My Senpai is Annoying – 07 – Doing What You Love

This week is the Futaba-Natsumi friendship origin episode, and I’m here for it! They’re honestly such a wonderfully cozy pair of BFFs it didn’t matter if we didn’t witness them meet, but I’m so glad we did. Poor Futaba’s GPS is going haywire so she decides to follow someone in the same fuku…only for Natsumi to start running at top speed!

Despite Natsumi leading Futaba not to school but the arcade where she intends to play hooky, the two become unlikely but fast friends in the back row of the classroom. When it comes time to join clubs, Futaba expresses her wish to join the art club because she loves to draw.

Natsumi hates competition ever since a boy tripped her to win a relay on sports day in grade school, but Futaba, unaware that Natsumi is harboring that bad memory, tells her if she loves doing something—in this case running—she should do it, or she may regret it if she doesn’t.

It’s almost verbatim the advice Natsumi gives to Yuuta when the two encounter one another running in the evening. Yuuta likes basketball, so he should play, even if he’s not the best at it. You can’t get better if you don’t try! Meanwhile, Futaba and Takeda end up having a little mini-date of sorts when they’re tasked with saving a spot under one of the blooming cherry trees for an office after-hours function, which honestly looks like a ton of fun.

After complementing her hair color and her drawings, Futaba recalls how it was Natsumi who gave her the courage to join the art club. Futaba would draw between classes in her sketchbook, but one day a couple of bullies decided to mess with her, which…why would you mess with Futaba?! Why would you want to do anything but protect her with your life?

For Natsumi, the answer is she wouldn’t. For the crime of making her beloved Futaba cry, one of the bullies gets a devastating punch to the face. She then tells the boys that it doesn’t matter if she “sucks” at drawing; she’s doing what she likes to do, so lay the fuck off!

The boys wisely learn the error of their ways, and their apology isn’t forced or obligatory, as he actually explains why what he did was wrong and regretted doing it. He also realized that both they and Futaba are in the same boat, in their case joining the baseball club despite being crap at it because they like baseball, dammit!

As for Natsumi, she doesn’t get in trouble because the boys went to the teacher to explain that they were in the wrong. Futaba thanks Natsumi by telling her they should call each other by their first names only. With that, a legendary friendship was forged, which continues into their adult lives now that they both live in Tokyo.

Takeda enjoys Futaba telling the story as much as Futaba clearly enjoys telling it, as her eye shimmer with love as she described how her friend supported her in pursuing her passion. We barely set one foot in the office this week, and that’s okay, because it was simply lovely to learn more about Futaba and Natsumi. As for Futaba’s senpai, it’s pretty clear he’s not “annoying” as the show’s title says, but I guess My Senpai is Someone Who I Like Hanging Out With and Talking To would be a bit too long…

Mushoku Tensei: Jobless Reincarnation – 16 – Son, I Am Disappoint

After a beautiful sequence showing the quartet journeying by horse and wagon, Rudy, Eris, Ruijerd and Geese arrive at Millishion, capital of the Holy Country of Millis. And it’s quite a city; between the white stone of the buildings and the very religious sounding leitmotif, I was reminded of the Holy City of Aquaria from Star Ocean: Till the End of Time.

Once there, Rudy proposes the three take a day off. Eris is off to hunt goblins, Ruijerd will tag along just in case she’s in over her head, and Rudy wants to produce more Ruijerd statuettes for sale in the human city, as well as write his first letter to his family in over a year and a half. But Dead End’s mandate to save any and all children in need results in him running into a group of kidnappers led by none other than his dad, Paul.

Paul is still a formidable opponent, despite being drunk and desperate. This reunion of father and son is not a happy one, and only gets worse when Rudy regales the entire tavern with the story of his adventures since being teleported to the Demon Continent, adding enough flourish to make it sound like he was having fun with his cute rich girl…when both he and Paul know he could have been doing so much more.

The thing is, Rudy, and we as extension, thought he was doing everything he could with the cards he’d been dealt; keep Eris safe and get her home. But Paul knows the power his son possesses, and doesn’t understand why Rudy didn’t try reaching out sooner (indeed, he never ends up writing that belated letter). As Rudy says, it just never occurred to him all this time that anyone other than him and Eris were teleported.

Being berated by Paul throws Rudy into a rage, and he starts beating up on his father until his little sister Norn, who doesn’t remember him, bravely puts herself between them. It turns out the entire tavern is occupied by a search-and-rescue party dedicated to finding the missing people of Buena Village, including Rudy’s mom, Lilia, and Aisha. The only bully here…is Rudy.

In light of all this, Rudy finds himself ostracized by the entire place, and there’s nothing to do but stalk away. He tries to put a brave, optimistic face on things (and also, ahem, whacks off) but only ends up vomiting as the weight of everything his father said—everything he overlooked all this time washes over him. When Eris and Ruijerd return and see what a mess he is, and he tells them why, Eris wants to murder Paul.

But Ruijerd tells her to comfort Rudy instead. And even though it’s not something she says she’s very good at, all Rudy really needs is a hug, so when Eris gives him one (after some adorable hesitation), he immediately cheers up. He remembers he’s not all alone, and he has a family in her and Ruijerd.

Can he make amends with his father and join him in locating the rest of his other family?  Considering everything he and his party of three have been through and overcome thus far, I’m not about to bet against them now.

Kageki Shoujo!! – 10 – Give the People What They Want

Due to various circumstances, a member of one of the four troupe relay race teams cannot run, so the Superiors assign a member of the 100th class as a sub. That class member is Watanabe Sarasa, who at first glance is a ringer due to her impressive height and gait. But as large an honor as the assignment is, Sarasa suddenly becomes a magnet for resentment and envy,

This comes most strongly from Hijiri, from whose 99th class Sarasa leapfrogged over with her ridiculously long legs. Hijiri not only tells Sarasa she’s only special for her height, then insists she “become nothingness itself” to allow the top stars to shine.

Ai, like everyone else, is surprised by how much Hijiri’s ill advice trips up Sarasa, who is downright nervous the night before the festival. Ai tells Sarasa her own lack of nerves in JPX was due to being the center of attention (and particularly male attention) from a young age, and basically developing an A.T. Field to deflect it.

But Ai, already a veteran stage performer, tells Sarasa that what Hijiri proposed isn’t the best method. You can’t be up there pretending to pay attention to the audience, just as you can’t be nothingness itself. Instead, one must always be conscious of what the audience wants, and then find a way to give it to them. That’s what makes top stars. That’s what makes legends.

The day of the festival at Hakusen Grand Hall, the students participate in the opening ceremony, but Hijiri’s shit-stirring campaign has twisted Sarasa up so bad she mimes playing her recorder. Her designated senpai Risa, whom we’ve seen far too little of in recent weeks, knows exactly what that bitch Hijiri is doing and doesn’t like it one bit.

