The Misfit of Demon King Academy – 13 (Fin) – A Hero’s Hero

When Hero Kanon was murdered, he used Evansmana’s power of breaking destiny to prevent Anos from becoming the Demon King of Tyranny, and taking his place as Avos. Now he wants Anos to kill him, believing his sacrifice will break the chain of hatred that is the Asc spell. Now that Ray/Kanon’s affection for humans has taken a more specific form in Misa, he can no longer wait for “someday” to arrive and bring peace; it has to happen here and now.

Anos initially seems willing to play along, pulling out all his OP magic tricks to destroy all but one of Kanon’s sources. But then, at the last minute, Anos lets Kanon stab him through his own source. As the boundaries of their battlefield drop, he slips Avos’ helmet on his head, making it appear to everyone assembled that Ray has defeated the Demon King.

Anos hoped this would extinguish the humans’ hatred, but the Asc is still going strong within Diego, who musters his ten thousand Zeshia troops and orders them to extinguish all demons. Eleanor enters the fray to try to halt their advance, while Commander Jerga himself appears in monumental scale to finish the job.

Ray/Kanon tries to attack the giant Jerga with Evansmana, but his holy sword has no effect on the “true sacred magic”. Enter Misha and Sasha, who know their King will resurrect, and in the meantime will do what they can to protect their demon brethren.

To that end, they use their Necron family magic Dino Jixes to merge into a single entity that fights alongside Ray/Kanon while Eleonore and Misa attempt to hold back the Zeshia army. It’s ultimately all about buying time and hoping the Demon King returns.

Just when Jerga seems ready to unleash a holy magic spell to exterminate all demons, it is negated by a giant black and red magical circle, and all the hundreds of Zeshias fall to the ground, stunned. Anos makes his re-appearance, having used Ray/Kanon’s killing blow to repair his source via source magic.

In this final stage of the battle, Anos and Ray/Kanon fight side-by-side, while the Demon army commander helps Eleonore and the Human forces. When Jerga tries to use Asc, Anos counters with an Asc of his own, fueled by the Fan Union’s latest song. He even summons Delsgade!

Soon, even Jerga’s hatred is transformed into love as he sees the shell necklace he gave his beloved wife. The present era of peace asserts itself and the united forces of Humans and Demons fight together to eliminate a solitary man’s two thousand-year-old grudge.

At this point we’re running out of episode, so Misha and Sasha split back into two girls in order to welcome Anos back to the world of the living, while Ray returns to Misa and embraces her with love. As the credits roll, the whole, the Anos & Co. return home, where his parents meet his “third wife” Eleanore (whom he converted into his magic so she’d no longer be misused) and learn of her ten thousand “children”.

That final scene really brings is back to one of the more unique aspects of the series, which was that the main antihero always had a loving home and family to go home to and enjoy some piping hot mushroom gratin. It’s welcome and necessary follow-up to an disorienting kitchen-sink final battle that in the end was only slightly more over the top than previous climactic battles.

While I maintain that things got overstuffed towards the end and that 5-6 additional episodes would have been ideal, Demon King Academy was nonetheless a fun new take on the OP Asshole MC, tempering extremely arcane magical jargon with a surprising amount of heart.

The Misfit of Demon King Academy – 12 – The Necklace

Eleanor explains to Anos that Hero Kanon’s right-hand man Commander Jerga feared that the humans would forget their grudge against demons in time, rendering them vulnerable for destruction. So he used taboo magic to split his source into two distinct spells. One is Asc, the manifestation of his grudge that infects every human, including the hero academy students.

The other spell, Eleanor, was a “bust” because while she performed her role of creating source clones, she failed to absorb any of Jerga’s hatred. She believes Anos can end Jerga’s grudge by destroying her, but her clone children begin to gather around her and beg Anos to save their mother.

And, oh yeah…Jerga freaking murdered Kanon, when the hero wouldn’t support the generational spread of hatred into the future. While Hero could have instantly resurrected himself, he didn’t, apparently washing his hands of humans and their inevitably treacherous ways.

Anos and Eleanor are interrupted by Diego and his guards, but they’re interrupted by the arrival of the three remaining brainwashed Seven Elder Demon Emperors…along with a masked Avos Dilhevia himself.

Diego and Avos project their images over the human and demon capitals, respectively, in order to drum up support for a new war against each other. Both the human and demon crowds welcome a return to hostilities. It’s as if Diego and Avos were coordinating with each other.

Not content to sit back and let this play out, Anos resolves to prevent the war before it starts. Naturally, he is accompanied by Misha, Sasha, Ray, Misa, the Fan Union, and the four Elder Demon Emperors loyal to him.

The day before they head out, Ray comforts a nervous Misa, believing his own lack of nerves to be a sign he once fought in the war two thousand years ago. He also asks for half of Misa’s single-shell necklace, which tradition states is a essentially a proposal.

