Mieruko-chan – 12 (Fin) – Best Butt Bun Buds Forever

The fox spirits’ initial attack doesn’t completely destroy Zen’s mother-ghoul, but their second attack does, and they mutter something in their bizarre language before skedaddling. Naturally Zen can’t see any of it. Hana and Yulia stop by just as the tormented cat demons all turn white and pass on. Whether this was due to his mom-ghoul being gone or Hana’s aura, Zen is no longer burdened by any spirits.

Once he recovers, Zen-sensei stops by Miko’s to pick up Mocha, the kitten he found that they were fostering. He dwells on the words Miko said about setting him free, and he takes it to mean he should be more honest with people. This leads to him flatly telling his neighbor he doesn’t want any leftover stew. Turns out she was putting something in it. That’s not cool…and it’s a good thing he didn’t eat any of it! He’s moving anyway, to a place that allows pets.

After the big Zen-sensei mom-ghoul dust-up, things pretty much return to normal. Hana is still constantly eating, but isn’t desperately hungry like she was before. She and Miko go out to watch the sequel to the Totoro analog while urging Yulia to watch the first; the fortune teller receives a picture of Miko and Hana at the shrine in the mail; Zen-sensei captures the animal abuser, and Arai-sensei has her baby.

Miko decides she should offer her gratitude to the fox spirits, so she visits their creepy shrine, this time going alone (and thus without Hana’s apparently built-in divine protection). She offers one stick of sweet dango and then several and then a mess of coins, but the fox spirits and their big, big brother only seem to get more and more angry with her. Things look very bad indeed until Miko wakes up in her bed. It was only a nightmare…and perhaps a message to her: just don’t go back there!

Miko continues to see ghosts, ghouls and monsters pretty much everywhere, every day, but it has become easier to ignore them…practice makes perfect! But one thing she’s learned is that when it seems like it’s in her power to help her friends or others, she should face those monsters head-on. Maybe she’s out of fox spirit bailouts, but as long as she has Hana and now Yulia by her side and a scrumptious butt bun in her hands, life is good.

Mieruko-chan – 11 – Meowruko-chan

While last week seemingly confirmed that Toono Zen was a Bad Dude who was behind the local cat abuse, all the episode really did was confirm that he’s an odd, lonely young man; it didn’t explicitly show him actually doing anything. Now we learn that both we and Miko judged him too quickly.

First we flash back to Zen’s childhood, which was strictly controlled by his mother, who wouldn’t let him for relationships with anyone or anything other than her without accusing him of “betraying her like his father,” and punished him by squeezing his head if he kept secrets from her.

Fast-forward to the present, when Miko has decided she can no longer stand by and do nothing while Hana is basically starved by the spirits surrounding Zen-sensei. She carefully follows Zen down mostly empty and isolated streets, until he comes across a mangy stray kitten in a tunnel.

Miko had planned to call the police and catch Zen red-handed abusing a cat, but couldn’t let the act actually happen, and cries out when it looks like he’s about to crush the little kitty’s head…which we already saw was a similar gesture her mother performed on him many times.

Zen asks Miko if she followed him and what she’s doing, and the huge ghoul seemingly protecting him pops out and threatens her. Miko runs with the kitten in hand, but trips and falls, though the kitten is unharmed. Startled, it jumps out of her hands and runs right into the street.

Right on cue, Car-kun races down that street at breakneck speed, threatening to flatten the poor kitty. But then Zen leaps out in front of the car to save the kitten, and suddenly Miko has no idea what is going on. Why would he want to save a cat…then kill it?

Turns out Zen wanted to do nothing of the sort. At the hospital, he tells Miko not to blame herself for what happened; he chose to leap in front of the car. He further explains that someone in his area—not him—has been abusing animals, and he was patrolling the area like usual.

Because of the odd way Miko had interacted with him when he answered the message about adopting another stray cat, as well as her odd demeanor at school, Zen assumed she might be the animal-abusing culprit, proving that both of these people simply needed more information before forming assumptions.

Miko gets more context on the hospital’s roof from Satoru, Zen’s friend since grade school, learning about his strict—nay, fucking psycho mother, who killed his pet cat when she found out about it, which…goddamn. Satoru, a vet, is the one Zen brings all the cats he finds so that he can secure new homes for them.

Lately, with the animal abuser, Zen has only found cats who are either already dead or close to it, which explains last week’s suspicious scene. As for why Satoru helps Zen, well…for the same reason Miko wants to help Hana: if your friend is in trouble, you do what you can to help them!

Now that Miko knows that the cat spirits are the result of Zen encountering the victims of the animal abuser, and the ghoul was once his horrible mother, she decides to help Zen out, for his sake, for Hana’s sake, and hell, for her own sake. She addresses Zen’s mother-ghoul directly, asking her to set him free, and she charges after her into the corridor.

