86 – 11 (Fin) – All Over but the Crying

We arrive at October 30th, the day the five remaining members of Spearhead get into a scrap with the Legion and lose Fido as well as all but Shin’s Juggernaut. Things are getting desperate and they’re running low on ammo, fuel, and food, which means soon their recon mission will be at an end. All of them know what that means, but rather than dwell on that, they simply keep living their lives until the time fate decides to take them.

This means taking shifts piloting the ‘naut while the others rest or watch the rear from the remaining cargo bot. Thanks to Shin’s instincts and a rainstorm they manage to evade another Legion patrol, but the Legion become more legion by the day. The group finds an abandoned town and decide to take shelter in a school—the first school Kurena’s ever been to. They take a final roll call, and “graduate” the next day.

When they hit a literal wall of sheer rock, Shin suddenly asks to switch with Anju, who is piloting, claiming he’s bored. Once they switch, he cuts the tether to split off from the others and uses his grappler to bring down some rocks so they won’t follow. He sensed more Legion were coming; Legion they wouldn’t escape unless he lured them away. The others aren’t okay with this. Raiden, Anju, Kurena and Theo all agree to go after him.

With no Juggernauts, they have to go on foot, and arrive just as Shin’s ride is trashed and a Legion prepares to crack it open like a tin of sardines and claim his head. Only the weakest of the charging Legion are susceptible to their small arms, and even then only headshots, and there are too many of them. First Theo, then everyone else goes down fighting. The light of the Legion prepares to take Shin’s head—but he has his sidearm. Does it succeed?

We finally check in on Lena, who is under house arrest for her little stunt with the mortars. Even so, she pays a visit to the front lines, and to Spearhead’s HQ. A new group of 86 are being processed. The cycle continues.

Lena is greeted by Lt. Albrecht, who reveals he’s an Alba like her whose wife and daughter were 86 and died in battle. Thanks to Shin, he was given a measure of solace in knowing they didn’t become Legion, as Shin never heard them call Albrecht’s name.

Lena then walks through the now abandoned living space like a ghost looking so out of place after having been in essentially another world the whole time. It’s just so heartbreaking that by the time she was finally able to make it here, everyone she spoke to over the Para-RAID was already gone.

While the cycle of using 86 as cannon fodder continues, there was at least a crucial change. Lena and Shin forged a genuine connection, and it rubbed off on the others too, as they left her a memento: Theo’s drawing of her with handwritten notes from him, Shin, Raiden, Kurena, and Anju. More importantly, they left a Polaroid of the whole group, helpfully labelled by Theo “so she wouldn’t cry” about not being able to tell who was who.

In the end, as a practical matter, all Lena was able to do by breaking protocol and getting in trouble was extend the five’s lives by a few more days. Instead of dying on one battlefield, they died on another. But with Fido gone and his records destroyed, Lena now holds some of the last remaining artifacts of their existence—other than the wrecks and bodies they left behind somewhere out there, after reaching their final destinations.

Lena will surely treasure these things, as well as the cat left in her care, but they’re also primed to fuel her continued rebellion against the broken evil system she’s blindly served for too long. She couldn’t end the injustice for Shin and the others, but perhaps with enough allies and some luck, she can end it for others. Or maybe not. But like them, she’ll fight until fate comes for her.

Maybe then they’ll all get to finally reunite…for the first time.

So ends the first cour of 86. What a powerful show. We’ve known since the start there would definitely be a second one, but now we know there will be a “Special Episode” in between the two. What I’m a little fuzzy on is what exactly became of Shin.

I’d like to hope he managed to shoot himself in the head, and that seems to be supported by the fact he reunites with his brother, whom we know he freed from the Legion. We also see Shin’s headless body. But nothing is certain, which is why I’ll just have to keep watching to find out.

86 – 10 – We’ve Come This Far

86 eschews dialogue and even diagetic sound, sticking with visuals and music to tell the story of Spearhead’s newfound freedom. Followed by their ever-trusty robot porter Fido, Raiden, Theo, Kurena, Anju and a far happier, less haunted Shin continue their “deep recon” mission by heading further and further from their Republic minders, camping out and keeping a low profile as columns of Legion pass by in the night.

It’s so nice to finally see these good kids get to live like the kids they are, not always having to worry about going into battle or being killed or being turned into a Legion. Being in the vivid blues, greens, and purples of nature make for a nice change of pace from their usual gunmetal grays and blood reds. They wash their uniforms, and trip to an old Imperial town nets them a boiler in which to heat a much-appreciated bath.

Shin is smiling and laughing the whole time, but still seems distracted by something, though it’s no longer his brother, whom he’s satisfied is now at rest. Like the others, I feared the worst when they woke up to find him gone, but Raiden remembered the tunnel in the town Shin took a good look at, and it leads them to a zoo where he’s found an immobile Legion with the brain of an 86, which Shin puts out of its misery.

The five stare for a long time at the skeleton of an elephant and other beasts who died locked behind bars, and wonder if they’ll end up the same way. It’s Fido, of all of them, who tells them to stop talking about such things and keep moving forward. While Raiden withdraws his question of whether Shin will be going across the water by himself—and possibly to the good Major, who doesn’t appear this week—he probably already knows the answer.

After the credits roll with almost ten minutes left, we get a retrospective of sorts of the life of Fido, starting with him finding and befriending Shin. He’s been there since this most recent cycle of Spearhead began, and probably before that, and all this time has been capturing all of these small moments of joy and grief. Shots of characters long gone smiling and playing are shown, then immediately juxtaposed of images from the day they died.

The most foreboding and indeed deeply upsetting moment we see happens at the very end, with Fido, and all of the memories he contained that for many of the 86 represented their only record of having existed on this earth, is blown up, most likely by Legion, on October 30, the latest date we’ve seen so far.

On one level, I have to think Shin and the others will be alright, even if Fido very clearly isn’t. And even with Fido’s stored “memories” have gone up in smoke, those five still carry memories of the fallen—all 576 of them, including Shin’s brother. The question is, assuming they’re alright, what will become of them? Will Shin find a way to get to Lena? I suspect next week’s season one finale will focus exclusively on her, and what progress if any she’s made in her one-woman crusade to save the soul of her nation.

86 – 09 – No Signal

“If you find yourself alone, riding in green fields with the sun on your face, do not be troubled…for you are in Elysium, and you are already dead!”—Maximus

This week, Spearhead, whose living members now consist only of Kurena, Raiden, Theo, Anju, and Shin, ride out into a vast, dark, and bleak battlefield, where the five of them must face hundreds if not thousands of Legion, because they were never even meant to make it thisfar in their military “careers”.

Of course, Shin has something else in mind: he’s singularly invested in finding his brother and putting him out of his misery. He orders Raiden to take over the unit and find cover in the nearby forest, but his four comrades aren’t about to leave him. Instead, they do what they can to give Shin a clear shot at Shourei.

As it turns out, Lena has a surprise in store for all of them: she managed to get access to the republic mortars, while also being able to swap vision in one of her eyes with Raiden so she can target more precisely. In that split second, Raiden—and only Raiden—catches a glimpse of their “pig princess” Handler.

When Lena prepares to launch a massive mortar attack on Shourei Legion’s position—which is also where Shin is, dodging and grappling—the others are apprehensive: doe she mean to kill Shin too? Far from it; instead, she’s giving Shin the opening he needs.