Taking Sarasa aside, Risa spares no measure of cage-rattling, and tells Sarasa to get out of her head and remember the fact that the Superiors picked her. If she can’t understand why, that’s fine, but she at least has to accept that they did it because she was someone worth believing in. Giving up without putting herself out there and doing her absolute best will only make her naysayers angrier…and in any case, fuck the naysayers!

Risa’s own strong big sis pep talk gets an unexpected boost from Winter Top Star Satomi Sei, who gives Sarara a wall slam. Having overheard that Sarasa is most nervous about “being herself”, she invites her to imagine she’s playing the role of herself instead. Sei also delivers a bouquet of roses to the kabuki actor and senpai to Akiya we can be reasonably certain is Sarasa’s biological father.

While the pep talk by Risa and Sei works, Sarasa still overthinks things by getting all caught up in whether playing the role of herself and being herself is different or better. Here Ai comes to the rescue with more sage advice, following up on what she said the night before: be the person you want the audience to think you are: your ideal self.

Hilariously, for Sarasa “ideal” means an E-cup bust so she can properly fit into an Eva-style plug suit (between this and the A.T. Field, KS had some Eva nostalgia this week!). Ai is mortified, but whatever gives Sarasa the confidence to perform—and releases her from Hijiri’s psychological black magic—is just fine!

Unfortunately, in the actual relay race in which Sarasa and Sei are in the same leg, Sei’s teammate loses her grip on the baton and sends it flying. While leaping out to catch it, Sei collides with Sarasa and they both end up on the ground. Suddenly it seems like even if the Superiors didn’t make a mistake by putting a rangy first year on a relay team, the end effect was a fiasco.

Only…that doesn’t happen. In the few seconds she’s on the ground, Sarasa considers the best action to take: get up, run, and win it for her Summer team, or lend a helping hand to Sei. In the end, she gauges what the audience at Hakusen Grand Hall wants, then gives it to them, by staying laid out flat on the floor and letting Winter’s Top Star give her a helping hand up.

The choice proves to be the correct one, as the crowd goes wild watching Sei and Sarasa run their leg while holding hands, and their anchors also finishing the race together. Summer and Winter may have lost the festival, but they won the crowd. That’s the kind of instincts Sarasa naturally possesses; Ai just needed to give her a little push.

While I wish we could have seen a cutaway to Hijiri stewing over Sarasa’s win, it seems her efforts were successfully countered by Risa, Sei, and Ai. I still worry about how Sarasa’s guilelessness will hold up against someone even more obnoxiously evil than Hijiri (if such a human exists), but for now, as long as she has that safety net of people who genuinely love and care for her, Sarasa will be fine. No one needs to fight their fight alone.

Rating: 4/5 Stars

Higehiro – 09 – The Things She Carried

Like Sayu, I was dreading the day someone from her family finally found her and forced her to come home…but that isn’t what happens. It turns out Issa is just as decent and kind a person as Yoshida, and doesn’t jump to conclusions even when Yoshida and Sayu greet him at the door in their PJs.

Instead, he’s the latest in a long line of refreshingly reasonable, level-headed human beings that populate Higehiro and make it feel more real. He’s not simply doing their mother’s bidding; he wanted to be the one who found Sayu, because he loves her and is worried about her.

Issa is greatly relieved Sayu managed to find a good soul who took her in without asking for anything inappropriate, and takes both of them at their word when they say nothing’s happened. As a high-achieving corporate type, I imagine Issa trusts his instincts when it comes to reading people.

But that’s not all: Issa can also tell, even if Sayu can’t, that she’s taken some important steps forward as a person. He notes how she’s more able to speak her mind, as she explains why she needs a few more days to think about things. He’s proud and caring n a way only a big brother can be, and grants her one more week.

I have to say, I never imagined in a million years that Issa would be such a good guy, especially considering the uncomfortable way the series has handled the bastard who took her in for sex and ended up her co-worker. But it’s not the show’s fault I automatically expect the worst…it’s because men, and especially anime men, are so often just that…the worst.

Of course, women are the worst too, as we learn when Sayu invites Asami over and sits her and Yoshida down to finally tell them about everything that’s happened that led her to run away. In effect, she’s unloading all of the burdens she’s carried before two friends who are all too happy to help share that load. Her first step in getting ready to go back is telling the people important to her about where she came from.

Sayu and her mother never got along. Her mother put all of her hopes and aspirations into her firstborn son Issa, and never had a kind word for Sayu. Because she never received love, Sayu didn’t bother putting any effort into anything, be it academics or socializing. She was alone, emanated a “stay away” aura, and came to prefer it that way.

But along came another outcast in Yuuko, for whom Sayu’s repelling aura had the opposite effect. Yuuko always told Sayu she was pretty and cool—as pretty and cool as Yuuko claimed not to be—and the two became fast, close friends. But Sayu’s looks and unimpeachable “goodness” kept the other girls from bullying her directly when she turned down a guy one of them liked, so they started bullying Yuuko instead.

Yuuko always said Sayu looked best when she was smiling and happy. But as the bullying intensified and Sayu dug in her heels, determined to stand beside Yuuko and fight for her, she stopped smiling and laughing, and was always depressed, because she felt responsible for her friend’s suffering and felt powerless to stop it.

Yuuko, however, felt differently. When Sayu told her she’d support her and fight for her against the bullying, it hurt Yuuko more than anything, as she believed she was ruining Sayu’s happiness by deigning to become friends with her in the first place.

So one day, Sayu found Yuuko standing on the wrong side of the balcony, waiting for her. Yuuko told her what happened was her fault, but it would be better if she were no longer in her life. Before leaping to her death, Yuuko asked Sayu to keep smiling, obviously in no mental state to realize how hard that would be if she killed herself.

Witnessing her first and only friend commit suicide for her sake would have been plenty of trauma for any teenager or adult to bear, but that wassn’t the end of Sayu’s suffering. As the Ogiwara household became besieged with press and stories and rumors of the true cause of Yuuko’s death, her mother did all the exact wrong things, only exacerbating Sayu’s despair.

Rather than support her daughter and help her grief, she blamed her for their predicament, and even went so far as to ask, seriously, if Sayu really did kill Yuuko. That despicable question is the last straw for Sayu, and you really can’t blame her for not wanting to spend one more second inside that house with that despicable woman. Instead, it’s Issa who offers Sayu a shoulder to cry on as she prepares to run away on foot.

Demonstrating he was just as empathetic and kind back then as he is in the present, he actually helps his sister get the distance and time she needs, giving her $3000 for a decent hotel and food for two weeks, if she promises to call him if she ever gets into trouble. If there’s a right way to run away, this was it: acknowledging and respecting what Sayu needed, but building checks into the arrangement.