I’m not sure if Miko intended for the fox spirits to arrive and destroy the mother-ghoul, but I’m not sure what else she expected, considering she put herself in harm’s way. It’s supposedly the third and final time they’ll help her, but at least it was for a good cause, and will end up helping both Hana and Zen. But who knows; maybe this is only the beginning of Miko taking a more active role in helping people with her ability.

Rating: 4/5 Stars

Mieruko-chan – 10 – One More Time

The show delivers one of its creepiest scenes yet without showing a single ghost or ghoul…just creepy-ass Toono Zen, cracking open the door of his pitch-black apartment surrounded by crows, accepting some leftovers from a kindly lady with some suspicious blood on his hand. He retreats back inside when talk turns to the recent maiming of cats in the neighborhood.

How such a guy was able to get a job subbing at a girl’s high school is beyond me, but a lot of the class finds him hot. Naturally, this doesn’t include Miko, who now has to constantly see those tortured cat ghouls writhe around Toono, who looks on the surface like he’s not aware of their presence, but at the same time could simply be hiding the fact he’s aware of them…just as Miko tries to do.

One side-effect of their new substitute teacher and his ghoulish kitty entourage started out as a joke, but is now starting to become worrying: Hana just can’t stop eating. She even inadvertently bails Miko out of a very sticky situation with Toono and the ghouls when they to to the nurse’s office. Yulia sees them go in, and immediately correctly diagnoses the problem: Hana’s aura is being drained by the spirits surrounding Toono.

That Yulia knows this could prove crucial to Miko and Hana in the days ahead, but there are two problems: Hana has no idea what Yulia is talking about, Miko does know but is still apprehensive about talking about it, and Yulia thinks Miko is out to get her. To Miko’s point, ghouls can pop up anywhere at anytime; there’s no safe time or place to talk about them, as evidenced in a “peaceful” park where one cute kid transforms into a ghoul and has to be destroyed by Miko’s guardian spirits.

But that marks the second of three times they’ve helped Miko; the third time will be their last, adding one more lump in her throat. The episode is bookended by two students accidentally interrupting their teacher Toono’s seemingly nightly cat-hunting mission. Here I thought the show was going to try to humanize him a bit at some point, but nope, looks like he’s pure evil.

The forces of evil seem to be amassing around Miko, Hana, and Yulia. With only one guardian intervention left to count on, it may be time for Miko to drop her guard and converse with Yulia about ways to protect themselves from the coming scourge…and prevent Hana from gorging herself.

Mieruko-chan – 08 – Let Sleeping Moths Lie

While shopping with Kyousuke for a birthday gift for their mom, Miko comes across a very cute dress and decides to try it on, since she and her mom are pretty much the same size. Unfortunately, a ghoulish store rep who says “It looks great on you!” kinda ruins the mood…not to mention Miko wears the dress out of the store, basically nixing it as a gift for mom.

While she and Kyousuke find another gift, the trip home is less than stress-free, thanks to a spectral axe murderer walking down the subway car, swinging its axe right into peoples’ heads. Miko has every right to be scared about what the axe might do to someone like her who can see them.

Thankfully, the axe only hurts other ghouls, and goes right through her head without incident. We don’t see Miko and Kyousuke giving their mom the gift of couple mugs. Rather, we watch as their mom makes two cups of tea with them: one for her, and one for her dearly departed husband.

The balance between creepy/gross/spooky/sinister ghosts and benevolent ones continues when Miko and Hana see off their pregnant homeroom teacher, learning that the child she’s carrying is her second try. This explains the odd white specter that’s so interested in the teacher’s belly: it’s the ghost of her dead child.

This was one of the best and most powerful segments of Mieruko-chan to date, because it once again subverts expectations. At first I thought the ghost was a threat like Miko did. But when we see how it interacts with his mother’s hand, it’s as if we and Miko can see the healing love emanate from her. I was well and truly choked up.

Contrast that with just regular choking due to one of the grosser ghouls Miko has come across. With a dozen slithery three-nostriled tusks leaking snot and some unsettling googly eyes, this particular specimen is not the first ghost Miko decides to face “head-on”. Perhaps she’ll face a less gross one later. For now, Miko joins Senpai’s Futaba as a Fall 2021 character who is partial to canned oshiruko.

The final segment brings back two very different cat people. First, Miko and Hana’s substitute homeroom teacher is Toono Zen, the guy Miko wouldn’t let adopt the stray kitten. Between those nasty demonic cats surrounding him and his blood red eyes, I wonder if he has “the sight” like Miko and Yulia, and knows that Miko can see too?

Whatever his deal, homeroom is not going to be pleasant for Miko for the foreseeable future. As for the tough yakuza-looking guy, he takes his time finding just the right cat food and cake to celebrate his late wife’s life, their anniversary, and the lives of their two beautiful white cats, who continue to watch over his new fuzzy companion as benevolent spirits. Mieruko-chan continues to spook me out and melt my heart.

