Dororo – 24 (Fin) – Proof of Existence, Proof of Humanity

In the end, the brothers Hyakkimaru and Tahoumaru only had to endure one last thing: the missteps of their parents. When Hyakkimaru was born, Daigo decided to sacrifice him to the demons. Nui would have Tahoumaru later, but she never stopped loving her firstborn, and that ate at her second in its own way. Even Mutsu and Hyougou couldn’t replace the love of a mother that he always lacked.

As they continue their swordfight in the castle, Tahoumaru goes on about how the likes of Hyakkimaru doesn’t belong within the walls, and that unlike the post where Mutsu and Hyougou marked their heights over the years, there’s nothing there to prove his existence. This is ironic, as the castle itself is burning and crumbling around them, and all of that physical proof Tahoumaru values so along with it.

But even though Tahoumaru still has his human eyes, Hyakkimaru can still see the void in his brother’s heart; the same sense of lacking something as himself. They are no different, and despite their crazed fighting and bizarre modifications, they are both humans who have simply forgotten themselves, lashing out to fill those voids.

As Nui and Jukai enter the castle to try to stop the fighting, Hyakkimaru ends things on his own, not by killing Tahoumaru, but by sparing him. The demon eyes in his head still burn even after Tahoumaru accepts defeat, but he rips them out and offers them to their rightful owner. Hyakkimaru’s false eyes are ejected and his human eyes restored.

As a mass of demonic crystal surges with anger, the castle starts to come down, but both Nui and Jukai arrive in time to save him from being crushed by burning debris. He plunges his swords into the crystal mass, apparently exorcising the residual evil energy, but that also completes the destruction of the temple literally kept up by the power of those now-forsaken demons.

Jukai, Nui and Tahoumaru do not escape, but perish in the flames, while Dororo finds Hyakkimaru and the two climb up the well Nui used to gain access. Hyakkimaru sees Dororo with his own eyes for the first time and calls him—calls her—pretty, which really throws Dororo off. Biwamaru, who helped get them out of the well, stands with the two as they watch Daigo’s castle and surrounding lands burn in a purifying fire.

Once the flames recede and the smoke clears, Dororo is back in the village of survivors and invalids led by a few able-bodied individuals, including those he suggested start to live life without depending on samurai, using money instead of swords to maintain that life.

When they ask where that money will come from, Dororo says he’s got it covered. Dororo has decided, then, what to do with that fortune: use it to realize a community that runs itself, without fealty to some stern-faced lord.

As for the lord, Daigo is not quite ready to give up his quest to restore his lands to prosperity, no matter how many people, including Hyakkimaru again, he has to sacrifice to the demons in a new pact. That is, until Hyakkimaru takes a sword and instead of plunging it into Daigo’s back, pierces his helmet instead.

The helmet is a powerful symbol of Daigo’s status as something other than a mere human, so its destruction is a symbol of Hyakkimaru’s hope his father will live on as a human, something he too plans on doing. In the end, Daigo laments ever making the pact, as he now realizes he might have achieved prosperity simply by raising Hyakkimaru and letting him succeed him.

Bittersweetly, it’s not Happily Ever After for the duo of Dororo and Hyakkimaru. The two go their separate ways; Dororo to lead a new community in keeping with the legacy of her rebellious parents, and Hyakkimaru to learn how to walk the path of humanity after a lifetime of survival-and-revenge mode. With his new eyes, heart, and purpose in life, he has truly been reborn, and until he finds his way, it’s not safe for Dororo to be beside him.

However, the ending suggests that one day the two are reunited, as the young “boy” Dororo runs across a pier with a hopeful smile, he transforms into Dororo the older and more beautiful woman. At the end of the pier is a slightly older-looking Hyakkimaru, in all his human glory, welcoming her with a warm smile. It’s a shame a passing look is all we get, rather than an after-credits scene of the two conversing—but then again, perhaps their reunion is meant more symbolically, as something to which they both aspire.

In any case, both souls, once having lost and suffered so much, seem to be in a much better place, and have stepped out of the darkness and doubt and embraced their respective selves. While I wish we’d seen more of Dororo-as-a-leader, considering where we started, this was a logical and satisfying enough place to end.

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Dororo – 23 – Chicks Fed by the Hen

Dororo, Nui, and Biwamaru can only watch as Hyakkimaru and Midoro battle the newly demon-possessed Tahoumaru, Hyougou and Mutsu. The latter two meet ignominious ends as Midoro lops Hyougou’s head off and kicks Mutsu to death, but Mutsu at least dies a human.

As the young foal finds and calms her mother, Nui laments her inability to calm either of her sons, as they run off fighting together. Hyakkimaru notably regains his arms, which bleed profusely as he grasps the blades that had up until only recently been his arms.

The three men who were chasing the foal agree it’s wrong to rely on Hyakkimaru’s parts being eaten by a demon – but neither they nor Nui are wrong in valuing an entire domain over one man.

As Lord Daigo abandons his castle and leads his troops to fight the advancing Asakura, Tahoumaru and Hyakkimaru turn the place into the venue of their final battle, setting the place ablaze in the process. Jukai also seems to have one last task to perform, perhaps depending on the outcome of the duel. As for the fighting itself and the dialogue between the brothers…it unfortunately grows repetitive and dull as it drags on.

