Tokyo Revengers – 09 – Let’s Do This Shit!

The tender sweetness of the summer festival gives way to the vicious smashing of fists and feet into faces this week, as Tokyo Revengers hosts its first all-out, full-on brawl between Toman and the remnants of Moebius.

Takemichi tries to get to Draken before Peh-yan or Kiyomasa can kill him, but Peh-yan finds Draken first. After telling Emma to keep her distance (thakfully nothing happens to her here), Draken is ambushed by the tried-and-true cowardly tactic of sneaking up from behind with a baseball bat.

But by the time Takemichi and Mitsuya find a bloodied Draken, he’s not only still conscious and standing, but has already amassed a pile of fallen Moebius wannabe badasses.

Peh-yan has somehow managed to muster a full one hundred members of Moebius against just Draken, Mitsuya, and Takemichi, but the distinctive exhaust sound of Mikey’s motorcycle heralds the coming of the cavalry. That’s when we meet Moebius’ new “temporary” commander, Hanma Shuuji.

Not only does Hanma come out of nowhere—Naoto never mentioned him to Takemichi in the present—he’s also able to successfully block Mikey’s kick, which is a dead giveaway that he’s not someone to be trifled with.

Fortunately, the 100-on-4 battle becomes much fairer when all the various divisions of Toman arrive en masse to back Mikey up. From there, things go full Gangs of New York, only in Tokyo, with a bunch of 13-to-15-year-olds.

Takemichi gingerly navigates the chaos of punches and kicks, trying to keep track of Draken and looking out for Kiyomasa, who stated his intention to murder Draken. He’s unsuccessful on both counts. By the time he spots Kiyomasa, the guy’s knife is already stained with blood.

By the time he finds Draken, he’s lying on the ground in a pool of his own blood. If Draken does indeed die, it will make Takemichi’s life—and his mission to save Hina and Akkun—much more difficult. I’m just surprised that expected big bad Kisaki Tetta still has yet to reveal himself.

Rating: 4/5 Stars

Tokyo Revengers – 08 – The Ecstacy and the Agony

It’s neither Takemitchy’s rage nor passion nor pathetic attempts to score a blow that shake Mikey and Draken out of their latest spat. Nope, it’s a big ol’ turd, which ends up nested in Takemichi’s hair when he goes flying into a pile of garbage. Mikey and Draken run off laughing, scared of the shit coming to get them, and his four friends follow suit. It’s a rare reminder that despite their pretensions otherwise, these are still a bunch of stupid kids.

Takemichi’s antics may have helped Mikey and Draken forget what they were fighting about, but since he’s the only real adult among them, Takemichi realizes what the problem was: Mikey wanted to free his friend Pah, while Draken wanted to respect Pah’s wishes to turn himself in; neither felt they could budge from their positions. Thank goodness for poop!

After washing his hair, Takemichi joins the made-up pair and his four friends. Hina shows up with Emma, who has come to ensure Hina properly asks Takemichi out to the summer festival on August 3rd. As Emma predicted, of course Takemichi says yes—Hina is his girlfriend after all—while she is bowled over that Draken and Mikey are on good terms again.

Takemichi, meanwhile, seeing everything coming up aces, celebrates having changed history by stopping the Mikey/Draken feud before it got too bad. Now Draken won’t be killed and Akkun and Hina will be saved, right? Before returning to the present where he’ll surely face a rude awakening, he decides to reward himself by going on a double date with Hina, Draken and Emma.

It’s really good to see the old Hina again, and to also learn that she and Emma have become friends owing to Emma being a genuinely pure and lovely person. Hina’s forgiven her friend for “going off the deep end” due to her intense love of Draken, and while she hasn’t quite yet forgiven Takemichi, she gives him a relatively easy out: shoot the special prize.

While the game is rigged, the fact Takemichi puts in such a serious effort is more than enough for Hina, which is why when it starts to pour and they get separated from the other couple, Hina not only forgives him, but wants him to hold her and is ready for him to kiss her. Alas, Takemichi is interrupted by a phone call from Yamagishi, saying Mikey’s rank-and-file aren’t satisfied with their reconciliation and are still going after Draken.