The next day, with the Fan Union providing rearguard support, the Necron sisters neutralize the advancing demon armies to the west, while Ray and Misa are tasked with neutralizing the armies to the east. Anos himself heads to Avos’ fortress, and Misa informs him remotely that she’s lost sight of Ray. Uh-oh…

As the two opposing groups of Demon Emperors fight (three on Avos’ side, four on Anos’), Anos and Avos meet in the field, and Anos connects the dots. After Jerga’s betrayal, Kanon resurrected as a demon: Ray Gransdori. As for Ray? Well, he’s Avos Dilhevia, and has been all along.

While Anos states Ray’s knowledge of the neckless and ability to wield both a Unique and Holy Sword as evidence Ray is Kanon, looking back there were other little clues here and there that in hindsight indicated Kanon/Ray was Avos. There’s…a lot that happens and is revealed this week, and it’s a bit rushed, but that it all mostly makes sense and holds together is a testament to the writers, as well as the adapters who clearly had their work cut out for them reducing the source material down to thirteen episodes.

Anos also deduces that Kanon must be trying to “save something (or someone) new” by posing as a fake Demon King. Did he become Avos and stoke a new war knowing the true Demon King would stop him, and end the grudge Jerga had spread? Does he truly love Misa, or was he just playing her? Despite all we’ve learned, the final episode still has plenty to reveal.

The Misfit of Demon King Academy – 11 – There Are No Heroes Here

With the lake drained of water (holy or otherwise), the multi-pronged fight between Anos and his cohorts and four reincarnations of Hero Kanon’s sources, including their secret weapon, the mute, petite, first-ranked Zeshia. As the fight commences, one hears a dread voice in the air saying kill the demons—even though this is supposed to be a friendly class competition!

As expected, the demons fare well, as the hero reincarnations possess far more arrogance than actual talent. As Misha builds a sturdy castle within their barrier, Sasha makes the jock hero wither in despair while Ray bests the self-style sword ace of the heroes. They only protest harsh treatment when they get a taste of their own medicine.

That leaves Zeshia and Four-eyes against Anos, and let’s be honest, it was always going to end up with Anos winning walking away. Zeshia’s acrobatics are impressive, but even when the heroes summon all of the love of the ten million people of their city, it only takes the eight girls of Anos’ Fan Union to counter that magical enhancement. Quality over quantity.

The heroes’ primary misconception is that demons cannot love, when it’s obvious that the relationships between Anos and his friends and family are suffused with the stuff. When Eleanor summons Anos to the shrine, vowing to help them stop Zeshia, he sends Misha instead, and she’s brutally stabbed by Diego, who has gone absolutely mad with hatred for all demons, vowing to exterminate them all here and now.

Anos doesn’t allow Misha to suffer long, disabling Diego before healing her wounds, then killing Diego, bringing him back to life with the hilarious line  “If you have time to be dead, answer me.” Diego has been using his students as puppets and “Kanon” fodder to carry out his vendetta, proving to Anos that he has nothing to do with the true Hero Kanon, who would rather suffer the destruction of six of his seven sources than allow anyone to sacrifice themselves for his sake.

Gathering a still-woozy Misha in his arms, Anos proceeds to a chamber where he finds a nude Eleanor within a bubble of light, and she declares that she is…”magic.” And here I thought she was just a friendly upperclassman and helpful school tour guide! In any case, she’s not necessarily an enemy of Anos & Co., so I’m eager to learn what her deal is.

The Misfit of Demon King Academy – 10 – Magic Cheaters Never Prosper

Just because the Demons are in hostile territory doesn’t mean they all start getting along. When top-ranked third-year Royalist Revest Aynie learns how early Anos arrived, he suspects cheating, but Anos doesn’t rise to his provocations, instead praising Revest for requiring so little time himself.

Yet when Revest is chosen as the first Demon Academy student to compete in a magical competition against a Hero student, he can’t even cast a spell on a mouse, much to the amusement of the extremely arrogant and haughty Hero Academy’s headmaster, Diego.

Anos reveals that the humans cheated, casting an anti-demon magic spell. This becomes a common refrain this week: the Hero Academy blatantly cheating at every turn, while the Demon Academy’s Royalist faction shoots themselves in the foot for refusing to maintain a united front with the Anos and their Hybrid comrades.

In Melheis’ report to Anos, he cannot find a mention of Hero Kanon being murdered by a human in the legends, but does interpret a passage he found to foretell that when the Demon King returns to Azeshion—i.e. Anos right now—the Hero will return with the Spirit God Human Sword Evansmana in hand: the holy sword forged to destroy him anew.

Sasha and Misha aren’t about to let Anos spend a quiet evening to himself in his room…not when there’s a night festival to attend! As the three walk the stalls together, Anos spots Ray and Misa, but Sasha urges him not to approach them.

