Fruits Basket – 63 (Fin) – A New Banquet

Tooru and Kyou go to a petting zoo for their first official date—a bit on the nose, but also adorable! Also adorable? Uo and Hana tag along as chaperones and mess with Kyou the whole time. But at the end of the day, both of them admit they like him and give him their blessing with their beloved Tooru, who is both friend and family to them.

Yuki makes clear to Kakeru that Machi knows he’s going off to college somewhat far away, and Kakeru is proud the two of them are now “full-fledged adults.” After graduation, Tooru and Kyou clean out their rooms in Shigure’s house, and Tooru admits to treasuring all the fun and happy days she had with everyone like jewels, and is sad they’re at an end.

Kyou hugs her and assures her that everyone loves her more than she thinks, and she’ll see them all again. The old Zodiac banquet is over, but now a new one can begin: one in which the members’ bonds were chosen, not forced. Yuki gives Machi the key to his new place and says she can visit any time. Kagura and Ritsu share a moment as the only two members who are still single.

Did I say only? There’s also Momiji, who lose the Tooru sweepstakes but not for lack for trying. As he hangs with Haru and Rin, he vows to find an even more magnificent significant other with whom he’ll show off next time he sees Tooru and Kyou.

Uo and Kureno make plans to see each other. Hatori and Mayu make plans to go on vacation together. Akito is out in the world with Shigure wearing modern women’s clothing. Everyone gets their curtain call, and everyone gets either a happy or hopeful ending.

That leaves us with Tooru and Yuki, who were originally set up as a potential couple back in the beginning. All this time, Yuki hasn’t been able to properly express his feelings for her or thank her, but here and now he finally can, and does.

He loves Tooru, but as a mother figure; someone who raised him into the confident and capable man he now clearly is. He also assures her, as Kyou did, that everyone loves her. Tooru may never feel like she deserves that love, but she does, so she’d better darn well get used to it!

Fast forward several decades, and we see Tooru now have both children and grandchildren, all of whom resemble and seem to take after them. The old couple are given some space by their family to be lovey-dovey together among the hydrangeas. Don’t think I didn’t get some tearful Up vibes from that!

Now, we’ve finally come to the end of Fruits Basket, consistently one of the most beautiful and heartwarming series I’ve ever encountered. It certainly had its dark times, but those were countered by brighter times bursting with love, understanding, and growth, none brighter than these closing episodes where nearly everyone has found their soul mate and are happy as clams—but in no danger of transforming into clams!

Fruits Basket – 60 – Moving Toward that Someone

After starting with Shigure wishing he could be less of a meddling shitstain (fat chance), we thankfully shift to two of my very favorite Fruits Basket characters in Arisa and Saki. Upon visiting Tooru in the hospital they meet Akito for the first time, who claims responsibility for Tooru’s injuries. Saki, the true God of Fruits Basket, says Tooru doesn’t believe anyone is to blame.

Then there’s the matter of Kureno, whom Akito confesses to have stabbed , after emotionally tying him down and trampling on him for years. She’s at a loss about what to do, since neither Tooru nor Kureno will blame her for anything, and that’s when all the years of being raised as a boy are shattered by Saki, who causally, correctly identifies Akito as female. Then Arisa gives Akito a hug, because Akito needed one.

It doesn’t change the sting of Arisa now knowing that she’s been nothing more than a brief blip in Kureno’s life up to this point; that she’s been “polishing a single day’s memories like they were some diamond”, which, goddamn that’s some pretty writing right there. But here’s the thing…what if they were some diamond?

When Arisa visits Kureno in the hospital room, and he says he thought she wouldn’t come because he didn’t deserve her, nothing matters to Arisa anymore but the love she’s feeling. Whatever Kureno wants to do; wherever he needs to go to “leave the sight” of Akito as one final kindness, Arisa will be by his side without fail. She’s done not being a participant in his life. The diamond is nice, but she wants the mine, and she’ll have it, because she’s Uotani Fucking Arisa.

The screen is once more soiled by Shigure’s presence as he and Yuki encounter Haru at his house. Haru notes how Rin has been “impressively worried” about her BFF Tooru, but he’s likely there because he’s worried about Kyou, who hasn’t once visited Tooru in the hospital and is rarely seen leaving his room.

Yuki admits Kyou has “his own pain and his own reasons”, but he also doesn’t give a shit about them. He’s done being Mr. Nice Ratboy, and storms upstairs, where he’s even more incensed to find Kyou packing to leave before Tooru comes home. Kyou says listlessly that his being there would hurt her, that he can’t protect her, and that she’s better off with Yuki.

Yuki then kicks Kyou through the damn door, mocking him for thinking he has to be some kind of superhero plucking Tooru out of midair or save her from getting hit from a car. Of course he’s not that—he’s just a stupid cat—but he doesn’t need to be a superhero.

Kyou admits to Yuki that he always wanted to be him, which in turn causes Yuki to admit that he always wanted to be him. Of course, neither of these facts comes as a surprise to us, but Yuki and Kyou have been so mired in playing out their respective Zodiac roles they failed to notice how much they admired and envied one another.