Cursing himself for letting young love drop his guard so completely, Takemichi runs into the rain in search of Draken, since this is August 3rd, the day he’s supposed to be murdered. What seems to have changed is who exactly will do it. Kiyomasa has joined forces with Moebius with the intent to kill Draken as revenge for shutting down his fight club.

Takemichi does an awful job staying hidden, and when Kiyomasa and the others start beating on him, he realizes that despite befriending Mikey and Draken, without them around he’s just as weak and pathetic as he’s always been. They tape him up and leave him in the dirt and cold rain, but fortunately Hina finds him well after the thugs have departed (had they used him as bait to ambush her, I might well have been done with this show).

Instead, Hina removes the tape from Takemichi’s mouth, and he laments that the best he could do wasn’t good enough, and he hasn’t been able to save anyone, and is nothing but a complete and utter failure. Hina responds by giving Takemichi her first kiss. She gives it to him because he’s special to her, and because it’s because he breaks down and cries for the sake of others that no one is cooler than him in her eyes.

It’s just the motivation Takemichi needs to buck up and get back to his mission, because she reminded him that no matter how pathetic he looks, failure is not an option. So he heads back out and runs into Mikey’s driver Mitsuya, who tells Takemichi that everyone agreed to put the Pah-chin thing behind them…except for Peh-yan, on whom the episode ends as he’s about to pull a knife on Draken…with Emma right beside him.

It’s a good thing Takemichi didn’t head back to the present thinking he’d fixed everything. He can’t rest on his poopy laurels—there’s a lot more to be done before victory can be declared.

Rating: 4/5 Stars

Re: Zero – 32 – All of It Was Written

When Beatrice grants Subaru access to her library and starts to heal him, he panics, just as I would if I realized I’d just overwritten a saved game at a crucial point. Considering all the crap things that happened in this loop, Subaru can’t let this point of time become a save point.

Beyond stopping Subaru from stabbing himself with a broken piece of her tea set, Beatrice either can’t or won’t help much, aside from telling Subaru that everything she’s said and done has been in accordance with the “Gospel” and for the sake of “mother”—presumably Satella, the Witch of Envy, but who knows?

While I’m skeptical Beako doesn’t care at all about Subie or anyone else, the two are unable to make any further progress as Elsa enters and disembowels Subie. He’s clearly hugely relieved to Return by Death back in the ruin, shaking off the last attempt and comforting Emilia.

Emilia’s beautiful dreamy piano leitmotif plays, as if to indicate the mood has re-lightened and there’s optimism in the atmosphere. Otto, who is unaware this is now Subie’s third time, finds his calm both concerning and comforting.

Before Subaru can meet with Roswaal (again) and this time try to get more about Beatrice out of him, he is brought to a quiet field by Garfiel so Ryuzu can speak to him. It’s productive in that he learns that because Frederica is Garfiel’s half-sister and was born to a human mother, she can pass back and forth through the sanctuary at will.

Meanwhile, Subaru is determined to find a way to liberate the Sanctuary without Emilia having to go through the trial. He considers it nothing more than his own selfish wish; Emilia may have to face her past one day, but it doesn’t have to be here and now.

To that end,Subie announces to Ryuzu and Garfiel his intention to undergo the trial in Emilia’s stead. Once he says this, Ryuzu has Garfiel restrain him and then knock him out. When he comes to, he’s tied up and gagged in a stone cell. Why, do you ask? Because as soon as he came out of the ruins he reeked of miasma—what he calls the “witch’s scent”—which means Ryuzu and Garfiel can’t trust him.

This is an interesting complication. The miasma could be an innocent by-product of Subaru’s respawning process to which Ryuzu and Garfiel are simply overreacting. But either we nor Subie himself can rule out the possibility he is an unwitting cog in a much more elaborate machine: doing things for the Witch while under the impression he’s doing them just for himself or others.

Could his will already be written, as Beatrice claims hers to be? Whatever the case, Ryuzu and Garfiel keep him under lock and key and he wallows in darkness and damp for three days. Garfiel, thinking Otto as a merchant first and foremost, dangles a valuable-looking glowing stone at him as payment in exchange for his silence (Otto was the last to see Subie with Garfiel).