That’s because she can tell they’d only be intruding. Ray, grateful for Misa’s help in saving her mother, wants Misa to cheer up and forget the problems with their academy factions for one night, and accept a shell necklace he won at the shooting game. I for one am fully aboard this adorable ship!

The next morning the Hero and Demon Academies participate in the main inter-academy competition, which involves a battle beneath the lake where there are underwater ruins and caverns, a truly awesome setting. Less awesome is the fact the Humans are cheating again.

The very water in the lake is mixed with Holy Water, which increases their magical ability but is toxic to demons. It’s even more toxic for Revest and his pureblooded elite Royalist team; had he drawn upon the ranks of Hybrids, they might have stood a better chance in the face of the Human cheating.

Instead, Revest & Co. are utterly defeated by the trio of Hero reincarnations, and he and his team have to be rescued by Anos. Menou-sensei, a longtime mentor and friend of Revest who knows how kindhearted he is and how hard he fought for his top-ranked position, tries to heal him, but her magic has no effect since he has a stigma caused by Holy magic.

Among the Demon Academy contingent, only Anos has the power to heal the stigma, and despite Revest hating Anos with every bone in his body, accepts Anos’ help for Menou-sensei’s sake. Perhaps this is the first step towards the Demons finally forming a united front and dispensing with the infighting that falls right into the Hero Academy’s hands.

Having stayed on the sidelines, Anos, accompanied by the Necron sisters, Ray, Misa, and the Fan Club, challenge the Hero trio to a round two, but not in the Holy Water-infused lake. When one of the heroes jokingly says they’ll wait while the lake is drained, Anos proceeds to…drain the motherfucking lake, using a massive fireball to steam all of the water away, creating an even more dramatic venue for the next battle.

Diego and his Heroes were able to steal a couple of cheap wins this week, but the tide has not just turned, but vanished into thin air! I imagine even if and when the Humans deploy their secret weapon (described only as “that” and appearing as a young lady with black hair), Anos will be ready and able to deal with it. And if not, he’s got all his allies by his side to support him.

The Misfit of Demon King Academy – 09 – The Other Side of the Story

Flash back two thousand years to the Human capital of Gairadite. Anos stops by, walking nonchalantly through every barrier the Humans can throw at him. But he’s not here to conquer, but to forge a peace. Hero Kanon is incredulous, but seems willing to hear Anos out. His general Jerga…isn’t, and ends up with Anos’ hand through his chest.

Back in the present, Menou Historia has “temporarily” replaced Emilia-sensei, and informs the class of the impending inter-academy classes in three weeks. We learn Demons and Humans use magic in very different ways.

A select team of students will travel to Azeshion’s Hero Academy, Arclaniska. For everyone but Anos it will be everyone’s first trip to the Human Realm, and he wants to make sure they’re ready, tirelessly sparring with Misha, Sasha, Lay, and Misa.

He also gives Lay a magic sword that was once master by his right-hand-man, whom I assumed was Shin, before remembering the promise he made to Kanon after getting stabbed by the Hero: that if they reincarnated in 2,000 years it would be as friends. So is Lay Shin, or Kanon? It’s not that clear.

Meeting with the newly-freed Melheis, Anos learns that Gaios and Ydol are on the mend, while the Humans’ Hero Academy has raised an elite class of reincarnated heroes, suggesting they may be preparing…something. The students are expected to find their way to Azeshion on their own within ten days; Team Anos (minus the fan club) are teleported there in one second.

While touring the city, Sasha notes how it’s not that different from the Demon capital. When Anos compliments her eyes again, they start to go out of control until Anos calms her down. He promises not to treat her like a child if she’ll promise to use her eyes to protect everyone if he’s ever unable to do so.

They arrive at the front gate of Hero Academy Arclaniska, where they’re met by third-year student Eleanor Bianca, a friendly, cheerful young woman happy to show them around and impressed by Anos’ knowledge of the Hero Kanon.

When Eleanor tells them how Kanon defeated Anos and built the walls, Sasha is outraged, but Anos far less so. He understands how in order for his peace plan to ultimately work, humans had to make a story in which they were the good guys and victors. What’s odd is, Humans believe the name of the Demon King of Tyranny to be Avos Dilhevia as well.

As for Hero Kanon reincarnated, since he had seven sources (or “hearts”), each could be reincarnated into a different body. Four of those are current students in the elite class, and two of them, Ledriano and Laos, confront Anos when they hear he can’t “accept the defeat” his founding ancestor suffered (of course not knowing Anos is the founding ancestor).

After Laos comes at Anos and is handled easily, Ledriano begs Anos’ forgiveness for his comrade’s rudeness and requests that he and Sasha leave for now. Surely these two will see each other again when the inter-academy skirmishes start. But later Eleanor warns Anos that if he’s looking for the original Hero Kanon reincarnate, he may be disappointed, since Kanon was murdered two thousand years ago…by a fellow human.

