Zoku Owarimonogatari – 01 – Through the Loo(Koyomi)ng Glass

The long-awaited “epilogue” to Shinbou Akiyuki’s venerable Monogatari Series premiered in theaters last Fall. The movie can be cleanly split into six episodes. Here’s the RABUJOI review of the first, with more to come, on the 10-year anniversary of Bakemonogatari’s first episode. You can view a Big Board of the complete Monogatari anime saga in the order of when events occur here.—R.S.

It’s March 16, 2007 – just two days after the events of Owarimonogatari, and Araragi Koyomi has graduated from high school and has not yet been admitted to his college of choice. It’s a kind of purgatory he’s never experienced. From grade to middle to high school, he’d always known for sure what came next, whether he was a vampire or not. Now it’s all up in the air.

It’s not surprising for someone with such a murky view of the future to turn his gaze inward, thus undertaking a new adventure (or oddity): a mirror universe. Going into this movie (which I’ll be reviewing in six parts) I had no idea what to expect from these “bonus levels” or “lost levels,” but as a self-avowed Trekkie, exploring alternate realities is always a ton of fun and I’m glad to see Monogatari employ the device.

Aside from the familiar setting of his house being literally reversed, Koyomi starts to notice everyone’s a bit…alternate: Karen is short instead of tall; Tsukihi’s yukata is reversed; Yotsugi is extremely expressive. They’re all fun reflections the significance of which rely not only on the audience having pored over the previous ninety-seven episodes of Monogatari, but also having thoroughly enjoyed said poring, as I am on record as having done.

The most entertaining of alternate characters to date has to be Hachikuji Mayoi, the recently-installed town god whom Araragi visits to get some answers when Shinobu won’t respond to his summons. At first Mayoi doesn’t show when he presents an offering of aluminum 1-yen coins, two claps, and a prayer. But that’s because she’s stalking him.

Unlike the 10-year-old Mayoi who has been the victim of numerous Perverted Araragi Attacks™, Mirror Mayoi is 21; Koyomi’s senpai and onee-chan, and the hunter, not the hunted. Turnabout is certainly fair play, as Koyomi is the unconsenting recipient of wholly inappropriate verbal and physical manhandling. After her ambush, she helps him determine that the mirror world is a moment from his world that branched off, with some elements that have reversed and others that haven’t.

Drawing from the utilization of the temple’s torii as a time-portal back to 1995, Mayoi suggests that Koyomi attempt to return to his world by the same means. That means employing the unique talents of one former Kiss-shot Acerola-orion Heart-under-blade to open the gate for him, even though her being a vampire means she has no counterpart in the mirror universe.

He just needs a way to convey that idea to Shinobu, who may be back in her prime if they’re truly separated. He suddenly recalls the cypress bath in Kanbaru’s house as a potential means to contact her. As the start to a new mystery box out of which Koyomi must think and network his way, Zoku is a welcome new addition to the mythos. Voice actors, art, design, and particularly Haneoka Kei’s pulsing soundtrack are all in top form. I can’t wait to see where this bonus stage goes.

Advertisements

Grand Blue – 07 – Just Ask Her Out Directly and Get Rejected, Losers!

Unlike Chio-chan, which mixes its scenarios up pretty well and always keeps you guessing what will befall its characters from week to week, Grand Blue often follows a familiar formula.

In this formula, Iori and Kouhei yell at each other a lot with increasingly contorted faces, while Iori’s college classmates express their disapproval of the very idea of Chisa dating/living with Iori. They’re his friends…until evidence he’s close to Chisa emerges, and then they want to literally kill him.

This act is wearing a bit thin, to be honest, and the reason is in the title of this post: these assholes need to stop blaming Iori for their romantic troubles! If they like Chisa (which is dubious, as none of them actually even know her; they just think she’s cute, which she is), they should ask her out.

If they all get rejected (which they most certainly will be, which lets face it is why they won’t ask), well then, tough noogies! But they’d get closure on the Chisa matter. Instead, they take all their frustrations out on Iori, and we have to watch it. It’s not pleasant, nor is it that funny! Meanwhile, Chisa is pushed off to the side, barely involved aside from the odd glare or blush.

The show flips the script by giving us a doubles tennis competition with the Tinkerbell tennis club, whose blue-haired captain wants revenge for the pageant fiasco. He’s also not interested in playing fair, as he spikes all the booze of Peekaboo’s spectators, as well as the hard-hitting Ryuu and Shinji, with what seems to be Everclear.

