The Ancient Magus’ Bride – S2 21 – Picking Up Your Pieces

Zoe intercepts the she-werewolf and freezes her with his Medusa eyes, but quickly grows fatigued. When the wolf starts to struggle, another layer of Zoe’s medusa side surfaces, one he didn’t think was necessary. However, in this form he inadvertently destroys the curse placed on the werewolf by Lizbeth, and all of her memories of her family come rushing back. She thanks Zoe, referring to him as her “god”, then takes her leave.

We then learn that Alcyone was carrying Philomela’s soul within her body for an undisclosed amount of time and with her consent (as much as Philomela can consent to anything). But even when she produces the soul and places it back into Philomela’s body, she continues to deteriorate.

Between Zoe freeing the werewolf and Morrigan handling all of the Sargeant forces, Chise, Elias, Lucy and Isaac are able to enter the mansion without any issues. Alcyone meets them and asks them if they’re there for the book or for Philomela’s sake.

Isaac assures them it’s the latter, so she lets the three kids go, but insists Elias stay behind since he’s not thinking about Philomela. No doubt he’s thinking about Chise … and what he’s going to do to appease Morrigan when this is all over.

But there’s still quite a bit to do. Upon entering the office Philomela’s root-like tendrils attack them, but Chise’s amulets hold. When the tendrils start to slip under Isaac’s hood, lending us the first look at his eyes, he slashes at them and freaks out.

Lucy sees a framed spider on the wall, kicks Philomela, grabs her by the tendrils and demands an explanation. All Philomela can do is apologize. Clearly both Isaac and Lucy are being sidetracked by their own baggage, so Chise steps in, and then dives into Philomela’s dreams.

There, Philomela is a little kid like in the OP; unlike the OP, Chise is also a kid. She guides Philomela around her dream, which takes the general form of a school, and helps her collect lost “pieces” of herself, which manifest as various memories, both good and bad.

This includes the wooden puzzle with which she once played with Rian, the dungeon where her grandmother imprisoned her when she failed to measure up to her, and the photo of her as a baby with her parents’ faces blacked out with marker. Philomela also gets glimpses of Chise’s psyche, which Chise says is a matter of the two of them getting “mixed up” in this non-corporeal place.

While Philomela continues to collect her pieces and witnesses some of Chise’s, she starts to form a picture of Chise as someone perhaps similar to her. Neither of them knew their parents faces, and both of them faced long stretches of cold, barren, lonely darkness.

But all of that despair is washed away once they reach the school rooftop, replaced by a gorgeous sunset. Now that Philomela has all of her pieces back, it’s on her to decide what to do, and what she wants others to do for her.

When she asks Chise why she’s helping someone who tried to kill her, Chise admits she’s trying to save her past self, whose eyes were identical to Philomela’s. The two go on to find a little Isaac crying on the top of a mountain of debris, and it’s Philomela who comforts him by placing her hand on his head.

While they’re all in younger forms, all three remember who they are and who they are to each other. All that’s left is to find Lucy, who is in a library full of cobwebs. Like Isaac, she had been crying alone until the others came, but was eager to find them so she could stop crying and do something; move forward.

She asks nothing less of Philomela: stop whining and either run away, do something else, or say something, anything, for herself. Alas, when Philomela drops her flashlight and it starts projecting a recording of the events that led to Philomela being present for the assassination of Lucy’s family, well, let’s just say it kills the redemptive mood.

Lucy grabs her and demands to know why she killed her family, but Philomela doesn’t know. She never had the right to know, and at the time Lucy’s family was killed, there was nothing she could have done to stop it. But while her past self was powerless, her present self isn’t.

She’s allowed to speak now. Chise tells her she can’t remind silent if she wants help; she has to shout out for it; that’s just the way of the world they live in. Philomela finally does manage to utter what she wants, which is for Chise and the others to help her.

Unfortunately, just as she says “help me”, her dark version appears and swallows her up in her tendrils. When Chise reaches out for her, kid Philomela turns into a cloud of flower petals and is scattered into the darkness. Just when it felt like genuine progress was being made and we were close to a breakthrough, we may be back to square one. As such, this episode ends on a bit of a downer. Hopefully, all hope for Philomela isn’t lost.

The Ancient Magus’ Bride – S2 20 – Remember Today

The first years of Philomela Sargeant’s life were happy, fun, and full of love in the care of her parents Adam and Iris. Those years were also relatively normal by this show’s standards—but for the presence of the artificial fairy Alcyone, whom Adam created.

While her primary function is to protect Philomela at all costs, she turns out not to be like most artificial fairies, in that she has the capacity to grow and learn through failure and success like humans. That’s approrpriate, as Adam tells her he fled an inhuman place.

Iris was the daughter of a wealthy family brought low that sold her to the Sageants. Lizbeth had her presented to her son Adam so he could basically practice and experiment on her. When ordered to do so, Adam obeyed with the same blank look and defeated tone as the Philomela we know.

Iris wishes they could take photos of a family life she feels is passing by far too fast, which turns out to be quite prescient. But they can’t, as they’re on the run from the Sargeants. Iris also confides in Alcyone that as the child of someone who sold their own kid, she doesn’t know if she’ll prioritize Philomela if (i.e. when) something happens.

Alcyone puts her hand tenderly on Iris’ head, having sensed that that is what she needed. In this way Alcyone truly proved she’s more than the sum of her artificial parts.

As we know, this idyllic family situation was never going to end well, and now we know just how it ended. Agents sent by Lizbeth confront Adam while he’s out and open fire at Iris. Adam realizes the only reason his mother left them alone was to wait for Philomela to grow old enough to be used as a hostage.