But even with those measures in place, Issa would still need Sayu to actualy call him if she got in trouble, and she never does that. As she burns through her cash, she continues to be crushed by isolation and self-loathing, with no one there to help pull her out of her downward spiral. Issa’s mistake wasn’t getting Sayu away from their mom, it was sending Sayu away all by herself when she was in no condition to be entirely alone.

The episode includes a scene we previously saw only a flash of, in which Sayu masturbates and looks down at her hand afterwards. As this happens before she first sleeps with a man, I’m not sure why such a graphic scene was included, except to underscore that there was really not much for Sayu to do during this time but sleep, eat, and pleasure herself, and none of it was helping.

When Issa calls Sayu to check on her, her battery dies, and she tosses her phone out, believing in that moment that his kindness was merely pity she didn’t want or deserve. She wanders the streets, bumps into a man, and when she explains her situation he offers her a place to stay. He eventually asks for sex in return, and Sayu gives in, though doesn’t even remember the name of her first. She then went from guy to guy, trading sex for shelter, until ending up on Yoshida’s doorstep. The rest, we know.

The first to speak after her tale of woe is Asami, who gives Sayu the affection she needs and tells her just how hard she hung in there all this time. Having gotten all of this out, Sayu breaks down, having a much-needed cathartic cry. Once she’s calmed down and in bed, Asami asks Yoshida on the balcony what he’s going to do about her.

Yoshida says it’s up to Sayu’s family to figure this out and it’s not his place to interfere. Asami points out that’s not what she asked, idiot, and again asks: what does he want to do? He may say he’s a stranger, but he’s not; he and Asami are as much family to Sayu as Issa, and certainly more than Sayu’s mom.

What they want matters too, especially if it aligns with what Sayu herself wants. But first those things must be said, just as the things Sayu carried needed to be said to fully understand where she’s been, and determine what she should do. It’s not just Sayu who needs to think about things in the week she has left.

SSSS.Dynazenon – 06 – It’s Nothing

While things seemed to be okay with Team Dynazenon, there were still a number of indicators it might not remain that way for long. The first is Yume learning her sister may not have died in a freak accident, but committed suicide after being bullied by her friends. Yomogi is there for her, but simply doesn’t have the emotional tools to properly help her…plus he’s harboring a crush on her.

Having lost four battles in a row, the Eugenicists are starting to consider other options. Juuga is starting to think killing Gauma’s co-pilots may be a viable one, Onija has been all for killing from the start, and Mujina will be fine with whatever. Shizumu, whom you could argue has spent the most time with their enemies at school, doesn’t see the rush; he wants to meet more kaiju.

Koyomi has another quasi-date with Inamoto, but is crestfallen when she also invites her husband, who for good measure gets his name wrong despite his wife “always” talking about him. It’s awkward, and Koyomi is not into it. He’s drunk before the husband arrives due to learning more from Yume about her sister’s death. Could his and Inamoto’s little secret have something to do with that?

Even Chise can’t escape the blues this week, as thanks to Inamoto Koyomi is late for…whatever it is they do, which I’m assuming is nothing. But the bottom line is she’s lonely. Koyomi forgets his umbrella and encounters Mujina while waiting out the rain. They end up having a drink together (wine for her, water for him, and she pays).

Koyomi starts ranting bitterly about his issues with Inamoto, but Mujina truthfully declares she can’t possibly know what he’s on about, because she doesn’t really know him. She doesn’t even know herself, and declares that “unlike other people” she has nothing she wants to do. Koyomi can relate to that, and Mujina suggests that maybe they’re the same. But eventually Koyomi succumbs to the night’s imbibing, and when Mujina spots his Dyna Striker unprotected, she decides to nab it.

As Chise continues to wait for Koyomi and Yomogi has another awkward dinner with his mom and her boyfriend, Yume finally gets access to the other private videos still online, which document pranks played on Kano, including stealing her ankh puzzle. From the almost creepy off-camera voices and snickering to the mocking graphics and sound effects, it’s clear the videos could be construed as a campaign of bullying, though whether it led to Kano’s suicide is not clear.

The next day, Yume, already clearly down in the dumps from watching those awful videos, has to witness two of Yomogi’s friends flirting with and glomming on him. When Yomogi approaches her later that day, unaware she was watching before, she gives him the cold shoulder, saying her problems have “nothing to do” with him. Ouch…

Koyomi, with Chise in tow as emotional support, informs Gauma that he lost Dyna Striker while drunk, though he eventually remembers that Mujina stole it. Gauma uses his Diver to track Striker, and Koyomi and Chise accompany him to the “enemy base.” At that base—which is just an abandoned warehouse—the Eugenicists are again deadlocked when it comes to what to do with the Striker Mujina stole on a whim.

Onija wants to fuck shit up with it, Juuga wants to use it to negotiate with Gauma, Shizumu wants to give it back. Mujina doesn’t care, as long as she doesn’t have to decide, eventually regretting even stealing the damn thing. It’s clear that the four Eugenicists represent four distinct personalities: Juuga is analytical and pragmatic, Shizumu peaceable and principled, Onija aggressive and rash, and Mujina passive and indifferent.

As they quarrel over what to do, they are ambushed by Koyomi following Gauma’s order to create a diversion by “doing something crazy”—in this case throwing his umbrella through a window, then pouncing on Mujina and forcing her to the ground (further irking Chise). Striker flies out of her hand, Gauma picks it up and activates it. But in his haste to get rid of the Eugenicists once and for all, he compromises the warehouse, which collapses and allows the enemy to flee.

Back at school, Yume continues to watch the videos and Yomogi continues to struggle with how to reach out to her. Shizumu ends up coming up to the rooftop first to talk to her, saying he won’t pry, but getting Yume to admit she wishes “life were easier.” Shizumu tells Yume he thinks she’s fine just as she is, and when Yume again says it’s not that simple, he says, actually, it is. Yomogi is headed up to the roof when he encounters Shizumu headed back down without speaking to him.

Before Yomogi can say much of anything to Yume, there’s a fresh Kaiju Alert…at the absolute worst time for the Dyna co-pilots. Onija initially cannot use Instance Domination on this new kaiju, but they soon learn that it requires two of them to operate. Mujina is chosed to join Onija, and as soon as the kaiju powers up, it’s like a switch flipped in her head…she’s suddenly into something.

Meanwhile, the Dyna co-pilots assemble, and even Gauma can tell everyone is depressed, but all they say, in unison, is “it’s nothing.” Then they go through with half-hearted and out-of-sync callouts as they transform into Combine Dragon. It’s another excellent twist on the familiar excited callout method previously tweaked when Yomogi was sick.