In the midst of the matches, we learn that both Chisa and Iori are extremely competent at tennis and would even make fine members of Tinkerbell, if only its captain and other members weren’t such arrogant pricks. I also lked how Chisa punished Iori for his ill-conceived cheers by taking his sweats and wearing them herself.

In any case, Peekaboo manages to pull an upset, netting them enough funds to take a diving trip to Okinawa. Less pathetic, jealous college buddies, more fun diving trips, please! Fulfill the promise of that painfully upbeat opening!

Grand Blue – 06 – Diving Cures All Ills

Iori remains on bad terms with Chisa, which ends up hurting all the other lads in his German class who were depending on him getting to see her notes. As a result the lads must cheat in other ways, all of which are either discovered by the teacher or ineffective.

While I’m not opposed to episodes made up of isolated segments (see Tsuugakuro, Chio-chan no) I’d prefer if Grand Blue didn’t stray so far from its core themes. This bit felt more like high school than college. Thankfully, we get back on track when Aina is officially initiated into Peek-a-Boo.

Between the binge drinking, the gratuitous nudity, Chisa’s perceived sadism towards Iori, and Nanaka’s perceived fixation on Chisa, Aina quickly learns that no one in the club is remotely normal (including herself; one doesn’t have the nickname “Cakey” bestowed upon her otherwise).

In this regard, the cast is a lot like that of Working!!; everyone has their quirks that make them unique and hopefully, compelling to watch as those quirks bounce off of each other.

Still, the women, particularly Chisa, are pleased and excited that Aina joined because she found diving interesting. It’s here where Iori and Kohei act as a kind of audience surrogate by stating it’s not like they never go diving, but it sure doesn’t seem like they’ve done it in a while…which is very true! It’s been less Grand Blue and more Gorge Booze…

Speaking of, when the party runs out of alcohol, Aina and Chisa volunteer to go out to buy more, and as the saying goes, when the cat’s away, the mice will play.

Despite Aina’s insistence everyone remains clothed and civil for her welcome party, old habits die hard and the lads can’t help themselves from devolving into debauchery in Chisa and Aina’s brief absence.

As for substituting a big log for Pocky in a game between Iori and Kohei, it’s a shade too credulity-stretchingly absurd, even for this show.

While it doesn’t really matter whether Iori and Kohei learn perfect German, it is imperative they memorize all the underwater hand signals, as it could end up saving their life or that of their comrades. So it’s disconcerting to see they don’t know the hand signals any more than they know “rheumatoid arthritis” in German (btw it’s the same, except for an “e” added to make “rheumatoide”).

They end up learning them when a different kind of threat emerges during the party: Nanaka learns her beloved Chisa is dating Iori. This makes Iori fear for his life, and he uses hand signals to alert Kohei and the others. However, Nanaka isn’t certain whether they’re actually dating or whether it simply looks like they are.

So the next day, when the club finally, finally has an actual diving session, she pairs up Iori and Chisa. At first Iori thinks Chisa is angry at him as usual, but she’s really only serious about diving, and not just the safety side, but the fun and wonder of it as well.

Before he knows it Iori is swept up in Chisa’s enthusiasm for the world under the sea, and when he tells her how much fun he had down there, she can’t help but smile. I will always prefer this joyful Chisa to the scornful one dishing out verbal or physical punishment on Iori for acting the goat (however in the right she may be).

Sadly Grand Blue will apparently never let these two remain in a state of detente for long, preferring to built them up and then tear them down for a cheap laugh. As such, Iori ruins it by commenting on the fineness of Chisa’s ass, leading her to blow her top at him. Why can’t we have nice things?

Grand Blue – 05 – Beauty is Only Skin Deep

As punishment(?) for neglecting her at the festival, Chisa puts the word out that she’s dating Iori, immediately making all the other guys at college hate him and wish him ill will in a very over-the-top, repetitive opening act that went on a bit too long.

Chisa does nothing to stop the false rumor—on the contrary, she fans the flames—and Iori tells the guys that Kohei is dating Azusa (making him Public Enemy #2), but they both get a reprieve when they promise to arrange a mixer for them.

Oddly, their job is made easier by the fact the legions of haters are curiously whittled down to just two ornery classmates. To that end, they beg Azusa to introduce them to other women at her college. She agrees, but only if Iori continues to act like Chisa’s boyfriend until, as she puts it, Chisa “accepts it.”

With Iori’s promise secured, Azusa introduces her kohai, none other than Yoshiwara Aina, who the lads find extraordinarily adorable when she’s not wearing the thick layers of makeup that earned her the unwanted nickname “Cakey.”