Thanks to a hex they both took when Iris was still Adam’s captive, any attack on them has the same effect on the attacker. Adam, who under no circumstances is going back to the Sargeant Mansion, takes his own life. Iris is riddled with bullets, but manages to buy time for Alcyone to flee with Philomela.

With her parents killed, suddenly Alcyone is Philomela’s only guardian who actually cares about her. But she too is taken down by Lizbeth’s henchmen. Alcyone is either reprogrammed or simply brought to heel by Lizbeth, and we all know what happens to Philomela from here.

That brings us to the present, with a crumbling Alcyone cradling an even more badly-crumbling Philomela in her arms, wishing she could have done something to protect her. It really is a cruel tragedy.

Lizbeth is a curse that claimed Philomela’s parents, is now on the cusp of claiming her own life, and Lizbeth doesn’t even care about her. If there’s justice in the world of this show, she’ll pay for that at some point.

As Philomela and Alcyone deteriorate, Chise finds herself face to face with the Winter Goddess, saying she’s there to claim the “golden branch”, or “fruit of the maiden” promised to him by Elias when they crossed paths with her daughter (whom I mistook as Titania’s daughter back in episode 18—oopsie!).

Elias is deferent and apologetic to the goddess, telling her to give him a little more time as Chise is still young and providing “the sacrifice” to her there and now would be “difficult.” But when Lizbeth’s henchmen surround them, the goddess agrees to help as long she gets the golden branch. Chise serves as a medium to summon the goddess, whose name is Morrigan, who seems eager for a fight with whomever.

Morrigan covers Chise and Elias’ retreat, and once they’re safe in the woods Elias ejects the others from within him. Isaac makes sure everyone understands their priorities as they rush towards the mansion. He and Chise will rescue Philomela (with Elias supervising). Lucy is determined to get answers from the people who killed her family; Zoe wants to protect Lucy …and everyone else. Fabio … will hopefully prove useful at some point.

When they run into the werewolf (whose goofy character design is doing it no favors in the intimidation department) in the woods, Zoe stays behind and goes into Medusa Mode to deal with her while the others continue on. The lore and mythology may be dense, but the stakes and objectives are clear. Let’s save Philomela, ya’ll!

NieR: Automata Ver 1.1a – 12 – (Part 1 Fin) – 420 Seconds

That giant beam from the sky that iced Adam? That was a satellite weapon that the Council of Humanity did not authorize YoRHa to use. And yet, it was used. When 6O asked Commander White if “this is okay”, White says, cryptically, “this world needs a god, even if it doesn’t really exist.” When the Pods detect a faint ML symbol, 2B and 9S ride them down into the blast area, where Adam is still “alive” but in rough shape.

2B prepares to finish the job, but hesitates briefly, as Adam recalls his promise to Eve and grabs her leg. 9S takes hold of 2B’s sword and plunges it into Adam’s head, defeating him for good. However, moments later 9S’ eyes turn red; the result of being infected by his hacking encounter with Adam.

This means 2B has to kill him before he goes berserk (he slashes her mask off with a metal sword arm), with no chance at backing up the personality of the 9S she’s come to know and care about…again. Even so, she does her duty and eliminates the threat.

Afterwards, 2B cannot help but weep at having to say goodbye to her friend once more. Fortunately for her, it’s only a temporary farewell, as all of the ML husks’ eyes start to glow green in sequence like fireflies, not only in her vicinity but all over the planet.

A larger ML mech rises to meet 2B, who draws her sword, but lowers it when she hears 9S’ voice. Turns out his uncorrupted personality data had been backed up in the ML network. 2B smiles in joy and relief, showing a great deal of emotion despite her past insistence that they’re forbidden.

9S gives 2B a ride back up to street level, and Bob’s your uncle: the end credits roll, announcing the end of the series less than eleven minutes in. When the credits end, we’re taken back a couple of hours to the Bunker, where the recently delivered 9S is undergoing diagnostics and checks.

In the process of connecting to the Bunker server, he hears a weird, unexplained sound. He does a little digging in the virtual archive and uncovers some forbidden data protected by a firewall. He’s then chased around the construct by defense systems.

Rather than destroy him, the units corral him into a black cube, within which he is confronted by a pair of seemingly identical girls in red dresses, whom we caught a slight glimpse of during the drunken battle omake after episode 10.

These girls in red talk in a bunch of cryptic riddles, but the gist is that they’re the ones controlling and watching the war between the Machine Lifeforms and the Androids. In other words, a Big Bad beyond Adam and Eve.

The voice of the Council of Humanity eventually chimes in, and 9S is given unprecedented access to top secret information. Among this info, something is revealed I had suspected all along; humanity really is extinct, and has been so for a while. There’s nothing on the moon but a communications server maintained by other androids.

The fiction of humanity surviving, and the establishment of YoRHa, was meant to improve the moral of the androids. This is all very intriguing, and I look forward to these mysteries being explored further in NieR’s confirmed second cour. Hopefully we’ll be treated to more fun 2B/9S interactions… along with more omake puppet shows.

Vinland Saga S2 – 22 – The Man With No Enemies

The punches begin, and even after twenty of Drott’s best, Thorfinn is still standing. Among the warriors watching, only Wulf realizes that Thorfinn is subtly positioning himself so that the punches don’t impact his core. Einar believes this to be madness and wants to stop it, but won’t interfere; he owes that to his friend.

When Snake arrives with Olmar, Thorfinn is distracted enough not to make the right move, and the thirty-second punch lands true, sending him flying to the ground. Snake tells Thorfinn there’s no need for this; if talking could have solved this conflict, they would have done so. Thorfinn disagrees: Did they really exhaust all avenues of conversation?

The answer, of course, is no. When Canute’s men raised their swords, Ketil’s men raised them in turn. But what follows is one of Thorfinn’s best and most noble and badass moments to date.