The impacting mortars are represented in Shourei’s mind by the young Lena slapping him into something resembling coherence, and acceptance that Shin no longer needs his brother to look after him. Instead, his brother needs to know that he’ll be at rest.

The opening is created, and Shin takes his shot, saying goodbye to his brother and then sobbing his eyes out both in grief over his brother’s loss and relief that he’s no longer a technological abomination who wasn’t allowed to die naturally.

From here we shift to Lena’s little control room, and she heeds Raiden’s call to shut off the link for now, as Shin wouldn’t want anyone hearing him cry. She then turns to a sullen-looking Annette sitting in the corner with laptops. We go back a bit to before the battle, when Lena visits Annette despite Annette saying she didn’t want to see her again.

Lena tells Annette that her old neighbor Shin is none other than Undertaker of the Spearhead unit, that she speaks to him every day, and that this is now Annette’s third chance to save him, the first two times having run away. While at first apathetic, knowing it’s Shin forces Annette’s hand. She calls Lena “the devil” for pulling such a stunt, but Lena simply says “that’s right; I am…and so are you.” Better to be devils who care.

With what was supposed to be the battle that should have wiped out Spearhead once and for all ending in unlikely victory thanks in large part to Annette’s hacking, Shin and the others give their heartfelt thanks to Lena, as well as tease her for having turned into a “bad girl” by breaking the rules to save them.

But after that, the group continues their advance without further input from Lena. In fact, all she can say as they head closer and closer to a foreboding “UNKNOWN” area is “please don’t leave me!” It occurs to her that while she made little drawings of them, her only connection to them is the Para-RAID, and soon the distance between them will grow too great to maintain that connection.

Lena bolts out of her control room and runs out of the headquarters, out into the streets, and just keeps running, all while Kurena, Raiden, Anju, Theo, and Shin describe their surroundings, mentioning a “cathedral” the same time we see the one in Lena’s capital, and describing flowers that fall when you touch them carpeting the ground.

As they approach at the barrier of District 86 and the limits of the Republic’s control area, Lena’s desperate dash to maintain reception ends with her losing a heel and ending up collapsed on a lonely cobblestone bridge, suddenly, heartbreakingly alone. Her Para-RAID blinks out, and back at HQ the signals of the five remaining members of Spearhead are lost.

Losing  Spearhead is just one of many burdens Lena will have to bear if she’s truly serious about helping all Eighty Six—not just the ones with which she cultivated a quasi-friendship. Her resolute insistence on Doing What’s Right despite being a devil demands she keep doing what she can—as long as she is able—to end the unjust suffering of the oppressed.

86 – 08 – We Weren’t Ready

A person is smart. People are dumb, panicky dangerous animals and you know it.—Kay, Men In Black

The Alba are right: the Eighty Six aren’t human. They’re better than that. The humans who populate the serene Republic of San Magnolia blindly accept the government’s policy of ethnic cleansing as the cost of peace, order, and harmony. Lena, like the Eighty Six, knows there’s a wrong, but isn’t prepared to do more wrong to right it.

It’s why when Lena discovers the orders basically sentencing what’s left of Spearhead to their almost certain deaths, she wants to rescind them. Annette pulls her out of the records room for some tea and biscuits, but when Lena once again says it’s wrong not to try to do anything, all of the simmering resentment within Annette finally comes to a caustic boil.

Annette isn’t merely “pretending” to be a bad person; she’s fully embraced the role, heart and soul. She doesn’t need an excuse to do nothing; her inaction has already caused the death of her former neighbor and friend (who it’s pretty clear from the suspenders was none other than Nouzen Shinei) while her research is built upon the deaths of hundreds if not thousands of Eighty Six.

Like the vast majority of people would in such a situation, Annette chose not to fight a force that could not be beaten, but to join them. Even though her father committed suicide after the suffering he caused developing the Para-Raid, Annette carried on his work. She might’ve scared herself when she first called her friend a “filthy colored” like her classmates did, but that fear soon dissipated into acceptance.

After everything she’s been through and done in the name of not being able to do anything else, Annette doesn’t want to hear one more idealistic word out of Lena’s mouth. After all, the Para-Raid that enables Lena to speak to Shin and the other members of Spearhead was the product of involuntary human experimentation and state-sanctioned suffering. So is her comfy bed, her crisp uniform, her tasty coffee and sweets. It’s all tainted by evil.

Annette tells Lena she hates her and never wants to see her again. I mean, we already new full well Annette wouldn’t join any potential crusade against injustice Lena might concoct, but this really twists the knife, as Lena doesn’t even have a pretend friend in the capital in which to confide.

When she confronts her uncle before the statue of San Magnolia, he tells her the orders sending Spearhead to their deaths cant be recinded because it is the will of the republic that evry Eighty Six not only die, but be forgotten and erased from having ever existed. The only way San Magnolia will avoid becoming a pariah state after the war is if the atrocities they committed against the Eighty Six never come to light.

When Lena begs her uncle to remember the spirit of Saint Magnolia, he tells her their republic was never anything other than a country full of fools and villains who executed Magnolia for their wealth and greed. She says that’s just his despair talking, but he doesn’t consider his despair any different from her hope.

If Lena werent already having one of the worst days of her life, Shin also bids her farewell, fully accepting his suicide mission. Lena deduces he’s going after his brother, but Shin doens’t want her to hear his last words. Instead, he warns her that once the Shepherd is destroyed, the Legion is temporarily thrown into chaos, .

He urges her to head for the Eastern border, where she won’t hear the Legion’s voices and go mad. He and the others will buy her some time. With that, he signs off, for what seems like the last time. Now all Lena has is her tears.

With Lena left very much at rock bottom, we return to Spearhead, now only five strong: Kurena, Anju, Theo, Raiden, and Shin. They clean up their barracks, polish up their Juggernauts, have a final meal, and then set off on their deep recon mission with their heads held high.

As we’ve learned, they’re not just doing this because the alternative is summary execution. They’re doing it for their fallen comrades, and because just because they were always called pigs doesn’t mean they’ll become them. There’s a biting sense of inescapable dread and crushing unfairness to their scenes. More than anything, they feel like five kids who shouldn’t have to be anywhere near a battlefield.

Post-credits, we get one more taste of despair in the absence of anything else, in the form of the complete flashback of Shourei choking Shinei. He had been barely keeping it together before that point, crushed by his powerlessness to do anything about the loss of his parents. In a moment of weakness, he let himself blame Shinei for everything, and nearly killing him until someone pulls them apart.

A roboticized, Legionized Shourei narrates this final scene, lamenting that he couldn’t protect Shinei before. But this time, as Shin and his four companions approach him and his Legion unit, Shourei says he’ll protect his brother forever. All he has to do is come to him…which is what he’s doing.

All I can say to any of this is damn…this is some good shit, but it is also incredibly heavy and upsetting. I can only hope that we’ll get some glimmer of light at some point before the end…but that’s hardly a sure thing.

Rating: 4/5 Stars

Zombieland Saga: Revenge – 08 – The Celestial Maiden

Note: This episode was originally accidentally labeled episode 7. It is episode 8.

This is it, the much-anticipated backstory episode(s) for the oldest (by more than a century), wisest, and most elegant and domestically capable members of Franchouchou. One and a half seasons seems like far too long without Yuugiri being the focus, but good things come to those who wait.