But here’s the thing, Kyou can’t be Yuki and Yuki can’t be Kyou; Kyou has to be Kyou and Yuki has to be Yuki (though Shigure should probably stop being Shigure). From how Yuki’s seen it, Kyou has protected Tooru just fine by being Kyou; by simply loving her being the one she loves; by being the only one of the two of them to make her truly smile.

Yuki leaves a stunned Kyou with the words “Get your damn act together!”, and Kyou is moved, though not, at first, to the hospital. He has to take care of something first, namely standing up to his grotesque, loathsome creature of an audiophile father. As he heads to his dad’s place, we get a cute little scene of Hiro and Kisa discussing how Hiro breaking the curse hasn’t changed their affection for each other.

When Kyou quietly concedes that his mom’s death was his fault as his “dad” claims, said “dad” tells his maid to call the main house to have him dragged away to the Cat’s Cottage. Kyou, tasting the stew of hatred, fear, and grief he’s got going, refuses to go there. He’ll live outside, because there’s someone he wants to be with.

While listening to his ranting, Kyou comes to recall that his dad said horrible things to his mother, so while Kyou might still claim some responsibility for her depression, it’s much more likely his dad was the one who put her into a state where she decided to “throw herself away.” Well, Kyou won’t do the same thing. He’s going to live.

Akito gets the call, but tells the long-serving attendant to ignore it. She’s decided to free Kyou of his impending sentence, tear down the cottage, and quit this wretched place forthwith (hopefully to go stay with Shigure, as the two unassailably deserve each other). The attendant laments how unlike all these young people, poor old her can’t just start over in the outside world. Oh, cry me a fucking river, you deeply despicable woman. Akito certainly won’t…and good for her!

Kyou has adopted the philosophy of continuing to stand on your own two feet, accepting what you are, and moving toward something—or in his case, someone. After his pep talk with Kyou, Yuki is sulking in the dark when he gets a call from his someone, Machi. It doesn’t matter what she wants, he just wants—needs to see her. Tooru? More like Toor-who?!

Just as Arisa’s anxious racing thoughts of how insignificant she was in Kureno’s life melted away at the sight of him, the gears of Kyou’s feline brain are also spinning furiously with questions like Will she still accept me? Do I still love her? Why? How much? The answers are: Yes (eventually), Yes, Because, and A Lot.

Those questions are meaningless as soon as he spots her leaving the hospital and thos big brown eyes. But then, because this is not a show afraid to crack a joke even in a moment like this, Tooru gets spooked and gives Kyou a taste of his own running away medicine. Unfortunately for her, Kyou can run much faster than her, and quickly gives chase as Arisa and Saki look on approvingly.

Everywhere you look, love is in the air, and I am here for it. And let me reiterate: I’ve never read the source material, so I have no problem with the direction or pace of the adaptation. The way I see it, I’ve been invested in this anime for sixty episodes totalling twenty-five hours over three years, and so far this is the ending I both want and deserve. Keep it up, Furuba!

RABUJOI WORLD HERITAGE LIST

Fruits Basket – 57 – Caught Up In a Fantasy

“I wonder how much time and effort it’ll take for you kids to find your answers…” Those are the words Kyouko said to a young Kyou. The answer? A fuckin’ lot. Only Kyou seems to be retreating into the answer forced upon him at birth. As Akito was born to be loved, he was born to be loathed and despised, his existence only causing pain.

Even if he didn’t believe those words, as far as he’s concerned they were proven true when his mother walked in front of a train, and then Kyouko died. In his dream, in his dark room in this mercilessly dark episode, he dreams of a third death at his feet, with his hands drenched in blood: that of Tooru. He believes his mother and Kyouko came to him for a reason: to tell him to know his place.

It’s ironic, then, that neither he, nor the other Zodiac members, would even be in this dreadful mess were it not for someone NOT knowing their place. Whether she genuinely loved Akito’s father Akira or was simply trying to get in on that sweet, sweet Souma fortune and prestige, I cannot say, because I have no reason to trust her. But Souma Ren was but a humble servant when she decided to approach Akira, saying she alone could see his pain and loneliness, and offered to take it all away.

Even if it was a cynical scheme at the beginning, Ren was profoundly attached and obsessed with Akira, so maybe she always was. And maybe Akira’s attendants would have found a suitable mate for him to produce a successor before he died…but maybe not. Instead, Ren overstepped her assigned bounds and stepped into that role, bearing the next family head. But it was she who demanded Akito be raised as a man…and a precocious young Shigure seemed to know what that was really all about.

Ayame, Hatori, and Kureno didn’t understand, but Shigure did, even then: Akito was always going to be someone to be pitied, for Ren was imposing upon her a life she never asked for, costing her access to a life where she might not have become a Machiavellian monster.

In the present, Ren thinks that she has a sympathetic ear (and possibly another lay) in Shigure, but he’s only there to fuck with her, as usual. He says he only looks at Ren “that way” because it lets him fantasize about whether Akito would look like her if she’d lived as a girl.

Meanwhile, Akito is sulking in her room, holding the box containing Akira’s remains, remembering her mother (who was never really a mother) challenging her to prove that nobody can break her little dream and rub it in her face. But the dream is dying; Akito can feel it. Bonds are breaking by the day. She’s interrupted by Ren storming in with a dagger, ready to use it unless Akito hands her beloved Akira over.