Aina has wanted to join the diving club anyway since the festival, leaving the tennis club full of fakes who treated her like shit. Despite calling her cakey and drooling over her non-cakey appearance, Aina is still willing to scrounge up three of her friends for the mixer. But she also gives Chisa one hell of a sidelong glance; I believe Chii-chan just got some competition.

The quartet of lads, among them a virgin who will sleep with any girl as long as they’re a girl and he can sleep with her, are shocked to find Aina has somewhat tainted the mixer by giving her three friends as well as herself the same Cakey treatment, giving them the appearance of four clowns.

But if the girls are clowns, the guys are circus animals, constantly jockeying for attention and braying and snorting at one another whenever more than one of them focuses on one girl. Like the lecture hall scene, it gets a bit repetitive.

A look at a selfie shows them one of the girls is quite attractive behind the makeup, and they all go after her, but when Kohei asks her if she’ll come to his place later all four girls retreat to the restroom.

Iori uses the time to inspire his men, only to steal the show, thus invoking the other lads’ collective ire. Kohei breaks a mixer taboo by blurting out that Iori has a girlfriend (something he can’t deny lest he break his promise to Azusa), but the girls don’t even care; they already know that fact.

Later, the girls laugh off the mixer as an entertaining lark, likening it to going to the zoo. But Aina, ever the romantic, still ponders whether the person who saw through her cakey makeup and helped her out when she was down in the dumps could be a good match for her. No doubt she sees a decent guy beneath Iori’s own thick layers of alcohol-soaked machismo.

Grand Blue – 04 – Trying Hard in a Bad Way

There’s no diving in the ocean this week, but Chisa, Iori and Kohei all “dive into” a new experience: being on stage, in front of hundreds if not thousands of spectators. But first, they help man the Okonomiyaki stall at the Izu Spring Festival.

While on a break, Iori fails to clear up Asuza’s misunderstanding about him being bi, but only when Asuza tells him how nice it is to have someone else to talk to about it. This is how you know beneath all the drunken boorishness Iori has a good heart: while the truth is always better, it also hurts, and he doesn’t want to hurt a friend if he doesn’t have to.

However, he does want to talk about it with Chisa, so on the next break the two are left alone, and I love how they work the griddle like a single highly-polished unit, dazzling the customers—but they don’t notice how skilled they’re being! Unfortunately, not much comes of the talk; Chisa assumes Iori is nervous because Asuza is so pretty, not because Asuza thinks he’s bi.

Asuza and her sister also insist she wear something more appropriate than her regular street clothes for the 4PM women’s pageant. Iori knows Chisa well, and so knows when Chisa is nervous. She stiffens up, and her aura and responses initially come off as cold and curt. They want to help her, but he and dating-sim expert Kohei only have bad ideas that make things worse.

When they try to make her smiling by smiling at her, but their grins come off as creepy and off-putting. Ditto posing shirtless as a club and raising a banner professing their love for her.

Finally they agree to throw a bunch of bouncy balls on the stage that will flip her skirt up and show her bashful side. They get it, but it’s bashfulness cut with seething rage. Iori knows he went too far, and only went as far as he did because he thought everyone would do it.

While Iori is hiding from Chisa’s wrath with Kohei, the latter is pounced upon by another woman who was part of the pageant; one with makeup so thick they use the nickname “cakey” on her. She asks Kohei out; Kohei hesitates and she storms off.

They go to the drinking party hosted by the rugby club. Chisa initially forgave Iori for the upskirt incident, but when he mentions how he’ll buy her sexier underwear, he’s back on her shitlist, and she intends to make him suffer with two liters of shochu.

While getting some air, Iori and Kohei again encounter Cakey, whose real name is Yoshiwara Aina. She’s deep into her own cups, and proves a very…emotive drunk. But she also provides the lads with a clearer picture of her deal; she was accepted into the tennis club of beautiful people, but basically only so they could laugh at her, and when they got bored, they told her she could leave.

Iori and Kohei decide to use the pageant as a means to not only raise Aina’s spirits, but to give the cocky blue-haired tennis captain a dose of his own medicine. And yet by getting swept up in this new mission, they forget about Chisa.

Kohei sets a trap by confessing to Asuza on stage; the captain does the same, only for the lads to reveal “Asuza” was really Iori in disguise. In other words, they balance the distribution of laughter, disproving her belief it was eternally directed at her.

All’s well that ends well, as Iori and Kohei may well have made a new friend who is grateful for what they did for her…but the partying that follows leaves the lads horrendous wrecks, unable to protect the winner of the women’s pageant—Chisa—from another round of advances from guys, which she hates more than anything.