As for Dororo and the three men who chased the foal, they all agree right then and there not to rely on the samurai (i.e. the strong) to take what they want out of live, but to rather acquire it with their own hands. If three men can get on board with that concept, rather than continuing to mooch on a demon pact (sorry Daigo, you did make the wrong choice) that only ever created only a very fragile prosperity, perhaps the rest of the domain can as well. One way or another, the lands of Daigo are going to change.

Dororo – 22 – Stay The Bro You Are

Things get more and more dire in Dororoland with this week’s events, with Hyakkimaru pushed over the edge in more ways than one by the capture of Dororo. The damage he did to Hyougou and Mutsu seems to render them no longer able to protect Tahoumaru, which means he’s more pissed off than ever.

Mutsu is the worse-off off the two, however, as she’s caught the disease that’s gripped parts of Daigo’s lands, and will soon claim her life. I feel for these siblings, now that I know what they’ve already been through when they were the same age as Dororo. But hey, at least Hyakkimaru doesn’t have to kill the demon horse Midoro right out of the gate.

Nui decides she won’t let another innocent child die for her sake, so she releases him, and hides him in her robes when guards pass by. Dororo lingers under those robes just a bit and called “Nui” mama. Nui can probably tell right there that Dororo has suffered too much already. Nui ends up following Dororo out of Daigo’s castle just as Midoro arrives to wreak havoc, and they take a boat downriver.

Dororo tells her more about Hyakkimaru and how unfair it is that he has to go through with all this, and she tells him how even without skin or limbs, Hyakkimaru was the most precious thing in her life. He hopes Dororo will tell him that. Dororo hopes she can help keep Hyakkimaru from becoming a demon. But due to the rains, they lose control of the boat and crash…

Fortunately, they’re both okay, as Dororo wakes up in the same stable as Midoro’s child; the two of them having to live on without their mothers. Biwamaru is watching over him, and later shows him that Niu is aiding in the care and feeding of the sick and invalid who had nowhere else to go.

Meanwhile, Hyakkimaru is revealed to have taken Midoro as his horse, and the two form a tornado of wrath that cuts through Daigo’s soldiers like softened butter. If Dororo wants to save him, he’d better hurry…if he’s not already too late.

Mutsu, deciding she can’t simply die in a room, heads to the Hall of Hell to offer her body to the one demon who didn’t eat a part of Hyakkimaru. Tahoumaru and Hyougou arrive in the nick of time to stop her, but something far worse happens instead, the three of them desperate beyond words for the power to protect their lands people, and each other.

After Hyakkimaru disposes of the fixer who kidnapped Dororo, he ends up crossing paths with Tahoumaru, Mutsu and Hyougou. Only they’re not the same people anymore. Thanks to a new deal with the demons, Mutsu and Hyougou have their arms back, and Tahoumaru has his eye back, along with a third one.

Those arms and eyes are Hyakkimaru’s. They were no doubt given to the three for one purpose: to get the remaining body parts back. Only then will the demons honor the pact and restore Daigo’s lands to prosperity…or so they probably told Tahoumaru. But it was a mistake for his father to deal with the demons in the first place, and it’s an even bigger mistake to deal with them now.

Dororo – 21 – Dororo Has a Bad Feeling About This

The title of this post says it all: Dororo has stayed alive as long as he has for two reasons: She’s pretended to be a he, and he’s had very good instincts for danger. Sure, he’s gotten himself into innumerable tough spots, but has had the luck to slip out of them, thanks to Hyakkimaru, Biwamaru, and other allies along the way.

So when Dororo says he has a bad feeling about heading to Daigo, Hyakkimaru should use those new ears of his and listen. He doesn’t, and grave misfortune follows, just as Daigo is dealing with the worst misfortune since before he made his demon pact. As epidemics and blights plague his lands, Asakura has fielded a 2,000-strong invasion army, far larger than anything he can muster.

As such, what few troops he has left are forced to recruit any able-bodied men and boys from the healthy villages (leaving too much work for the women and children, which will have serious consequences) and burning the infected villages and shooting anyone who tries to escape. It’s time for desperate measures all around, and not a place Hyakkimaru and Dororo should go anywhere near.

Short-handed as he is, Lord Daigo cannot refuse his son’s demand to hunt down Hyakkimaru with no one but Mutsu and Hyougou—there’s no talking Tahoumaru down—but still assigns his “fixer” to follow them. Speaking from experience when their village was raided, their parents slain in front of them, and taken captive by samurai, Mutsu and Hyougou voice their extreme dislike of war in all its forms. More distressingly, Mutsu’s malady is worsening, and can no longer be hidden.

Hyakkimaru and Tahoumaru’s mother also laments that despite being the wife of a great lord, she is helpless to stop the path of destruction upon which both of her sons have set themselves. Nothing Dororo says can convince Hyakkimaru to reconsider his quest to get all of his body back, not matter how much death and destruction it might cost; not matter how much it might change him into someone Dororo can no longer walk beside.