He stands back up, points at Drott, tells him his punches hurt less than bug bites, and tells him to hurry up with the remaining sixty-eight, as he’s a busy man with things to do.

Drott isn’t angry. Instead, he regards his indomitable opponent with the respect he deserves, and gets back to the punching. Snake moves to intervene, but Einar grabs his arm and tightens his grip. Thorfinn must be allowed to see this through.

The sun is low by the time Drott reaches one hundred punches, and by then, he is so exhausted they have no power at all. The hundredth is merely a gentle tap against the grostesquely swollen but still-standing Thorfinn’s chest. Drott falls to one knee and apologizes to Thorfinn for doubting him. He is a true warrior.

Drott then begs Wulf to let Thorfinn have an audience with the king. Under the cirsumstances, Wulf cannot refuse this request, and has the other solders make way for Thorfinn and Einar. Whatever else happens from here, Thorfinn and his “first method” has prevailed. He has shown everyone present that 100 punches from their strongest man aren’t enough to break his will.

Canute hears Wulf’s plea and grudgingly allows Thorfinn to approach, respecting his men’s feelings. Canute begins their talk by remarking that Thorfinn must hate him for enslaving him. However, Thorfinn offers the king his gratitude for sparing his life after he struck Danish royalty.

He also apologizes for giving Canute the scar on his face, and Wulf puts the remaining pieces together: despite being so young and tiny, this is the Thorfinn who is a match for that man-beast Thorkell himself. Canute acknowledges Thorfinn’s words as commendable, but when asked to leave the farm, he must refuse.

He explains that Ketil began this dispute, while his son killed ten of his men, and then Ketil refused demands to surrender and grossly overestimated his ragtag army’s strength.

All these things are true, but they are also excuses. We know that because we were in Canute’s private chambers when he decided he needed to make an example of the landowners and requisition farmland to feed his armies. Despite not having been privy to that context, Einar still calls Canute out for what he is: nothing but a thief, no better than a Viking chiefs who raized his village and killed his family.

Canute admits that is true; he’s not only a Viking Chief, but Chief of Chiefs. Thorfinn asks him if he still intends to build a paradise for those who suffer. But just as Thorfinn changed in the last four years into someone like his father who rejects war as nothing but a waste, the past four years have hardened Canute into someone who embraces war as a tool.

Like a farmer tills a land with a hoe, he shall till the very world itself with his vast armies of Vikings. Only then, when he has the power to defeat a God who has denied happiness to all who walk the earth, will he truly be able to build the paradise he envisions.

As Canute gestures for his men to menacingly surround Thorfinn and Einar, it is clear these two men, once boys, share the same dream of paradise but hold diametrically opposed philosophies for achieving it.

Having spoken his piece (and letting Einar speak his as well), the only two options remaining for Thorinn are to die right there on that beach, or flee and live until such a time as his arguments are persuasive enough to convince Canute, or some other king, that war solves and achieves nothing.

RABUJOI WORLD HERITAGE LIST

Komi Can’t Communicate – 04 – Yamai Ren is Obsessed

This week’s first segment centers on Yadano Makeru, an extremely competitive girl who tries to “beat” Komi at the school physicals. She loses to Komi in height and vision tests, but wins in weight and “seated height”, which seems like an odd thing to measure, but whatever! In any case, Makeru’s mild eccentricity doesn’t prepares us for the horrors to come.

That’s because the rest of the episode is pretty much All Yamai Ren, All The Time. Ren doesn’t want to compete with Komi…she wants her. It’s all she can do to prevent herself from shouting in ecstacy as her body contorts in excitement at the mere sight of Komi walking down the hall. The girl is straight-up obsessed, wants to get closer, and will do so by any means necessary.

At first things seem innocent enough, as she makes too much Hamburg steak (albeit purposefully) as an excuse to share some with Komi at lunch time. Ren is sitting in Tadano’s seat when she asks Komi if she wants to eat with her, and Komi, seeing a vision of an encouraging miniature Tadano in his desk, gives the slightest of nods, and it’s off to the races, with Ren absolute heaven.

But this begs the question: Where is Tadano? Turns out Ren has taken him out of the picture, tying him to a chair with a lot of rope (her knot game is suspiciously elite) in her room, the walls of which are plastered with candid photos of Komi, some of them combined via collage with pictures of her in romantic (or lewd) positions.

Najimi, who is just trying to give Komi another nudge in her quest for 100 friends, invites themselves and Komi to Ren’s place, and Ren can’t resist the prospect of Komi rubbing her scent on her bed or leaving stray hairs around, so she agrees. She stuffs Tadano in her closet, promising she won’t bury him if he doesn’t scream, but eventually Najimi discovers him, and Ren drops the cute innocent act and goes Full Yandere.

It backfires spectacularly, as the moment Komi sees Tadano tied up, she’s ready to leave. She writes a polite “Thanks for having us” note, then leaves with Tadano. When Ren tells her that she was trying to do her a favor by getting rid of the trashboy so totally unworthy of her attention. Komi’s note in response is suitably devastating: “I choose my own friends.”

That said, the next day Komi is distraught and shaken by the experience, and asks Tadano to join her somewhere private to “talk”. She writes in her notebook how it might be best if they weren’t friends. Of course, this isn’t because she doesn’t like Tadano or thinks he’s beneath him; quite the contrary. She fears for his safety. What if something like yesterday happens again, and they don’t find him in time?

To this, Tadano responds that he also chooses his friends. Getting tied up and threatened by a yandere is a small price to pay for being Komi’s friend. Heartened by his response, as she definitely didn’t want their friendship to end, Komi voices it to him…literally…by saying she wants to be his friend in her teeny tiny adorable voice.

