to their injuries.

In any case, Alisha gets an audience with her father at last, but he’s consumed by malevolence. Baltrow enters the room alone and attempts to take out Alisha by himself…which makes no sense. Why did he go in alone, without any backup?

What would be his killing blow to Alisha is blocked by the king in what I gather is one last act of sacrifice to make up for, charitably, over a season and a half of complete inaction.

Then, before the young, athletic Alisha or her knights can stop him, the slow old Baltrow runs outside and jumps off the balcony, spiting Alisha by not being taken alive. Um, why did everyone just stand around and let him do that?

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With the internal power struggle thus hastily ended and Alisha now the de facto ruler of Hyland, she turns to the next existential crisis: that giant tornado. There’s a dragon inside, and Sorey believes he’ll be the first shepherd to purify it, erasing the myth that such a feat is impossible.

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He manages to get the job done, thanks not only to Mikleo and Rose, but his other squire Alisha joining in to help share the burden of the dragon’s malevolence, as Lailah, Edna, and Dezel handle the small fry.

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And once the dragon is purified and the sun shines over Ladylake once more, our heroes get to enjoy the victory for all of ten seconds before Symmone appears, telling them her master will cover the entire earth in malevolence and end the world, and they don’t have what it takes to stop them.

Well, I asked for more action to masked the seemingly increasing blandness characters, and I got it. But with so much significance placed on Baltrow over the last few months, and the immediate introduction of an even bigger threat, then an even bigger one after that, it all felt rather anti-climatic.

And once more, a preview in which 2D Rose and Alisha bicker over whose late master was strongest was more far more engaging than anything either of them said in the actual episode.

I’m quickly doubting whether my master adequately trained me or if I have enough squires to help bear the burden of Zestiria. Because the eye candy isn’t nearly enough to keep me interested.

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Tales of Zestiria the X – 19

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Zestiria can still effortlessly deliver vista after gorgeous vista, but the excitement and urgency came up a bit short this week, and reminded me that it’s rarely been able to satisfying depth beneath its shiny surface. It also has a tendency to be clunky in its pacing, as demonstrated in this Alisha-focused episode filled with perfunctory talking scenes.

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Giant tornadoes are threatening Ladylake…until they aren’t, as they’ve all dissipated so far. Alisha is waiting for the Big One, all while being branded a criminal by the sniveling Lord Baltrow, who is the worst kind of dull wallpaper paste villain. Unable to catch Alisha, he tries to bait her by putting her mentor Maltran on display to starve to death or be picked at by birds. Swell.

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After Zaveid decides to randomly show up to save Alisha and her knights from a giant mud hellion, then leaves to go find and shoot a dragon (see ya Zaveid) Alisha sits by a pond, seemingly for hours, wondering what to do. Lunarre is another random visitor, basically asking her to change up her methods, since, like Ned Stark, her unswerving dedication to high-minded nobility and honor may well get her killed.

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That is, if she didn’t have a Shepherd for a friend. She managed to contact Sorey last week, but he and the others take their sweet time starting off for Ladylake. I know their contact was cut off, but surely her saying “Ladylake is in dire straits” tipped him off that maybe he should hurry to Ladylake, which he, Rose, and the seraphim finally do at the end of the episode.

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I can’t help but think some of the overarching stiffness and vanilla-ness of the show could be pepped up a bit with the kind of light humor in the previews. But those are fourth wall-breaking affairs, and Zestiria isn’t meant to be a comedy.

Still, it’s troubling that the biggest rise I got was from the preview, not from anything in the episode that preceded it. Alisha’s daring stealth raid on Ladylake looks like it might be interesting, but this week was a bit too leisurely getting her there.

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Watashi ga Motete Dousunda – 12

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And so Kiss Him Not Me comes to an end, with the ending pretty much in the title all along. Mutsumi’s sudden realization of his romantic feelings for Kae make her other four suitors scramble to keep him away from her, but he eventually outsmarts them with a P.A. announcement calling Kae to the school roof.

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Mu, however, does not discourage the others from joining him on that roof and letting their feelings be known. With everyone saying they like her, clearly, and asking if she’ll go out with them, the onus is on her to choose.