Hyakkimaru counters by saying he wants to see Dororo with his own eyes and touch him with his own hands, but in the grand scheme of human suffering, it doesn’t seem enough to justify his actions, no matter how unjustly he was treated.

Those looking for two-dimensional heroes or villains will find none in this episode. People may be fighting for or against Hyakkimaru’s interests, but everyone has good motives for doing so. In Mutsu and Hyougou’s case, their loyalty to Lord Daigo and Tahoumaru in particular is the consequence of Lord Daigo having saved them from both from a fate worse than death: to starve as captives among corpses.

I couldn’t help but cheer when Daigo entered that pit of hell and dragged the feral, mangy kids out of there. Yes, he put them to work as Tahoumaru’s official friends and protectors, which might not have been their choice, but theirs are still infinitely better (and longer) lives than they’d have lived had Daigo not saved them. Both have long since made peace with the fact that they won’t always like the orders their lord gives them, or the choices their young master makes, but their loyalty is absolute all the same.

So Mutsu and Hyougou join Tahoumaru in their latest confrontation of Hyakkimaru, as their master’s right and left hands. In a bout of sickening irony, those are the same hands Hyakkimaru chops off of the two of them, now more powerful and enraged than ever. It is Tahoumaru who has to save his own bodyguards from his wrath, and receives a nasty gash on his brow for his trouble.

What I couldn’t stop thinking about thorughout Tahoumaru’s efforts to rid the world of his older brother is that how does he know killing him will solve anything? The demon pact was broken, full stop. Those parts of Hyakkimaru they took were taken from a living baby; killing him won’t necessarily automatically return those parts to them. All of Tahoumaru’s rage and single-mindedness on his destruciton, and it may not end up making any difference. His father’s lands may simply be doomed regardless.


Things look bad for Tahoumaru, but we were never meant to forget about Lord Daigo’s fixer, who arrives on the back of a prized white horse named Midoro stolen from one of the villages and pressed into military service. What does the fixer do with this splendid horse? He blows it up in a cynically efficienty attempt to kill Hyakkimaru.

Yet even this fixer is not an evil man. He’s obeying his lord’s orders, protecting his lord’s son, and defending his lord’s domain and its people the only way he knows how.

Even if it means using Dororo as a hostage, something the maimed Mutsu and Hyougou strongly protest (no doubt because the child reminds them of themselves—and of history repeating itself—neither of them have an alternative for dealing with Hyakkimaru, who is still alive at the bottom of a gorge.

About that gorge: it is filled with the corpses of samurai and their armor, as well as the parts of poor Midoro the horse, all of which undergoes some kind of demonic transformation down there. Like Dororo said: he had a bad feeling about this. Maybe next time someone will listen…if there is a next time.

One parting nitpick: the quality of the horses this week is iffy at best, suggesting limited skill and experience rendering them on the part of the animators. Considering the importance of one particular horse, that was a rather distracting shortcoming, though not a deal-breaker.

Dororo – 20 – Red Autumn

Even with its often subdued, earthy palette, Dororo is a looker of a show, its gorgeous, painterly and serene natural environments forming a backdrop for all the grittier, brutish human-on-demon (or human-on-human) interactions. When the autumn season arrives, it provides a burst of colorful splendor that further elevates the setting.

Of course, Dororo points out that red is also the color of demons for Hyakkimaru. The vivid foliage is foreshadowing for the carnage to come, as the two meet a ronin who is hunting a demon who killed his ma. The fall also represents the beginning of the end of prosperity for Daigo and Tahoumaru’s lands.

When our duo meets the beast—a nue or chimera—we learn the ronin is actually helping it by serving up victims, since when others are dying it helps him forget about the gaping void in his heart after the loss of his mother. It’s just that the victims aren’t usually as tough as Hyakkimaru, who only doesn’t defeat the beast because he and Dororo take a spill of a crrumbling stone cliff.

As Daigo ponders his next move now that the deal with the demons seems to be off (remembering his wife mention the one demon who didn’t claim a part of their son’s body), Dororo wakes up from the fall with his arm trapped under rocks, and my thoughts immediately went to the grisly resolution in 127 Hours.

Worse, the spot where he’s stuck is riverbed, and the water starts to rise. Hyakkimaru can’t get any leverage on the rocks with his false arms, and as Dororo’s head slips below the waterline, Hyakkimaru resorts to slamming his head against it in desperation, screaming in desperation. It’s a sickening scenario, even if we know Dororo will somehow survive it.

That’s thanks to Biwamaru, whose continued following of the duo seems to indicate he still has a role to play with regard to Hyakkimaru. Biwa rescues Dororo, but Hyakkimaru is devastated by the fact that Dororo would have died had Biwa not been there, all because Hyakkimaru’s arms were stolen by demons.

He rushes to the nue to take back what’s his, and as the ronin watches him fight we see the truth of his story with his ma: he sought the nue out to defeat it and prove his worth both to his ma and his village. But things went south, and when the nue grabbed his ma, his ma grabbed him.