From the get-go, you know this new dual-pilot kaiju is a different breed from Dynazenon’s past opponents. For one thing, it’s a whole lot more destructive, and has a number of terrifying, city-leveling weapons at its disposal. As Dynazenon charges it, Onija notes that Mujina has become a completely different person, shouting for the enemy to “bring it on!”.

But with snapshots of what’s troubling everyone flashing by in everyone’s heads—Inamoto’s husband for Koyomi, Kano’s prank videos for Yume, Yume’s sudden coldness and Shizumu for Yomogi—only Gauma has his heart in this battle, and that’s not nearly enough. The other three aren’t bringing anything to the table. It’s not just that this new kaiju is the most powerful yet…but that Dynazenon’s power is severely lacking.

Mujina takes full advantage by delivering a beatdown. Even when they get off a Saber attack and transform into Dyna Rex—previously the first sign they were about to defeat the kaiju—this time that doesn’t work either, and if there’s a more new powerful Dyna form to take, they’re in no shape to take it. Heck, even if Chise swapped out with someone, she’s pissed at Koyomi, and so would only contribute to the dysfunction.

Our down-in-the-dumps Dyna-pilots are only saved by the sudden appearance of a third giant combatant who flies in from a red flash high in the sky, right between the other two. My first thought was it was Gridman, but the details don’t match: this mecha has horns, fangs, and an unfamiliar paint job.

I’m reminded (thanks, ruicarlov) that this guy bears quite a strong resemblance to Gridknight, the Gridman clone Anti transforms into late in that series, but considering the true nature of the world of that series, is it really? All I can do for now is wait until next week to find out who this really is, whose side they’re on, and whether their arrival was…triggered by the Dyna-pilots falling apart.

Don’t Toy with Me, Miss Nagatoro – 02 – Vampire’s Kissu

This second outing’s segments add more nuance, context, and even turnabout to what was largely a one-sided, antagonistic first episode. For one thing, Nagatoro doesn’t make her senpai cry once! Still, in the stinger, she upsets his zen-like art room calm by hula-hooping in, a veritable Tazmanian Devil of energy.

Nagatoro playfully invites him to find the right moment to jump into the hoop with her, but when he actually tries to do so, ends up accidentally catching a glimpse of her underwear. It showed that she’s not always certain or prepared for how her senpai will respond to her teasing…which is clearly part of the fun for her.

When Naoto buys the newest issue of Big Boob Vampires, Nagatoro catches him making a lewd face. I’m not sure what Naoto was thinking even bringing such a book to school, let alone whipping it out in a room Nagatoro frequents, but after a physical stalemate she embarrasses him with dirty talk and snatches it away.

But here’s the twist: while BBV definitely has some pervy bits, it turns out she genuinely loves vampire stuff, and agrees with him that it’s pretty well written! This builds on her harsh but constructive criticism of senpai’s own manga, but also confirms the two have a shared interest.

When the electricity of the school goes out all too conveniently, a tomato juice-sipping Nagatoro starts to ponder what it would be like to be a vampire, showing Naoto her larger-than-average canines and insisting he let her bite his neck. When she mounts him, he says others might get the wrong idea about “things and stuff”, but it’s his post-yakisoba garlic breath that gets her off him.

Within seconds, she pounces on him again, but awkwardly, and her hand lands right on his crotch. For once, Nagatoro is precisely as flustered as Naoto, as she definitely didn’t mean to put her hand there. But she makes lemonade with crotch-grabbing lemons by congratulating Senpai: he got “accidentally lucky”, just like the MC of BBV!

On their walk home (during another lovely sunset) Nagatoro slowly lurks and stews behind Naoto, asks if it was the first time he was “touched”…as it was most likely the first time she touched. She gets in position to grab him again, only to go for his ribs before bidding him goodbye.

As he tries to read the vampire manga at home, his real-life interactions with Nagatoro that day intrude upon his thoughts. She may not have actually bitten his neck or drank his blood, but she’s gotten under his skin for sure…as if he were in thrall to a vampire.

The next day, Nagatoro interrupts his drawing session to play a game to determine if they can guess the precise location of one another’s nipples. There’s a funny cutaway to her in traditional archer’s garb hitting two bullseyes, followed by swirling her fingers around his nipples.

She doesn’t expect Naoto to even try to do the same to her, but he does agree to try, and the closer he gets to her, the more nervous she gets, until she gets a text alert and runs out of there. Naoto can’t see her face as she leaves, but she’s clearly flustered again; her tomfoolery getting her in over her head once more.

The final segment represents the first time since Nagatoro and her three friends were introduced that Naoto was observing her without her being aware, meaning he gets to see a different side of her. This time, she arrives at the same family restaurant he’s working on his manga, joined by one of her girlfriends and two guys. It’s clear her friend is trying to set her up with one or both of them.

Naoto stays hidden, and watches with relish, expecting Nagatoro to tear both guys a new one. But to his shock, she doesn’t tease either of them; rather, she firmly puts each of them in their place: the first guy for being a pretentious musician, and the second guy for bringing up groping a girl’s boobs when they’ve just met.

Nagatoro’s friend is disappointed she scared them off, but as Nagatoro says, “it’s just that those guys are boring.” Meaning she saw no point in messing with them. You could say that just as Naoto is in her thrall, when it comes to having fun with a boy, no one but her thrall will do.

As he walks home, bathed in gorgeous purple and pink light, Nagatoro ponders what looks to be a very distinct possibility Nagatoro toys with no one but him. Right on cue, Nagatoro appears and slaps him on the back, asking what’s up. Thankfully, she never noticed he was at the family restaurant. I wouldn’t have particularly liked that, since there would’ve been no way to tell if she’d adjusted her behavior knowing he was watching.

Instead, Naoto got the real unvarnished Nagatoro. She begins by teasing him for his unique and “creepy” silhouette, then goes on calling him “squiggly”. It seems like he’s about to ask her why she only toys with him, but decides not to, and she just calls him gross over and over as he denies it and tells her to stop.

I thought this was an improvement on the first episode, as some of Nagatoro’s pranks backfire, while she inadvertently demonstrated that the only guy she seems to pay any attention to is him. It may rarely be the kind of attention he wants, but there’s no doubt that their time together is never dull.

Rating: 4/5 Stars

Episode 2 “Senpai” Count: 43
Total: 94

Don’t Toy with Me, Miss Nagatoro – 01 (First Impressions) – Not Just for the Fun of It

This is going to be one of those shows most viewers will either hate with a steaming passion from the moment the titular Nagatoro first speaks, or follow with a kind of morbid curiosity about just how much teasing, taunting, and straight-up abuse our MC Hachiouji Naoto is ready, willing, and able to endure before he snaps and…asks her out!