Garfiel’s flaw in keeping Subaru restrained, as well as Subaru’s deliverance, lies in the many meaningful relationships great and small he’s built with others. In this case, he is served by Otto choosing his friendship with Subie over a trinket he’s not even sure Gar will give to him.

Otto reports what’s happened since Subie was captured: after a fruitless search for him, Roswaal instructs Emilia to keep attempting the trial, which she’s done the last two days without success. He then details how he’s been in hiding collecting information ever since Gar attempted to make a deal with him.

At first Subaru doesn’t realize why Otto rescued him—and even mishears the word “friend” as “Eugene”! For all the people stonewalling him and making his internal organs external, he still has friends like Otto to help him in his time of need. While not as deep or profound as Emilia or Rem, his bond with Otto, and the things they’ve gone through, are still significant.

It’s a good thing too, because were it not for Otto Subaru would still be rotting in that cell for as long as Ryuzu and Gar want him there—say, until the barrier falls (if that can even happen without Subie). Otto leads Subie out of the dungeon and to a “very reliable helper” he’s lined up: Ram, who is just wonderfully smug and cool as she declares even if she had to wait for them so long she’d become a old granny, she’d be a cute old granny. Damn straight!

This episode ends with Subaru on an encouraging upswing, with ample time to reach the mansion and armed with a bit more intel. But many concerning looming questions remain. How exactly will he be able to keep everyone in the mansion from an Elsa-slashing? What exactly is Beako’s deal? Are all of Subie’s actions following a sinister predetermined path without him even knowing it? Is he just another Witch’s tool, kept in line by the mere illusion of free will?

Cop Craft – 12 (Fin) – Forgivable Evils

What had the makings of some kind of grand conspiracy is ultimately boiled down to A Wizard Did It in the exceedingly tidy Cop Craft finale. Captured last week, Tilarna ends up in a penthouse with that wizard with her hands and feet both cuffed. It’s also one of the only instances I can recall where she’s not wearing her Semani cape, revealing an elegant midriff-bearing top.

She has to sit and listen to Zelada drone on about how he believes decadent Earth culture will eventually overwhelm destroy Semani culture: weapons, tools, sex…and that awful, awful rock music. Despite it seeming an awful lot like that ship has sailed, he’s working to make two societies to hate each other…or something. The nerve of someone in Carmen Sandiego pimp cosplay decrying decadence!

Meanwhile, the FBI agent rather ineptly attempts to extract Kei’s iPhone password so he can destroy the last photo of Marla and the assassin (Randall is killed off-camera). Kei, ever the smartass, starts to give it to him: “F-U-C-K-Y…” Hee-hee.

While the camera made sure to show us that Tilarna’s legs were cuffed, Kei’s legs are completely free, and his arms are cuffed to a flimsy folding chair that isn’t even bolted down. All it takes is for Mr. FBI to get too close, and Kei has him in a leg headlock. It demonstrates less how badass Kei is (and he is), and more how excruciatingly dumb Mr. FBI is.

Meanwhile, after ranting virtually all night, Zelada senses that Kei has gotten free and is killing his puppets. After all this time, and with little reason to keep Tilarna alive, Zelada nevertheless takes his sweet old time before finally deciding that yup, he should kill Tilarna. It’s like he’s waiting for Kei to arrive and save her, because that’s what the plot demands!

Even with arms and legs cuffed, Tilarna is also a badass, and manages to dodge Zelada’s attacks until Kei bails her out. Zelada’s invisibility is overcome by activating the sprinkler system (how ’bout that!), but the weakened Tilarna can’t handle the sword, so she and Kei switch weapons, with Tilarna pumping Z full of lead while Kei beheads him with her sword.

With that, our buddy cop odd couple waits for backup that will be late because the town is rife with violent protests. Kei leaves it up to Tilarna whether to give the photo of Marla to the police as evidence of her role in the assassinations, and after weighing the options, decides to do so.

Donald—er, Domingo Tourte wins the mayorship after Marla is arrested, but things eventually cool down as Tilarna thought they would, because for all its warts, San Teresa is still a good town filled with mostly good people. That’s why, as she writes to her father back home, she’s decided to stay put, serving as Kei’s partner in stylish crime-fighting.