In a panic, the ronin cut his own mother’s arm off so he could flee. After that, the village ostracized him, but he ended up filling that hole in his chest by either killing them or feeding them one by one to the monster. As he watches Hyakkimaru fight, he sees the samurai he had hoped to be.

Realizing it’s too late for that, or anything else, he offers himself to the nue, which proceeds to heal the face Hyakki maimed and then sprouts wings.

By the time Dororo catches up, the sun is low, turning the surroundings suitably, intensely red. He sees the aftermath of Dororo’s vicious battle with the nue, walking past various parts of the monster sitting in pools of blood. Before Hyakkimaru kills what’s left of him, it dawns on the ronin why this man doesn’t have any fear: because he’s not entirely human.

Hyakkimaru finishes him off, but receives no new body parts in return, leading him to fume and hack at the monster’s body as Dororo tries to calm him down before he goes too far and loses himself. But Hyakkimaru believes he’ll always be lost as long as the demons have the rest of his body.

So he’s heading to the source of it all: back to Daigo, once again opening up the moral can-of-worms in which he is both justified in taking back what was taken, and Daigo is justified in wanting to stave off the destruction of his people.

Surely another clash with Tahoumaru and his retainers is imminent, all with little Dororo in the middle, doing what he can to keep his bro a human with whom he can walk through the gorgeous autumn woods, and who can live with himself and his actions.

The Rising of the Shield Hero – 03 – The Grateful and the Ingrates

Only a week has passed after the fight in the mines, but Naofumi and Raphtalia have leveled up to a respectable degree. The armorer says as much, and all the extra discounts and freebies the demi-human gets confirms to Naofumi that this world is full of lolicons.

Still, he seems pleased that Raphtalia is less timid and is now able to stand and speak up for herself. She even negotiates to get new custom-made armor for Naofumi that he thinks makes him look like a bandit, but also doesn’t want it going to waste.

It’s a good thing they mentioned the Waves to the armorer, because he points them in the direction of the church where the Dragon Hourglass counts down the time until the next Wave, which will come in less than a day.

Unfortunately the other heroes are there, and the Spear even tries to steal Raphtalia away, but she rebuffs him. They can mock him all they want and even bring up the “rumors,” but Naofumi won’t say a single word of attack or defense. He’s long since done talking with these assholes.

Raphtalia wants to know what happened between her master and the other heroes, but Naofumi isn’t ready to tell her. Regardless, when dawn breaks and they prepare to be transported to the location of the Wave, Raphtalia formally reiterates her undying loyalty to Naofumi. She is only alive because of him, and so she’ll be his sword and never leave his side.

After transport, Naofumi gets a close look at a Wave of Catastrophe for the first time. The other heroes rush ahead, but he notices they’re leaving a nearby village unprotected from the hordes of undead soldiers and swarms of giant wasps.

So he and Raph head there, he orders Raph to evacuate the villagers while he tries to kill as many monsters as he can. It’s tough work, as there are hundreds of them and he can’t seem to get their numbers down. Luckily the bulk of them mill around beneath a watchtower that Naofumi sets ablaze and brings down on top of them.

When the royal knights arrive and firebomb the place to mop up, they don’t bother to warn Naofumi, who gets Naphtalia under his shield just in time. When she hears the knights talking shit about her master, she threatens to take their heads off, and Naofumi has to order her to stand down.

Still, despite the knights’ utter disgust of Naofumi, he protects them all the same, and in turn, some of them stay behind to help him and Naphtalia even after their commander orders them to meet up with the other heroes.

With the knights’ help, Naofumi and Naphtalia are able to fend off the remaining monsters, while the other three heroes defeat the “boss”—a chimaera, from the look of it—with their much flashier-looking attacks. All of a sudden, the skies clear and the threat has passed. And Naofumi has passed his first Wave test.

A massacre of innocents such as that which claimed Naphtalia’s parents thus averted, the raccoon girl is overwhelmed by the relief and starts to cry, but Naofumi’s heart isn’t made of stone, especially where she’s concerned, so he puts his hand on her head to comfort her.

Naphtalia may have been a slave purchased to be used a a tool, but even Naofumi has to admit she’s much more than that. By not treating her like a slave but like any other person, he’s helped bring about her transformation into a formidable warrior with the heart of a true knight.

Naofumi has also gained the gratitude of the entire village, none of whom still harbor any animosity towards their hero. There are still a lot more people to convince that he’s actually not a rapist swine, but it doesn’t really matter. He’s not here to make friends or clear his name. He’s here to save this world from the Waves, then go back home.

Boogiepop wa Warawanai – 04 – Snowing In April

Boogiepop switches gears completely to a new mysterious, twisting tale with a new batch of players; only Boogiepop herself is the constant from previous episodes. We seemingly begin at the end, as she confronts her new enemy and enemy of the world, “Imaginator.” But Imaginator (Hanazawa Kana) tells her endings are just beginnings. Jumping off the ledge, she says there’s “plenty of time” before she hits the ground for Boogiepop to find her.

From there, the POV switches to starving artist and guidance counselor Asukai Jin, who has a very unique ability to detect what is missing in the heart of virtually everyone he meets. The heart is depicted as a rose plant, either lacking root, stem, leaves, or buds. Everyone lacks something, and that lack can never be resolved, and Asukai can’t see his own heart, so he doesn’t know what he himself lacks. He does what he can with this ability, but he feels powerless to truly help people.