Featuring a new setting of the Human Realm with its requisite hierarchies, players, and alternate history, this first episode of the inter-academy mini-arc is functional, if uninspiring, expanding the show’s world but lacking the awe and excitement of the previous episode’s battles. There were moments this week when I wished the details of the mythology were less muddled, but that’s at least partly the point: a lot can change in two thousand years.

Goblin Slayer – 08 – Good as New, but Still Scared to Death

Goblin Slayer is Resurrected by a miracle that requires him to share a bed with a virgin—in this case, the Priestess. While he’s out, he remembers his harsh but fair master who taught him how to slay goblins, breaking him down then putting him back together into someone who won’t freeze and do nothing, but act when action is needed…even if it kills you.

Or, in GS’ case, almost kills him. The miracle works, and we get our first look at a maskless, armor-less Slayer, although his eyes remain obscure both in flashback and present. The Sword Maiden pays him a visit (I imagine it’s her bed he and Priestess are in), but she couldn’t be the virgin the miracle needed, thanks to the Goblins.

She confides in him how even though she defeated the Demon Lord, she remains scared to death, and in need of people to help her overcome that fear. We’ll learn that that constant fear is something GS shares.

Dwarf, Elf, and Lizard reunite with GS and Priestess and they go into town for their first meal since GS went down; a meal they promised to have together. GS and Priestess then split off and head to the shops. Priestess could easily replace her damaged chainmail, but for her its sentimental value vis-a-vis GS outweighs the difficulty of repairing it. GS also acquires new weapons, since he lost them all in the ruins.

They share a sunset by the sea with a new invention called “ice creme” and after being chided earlier for being so taciturn with the Priestess, he actually opens up about that fear he once had to just take one step forward, lest the ground swallow him up. He’s still “scared to death” just like the Sword Maiden, and not amount of noble feats will change that.

What changed was what they do with that fear, and how they keep living in spite of it. In both cases, neither would still be alive were it not for a little help from their friends. Back at the farm the cow girl assures her father that despite having been gone a long time, the GS will be back.

Resurrection apparently doesn’t require much recovery time, since GS is back in action in the ruins with the rest of the party, after acquiring a mystery burlap sack from the Black Mage. Their next big foe is not a goblin, but a “creature of Chaos”: a giant eyeball with tendrils coming out of it, each tipped with more eyeballs. Whenever something enters the room where it resides it blasts it with a stone-melting energy beam.

GS knows he can’t just rush in and stab or blugeon the thing to death, so he formulates a game plan that requires the cooperation and coordination of everyone in the party. The Elf rushes in to distract the Eyeball, allowing the Dwarf to slip in and hit it with some sleep-inducing fire wine. Once GS empties the burlap sack—full of ultra-fine flour—into the room, creating a huge cloud of the stuff, the Elf shoots an arrow into the side of the eye, and then everyone retreats from the room, behind the Priestess’ Protection.

The Lizard sends a Dragontooth Warrior in, which the Eye instinctively targets and fires its beam—igniting the flour like coal dust in a mine. The resulting explosion kills the creature, without the GS using fire, water, or poison. That leaves the adventurers standing before the thing it seemed to be guarding: some kind of magic mirror.

I was a bit surprised so little time was spent without GS in the picture—the Priestess wasn’t even awake during that time—but considering the name of the show perhaps I shouldn’t have been. Not to mention this is a world of fantasy and magic in which death isn’t always irreversible. It was also good to learn a bit more about our boy, and for him to actually open up to the Priestess, who has certainly earned the right to know more, having saved him and all.

Overlord II – 05

Following his thorough intimidation of the Lizardmen, Lord Ains and his guardians travel to his newly-built forest stronghold. He learns it comes with a super-creepy throne made partially from human bones, and decides he’ll finally dole out Shalltear’s punishment by sitting on her.

Shalltear turning the intended pain into naughty pleasure, combined with Albedo’s violently jealous outburst in the next room, are both examples of OverLord silliness at its best. Things get even sillier when Ains uses a spell to see inside one of the village’s huts, only to catch Zaryusu and Crusch doing the nasty.

The Lizardmen elders and warriors, including Zaryusu, make their one last desperate stand against Cocytus, and are (figuratively) disarmed by his polite and respectful demeanor before being disarmed (literally), halved, and riddled with icy projectiles.

The comedy shifts from the silly to black, as Cocytus calmly, quietly explains how not a single one of his opponents’ magical or physical attacks will have the slightest effect on him; they’re simply too low a level to put a dent in his Guardian-class defenses.

That doesn’t stop Zaryusu & Co. from charging forward, even if it’s right into their grisly deaths. Zaryusu is the last to be killed, but Cocytus promises he’ll remember his name and that of his brothers as the names of warriors.