And there you have it! A rushed ending, perhaps, which did itself no favors with the idiocy of its villains, but far from eye-gougingly terrible. I’d say Cop Craft would have benefited from another twelve or even six more episodes to give the conspiracy and photographer arcs a little more fleshing-out, but honestly the show probably would have found a way to squander them and be forced to end just as abruptly.

I will say that even if I wasn’t always in love with what Cop Craft did with the episodes it had or the world it built, it was still a neat world, with a solid core duo of likable characters, a smattering of cool supporters, and a fun soundtrack. It wasn’t flawless, but it wasn’t all bad either—much like the situation Tilarna and Kei find themselves in when the end credits roll.

HenSuki – 03 – The Third Way

With Sayuki and Yuika declaring themselves masochist and sadist and their intent to make Keiki their master/slave respectively, one thing becomes clear: Keiki isn’t that into this. He avoided dating girls because he felt himself to normal and boring, but now he’s having nightmares as a result of Yuika’s “punishment” last week. He doesn’t even want to go to school, but Mizuha makes him, since he’s not really ill.

Things don’t get any easier for Keiki, as he’s greeted by Yuika’s bra in his shoe locker, followed by a photo of him with his shirt open lying with Sayuki, with the implication it will be distributed if he doesn’t meet with her. When he gets there, Sayuki is dressed as a maid and handcuffed; he must fish the key out of her cleavage.

All the while, the third girl in his life (not counting his sister), Nanjou Mao, keeps watching silently from afar, her gentle blushing going completely unnoticed by Keiki. But when he tells his best mate he doesn’t believe Sayuki or Keiki are the Cinderella, that friend points out Mao’s staring, who it’s directed at, and what that entails.

Mao’s passive role thus far becomes more active by necessity when Keiki is once again summoned to the clubroom by Sayuki, but is intercepted by Yuika, who ties him up and orders him to kiss her foot or she’ll steal his first kiss on the lips. Sayuki barges in to put a stop to it, and the girls, who have known about each other’s proclivities since they met, start to bicker, with Keiki in the middle.

Enter Mao, who drags Keiki, chair, rope and all, into the hall, away from the two warring girls. He blames him for being so nice to both of them and indulging them too much, and in the process betrays that she’s been observing his interactions with them very closely (we dohear a camera click when he’s fishing out the handcuff keys…was that Mao?).

When Keiki asks why this concerns her at all, Mao has no choice but to be more direct: she just plain doesn’t like it when he’s with other girls. That could well be because she’s developed feelings for her childhood friend, but it also means a third girl has decided to try and assert control over him. Perhaps not as a formal master or slave, but it’s definitely possessive and unbidden by Keiki.

Considering how uncomfortable the other two girls’ antics have made Keiki, perhaps Mao is the “Goldilocks” answer, but first he has to determine whether her particular kink (stalking?) is more or less manageable.

Ai Tenchi Muyo! – 05

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Momo, Touri, Hana and Hachiko arrive to rescue Tenchi from the science club. As Hachiko battles Kinojou, Momo frees Tenchi, who saves her from falling rocks as the caves start to collapse. Everyone makes it back to the surface safe and sound.

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That’s more like it: a short, sweet, daring, action-packed rescue mission, made possible by the tracking device in Tenchi’s Gentleman’s Area, presumably put their by Touri. Momo and the StuCo prevail, ending up with Tenchi, who shows he can be heroic in a pinch, but we’re sure the tug-of-war (with him as the rope) has only just begun. Oh, and the dress code at this school is appallingly loose!

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Ai Tenchi Muyo! – 04

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Having escaped from the Student Council, Tenchi falls through a trap door to a massive underground mining operation spearheaded by the Council’s apparent rivals. When their bodyguard finds him, they strip search him, suspecting he’s a council spy.

…And the pattern continues. Tenchi ends up flailing around an all-girls high school in nothing but his boxers, and when he finally finds a private space to change, he gets captured by another club and ends up tied up and naked again.

And again, while things very much look like Tenchi is about to get sexually abused, we don’t actually witness anything, so it’s left up to our imaginations. Maybe they don’t actually do anything. Maybe he gets away. But I’m certain of one thing: he’ll be in this situation again down the road.

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