Nagatoro’s way with Naoto can be very stressful at times, even for someone who wasn’t bullied as a youth. I wouldn’t be surprised if this is just not a pleasant time for some people, and would totally understand if they want to wash their hands of this show after its first outing made clear what it’s going to be about.

All that said, I came away from Nagatoro thoroughly entertained, and I think a lot of that has to do with tuning into its very particular wavelength. It certainly helps that Uesaka Sumire is so good in voicing Nagatoro’s role, and the visuals are gorgeous and sometimes downright stunning. You have to buy into the idea that for as horrible as she is for much of this episode, this is all really Nagatoro’s way of engaging—and flirting—with Naoto.

Nagatoro is first introduced as one of four faceless gyaru-esque types loudly carrying on in the library, where none of the shyer people around them have the guts to tell them to shut up or leave. Naoto is intimidated by their mere presence on the opposite end of the room, thinking he’s never going to have anything to do with “that species”.

When one of the girls picks up a manga drawing he dropped, Nagatoro seems more interested than the others, and stays behind while they go hang out elsewhere. This is key, as no one else is around during all of the teasing that ensues when she has a flustered Naoto reenact the scene from his manga with her. That’s not an accident; I think she likes it that way.

Nagatoro may be ridiculously irritating and invasive and almost utterly contemptuous of personal boundaries, but she is this way to Naoto and no one else, and with no one else around. It’s the same in the art club, when she makes sure they’re alone before teasing him by offering to be a nude model.

I daresay Nagatoro gets off on dominating the year-older Naoto. Her face does a lot of things throughout the episode, but one thing that stands out is that she’s often blushing just as much if not more than he is while she’s engaged in her teasing. When he’s knocked backwards when she unbuttons her top, she blushes. When she relents and agrees to draw her normally (with her clothes on) she blushes.

She’s loving every minute of this, and seems to be fueled by Naoto’s passivity and submissiveness. Her criticism of his manga and his portrait of her is actually pretty constructive when you think about it, as her goal seems to be to get him to either draw a manga with a character more like him or to become more like his character. She also wants him to draw her better, which means she wants him to draw her again. She was, after all, the first girl he ever looked at so closely.

When Nagatoro makes Naoto cry in the library and she offers him a handkerchief, it almost feels like rubbing salt in the wound. But then when she makes him cry again—after she physically overpowers him and says he’s “so weak”—her demeanor softens considerably and she apologizes while gently drying his eyes, admitting she “had to” mess with him again.

More like she couldn’t resist, because she gets so much pleasure out of riling him up…and also out of drying his eyes. It’s like she’s breaking him down so she can build him back up. In any case, it’s a very cute and tender moment when she realizes she might’ve gone too far there.

That said, Nagatoro continues to pester Naoto as he leaves school, and they apparently share a route home. It’s here whre Nagatoro may actually be hiding a genuine request to go out with her behind a layer of teasing. Sure, even if Naoto straightened up and said “yes”, she’d laugh it off as a joke, but the simple fact that Nagatoro won’t leave him and only him alone means there’s something there.

When she accidentally pushes him into the river (due to some creative physics on the part of the episode) and he comes out soaking but still not letting her have it, she remarks how he never seems to get angry. The thing is, Naoto is used to bullying and used to dealing with it by looking away and closing his mind. Because of that, he doesn’t remember the faces of his previous bullies.

When prompted, he tells Nagatoro that she ticks him off and gets on his nerves, but “he doesn’t hate it that much…talking with [her] and stuff”. Having called her simply “miss” throughout their interactions, Nagatoro finally gets him to ask her for her name, and for good measure, she writes it on his chest with her finger, never passing up a chance to get a rise out of him.

The episode ends with her trademark devilish smirk, but also flushed cheeks as she says “Let’s get to know each other, Senpai.” I’m willing to give Nagatoro the benefit of the doubt because Naoto is, and has dealt with worse treatment before, and to him Nagatoro simply feels different. Perhaps it feels less like a bully and victim, and more like a dom/sub or top/bottom relationship? And it also feels safer because so far all of the humiliation she’s brought upon him has been private?

I doubt at this point that Naoto perceives that Nagatoro harbors genuine attraction to him precisely because he lets her drive him to tears, but as he said, he doesn’t entirely hate it that much. Will the D/s dynamic continue, or will Naoto start to try to assert himself more as he grows more comfortable around her? I’m eager to see where this goes. Your mileage may well vary considerably.

Episode 1 “Senpai” Count: 51

Mushoku Tensei: Jobless Reincarnation – 03 – Childhood Friend

Thanks to Roxy, Rudy is no longer a shut-in, which means he can now freely explore the boundless natural beauty beyond the Greyrat residence. Paul tells his son that a man’s strength isn’t for pushing people around, but protecting and befriending the weak—and if some girls are impressed in the process, it’s all gravy.

It’s the first of several moments Paul talks to his son as if he were much older, even though he tells him he worries about the ways he doesn’t act like the kid he is. This only makes sense: Rudy is Paul’s first kid, while Rudy’s emotional and social development was profoundly stunted by bullying and harassment. They both have plenty to teach each other.

As for making friends, the first three kids his age Rudy meets are bullying a weaker boy, and uses his water magic to disinterest them off. He learns they were picking on the boy for having green hair and thus resembling the hated Superd. In reality, he’s the son of a human and half-elf; the green hair is just a harmless genetic trait.

At first glance it’s clear to Rudy that Sylph (delicately voiced by Kayano Ai) is a drop-dead gorgeous bishounen. Having acted on his father’s advice to be a friend to the weak, his decision is also routed in his baser desire to meet hot babes, who will surely flock to this prettyboy. Sylph is delighted to have a friend, as Rudy is his first as well. They agree to meet up soon so he can teach him how to use the magic that got rid of the bullies.

But Rudy comes home late to find an angry Paul at the front door. He heard from the mother of one of the bullies that Rudy punched him. Rudy tries to explain the way an adult would to another, but Paul doesn’t want to hear excuses. When Rudy is insolent, he’s slapped, but instead of crying, Rudy becomes even more adult and logical.

He tells Paul how he’s worked hard to earn his father’s trust, and had hoped that would have in turn earned him the chance to explain his actions. He then assures Paul that next time he sees three boys picking on another, he’ll either ignore it or join in, as befits the “Greyrat Family Way.” Paul, knowing he’s been rhetorically beaten, apologizes and asks Rudy to tell him what happened.

Like I said, Paul is as new to being a dad as Rudy is to being a kid in this world. Both are going to make mistakes. What’s so wonderful about the exchange here is that virtually equal time is given to their respective analyses and growth as a father and a son. Paul thought he needed to be hard on a son who is already a saint-level mage, even though part of him was glad he finally did something childish.