Up to this point, I had felt like Chisa was too often being defined through Iori, as Iori’s love interest. But Asuza makes clear to the other guys why exactly Chisa is upset: Iori and Kohei worked hard, but for the other girl, not her. In a rare instance of seeking/expecting protection from them, they let her down.

And so just as the tennis captain got his comeuppance, so must Iori. Upon receiving her award for winning the pageant, Chisa delcares to all assembled that she’s off the market: Iori is her boyfriend. Iori can’t protest, because he’s passed out.

In effect, Chisa has made delicious lemonade with the lemons she was dealt: Iori will repel other guys for her. He’ll be her shield. Considering how popular the pageant made Chisa with the guys, it won’t be an easy job; Iori may well prefer the tranquility of the ocean floor!

Grand Blue – 03 – Stepping into a New World

Diving involves a lot of equipment in good order, which means it’s quite a costly activity for a college club to be involved in; far costlier than, say, the tiddly winks club or the pogo stick club. Iori and Kouhei are informed of this in a matter-of-fact way, meaning they will have to help contribute to club funds.

They already have a way for them to contribute right away: by participating in the Izu Spring Festival’s Inter-Club Men’s Beauty Pageant. But before that, Ryuu takes Iori out for his very first scuba-diving lesson. Before he departs, he gets words from encouragement from Chisa.

Chisa is clearly excited that her old friend is about to experience something she’s already familiar with—and which she loves. Things start out a bit rough, as Iori isn’t used to the kind of breathing one does in scuba gear, and when his mask floods he panics.

But once everything is readjusted, he remembers what Chisa showed him at the aquarium, and it’s like stepping through the doorway into a new world. You can see the switch flip in Iori’s head from panic to nirvana, and the look of joy and wonder on his face is plain to see—and something that delights Chisa. “Good, he gets it now,” she seems to be thinking.

The wonder and joy lead to excessive celebration, which is nothing new to Iori and Kouhei, but what is new is the manner in which Iori finds himself waking up: beside a buxom half-naked woman a couple years her senior. This is how he meets third-year student and fellow diving club member Hamaoka Azusa.

Azusa is the kind of girl who doesn’t mind sleeping in the same room with a bunch of guys, but she’s also a good cook, and teaches Iori, Kouhei and Chisa how to make okonomiyaki to raise more funds for the club at the festival. The festival where, in exchange for not having to compete in the boy’s pageant, the boys must convince Chisa to compete in the girls’ pageant.

The lads, likely still hungover, decide the best way to convince Chisa is to liquor her up so she’ll be more open to the pageant. However, each time they try to slip her a spiked drink, she either already has one, politely declines, it’s taken by Azusa, or one or both of them have to take the drink. Before long, they’re drunk as skunks.

Azusa also reveals she knows what they’re up to—to the heretofore unaware but now horrified Chisa—and forces them to confess their true goal. They ask Chisa to enter the pageant; she refuses; and they reveal that they’re trying to get her to enter so they don’t have to.

That night, the lads play naked rock-paper-scissors, which Azusa joins in but doesn’t have to shed a single article of clothing as she whoops everyone. She gets Chisa to admit that it’s not that she doesn’t want to enter, but more that she doesn’t want to bear the embarrassment of the pageant all alone. Azusa also points out that the only reason they asked her at all is because they were supremely confident all she’d have to do is enter and her victory would be assured.

So Chisa agrees to enter…but only if Iori and Kouhei enter too. Thus the embarrassment is shared, if one loses one of the other two could still win, and if all three win, the club funds are tripled, so everyone wins. When the means with which to enter a new world are so expensive, sometimes you just gotta shake what your mama gave ya…proverbially!

Grand Blue – 02 – Underwater Isn’t So Bad

Iori continues to contend with the constant nudity of his male peers, but everyone dresses for dinner, which is when Nanaka observes he’s gone out every day he’s been in Izu, and doesn’t even know where his room is!

Nanaka forcefully forbids him from spending a third night out, but when the boys say they’ll be having drinks with students at a women’s university, Iori begs Nanaka to let him go. She refuses.

Iori doesn’t give up there, an decides he’ll unpack his stuff and set his room up in a way that will convince Nanaka to change her mind. Kotobuki and Tokita volunteer to help, and eventually Imamura is also involved in various ill-conceived makeovers.

They festoon his room in porn, then lolis, then BL, and finally, in order to sway Nanaka most powerfully, slap Chisa’s face on everything. In the last case, Chisa ends up seeing their handiwork before her sister.

It’s a competent example of the “best laid plans” comedy trope, in which Iori keeps trusting his friends, things just keep getting worse, and he just grows more angry and frustrated. His own idea is worse still, suggesting the entire venture was doomed from the start!