Akito, in a particularly nihilistic mood, tosses the box high into the air, and for a moment I thought there’d be a horrible cloud of ash. But the box is empty. It always was empty. The chief attendant prepared it as a charm when Akito was being consumed by grief after her father’s death.

As a bereft Ren stares into the empty box, Akito says she’s always been “Other”, and this has all been broken from the beginning. There will be no rubbing in the face of a victory, but she does seem poised to kill Ren with her own knife…until another bond breaks just then.

This time it happens to Hiro, who is playing with his siter Hinata and was probably finally swayed from Akito’s pull due to her. The first thing he does is hold her tight, and then his mom comes in and hugs him. Hiro is full of conflicting emotions, and his mom understands that “saying goodbye feels lonely” by nature. But ultiamtely, it’s a good thing. Hopefully Kisa can follow and these poor kids can start having ordinary lives!

As for Akito…I can pity her without forgiving the things she’s done. It’s not just a matter of her sticking to the “fantasy” that she was a god born to be loved by all forevermore. It’s that she herself was always fifty-fifty about whether Akira’s soul was in that box. No one ever gave her any other life to live than the one she had, and didn’t even know or think she had the ability to change any of it.

Kureno draws her in to comfort her, saying she can start learning the things she doesn’t know or understand. She can change, and escape the choking, crushing bonds of the Souma clan, and he’ll be right there beside her. But Akito believes they’re already past the point of “change”.

She blames Kureno for this, by staying with her out of “kindness”, while half-saving and half-rejecting her. She wishes he could have left her back when his curse was first broken. But it’s too late, and she demands he take responsibility with his life, stabbing him in the back. As Kureno collapses, there’s a devastating smash cut to Arisa looking at a dead bird in the rain.

With that, we return to Shigures, where Tooru and Kyou are just finishing up a meal. Kyou prepares to leave, but Tooru doesn’t simply let him go without a word. She stops him at the door and says there’s something she has to talk to him about. Judging from his face and the dream he had about Tooru, I doubt Kyou’s in the most perceptive mood. It’s going to take a little more time and effort for these kids to find their answers…

Fruits Basket – 52 – An Unwavering Truth

I’m not here to forgive Akito for her two-plus seasons (and years before that) of acting horribly shitty to just about everyone, from all of the Zodiac spirits to Honda Tooru, probably the human being least deserving of malice and cruelty in the universe.

But I’m not going to pretend she’s had it easy, either. No one cursed with the Souma name does, and just because she’s revered as god who can boss the others around doesn’t mean doing so makes her feel remotely happy or fulfilled. Nor is she immune to the nefarious Shigure’s twisted mind games!

Akito recalls a beautiful memory of years ago when she asked Shigure if he loved her. He plucks a nearby red tsubaki (Camellia) bloom—a symbol of love and desire—and tells her he not only loves her but cares about her more than anyone, which he calls “an unwavering truth”. She recalls this while in bed with a sleeping Kureno.

It’s apparently a tradition to make paper carnations at Tooru’s school, and Shigure decides to join her and make one of his own. Tooru is sitting on the bombshell of Akito’s true gender and Kureno being free of the curse, but in her usual deference to others’ feelings, she’s unable to broach the topic with Shigure. But thinking about it is like staring down a deep dark cave, and if she doesn’t tell someone, she could fall in.

This episode helpfully reminds us that school, Prince Yuki, and the much less brazen Kyou Fan Club still exist, and if the school stuff is often the weakest material Fruits Basket offers, it’s still better than 90% of other school stuff in my books!

Nearly everyone at school is fake-flower crazy. Motoko and Co. launch a raid to steal the paper flowers Yuki made for themselves, while Kyou’s admirers steal his, invoking his ire. Arisa assembles a posse to round them up.

And then there’s Machi, who quietly tails Yuki around the school as he checks in on everyone and offers to help out; everyone politely refuses, unwilling to sully a prince’s hands with common man’s work. But Machi eventually catches up to him, out of breath, only to freeze up and say she just wanted to say hello.

When Machi complains about him “roaming an unpredictable route” in which she’d kept “losing” him, the words carry more weight and meaning then mere practical considerations. When Yuki realizes she came to him and only him “of all people”, he blushes and gently puts his hand on her head. She lashes out at him, but he ends up with a flower in his hand: a flower even more of a mess than the ones he made…but of course it’s not about the quality of the flower, but whom you give it to.

While Arisa, Saki, and other classmates are chasing down Prince Yuki, Tooru is alone with Ryou, and she feels she can try to bring it up to him. She asks hypothetically what he’d do if there was someone in the Zodiac whose curse was broken, Old Ryou spits back not to ask such questions, because he couldn’t begin to answer them.

However, when he sees Tooru’s face suddenly go flat and hollow, the New and improved Ryou resurfaces, and when a simple and emphatic apology isn’t enough, he offers her his flower, which she gently takes as they’re bathed in the golden sun of the late afternoon. Their beautiful moment is rudely interrupted by Arisa & Co announcing the culprits have been found and justice done.