Rating: 4/5 Stars

Sonny Boy – 11 – Excelsior

I would have been content with episode 8 being Peak Sonny Boy, but I knew it probably had at least one more ten or Lister in it. So we come to the Achingly sad, joyful, empty, bursting, whimsical, utilitarian, lonely, warm, humdrum and epic episode yet. It begins with two humans, a dog, and three cats celebrating the life of Nozomi—the episode confirming what I’d feared without using words (though the explicit words come later).

After preparing the funeral venue with the kind of mirth Nozomi would have totally gotten down with, the sun eventually goes down, no one comes to mourn her, and Mizuho and Nagara set her shrine into the sea to be carried away to parts unknown. Mizuho starts to cry, but Nagara is both too awkward to comfort her and a steady emotional rock sitting beside her.

When live takes away a Nozomi in This World, it gives you a Rajdhani, and while I missed Nozomi more than I thought I could miss a fictional character, it’s to Sonny Boys credit that it softens the blow by bringing back the smartest and one of the kindest and most empathetic characters in the show. He’s been on his own for over 2,000 years, but he’s still Rajdhani. You could say he’s mellowed out a bit.

Mizuho, Nagara, Rajdhani embark upon the most ambitious project to date: Project Robinson, an Apollo-like program with just the three of them, Yamabiko and Nyamazon as the people involved (meanwhile Apollo involved 400,000 people, or more than the population of Iceland). Robinson is Mizuho and Nagara’s ticket out of This World and back to their own, where they figure about two years have passed, but they’re ready to go home anyway…because it’s home.

As work progresses on the Vehicle Assembly Building (an exact copy of the one in Florida), Rajdhani regales both Mizuho and Nagara with some of his more memorable travels to far-flung worlds. In one, a guy refused to accept reality and became trapped in a world of his own embellishment, starting with the depiction of the one he loved.

In another, the entire population of students ate neither plants nor animals but simply fasted—something you can do when you can’t starve—until challenged by a meat-eating devil. And then there was an inventor who invented “death”—or at least as close to death in the world they came from as you can get in This World—which is pretty similar.

The inventor who invented “death” had become “Buddha-like” in Rajdhani’s words, a “well-adjusted person” who was content with what was in front of him. And yet, that was the literal end of his life, for even the most complacent or enlightened humans still age and die.

This World is inhumanly, inhumanely static, which means there comes a point when existence…well, isn’t necessarily a curse, but simply doesn’t matter. Rajdhani admits that he feels like he’s being drained away by time. He calls life “an endless exercise in vain effort”, yet it’s that very meaninglessness that makes every moment in life so precious and brilliant, because each one of those moments is the only one that was, is, or will ever be.

That brings us to a flashback on the beach with Nagara and Nozomi, before her ill-fated trip to War. He’s showing her an earlier version of Project Robinson, which he’d been working on in Rajdhani’s absence. Nozomi ponders the ramifications of suddenly returning home after two years, how they may be different people than who they were, and how she may even be dead.

But one thing Nozomi the Compass knows for sure: the first thing she’ll do when she’s back in their “original” world (that doesn’t involve eating something) will be to seek Nagara out and re-befriend him without delay. It’s after remembering this moment with Nozomi, who promised they’d be friends in any world, that Nagara finally breaks down. And even after over 2,000 years of absorbing knowledge and wisdom, Rajdhani still can’t do anything but sit next to him…and that’s okay.

The completed heart of Project Robinson is revealed as the Saturn V rocket that propelled human beings to the moon, something that remains such a staggeringly awesome achievement, especially considering how long ago it happened. The Saturn V is perhaps the most awesome thing humanity has ever built, and it worked…more than once, is something of a miracle.

And while there were certainly political considerations to be made—the Soviets beat the U.S. to space, so apparently the U.S. had to beat them to the moon—so much labor was put into a mission of pure peaceful exploration and discovery. That the fruit of all that labor brought science closer to the cusp of the unknowable and infinite that our simple carbon-based bi-pedal species had ever come before or since.

It was a simply glorious achievement that makes me misty eyed just thinking about it…so it’s especially fun to see three high schoolers pull if off with a dog and three cats. The Robinson rocket is a 363-foot-tall metaphor for spreading one’s tender, untested new wings and leaving the nest, which is what Mizuho does by leaving her three cats behind. They can’t come back with her to where she belongs, but that’s okay. They did their job. She’ll be okay on her own.

Well, not entirely on her own; she has Nagara. And for an episode in which he mourned the loss of his first friend Nozomi, he smiled and laughed more in this episode than any previous ones. He wouldn’t be the person he is without Nozomi, which is why on the spaceflight up into the infinite, near the boundary between This World and That, he still has a compass watch with arrows that never move, representing Nozomi’s inspiring, indomitable will.