In the drama of Komi and Tadano leaving Ren’s, they left Najimi behind. Fortunately, Ren didn’t kill them, and instead Najimi assured her that if she apologized properly for what she did, Komi wouldn’t hate her. Ren does just that, apologizing to both Tadano and Komi for her actions (though as Tadano observes, she kinda sucks at apologies!)

Then Tadano and Najimi thoroughly explain how Komi is bad at communicating and wants to make 100 friends, and Ren is even more enamored of her, having now discovered her new cute quality. That’s how Ren becomes Komi’s fourth official—and most demented!—friend. Ren’s seiyu Hidaka Rina gets MVP honors this week for her deliciously shifty and layered performance.

Komi Can’t Communicate – 03 – God’s in Her Classroom, All’s Right in the World

When Agari Himiko, the shy school librarian who is afraid of being looked at, is stared at by Komi, who can’t communicate that she just wants to be friends, she jumps to the wrong conclusion and believes she either offended Komi in some way or is simply being messed with by the popular beauty for sport.

That said, Himiko’s fear of Komi staring at her helps her overcome her lesser fear of talking to the class, as she’s able to bravely relay to them where gym class is being held. She thanks Komi on the steps for scaring her into being brave. Tadano proposes the two become friends, but Himiko settles rather quickly for being Komi’s “dog.”

With Komi making friends left and right, she asks for and receives a cell phone from her folks—an old-style flip phone from simpler times. Now she can text her friends…if she had their number. She manages to get both Himiko and Najimi’s, but pointedly has them write them down on paper, because she wants to enter Tadano’s number first.

When it comes time to decide who will be class president, everyone nominates Komi, who seems poised for a position way beyond her current communication abilities. Najimi bails her out by opposing her, but when they’re surrounded by roughs, they declare that “president” is far too puny a title for someone like Komi! So everyone declares her Class God, and leave the thankless presidency to Tadano.

That night, Komi is giddily futzing around with her new phone when she accidentally calls Tadano (falling victim to a horrifying feature where simply putting your ear to the phone calls someone). As a result, both we and Tadano hear Komi talk more in a few moments than she has in the entire preivious two and three-fifths episodes. Koga Aoi, so expressive as Kaguya-sama, shows how much she can do with so little, from her little squeaks and screams to fractured sentences.

Finally, Komi is feeling bold, and wants to join the Cool Kids for some pre-class traditional games which go as completely over my head as they do her. Of course, I have an excuse having not grown up in Japan; Komi has never played any of the games the others grew up with because she could never communicate.

But that’s primed to change, as baby step by baby step she gets better at interacting with people and letting her will be known. The words will come in time…and even if they don’t, everyone will still worship her and the ground she stands on.

Mushoku Tensei: Jobless Reincarnation – 12 (S2 E01) – Eyes Forward

After a longer-than-expected hiatus, Mushoku Tensei is back, and I’m pleased to report it’s just as good—and occasionally unnecessarily lewd—as ever. There’s a new OP, and it’s awesome. There’s a new ED, and it’s beautiful. Rudy, Eris and Ruijerd are still on the Demon Continent, and learn that largely due to Ruijerd’s Superd status, booking passage on an above-board ship back to Millis Continent will cost a literal fortune.

While Rudy is always quick to determine and execute a course of action all on his own, Dead End is a party, and both Eris and Ruijerd wish to help him share the burden of figuring out just how to make that fortune without taking their entire lives to do so. Meanwhile, training with Ruijerd is only making Eris a more formidable fighter; I don’t know if their combat animation counts as sakuga but it remains top-notch and extremely fun to watch. Ditto her wonderful expression of joy when she scores her first hit on Ruijerd (who was distracted by Roxy!)

After having another dream with the creepy smooth god dude Hitogami, Rudy learns he actually entertained the guy more by going off-script. This time he decides to do exactly as Hitogami’s advice says, and he is promptly rewarded. By feeding a starving urchin the food Hitogami told him to buy at the vendors, he ends up befriending the scantily-clad Kishirisu Kishirika, the “Great Emperor of the Demon World”, who could pass as a member of Zvezda.

As thanks for sustaining the life of her physical body for at least another year, Kishirika gives him one of her twelve Demon Eyes: the Eye of Foresight. She does so by roughly replacing his existing normal eye on the spot, which looks…painful! But upon returning to their inn he ends up saving a man he bumped into form a falling pot, and within a week he’s able to sue the eye to defeat Eris in combat. This understandably makes Eris very upset, but Rudy was too excited about his new eye to foresee that.

New eye or not, Rudy reminds himself that his mission isn’t to “power up” but to get Eris home. And even if he were to exploit the eye for profit, it would likely take too long to make the necessary cash to book passage. So he decides, on his own, again, that he’ll pawn off his staff in order to get the cash. Only when he leaves in the night to do this, Ruijerd stops him.

While the party has meshed well in the last year, seeing Rudy again try to go off on his own and solve everything frustrates Ruijerd, because it makes him feel like Rudy still doesn’t trust him. Rudy counters that he doesn’t want to do anything illegal and thus “evil” that Ruijerd would not approve of, like stowing away or smuggling, as it would likely fracture the party.

Here, Ruijerd once again exposes Rudy’s biggest blind spot—Eris—by pointing out that selling the staff she gave him (and which clearly means so much to him) would fracture the party too. So Ruijerd makes a compromise: he’ll turn a blind eye to smuggling and the like if Rudy keeps his staff and keeps him and Eris in the loop about what they should do from now on.

Right on cue, the man Rudy saved the day he got his new eye introduces himself: Gallus Cleaner. Could he be the sort of unsavory figure who can help get two noble humans and a Superd across the ocean? Are Roxy and her two Fang companions trying to avoid crossing paths with Rudy, or victims of back luck and timing? I’m excited to find out, and to watch more of Rudy, Eris, and Ruijerd’s adventures this Fall.