Paul knows he wasn’t practicing what he preached and furthermore, Rudy was fully capable of exposing that hypocrisy. That said, their “fight” expand beyond the night, as Paul is contrite and reflects not only upon how he’ll parent going forward, but whether his own father felt the things he’s feeling. That he does this while nestling his head in Zenith’s shoulders also underscores that he’s not walking this path of parenthood alone.

Six months pass, and it’s summertime. Rudy and Sylph are still targeted by the bullies, but Rudy fights back every time. He gets the distinct impression that one of the bullies’ moms is using her son as an excuse to see Paul, whom she fancies. Rudy has also been training Sylph in magic, and he turns out to be an excellent student.

When Sylph asks Rudy to teach him how to cast a spell without incantation, Rudy wonders if, like the public myth about set mana levels, it’s easier to do than people let on. As someone in a new world, Rudy wants to be special in at least one or two things, but either it is indeed relatively easy to do incantation-less casting, or Sylph is pretty special himself.

The moment he pulls it off, Sylph practically blooms with joy, dancing and spinning with the water he conjured, then running as fast as his fair legs can carry him through golden fields. Rudy can only keep up and share in the pure, unadulterated joy. As they lie together in the reeds, catching their breath, Rudy reiterates how goddamn pretty Sylph is.

Then a pop-up storm starts to drench them, and they make haste for shelter at Rudy’s house. Rudy leads Sylph to the bath that Lilia already prepared, strips down to his birthday suit, and sets to work stripping an extremely reluctant Sylph down as well, urging him not to be bashful—they’re both boys!

Only…they’re not. As was fairly evident from the start, Sylph is a girl, and was never able to get out her full name: Sylphiette. For once, Rudy isn’t turned on by a naked girl. In fact, he feels awful, as well as stupid for not realizing sooner. As he bathes with his dad, Paul makes sure that even as his son starts getting more interested in girls that kind of thing, he needs to listen and heed them when they say “no”.

Again, Paul is glad his son is acting like the kid he appears to be—and emotionally, still is—in this situation. He knows his son will “make good use” of his failure, only to watch Rudy “apologize” by saying he honestly thought she was a boy the whole six months they’ve hung out, causing her to cry even more. At that, Paul wonders if his son is dumber than he thought!

A day or a few pass, Rudy can’t concentrate on sparring with Paul, and Paul knows exactly why. What he doesn’t know is that the 30-year-old in Rudy is similarly depressed about having seemingly pushed away the lovely childhood friend was hoping to meet someday. Rudy showed his whole ass (literally!), Paul is certain they’ll make up. He assures Rudy that women love men’s strengths and weaknesses, and showing your vulnerable side can help mend fences.

His dad later admits he’s getting into some pretty advanced romantic advice for his still-very-young son, but it’s all good advice, from someone who is clearly a good man who, while hella strong, understands his own weaknesses and flaws, be it as a father, a husband, or a man.

Sylphiette shows up right after Rudy and Paul talk, and Rudy approaches her weary and contrite. He tries a dating sim line about “missing her beauty”, all while on the verge of tears, fearing permanent rejection. Instead, Sylphiette tenderly takes his hands in hers, tells him she “doesn’t hate him or anything”, and asks him to just “act normal,” giving him a pat on the head for good measure.

That she’s forgiven him so easily baffles Rudy, but he’s also obviously relieved beyond belief. He admits to not knowing how to get along with her, even though that’s what he’s been doing the last six months. His adult brain looks outward into the future when he’s a man in need of a good woman, but for now, the gender of the first friend his age shouldn’t matter. They’re still young, and have all the time in the world.

Rudy and Sylphiette will learn together how to continue get along with each other. There will be times they’ll make each other angry, get into fights, and maybe not talk or want to look in each other’ faces. But they’ll also run through golden fields together, laughing, playing, doing magic, and simply reveling in each other’s proximity. They’ll falter and forgive together—that’s what friendship is all about.

P.S. Read Crow’s write-up here!

Jujutsu Kaisen – 11 – Let the Hate Flow

Nanami has no intention of working further “overtime” than he needs to, so he executes the attack that has the best chance of disabling Mahito and then retreats when he has the upper hand. He does this by basically removing the limiter to his cursed energy and then depositing it into a wall, which crumbles atop Mahito after his right foot is sliced off.

Nanami recognizes that Mahito is a threat that requires more than just his abilities to contend with; Gojou, who doesn’t appear this week, would seem to have been proven right that the old fogeys in charge of sorcery have been caught flat-footed. For now, a lightly wounded Nanami calls for Ijichi to come pick him up.

It’s then that he learns Yuuji isn’t with Ijichi, but went off to talk to Yoshino Junpei. Unable to reach Ijichi for further instructions, Yuuji simply swings from the hip, asking Yoshino if he has any other info about the theater incident. The two start immediately bond over their love of movies, then Yoshino’s mom passes by and invites Yuuji to dinner.

For one lovely evening, Yuuji and Yoshino are friends, joking around about movies while Yoshino’s mom joins in the fun but drinks too much beer and falls asleep at the table. Yoshino asks if Yuuji is a Jujutsu sorcerer, and if he’s ever killed anyone.

Yuuji has a very eloquent reason for not wanting to ever kill: if it ever becomes an option for him, it will be too easy for it to turn into the only option, clouding the value of life and tainting his soul in the process. Alas, Yoshino’s mom wakes up to find one of Sukuna’s fingers on the table, and is then visited and then killed by a cursed spirit.

That spirit may well have been human once, and the creation of Mahito. Later he and Getou admit they placed the finger there to lure the curse, as they never intended for Yoshino to be anything other than a lure with which to bait Yuuji. Yoshino suspects one of his bullies to be responsible for killing his mom, and so lets Mahito drops a cursed veil over the school.

Dressed in black that mourns both his mom and his old life, Yoshino steps around all the other students who are passed out to get to his long-time tormentor, then lifts him into the air with cursed energy and starts beating and torturing him right back. Yuuji arrives in time to witness Yoshino’s apparent heel-turn. Everything is going according to Getou’s plan: forcing Yuuji to draw on his pact with Sukuna in order to stop Yoshino.

Just like that, I’ve only got one more episode of JK’s Fall cour. This week’s omake reinforces that there are currently two shows running in parallel, but we’re only privy to Yuuji’s show while Nobara and Megumi’s training proceeds off-camera. I imagine this Yoshino situation will reach some kind of conclusion in the Fall cour’s twelfth and final episode, and only after that will Yuuji reunite with the others.