We don’t know what awaits Nagara and Mizuho on the other side any more than they do, but that’s entirely okay. I haven’t had the slightest idea what Sonny Boy will throw our way from one week to the next; I highly doubt it will try for predictable, obvious, or boring in its (assumed) finale next week.

As Rajdhani said, Nothing matters in This World…but once in a while, cool things do happen. Sonny Boy shows us that experiencing those cool things alongside people you love can make what shouldn’t matter…matter.

RABUJOI WORLD HERITAGE LIST

Sonny Boy – 10 – The Girl Who Knew Too Much

This week’s Sonny Boy experience comes from the POV of Tsubasa, AKA Sarah Plain and Tall With Broken Arm. We learn her power is “Monologue”—the ability to hear everyone’s inner voices. In order to not be ostracized, she’s kept the power a secret from everyone. She listens, but she doesn’t act in a way that would arouse suspicion.

Tsubasa likes Asakaze. She knows he’s kind of an ill-natured prick, but it doesn’t matter; she still likes him. But as she can read minds, she knows it’s unrequited; she also knows Asakaze likes Nozomi. He doesn’t like how close Nozomi is with Nagara. All the while, he’s unconsciously closer to Tsubasa than anyone; only she can hear his inner voice.

Tsubasa can’t help but like Asakaze, but while you’d think she’d try to use her power to try to make him feel the same way, all she does is quietly admire him from a distance. She hears all his thoughts about Nozomi, all the while dreaming of the day all his other romantic options will be exhausted and he’ll “land at her feet.” But between Nozomi (who doesn’t return his feelings) and Aki-sense (who is only wielding Asakaze like a tool), there’s too much competition.

Tsubasa and Nozomi end up accompanying Asakaze and Aki-sensei on the “grand task” he wishes to complete: defeating “War” before he can cause undue destruction. Tsubasa can’t fault Asakaze for liking Nozomi, because she knows that Inner Nozomi is just as wholesome and noble and honest as Outer Nozomi. Everyone practices some degree of deceit…except Nozomi. On the treacherous hike in “War’s” strange ceramic world, it’s Nozomi who comes to Tsubasa’s aid when she twists her ankle.

When they encounter “War” while falling down an endless gorge with a blood red bottom they never reach, he’s a student constantly falling and buffeted by the wind like the Maxell guy. Tsubasa can’t hear his thoughts; the guy is totally empty. Kinda like warD’YOU GET IT?!?!! Ahem…anyway, Aki-sensei (and apparently God AKA Dr. Strangelove) wants Asakaze to eliminate “War” from this world by creating “Death”, leading Nozomi to take him to task for trying to play God.

This causes Aki-sensei to retreat with Asakaze somewhere where she can bury him in her bust and keep him under her thumb. But as Tsubasa always knew since the drifting began, the only person who could truly change Asakaze was Nozomi. Nozomi won’t pretend to pander to him. Asakaze can probably sense that there’s never any deceit with her.

So when Nozomi says “Even if I’m dead, I can accept my own fate,” she means it. Maybe that’s why, after he turns “War” into a gun and the red into white, when the cliff crumbles and she falls, Asakaze doesn’t use his power to save her. Or maybe he can’t.

Meanwhile, Nagara picks up the mantle of island researcher from the long-departed Rajdhani, and continues to experiment with Mizuho’s powers. When he orders a chicken with Nyamazon and then kills it, it stays dead. When Mizuho orders one and he kills it…it comes back. Between having three wise talking cats protecting her and the potential power over life and death, I’m starting to wonder if Mizuho is the true God around these surreal parts.

Rating: 4/5 Stars

Sonny Boy – 09 – 3 Cats and a Kotatsu

I’m still thinking about Episode 8, so I knew it would be hard to top it…for anything to top it anytime soon. Episode 9 doesn’t come close…but it does begin with the three Nyamazon cats shooting the shit like three wise old farts under a kotatsu. It’s just the latest reminder that predicting what Sonny Boy will throw at you from one week to the next is like trying to predict every move in a chess game when you’re not in the same room.

The cats, famous lovers of warmth, are under the kotatsu because outside the kotatsu is a frozen, snowy world. Nozomi, Nagara, Yamabiko, and their human Mizuho have traveled there to try to settle a thousands-of-years-old battle between two twins over who has the most hairs on their head (one claims to have one more). But it’s also a look back at Mizuho, and how the white cat Sakura believes she can’t survive without the three of them.

Honestly, the twin story is a bit dull, but it at least ties into the concept of duplication, which we learn is to be Mizuho’s true power. Everything the cats deliver to Mizuho and the others is a copy of products from the original world they came from. While Mizuho’s inner circle certainly wouldn’t hold it against her, the cats, who have been with Mizuho since she was a kid and still believe her to be one, are determined to keep it under wraps.