Kae flees to A-chan with her predicament; A-chan is understandably frustrated with Kae putting everything in fujoshi terms, but the solution they come up with is for Kae to do things dating-sim-style. The scene is another hint that Kae simply isn’t ready for a 3D romantic relationship.

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She goes on dates with each of the suitors, and has a wonderful time with each of them, as each of their charms are laid bare before her. But it doesn’t make it any easier to choose among them; indeed, it only make the choice harder and more confusing.

All five are great, they’re just lacking that special something that would compel her to choose one over the others. Which is why, in the end, she chooses no one. The status quo prior to their confessions is the situation at the end, for Kae doesn’t “love” any of them the way she loves Shion, who may be resurrected in a new season of his anime.

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So there you have it. Kae has never subscribed to the notion that the princess belongs with the prince, or even that the princess belongs with another princess. She’s all about 5×7, tops, bottoms, and lords. Furthermore, she lives a full and happy life not with a boyfriend or girlfriend, but with her sixteen waifus.

“Sorry, that’s how it is,” she says to her shocked, former suitors. And I can’t really feel that bad for them. They’re all still friends, both with her and with each other. Hopefully they can get over the fact she’s not the kind of girl who’d date them, and never was.

It’s a fitting end to a satisfying, if not perfect show that centered on a genuine ‘unconventional’ girl (whatever that means) who may be a bit naive when it comes to romance, but in the end knows what she wants and what she loves, and isn’t about to conform.

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Sousei no Onmyouji – 13

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Yes, this show is still around, and yes, I’m still watching! Who would have thought that Benio not only had an evil overpowered brother who needs to be defeated down the road sometime, but also both their parents were killed by an overpowered Kegare that’s the equivalent of an Arrancar in Bleach: a kegare with human (or humanoid) form. This girl just has the worst luck.

But hey, someone’s looking out for her, and that someone is Rokuro. After getting the lay of the land, he peaces out of Magano with Benio at his earliest convenience, since Benio is in no condition to fight.

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He uses a med-talisman on her, and she wants to head right back in there, but he tells her to eat first and cheer up, assuring her that her late parents would much rather she kept living than die trying to avenge them.

As he goes in to get a better idea of who they’re up against in Kamui, Benio actually listens to Roku and eats his stone-cold oyakodon, which actually isn’t that good at all, but Benio still scarfs it down. As she does, she really does cheer up, remembering all the positive reinforcement and support Rokuro has offered her over their time together.

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Back in Magano, Rokuro learns that Kamui is primarily concerned with being “entertained”, and with his demon gauntlet thingy, Rokuro seems able to provide the absolute minimum quantity of entertainment for Kamui to reconsider killing him quickly. Roku has potential, after all, and anyone or anything that can land a blow on Kamui is someone he isn’t in a hurry to kill. That would be boring!

Of course, it isn’t long before Kamui turns up the difficulty level a tick, and Rokuro is shot back and bloodied with ease. That’s when a reinvigorated Benio returns (albeit hopping on one leg) to relieve him.

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Benio certainly has a head full of steam, but it’s been abundantly clear for a while now that neither she nor Rokuro can accomplish much on their own; they have to combine their power in order to make progress.

And progress that make, as Rokuro catches Benio from out of the air, the two combine their spiritual energy (or whatever), her sword gets bigger and meaner, and they deliver an epically crushing blow to Kamui.

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Kamui survives, but a limb lighter, and decides he’ll withdraw for now and wait for these two to become stronger, or, if they produce a Miko, send him or her to face him. It doesn’t really matter, as long as he’s entertained.

I actually like the guy’s philosophy; it’s at least more interesting that just a mindless killing machine. Guy’s got a code, and he’s got priorities. He even remembered Benio’s ‘rents, and how they were one of his only victims who actually sacrificed themselves for someone else, namely their daughter.

Turns out the encounter between Rokruo+Benio and Kamui was all but set up by Arima, to further bring the two together, and you can hardly argue that it worked like a charm.

Benio wakes up in bed with Rokuro, in the lovenest Arima prepared for them, no more willing to follow through with the plans Arima made for them than before, but still no less grateful for Rokuro’s support. Her parents told her being scared is okay, because they’re not alone. And she’s not alone here.