The clock turns all the way back to 1881 (Meiji 14), when the proud proprietor and madam are meeting with the Legendary Courtesan Yuugiri at the very height of her powers. Such is her beauty and talents of entertainment, she literally priced herself out of her market!

Her richest and most devout patron showed his gratitude for her services by setting her up with her own household in Saga. I imagine he intended to live with her, but he died of an illness, and a year later, Yuugiri arrives in Saga completely alone and knowing no one. She spends her days giving the local girls dance lessons, and her evenings staring wistfully at the gorgeous Saga sunsets.

Ay, but there’s the rub: the region she moved to was once known as Saga (and will be again in the present day), but in 1882, the Meiji government considered it a nuisance prefecture, and after losing a regional war to Meiji, Saga was split up between Mizuma and Nagasaki, effectively erasing it from the map.

Local boy Momozaki Kiichi is determined to “Bring Saga Back”, making him the spiritual (if not biological!) descendant of Tatsumi Koutarou (he’s even voiced by Miyano Mamoru) . He tries to pass out flyers urging others to join his cause to create a new beginning for Saga, but he’s stopped often by the local cop, and just as often bailed out by his more jaded friend Itou.

One day, Yuugiri’s students urge her to leave her stately roost and view the cherry blossoms. She purchases a windmill, and the wind—and possibly fate—blow it out of her hands, landing at Kiichi’s feet. Kiichi is understandably bowled over by her beauty and politeness.

They’re almost both bowled over by a rickshaw, but when he leaps to push her out of harm’s way, she deftly dodges the ride on her own, and in the opposite direction, while he lands in a muddy bog. To his continued shock and shame, she soils her yukata to dry his face. We get another gorgeous shot of Yuugiri staring at the sunset, but because the red pinwheel is there, it feels significantly less lonely than the first shot.

The woman aboard that rickshaw looks just like Tae, just like many extras in the background resemble characters from the present day. It’s an fun artistic choice that reminds me of Farscape’s “Won’t Get Fooled Again” and Star Trek: DS9’s “Far Beyond the Stars”—two episodes that placed the casts in totally different roles.

Kiichi learns who he met from Itou, who is more up to speed with gossip in the prefecture formerly known as Saga. It’s rumored Yuugiri was so good, it almost brought down the Meiji court. Kiichi comes calling at Yuugiri’s house to offer a humble comb as thanks for her help; it’s then he learns he’s the first person to actually visit her other than her dance students.

Itou says that Yuugiri and Kiichi are “from different worlds” and thus hopelessly incompatable, but Kiichi rejects that cynicism and begins to build a friendship with Yuugiri, which isn’t hard because she’s incredibly nice and he’s her only adult visitor.

And then, one day, Yuugiri is in the kitchen when she feels what she charitably describes “a fresh presence” that turns out to be Itou. From this point on, and really before that too, something seemed off and sinister about this guy. That he perfectly blocks Yuugiri’s chopstick strike doesn’t dispel that notion!

The aura around Itou is so menacing, in fact, that I half believed he drugged Kiichi in order to be alone with Yuugiri. Instead, he has her put down the shamisen, offers her a drink (she graciously declines), and the two talk about Kiichi. As Yuugiri learned from Kiichi while visiting him at his “gramps”,  he was taken in by an old man after he was orphaned in the Saga war.

While Itou thinks Kiichi’s wild dreams and guileless optimism will lead to heartbreak and despair, Yuugiri admires the lad’s capacity for dreams. For all of Yuugiri’s comfort and luxury, in this era she remains the proverbial bird in a cage, idolized by all and avoided by all. Yet Kiichi, with his wild dreams, visits her and talks to her like they’re equals, and Kiichi-han’s Saga is a Saga where she truly can be free.

Before taking his leave for the night, Itou insists Japan is still too “twisted” and “barbaric” a nation for Kiichi’s dreams to ever come to fruition. Yet the next morning, a hot one, two strapping young lads approach Kiichi with his flyers in hand, interested in a new Saga themselves.

That glimmer of hope Kiichi has finally found some like-minded folks is all but snuffed out when Itou tosses a scrap of paper to an beggar who moves a lot faster and with far more purpose than you’d expect. This elicits a host of suspicions in me, from Itou plotting something horrible for Yuugiri (perhaps on orders from the Meiji court), to those two lads interested in Kiichi’s cause actually being hired muscle waiting for their chance to silence Kiichi, possibly for good.

And then there’s the overarching pall hanging over this look back: it is a look back. We know Yuugiri is already dead. I feel we just may have experience the happy half of the Legendary Courtesan’s saga. One way or another, the second half will end in tragedy as Itou predicted (and could well be an architect in that tragedy), and more than a century will pass before Yuugiri is revived by Koutarou and actually gets to see the New Saga Kiichi-han dreamed about.

Rating: 4/5 Stars

Read Irina and Crow’s discussion of episode 8 here!

86 – 07 – Nobody Comes Back

86’s structure returns to more of a mix of the processors’ and Lena’s perspectives rather than being split evenly, starting with the unit launching fireworks on the anniversary of the Republic’s Great Revolution. Some are playing with sparklers, Anju is finally crying, and Kurena watches Shin off by himself talking to Lena.

Lena is the one who sent them the “special ammunition”, emptying her wallet to bribe the quartermaster. It’s a small gesture, but she can do it, so she does, and it also highlights her increasing disillusionment with the shallow material world she lives in. If it can soothe the hearts of those soldiers for just a few moments, it’s worth all the money she has.

The superb juxtaposition of the fantasy world she inhabits with the realities of how it’s maintained continues as Lena walks alone in a bustling plaza. Celebrating Alba citizens are stuffing their faces with fine food and wine and couples are whispering sweet nothings, and little kids are crying about something as little as tripping and falling (something Lena herself does in front of subordinates earlier, so nervous she was about the fireworks).

All the while, Lena is on her Para-RAID, listening to Kuren describe in unsparing detail all of the horrors processor see every day.  Compared to watching their friends lose limbs, get their faces shredded, their bodies burned, their guts ripped open, and screaming in pain as they die, the voices of the long dead are nothing.

Because Lena is a kind and virtuous person, she never stops requesting reinforcements from the surrounding units, even “overstepping herself” in the eyes of her Uncle Jerome to complain directly to him about the lack of progress in her request. He assures her “the resupply and Processor replacement plans for the Eastern Theater are a settled matter.”

She takes that to mean resupply reinforcements are on their way to Spearhead, and Jerome pointedly doesn’t dispel that misconception. Despite what she takes as good news, she obeys the letter of her uncle’s order to attend the Revolution gala in an “appropriate dress”—which for Lena, can only be mourning black.

When the time she usually contacts Shin passes, he ends up calling her, which may just be a first, and she’s clearly thankful to be called away from the boring festivities. She heads out into the courtyard to watch the city’s fireworks display, marred by light pollution, almost letting slip that she wishes she could watch the fireworks she sent with Shin, modifying her hope that all of them can watch them together when the war is over.

Lena knows Shin once watched fireworks with his brother, and Shin is happy Lena remembered her brother when he was still his brother, something he can’t do anymore. Shin also reports Anju was finally able to cry, making the fireworks a unique opportunity for 86 to have a memorial gun salute. When asked if she’ll remember them all, Lena says she will, but before that, she won’t let anyone else die.