Back at base, Cocytus is praised for his victory by Lord Ains, and suggests the bodies of the dead Lizardmen be used for undead research. Cocytus makes a counter-proposal: raise Zaryusu, who had been such a valiant fighter, from the dead.

Something like that is well within Ains’ mighty means, but he wishes to make it a transaction, and so asks Crusch to spy on the other Lizardmen in exchange for the resurrection of her lover. (Her momentary assumption he wanted her body enrages both Albedo and Shalltear.)

Crusch agrees, and Zaryusu is brought back to life, and yet even here OverLord doesn’t shy away from having a bit of a laugh; Zaryusu’s speech is all high-pitched and messed-up, like he didn’t quite come back 100% right (rest will apparently restore his former gravitas).

But Ains got what he wanted: the allegiance of the Lizardmen tribes, and a mole who will alert him if that allegiance ever wavers, secured by a “spell” (in reality just a lie) that will kill Zaryusu if Crusch ever betrays him. All in all, some shrewd maneuvering by His Skullfaceiness.

Inuyashiki – 08

Hiro never bothered to cover his tracks that well, and so it was only a matter of time before a SWAT team showed up. In their attempt to capture him, Shion and her grandmother are killed, and the ostensible sociopath, who has chosen them as tethers to his humanity, is clearly very upset and guilty about that.

The police empty clip after clip into him but of course cannot penetrate Hiro’s skin, and he’s able to escape with Shion and her grandma and, I assume, heal them. Still, he leaves them behind, with words of apology, and will likely never let them get in harm’s way again—which means never coming near them again.

It’s a busy episode of Inuyashiki that checks in on just about everyone, even a random cop duo who hope to catch Hiro soon. But its focus is on Ichirou’s daughter Mari, who gets some welcome development beyond the thin outline we’d gleaned thus far of a girl ashamed to have such a poor, pathetic old-looking man for a father.

Turns out that was not nearly the whole picture. Mari’s grades aren’t great, and isn’t that interested in going to college. Instead, she wants to strike out as a mangaka, utilizing a craft she’s honed in secret since elementary school. She’s motivated by her neighbor and classmate, the rich and entitled son of the famous mangaka Oda, and she resents that he’s trying to follow in his footsteps simply because it seems like the natural thing to do.

Meanwhile, Ichirou continues to explore and refine his abilities with the help of Andou, another classmate of Mari’s, and it isn’t long before she spots the two walking and talking together. She stalks them, and dismisses the wild (and hilarious) theories that initially enter her mind (Andou is asking for permission to pursue Andou; her dad is into younger boys; Andou is his bastard son).

She keeps following them, watches them go into hospital rooms, then Googles the “miracle worker” who has saved over 120 lives. Then she sees her father launch himself into the sky like a rocket, and nothing will ever be the same.

By that, I mean Mari immediately starts to think of her father in a different way. Not much time is spent on her processing what she’s seen—it would understandably take some time—but when her mother confronts her on her low grades and insist she abandon the manga hobby and go to college, expense be damned—Ichirou walks in and immediately takes her side. 

Granted, Ichirou probably has no idea Mari knows anything about his abilities, so there’s no leverage at play here. Indeed, a pre-transformation Ichirou may have taken his wife’s side instead, because he struck me as a bit of a pushover. But not now. Now he’s willing to let his daughter embrace her dream, because he wants her to be happy.

As for Shion and her Grandma? They’re alive and well, in a new apartment, receiving payments from “him.” He healed them, but apparently could not wipe their memories. My money is on Shion trying to reach out to Hiro again, perhaps to her peril…again.

But being apart from Shion, her grandmother, and their quiet, simple life, not to mention the reason he had to leave it, has an immediate and strong negative impact on Hiro, who slips back into his old homicidal ways. The ones he cares about may still be alive, but it doesn’t change the fact that the police killed them, obviously lacking the knowledge he could repair them.

Had the police left him alone (whether that was the right thing to do or not), he may have continued on his peaceful course. But now he wants revenge, and to lash out at those who dared hurt Shion and her grandma. So he heads to the station and starts systematically slaughtering every policeman he sees—including the two cops we saw earlier.

When he’s done inside the headquarters, he goes outside to find a huge force waiting for him. A sniper knocks him down, and SWAT teams riddle him with bullets anew, but they can only slow him down; they can’t stop him, or really even hurt him. Even when “unconscious”, his defensive systems deploy and eliminate all threats with grim efficiency.

All of this unfolds before the video cameras of the media, which it seems Hiro doesn’t kill. Indeed, he leaves one defiant policeman alive so he can witness him killing all the other police around him, to prove to him he will always win in the end.

But because those cameras are capturing him, Ichirou and Mari are watching on the news, and Ichirou doesn’t see the boy who fought to protect Shion and her grandmother, or saved as many lives as he killed (though he’s now clearly “in the red” again). Ichirou just sees a butcher only he can stop.