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Musaigen no Phantom World – 04

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It’s very appropriate that this week’s episode of Phantom World begins with a binge session at a restaurant, as it’s Restaurant Week here and I just got back from stuffing myself. The episode then transforms into an all-you-can-eat smorgasbord of whimsy focused on the show’s resident eating champion, Izumi Reina.

After dinner, she splits from Haru and Mai and ends up boarding a very unusual bus that takes her…somewhere. Our first go-round with the process is very mysterious, because one minute she’s boarding the bus, the next, she’s outside the front gate of her house. The next morning, Koito (Hi Koito!) confesses to witnessing the whole thing, determining that Reina is possessed by a phantom.

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That assertion proves very true when Haruhiko boards the bus with Reina next time. She’s totally out of it, as if hypnotized, but he’s lucid as the bus transports them, in a sequence that (not accidentally) owes much to the train journey in Spirited Away, to another place; an idealized storybook home complete with adorable bunny caricatures of Reina’s parents (who are a lot stricter in real life.)

As is usually the case in scenarios such as this, eating the food is a bad idea, but Haruhiko realizes this too late, and grows his own bunny ears and a pastel texture to his character design that indicates he’s been “taken” by this place. He acts out Reina’s fantasy as his big brother, until the fantasy breaks and the two are back at the front of her real house, with her real father wanting to know who Haruhiko is. Reina sends him home, promising to explain everything later.

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Turns out Mai reminds Reina very strongly of her real big sister, who got tired of their parent’s tightassery and flew the coop. So after Haruhiko fails miserably in trying to sketch-seal the bus the next time (he’s still under the phantoms’ influence), Mai and Ruru board with Haruhiko and Reina, and end up in the fantasy world with them. Ruru, who is unaffected by the food, ends up accidentally gives Mai a taste, thus bewitching her too.

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It’s not until Haruhiko goes to the bathroom of all things, that he snaps out of it; I imagined the food he ate was the cause of the hypnosis, and when he shat it out, the effects dissipated. He refers to the bathroom as a portal between the real and unreal, or some such. In any case, he takes a chance and ends up successfully snapping Reina out of it by hugging her, a gesture that always elicits a reaction in the form of a martial arts throw.

Once she’s lucid, watching the still-bewitched Mai interact with her “phantom parents” Reina realizes the phantoms fed on her desire for her family to be whole again, creating a world where she could live happily ever after even without that sister.

When the phantoms tell her to make a choice, Haruhiko beseeches her to stay in the world in which she belongs, so she can be there if and when her sister returns home. Reina chooses to reject the phantom world and stay strong beside her senpais. All in all, a very lush, atmospheric episode with heavy Ghibli influence, which taught us a little more about Reina. Though we still don’t know where all that food she eats goes…

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Noragami Aragoto – 13 (Fin)

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Noragami Aragoto doesn’t pick up right when Ebisu is about to be blasted by a pacification ring; instead, it skips to Yato escorting a young man to the Olive Tavern. It doesn’t take long to realize the boy is the reincarnated Ebisu, which means the adult Ebisu he knew and befriended in the underworld was executed.

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Yato is clearly sick about this whole situation, and Yukine and Hiyori stay on the periphery pondering what they should do as he himself wonders how he can change; how he can cease being a heartless war god now that he has a heart, and follow Ebisu’s example of working to protect and save people, and becoming a god people want to remember and have faith in for things other than contract killing.

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By the end, Yato, perhaps without knowing it, changed Ebisu. Once, he had no qualms about dying over and over, because his shrine maidens would always tell him he’d reincarnate every time without fail, and so should never fear death. In fact, due to his lives’ work, Ebisu kinda had to die a bunch of times in order to make progress researching phantoms and acquiring the locution brush. Needing to break eggs to make an omelette, so to speak.

But by the time that last ring blasted him, Ebisu didn’t want to die and be reborn again. He wanted to live and stay in the world as he was. It was, in fact, his dying wish, and the reason Yato is so beside himself; Ebisu, who told him he’d make a great god who could make people happy, managed to change himself at the end from what he always was.