Chisa banishes him to an isolated room that also happens to be the meeting room for the diving club; Iori only learns this when he wakes up to find a meeting taking place in the room, and the club ain’t vacating!

Kotobuki and Tokita decide to give the three freshmen—Iori, Imamura, and Chisa—some basic lessons. Chisa is forced to participate despite already being well-versed in said basics.

The swimming lesson goes south when Iori is treated to the sight of way more underwater manhood than with he’s comfortable. The senpais even trick him into totally disrobing just when Chisa emerges from the changing room in her orange bikini.

Iori just can’t seem to prevent Chisa from seeing him in almost exclusively embarrassing and shameful situations!

But when Iori idly says he’s not interested in underwater—something she’s painfully passionate about—Chisa has Nanaka take Iori to the aquarium after-hours.

This visit and the majesty of the underwater to which divers have access doubtlessly inspires Iori, but so does video he sees of an entirely different side of Chisa; one he never sees because he always looks like a jackass around her.

Nanaka is honest about Chisa telling her to take him and why, and the next time Iori sees Chisa, he makes sure to express his gratitude, both by being fully clothed, and by giving her a souvenir. Chisa would’ve preferred a cuter trinket, but she clearly appreciates the gesture.

This was by far the least cringe-worthy interactions between the two childhood friends, and hopefully the start of a trend of more cordial encounters. Still, I also hope the show doesn’t stop mining Iori’s embarrassment/jackassery around Chisa for comedy…it’s still a rich mine!

Grand Blue – 01 (First Impressions) – Learning to Swim

Kitahara Iori moves back to the seaside town of Izu where he grew up in order to attend university. He’ll be living with his uncle, who runs the Grand Blue Diving Shop. Upon entering, Iori is met with a scene he never thought he’d see: a huge group of naked burly guys playing rock-paper-scissors.

Iori flees the site, but is quickly caught by two of the dudes, and learns they’re juniors at Izu University, making them his senpais. They were playing a game to determine who would fill their scuba tanks; they’re in a diving club and want to recruit Iori, who declines as he can’t swim.

Iori won’t just be living with his uncle, but his two female cousins as well, Nanaka and Chisa, both of whom have grown quite beautiful in the ten years since he’s seen them. There’s a particular aura around Chisa that suggests she’s looking forward to seeing Iori, or at the very least will give him a chance.

Iori blows that chance without even realizing he had one, because just as he walked in to a debaucherous display, so too does she, with him at its center, half-naked, drinking, shouting, and generally acting a damn fool (i.e., a college freshman). His attempt to smooth things over fails specatularly; Chisa’s first impression of him is that anything he touches must be thrown away.

His senpais Shinji and Ryuu demand he party with them that night, assuring him they’ll get him to orientation on-time. They do, but with two caveats: he’s hungover six ways from Sunday, and he’s in nothing but his boxers. That is how the whole of his freshman class meets him.

Iori has been swept up in the waves of college life, and it feels like his seniors are giving him a “swimming” lesson of sorts. The only way to learn is to jump in and start paddling, but Iori’s attempts to do so only invite more scorn, not just from Chisa, but from a hot blonde guy named Imamura Kouhei, who wears a t-shirt declaring his otaku-ism.

He also gets plenty of attention from the cops for continuing to ask people for their clothes. He finally gets a shirt by recruiting Kouhei to the Diving Club, which is called “Peek-a-Boo.”

Iori is inevitably thrown into more situations of cavorting and heavy drinking, and both he and Kouhei prove ill-equipped to resist the temptation to overdo things. To be fair, the peer pressure to drink as much strong liquor as possible is extremely high…though we see that Chisa is able to sip responsibly and stay above the fray.

The morning after their latest college party experience (involving a staring contest in which one person tries to get the other to spray their drink) both Iori and Kouhei arrive at class in their underwear. Clearly more swimming lessons will be needed…but despite Iori’s insistence the Diving Club is not for him….c’maaahn. You know that cat’s joining.

Grand Blue looks great and is a lot of fun, effectively capturing the raw energy and abandon of early adulthood. Those who have attended college know that it isn’t just about studies, but the experience; the change in one’s lifestyle to something more independent than one’s home. It’s about making a new home, and making a new family.

Most importantly, it’s about trying new things (and yes, sometimes failing and/or suffering). But as Yoda said in The Last Jedi: “The greatest teacher, failure is.”

Just Because! – 12 (Fin)

Setting the final episode on the seniors’ final day of high school is an obvious touch, but a very effective one here on Just Because!. We can share that sense of accomplishment, relief, and anxiety the new grads are going through. There’s also the sense that everyone feels a bit out of place, from little details like flowers and parents to a completely different schedule of events from the usual routine.