That’s when Imaginator finds him. Like him, she can see things no one else can; in her case, their deaths, or rather the possibility of their deaths. Living creatures generate a certain kind of energy before their lives burn out, and she can detect that. This makes her a valuable tool for anyone who would choose to manipulate death. She exists to “recreate the world” with that ability, but she could use some help, so she asks Asukai to assist her.

As Asukai has some dinner his cute neighbor prepared, suddenly the young woman is possessed by Imaginator and speaks with her voice. She reiterates her desire to join forces, indicating that the one thing Asukai definitely lacks is a “calling”; which she can provide.

Imaginator kisses him to show him that calling, in which he uses his right hand to “prune” the roses from people’s hearts like some kind of dark angel of death. The prospect frightens him, and he believes himself incapable of such brutality, but Imaginator tells him his calling is his calling, and he is capable of it, period. It’s ultimately up to him whether to utilize that capability.

As he wrestles with what Imaginator has said and shown him, Asukai is distracted from his work, even sketching her to perhaps make her feel more real and tangible, all the while considering what he could do with her “assistance.”

Fast forward to Asukai being questioned by police after an incident in which Imazaki Shizuko, a former student he counseled and drug addict and dealer, tried to rob him at knifepoint before committing suicide. We shift between the questioning, during which the police don’t suspect him at all, and the incident itself, when Imaginator possesses Imazaki’s body to further illustrate how their partnership will work.

She shows Asukai that Imazaki was at the end of her tether and would be dead anyway in a matter of months, likely alone and after more suffering. But she tells Asukai there’s something he can do for her, before plunging the knife into Imazaki’s neck. As she dies, he can see her rose, which he cradles in his hands.

Before heading home, one of the detectives asks if Asukai said anything to Imazaki before she died, since she seemed so peaceful, as if all the thorns had been pulled from her heart. Asukai tells the cop he said nothing, and he seems to be telling the truth. It’s not something he said, but something he did, along with simply being there.

In another incident in which three delinquents are harrassing a fourth boy who is protecting a girl they want to “have some fun with”, Asukai decides to experiment with his new “alliance” with Imaginator. He has the boy run off to safety with the girl, freezes two of the delinquents, then has the ringleader turn his knife on himself.

Back on the rooftop of Touka’s school, a girl named Komiya who was good friends with the late Minahoshi Suiko (the girl whose body Imaginator inhabits) prepares to leap off to “follow” her, but is stopped by Boogiepop, who tells her she be able to join her that way, then admits to killing Suiko, since she was an “enemy of the world.”

But hearkening back to the episode’s beginning, Suiko hasn’t “hit the ground” yet; she hasn’t reached the next world. Indeed, she’s working with Asukai to recreate this one. Will Boogiepop need help from a human (other than Touka that is) to defeat Imaginator?

Tate no Yuusha no Nariagari – 02 – Surviving Together

Shunned by virtually every human in this new world, Naofumi turns to a demi-human slave in Raphtalia, sold to him by the slave merchant for 30 silvers; a bargain. The little raccoon girl is terrified with good reason: she’s been through a lot in her short life and she has no reason to believe Naofumi won’t be cruel and awful to her.

But despite his scary face and bad attitude, Naofumi isn’t awful to Raphtalia. I mean, he wouldn’t be much of a rootable MC if he did. Sure, she’s bound by her contract not to defy him and gets shocked if she does, but he makes sure she has proper clothes and a dagger. She’ll provide the offense he needs to become powerful enough for the next Wave of Catastrophe.

Raphtalia soon learns that she not only need fear Naofumi, but that it’s okay to have things she wants. He’ll take care of her, but she has to fight for him. Of nights Naofumi learns the “mental illness” her buyer warned him about: she has PTSD and nightmares from having witnessed her parents sacrifice themselves to a Cerberus so that she could live during the First Wave.

In a montage made all the more satisfying and significant (like the show itself) by the wonderful score by Kevin Pankin (Made in Abyss), Raphtalia learns to trust and even become fond of her master, who treats her more like a ward than a slave. The more monsters she defeats, the more the two of them level up, and the more money they make.

Raphtalia butts up against adversity when a rabbit attacks Naofumi and she has to draw blood, which she’s quite justifiably afraid of considering her traumatic past. But when Naofumi lays out the stakes vis-a-vis the impending Waves, Raphtalia’s resistance (which causes the shocks) fades away, and she resolves to fight and kill for Naofumi, for both their sakes.

Naofumi discovers he has a knack for medicine-making, and he and Naphtalia travel to a smaller town to sell their wares—popular due to the trying times. In a nice bit of good luck for a change, merchant he deals with apparently doesn’t know he’s the Shield Hero, and thus isn’t automatically against him like everyone in the city. He even points the pair to a mine where they’ll be able to make a lot of quick money harvesting ore.