When Shigure presents the red paper flower he made to Akito, she asks him if there’s something familiar about this scene, but he’s evasive. As Tooru and Yuki wash dishes, Ryou reports that Shigure will be out late. Yuki assumes he’s out torturing his editor, whiel Tooru just realized one person she might be able to talk to about Kureno is Rin. But her search for Rin at her school comes up empty, as Rin’s classmates say she’s on one of her absence streaks “somewhere far away”.

In an unfortunate coincidence, Mitchan picked the same restaurant for their meeting where Akito, Shigure’s parents, and other important guests are having a big dinner. Mitchan catches a glimpse of Akito in a black suit, agrees with Shigure that he’s as white as a ghost, but also says he’s pretty. Akito spots Shigure snubbing her and leaving with the other woman…which is probably exactly what Shigure intended.

In a call with Kureno at an undetermined date, Shigure, who knows his curse is broken, berates Kureno for not abandoning Akito. Shigure also makes perfectly clear that he hates Kureno’s fucking guts—apparently another unwavering truth. Kureno pleads with Shigure not to keep being so cold with Akito.

That’s because for as loyal and present or Akito as Kureno is at all times, Akito never loved him as much as she loved—loves—Shigure. Akito comes home in a foul mood and when she’s informed Shigure is there, orders everyone to stay the fuck away.

Their encounter begins with her asking about the woman he was with and whether he slept with her like he sleeps with every woman. Like he slept with that woman…her own mother, Ren. We learn that when he did, she punished him by telling him to leave. But Akito still thinks he only slept with Ren as an excuse to leave, as he didn’t put up a fight.

When an increasingly upset Akito rants about Shigure liking and wanting “her”—whether that’s Ren or, uh, someone else—Shigure repeats what he said the day he gave her a camellia: I care about you more than anyone. That’s an unwavering truth. He remembered. He didn’t waver. And he says he only slept with Ren because she slept with Kureno.

As Shigure puts it, he loves Akito so much that sometimes he wants to “spoil her rotten”, and sometimes he wants to “crush her to a pulp”. Jesus. He starts to leave, concerned they’re simply repeating the same argument they always have, but then Akito throws herself—HERself—at him, and in a thoroughly steamy gesture, rips her tie off and embraces her.

The day Shigure told Akito he loved her, she fell in love with him, and never stopped. When Akito and Kureno became an item, it doubtless hurt Shigure profoundly…but the unwavering truth endured. I still can’t trust the guy any farther than I can throw him, but damn it all if his and Akito’s love and longing isn’t gorgeous in its gloominess.

Fruits Basket – 51 (S3 01) – There’s No Night that Doesn’t End

Where we last left off, Kureno had just revealed to Tooru that not only was Akito a woman. No matter how much he loved Arisa, he couldn’t leave Akito’s side, not even after being freed from the curse—or especially because of that. He further explains that Akito was raised a male from birth because it was decreed by her mother Ren, to whom we are finally introduced.

Ren still lives on the grounds, but as Kureno puts it she has “some…troubles, mentally and physically.” Akito freaks out when Ren even tries to touch Hatori, while Ren insists Akito’s belief that her bonds with the Zodiac animals are real love and eternally unchanging is nothing but fantasy.

Her cruel taunting of her daughter—whom she made into a sun by pure will—causes Akito to fly into a rage, but Ren wouldn’t mind being killed, because it would mean reuniting with Akira, Akito’s late father. In a flashback Akira tells Akito she was “born to be loved”, but to Akira that probably doesn’t mean being venerated as a god.

The thing is, Ren may question whether the Zodiac bonds are right or even real, Kureno, Shigure, Hatori, and Ayame all woke up in tears the same morning Akito was conceived. Before appearing in Ren’s belly, Akito came to them in a dream, and the four kids ran to Ren, who didn’t even know she was pregnant.

From that day, Kureno felt the other self that lived inside him, in his blood, and knew he could never betray her. Even if the bond was unnatural, or painful, he simply could never push away a crying Akito, and so can’t see Arisa. Because just as Akito wounds others, she herself is wounded.

Kureno said all of this to properly explain why he can’t leave Akito ever, and that the choice to stay with her is his alone, not guided by any curse. As he leaves her in the courtyard, the DVD falls out of Tooru’s hands and she cannot move for some time, frozen by the weight of this new information.

Her scarf flies away, she falls to her knees. Rin, her ally in ending the curse, watches this from afar. Kureno explains how he went out for fresh air, gets a vicious slap from Akito, and then the two gently embrace. Then, like a gothic fairy, Saki approaches Tooru, flanked by Megumi, and announces she is “here to save the day. Ta-da.”

After informing Yuki that Tooru is in her “custody” and will be her’s “all night” (phrasing!) Saki prepares a “Nightgown Festival” to soothe Tooru’s troubled soul. She tells Tooru that she was able to detect Tooru crying in a voice no one else could hear, but was deafening to her. Tooru explains how she tried to bring Kureno and Arisa together, to make up for all the things people like Arisa did to help her…but she failed, so she’s useless.