Rewinding a bit to the morning Shin received the delivery of fireworks, Anju and Kurena, the last two girls left in Spearhead, discuss whether they should “tell” Lena a secret they still carry, now that it’s clear she’s a good person. Anju warns that Shin and Raiden probably aren’t telling her because she’s a good person they don’t want to hurt more than they need to.

We also learn Anju has words scarred into her back, and while she grew her hair out to hide them, Daiya thought she did it because her hair was so pretty. Now that it’s just her and Kurena, and Daiya is gone, she sees no reason to hide it anymore. As for Kurena, she knows when they die “their Reaper” Shin will make sure they’re properly sent off. What she fears most is when he’s the only one of them left…who will carry his heart?

Two days after the fireworks and Lena’s vow not to let anyone else to die, Spearhead attacks the forward base knowing full well it’s a trap, and are then assaulted by a new ultra-long range Legion artillery cannon. Within seconds, four more soldiers are killed. Hopefully they died instantly, because Shin obeys Lena’s retreat order, knowing if they stay they could be wiped out entirely.

When they manage to shake off their Legion pursuers, Lena launches into a diatribe about reinforcements and how it simply “doesn’t make sense” that a unit as important as Spearhead hasn’t received any in all the time she’s been their Handler. That’s when Shin asks the others if it’s okay to “tell her”, and they all agree. She’s earned enough trust to learn yet another horrible truth.

Shin, Raiden, Theo, Anju, and Kurena all take turns telling Lena that nothing she does will change a single thing, ever. They’re going to get wiped out, because they’re supposed to get wiped out. The “replacements” Jerome told her about are the Processors that come after them, but they won’t come until every last one of them is dead. Nobody ever leaves the 86th District. The five-years thing is a lie…of course it is.

The higher-ups are able to determine which Eighty-Six are smart by how long they survive, and place them in increasingly dangerous positions until finally they arrive at the Spearhead. They’re not in an elite squad because they’re the best at fighting the Legion. They’re there to be killed off so no strong strategic or tactical Eighty-Six minds will ever be able to lead a rebellion against the Alba.

Now that she knows replacements won’t come until all of them are dead, Lena doesn’t want to believe it, but she believes them anyway. When she asks why they don’t simply run, or let the Legion through, it’s for many reasons. First, to honor those lost before them. Second: just as not all 86 are good, not all Alba are scum.

An Alba woman raised Raiden. Shin was raised by an Alba priest who refused to give up his land and was sent to the camps. Theo’s captain was an Alba. They knew some of the good Alba, while Kurena and Anju knew the very worst. They mention how Kaie was abused by other 86 for her skin color, while many of them have Alba blood.

Raiden says just because some of the Alba are scum who treat them like scum, doing the same doesn’t make them better. Even if they have no choice but to face the gallows, they can at least choose how they’ll climb up there. So they’ll keep surviving as long as they can. With increasingly advanced Legion—controlled by Shin’s brother’s brain—slowly advancing, that may not be long at all.

Now that Lena knows all of these things, simple gestures of kindness or little acts of resistance against her apathetic, hedonistic society probably won’t suffice anymore. All her hopes were riding on reinforcements that she now knows aren’t coming. And if Shin and the others are right, slaughtering their best frontline shoulders will eventually lead to the Legion invading the Alba districts.

So really, Lena can see the gallows in the distance as well. The difference is, she may still be do something other than merely decide how to climb up to them. With the help from what’s left of Spearhead, there’s a slight chance she can change all their fates.

86 – 06 – Just a Question of When

Now that the ghostly, ghastly sci-fi horror elements of 86 have been introduced, we look back to worse times when Shin found the headless  corpse of his brother in a once-grand bombed-out city (shades of Osgilliath) four years ago.

Then we look back to better times four months ago, when the ranks of Spearhead were a lot larger and livelier. Anju and Daiya began a kind of tender courtship while Shin lets it all soak in, perhaps knowing full well that it isn’t a matter of if things will go to shit, but when, and for whom.

In the present day it’s a hot July day, and everyone is baking in their metal coffins. They engage in a battle in which they are at a distinct disadvantage without mortar support, which the Republic hasn’t and won’t ever provide. The lighter mood caused by reminiscing about four months ago is shattered when Rikka gets into trouble and Daiya tries to rescue her.

Rikka’s mech is wrecked, and a Legion mech approaches her, she shoots herself in the head, her final words hoping Shin will “take care of things” from there. Daiya is surrounded by horrifying suicide bomber bots, and his last word is Anju who must quickly get over the shock of his loss and continue the battle.

Later, Shin ensures for Daiya what Rikka ensured with her self-inflicted headshot: that neither of them will join the ranks of the undead Legion. He gives Lena the opportunity to shut off the Para-Raid, but she considers it her duty to hear the shot being fired.

Down another two soldiers, Spearhead now has only sixteen soldiers left, and those lost will not be replaced before the next battle. Both the grieving Anju and the others try to hide how much this sucks with protective smiles and cheerfulness. Shin collects two more metal shards to remember Daiya and Rikka, then recalls how his brother hasn’t forgiven him for getting him and their parents killed. His search for his brother’s head continues.

Unlike past episodes that better mixed up Lena and Shin’s experiences, we’re back to one section being all Spearhead and the other being all Lena. It’s Lena’s birthday when Daiya and Rikka die, and Annette makes her a cake and gives her a present. She also casually talks about how 86 are dissected like lab animals if there’s a problem with the Para-Raid, while of  course Republic soldiers are treated far more humanely.

There’s been a tension building for some time between these two between idle chatter about Annette’s suitors and cake ingredients. It doesn’t seem the thoroughly jaded and complacent Annette will ever come around to Lena’s increased empathy for the 86.

Lena’s isolation is further reinforced in her briefing with her uncle. She suggests the Republic deploy the mortars in order to protect the lives of the 86. He responds by again warning her not to “side with the 86”, and that under no circumstances would Republic soldiers ore resources be spent to aid them. As Handler she’s merely responsible for making sure they follow their orders.

But Lena has obviously started to do far more than that. Unlike her uncle and Annette, whom I’m sure believe are “doing all they can”, her threshold for what “what she can” entails continues to expand. She has a corkboard with hand-drawn sketches of the remaining Spearhead soldiers on her desk, while by the window is a crystal case containing those who have been lost.

After signing off with everyone else, Lena is kept on the line by Shin, who voices concern for her because sounds on edge. He suggests she eat some sweets and use the evening to take a break from all these troubles. To Lena, he sounds just like his brother, who gave her chocolate when things were bad. She remarks on how important she regards her memories of him, while also letting slip how important she considers her time talking with with Shin.

When she realizes how that sounds, she turns red as a beet, a color that intensifies when she unwraps the fortune chocolate to reveal a heart. Of course, as she’s an Alba and a Republic Handler while he’s an 86 Processor and it’s a very bad idea to fall in love with him, I won’t go so far as to say nothing good can come of it.

One day, he’ll be the only member of Spearhead left, and then he’ll die. But Shinei Nouzen still won’t die alone, and he won’t be forgotten. It’s not nearly enough, but we can be assured, when that time comes, Lena will do everything she possibly can, even if it makes her a pariah in her world. There’s no going back.

86 – 05 – Ghosts In the Machines

This week we learn the details of how Shin’s brother saved Lena’s life when the helicopter she and her father were on crashed. Despite having everything taken from him by the Alba, Shourei was still a proud soldier of the Republic, and saving Lena—and giving her chocolate to eat—was his solemn duty.