The catch is that since the First Wave the mines are crawling with monsters, and a two-headed dog very similar to the one that killed Naphtalia’s parents attacks them, she freezes in terror. Naofumi grabs her and escape the beast, but they have to kill it if they’re going to have any chance against future foes. When things seem to be going south and he offers to buy time so she can escape, she recalls her folks doing the same thing and getting killed for it.

So rather than let Naofumi repeat their sacrifice and leave her all alone once again, she draws her sword and plunges it into the beast. When it lunges at her in response Naofumi is ready with a shield to protect her, and she’s able to finish it off. When the fight is over they’ve gained a buttload of EXP, and she collapses crying into his arms, calling him “Naofumi-sama” for the first time.

I’m glad that after a double episode’s worth of Naofumi getting beaten down, he’s found something pure and good to protect, as well as the means of progressing in this game-like world while appreciating that it isn’t really a game, it’s a matter of life and death. It doesn’t hurt that Naphtalia is adorable as all get out, but also tough and capable when she needs to be. No doubt when and if he encounters the other heroes they’ll get the wrong idea, but this looks like the beginning of a lovely partnership.

Boogiepop wa Warawanai – 03 – A Little Bit More Good than Evil

All of the various knots Boogiepop tied the first two eps are laid bare this week and then gradually unraveled, bringing the three-part arc to a satisfying conclusion. It starts with Tanaka Shirou searching for his girlfriend Kamikishiro, unaware she’s already dead. Class Rep Niitoki Kei joins him in the search, as does Saotome Masami.

Of course, we know Saotome is up to no good, and his true goal is to draw out both Echoes and Kirima Nagi. And his plan works…kinda: when they send a PA message summoning Nagi to the broadcast room, she shoes up, but not before cutting the lights, taking all three of them down, and tying them up before presenting them to Echoes to determine if any of them are Manticore.

When Nagi frees the three, Kei wants to know what’s going on, but Nagi doesn’t want to involve them, as they’re “too normal” for what they’re up against. This rankles Saotome, still sore over Nagi rejecting him for the same reason. He reveals his treachery by stabbing Echoes with a pen loaded with poison that will keep him from regenerating, just when Manticore arrives.

He also slits Nagi’s throat, an event that was a horrifying to behold in the moment, even if I knew there were supernatural means of bringing her back. Echoes escapes to the roof with Nagi, and Manticore follows, while Tanaka runs away screaming, leaving Kei alone with Saotome, who liked how it felt killing Nagi and wouldn’t mind doing it again.

Echoes and Manticore engage in a kind of aerial parkour duel, the animation for which is crude, but effective. Manticore eventually bests Echoes, slamming him to the ground where Saotome and Kei are. This is where Manticore explains all the horrible things she’s going to do, including taking Nagi’s form and turning Kei into a soulless slave.

But as Kei holds him upright, Echoes has other ideas. He transforms himself into data and shoots himself into space. Saotome pushes Manticore out of the way, but gets vaporized himself. Denied her prey Manticore starts to go a bit loopy, and prepares to kill Kei in her rage, but her hand is stayed—nay, her whole left arm cleaved off—by none other than Boogiepop, who has come to the rescue.

After suspending Manticore with magical threads, Tanaka makes a triumphant return, shooting an arrow through Manticore’s head, killing her and ending the threat. Turns out his act of cowardice was just that—an act; Boogiepop told him earlier that the opportunity to “shoot through the truth” would come if he wished to…and he decided to do so. In this case, to avenge his beloved and defeat the demon that claimed her.

Turns out in his brief time with the bloodied Nagi, Echoes gave her a little of his life force, allowing her to heal with no ill effects (which is why Manticore thought he was a bit too weak, even with the poison). Tanaka thanks Nagi and Kei for their help on Kamikishiro’s behalf. Boogiepop further explains that Echoes was sent to judge whether humanity was worth living; thanks to Kamikishiro, with assists by Tanaka, Nagi, and Kei, the verdict was favorable.

Kei also wants to thank Boogiepop, but with the threat lifted, Boogiepop is gone. Still, Nagi suggests she thank the next best thing: Miyashita Touka, despite Touka having no idea what happened. This brings us full circle to the end of the first episode, when Nagi and Kei encounter Touka and Kensuke walking home. All in all, I really enjoyed this intricate little mechanism, and I’m looking forward to the next crisis that will necessitate Boogiepop’s return.

Goblin Slayer – 08 – Good as New, but Still Scared to Death

Goblin Slayer is Resurrected by a miracle that requires him to share a bed with a virgin—in this case, the Priestess. While he’s out, he remembers his harsh but fair master who taught him how to slay goblins, breaking him down then putting him back together into someone who won’t freeze and do nothing, but act when action is needed…even if it kills you.

Or, in GS’ case, almost kills him. The miracle works, and we get our first look at a maskless, armor-less Slayer, although his eyes remain obscure both in flashback and present. The Sword Maiden pays him a visit (I imagine it’s her bed he and Priestess are in), but she couldn’t be the virgin the miracle needed, thanks to the Goblins.

She confides in him how even though she defeated the Demon Lord, she remains scared to death, and in need of people to help her overcome that fear. We’ll learn that that constant fear is something GS shares.