Sonny Boy – 11 – Excelsior

I would have been content with episode 8 being Peak Sonny Boy, but I knew it probably had at least one more ten or Lister in it. So we come to the Achingly sad, joyful, empty, bursting, whimsical, utilitarian, lonely, warm, humdrum and epic episode yet. It begins with two humans, a dog, and three cats celebrating the life of Nozomi—the episode confirming what I’d feared without using words (though the explicit words come later).

After preparing the funeral venue with the kind of mirth Nozomi would have totally gotten down with, the sun eventually goes down, no one comes to mourn her, and Mizuho and Nagara set her shrine into the sea to be carried away to parts unknown. Mizuho starts to cry, but Nagara is both too awkward to comfort her and a steady emotional rock sitting beside her.

When live takes away a Nozomi in This World, it gives you a Rajdhani, and while I missed Nozomi more than I thought I could miss a fictional character, it’s to Sonny Boys credit that it softens the blow by bringing back the smartest and one of the kindest and most empathetic characters in the show. He’s been on his own for over 2,000 years, but he’s still Rajdhani. You could say he’s mellowed out a bit.

Mizuho, Nagara, Rajdhani embark upon the most ambitious project to date: Project Robinson, an Apollo-like program with just the three of them, Yamabiko and Nyamazon as the people involved (meanwhile Apollo involved 400,000 people, or more than the population of Iceland). Robinson is Mizuho and Nagara’s ticket out of This World and back to their own, where they figure about two years have passed, but they’re ready to go home anyway…because it’s home.

As work progresses on the Vehicle Assembly Building (an exact copy of the one in Florida), Rajdhani regales both Mizuho and Nagara with some of his more memorable travels to far-flung worlds. In one, a guy refused to accept reality and became trapped in a world of his own embellishment, starting with the depiction of the one he loved.

In another, the entire population of students ate neither plants nor animals but simply fasted—something you can do when you can’t starve—until challenged by a meat-eating devil. And then there was an inventor who invented “death”—or at least as close to death in the world they came from as you can get in This World—which is pretty similar.

The inventor who invented “death” had become “Buddha-like” in Rajdhani’s words, a “well-adjusted person” who was content with what was in front of him. And yet, that was the literal end of his life, for even the most complacent or enlightened humans still age and die.

This World is inhumanly, inhumanely static, which means there comes a point when existence…well, isn’t necessarily a curse, but simply doesn’t matter. Rajdhani admits that he feels like he’s being drained away by time. He calls life “an endless exercise in vain effort”, yet it’s that very meaninglessness that makes every moment in life so precious and brilliant, because each one of those moments is the only one that was, is, or will ever be.

That brings us to a flashback on the beach with Nagara and Nozomi, before her ill-fated trip to War. He’s showing her an earlier version of Project Robinson, which he’d been working on in Rajdhani’s absence. Nozomi ponders the ramifications of suddenly returning home after two years, how they may be different people than who they were, and how she may even be dead.

But one thing Nozomi the Compass knows for sure: the first thing she’ll do when she’s back in their “original” world (that doesn’t involve eating something) will be to seek Nagara out and re-befriend him without delay. It’s after remembering this moment with Nozomi, who promised they’d be friends in any world, that Nagara finally breaks down. And even after over 2,000 years of absorbing knowledge and wisdom, Rajdhani still can’t do anything but sit next to him…and that’s okay.

The completed heart of Project Robinson is revealed as the Saturn V rocket that propelled human beings to the moon, something that remains such a staggeringly awesome achievement, especially considering how long ago it happened. The Saturn V is perhaps the most awesome thing humanity has ever built, and it worked…more than once, is something of a miracle.

And while there were certainly political considerations to be made—the Soviets beat the U.S. to space, so apparently the U.S. had to beat them to the moon—so much labor was put into a mission of pure peaceful exploration and discovery. That the fruit of all that labor brought science closer to the cusp of the unknowable and infinite that our simple carbon-based bi-pedal species had ever come before or since.

It was a simply glorious achievement that makes me misty eyed just thinking about it…so it’s especially fun to see three high schoolers pull if off with a dog and three cats. The Robinson rocket is a 363-foot-tall metaphor for spreading one’s tender, untested new wings and leaving the nest, which is what Mizuho does by leaving her three cats behind. They can’t come back with her to where she belongs, but that’s okay. They did their job. She’ll be okay on her own.

Well, not entirely on her own; she has Nagara. And for an episode in which he mourned the loss of his first friend Nozomi, he smiled and laughed more in this episode than any previous ones. He wouldn’t be the person he is without Nozomi, which is why on the spaceflight up into the infinite, near the boundary between This World and That, he still has a compass watch with arrows that never move, representing Nozomi’s inspiring, indomitable will.

We don’t know what awaits Nagara and Mizuho on the other side any more than they do, but that’s entirely okay. I haven’t had the slightest idea what Sonny Boy will throw our way from one week to the next; I highly doubt it will try for predictable, obvious, or boring in its (assumed) finale next week.

As Rajdhani said, Nothing matters in This World…but once in a while, cool things do happen. Sonny Boy shows us that experiencing those cool things alongside people you love can make what shouldn’t matter…matter.

RABUJOI WORLD HERITAGE LIST

Sonny Boy – 10 – The Girl Who Knew Too Much

This week’s Sonny Boy experience comes from the POV of Tsubasa, AKA Sarah Plain and Tall With Broken Arm. We learn her power is “Monologue”—the ability to hear everyone’s inner voices. In order to not be ostracized, she’s kept the power a secret from everyone. She listens, but she doesn’t act in a way that would arouse suspicion.