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Now that Ebisu is back, but with close to no specific memories of his past self, it falls to his overseer to raise him back up into a useful member of god-society. And if that overseer has his way, this Ebisu will never see or touch the locution brush again. Yet when Bishamon and the other gods who assisted him hear of his noble ventures for the first time, they don’t necessarily agree that Ebisu should be stopped; in fact, it wouldn’t be what the past Ebisu or Ebisus wanted: for his reincarnations to carry on his work until he makes a breakthrough.

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Back freeloading at Kofuku and Daikoku’s, a restless Yato takes Yukino to a secluded lake, where he asks his exemplar, heart firmly on sleeve, to help him change: from a god of war and calamity to a god of fortune and happiness; the god Ebisu saw in him.

Hiiro appears on queue to dissuade Yato, dismiss Yukine, and drag her brother back to their father to be “praised”; thus continuing the same cycle of death and soft smiles that’s been going on for centuries. She also points out that the plan to use Ebisu as a scapegoat to allay suspicion from their father, who also works with phantoms, worked like a charm.

But no more. With Yukine beside him for strength, Yato overcomes all the warm memories of him and his sister, and does what is necessary to truly change: release her as his regalia for good. When he does so, Hiiro’s smile changes to one of shock, disbelief, and even despair. But that’s not surprising: Hiiro has never changed, and may never change. It does, however, make me wonder if she could change, once enough centuries have passed.

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Now officially free of Hiiro, Yato turns to Yukine to be his guide on his new path to becoming a less calamitous god, something he has no idea how to do since he’s “only good at killing.” But he’s wrong, and Yukine tells him there’s very little he needs to do that he hasn’t been doing already.

Really, getting rid of the temptation of Hiiro and his dark past was the most important step. He already makes people happy, like Yukine and Hiyori, who has faith that together Yato and Yukine can slay disaster before it strikes. And no, she doesn’t ask to have her tail fixed, nor does Yato offer it. She seems content with being the way she is for now.

The happy ending is only marred by the revelation that Fujisaki, the handsome young man who got along so well with Hiyori, is, in fact, Yato’s father. He joins his classmate, who cannot see the large retinue of phantoms by his side, along with Hiiro. Maybe she’s not going to change anytime soon after all.

As for his dad, it doesn’t look like he’s given up on bringing Yato back into the fold. No doubt many of the disasters thrown Yato’s way will be of his father and sisters’ making. He must be ever-vigilant. But as Kofuku says, with Yukine and Hiyori by his side, he’ll be fine.

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Owarimonogatari – 12 (Fin)

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Yeesh, I’m running out of shows to watch, fast! With the conclusion of Owarimonogatari (which I thought was ending next week for some reason), Only One Punch Man remains on my Fall list. And like Asterisk and RKC, the main event of this finale is a duel; this one between Araragi and Shinobu’s first minion. Before he steps into a battle that might end in his death, he gives his girlfriend a call, and she knows and says all the right things she should.

She saw Kanbaru’s feelings early on as a burden, but wants to be someone able to tolerate and bear that weight, as part of her wider self-improvement kick that also includes becoming Araragi’s bride. When they exchange “I love yous”, I really felt the love and the committment these two have to each other.

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When Araragi arrives for the duel at the designated spot, the First is somewhat incredulous about Shinobu’s commitment to Araragi, for allowing him to show up in such a “weak state.” Izuko sets the rules: they’ll stand back to back on either side of a non-lethal electrified kendo sword, take ten steps, then turn around, and the first to score a hit on the other wins, regardless of who gets the sword first.

A wrench is thrown into the works when Tsubasa sends Araragi a pic, and Izuko throws further wrenches into the works by saying both Tsubasa and Senjogahara are in potential danger and require Araragi’s immediate attention (I’m a bit fuzzy on all the past series but I do remember a Nekomonogatari running at the same time as this).

Basically, she sees it as finally making him choose a girl once and for all: Shinobu, Tsubasa, or Senjogahara. Araragi…stays put. He delegates the duty of checking in on the others to Kanbaru, who is only too happy to oblige. Of course, we know she’s already helped immensely by beating Shinobu in an argument.