Dwarf, Elf, and Lizard reunite with GS and Priestess and they go into town for their first meal since GS went down; a meal they promised to have together. GS and Priestess then split off and head to the shops. Priestess could easily replace her damaged chainmail, but for her its sentimental value vis-a-vis GS outweighs the difficulty of repairing it. GS also acquires new weapons, since he lost them all in the ruins.

They share a sunset by the sea with a new invention called “ice creme” and after being chided earlier for being so taciturn with the Priestess, he actually opens up about that fear he once had to just take one step forward, lest the ground swallow him up. He’s still “scared to death” just like the Sword Maiden, and not amount of noble feats will change that.

What changed was what they do with that fear, and how they keep living in spite of it. In both cases, neither would still be alive were it not for a little help from their friends. Back at the farm the cow girl assures her father that despite having been gone a long time, the GS will be back.

Resurrection apparently doesn’t require much recovery time, since GS is back in action in the ruins with the rest of the party, after acquiring a mystery burlap sack from the Black Mage. Their next big foe is not a goblin, but a “creature of Chaos”: a giant eyeball with tendrils coming out of it, each tipped with more eyeballs. Whenever something enters the room where it resides it blasts it with a stone-melting energy beam.

GS knows he can’t just rush in and stab or blugeon the thing to death, so he formulates a game plan that requires the cooperation and coordination of everyone in the party. The Elf rushes in to distract the Eyeball, allowing the Dwarf to slip in and hit it with some sleep-inducing fire wine. Once GS empties the burlap sack—full of ultra-fine flour—into the room, creating a huge cloud of the stuff, the Elf shoots an arrow into the side of the eye, and then everyone retreats from the room, behind the Priestess’ Protection.

The Lizard sends a Dragontooth Warrior in, which the Eye instinctively targets and fires its beam—igniting the flour like coal dust in a mine. The resulting explosion kills the creature, without the GS using fire, water, or poison. That leaves the adventurers standing before the thing it seemed to be guarding: some kind of magic mirror.

I was a bit surprised so little time was spent without GS in the picture—the Priestess wasn’t even awake during that time—but considering the name of the show perhaps I shouldn’t have been. Not to mention this is a world of fantasy and magic in which death isn’t always irreversible. It was also good to learn a bit more about our boy, and for him to actually open up to the Priestess, who has certainly earned the right to know more, having saved him and all.

Goblin Slayer – 07 – These Things Happen

The other adventurers give their excuses for not wanting to accompany the Priestess to the baths, but she’s eventually joined by the Sword Maiden herself. She sees many small scars on her body that suggest she’s had experience dealing with goblins.

The Maiden also warns the Priestess that while Goblin Slayer is dependable, one day he’ll “disappear”, meaning she’ll have to find another strength to lean on. Sure enough, GS mails a letter to the Farm Girl; in this context it’s another death flag.

GS, armed with a canary to detect poison gas, begin mapping some ancient ruins when they find themselves suddenly trapped in a chamber and attacked with…poison gas. GS provides charcoal to filter the gas while everyone prepares for battle, and the “mastermind” of the goblins finally shows himself: a massive Goblin Champion.

The party fights well, dispatching dozens of goblins with arrow, blade, fist, rock, and bare hand. But they keep coming, and the when the Champion delivers a crippling blow to GS that sends him flying and spewing blood, the Priestess loses her concentration, the Protection field falls, and the shit well and truly hits the fan.

GS is in bad, possibly terminal shape. The Priestess pees herself and then has a chunk of her arm bitten off by the Champion. The Lizardman and Dwarf are swarmed, as is the High Elf Archer, who can’t keep the goblins from tearing her clothes off.

Finally, as he hears the screams of the Priestess, GS remembers someone mocking him for cowering and doing nothing as his mother and village were slaughtered. His hatred of those comments leads to his left eye suddenly glowing red and entering a kind of Limit Break.

Back on his feet and with a full head of steam, GS carves his way through goblins as he bull-rushes their leader, then uses the long blonde hair of a corpse to strangle him before ripping one of the Champion’s eyes out of its socket. The others free themselves from the goblins’ grasps and keep fighting; the elf unfazed by having lost her top and most all of her shorts.

They give the Lizardman time to save the Priestess’ life, and the Dwarf and Elf help GS go to her side. The Priestess apologizes for letting the Protection fall, but the GS isn’t in a prosecutory mood, saying “These things happen.” They’re his last words, as he spews one more cloud of blood and then passes out. From the reactions of all around him, and the lingering closeup of the canary’s eye (over which the credits are supposed to roll), it doesn’t seem like he’ll be getting back up any time soon.

Did the show really just kill off its title character after just seven episodes? If so, that’s a pretty bold move. Will the Priestess, Elf, Dwarf and Lizardman carry on with their adventures without him? Will someone new take up the mantle of Goblin Slayer? Or will they somehow save the current one from near-death?

Sword Art Online: Alicization – 04 – Calling Fulfilled

It took three episodes and the absence of a designated Goblin Slayer, but Sword Art Online: Alicization finally got around to showing some decent Sword Arts when Kirito goes up against the head goblin holding Selka captive.