Rating: 4/5 Stars

Jujutsu Kaisen – 10 – Working Overtime

It’s pretty bold to spend the first three episodes of your anime introducing your core trio, only for them to be together in part of just one episode, then keep them separated for the next six episodes, and likely more. It’s a risk a two-cour series can afford to take, and while part of me is miffed by the withheld gratification of watching the trio reunite at last, I can’t say I dislike what the show is doing in the meantime.

To live a day in Yoshino Junpei’s shoes, you have to take a look at the whole Jujutsu sorcery profession and say to yourself “So what?” He encounters cursed creatures just as fearsome as the sorcerers, only his are fully human. It’s what makes him such a good fit for Mahito’s mentorship: Mahito is among those cursed spirits who believe his kind to be the true humans, because at least they’re honest.

Human monsters like Yoshino’s peers who disguise themselves as high school students doesn’t fly for Mahito, who makes both study and sport of disfiguring the bodies that surround their souls. He’s made one human two stories tall, while another fits in the palm of Yoshino’s hand. But again, Mahito’s experiments are no sweat for the already horrror-attuned Yoshino.

When Yuuji and Ijichi track down Yoshino, the kid has just been given sanction by Mahito to kill someone he hates as if he were eating because he was hungry; life is meaningless, so you might as well do what you want. This is another form of the fundamental “honesty” Mahito and the other cursed spirits believe makes them more human than humans.

One of Yoshino’s teachers also tracks him down, and scolds him for not attending the funerals of his tormentors. This teacher saw Yoshino being bullied by those same three students, but seemingly chose to see it as four friends just messing around. For this, Yoshino is on the cusp of killing him as Mahito gave him leave to do, but Yuuji interrupts, using the low-level curse to test whether Yoshino can see and fight curses.

Meanwhile, Nanami encounters Mahito in the sewers and the two face off. The former severs the latter’s wrist with his weak-spot technique, but Mahito quickly heals by using his soul to maintain the original shape of his body. Mahito’s “Idle Transformation” is a bad matchup for Nanami, who relies on his technique to create debilitating wounds that last.

It appears that Yoshino can see the curse (which tracks, since he can also see Mahito), but the teacher doesn’t think Yuuji can possibly have anything to say to Yoshino that’s more important than what he’s saying. So Yuuji steals the teacher’s pants and runs off them. The teacher gives chase, but Yuuji is fast enough to loop around back to Yoshino.

Yoshino is willing and even intrigued to have a chat with Yuuji, who intrinsically sensed that Yoshino hated the teacher he was talking to. I’m still holding out hope Yuuji can save this kid before he goes too far down the cursed rabbit hole with Mahito, whom I can’t imagine truly has Yoshino’s best interests at heart.

As for Mahito, he starts getting confident that if he simply makes physical contact with Nanami enough, he’ll eventually be able to control his soul and transform him into one of this living sculptures. He also uses disfigured humans as weapons, extending the battle.

But lest we forget, Nanami is a former salaryman, and thus religiously sticks to the 10-to-6 business day model. Once his watch hits six, he goes into “overtime”, which means the kid gloves come off. The next stage of their battle should be pretty cool—as all battles in this show have been so far.

Rating: 4/5 Stars

Jujutsu Kaisen – 09 – The Accumulation of Little Despairs

Yoshino Junpei is the victim of bullying by three thuggish guys, egged on by one girl who they think will let them bang her if they sufficiently impress her with their casual brutality. Yoshino starts skipping school and seeks refuge at the movies, but the bullies are there too, making a big ‘ol racket.

While Yoshino is too mild-mannered (not to mention just plain scared) to confront them, Mahito has no qualms about teaching them manners by disfiguring their faces to death. Earlier Yoshino said he probably wouldn’t push a button that killed everyone he hated, but would push one that killed everyone who hated him.

It’s an interesting distinction, and now it seems to be a reality thanks to Mahito. The question is whether Mahito and Yoshino just happened to cross paths, or if the cursed spirit sought to recruit a young follower. In any case, Gojou leaves the investigation of the theater killings to his pal Nanami Kento, with Yuuji riding shotgun.

Nanami is about as no-nonsense as Jujutsu sorcers come, and he insists that a overly gung-ho Yuuji only use “moderate effort” where it will suffice. He also makes it clear he considers Yuuji a child while he is a full-fledged adult. This is in stark contrast to Gojou, who is as much a big brother as a sensei to Yuuji.

Nanami teaches Yuuji how to sense and see “residuals”, the residue of cursed techniques, which lead them to a rooftop battle with a couple of curses. He shows off his ability to slice up a curse with the blunt end of a heavily-wrapped knife, while Yuuji demonstrates his “Divergent Fist”, the cool name Gojou gives to the natural inclination for his punches to hit once physically and then again with cursed energy for a double whammy.

But something’s off about these curses, and Nanami orders Yuuji not to finish them. Ieiri later learns that they were humans that were somehow transformed (and possibly given the ability to use cursed energy) by a particular cursed technique. (Quick PSA: do not play a drinking game whenever someone says “cursed” in this show, or you will surely die.)

As Mahito further schools up Yoshino on his elemental pals (Joujo, Hanami, and Zoidberg) from his sewer lair, Nanami instructs Yuuji to track down Yoshino with Ijichi to possibly learn the location of the culprit’s hideout. But as he confides in Ijichi, Nanami already knows exactly where the culprit is; he just doesn’t want to take a kid like Yuuji into a potentially lethal situation.

We’ll see if Yuuji’s emotional intelligence can break Mahito’s hold on Yoshino, or if the two lads are fated to become enemies in the slowly-brewing human-curse war. Apparently, Yuuji carrying around a small cage containing Boglin-like curses has something to do with the mission…

Rating: 4/5 Stars

P.S. I realize nine episodes in and I haven’t commented on the OP, ED, or omaki segments. All three are excellent on all counts, with particular praise going to the jaunty beat and expressive dance animation of the ED and the omaki skits’ ability to drop all pretense and simply have more comedic fun with these colorful characters.

Jujutsu Kaisen – 08 – Twisted Sister School

After being entirely absent from the previous episode, Megumi and Nobara stick around for the lion’s share of the eighth. While I understand that plot-wise it makes more sense to unveil Yuuji at the Exchange Event, there’s still a sense of dissatisfaction from the fact the central trio has been apart far longer than they’ve been together, and Megumi and Nobara of them are still in the dark.

The delegation from Kyoto arrives at Tokyo Jujutsu Tech, and their third-year ace Toudou Aoi decides to pick a fight with Megumi, while Zenin Maki’s twin sister Mai restrains Nobara. Toudou decides to beat up Megumi for no reason other than he finds him boring, especially when it comes to his non-specific taste in women. Mai…just wants to shoot a bitch?