As we see Kyou spot Tooru’s scarf lying in the street, Tooru tells Saki how Kureno is someone who puts others’ feelings before his own. I’m glad Saki’s there to essentially say “look in the mirror…that’s you!”. Saki worries if Tooru keeps taking everyone’s feelings on her shoulders, it will crush her, and her smile will disappear. Arisa enters Saki’s room to add that if Tooru’s smile disappears, “it will be the end of the world.” Neither of them will let that happen.

Arisa sits with Tooru and says she’s “trash” for maing her cry. Tooru says she’s not trash, and Arisa in turn says Tooru isn’t useless. What she is is a dummy, just as Kureno is a dummy, and Arisa can’t help but love dummies. But because she loves them, she doesn’t want to cause problems for them, so she gathers Tooru in a hug and assures her she needn’t worry; she’ll be fine. With that, the Nightgown Festival commences in earnest, and Megumi’s heart pounds as he’s surrounded by older women, the little scamp!

Rin continues slinking around the Souma compound, only to be caught by Ren, who asks her if she wants any “help.” No doubt Ren would love to lift the curse, though it’s interesting that she only comes into the picture now.

Fatigued by their emotional exertions, Tooru and Arisa fall asleep early. Megumi asks Saki if she thinks it’s really hopeless for Arisa and Kureno. Who can say? Arisa may have said “that’s it”, but Megumi isn’t so sure. Sometimes it takes a long time for lovers to find each other.

The next morning, Tooru comes home, all cheered up, and becomes even more cheered up when she finds her scarf waiting for her, courtesy of Kyou, who even washed it (though some stains remain, which is apropos!) Tooru bops him with a pom-pom once more, then Yuki and Shigure bid her good morning. As Tooru gets on with her life—no mean feat after what she’s learned—she resolves to gradually think upon the thinks Kureno told her bit by bit.

With this beautiful, magical, heartrending-and-mending opening outing, Fruits Basket continues to prove it is the final word in supernatural romantic comedy/dramas. After two exquisite seasons of painstakingly introducing characters, delivering their backstories and developing and strengthening relationships, this third, The Final, will introduce and execute the endgame.

Some of the darkest and most painful episodes may be yet to come, but I’ll happily endure them with Tooru, Arisa, Saki, Yuki, Kyou, and everyone else to see how things turn out!

Fruits Basket – 50 (Second Season Fin) – Feather Brain

Despite all of the chaos and craziness of These Times, leave it to the trusty Fruits Basket’s second season to end one year to the day after the first season ended in 2019. And it doesn’t end with a whimper, but a one-two punch that will leave your pulverized heart slowly stewing in your stomach, even as the brightest rays of hope yet shine upon Tooru’s mission.

The opening images herald what’s to come. As soon as I saw a young, bewildered Kureno surrounded by floating feathers and a positively terrified Akito cowering behind him, I knew the big secret Shigure has known, and would be dying to reveal were it not up to Kureno himself later: Kureno is not a Zodiac member. He hasn’t been for years. His bond with Akito was severed; the curse lifted…only to be immediately replaced by a new curse of his own making.

To the part about his curse being lifted, it’s the best news yet that Tooru’s dream of lifting it for all isn’t pie-in-the-sky wishful thinking, but a reality waiting to be realized. Of course, Tooru doesn’t know anything about this at first, and nor does Rin: but the fact that Rin will remain in a room and talk with Tooru (but leave the moment Yuki shows up) may well foreshadow future collaboration between the two. I certainly hope so, anyway!

For now, Tooru is happy for a new year with Yuki and Shigure and oh yeah, Kyou, who doesn’t appear in this episode, since the exploration of his and Tooru’s failure to confess to one another is best left to a future season for it to be done justice. Instead, most of the episode is given over to the truth about Kureno, and how he’s always seemed “off” to both Shigure and Hatori.

Kureno manages to steal away from a sleeping Akito’s side deep into the night, and plays the Cinderella-ish DVD given to him by Tooru c/o Momiji Both of them pray he’ll watch it, and he does. The scene with Tooru and Kyou was so powerful I almost forgot Arisa also bore her whole damn heart in the play.

First she castigated Prince Kyou for not acting on his feelings when there are “people out there (like her and Kureno) who can’t see the ones they wish to see.” When Arisa cries out “I want to see him!” Kureno can’t help but reach out. But his image of a smiling Arisa in her work apron is juxtaposed by a hysterical younger Akito begging him “Don’t abandon me!” and the dimensions of Kureno’s own personal prison come into clear focus.

The moment Tooru returns home to Shigure’s, he sends her out on an errand to buy envelopes, knowing full well she’ll do it immediately and with a smile (this is Tooru, after all). He also knows it will take her past a certain park where Kureno is waiting. Before noticing him, Tooru approaches a flock of sparrows, who naturally aren’t afraid of her what with her gentle soul and calming aura.

Then Kureno approaches her, and the birds scatter. This confuses Tooru to no end since she’s seen rabbits, rats and cats naturally gather around Momiji, Yuki, and Kyou, respectively. Then the absolute kicker: Kureno draws Tooru into a hug…and nothing happens. He tells her plainly: he’s different. His curse is broken. He isn’t a member of the Zodiac.