Tsubasa likes Asakaze. She knows he’s kind of an ill-natured prick, but it doesn’t matter; she still likes him. But as she can read minds, she knows it’s unrequited; she also knows Asakaze likes Nozomi. He doesn’t like how close Nozomi is with Nagara. All the while, he’s unconsciously closer to Tsubasa than anyone; only she can hear his inner voice.

Tsubasa can’t help but like Asakaze, but while you’d think she’d try to use her power to try to make him feel the same way, all she does is quietly admire him from a distance. She hears all his thoughts about Nozomi, all the while dreaming of the day all his other romantic options will be exhausted and he’ll “land at her feet.” But between Nozomi (who doesn’t return his feelings) and Aki-sense (who is only wielding Asakaze like a tool), there’s too much competition.

Tsubasa and Nozomi end up accompanying Asakaze and Aki-sensei on the “grand task” he wishes to complete: defeating “War” before he can cause undue destruction. Tsubasa can’t fault Asakaze for liking Nozomi, because she knows that Inner Nozomi is just as wholesome and noble and honest as Outer Nozomi. Everyone practices some degree of deceit…except Nozomi. On the treacherous hike in “War’s” strange ceramic world, it’s Nozomi who comes to Tsubasa’s aid when she twists her ankle.

When they encounter “War” while falling down an endless gorge with a blood red bottom they never reach, he’s a student constantly falling and buffeted by the wind like the Maxell guy. Tsubasa can’t hear his thoughts; the guy is totally empty. Kinda like war…D’YOU GET IT?!?!! Ahem…anyway, Aki-sensei (and apparently God AKA Dr. Strangelove) wants Asakaze to eliminate “War” from this world by creating “Death”, leading Nozomi to take him to task for trying to play God.

This causes Aki-sensei to retreat with Asakaze somewhere where she can bury him in her bust and keep him under her thumb. But as Tsubasa always knew since the drifting began, the only person who could truly change Asakaze was Nozomi. Nozomi won’t pretend to pander to him. Asakaze can probably sense that there’s never any deceit with her.

So when Nozomi says “Even if I’m dead, I can accept my own fate,” she means it. Maybe that’s why, after he turns “War” into a gun and the red into white, when the cliff crumbles and she falls, Asakaze doesn’t use his power to save her. Or maybe he can’t.

Meanwhile, Nagara picks up the mantle of island researcher from the long-departed Rajdhani, and continues to experiment with Mizuho’s powers. When he orders a chicken with Nyamazon and then kills it, it stays dead. When Mizuho orders one and he kills it…it comes back. Between having three wise talking cats protecting her and the potential power over life and death, I’m starting to wonder if Mizuho is the true God around these surreal parts.

Sonny Boy – 08 – Canis Dei

What if you befriended God? Yamabiko pretty much did, as he tells the tale of how he became a dog to Nagara and Mizuho as they sit beside campfires in wastelands and traverse various gorgeous landscapes. Kodama was special. She could “direct” all things, and so quickly became worshipped by all her classmates. She became their “whole world.”

Then, out of nowhere, their world became something else: a pandemic struck the class. Horrible red tumors grew on their bodies, including Kodama’s. But Yamabiko, ever her loyal subject, refused to say she was ugly. In fact, he felt very much the opposite: she was hard to look at because she had become too brilliant. When one of her tumors burst and her blood flowed, he lapped it up, and transformed into a dog.

Yamabiko never thought he did much with his human form, an ill-natured youth wandering the worlds alone and bitter. But one night he was pulled out of the literal muck by Kodama. He found himself in a “peaceful, easy world” where she and the others lived contentedly. But she admits it’s dull, as living their cut them off from new information.

Yamabiko couldn’t understand why anyone, much less someone akin to a god as Kodama, would be kind to him. It disturbed him, so he attempted to flee. Remind you of anyone Yamabiko is currently traveling with? Naga-er, Yamabiko tried to sail a raft across the sea, only for Kodama to catch up to him with a hot meal. When he tosses it over the side, she dives in and makes a giant goddamn soup fountain that Yamabiko couldn’t help but lap up.

The more time he spent with Kodama, the more he thought he had come to the end of his once endless wandering, to his destination. But then the pandemic struck, and a man appeared who seemed to fare worse than any of them. This man was the first and only person to call Kodama “ugly”. It both shocked and pleased her, that someone would tell her the truth. That was the whole point.

This mysterious man, named “War” (which…okay) indicated he was not the sole cause of the pandemic, but a side effect of the otherworld in which everyone dwelled. In this world, mental wounds became physical tumors. As for who made this world, well…when Yamabiko was pulled out of that muck, he was being pulled into a world of his own making, which is why Kodama’s godlike powers could not stop the pandemic.

Yamabiko learns to late that had he “changed” himself and flown voluntarily out of the shell he had created around himself, he could have saved Kodama and everyone else; even met them on the other side, in another world where the pandemic didn’t exist. But he couldn’t. Even when Kodama was the last one alive and all but consumed by the red crystal-like tumors, he stayed by her side like the dog he was…loyal to a fault.

Then Kodama died, and Yamabiko finally fulfilled his promise to Kodama by flying out. He’d stayed there till the end because he feared losing the light that she represented. As for actually flying out, it took him five thousand years to do so.

As Yamabiko completes his tale, he, Nagara, and Mizuho reunite with Nozomi, and learn that while they believe they arrived precisely on the day agreed upon, time moves two weeks faster for her. No matter; Nagara takes her phone and re-syncs their times.

That night, beside another fire, Nozomi catches up on what Yamabiko has told the others. He also tells them that this “War” fellow was trying to kill God. Nagara wonders whether it would make a difference even if such a thing could be done while roasting a marshmallow.