Megumi tries his best against Toudou, hoping his ranged cursed techniques will let him keep his distance. But it doesn’t go well, and the outmatched Megumi ends up beaten bloody before Inumaki and Panda come to the rescue. Toudou is content to end the fight there, but it’s clear that Kyoto’s sorcerers-in-training are far crazier and more violent than Tokyo’s (Granted, we haven’t met any of the third-years).

Mai proceeds to shoot holes in Nobara’s brand-new tracksuit, to teach her a lesson in “manners”, but Maki arrives to stop her twin sister from putting any bullet holes in Nobara’s body. Nobara demands Mai leave her uniform behind as payment for ruining her tracksuit, but Toudou whisks her off, as he doesn’t want to be late for the super-tall idol Takada-chan’s handshake event.

Maki confirms to Nobara that she doesn’t have any cursed energy, while Mai doesn’t know any cursed techniques. You’d think that considering together they possess the two qualities that are typically crucial to being an effective sorcerer they’d work together…but you’d be wrong. As for Nobara, she gains a heightened respect for her senpai, affectionately leaning onto her as they walk.

Kyoto’s principal Gakuganji is waiting with his attendant Miwa when instead of Principal Yaga, Gojou enters the room, having intentionally changed Yaga’s schedule so he could have some time along with the Kyoto bigwig. Gojou simply wants to impart his dissatisfaction with the stuffy, tradition-obsessed higher-ups.

Between stronger cursed spirits and stronger students, terms like “special-grade” will lose all meaning, and the fogies aren’t prepared for what happens then. Gojou, on the other hand, intends to be. Miwa comports herself well, but “Inner Miwa” is going completely gaga over Gojou. Akasaki Chinatsu and some excellent character animation really bring a seemingly bit player in Miwa to life. Finally, Toudou gets to meet Takada-chan.

A month passes, and we transition to a movie theater where three high school students ended up killed and their heads severely deformed. One witness spots the apparent culprit Mahito, whom we met on the beach last week. Then Yuuji appears for the first time this episode, along with an older guy wearing Batou-like glasses. Looks like Yuuji is being given one more mission to break him in before heading to the Exchange Event.

Wonder Egg Priority – 02 – Poached

Episode one was such a feast of beautiful and weird imagery and sound, twisting time and space, and unblinking glimpses of hard truths that we as the audience necessarily needed a little time to find our footing. This week focuses Ai’s new role as plucky heroine saving “damsels in egg-stress”, but also her efforts to connect with the taciturn Aonuma Neiru.

Unlike the other girls with whom Ai has interacted so far, Neiru is both alive and inhabits the same real world as her. Which means Ai can make a real friend! Trouble is, Neiru is singularly focused on processing as many eggs as possible in order to save her little sister, i.e. her Nagase Koito. So while Neiru gives Ai her number, it’s only so they can arrange not to meet.

Neiru makes it clear that while they have similar roles, they’re different people. For one thing, she “loves” herself, while Ai hates herself. We’re reminded of the struggles Ai faces when she comes home to find a therapist is there, and grudgingly goes through as session with her mom present. While we know she’s out doing good in the world, her mom likely suspects she’s engaged in some kind of self-destructive behavior.

Regardless, Ai continues her work, determined to “save” Koito even though “saving her” may not bring her back physically but rather heal Ai—I’d call it an elaborate means of working through the trauma and not allowing it to consume her life. As with last week’s egg, this newest one contains another girl who is already gone, but thanks to Ai, is able to exorcise her demon, AKA her “Wonder Killer.”

In the case of timid Suzuhara Minami, the Wonder Killer is her abusive gymnastics coach. Minami doesn’t like the situation she’s in, but blames her own weakness, and we witness the psychological power of the coach when she arrives on the roof and places a hand on the submissive Minami’s head.

In a nice visual tough, as this week’s “captured maiden” Minami wears a frilly leotard under her hoodie, emphasizing her status as a princess for Ai the knight to rescue. The resigned Minami urges Ai not to bother with her, but as her head is turned, the coach transforms into a grotesque monster.

Ai looks back to when the bullying of Koito started. Koito’ uniform was torn and thown in the mud, which she calls “classic harassment”. The other girls were jealous of the extra attention she, as a transfer student, got from their teacher. She had Ai hide in a locker and film the bullies physically abusing her, but Ai was too scared and didn’t capture any usable footage.

Even so, Kotio smiles her sad smile and thanks her friend for “doing the best she could.” Disgusted that she didn’t do more when it mattered, Ai resolves to save Minami no matter what she says. She heads to the gym, where the monster coach is holding her by the head and repeatedly slapping her in the face.

Of course, the “tough love” the coach is dishing out is nothing more than abuse, and Ai won’t stand by and watch. That said, her giant rainbow key weapon proves useless against the coach. When Minami tries to stop her from hurting Ai, the coach tosses her aside and her yellow ribbon goes flying.

Ai realizes the ribbon is the weapon she needs to use, and while the coach squirts a thick pink liquid from her teat to blind Ai, Minami serves as her eyes, telling her where the coach is and which way to dodge. She eventually lands a coup-de-grace, and the coach explodes in a spatter of paint-like blood.

In the aftermath, Minami thanks Ai for saving her, and wishes they had met earlier so they could have gone out for burgers together. Instead, she vanishes in a puff of smoke just like the first maiden, after asking Ai to think of her sometimes.

While it’s gutting to watch Ai gain the trust of and befriend someone two weeks in a row, only for them to disappear moments after she saves them, that pain is mitigated by two factors: Ai is working towards saving Koito, and she’s met a real friend and fellow heroine in Neiru.

After Minami vanishes, we find Ai in the hospital with her mom, wearing a neck brace. As with last week, the injuries she sustains in her battles with Wonder Killers remain with her in the real world. No doubt her mom is horribly worried for her daughter, having no idea what’s going on. It could also be that nothing we’ve seen Ai do is actually real, but all in her head.

That said, Neiru fares worse than her, ending up in the ICU after trying to handle too many eggs at once. Ai visits her in the hospital and asks if they can be friends. Once she’s recovered a bit, they head up to the hospital roof and discuss what being friends entails. Ai talks about going out for burgers and fries, as Minami wanted to do.

Over sweet-smelling peach-orange sodas, Neiru texts Ai back a thumbs-up, indicating that she’s willing to give this friend thing a try. In a wonderful little piece of elegant animation her resting neutral face slowly turns upward into a gentle smile, and Ai’s smile subtly widens in response.

Even though  I’m rarely sure what’s real life or not (which is likely the point), the scene of Ai and Neiru on the roof seemed realer than most. We’ll see if the two only hang out in between separate maiden rescues, or if they decide to join forces and aid one another in their respective goals. Now that I better know the structure and rules of those rescues, like Ai I feel a lot more comfortable and optimistic.

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