It would have been one thing if his burgeoning love for Arisa had broken the curse, but it happened long before they met, and to this day Kureno couldn’t tell you exactly why. All he knows his how he felt when it happened. At first he was sad upon realizing he’d never fly again. But he also felt a happiness and a freedom and a sense of humanity he’d never felt before.

Even so, he says, upon returning the DVD, Tooru’s present “was for nothing”, as he doesn’t intent to see Arisa again, and will instead remain by Akito’s side as he has done. It seems like a firm declaration, but as he tries desperately to rationalize two simple insignificant meetings with Arisa as easily forgotten with time…he just can’t do it.

There’s no supernatural or spiritual bond keeping him by Akito’s side. It is more pity than love, along with years of trying to make it something it hadn’t been since the curse broke. Upon realizing their bond was broken Akito lost it, taking Kureno aside and threatening to kill anyone else who approached. And then she sobbed and begged and pleaded for him not to leave her. And Kureno, being younger than Tooru is now and not knowing any better, gave in.

Things are even more different now than they were then. Kureno resolved neither to go too far into the outside world nor seek anything there, but he’s fallen in love for the first time since the curse broke, since he “became human”, as he puts it. And as much as he may want to stay by Akito’s side, just as back then, something has happened that cannot be undone.

Kureno might have been able to deceive the other Zodiac members for a while, but I doubt he ever deceived Akito. And yet despite knowing the curse was broken, his staying probably signaled to Akito that their power still held sway, which turned out to be true, only if psychologically and not supernaturally.

As Tooru tries to comfort the long-tormented Kureno, he tells her without self-pity, hatred, or regret, that he made his choice to live only for “the one who cried until sobs racked their body. Weaker than anyone…more fragile than anyone. For the one…so afraid…for a sorrowful girl.”

Akito wakes up before Kureno returns, and notes that it’s the first time he’s left without permission. After ordering their attendants to find him, Akito takes a bath, and when their robe slips off in the mirror, it is finally officially confirmed that Akito is a woman. This had already been heavily implied, both in design, choice of seiyu (Sakamoto Maaya), and in other subtle ways. But that doesn’t lesson the impact of learning the truth explicitly.

Immediately upon Tooru learning Akito is a girl, the second season ends, having answered so many questions and yet left us with so many more about what’s to come. Will Tooru (and Rin, and other allies) succeed in her quest to lift the curse for all? Will she even continue the quest, knowing how much pain it will cause Akito to take her remaining Zodiac members away? Will Tooru ever allow herself to love someone more than her mother? Will Kureno and Arisa meet again? Will Akito escalate her grudge against Tooru?

Lots to ponder, for sure. And that’s even before we get into how we’re supposed to feel about Akito, who regardless of gender has been a pretty consistently selfish, cruel, dispicable character from the start. It goes without saying she’d have a tragic past of her own to match her myriad psychological issues, and while I can empathize, goddamn is it hard to sympathize, when weighing the suffering she’s caused the others.

For all of that food for thought, and yearning for the next season, and the expert direction and framing and pitch-perfect music throughout, I found this one of the best episodes of Fruits Basket yet, which at this point is saying something, and it will be very very hard to wait for what’s next.

P.S. Additional food for thought: the reason Akito cherishes Kureno so much is because he is there by his own free will, and not due to any binding curse, something I hadn’t considered until we learned he’s no longer a Zodiac member. Ultimately this is the way all her companions should be: there by choice and not force. Of course, she’d have to be much nicer to them…

Want to read more? Read Crow’s thoughts here.

Fruits Basket – 48 – Love is In the Air…and On the Stage

Just like that, it’s the day of the festival and the class play, totally reworked into something “Cinderella-ish”. After Kisa and Hiro arrive to join Momiji and Haruhatsu in the crowd, the first two-thirds of the episode is given over to the play…and it’s wonderful.

The scriptwriter did a masterful job rewriting the script to complement the cast, from making Tooru kind and meek stepsister to letting Saki just be “Sakirella”, regarded by the crowd as “sassy” and “a boss”. The crowd favorite is Yuki, who is resplendent as the Fairy Godmother—Ayame and Mine knocked it out of the park with the costumes.

By the time the big ball scene arrives, Saki is far more interested in Yakiniku than dancing with the prince (her first wish was to burn the castle down, but she settled for Yuki making her dresses for her stepsister and mother). As for Prince Kyou, the actor’s general reluctance to participate is used in the story, making the prince reluctant to find a princess despite his fellow prince (Arisa) helping him out.

Midnight comes, and Black Cinderella must flee, leaving a glass slipper behind and wishing she’d eaten more. At Arisa’s urging, Kyou visits every house in the kingdom until she comes to Cinderella’s house. Saki asks if he’s there to marry her sister (Tooru), which causes Kyou to explode. This works in the context of the play, but is another among many instances of reality seeping into the play.

When Saki launches into a dark monologue about the prince continuing to deceive himself and lock himself away in the castle forever, Tooru is compelled to speak out of turn, yelling “I don’t want….!” Of course, it’s not just her character who doesn’t want the prince to be lonely. This is Tooru expressing her objection to Kyou being locked away by Akito just for being the Cat…as well as her objection to Kyou being okay with it. Their dialogue’s close proximity to their real-life situation isn’t lost on either Tooru or Kyou.