Unfortunately, we have to wait quite a long time for the inevitable payoff of Izumi and Natsume meeting in college. That’s because they don’t see each other the entire episode. This seems at once a wry nod to viewers that such an inevitable payoff, while desired, isn’t something that can sustain an entire episode.

Rather than pad it out, JB! does a curtain roll of everything and everyone else, starting with the news that Izumi didn’t get into the fancy college he thinks Natsume is going to. She only texts him that she got in “her first choice”, without indicating that she changed it to his.

That profound misunderstanding threatened to mar all of the events in the episode that weren’t dedicated to resolving it, but it turned out to be an episode that rewarded patience. We also get an arguably superior scene to the episode’s final moments in Izumi and Komiya’s last scene together.

She won and lost the competition: lost because her photo of him didn’t win, but won because her fellow club member’s photo of her taking a picture of Izumi did win, which means the club, and her place of belonging survives. It’s little consolation for Izumi’s formal rejection, however, and both animators and seiyu LYNN really knock it out of the park with Komiya’s understandable reaction.

Speaking of dingers, we get a nice symmetry to the series when Izumi and Souma play ball in the yard again, only this time with their positions reversed. When Souma hands him the bat and says “hit a home run”, Izumi knows what he’s talking about, because of what hitting one meant for Souma.

That being said, Souma’s fiert first pitch immediately lets Izumi know he’s not lobbing a batting practice toss…Izumi has to earn his homer—and he does, making crisp contact that sends the ball flying, just as a jetliner screams overhead, the vapor trail imitating the ball’s path, making the homer seem that much more epic. Izumi runs off to Natsume.

Unfortunately, Natsume doesn’t wait on the hill long, as she assumes that Izumi won’t come, and a phone call from Yuriko and her celebrating friends lures her away before Izumi can get to the rendezvous point.

So that’s kinda that…and an entire month passes, without them speaking or even texting each other. To this, all I can say is, WTF, show? A month? Seriously? A longer period of time apart than the two have ever suffered, at so crucial a time in their lives? I’m not a fan of the choice, or the persistent lack of communication that caused it.

That being said, their encounter at college, in which both un-bottle that month of longing with quick confessions to one another, was very well done. Not as nice as Komiya’s scene, but still nice.

Some shows are about what happens after two people who really had to labor to end up with each other enter a romantic relationship, but this was just about how it happened. I’m always for at least a taste of seeing the new couple fall into a new rhythm together, but we didn’t get that here.

Oh well, what we did get was most enjoyable regardless. Just Because! is no Tsuki ga Kirei, but there were certainly moments when it came close.

Just Because! – 11

Everyone in Just Because, it seems, requires certain seemingly unrelated conditions be met before taking action.

Souma wouldn’t ask Morikawa out unless he hit a home run. Natsume won’t “lay her feelings bare” unless she gets into Joei. Izumi won’t tell Natsume how he feels unless he gets into Suizan. Morikawa won’t go out with Souma until they settle into their respective futures at college and work.

Only Komiya confessed to Izumi before meeting her stated condition (winning the photo competition), but she’ll still wait for Izumi’s answer until after the exam, which she expects him to pass.

Mio’s sis is too good at imitating her sister’s face

This was a very practical, functional episode in which all of the members of the Natsume-Izumi-Komiya triangle meet their conditions, which in a way was the easy part. The toughest trials for the three come now that they no longer have those artificial boundaries in place. In the final episode, they’ll have no choice but to follow through on what they promised they’d do.

Between Natsume and Izumi’s simultaneous balcony sessions to their morning routines to their lengthy commutes to the colleges to their time at their desks taking the exams, there’s a great deal of thematic heft given to those exams, as befits the fact that passing them means far more than simply getting into those colleges. Both of them have assigned a lot more importance to them than that, but neither shrinks from the task at hand.

As they furiously put pens to paper, Morikawa and Souma enjoy each other’s company at school, too restless to be home, each worried about their friends. It’s here where Morikawa and Souma first pool their knowledge of both Izumi and Natsume both switching schools…but it’s “too late” to stop them.

Is this meant to suggest the would-be lovers are doomed to attend different schools? I hope that’s not the case and that with some paperwork wrangling they can align where they wish to go…if that’s what they both want.

While the buildup and the presentation of those exams was very deliberately paced, the results come in in the relative blink of an eye. Natsume’s letter definitely says she’s been accepted to Joei. Komiya’s smile most likely means her photo won. Izumi’s grin means he got into Suizan, meaning the conditions have been met. With all that paperwork out of the way, I’m looking forward to seeing these three proceed to sort things out.