Lena had seen and heard from her father how her people had done horrible things to the 86, so when Shourei’s stomach grumbled, she split the chocolate with him. It’s just that by the end of this episode, I wonder if it wouldn’t have been easier for Lena if that approaching Legion had killed her, though even then, it wasn’t a sure thing she’d remain dead.

The morning after reliving the most traumatic experience of her life, Lena is once again approached by Annette, who once again has a tasty dessert for her to try, and shifts the talk to party dresses for the upcoming Revolution Festival. Even Annette’s “memorial” to all her past suitors on the wall remind Lena of the actual memorial she just visited, as well as Shin’s undertaker role.

Even Shin tells Lena to go have fun; she’s not expected to spend all her time with Handler duties. As she talks to Shin, she encounters two other soldiers flirting on the stairs and gets a little flustered herself, but any thoughts of kicking back and partying are dashed when Shin announces out of the blue that the Legion are coming—despite there not being any warnings on Lena’s end.

Shin also makes the unprecedented request that Lena switch off her Para-Raid for the coming battle, as there are a lot of “Black Sheep” approaching. Lena resolutely refuses to disconnect, and Shin makes it clear that he warned her. As Shin and the others engage, Lena starts to hear strange voices among the static: the sounds of peoples’ last moments…including Kaie’s “I don’t want to die.”

The voices keep repeating and echoing in Lena’s head, and immediately it becomes clear why so many other Handlers went mad; even in her bedroom with the Para-Raid deactivated, merely reaching for it causes all the voices to rush back into her head. But while no previous Handler ever called back after hearing the voices, Lena still calls Shin back. She had to; she needs answers to what the hell just happened.

Shin is happy to provide the answers, but they’re all horrific downers. He can always engage the Legion before Lena even gets an alert because he can always hear the voices of ghosts of those who have died, but are still there.

Despite the Republic’s official stance that the war will end in two years when the Legion’s AI will shut down, Shin knows better: the Legion have been taking the brains of fallen 86 and copying them to replace the function of the AI due to shut down, thus extending their operating time—and thus the war—indefinitely.

This means the Republic, whose Alba citizens are so keen to hold swanky parties and get drunk and bang, believe they have the war in the bag when in reality, their defeat is almost assured. Not only will the Legion not shut down, but they’ve been building up their numbers, all while the 86 have dwindled to a smattering of children. Soon, Shin says, all of them will be dead.

When that happens, will the Alba fight in their place? Shin doesn’t think it likely. Even if they did, they’d be outmatched, since some of the brains recovered by the Legion were undamaged enough to create “Shepherds”—ghost commanders who make their Legion units significantly more powerful and adaptive.

Lena says if all that is the case, they simply need to wipe out the Legion before the 86 are wiped out, and before Shin’s service time expires. She wants the two of them to win and survive. But as Shin reveals a huge scar around his neck and recalls his brother choking him and saying “It’s your fault!”, it doesn’t seem Shin is interested in surviving. It’s also looking like his brother’s brain is one of those Shepherds.

Lena’s struggle to bring justice and dignity to the 86 seemed quaint and woefully insufficient before we learned the Republic are actually massive underdogs in this war, which won’t end when they expect it. With all this new information, it almost seems like Lena attending that party with Annette and getting blackout drunk would be equally as productive as anything else she could do.

Maybe that’s why Annette warned Lena not to get too close to the 86: because she too knows the truth (or a measure of it), and that there’s nothing left for them to do but enjoy life while the living’s good.

86 – 01 (First Impressions) – There but for the Grace of God Go I

Here’s a little story about the term “86” that I looked up after the title of this series piqued my interest: back in the 30s during prohibition there was a speakeasy on 86 Bedford Street in NYC, and when the cops arrived, its patrons would “86”—quickly flee—from the premises using various hidden exits. Since then, 86ing has also developed as a term to reject, discard, or cancel—86ing an idea, and such.

The second and now more common definition applies to the eponymous military unit of discarded humans in the 86th District of the Republic of San Magnolia. Despite national propaganda in the other districts that assures the public that war is now fought by bloodless drones, that’s just a lie: the 86 are very much flesh-and-blood, and they’re dying for a nation that doesn’t know they exist.

The 86 units are led by Processors, who answer to Handlers operating from the safety of San Magnolia’s luxurious military HQ. Major Vladilena Mirizé is one such Handler—and also one of the only ones with a conscience and who feels the weight of the lives at her fingertips. Much of HQ is a den of hedonism, with drunk and carousing Handlers either unaware their decisions cost human lives, or worse: they’re well aware and don’t care.

Lena cares, however. She tries to keep an open and cordial dialogue with her Processors on the battlefield, who thank her sarcastically. In between operations, she hangs out with her researcher friend Annette, who like Lena is following in her late father’s footsteps. One day, Lena is reassigned by her commanding general, who is also her uncle, to command of Defense Line 1 in Eastern Defense Line Combat District 1, AKA the Spearhead Squadron.

Warning his niece—the youngest person ever to rise to the rank of Major—that feigning modesty will make unwanted enemies, the General also informs her that the Processor who leads Spearhead is called Undertaker, AKA Reaper, which is notorious for destroying Handlers, either by forcing them to retire or change units or, in some cases, commit suicide. Lena, insistent she’s no coward, takes the assignment, but not without a generous helping of dread.

From there the perspective shifts to Processor Shin and the 86, of whom we caught a brief glimpse prior to the title card, fighting a battle that was a chaotic storm of smoke, metal, fire, and blood. But during their downtime, the unit of “grizzled veterans” is nothing more than a bunch of kids. Iron-blooded orphans, if you will, seeking fun and joy and love where they can, but also carrying the scars of their ordeal and their lot in life on their sleeves.

The 86 are mustered for a sortie, and one of them ends up seriously injured inside his spider-like mecha. There are no medics, but Shin the “Reaper” puts his comrade out of his misery with a single bullet, cutting a scrap of metal out of the mecha and later carving his name on it—a grim ritual for a leader tortured by loss and the futility of their shared struggle.

That night after dinner when the 86ers are cleaning up and preparing to go down for the night, Shin and the others receive a message in their ears from their new Handler, Major Vladilena Mirizé, cheerfully introducing herself and looking forward to working with them. Shin answers cordially, while one of his soldiers sketches a caricature of the woman he hears: an aristocratic pig in a frilly dress.

It is in this horrifically unbalanced world of haves, have-nots, and One Big Lie that a young man and young woman from different sides are introduced. Will the rumored “voices of the dead” that caused Lena’s predecessors to go mad have a different effect on her, due to her commitment to regarding the 86 as actual living, breathing people?

Will Lena, in turn, show the perennially abused and oppressed child soldiers that not all Handlers are sadistic scum who deserve a fate worse than death? Follow the visually impressive and thematically compelling 86 along with me, and ye shall find out.

Vivy: Fluorite Eye’s Song – 01 (First Impressions) – Her New Mission

We begin at the end, and I immediately deem it hilarious that “music” is one of the two genres MAL lists under this show, the other being “sci-fi”. With “music” in there I was certain I’d have to sit through at least theme park idol song, possibly with CG dancing. And while an idol is indeed walking down the tunnel to NiaLand’s main stage, the music starts up, and she begins to sing and dance…let’s just say the audience is indisposed.