It’s Yamabiko who approaches Sakura with his suspicion that everything the cats deliver is copies. Sakura then admits that Rajdhani had previously figured out that Mizuho had copied everyone from the world, and now they’re drifting as copies of the people they once were, both the same and different, like the twins. Mind you, this dawned on Rajdhani when two copies of a tick dating Game Boy game(!) arrived, even though he knows there was only ever one in existence.

Yet Rajdhani didn’t tell a soul, proving to the cats he had “a fine character, for being so hairless”. Two copies were made of Sou Seiji, like someone accidentally ordering two of something on Amazon by clicking twice.

Sakura is caught in a bear trap to be a sacrifice of one of the twins, but Mizuho and Yamabiko save her. When armed with a gold ray gun by the shit-stirrer Aki-sensei, the other twin ends up with another ray gun, resulting in a duel that ends with only one twin standing, only for that surviving twin to take his own life.

Mixed in with this is how Asakaze seems to be making a habit of lashing out at Nozomi for not liking him romantically, leading to her spending the night outside sulking. One of the cats keeps her company all night, and in the blood red morning Nagara joins them, thanking her for “showing him the light”, leading him to change.

In a world full of copies and sheep, Nozomi, Nagara, Mizuho and Yamabiko (not to mention Rajdhani) stand out as one-of-a-kind souls who all thank the likes of Aki-sensei or Asakaze to let them pick their own places.

Rating: 4/5 Stars

Sonny Boy – 03 – The Detective Is Already Snarky

Nozomi, Nagara, and Asakaze have turned out to be a pretty good survey team, with Nozomi locating new worlds with her Compass, Nagara being able to access them, and Asakaze bailing them out with his powers of flight.

When we check in they’ve already found thirteen new worlds, and Rajdhani is soaking up the data like a sponge at his beachfront laboratory. Their survey work is interrupted by an unsettling trend of students starting to freeze in place and turn pitch black, like voids in human form.

Since she’s the one with the most time on her hands owing to the immense wealth her power provides, Mizuho is put on the case, and she chooses Nagara as her Watson, partly to share what sounds like a hassle of a case, but also because Nagara…was nice to her previously, and she enjoys his company.

That said, she still initially treats him as a rank servant, making it clear that this isn’t a collaboration of equals. That said, she still orders a gaudy couch big enough for both of them, and even gets Nagara the same fast food order she got. When it comes to sharing the wealth, she’s fine sharing it with Nagara.

The uniting quality of the two students (who later become three, then four) who fell victim to the freezing phenomenon is that they kept to themselves, hardly anyone noticed them when they were around, and no one noticed when they suddenly vanished.

While Nagara is busy with Mizuho, Nozomi and Asakaze fail to find any new worlds. Despite this, Asakaze drops in specifically to tell Nagara that he’s not needed and that Nozomi doesn’t care if he doesn’t come back. Nagara brushes this off, and that ineffectual passivity irks Mizuko.

Eventually, Mizuho and Nagara break the case wide open when, no doubt due to Nagara’s unspoken power even he may not even be aware he has, they discover a portal to the space where the four students ended up.

They walk through a honeycomb of blackout curtain walls separating the four spaces of the students, all of whom are content to stay right where they are and keep doing what they’re doing indefinitely. It becomes evident that while they may be content, this wasn’t originally their doing, but another rule of the world, separating those no one else wants around or cares about.

After Nagara and Mizuho’s nightly debriefing with Cap and Pony, a minor disagreement causes simmering underlying resentment to boil over for both of them. Mizuho points how how watching Nozomi follow him around like a puppy grosses her out; Nagara accuses Mizuho of lying to show off and being “ill-natured” because she’s just another recluse; Mizuho tells Nagara to die and storms off.

It’s a testament to how much these two have come to know each other that they each know the precise buttons to press to sting hardest.

But because the two really do care what the other thinks of them despite words to the contrary, both of them feel bad about the spat. Fortunately, back at Rajdhani’s lab, Nozomi offers a clue Nagara hadn’t considered, and he texts an apology to Mizuho, along with a promise to be waiting by the blackout curtains tomorrow.

Armed with Rajdhani’s bizarre, whimsical instruments, the two get down to business lifting the blackout curtains and freeing the students. This is Sonny Boy at its most Eizouken, particularly with the fantastical machinery and Yuuki Aoi lending Mizuho such a wonderfully husky, distinctive voice.

With the case solved and the afflicted students retrieved, Nagara and Mizuho make up with a handshake; what was said when heads were less cool and frustration was mounting is water under the bridge.

As much if not more than their surreal surroundings, what I enjoyed most about this episode was just reveling in this nascent friendship between two people who don’t normally do so well around others doing just fine around one another. I daresay I wouldn’t even mind a whole cour of these two solving cases together.

On the periphery were some interesting inroads into the larget questions about this place, with Hoshi admitting a voice told him this would all happen, and Nozomi being the first to suggest that while she can spot new worlds, Nagara alone has the power to create portals between them.

