The snowy world where the combination of Kakeru’s mom playing the piano and the way the light passes through the glass vase isn’t the future, nor the past, but an entirely different world altogether; one in which Touko, not Kakeru, is new to the town and thus the odd one out as the fireworks near.
I must confess, I’m still not sure exactly what’s going on, but it has a nice dreamy “off-ness” to it, with Touko acting as if everything is perfectly normal, right up until it isn’t, at the Fireworks. There she’s aware that things are different; that she’s alone in this world. How and why are anyone’s guess. College professors will be talking about this episode for some time to come (no they won’t).
My intermittent confusion aside, I simply enjoyed the weird, alternate universe ride, with everyone pretty much acting the way they do in the world we’re familiar with—including the pairings of Yuki/Yana and Hiro/Sachi—and only Kakeru and Touko’s relationships swapped with the seasons, but both they and their families remain drawn together by fate.
At one point before Kakeru told her it was all in her head, I entertained the possibility this alternate world was just as real and legitimate as the “normal” one, and that perhaps circumstances had fully unlocked Touka ‘s “ability”, to the point she could travel between different realities at will (or by accident).
Even if that’s not the case, this was quite a leap in prominence for what started out as a very modest supernatural element. We’ll see if it can be satisfactorily resolved in the finale. One thing’s for sure, the music was particularly powerful this week in establishing a very dreamlike, melancholy atmosphere. Will Glasslip take the rare step of ending unhappily?
Going into the treasure hunt, we predicted Renge would be forced to choose a side, as her new friends Kate and Roboko were being targeted by her superior White Egret, disguised as Madame M. The hunt is just a means to and end: exposing and capturing Zvezda members, but Kate and Natasha take over and make it a real thing. This could mean that part of Kate’s power is making her own whims, wishes, and beliefs come true through manipulation of time and space, a talent akin to Suzumiya Haruhi’s.
While Renge is a member of White Light to better herself and fight evil, Mikisugi seems to take pleasure in looking down on people; she teases Kate and arrogantly tries to shoo off Renge by phone, only to be talked down to herself by her superiors. A box of men is released on the school when Kate activates a trans-dimensional portal in the pool, and White Light’s operation is cancelled. And even though Asuta often questions the validity of his fellow Zvezdans’ wild theories about history and mythology (the voice of reason keeping the show honest), even he can’t deny the fantastic stuff that goes on this week.
Kate drags him into that dimension, then wanders off, and next time he sees her, she’s a towering shadow monster demanding he let her conquer him. He chases her back into the regular world, where he happens to have his Dva mask on when he bumps into Renge. Kate unleashes a massive attack that appears to disperse all parties involved, but the flurry of dark seals stops before it reaches Asuta and Renge. Everything returns to normal abnormalcy, and the item conquered this week by Zvezda could be Asuta’s skepticism.
It could also mark the conquest of the last remnants uneasiness with his new life with Zvezda. The school, his last sanctuary of normalcy, was invaded by Zvezda, White Light, and the Tokyo Special Forces, but he’s not that upset about it. What makes him upset is the final twist we never saw coming: those Special Forces are under the direct command of Tokyo’s governor, who just happens to be Asuta’s estranged father. That means he knows about UDO and Zvezda; it could also mean he knows where his son is and what his son is up to. That is, if people in this show weren’t so easily fooled by masks.
Rating: 8 (Great)
- Gorou can do Morse Code by foot…but not well.
- Asuta really doesn’t want to do the “Treasure Dance”, but Renge, Natasha and Roboko goad him into it with incessant chanting. Renge smiling when she knew she’d won was a nice little detail.
- Kate doesn’t remember anything about the evening after she and Asuta jumped into the pool, which means Asuta was the only person who remembers that bizarre stone version of the school sitting in the desert.
While meeting with the “novelist”, Shinjurou somehow passes into an alternate world where there’s been no war, but he’s a cameraman on the set of a war movie. He acts naturally in this sudden new role, but has a persistent urge that there’s a mystery there to be solved. Indeed, when the hostile film director is found murdered, he determines himself the prime suspect. But there’s a strong possibility he’s being toyed with, as Inga and Kazamori aren’t able to get to him back at the prison.
This Un-Go is a mystery within a mystery, as Shinjurou attempts to solve a mystery on a movie set while an overarching mystery festers throughout: where is he, and what the heck is going on? A lot of the details and dialogue suggest a dream sequence. The novelist and his funkily-dressed girl companion behind him to whom we haven’t been introduced yet; they’re definitely behind this, but how far does it go?
If this novelist can do what he claims he can do, probably quite far. Shinjurou, Rie, Kazamori, and the others merely literary concoctions of this dude made flesh; puppets with which he weaves mysteries for them to solve? Has he authored all the mysteries we’ve seen so far? Have we been inside his little world all along? Is his presence in the prison cell simply another artifice, and the prisoner merely his avatar in that plane of reality? We’ve gotten a fair share of hints, but that doesn’t mean we’ve figured out exactly what’s going on.