OverLord – 13 (Fin)

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In a battle so epic it needed two parts, Momonga—sorry, Ains Ooal Gown—turns the tables for good. Having told Shalltear that everything has gone according to plan, he transforms into “Perfect Warrior”, the armor of Lord Touch Me, a former playmate. He then proceeds to summon superweapon after superweapon, so fast and unpredictably is the onslaught that Shalltear must abandon defense altogether and focus on offense, losing an arm in the process.

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But Shalltear wasted all her skills and most of her MP in the first half of the battle, when she thought the two participants were a lot more evenly matched. Turns out, Ains was simply lying to her, as well as failing to correct her incorrect assumptions about his weaknesses. The only weaknesses Ains had against Shalltear were dealt with in that first half, which is why he thanks her so profusely before Part Two begins.

Once a timer goes off, Ains dispenses altogether with the fiction that Shalltear had the slightest chance against him and casts “Fallen Down.” As she utterly disintegrates in the light of her overlord’s power, a smile marks Shalltear’s face. He was every bit as great as she thought, and then some. Of course she couldn’t win against him.

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The same reason Ains had all those cool weapons is the same reason he’s able to ultimately resurrect Shalltear, albeit, unexpectedly, without her ample bosom (something she laments once she notices). That reason is cold hard cash. I’ve played my fair share of RPGs long after the main quest is complete and amassed fortunes so large I could buy everything there was to buy, which is what Ains does. And while it costs a cool 500 million to resurrect Shalltear, it isn’t as if there was anything else for him to buy.

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It’s all too common for villains to simply disappear into oblivion, cursing the name of the hero who defeated them. OverLord is different. Not only is Ains not a hero but an antihero, but Shalltear isn’t a villain either; she was under mind control, which we learn was only partial, but it still did the trick in terms of having her rebel against Ains. And she comes right back, mostly the same as she was, and certainly just as in love with the adorable Ainsy-Winesy.

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With Shalltear returned to the fold and Nazarick back at full strength, Ains gets back to work, learning all there is to be learned about this new world he finds himself in. He’s awarded Orichalcum Plate, and plots to fortify Nazarick and discover the entities who tried to steal Shalltear’s Mind—we learn they’re from the Slane Theocracy, and they’re not done yet. We also learn that Brain Unglaus is still alive, as Stronoff finds him in an alley.

There’s no official indication at the end of this extended epilogue that there will be a second season OverLord, but I wouldn’t be surprised if there was, whether it’s in Winter or next Spring or Summer. There’s certainly plenty of material left to explore, lots of awesome one-sided battles to be fought (and perhaps some not so one-sided), and, of course, the central mystery of What Exactly Happened to the human MMORPG player inside Lord Ains. Though, at the same time, I’m kind of glad weren’t spoon-fed all the answers.

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GOD EATER – 09

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In the final episode before a Fall hiatus (the final four episodes will air in the Winter), GOD EATER comes to something of a logical crossroads to pause at, while looking back at one of the least-used main characters in Soma Schicksal, who up until this week we’d only gathered bits and pieces about. As it did with Alisa previously, the character is improved and made more understandable when the show looks back upon his history and how it shaped the dour, taciturn God Eater.

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This new information comes when Lenka of all people is selected to lead one of the five squads that will set up the devices for the Meteorite Project, and Soma is assigned to Lenka’s team. Lenka’s as surprised as anyone else, but Major Amamiya isn’t aware of his life-threatening situation (only Sakaki and Licca know), so she’s sending him in. He accepts the mission and leadership role, but decides to bone up on Soma’s history, and learns that he was the first God Eater.

His mother Aisha died in childbirth, and his development as a weapon against Aragami hit a number of bloody bumps in the road. As such, everyone around him has thought of him as a harbinger of death (or Shinigami); a label he may not like but certainly seems to accept, especially when his nightmares include looks of fear from injured researchers and a look of resentment and disappointment from his dad, now Fenrir’s director. The father and son share just one brief scene in an elevator, and it’s cold as ice, which isn’t that surprising considering Johann lost Aisha the day he gained a son.

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But Lenka learns an important lesson from Major Amamiya before the operation, after he asks her why she retired from being a God Eater. Rather than get the answer he expected—like him, her God Arc was going to eventually kill her—she said she simply lost hope, after watching so many Aragami emerge from the barren ground right after killing others. Rather, she lost hope that she could do anyting about them, so she decided to put her trust in the future; pass the hope onto those who haven’t been beaten down as she has.

Lenka carries those words to the battlefield where they set up the device, and when everyone, including Soma himself, tells him to run, he refuses, instead using the device to lure the Aragami and ordering Soma to aim his deadly attack directly at him. He trusts in his battered arc’s ability to shield him from the attack, and all the Aragami are wiped out.