Sonny Boy – 02 – Kindle Blue Fire

While technically a beach episode, there’s not a ball or a bikini to be found. There are crabs—you gotta love crab—as well as a makeshift open-air classroom with rows of desks and a chalkboard, but otherwise the sand is just another flat surface for Nagara to lie on and wile away the hours.

When Nozomi catches a crab, it cuts her hand up pretty badly with its claw, but she soon heals; just another one of the rules of this “This World”, as the egghead Rajdhani calls it while explaining the situation.

While most of the class is in tents on the beach, Mizuho has, presumably through the three cat Amazon power called Nyamazaon, built a Disney princess castle full of stuff, but otherwise isn’t that different from Nagara in her fondness for straight chillin’.

Another girl steals makeup from Mizuho’s vast collection of things with impunity, but that and other items acquired from Nyamazon start to burst into blue flames, rumors spread that Mizuho is doing it intentionally.

Mizuho doesn’t help matters by stirring the shit on social media that the recent election was rigged in Michi’s (AKA Pony’s) favor—which is the truth; the extremely Kyuubey-like Hoshi helped rig it. Pony and Hoshi learn Mizuho is behind it and try to exact an apology, but Mizuho is stubbornly refuses.

When they confront her at the front gate, Hoshi uses his power of showing everyone potential futures to depict the entire island covered in blue flame; everything destroyed. On top of it all, Mizuho is exhausted and filthy from looking for one of her cats, who has gone missing.

While the rumor may have well gotten started since Mizuho is a natural target for envy and resentment among the other students due to her extremely cool power, Nagara still blames himself for blabbing about Mizuho knowing something about the flames, which got twisted into “Mizuho is responsible for the flames.”

But thanks to Rajdhani’s research and a retro Game Boy, it is determined that the blue flames appear every time someone receives something without a fair exchange. Among the things that burned-up, only Raj’s Game Boy was exchanged for some toys he made with his power, and only it escaped those flames. Therefore, it isn’t Mizuho’s doing, but the Rules of the World.

Among the students, most of whom end up in the “Punish Mizuho” camp/mob, only Nagara and Nozomi want to help her. They both know she’s not doing this, but also know that she hasn’t explicitly defended herself, which isn’t doing her any favors. Nagara also finds the missing cat, and unlike two previous instances of letting birds die, this time he takes care of the animal like the non-heartless person he is.

The two decides to go to her—nay, run to her, just as she’s literally making it rain fat stacks of cash, which soon burn up and set fire to the whole island. Mizuho, overcome with relief her kitty is safe, admits that she should have simply stated her innocence from the beginning. It’s an all-around wonderful performance by Mizuho’s seiyu Yuuki Aoi—which comes as no surprise as she’s one of the best in the business.

Nagara, Nozomi, and Mizuho oversee the ruined island—the realization of Hoshi’s vision—and concede the fact that they can’t live there any more. But then something happens: as the sun rises over the ocean, the island essentially resets itself to before everything burned up.

It’s as if the island, which set the rule of fair exchange, is forgiving all of the students for their stumblings as they learn of those rules and correct their misunderstandings. Mizuho comes down from her castle and apologizes, but only for making it rain flammable money…not the stuff she was accused of doing but didn’t really do.

Mizuho also stops by the beach where Nagara is lying to give him a token of her appreciation for finding her cat: a hat to keep his face out of the sun. When he asks if he needs to give her anything in return for it, she says with a gentle smile that it’s “her treat” before walking away.

This episode was significantly less weird and frightening than the first, but that tends to happen when you take the inscrutable black void out of the equation. What it was was another relatively straightforward exploration of how the court of public opinion can be wrong—in school or life—and it’s up to those who know it’s wrong to speak up. Nagara grew as a person in this episode, as did Mizuho, and they each gained a friend in the process.

Credit also goes to Rajdhani for not giving up on trying to make sense of the place, thus confirming the injustice being done to Mizuho, as well as Nozomi, for lending Nagara the encouragement to correct the injustice. Just as she’s the “Compass” who can see the ways out of these other worlds, she’s also a moral compass; a check against both rampant authority and rampant apathy.

Rating: 4/5 Stars

Kemono Jihen – 04 – The Iceboy Cometh

The next case with Kabane and now Kon on board involves Yoruno, a young man who has fallen in love with a woman who is actually a nekomata or cat youkai/kemono. In addition to learning the basic concept of love, Kabane also learns that Inugami’s former partner once ran the bar, and that it’s a somewhat sensitive subject. Inugami has Akira sit this one out, knowing he’ll have trouble with the dirty alleys and rodents.