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Speaking of Shinobu, she seems to revise Izuko’s duel by splitting the non-lethal sword in two and replacing it with Kokoro-watari, making this a duel to the death again. Araragi, who had faith in the other girls not to hold it against him for staying put, and knowing he won’t get to the sword in time, lets the first take it, then affixes a talisman to his suit. He may not have “hit” him, but he did “touch” him before he was touched, making him the winner. Also, that talisman turns the First into jelly.

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Araragi prepares to put the suffering First out of his misery, but he’s stopped by Shinobu, finally meeting the re—and now re-de-assembled first minion, whom she calls Seishirou, face to face (his face is the only recognizable bit left), just as Kanbaru pleaded with her to do. Rather than let her second minion kill her first, she apologizes to Seishirou and says goodbye properly, with a firm rejection: she likes someone else now. She dumps Seishirou…then eats him.

And that’s that. Or so Araragi recounts to Oshino Ougi in his room. In this epilogue we’re finally aware that all this time Araragi has been narrating this arc to Ougi, listening with relish.

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Strangely, Ougi wonders if Shinobu really at all of Seishirou, including his suit of armor; the titular “Shinobu Mail.” Araragi is pretty sure she did, but doesn’t seem 100% certain, and that little bit of uncertainty is a thread Ougi seems eager to pull on, pondering whether Izuko used the armor to forge another Kokoro-watari (and shorter Yume-watari) leaving Araragi with Seishirou’s last name, Shishirui.

Araragi exits his room to find a traditionally-dressed Ononoki, who scolds him for not coming up with merits for being with Shinobu instead of the Seishirou; or for believing “nobody becomes happy” when he’s her minion, something he still believes because of the misfortune that could be brought on everyone, including Shinobu herself.

Ononoki doesn’t want him being content with putting up with misfortune, but “aiming for the happy ending.” Embracing misfortune is negligent and not trying to become happy is cowardly, in her mind.

In Araragi’s final sililoquy, he remains unconvinced anyone is happy, but is comforted that there’s still plenty of time ahead of everyone. As the first demonstrated quite forcefully with his four-century-long suicide, given enough time, anything is possible, including happiness.

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Attack on Titan – 19

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What does Levi’s big flare gun shot set into motion? Well, in the immediate moment, not all that much; it’s only an acoustic round that doesn’t seem to affect the She-Titan at all, but could serve as a signal for the soldiers ahead of them, as well as wiping everyone’s slate clean, so to speak, and focusing them.

But the more Eren focuses on what’s behind him—scouts engaging the Titan and getting killed, while he runs away—the more upset he gets, to the point he’s ready to bite his hand and become a Titan himself so he can stop the killing. Levi, looking ahead the whole time, doesn’t discourage him from this. Rather, he tells him to make his own choice, though Petra begs Eren to believe in her and his other comrades.

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Those words—“Believe in us.”—triggers a flashback, which is another suspension of the momentum of the present events, but actually turned out to be a worthwhile detour. When Eren climbs down a well to test his Titan-transforming powers, biting his hand doesn’t work. Levi tells him not to sweat it, and they have some chow.

But as Eren reaches for a spoon that’s just out of reach, the Titan transformation occurs, as he unwittingly creates a partial Titan torso and arm grasping that spoon. All of a sudden, Eren’s comrades draw their swords and start yelling, ready to kill him if he so much as flinches. The sense of cascading fear and mounting chaos in this scene was quite palpable.

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Eren tries to de-escalate by shouting “Be quiet for a second!”, but he’s really saved by an elated Hange Zoe, whose mouth is literally watering at the chance to see Eren’s ability in the hot, skinless flesh. Ironically, it’s Hange’s crazed, reckless thirst for knowledge and unapologeticly light mood that defuses the tense standoff. And Romi Park is immensely entertaining in this role.

An assist goes to Levi, who stood between Eren and his trigger (or rather blade)-happy officers and insisted they all basically chill the fuck out. No one acts in the time between Eren’s transformation and Hange’s arrival because the others are heeding their Captain, even if the compulsion to act decisively without thinking too much is strong.