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Lenka decided to put his trust in Soma, not as a harbinger of death, but a vessel of hope. That’s why his name is Soma in the first place; for the wine of the gods bestowing life energy to man. That hope was placed in Soma by his mother Aisha, who volunteered to sacrifice herself and her baby for the good of mankind, absent time or other viable options. And for the first time, with Lenka, Soma sees that hope, and value, in himself.

Unfortunately, Lenka doesn’t have a lot of time left; but rather than pass his hope onto others, he’s willing to bet that little time he has left is enough to make more than an impact than retiring. So he asks Sasaki and Licca to repair his God Arc, even if it accelerates his demise. Meanwhile, Johann seems miffed that Lindow has kept a secret village a secret, while an increasingly sinister doctor seems to be brainwashing a drugged/hypnotized Alisa not just to fight Aragami again, but Lindow as well.

There should be plenty of action and character drama in the final fourth of the series. We’ll just have to wait a few months to see it pan out.

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GOD EATER – 08

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I must say, it’s rough having to wait an extra week for every other episode (now I know what Preston went through with Sailor Moon Crystal), but of late, when GOD EATER deigns to air, I can be confident there will be good stuff in store. Alisa is holed up in her messy quarters, apparently continuing to suffer withdrawal from the pills that have always neutralized her fear, which come with a different fear of ever being without them, as she was the last few episodes. With Lenka’s God Arc in need of repairs, both he and Alisa are on leave,  leaving Fenrir Far East shorthanded on the eve of a big operation.

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Professor Sasaki, the father of the God Arcs, arrives, and is shocked that Lenka’s Arc broke; something that’s never happened. Not getting any further answers out of the weapon, he and Licca turns to Lenka himself. Meanwhile, the active part of Unit One joins with Unit Two on an operation at a baseball stadium, led by Sakuya, as Lindow is sent on another mysterious solo mission.

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Shortly after engaging the Aragami, the baseball field crumbles beneath their feet, sending the Eaters underground. Lenka, who has been encouraged to observe the op from the Command Information Center where Major Amamiya spends her days, and it isn’t long before he suggests a course of action contrary to her orders, angering her.

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However, when the Eaters underground follow his suggestions and things turn out for the best, with them bottle-necking the Aragami in a narrow corridor and mopping them up with a pincer attack, Lenka is ultimately absolved rather than punished for speaking out of turn. The successful mission, with everyone returning and praising Lenka for saving them (even Soma, in his way), shows Lenka has value as both a front-line fighter or, if he doesn’t have a God Arc, commanding them from behind.

That’s good to know, because his days as a front-line fighter with a God Arc are uncertain, at best. Sasaki determines he, not the Black Vajra, broke his own God Arc, when his compatibility spiked to a level it couldn’t handle. Sasaki also informs him that this condition also threatens Lenka’s life and will eventually kill him.

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Undergoing psychiatric treatment (i.e., talking to a professional), Alisa realizes if she’s ever going to get back in the fight—and her services are desperately needed—she has to rid herself of her fear, and begs the doctor help make that happen, not matter what the cost. I don’t doubt whatever is done to her will not only affect the personality of the woman we’ve come to know and feel for, but threaten her life, as Lenka’s compatibility threatens his.

As the two most valuable New-Types struggle with their problems, Director Shicksal announces a new strategy for eliminating the Aragami from the immediate vacinity in order to allow work on Aegis. It involves controlling their movements, sorting them by species, and sending God Eaters who specialize in each species to take them out. It sounds like a daring plan, but I’m almost certain it won’t go smoothly, because that’s just not how things tend to go on this show.

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Last but not least (for once), we have another dark flashback, this time to the very evening the Aragami Apocalypse occurs. I was not prepared for how total and unyielding the transformation of the world was, with giant towers of oracle cells jutting out of the earth, dwarfing, piercing, and crumbling all works of mankind like so many sand castles. I was also moved by the last shots of a tranquil world at night before all hell breaks loose.

Schicksal, Sasaki, And Gauche were working feverishly until the end, but losing government support torpedoed their chances of coming up with a solution in time to stop the calamity that befell the earth. It’s looking more and more like mankind’s worst enemy in this whole dark business has been…mankind.

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GOD EATER – 07

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In a welcome surprise, Lindow doesn’t simply lead Lenka and Alisa back to Fenrir; they take a detour into a forest—the sight of which amazes the two new-types—within which lies something even more unthinkable: a civilian settlement for those who Fenrir turned away…including the little girl in pink Lenka saved. The show packed a punch when it sent her off, but I’m glad the show didn’t carelessly discard the character for good. She is, among other things, the embodiment of the future Fenrir is fighting for.

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The reason the village is able to survive and even thrive is that the trees of the forest are really Aragami the people have raised as a protective barrier. Even so, large Aragami like Vajra can still force their way through. When a Vajra does just that, Alisa is soaking in a bathtub to try to clam her nerves and steady her hands, and failing at both. She knocks over the tub and crawls into a closet to hide. I like that the show has the guts to keep one of its strongest characters out of commission for the entirety of the crisis, upping the difficulty level for those able to fight.