Kabane and Shiki soon track down Mao-chan in her cat form, and learn she’s transformed other men into her cat servants. Kon ends up pouncing on Mao and neutralizing her, Mao ends up releasing the servants and starting a new life with Yoruno, and Kon leaves with Kabane’s head as payment from Inugami—or rather an orange given the appearance of Kabane’s head. Let it never be said Kon isn’t a good girl.

After Kabane rescues Akira from a roach in the bath, he decides to start serving as Kabane’s apprentice. Inugami doesn’t hesitate to give them a case with the potential to be far more disgusting than the first, but Akira is insistent. This leads to him suiting up in full hazmat gear for the trip into the sewers below Shibuya, though later downgrading to a chic mac and wellies.

There, where the original river is being broken up and diverted, various frog kemono have forgotten reason and become feral, monstrous man-eaters. A tanuki appears to lend a helping paw, but once dozens of the frogs appear, Kabane has his hands full while Akira is overwhelmed and freezes up…until he freezes OUT.

We learn officially that Akira is a yuki-otoko, the incredibly rare male version of the yuki-onna tribe who live in the snowy mountains of Aomori. We also learn Akira came to Inugami searching for his twin brother, who always told him to leave things to others because he’s so weak.

Akira is tired of being the weak one who only screams kya while the others do something, so with a sudden summoning of his powers of ice, he ends up taking out all of the rabid frog kemono at once. The tanuki turns out to be Inugami, who is thanked by the super-chill frog elder, while the social media-obsessed Akira celebrates his first great success with, what else, a selfie.

So far I’m digging the case(s)-of-the-week interspersed with downtime that shows us a wide variety of critters while also providing the opportunity to learn more about the cast, in this case Inugami and the always-adorable Akira. While not as battle-oriented as Jujutsu Kaisen or epic as Demon SlayerKemono Jihen is the cozier, comfier, more mellow of the three monster shows I’m watching. Its understated charm and likeable cast keeps me coming back.

Rating: 4/5 Stars

Great Pretender – 02 – Sins of the Father

When Abby cuts Makoto down from the HOLLYWOOD sign, he falls quite a ways and gets knocked out, which is the perfect opportunity to get into his backstory. “Edamame” the con man used to be clean as a whistle, you see. All he wanted to do was make his bedridden mom proud, but he was hired by a company that turned out to be perpetrating consumer fraud. He just thought they were selling a quality health tea product.

The fuzz raid the office and he’s arrested with everyone else. No one believes he was unaware that a crime was being committed, thanks to the ages-old adage “the apple doesn’t fall far from the tree”. Because his father was a convicted criminal, he’s suspected of simply following in ol’ dad’s footsteps. He goes away for eighteen months and his mom passes away. But since everyone in the world assumes the worst of him, the only thing to do is lean into the skid.

The newly conscious Makoto has a luxurious seaside lunch as Laurent explains that after spreading rumors of a hot new drug, Eddie Cassano wanted to meet the Japanese researcher who designed it. He hired the water filter lady he scammed as well as Kudou and his old crew to basically put Makoto through his con artist paces, and he passed with flying colors. He also knows Makoto’s past, and considers it an added bonus that beneath the hardened con man one is an innocent, pure-hearted mama’s boy.

That night, Laurent leaves Makoto at his swanky pad with Abby to keep an eye on him. Convinced that the plan will go south and they’ll all be killed, Makoto tries to sneak out, but Abby puts him in a bodylock. Despite this, Makoto is able to pick a bent gold medal from her pocket. She ultimately lets him go, believing him useless as long as he doesn’t want to be there, and warning him Cassano’s men will be watching both him and the airport.

Makoto ends up getting one over on both Abby and Laurent, as they assume they’ve lost him and have to start over at square one, only for Cassano to tell them Makoto’s already there and closed the deal for double the original price. It stung when Laurent said there were no good con artists in Japan, especially when he believes Hideyoshi Toyotomi, who rose from a peasant background to unify the country, to be the greatest con artist in history.

I’m still not a fan of the posterized photo-based backgrounds, but no one can accuse this show of not being colorful enough; that poppy pink-and-yellow lunch was pure Vice City. While neither Makoto’s past nor the trio’s present mission is nothing original, it still manages to be pleasantly diverting.

Sarazanmai – 02 – Let Slip the Cats of War

As a reward for defeating their first kappa zombie, Keppi bestows upon the boys a silver “Dish of Hope” they can use to wish for anything. Enta snatches it and accidentally wishes for a hatchback-sized cucumber roll, shattering the dish and leaving the three with no reward (unless they’re going to eat that roll…which is on the ground).

Kazuki is eager to earn another dish that he can use not to fulfill his own wish, but that of his little brother Haruka. We learn that he is the “Harukappa” to whom Kazuki is sending selfies of himself-as-Azuma Sara. Kazuki’s only wish is that Haruka is happy, and a dish can only help that cause.