For as the idol sings and dances, a horrific massacre is taking place, both in the stands and throughout the park. The AI hosts have gone berserk and are engaging in a festival of cold blunt force savagery upon the human guests. Splattered blood and little fires are everywhere. Like Skynet, the machines in The Matrix, and the hosts of Westworld, apparently the AIs have decided to do away with humans as the earth’s dominant species.

One of the park’s researchers manages to get to a place where he can activate a special emergency protocol involving an AI named “Diva”, all the while apologizing in advance for the terribly heavy burden he’s placing upon her and her alone. AI techs arrive and shoot the researcher dead, but not before he activates the program.

After some brief exposition on the fundamental “one single mission per AI” mandate that keeps the lives of AI “free of confusion”, we meet “Diva” (voiced by Tanezaki Atsumi – Chise from The Ancient Magus’ Bride), the world’s first-ever autonomous humanoid AI, who was given the mission “to make everyone happy by singing with all her heart.” But despite her massive potential, Diva seems relegated to a quiet corner of NiaLand singing to a bored crowd of two or three at best.

Diva has a fan and friend in the human girl Momoka, whom she helped when she got lost once and nicknames her “Vivy.” Momoka even gives Diva a teddy for her first birthday. At the moment Diva’s moments disallow her from getting anywhere near the vaunted Main Stage, but Momoka has her promise to “someday” sing there, where her powers of song can reach the most people.

Diva’s otherwise routine day is suddenly interrupted when an ominous timer that was in the top left corner finally reaches 11:35:00:00, at which point “Project Singularity” is executed. Diva’s consciousness is transferred from her body to a virtual construct called the Archive, where she meets a program in a floating cube that assumes the name of his developer, Matsumoto.

Matsumoto is here from 100 years in the future (and the massacre we witnessed) to ask Diva to join him in “destroying the Ais”. Diva immediately suspects some kind of virus or error, but all scans come up clean, and no matter how many times she asks Matsumoto to piss off, he refuses, and instead shows her imagery recorded from the future when Ais turned on humanity. In the first few minutes over 10,000 humans perished, and that’s only the beginning, if the future doesn’t change.

The next day, Diva goes about her routine, this time singing to an audience of no one, as Matsumoto predicted. Still, that’s nothing too unusual so it could have been a guess, so Diva has a human tech run a diagnosic that turns up nothing. Whatever Matsumoto is, she can’t be rid of him. He decides to tell her about another future event that will take place that very day: a bomb in a garbage can will seriously injure a pro-AI rights politician.

Once Matsumoto has given Diva this information, and less than a minute to respond, she chooses the next course of action quickly, and it underscores her unique nature as an autonomous AI—as opposed to the rest of the AI staff, who wouldn’t have been able to unilaterally break out of their primary directives. Diva is different, so she breaks into Terminator-style tromping run, pushes past the bodyguards with ease, and shields the politician from the blast—all in 45 seconds of real time.

The politician, Aikawa Yoichi, is grateful to Diva, and promises that next time he visits the park he’ll come watch her sing. But unfortunately, his dream of naming laws leading to equal human rights for AI will bring about humanity’s downfall in a century’s time.

Matsumoto tells Diva that the first bomb was only a warning, and those who want Aikawa dead will succeed in assassinating him. He’ll be labeled a martyr, speeding of passage of legislation in his name that will ironically doom humanity. So Diva’s next job is to prevent the assassination. Aikawa is ambushed in his office by SWAT-style operatives, but Diva jumps down from the ceiling just in time to shield him, and their bullets don’t damage her.

So begins the familiar but so-far compelling story of the reluctant heroine Diva’s new mission to stop a war between AI and humans that the humans will lose. The only way to do that is to slow or otherwise modify the particular explosive evolution of AI that leads to them to one day say in a single voice “we’re done with humans.”

This is an anime-original series, precluding any adaptation issues. It’s made by Wit Studio right on the heels of the first part of Attack on Titan’s final season, and created and written by Nagatsuki Tappei (Re:Zero), and scored by Kousaki Satoru of the Monogatari series. You can feel all that talent behind the confident, professional, polished production. This wasn’t on my initial Spring list, but it’s there now, and it’s not going anywhere.

Rating: 4/5 Stars

The Quintessential Quintuplets – 24 (Fin) – Kyoto Accords

When a despairing Miku is worried that she simply can’t compete with Nino or Ichika, Nino makes the observation that they’re all cute—they’re quintuplets—but Miku will never get her feelings through Fuutarou’s thick skull unless she tells him; telepathy sadly isn’t an option for the meekest quint. Nino also makes it clear she always considered Miku a legitimate rival and threat. Miku not even putting up a fight simply leaves a bad taste.

Meanwhile, Ichika asked Fuutarou in the hall to “hear Miku out”, only to disguise herself as Miku once more and take Fuu on the same walk he went on with Rena to jog his memory. After their day out, he recalls spending more time with Rena at the inn playing cards, but then asks if she’s done, removing her wig to reveal she’s Ichika.

He deduces she was the one in the hall, and when Ichika tries to redirect the conversation by saying she was the one he met that day, he tells her he can’t trust her anymore, and leaves her to cry in the pouring rain. All five quints agree that if this keeps up no one will be happy, including Fuu, so they’ll decide who’ll spend the last day with him by choosing each of the five elective field trips, leaving it up to chance.

Yet even here Ichika has a scheme afoot, only this time it’s to help Miku, not hurt her, even though she knows it’s not enough to excuse what she’s done so far. Having overheard which trip Fuu and his group would choose, Ichika switches hers with Miku so she ends up with him. Not only that, but Ichika, Nino, Yotsuba and Itsuki all decide independently to call in sick from their trips and instead follow Miku and Fuutarou to make sure their day goes well.

Thanks to impersonating Miku one more time, Ichika gets Miku to dress up period style along with Fuutarou, while Nino “deals” with the other guys—hopefully by drugging them and stuffing them somewhere, in keeping with her ruthless M.O.!

Seriously though, thanks to the efforts of her four sisters, Miku eventually stops running and starts talking normally and having fun with Fuutarou while they go on one of the more adorable dates in a show that’s been full of them, quasi-or-otherwise. The period environs and clothing suit the history buff Miku best anyway!

Not content to enjoy the date vicariously through Miku, Nino has a momentary lapse where she pushes herself into Fuutarou’s back, insisting she’s not simply going to let Miku have him. Fuutarou ends up bumping into Miku, who ends up in the drink. Soaked to her underwear, Itsuki sneaks the racy underwear she bought “in case of emergency”—call it Chekhov’s Thong—into Miku’s dressing room. Miku is mortified, but it’s better than going commando!

Miku and Fuu have a seat under an umbrella, and suddenly her croissants appear next to her, having been rushed there by the ever-athletic Yotsuba. Naturally, Fuu scarfs the croissants right down, and while he admits he may not have the most refined palate, he can appreciate how hard she worked to make them.

The four other sisters watch from inside the building behind them as Miku gets more and more comfortable talking with Fuutarou. She tells him how she wants to learn so much more about him, then starts to point out all the things around them she loves, ending by pointing at him and saying “I love you”, shocking her sisters.

Ichika breaks down, and we learn that Yotsuba was indeed “Rena” for most of the day, while Ichika was the one to play cards with him at the inn—she wasn’t lying! Still, through falling tears, Ichika resolves to be on better terms with her sisters from now on, especially since they now get to talk about something they all like for once.