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Lindow also peaces out for what reason we don’t know (though testing Lenka by risking all the people he worked so hard to protect doesn’t sound like a logical one). He sends Lenka to deal with the Vajra and protect the people by himself. Lenka is not to let anyone die, especially himself, and Lindow urges him to trust in his God Arc, even though we saw how ineffective it was last time Lenka tried to use it.

During this crisis, GOD EATER once again exposes its difficulty with pacing in such situations. As soon as Lenka returns to the village, the Vajra has already done a ton of damage, and you’d think he’d already killed a good number of settlers, but time seems to grind to a very noticeable crawl to halt as Lenka slowly figures out who and what he has to work with and what the plan should be. Honestly, it’s like the show presses “pause” on the Vajra attack.

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Fortunately, despite of Alisa’s emotional incapacitation, the episode is not bereft of proper Girl Power, as the unlikeliest (or most predictable, depending on how you look at it) person volunteers to help grab some ampules from the warehouse for Lenka to draw the Vajra away: the little girl in pink. She puts the lion in civilion (if civilan were spelled that way, of course), acting with uncommon courage and determination, and not only comes through for Lenka, but saves his life in the process.

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Also fortunately, the screeching halt of the action picks up nicely during the entirety of Lenka’s final gambit, squaring off with the Vajra David & Goliath style with his crossbow of ampules. When the Vajra halts its retreat and prepares to skewer him, Lenka finally figures out what Lindow meant by trusting in his God Arc by pumping an ampule into it, brining it back to life so he can use it to push the Vajra into the river. The other civvies finish the job by opening the damn, and good ol’ mass and gravity finish the job.

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It’s a great moral-boosting side-victory for Lenka; a performance that inspires the girl in pink, impressed Lindow, who knew he had it in  him, and worries Alisa, who is not happy that she’s been so useless of late, but has no idea how to fix it. Sure, she could get drugged back up in Fenrir, but the drugs can’t fix her underlying crippling fear of the Aragami, and she can’t be sure the drugs will always be around.

Alisa’s continued struggles continue to make her the one of the more interesting characters, and while I realize that’s not saying much on this show, her retreat from heroism absent courage-endowing drugs nicely mirrors the girl in pink’s progress absent exceptional strength or ability. It’s a dynamic that keeps me emotionally invested, though I’m also hoping Alisa doesn’t remain a defenseless damsel for too long.

8_brav2

Kyousougiga – 06

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Yakushimaru isn’t happy about being revived and adopted by Myoue and Koto (of the “monster temple”) and tries to kill himself again, to no avail. Gradually he gets accustomed to his new life and even starts to enjoy himself, as the family grows to five with Kurama and Yase. In the present, Koto confirms that Lady Koto is her mother. During the Mirrored City’s festival, Kurama and Yase bring Koto before the Council of Three against Myoue’s wishes. Kurama takes A and Un hostage and make Koto fight the robot Bishamaru, as the three siblings fight each other. Bishamaru’s mouth opens to reveal a portal to another dimension through which Koto falls, floating through space before being found by Lady Koto.

The more we learn of Yakushimaru’s past, the more it seems like he was the unwitting victim of a mad scientist, or rather mad priest. His rightful fate—the same fate as his original family—was torn from him, and a new, far more complicated fate assigned to him. That Myoue’s act was more one of selfishness than mercy. Perhaps it wouldn’t have been right to allow Yakushimaru to die, but making it so he can’t die ever? Keeping him from joining his family in the afterlife? Locking him in a world where more and more he and his siblings get on each others nerves as their methods for reaching their goals conflict? Yakushimaru didn’t sign up for any of this.

But he’s stuck. Kurama and Yase are in no hurry to die, and are done waiting for Myoue and Lady Koto to return. After sizing her up, they’ve determined that their ‘sister’ Koto and her magic hammer are the key to locating and reuniting with their parents. As Koto says, this all happens very fast, and there’s a striking contrast between the playful bliss of the siblings’ past and their over-the-top sparring in the present. Myoue’s beads, Yase’s brawn, and Kurama’s tech smash into each other in a brilliant amplification of rough-housing. They’ve remained children in their dream-world, and now they need a time-out and a scolding, so it’s fortunate Koto finds their mother after all.

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Rating: 9 (Superior)

Stray Observations:

  • Now all that past pomegranate imagery makes sense: Myoue drew a magic one and Lady Koto fed it to Yakushimaru to revive him.
  • The rabbit, frong, and monkey drawings are taken straight from the real Choujuugiga scroll in Kouzanji.
  • Nice touch: A and Un are stuck in a Nintendo game.
  • There have been times in this show when we thought the background score was a little to loud or schmaltzy, but it worked perfectly this week, including return of the techno battle music from the Yase-centered OVA.