After a deliciously feminist ending to the play (Cinderella doesn’t marry anyone and opens a yakiniku business with Tooru), the play is over, and Kyou couldn’t be happier…only to find that his Shisho is there, but Saki is flirting with him hard, using her sweetest demeanor and most dignified diction while around him.

Tooru meets up with Kisa, Hiro, Haru and Momiji, the last of whom capture the play on his camcorder. Tooru is glad for this, because it means Kureno will get to watch the DVD of Arisa. However, when Hiro lashes out at Haru (despite his efforts not to lose his temper), Kisa gets the wrong impression that Hiro likes Rin (Isuzu).

Released from his acting duties, Yuki checks in on the StuCo and is placed on patrol duty by an angrier-than-usual Nao. He overhears Machi being hassled by members of his fan club for her comments about Yuki not being a prince. He’s about to intervene, but Kanabe wisely restrains him; this is something Machi needs to work out for herself.

Eventually she does speak up for herself, first offering a curt apology when it is demanded, then elaborating on her read on Yuki, which is not only far deeper than the fans’ shallow infatuation, but also resonates with Yuki a great deal. She alone can tell that despite being around so many people, Yuki seems lonely. She can tell because she’s lonely too. Yuki blushes in the way a man blushes over a woman.

Kyou ends up joining Tooru with the others, but before they do, they share a quiet moment with each other, with that scene in the play still vivid in both their memories. But right at the edge of acknowledging their mutual feelings for one another, the two withdraw, neither allowing themselves to think about “it.”

If this were a one or two-cour romance, I’d say they were spinning their wheels, but Fruits Basket will continue for at least an entire third season and I’ve heard it could even extend into a fourth. So it’s so far so good with these two with two episodes left in the second season. I also continue to be intrigued with the Yuki-Machi connection, though I do hope they get to actually interact more down the road.

Check out Crow’s thoughts on the episode here!

Fruits Basket – 42 – Softly Shining Memories

Tooru’s been so busy (justifiably) thinking about “various things” that she forgot about their class trip to Kyoto. When we begin the episode she’s already there, making haiku that aren’t haiku with Saki as the others cringe.

Back when Yuki reminded both Tooru and Kyou that yes, there is a trip, Shigure impresses upon Tooru the importance of living her best youth. A Class trip, after all, is a time for people to confess to the ones they like—unless you’re Prince Yuki and locked in a hands-off stalemate!

Kyou also gets confessed to—by a random classmate I don’t think we know. When Kyou is a bit too rude in his rejection, his two guy friends knock him over and scold him, while the girl assumes that Arisa likes Kyou, which prompts the both of them gang up on her. I wonder if we’ll see her again?

It’s been a while since we’ve had sustained high school character time and the wonderful comedy that comes from their character dynamics. Neither Arisa nor Saki disappoint, proving yet again that the show could consist of just the two of them, their families, and maybe Tooru and I’d watch three-plus seasons of it!

Tooru is temporarily hurt by Kyou telling her to mind her own business when she asks what was troubling him. Of course, Kyou isn’t mad at her, it’s his usual anger leaking out at people who don’t deserve it, because he was no doubt shaken (not just annoyed) by the random girl’s confession.

When she sees Kyou playing with a cat who “came and left on her own”, she wonders if Kyou will someday treat her like that cat. Before he can walk away, she grabs his sleeve, and he takes her hand, smiles his warm smile, and hangs out with her. Tooru notes how “a simple remark” from Kyou can make her unsettled or happy…a pretty good sign you’re in love with someone!

Tooru’s dynamic with Yuki has such a different vibe, despite the chemistry between them being just as good. When asked what souvenirs Yuki is buying, he says he’ll be content just to leave with some nice memories. Tooru assures him he will, and that he’ll “quietly keep those softly shining memories within him”. Meanwhile, Arisa and Saki treating Kyou like one of the shrine’s feral deer…priceless.

Yuki is just happy to get thoses positive vibes from Tooru, having determined that while she is dear to him, he’s not thinking beyond that as she and Kyou seem to be. Like he’s content with school trip memories, he’s content to have Tooru continue to quietly smile for him and encourage him.

This position is borne out when Kanabe mentions his interest in Tooru. Yuki tells Kanabe that he’ll never forgive him if he hurts Tooru, but otherwise he won’t interfere in his pursuit, if he’s serious about it (he’s not; he already has a girlfriend!) Kanabe continues the thought experiment by asking what Yuki would do if he did hurt Tooru. Yuki answers childishly, despite himself: “then we’re not friends!”

Yuki doesn’t think a guy like Kanabe who can so clearly say he likes someone is that bad, nor does he think it’s that bad for him to say childish yet true things at times. It’s all good in the hood! As he waves hi to Tooru and the others joining him by the water, a falling Japanese maple leaf slips into his fingers. He decides to give that leaf to Machi, who seems to really appreciate the souvenir despite not having asked for one.

As for Tooru’s “souvenir for herself”, she procures a set of cute Zodiac figurines, as well as some clay for making the cat that the set doesn’t include. I can just imagine her using them on a battle map of her ongoing Zodiac campaign!

