Renai Boukun – 08

Yuzu and Guri mount a daring rescue of Akane (armed with cosplay and retro dramatic music), only to find she doesn’t want to be rescued… naturally. The story is very standard issue, and on paper sounds like dozens of such rescue episodes. What makes Renai Boukun’s take on it fresh and watchable (if not outstanding) is its commitment to inserting punchy, often self-referential comedy wherever it can.

As the subtitle above demonstrates, Renai Boukun will often go to the trouble of pointing out the cliches it’s using, because characters like Guri are themselves knowledgable students of anime like the one they’re in. Guri’s status as a cupid, with her “love detection” ability, easily cuts through the stoic masks both Akane and her mother are wearing.

Akane’s mom may not ever break her stern, Vulcan calm, but when Akane herself has her blade pressed to Seiji’s neck, and he tells her he’d never be able to hate her no matter what, her eye highlights come back, and then some: shimmer, tears; the lot!

Renai is also shameless in its portrayal of Akane and Yuzu’s moms as aged-up versions of their daughters: they loved the same man, bearing the girls who now both love Seiji. Akane’s mom left her dad when her family calling beckoned, but she has to deal with the fact her daughter might not go down that very same path.

The moms are also even more powerful than their daughters, and their unhinged battle on the roof of Akane’s house surprises Seiji, even though at this point he’s used to getting stabbed (but likes the pain from Akane’s stabbing more than Shikimi’s).

As expected, by the end of the episode everything is back to the way it was, relationship-wise, only now Akane has the implicit approval to “do as she likes”, which is to keep loving Seiji. Seiji also feels closer to her now that he knows the whole truth about Akane and Yuzu’s family.

Akua got to fight some goons in suits. Coraly got to scare Akua shitless. Shikimi got to stab Seiji a bunch. Everybody’s happy! Well, until the very end, when Guri sees how close Seiji and Akane have grown, and no doubt ponders what, if anything, she can do to get Seiji to look at her the way he looks at Akane.

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Renai Boukun – 07

After establishing its kooky cast, Love Tyrant has proceeded to explore more and more serious dramatic stuff with the trappings of a quirky comedy. Guri first attempts to test out Akane’s “heartache” theory about love by stabbing herself with one of Akane’s kukris.

But after her desire to go to the festival is rebuffed by Seiji, who already has plans with Akane, she goes off on her own and is approached by The Perfect Guy, who is kind, patient, and respects her interests—the opposite of Seiji, leading her to question whether Seiji’s even worth her time.

A lovely festival date with Mystery Guy leads to a romantic setting in which he leans in for the kiss, only to have his eyes shoved into his brain by Guri; a reflex, she says contritely. Nice Guy is nice, but isn’t Seiji, and kissing him feels wrong.

So when she happens to bump into Seiji, who came to festival as per her original wishes anyway, she kisses him, it feels right, and she proclaims that while Seiji may have his issues—not handsome, stubborn, quick to anger, boring, insensitive—but she doesn’t hate him after all.

It’s good to see Guri and the show point out Seiji’s flaws, but also demonstrate how love is more than an equation of pros and cons. As for Perfect Guy, he was under a spell from Maou as part of his larger plan to recruit Guri, which, sure, fine.

Someone else who loves Seiji deeply in spite of his flaws is Akane, but unlike the cupid Guri, she’s supposed to have no need for love. In fact, giving her heart to Seiji is a serious crime against her family, and her mother Suo soon has her captured and bound, and gives her an ultimatum: break up with Seiji, or else.

What ‘or else’ means, precisely, I don’t know, as Akane is technically immortal. As is Seiji, as demonstrated when a group of thugs try to kill him in broad daylight in the park. He’s rescued by his tough little sister Akua, who is then totally freaked out by Coraly, because who wouldn’t be?

(I for one actually have a soft spot for Coraly because my roommate’s cat looks just like him…without the human face of course.)

Shikimi arrives to tell Seiji and Akua what Suo has done with Akane.  In solitary confinement, Akane remembers not giving a hoot about anyone’s feelings and keeping her heart to herself, as her mother wanted. Until she met Seiji by chance in an alley, and for some reason when he says she’s kind, it resonates, and whether she liked it or not, she fell for him right then and there.

Though it definitely weighs down what had been a lightweight rom-com, I appreciate the show elaborating on Akane’s feelings and showing their origins and how she must choose between love and family. I also like Seiji (and Akua!) teaming up with Shikimi to rescue Akane (even though Shikimi is clearly up to something).

Meanwhile Guri and Yuzu don’t have much time together in the second half but they make the most of it, first with Yuzu’s takedown of the cat maid cafe Guri brought them to, then in planning a sleepover, then ditching that plan to join the fight to save Akane.

Kuromukuro – 20

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Now this is the kind of episode that fully delivers on the promise of Kuromukuro from the start. No more teasing: Yukina is finally stuck aboard an alien mothership, and while before we were only given bits of dialogue from the bigwigs sitting on their thrones on the bridge, here we get a grand tour of the massive vessel, with Yukina as our guide.

Lighting, sound, and visual design get top marks here, creating a suitably alien and oppressive but still wondrous atmosphere. Yukina also benefits, at least initially, from the ship (and its various automated crewmen) believing she’s Muetta. I say initially because it isn’t long before Mirasa finds Yukina and tries to kill her, laughing maniacally the whole time.

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A little less exciting, but still important, is Sophie’s continued chat with Zell, who reveals he’s third world that was conquered and dominated by the Efidolg. He doesn’t want what happened to his world (nothing good) to happen to Earth, and he’d also like some retribution along the way.