However, Miku’s confession wasn’t what either they or Fuutarou thought: she was actually pointing at her sisters she could hear behind the wall when she said “I love you”. Fuutarou is flabberghasted by the fake-out, but Ichika is so happy she gives Miku a huge hug.

Fuutarou shuffles off, leaving the quintuplets alone together to share in the pain of falling in love, something they all now understand better having seen the various was they reacted to it (and yes, Itsuki admits she was trying to be alone with Fuu too). Ichika later catches up to Fuu to apologize, and he apologizes in turn. She teases him by saying “it’s all a lie” while kissing him on the cheek, a kiss he continues to feel on the train home.

It will not surprise you, then, to learn that we do not learn who Fuutarou ultimately ends up marrying quite yet. That final revelation will be saved for an already-announced sequel (though what form it takes—movie, OVA, third season—remains up in the air). But I’m not mad! In fact, I’m not even bothering with the rankings this week, just as I ended up juking the stats to make it a five-way tie at the end of last season.

Despite being a presumably zero-sum game, the journeys—all five of them—have continued to prove themselves far more important than the destination; i.e. who marries Fuutarou. The sisters called a cease-fire in Kyoto and more or less negotiated a pact in which they’ll all fight openly and honestly for Fuutarou’s heart from now on.

I’m not even mad Fuutarou is no closer to knowing who—if anyone—to choose above the others. It can be hard to choose from scene to scene! Perhaps the sequel will finally depict him earnestly wrestling with that choice, now that he has a good idea where most of the sisters stand. Until then!

The Quintessential Quintuplets – 23 – Give and Take Five

Yotsuba walks in on Itsuki just as she’s hiding the photo of Fuu with “Rena”. Commenting on how things aren’t so hot among the sisters, Yotsuba invites Itsuki out shopping, where they run into Fuu and Raiha, who is imparting on Fuu the importance of buying belated birthday gifts for the quints. Raiha also mentions “the photo”, and Yotsuba demands to know details. Raiha goes on to say the girl in the photo was her bro’s first love.

On the Shinkansen to Kyoto, Ichika, Nino, and Miku continue their war through spirited card games, while Itsuki joins in just for the card competition, while Yotsuba is a little intimidated by how heated things have gotten. She’s hoping this trip can be an opportunity for the five of them to make up…but also an opportunity for Miku to give Fuu her clandestinely-made baked goods.

Nino unilaterally decides to follow Fuutarou’s group up the temple steps, and while the others don’t have any objections, Yotsuba brandishes her card game victory on the train to insist that she and Miku go up the right steps while Ichika, Nino and Itsuki will go up the left steps. Some mild sniping between Ichika and Nino ensues, while Itsuki is left bemused.

When Itsuki and Nino use the restroom, Ichika abandons them and continues her descent, determined to see Fuu first and calculating she can beat the faster Yotsuba as Miku is surely slowing her down. Unwilling to take back the lie she’s already told Fuu, all Ichika thinks she can do to stay in the fighting is continue to lie and block Miku by posing as her.

But while she’s the first to reach the top, Fuu isn’t there. The next to arrive is Yotsuba, with Miku on her back, and they both see that Ichika is impersonating Miku. When asked for an explanation, Yotsuba says Ichika is trying to get in the way of Miku’s confession to Fuu. She says this just as Fuu makes it to the top, and hears what she said.

Miku runs off in tears as Nino and Itsuki arrive, and Nino has had it with Ichika’s bullshit now that she’s made someone cry. But Ichika doesn’t want to hear about it, considering how cutthroat Nino has been. It’s here where Nino admits she was being overly harsh, and that in reality she’d want to celebrate with whoever ended up “winning” because the bond between the five of them was just as important to her as Fuu.

Speaking of Fuu, he tries to lower the temperature, but it’s too late; Nino is already also crying, and orders him to chase after Miku. He’s unsuccessful, but Itsuki ran after her earlier and saw her get on a bus back to the hotel, so Fuu gets on the next bus, and Yotsuba joins him. She blames herself for making Miku cry, and may have created a monster by encouraging Ichika.

Fuu assures Yotsuba that he was already pretty sure of Miku’s feelings, such that the Fake Miku seemed fake even to him, “Uesugi the Dense.” He tells her she worries about the others too much, but Yotsuba still feels she owes them for making them follow her to another school when she was the only one to flunk out.

She wants to know how everyone can be happy, but Fuu tells her there’s only so far you can go; ultimately someone’s happiness must be gained by taking it from someone else. Like, say, when many girls like the same boy.

Back at the hotel during dinner, Nino informs Yotsuba and Itsuki that there’s a creep sneaking photos of them (as evidenced by the shutter sounds she’s heard behind her several times). When the three decide to go check on Miku and Ichika, Miku doesn’t answer the door, but they all hear another shutter and freak out.

Ichika, meanwhile, manages to bump into Fuu in the hall, and asks if he’s free tomorrow, because she needs to talk to him about something. Hopefully to come clean about impersonating Miku…but probably not! Meanwhile, Nino calls Miku to ask if she’s free to talk tomorrow.

The next day, Fuu ends up running into Itsuki and Yotsuba again, this time from the top of Kiyomizu Temple. Itsuki all of a sudden adopts a super-affectionate and clingy attitude, having Yotsuba snap a picture of them with the view as a backdrop. She’s hoping to jog his memory about another certain photo from six years ago.

Nino gets to stay at the hotel by impersonating Miku (which is apparently all the rage these days) and when Miku asks her what she wants, Nino jumps on top of her in order to rattle her cage. She says her rival “backed down by herself” on this class trip that should have been a golden opportunity for her to make progress. Now all she needs to do is defeat Ichika, that “sly fox”. Long story short: Nino is taking Fuu.

Miku may have fallen for him first, but as far as Nino’s concerned she loves him the most, even if it’s her first time in love and she’s not sure what’s right or wrong. To this, Miku voices her protest, insisting she’s not done fighting for him yet. It’s just…she’s scared. Scared that she’s not good enough; scared of fighting fair and square; more scared than she thought she’d be. But even if it’s scary, she’s not going to quit…not yet.

That’s good, because Itsuki knows for a fact that the sister who posed with Fuu in that six-year-old photo is none other than Yotsuba!

Episode Eleven Quintuplet Ranking:

  1. Nino: Nino was busy this week! She was the sister who decided they were following Fuutarou’s group, setting some potentially cathartic scenes in motion. Calls out Ichika’s scheming, but also admits that she’s just as ruthless in trying to get what she wants. Most importantly, when Miku runs away crying, Nino puts the war on hold and sends Fuu after her. Finally, is the one to rattle Miku’s cage. Total Points: 43 (1st)
  2. Yotsuba: Turns in another strong showing by hanging with Fuu at the mall, serving as Miku’s emotional support, winning the card game so the sisters were forced to split up the way she dictated, literally carries Miku on her back, and has a solemn and frank convo with Fuu on the bus about the limits of happiness for all. Oh, and she’s the damn girl in the photo! Total Points: 34 (2nd)
  3. Ichika: Love or hate her, there’s no denying Ichika is a woman on a mission, and it’s take-no-prisoners. Her second use of the Miku disguise compounds the throne of lies upon which she sits, but when it backfires she doesn’t want to hear Nino scold her when Nino said she’d step over anyone who got between her and her man.  Total Points: 29 (Tied for 4th)
  4. Itsuki: There’s actual signs life in Camp Itsuki this week, as she plays big sister to Raiha at the mall. However, her cute photo moment with Fuu at the temple wasn’t self-serving so much as designed to get him to remember the Kyoto trip years ago. Total Points: 30 (3rd)
  5. Miku: While Ichika’s Fake Miku act didn’t work on Fuu, the fact Yotsuba blurted out her desire to confess sent her into a spiral of inadequacy, and she remained confined to her hotel room far too much to do anything. That said, she has nowhere to go but up! Total Points: 29 (4th)

The Quintessential Quintuplets – 22 – One Thing They Agree On

Takeda Yusuke, the glittery prettyboy teased last week finally reveals what his deal is: he’s the son of the school’s president, and has been nipping at Fuutarou’s heels in grades for two years. Fuutarou has never heard of him, nor does he care about school rankings.