Meanwhile, Kuji Toi is up to more criminal mischief on behalf of his older brother, while Enta receives a Kappazon package meant for Toi—containing a handgun of all things—strengthening Enta’s belief he’s Bad News

When Nyantaro, the fat, awesome neighborhood cat Haruka adores, sneaks into Toi’s weed-growing lab and steels a shipment hidden in cat treats, another ludicrous chase ensues. Kazuki (dressed as Sara again) stops Toi when he threatens Nyantaro with his metal ruler, and refuses to get out of his way or stop following him.

The chase leads them to a couples-only theme park, an employee of which dresses the two up in bee costumes and insists they hold hands the entire time they’re in the park. Kazuki and Toi hold hands and chase Nyantaro on ride after ride, but can’t manage to close the distance, since we’re talking about a neighborhood cat here: if he doesn’t want to be caught, it’s not happening.

We learn a little more about the two bishounen cops from the end of last week, who appear to do an elaborate song and dance of their own to extract desire and create a new cat-based kappa zombie boss.

It’s apparent these two and Keppi’s three young helpers are working at cross purposes, but the cops’ specific motivations, beyond their commitment to “wring out the desire”, remain mysterious.

Not soon after their “performance”, thousands of cats start to float up into the sky, including Nyantaro, and Enta and Keppi (disguised as his date) meet up with Kazuki and Toi to discuss the situation. Enta warns Kazuki to stay away from the kid he’s currently holding hands with, but in order to get his little brother’s favorite cat back, he needs Toi’s help.

Events from there follow a pattern now familiar after the first go-around last week (in what I like to call the Ikuhara Formula): Keppi turns the three lads into kappa, they attack the zombie boss (this time a giant cat), and when they determine its secret (he kidnapped cats and shaved them to give himself a coat of fur so his girlfriend would take him back! Of COURSE!!), they  break through and extract its shirikodama.

Once that’s done, the guys go through the titular sarazanmai, during which it’s revealed that Nyantaro was owned by another family before Kazuki stole it so Haruka could have a cat (even if it was only a neighborhood cat). He defends what he did because he did it for his brother’s sake; his happiness trumping all other considerations.

With the second boss defeated, the lads receive another silver dish of hope, and Kazuki and Toi immediately argue over it, with Toi even brandishing his gun. Since both have brothers they want to make happy, and Keppi informs them they’ll need five to grant a real wish, Toi cedes the dish to Kazuki, but he’s getting the next one.

That night, Kazuki finally completes his mission to take a Sara selfie with a cat (specifically the rescued Nyantaro), to Haruka’s delight. Exhausted from the day of activity, he passes out right there in the park, where he’s approached by none other than Enta…who promptly kisses him! Looks like he’s got a secret too—one that re-contextualizes why he was so concerned with Kazuki hanging around Toi.

The two cops also now realize somebody is out there working against them. It’s likely only a matter of time before the two opposing groups clash. In the meantime, on with the hope-dish collecting!

After two episodes, I now have a better grasp of the beats and rhythms of a show that definitely dances to the beat of its own drum. With less head-scratching to do I could concentrate better on all the little details that contribute to making Sarazanmai such a fun and exciting little show that’s unafraid to challenge contemporary “norms”of gender and sexuality.

Chio-chan no Tsuugakuro – 10 – Rumomoshpringa

This week, Momo asks a favor of Chio and Manana: to “assist” her in buying and consuming sweets. They’re a little confused at first, until they invite her to partake in their years-long tradition of sucking the nectar from flowers on their route. Turns out Momo is really into sweets, and gets really enthusiastic and hyper after eating them.

Chio and Manana decide not only to help Momo, but end up joining in the sugary bliss. I’ll point out that I’ve watched shows in which Momo’s behavior wouldn’t be so unusual (Shokugeki no Souma and Dagashi Kashi come to mind), so it’s refreshing to have someone yelling about how “Hokkaido is in her mouth” be regarded as the weirdo they are.

After all that sugar intake, Chio spots the wee ass-finger-poker and decides to follow her. The girl, named Chiharu, leads her right to Andou, who turns out to be her big brother. Chiharu is pissed that a girl from Samejima Academy made him give up the biker gang life, but she’s mistaken about a great many details.

Do Andou and Chio have…something between each other? Sure, but it’s not as if she’s a succubus who has Chiharu’s once-cool, now-lame brother in her thrall. And yet, when he tries to “scare” her into punching him the way she did before by copping a feel, both of them are embarrassed more than anything else.

Enter Manana, whom Chio informed the poking girl was in her sights, and has come for some revenge. She punches Andou out cold simply because he’s in the way of that revenge, but an unconscious Andou still manages to reflexively rise up and protect his little sister, who now pretty much believes Chio when she says she hasn’t made Andou her sex slave.

The final segment is presented without dialogue in a nice change of pace, and chronicles Andou’s attempts to befriend a cat. It highlights both Andou’s basic decency and humanity, as well as his continued interest in Chio.

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