So yeah…Yamabiko’s been through some shit. Kodama immediatley asserted herself as one of the most impactful characters of the series in just one episode, and much of that is due to Taketatsu Ayana’s virtuoso performance.

Combined with Tsuda Kenjirou’s dulcet tones, a lush, moody futuristic soundtrack, all those gorgeous, painterly vistas, and some truly gut-wrenching moments, this Sonny Boy stands as the most raw, unrelenting, and personal outing yet. I’ll be watching this many more times in the future, no doubt gleaning new insights or noticing new details each time.

RABUJOI WORLD HERITAGE LIST

 

Sonny Boy – 07 – Nagara Inverted

Sonny Boy loves starting episodes in media res, and this week is no different, as we sit in on the 601,344th meeting of the Drift Victims Society. If it’s a weekly meeting, that means it’s been going on for 11,564 years, give or take a decade. Needless to say, the majority of those assembled are looking for someone to blame for this predicament.

Now they know it’s Nagara, and they condemn him and promise justice, whipping the enraged mob into a bitter froth.

Meanwhile on the island, the Mizuho, Pony, and Yamada watch Hoshi’s faction loads up the Ark with supplies in preparation for a journey from which they won’t be returning. Yamada, who’s been around as long at least half of those meetings, describes the thousands of other castaways, and how it’s taken thousands of years for them to figure out how to travel between worlds.

That this newest class was able to do it in a matter of weeks or months means whatever this “culling” is that God is doing, it’s breeding more capable students with each generation.

When Nagara liberates Rajdhani’s ant farm before he lets the ants start eating each other, he comes upon an exercise bar, and when he decides to flip himself on it. That’s when the episode goes full Patema Inverted, as his world is flipped upside down. A strange student who is completely covered by a giant folded umbrella greets him before he starts falling…up.

Nagara wakes up in the middle of a shift, with helmeted students working tirelessly like worker ants building an endlessly tall tower (but oddly enough, carrying the building blocks downward). Nagara being Nagara, he tries to keep his head down and roll with the punches. He’s bailed out and befriended by the kindhearted Futatsubushi…who’s been at this for over two centuries.

Futatsubushi is charmed by Nagara’s “new guy” aura. Everyone in this world were students of the same school, but now all they’re doing is building the tower…and eating gross invertebrates and insects during their breaks. Hakuna Matata, I guess. Futatsubushi makes it feel like a simple, honest life, even if its seemingly dead-end one.

That night, Nagara is ready to return home, only to find he can’t use his powers. That’s because the “Host” or boss of this world—a guy with glasses who wears a tall sock on his head and is umbrella guy’s associate in an elite group of castaways called Beatnik—is able to nullify those powers. The two hang out atop Babel, basically waiting to see if and when Nagara can figure his way out of this place.

While striking out with Futatsubushi to discover the urban legend of shooting stars, Nagara instead discovers a macro version of the predatory luminescent bugs Rajdhani once showed him. We don’t watch his gruesome “end”—only his screams—but before that he has a very bittersweet monologue about how it’s important to believe in nonsense or continuing to go after a hope, even if it’s false…because otherwise, what is there?

The question of “if not this, than what?” seems foremost in the mind of Nozomi as she watches the cubic Ark carrying Nozomi and most of the rest of the class off to parts unknown grow smaller and smaller in the sky before disappearing altogether. It’s such a simple image as presented, but so haunting and lonely. Meanwhile, the prickly but loyal Mizuho searches diligently for her friend Nagara.

Futatsubushi probably inspired our guy to keep going forward and putting in an effort, even if Hoshi has said many times before that getting home is not in the cards. After remembering when he’d try to flip on the exercise bar as a child while another kid nicknamed “Koumori” (“Bat”) flipped with ease.

Once he’s up at the top of Babel, he walks straight out the railing-less balcony…and re-inverts to his original orientation. Since he figured things out, both Sockhead and Koumori (the same kid he saw that day in his youth) let him go.

No sooner does Nagara return, having been found by Mizuho and Yamada, is it revealed that Rajdhani is also off on his own personal voyage of discover and wonder. Nozomi, a tearful Mizuho, and Nagara all give him big hugs, and I have to admit this completely unexpected goodbye scene really made the air in my room dusty.

With Rajdhani gone, apparently the only ones still on the island are Nagara, Nozomi, Mizuho, Yamada, Asakaze, and possibly the members of Aki-sensei’s faction that didn’t leave on the Ark (Aki-sensei, it’s revealed, is just another student). I almost wish it’s just the five of them left. While the ideas and allegories are growing bigger and more complex, I’m excited at the prospect of the cast getting drastically stripped down to the basics.

Sonny Boy – 06 – Director’s Cut

When it comes to anime, or any television or film, really, I’d rather not quite know what’s going on and be entertained than know what’s going on and be bored. Sonny Boy is definitely the former variety, and this is its trippiest episode yet.

I honestly had no idea what was coming from one scene to the next, but was thoroughly enjoying the ride the whole time. Heck, it starts by revealing that the voice in Hoshi’s head that knows the future is none other than Dr. Strangelove, timeless avatar of contradiction and inscrutability.

It becomes apparent that Dr. Strangelove of Sonny Boy is this universe’s God, or at least one of them, and likely the God of whom Aki-sensei speaks and acts on behalf of. Heck, by manipulating Asakaze, she’s built something of an army on the island complete with barracks and barbed wire for the express purpose of tracking down Nagara and his co-conspirators before they bring about the end of the world. Shit got serious in a hurry.

Still, even in its creepiest or most reality-bending moments, Sonny Boy has never put the lives of its students in mortal danger. No one has died. The “penalties”, while essentially torture, did not result in permanent damage. There isn’t even a shortage of food or supplies, the usual problems with your students marooned on an island.