Still, Takeda challenges him to prove the quints aren’t holding him back, by placing in the top one hundred of the upcoming national mock exams. Fuu sees that challenge and raises the stakes to top ten, all while helping the quints study for theirs. It won’t be easy, but his pride and their honor is on the line.

The quints are also aware that Fuutarou’s birthday is coming up. Ichika puts out the suggestion that they all hold off from giving him their gifts until after the exams. In truth, she intends to betray them all by being the only sister to give him a gift. She even stops Miku from talking to Fuu, knowing as far as Fuu knows, Miku told him Ichika likes him.

Ichika soon pays for her continued underhanded measures when she sees Nino already has a gift for Fuu and is planning to give it to him when she damn well feels like it. The group text put the brakes on the others, but Nino Train’s brakes don’t work!

When Nino brings up how Ichika failed to keep their dad occupied at the spa, frustration and desperation conspire to lend Ichika the courage to finally say what needs to be said: Despite the two having different tastes in everything else, they both like Fuutarou, and Ichika doesn’t intend to let Nino have him without a fight.

As both girls are planning to break the pact and give Fuu their gifts early, they walk in on Yotsuba making paper cranes for Fuu’s health and good luck, and then raking herself over the coals for not realizing the cranes would technically comprise a gift, thus making her a “horrible human being.” Naturally, Miku is also ready with her gift of couples tickets to the gym.

Seeing that she’s getting nowhere with this strategy, Ichika again suggests all of them give him his gift at once, after the exams. When Nino asks if she’s really okay with this, Ichika says none of them “get” Fuutarou. She’s confident he’ll like her gift—presumably a gift card—the best.

We get a rare Itsuki sighting, as she visits a fatigued Fuu and gives him an energy drink, which I guess technically makes her the first to actually give him a gift of any kind! She also tells him she’s going to aim to improve her academic capabilities while assisting Shimoda-san with tutoring, in hopes of getting a look at education in action. Education sans Fuutarou, it seems…

The mocks come and go, and Fuutarou buries Takeda, ranking third to his eighth, as Takeda reports to the quints’ dad. He also reports that all five of the quints have made considerable progress. Everyone then gives Fuu his gifts at once, though oddly enough we don’t get to watch his reactions.

Yotsuba checks in on Miku at her bakery, where she first serves a croissant that resembles a rock, then one that looks dead. The third time’s the charm, and while it’s not quite up to spec with something the bakery would charge money for, her manager is happy with her progress.

Miku seems to be putting all her efforts into lunch on the first day of the school trip, which is their class’s responsibility. Unfazed by the drubbing Nino gave her, she intends to impress Fuutarou with her best cooking yet in Kyoto. The only problem is, she doesn’t know for sure if they’re in the same touring group.

In fact, no one knows what group Fuutarou will choose, only that the groups can only be a maximum of five people. Again Ichika attempts to gain advantage by pulling Yotsuba aside and pretty much dictating that the two of them and Fuutarou will form their own group.

Presumably, Ichika isn’t aware of Yotsuba’s feelings for Fuu any more than Nino was aware of Ichika’s. And fate just so happens to smile on Yotsuba this week, perhaps because she’s not acting like a backstabbing hussy! Raiha reminds her brother that he needs to thank Yotsuba for helping him at school camp.

Fuutarou isn’t about to disobey his sister, so he stops by to ask Yotsuba what she wants as a thank you gift, not to exceed ¥1500. They end up spending the entire day and evening together, and while Yotsuba doesn’t come out and say it, that’s what she wanted. Not lunch, or a movie, or clothes—though they do all those things.

While wondering where Yotsuba ran off to, Ichika notices a strange box in the middle of the living room of their apartment that Itsuki says is hers. A quick peek inside reveals the Rena disguise, and as she carries it away, that famous photo of Young Fuu and one of the sisters falls out. She notes it’s from Kyoto, then says “I see.” You see what?!

When Fuutarou finally presses Yotsuba to tell him what she wants, she takes him to a playground after dark, a special place she goes to swing when she’s feeling bummed. She effortlessly manages to get the ever-serious, practical, and logical Fuutaoru to stand on the swing and see how high he can go, which is precisely what she does in order to get a better view of the city at night, seeing a family in each one of the countless glowing lights and feeling warm inside.

After Yotsuba executes a perfect dismount with record distance, Fuutarou tries the same, but ends up completely inverted, freaking both him and Yotsuba out. When he returns to right-side-up, he smiles and bursts into raucous laughter, and while he still thinks he wasn’t able to give Yotsuba anything, she got everything she wanted.

The next day, the class trip group composition comes up, and Ichika is ready to go with her suggestion that she and Yotsuba form a group with Fuutarou, attempting to pressure Yotsuba to go along with her. Instead, Yotsuba sacrifices herself (of course), suggesting the other five form a group; she’ll have no trouble finding another group, gregarious as she is.

Nino pipes up, saying no one wants that arrangement, then declares not only what she wants, but what is going to happen: she’ll form a group with Fuutarou, and warns him to be grateful about it. But while her honesty and straightforwardness should be commended, the fact of the matter is Fuutarou is already in a group with some guys, including Takeda.

So for the class trip, the five sisters will form a group together. Their classmates assume it’s because they’re so tight-knit, but in truth it’s something none of them are looking forward to, since most of them are now at war with each other. Should be a fun trip!

Rating: 4/5 Stars

Episode Ten Quintuplet Ranking:

  1. Yotsuba: Explanation isn’t really necessary here; while everyone else was plotting and scheming, Yotsuba got an actual date and some truly magial moments with Fuu, and not out of the blue, but because she helped him out in the past. Still, it was disconcerting how quickly she volunteered to be the odd girl out for the class trip. Total Points: 30 (2nd)
  2. Nino: It was pretty close, but I’m calling Nino the winner from among the schemers, due to her continued dedication to saying exactly what’s on her mind without any possibility of misunderstandings. Total Points: 38 (1st)
  3. Miku: Is legitimately improving her cooking skills and has a plan of action, but is still unwittingly suffering the effect of Ichika’s conniving. She’ll need to remain extra vigilant against… Total Points: 28 (Tied for 4th)
  4. Ichika: Her underhanded tactics plumb new depths this week. She’s convinced the only way she can fight is dirty, but get very little to show for it. Try to stop the Nino train and see what happens, Ich. Total Points: 26 (5th)
  5. Itsuki: Remains very elusive and squirrelly this week, but that disguise was super sketch…she’s up to something, and very much still in the game.  Total Points: 28 (Tied for 4th)