Just Because! – 10

In its third-to-last episode of the Fall, nobody has a particularly happy Valentines Day, both as a result of bad luck, poor timing, simple misunderstandings, and an inability to resolve those misunderstandings in a timely fashion (hence the two episodes remaining).

Komiya Ena—who may be the more charming and less passive of the two girls, but is nevertheless someone I don’t think Izumi should end up with—still wants to give him chocolates, but becomes dejected when she sees him with Natsume.

Meanwhile, Natsume seems on the cusp of giving Izumi chocolates as well, but a LINE message from Souma leads Natsume to glance at Izumi’s phone, and Chekhov’s Phone Background goes off, upsetting her to the point of running off with a face Izumi has never seen. THANKS A LOT, SOUMA.

Almost immediately after Natsume retreats, Komiya goes up to Izumi and gravely removes the background before running off herself. And when Natsume finally stops running, she beams, happy to be so “completely serious” about Izumi, even if he has no idea his love is requited.

Frankly, I found the need for Natsume to see the background a bit of a cheap stunt, even if it was telegraphed as a potential point of conflict as soon as Komiya made it Izumi’s background.

I get it: these crazy kids take their social media seriously, but they’ve also proven capable of using their words with one another in person. Sure, emotions ran high, but Izumi made no real effort to go after Natsume or explain the reason Komiya was on his phone.

Speaking of communication, Souma and Morikawa meet up, ostensibly so Morikawa can deliver her answer—which she does, but not before they do a kind of performance piece in which she’s playing the trumpet while Souma pantomimes hitting a home run and rounding the bases.

It was…odd, more than a little corny, and not really effective. That being said, their exchange after their little “dance” went better than Izumi’s triangle, even if Morikawa asks Souma to be patient and let her get settled with college before dating.

Asking for another delay is cruel, but hardly avoidable. The two being able to see each other regularly is practically impossible, no matter how gung-ho Souma claims to be, he’s not made out of travelling expenses, and it wouldn’t change the fact they’d be leaving the gate in a long-distance situation, which is never a good way to start.

Ultimately, I’m satisfied with Morikawa’s position evolving from “no way” to “I don’t know what I’m doing” to “yes, but later.” As Souma said, she gave it a lot of thought and consideration. Could he fall in love with someone else in the weeks and months he and Morikawa are apart? Perhaps, but that’s not presently the case. If it’s to be, it’s to be.

That’s kind of the attitude I have to take with Izumi and Natsume too; if it’s to be it’s to be. Komiya decided to bike to temples all over the place to grab as many amulets as she can. It’s a gesture simultaneously self-serving (to impress him with her dedication) and selfless (she got them to ensure he’ll pass the exam). She both wants him to fail so he won’t go off with Natsume, and wants him to succeed because he’s studied so hard.

Izumi likes that part of Komiya, and so do I. She also gives him chocolate—albeit one small store-bought bite rather than her homemade sweets—and he gives her one of her charms back, in hopes she’ll win her competition, something he didn’t use to care about, but now does because he considers Komiya a dear friend.

As for Natsume, she’s going for it. She’ll get into Joei and then “lay bare all her feelings” regarding Izumi. Here’s hoping she and Izumi don’t end up at different schools, thus having same problem of distance and time as Souma and Morikawa. Don’t do that to me, show. I’m warning you. DON’T YOU PUT THAT EVIL ON ME JUST BECAUSE!

Just Because! – 09

Whew, there’s a lot to unpack this week. A lot happened!…or at least a lot seemed to happen. Morikawa’s new ‘do causes an unexpected sensation from just about everyone in her class, except for the one guy whose reaction mattered most to her—Souma, because he’s an idiot.

After her not-confession (which Izumi mutters to himself had the exact same effect as a not-not-confession), Komiya is awkward with him, and all the times they naturally bump into each other always end with her retreating wordlessly.

Souma and Natsume encounter one another at the shoe lockers justs as Morikawa starts to play her trumpet, which sounds like it’s beckoning Souma, particularly when Natsume tells him he should go to her. Souma doesn’t want to be a bother…but he is.

No matter, Natsume goes to Morikawa instead; she wants to know how she decided on her future. Morikawa answers earnestly as always, citing her devotion to her family and paying them back for their kindness, but also wanting to taste life on her own for a bit, hence a woman’s university.

Morikawa wonders if it’s just a matter of her not wanting to be an adult, but Natsume thinks Morikawa really has “her act together”, especially compared to her.