But then Mizuho encounters a big black dog named Yamada Kunihiko in the Costco where she’s grabbing lunch for Nagara and Rajdhani. Yamada was not only once a human, but a student at their school. Yet despite being three years younger than them, he’s been trapped in This World for five millennia. In that time he’s taken on the velvety lilt of Tsuda Kenjirou—who I’m a little surprised wasn’t chosen to voice God.

Yamada is certain it’s too late for him, but Nagara and the others still have a chance to get home. It’s not impossible; just improbable. That hope proves feasible when the gang stumbles upon a world full of film reels, including reels of the original world where they came from.

After fiddling around with the projectors and reels in this world, Nagara and Rajdhani figure out how to edit the reels and splice and layer them together to create a “director’s cut”. This is the latest and best hope of returning to the world: building it from the myriad parts at their disposal, along with Nagara’s ability.

They only have one, no, two…actually three problems: the three other factions. There’s Hoshi and the StuCo; Aki-sensei and Asakaze, and then Ace and his group of no-longer-it-people. Hoshi, who again has heard the future will be and that it doesn’t involve going home, has instead built an “ark” that will protect his faction from the coming “storm”.

Here’s when things get a little nutty, in the episode’s version of a “battle scene”, as Aki-sensei and Asakaze battle Nagara and Rajdhani’s adventurous director’s cut, all the while traveling aboard Hoshi’s cubic ark. The visuals become downright kooky as groups of people simultaneously stand around statically and fly through wildly undulating landscapes and psychedelic patterns.

By the time reality “settles” back into the world and the school they know, it soon becomes clear that it’s not actually their world; or at least not anymore. Time has gone on and their class is graduating, but there are changes, chief among them that Nozomi died. While other students observe their alternate future selves, no one can see or hear Nozomi, and she phases right through people. It’s a nightmare.

Dr. Strangelove eventually confronts Nagara (while standing, oddly enough), telling him he didn’t create any worlds, but only observed them, thereby opening a “box of possibilities.” The alternate world where Nozomi is dead exists because the Nozomi who lives is on the island, along with Nagara and Mizuho and everyone else. They have been sequestered, and judging from Yamada’s fate, that sequestration is meant to be permanent.

They are unneeded copies, not chosen to continue in the world they used to inhabit. This is just the luck of the draw, mind you; just like being born with natural talent or into money. They got the short end of the stick…or did they? The world they caught a glimpse of didn’t seem “all that great”, to borrow Nagara’s words when questioning Hoshi’s ability to read the future.

It’s certainly not a world Nozomi liked, considering she was dead, but it also might explain why she and no one else can see a light up in the sky; it’s the same light her other self must’ve already stepped into when she passed away.

While others may contemplate whether their lives are better or worse—Nozomi now knows that this life here is all she has. Then again, it’s all any of her classmates have too. They may have split into multiple facets, but they’re still on the same island, in the same boat, with identical status of not being chosen.

If that sounds like a huge bummer, I’m still not convinced it is, especially when I think of the friendships Nagara has forged and the exciting adventures exploring new realms with them. If there’s a set limit to how far they can travel before bouncing off the boundaries of the island, well…how is that any different than the bounds that, with vanishingly few exceptions, keep us fundamentally tethered to our world?

Fruits Basket – 63 (Fin) – A New Banquet

Tooru and Kyou go to a petting zoo for their first official date—a bit on the nose, but also adorable! Also adorable? Uo and Hana tag along as chaperones and mess with Kyou the whole time. But at the end of the day, both of them admit they like him and give him their blessing with their beloved Tooru, who is both friend and family to them.

Yuki makes clear to Kakeru that Machi knows he’s going off to college somewhat far away, and Kakeru is proud the two of them are now “full-fledged adults.” After graduation, Tooru and Kyou clean out their rooms in Shigure’s house, and Tooru admits to treasuring all the fun and happy days she had with everyone like jewels, and is sad they’re at an end.

Kyou hugs her and assures her that everyone loves her more than she thinks, and she’ll see them all again. The old Zodiac banquet is over, but now a new one can begin: one in which the members’ bonds were chosen, not forced. Yuki gives Machi the key to his new place and says she can visit any time. Kagura and Ritsu share a moment as the only two members who are still single.

Did I say only? There’s also Momiji, who lose the Tooru sweepstakes but not for lack for trying. As he hangs with Haru and Rin, he vows to find an even more magnificent significant other with whom he’ll show off next time he sees Tooru and Kyou.

Uo and Kureno make plans to see each other. Hatori and Mayu make plans to go on vacation together. Akito is out in the world with Shigure wearing modern women’s clothing. Everyone gets their curtain call, and everyone gets either a happy or hopeful ending.

That leaves us with Tooru and Yuki, who were originally set up as a potential couple back in the beginning. All this time, Yuki hasn’t been able to properly express his feelings for her or thank her, but here and now he finally can, and does.

He loves Tooru, but as a mother figure; someone who raised him into the confident and capable man he now clearly is. He also assures her, as Kyou did, that everyone loves her. Tooru may never feel like she deserves that love, but she does, so she’d better darn well get used to it!

Fast forward several decades, and we see Tooru now have both children and grandchildren, all of whom resemble and seem to take after them. The old couple are given some space by their family to be lovey-dovey together among the hydrangeas. Don’t think I didn’t get some tearful Up vibes from that!

Now, we’ve finally come to the end of Fruits Basket, consistently one of the most beautiful and heartwarming series I’ve ever encountered. It certainly had its dark times, but those were countered by brighter times bursting with love, understanding, and growth, none brighter than these closing episodes where nearly everyone has found their soul mate and are happy as clams—but in no danger of transforming into clams!