At the same time, Major Graham discovers the director’s “mutiny” and acts to restrain her, but as she says, she’s “already won”, because Ken is up in orbit, trying to save her daughter. All anyone down there can do, from Graham and Hiromi to Yukina’s sister, uncle, and friends…is wait.

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Yukina manages to find a hiding place where Mirasa can’t see her, then digs into the ship’s records to try to figure out a way off, to no avail. She also finds what looks either like a clone or artificial “Yukihime head,” disturbingly enough. I appreciate her determination to help herself out, sticking true to what she said to herself in the beginning of the episode: “I can’t have him protect me all the time.”

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When she finally finds some clothes and a weapon, she remembers the gruelling training she went through, and it serves her well, at least in terms of the stamina she no doubt developed, as well as her sword skills, which keep her alive against a Mirasa who may well be compromised from the stress of “Muetta” returning to announce her treachery.

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Little does Mirasa know, until the last possible moment, that Muetta arrived on the ship separately. She reports to her superiors, but can’t keep up the fiction that nothing’s amiss when the ship’s sensors detect Ken roaming the corridors looking for Yukina.

Muetta is immediately treated and attacked as a traitor, which is probably what she expected all along. I for one am glad she doesn’t try to turn Ken and/or Yukina over in exchange for essentially keeping her job and having her past mistakes forgiven. Then again, she’s never actually given the choice to betray Ken, because bringing him here in the first place is all the bigwigs need to condemn her.

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Eventually, Ken finds Yukina, steps in on her fight with Mirasa, and along with Muetta they hurry back to the hangar to make their getaway. Yukina allows herself to cry and embrace Kennosuke with relief and heartfelt gratitude, and her continued thanks makes Ken blush. Sure you were only “fulfilling a promise.” Right.

The Efidolg try to snatch both the Kuromukuro and Muetta’s glongur, but fail when the Ogre flies up into orbit to snatch them out of the enemy tractor beam, allowing them to return to earth. All’s well that ends well…except for the little matter of the Efidolg ship preparing to descend to the Earth’s surface. No rest for the weary…or recently-half-naked.

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Kuromukuro – 19

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Now that’s more like it. The last episode kinda dragged on, building to the surprise abduction of Yukina. But this episode takes full advantage of the severity of that cliffhanger: the Kuromukuro is grounded, Earth is more vulnerable than ever, and everyone is on edge, but powerless to do anything in the immediate present. After all, Yukina is in space.

Their only consolation, and hope, as it happens, is the fact they retrieved the wounded Muetta, whom Dr. Hausen determines has identical DNA to Yukina and Hiromi. They’re definitely related, though Muetta is very old.

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Hiromi is in full-on Mom Panic Mode, Sophie is given mandatory leave by the commander, and Ken is disgraced by how useless he feels. Sophie doesn’t have any sympathy for him moping in the canteen, but that’s for the best, as shortly after she’s alone, she’s contacted by the Ogre, who promises an encounter soon.

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Dr. Hausen is the only one truly happy this week, as he gets to study an Efidolg—or, at least, a human who’s had their memories altered and their body populated by advanced nanomachines. He determines that Ken’s blood is the best way to counteract the effect of Mirasa’s weapon, and after a quick transfusion, Muetta is awake and as feisty and combative as ever.

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The Ogre rudely invades Sophie’s apartment, but properly apologizes, and explains that she was the only person he felt safe contacting. His comment about cosplay culture making it easier to move around modern Japan was pretty amusing, but the fact he’s finally here, with Sophie, ready and willing to explain all (or at least some) is very exciting.

He, or I should say, Zell, is absolutely an enemy of the Efidolg, but not yet an ally of the earthlings. Here’s hoping that will change, becaue the earthlings need all the help they can get.

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Ken knows he can’t do squat about Yukina without the Kuromukuro, and so breaks into Muetta’s cell to try to bargain with her. She agrees to co-pilot it with him, with the story that she stole it and captured him. It’s really the only play they have, and it gets them both what they want: Muetta, freedom from this place, and Ken, a chance to save Yukina.

What I’m glad about is that Ken needs help, and lots of it. He may be a samurai, but he can’t whisk Yukihime out of a high-security international installation on his own. The other civilian lab employees clear a path for them, ending with Hiromi herself giving Ken her blessing (and making him swear he’ll bring her Yukina back).

This is because Hiromi’s superiors told her to give up on Yukina. They proposed using Muetta to pilot Kuromukuro, with Dr. Hausen minutes from administering some dread medication that would likely not give her a choice in the matter.

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Don’t get me wrong: I’m not about to place Yukihime in the “Good Guys” column just yet, but I’ll pencil her in for now. The bottom line is she had few choices to get back to where she belonged other than going along with Ken’s plan, and once they’re up in orbit, Ken is at the mercy of her “people.”

But what makes be believe Yukihime might not bretray him immediately is the recording of…herself she sees once they fire up the Kuromukuro, which she’s amazed powers up so quickly even though it’s her first time. Only it isn’t: she recognizes herself in the recording. There’s an opening here, however small, for her to start entertaining the idea that Ken is right about her.

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That brings us to poor, poor Yukina. The only moment sadder than seeing her sister and mother despair at her abduction is seeing her look down on earth and call for Kennosuke…after asking for some clothes, of course. The Efidolg brought her there not as a hostage, but because they thought she was Muetta.

Mirasa quickly took it upon herself to try to finish what she started, but it seems Yukina was able to escape her stasis chamber in time. Despite her call for her samurai buddy, something tells me she ‘s not simply going to wander the ship, catching her death of cold, waiting for Ken to rescue her. She’s going to have to help herself out, and stay alive and free until help arrives.

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