After some unintentional synchronization after school (after which she exclaims “this day sucks!” with a smile), the third time turns out to be the charm for Komiya, as she runs into Izumi again while he’s on a run. She runs into the konbini and buys him a cold tea; he goes in and buys her a hot one in return.

There’s a Valentine’s Day sign in sight, and Izumi tells Komiya it’s almost time for his least favorite time of the year. Komiya coyly replies that even if Natsume never got him chocolate, he should expect some this year. Did I mention how fun these two are to watch?

Before leaving hastily yet again, Komiya expresses hope they can “get along like this from here on out!”; after she leaves Izumi mutters that that’s impossible. I think Komiya kinda knows that; Natsume still probably enjoys a lead in Izumi’s heart, regardless of how few nice interactions they’ve had.

The next day, Morikawa’s brothers spot Souma on the baseball field and run out to meet him. Souma finally has the opportunity to compliment Morikawa, and while she seems grateful, there seems to be something on her mind.

That gets back to the continuation of her talk with Natsume, after she asked how Natsume if she had feelings for Souma. Natsume responds that she liked him, past-tense, in a one-sided middle school crush, but locked the feelings away, but they eventually dispersed naturally.

Natsume was satisfied with “nothing coming of it” and “not trying to let anything come of it.” She also says there’s someone else she likes anyway, and when on her way home, she can’t resist buying chocolates for that person…and has made the decision to change her university to Izumi’s recommended school.

That means, of course, Izumi’s now studying for enrollment to the wrong school! It’s an object lesson in why you should really be more open about their plans, especially with someone you has feelings for. It would have obviously been a nice surprise if Natsume had stayed put, but that’s no longer the case.

I definitely dig Natsume’s bold move in escaping her sister’s orbit, even if neither she nor Izumi are making it easy for each other to come together. Still, while I’ve instantly come to love the idea of Izumi and Komiya, that “impossible” from him certainly leads me to assume Natsume is the one he’ll choose, even if they attend different universities.

I’m okay with that; I like both girls but there has to be a winner and a loser. All I’m sure of is that the next two-three weeks are going to be a roller coaster.

Ore Monogatari!! – 14

orem141

Ai tells Hayato in no uncertain terms she’ll never let herself be caught alone with Takeo, and even if she does, she’s not just going to tell him how she feels. When Hayato introduced this plan last week, it seemed like a solid one with the possibility for some great emotional work…and it was, it just didn’t go quite as smoothly as Hayato intended.

But in the meantime, Takeo and Rinko practically lose it at MM Land, both laughing so much their faces hurt. The shot of a clown-like Takeo rendered as if he were part of the carousel triggered similar laughter in me, along with Takeo’s hilarious reactions to the haunted river ride.

orem142

Hayato is a bright guy, so his chess moves end up outmaneuvering Ai, who ends up spending a lot more time alone with Takeo than she bargained for, and it’s at turns awkward and enjoyable, to the point she start to enter into the frame of mind of “well, we’re here…why don’t I tell him?” It doesn’t help matters that Takeo is pretty much his usual awesome self around her, enjoying himself with Ai and helping a lost kid get found.

When he says he doesn’t remember calling Ai a certain flower years ago, Ai is almost off the hook…until Takeo spots the very same flower and tells her if she was a flower, it would be that. This is the reinforcement of a powerful feeling Ai’s had buried in her heart ever since he said those words the first time, but that Takeo’s view of her hasn’t changed a bit even though he’s grown so much speaks volumes to her.

orem143

Even so, she finally tries to confess, but you could say she undone by fate, in the form of the announcement that the Sparkly Parade Takeo and Yamato promised to meet up for is starting. This could have come off as a cheap conceit—doomed by the bell, rather than saved—but to Ai, it’s a fresh chance to forget about telling Takeo, which might well fundamentally change him, and simply be content with what she has.

And she is. A delicious coffee cake that represents her (bitter yet sweet) baked by Yamato, and being called a lily twice by Takeo at two different points in his life; this is enough to make her happy. She doesn’t need to look on the other side of the curtain. And because of that, perhaps Hayato’s chances aren’t as dire as he thought.

orem144

As for Yamato, Ai prods her in the right direction once more, telling her not to worry about silly jinxes and trust in Takeo, as he trusts in her. She does so, and because they’re simply meant to be together, the crowds seem to part at just the right time for them to find each other, with Yamato jumping into Takeo’s arms with elation.

They get to watch the parade together as they hoped, and even get within kissing angle and distance before Suna accidentally interrupts with his apologies. But considering how happy these two make each other simply being in general proximity to each other, that first kiss can wait a while longer.

8_ses