The fight is as fast and brutal as the animation is smooth, silky, and stylish. But when he’s nicked by his opponent’s blade, the pain is unlike anything he’s experienced in any VRMMO, and it slows him down.

Eugeo freezes a lot early in the fight, but when it’s clear that he and Kirito and Selka aren’t going to get out of there alive unless he joins the fray, he summons enough courage to draw his sword and cross blades with the boss.

He only buys Kirito a bit of time before he is near-mortally wounded across the midsection, but it’s enough for Kirito to recover, take over, and use another one of his latent Sword Skills to behead the goblin, threatening the others away unless they wants some.

Selka is none the worse for wear, but she and Kirito must put their lives on the line with a high level Sacred Art in order to save Eugeo, who recalls a memory of Kirito being with him and Alice six years ago. As Kirito can feel his vitality draining into Eugeo, he has a vision of Alice behind him, telling him she’s still waiting for them atop the cathedral in Central City.

The healing is a success, and the three return home. The next day, while hacking at the tree, Eugeo asks Kirito to train him in swordsmanship; Kirito tells him he is a master of the “Aincrad style”, in reference to his time in SAO, and a brief training montage ensues.

At the end, Eugeo can summon a Sword Skill in the Blue Rose Sword, and the vitality of the Gigas Cedar has dropped to the point it only needs one more good strike to fell it, a strike that Eugeo executes, bringing the massive tree down.

As someone who adores huge trees, it was a little upsetting to see it not only fall but its demise be celebrated, but considering how much of a scourge it is on the village, I suppose I can make an exception.

At the post-felling celebration, Kirito encounters Selka and assures her she need not try to catch up with, surpass, or be a replacement for Alice; there are things only she as Selka can do, and she should focus on being the best Selka she can be instead. Selka knows. Eugeo sees her off, apologizing for what she and her family went though and promising to return with both Kirito and Alice.

The reward for fulfilling the calling of felling the Cedar is that Eugeo gets to pick his next calling. Thus, he is playing by the rules in choosing to become a swordsman like Kirito. The two set out for Central City, where the plan is to locate and bring back Alice. We’ll see what trials await them on the way to the city, and when they arrive, we’ll see if she’s anything like the Alice who was taken away by that Integrity Knight six years ago.

Tenrou: Sirius the Jaeger – 08 – Aligned Interests, Allowed Journeys

It’s official: the vamps have total air superiority in this show. I guess it can pay to be immortal! Mikhail is whisked to Sakhalin by Klarwein (the mad scientist) in a floatplane that wouldn’t be out of place in Porco Rosso. Yevgraf’s splendid airship has already docked atop a mountain. Where are the Jaegers’ toys?

Mikhail learns this was the birthplace of the Ark of Sirius, and an ancient sanctuary built by the Sirius sanctuary is where his father brought the Ark to be safe. Yevgraf believes because Mikhail has noble Sirius blood, he’ll be able to break through the barrier his father created at the cost of his life.

However, it’s not that simple. Mikhail also has a blood pact with Yev (formed when he turned him when Dogville fell) that not only prevents him from fully penetrating the barrier, but also prevents him from attacking his master. And now we know for sure: Mikhail wants the Ark so he can kill Yev. Instead, Yev decides he’ll try to use Yuliy.

Despite being about as gracious and simpering a thrall as a master could want, Klarwein is utterly ignored by Yev in every instance where he’s in his presence. While I don’t see the mad scientist’s loyalty wavering, it’s worth keeping an eye on what other “research” he’ll cook up in isolation.

Willard informs his team of Yuliy’s solo departure, and Fallon, Dorothea and Phillip all want to help him if they can, even if he left without them specifically to keep them out of something that could get them killed. But these are Jaegers; they’ll decide how they’ll be killed, so Willard announces they’ll make “a stop” before heading to London.

And in case you were wondering, the show isn’t done with Ryouko just because the Jaegers are no longer staying at Baron Naoe’s. She books passage to London, leaving a loving note to her pops about her duty as next head of the family to further investigate the attack on their manor. The Baron is content to allow his daughter her journey, but he’s coming too.

Finally, as soon as Yuliy arrives in Sakhalin, he picks up a tail, but it fortunately turns out to be a fellow Jaeger in Bishop, who I’m guessing is American from his attire. Yuliy and Bishop both want Yevgraf dead and the Ark out of the hands of the vamps, so they decide to work together. The first step is meeting with a recluse in the mountains who has info on the Ark.

Bishop is a bit of a walking cautionary tale for Yuliy; his entire team of Jaegers, which was more like a family to him than his own blood, was wiped out, leaving only him. Yuliy can smell the blood on him, almost as if he were a vamp himself, something Bishop explains is something that simply happens if you hunt them long enough and enough of the people you care about are lost.

By the time they arrive at the codger’s, he’s already being ambushed by vamps led by the twin sisters Larissa and Tamara, who have a flair for the theatric what with their sentence finishing and echoing laughter. But they can also handle themselves in combat. Once again Yuliy has to fight high-level vamps while keeping them from killing someone. Hopefully Bishop finds parking and lends him a hand fast!