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In fact, those instincts are one of the very reasons Levi chose them for his unit. None of the men or woman directly under Levi can be said to be like Armin; they’re not overthinkers. If they see an imminent threat, they don’t assess; they act. But another reason he chose them is their unswerving loyalty. When Hange determines Eren’s actions were involuntary, they know when they’re wrong and that they were threatening jerks to Eren, and not only apologize, but bite their own hands.

Would they act exactly the same way as they did if the clock was turned back (as tends to happen on this show) and they faced identical circumstances? Definitely, but that’s not going to ever happen, because now they know a little more about Eren and his ability: he only transforms when there’s a specific purpose to it, whether it’s protecting his friends from a cannon, plugging the gate, or reaching for a spoon.

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That night when Petra and the others bite their hands pledge to believe in Eren, and urge him to believe in him; that’s the end of Eren’s deliberations. Petra’s look up top is the same as the one from that night, an earnest plea for him to put his trust not only in himself, but in her, and Levi, and the rest of his comrades. Rather than transform, with the purpose of beating the She-Titan, he decides to keep racing forward on his horse. He’s growing a lot on this mission…without having to grow into a Titan.

His faith in his comrades and the Scout Regiment in general pays off, as the She-Titan, having been harried by several scouts who gave their lives to enable Levi, Eren, Petra & Co. to stay just ahead of her, is led straight into an elaborate trap consisting of hundreds of restraining wires that stop her in her tracks.

This was Erwin’s plan all along: using Eren to draw the She-Titan into captivity. She’s covering her nape, but they believe someone is in there (probably someone with that same hairstyle, I’m thinking), and they’re itching to get her out of there so she can answer for what she’s done…whoever she is.

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Attack on Titan – 18

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A survival crisis crops up when Armin, Jean, and Reiner are stuck in an exposed area with only one horse, and consider leaving someone behind, possibly to die, but Krista Lenz, who happens to be some kind of horse whisperer, rescues the three guys by bringing two horses with her, causing them to fall for their pretty savior right then and there.

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That scene is a nice little breather before returning to the dilemmas at hand: the formation is off course and being torn to smithereens by the Female Titan, who continues to repel any scout attack against her, displaying intelligence and creativity even most elites have never seen.

The show’s penchant for dark humor is amplified when she spins one poor soldier around like a stone in a sling, before apathetically letting him loose behind her. I was waiting for the awful crunching sound of the guy hitting the ground,but we were spared.

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Ultimately, the She-Titan’s goal is Eren, as Armin deduced from her course. The balance of this episode becomes about Commander Erwin’s strange orders and how all the lower-downs handle them. He shoots his elite core with Eren into the depths of a forest of really tall trees, which is really cool and looks like a place I’d want to camp were there not Titans around.

In fact, one wonders why humans didn’t just build settlements in the treetops, out of reach of the Titans. I guess there just wouldn’t be time to build, and in any case, the Colossal and Armored Titans would wreak just as much havoc on a forest as on a wall. That doesn’t change my opinion that a tiered tree-city would be cooler than a walled one, but I’ll table that wish in the interests of proceeding with she show we have.

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In the show, Jean, Eren, and several others are outright confused by Erwin’s moves, and wish he’d just explain to them what his plan is so that they won’t be so damned jittery. That doesn’t happen; even the elites under Levi’s command look like they have no clue what’s going on. Again, one can hardly blame them; when the She-Titan suddenly appears in the forest and goes after Eren it’s pretty damned frightening.

But neither Erwin nor Levi will tell anyone anything until it’s time to set into motion whatever trap they’ve set for the Female Titan, if that’s indeed what’s going on. Levi simply orders everyone to cover their ears (what about their horses’ reins?) before firing what looks like a flare gun. And that’s where the episode leaves us, on the edge of our seats, wondering what pulling that trigger will do (beyond launching a flare, of course). Fortunately I won’t have to wait a week to find out.

Also…I doubt it’s just me, but isn’t it a bit suspicious that Krista and the She-Titan have the same hair and eyes, and that Krista showed up immediately after the She-Titan disappeared? Probably just a coincidence.

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