Furuba. Crow. You know where to go.

Fruits Basket – 41 – How You’ll Feel Tomorrow

Just because Tooru has taken it upon herself to lift the Souma curse doesn’t mean she’s going to start neglecting her two best friends. To that end, she learns Arisa’s longing for the man she met is so strong, she’s had to quit all her part-time jobs and get new ones so she wouldn’t keep expecting him to show up!

Then Tooru learns his name—Kureno—and from that point on becomes determined to find out if Souma Kureno is the man Arisa met. Mind you, Arisa doesn’t ask Tooru to check; she’s of the belief it couldn’t possibly be the same Kureno. But Tooru is driven by devotion to both Arisa and the Soumas and the fact she’s right means I want her to seek out Kureno, in case she could be the go-between Shigure was with Mayuko and Hattori.

This means Tooru has to sally forth to the Souma estate long before she has a final battle plan with Akito. I can’t imagine Akito’s rage should they find out Tooru was there, but fortunately she comes upon Momiji’s little sister Momo, in more ways than one. You see, Momo has been told all her life by their dad that Momiji isn’t really her big brother.

His Zodiac status is a threat to a happy normal life with the rest of his family, so Momiji has been cut out of it. He even had to stop violin lessons since he and Momo had the same teacher. The thing is, there’s only so much their dad can do to keep Momo away if she wants to see him and wants him to be her big brother—both of which are true.

When Tooru hears that Momiji is worried Momo will be hurt if she sees him, she tells him that not only does she want to see him and be his sister, but she’s been watching him this whole time from outside his window, especially when he practices.

Tooru cannot stand the fact that two people who are still alive and so close can’t see each other, even though that’s what they want most. It’s a clear parallel to Arisa and Kureno. Momiji tells her he is and will be fine, as long as he has people like her to cry for him.

Momiji can’t escort Tooru to Kureno since no other Zodiacs are supposed to see him, but he draws her a map. She ends up right outside his open window but is spooked by other people on the grounds and ends up filthy from all the running around and hiding. But just when a myterious woman with painted toes is about to spot her, Kureno whisks her away and asks her why she’s on private property.

His manner softens considerably when he learns Tooru is good friends with Arisa, and Tooru instantly knows he’s indeed the one for whom Arisa has such strong emotions. He voices his intention not to see her again, and not just because he has a Zodiac spirit—his other reasons are “none of her concern”. Still, Tooru offers Arisa’s contact info just in case he feels differently tomorrow…or next week…or in ten years.

Considering she can never see her mother again, the prospect of Arisa and Kureno never seeing each other again—despite the fact they both want to and have the means to do so—is utterly heartbreaking to her. Having returned safely from Souma Central without getting arrested (or scratched in the face) Tooru goes up on the roof to brood, a rare occasion but always a beautiful one due to the dramatic backdrop of city and open sky.

It’s not long before Kyou comes up to offer some company. When she first starts talking about not being able to be with the person you like, Kyou is confused and asks if she has a crush on anyone, flustering her. However, Kyou is sincere in his promise that he’ll be by her side to help if she’s ever in such a situation. This brings uncontrollable tears to Tooru, but he simply dries them with his sleeve.

While Tooru feels like her heart is “tearing apart” from the pain of knowing some wishes may never be fulfilled, the fact Kureno decides to hold on to Arisa’s contact info gives us a parting glimmer of hope that at least one of those wishes can still come true.

Read Crow’s review here!

Fruits Basket – 40 – Daring to Meddle

It’s parent-teacher conference time, which means the inevitable re-reunion of Mayuko and Shigure. Tooru doesn’t know what the deal is with the “diamond dust”, but Mayuko impresses upon her the importance of not bearing everything by herself.

With Tooru’s folks passed she’s believed for a long time that her only path is to immediately join the workforce without further education. But she shouldn’t feel trapped on that path; there are still other possibilities.

After the conference, Tooru can’t fool Saki, who can detect her turbulent “waves”. Still, Tooru dismisses it as general anxiety they’re all feeling about the future. Arisa could model, but hasn’t really thought anything through, while Saki is taking baby steps: first she has to graduate, then she’ll go from there!

Meanwhile Kyou has his conference with Kazuma, and it’s notable for the fact that we never actually see it. Kazuma simply came to support Kyou, not to dictate to him what path he should choose. And while I’m confident Tooru, Kazuma, and others will be able to foil Akito’s plans to confine him, Kyou should still savor the peaceful present while it still exists.

That results in Tooru, Arisa, Hana, and Kyou having a somen party, but Yuki can’t have fun, because he’s on the phone with his mom asking if she could, ya know, actually show up. The next day he might wish he hadn’t urged her and simply had Shigure come for him, but the growth that comes out of their confrontation makes it worthwhile.

“Worthwhile” is not a word I’d used to describe Yuki’s mom. She embodies the soul of Gordon Gekko: “greed is good”, and sentiment is for losers. Yuki has always been a tool, and when Akito took a liking to him, his mom was all too happy to toss him into the abyss. I simply cannot stress enough how unforgivable this was, considering the psychological damage done to Yuki in that accursed estate.

Just hearing his mom on the phone or being in her presence is enough to not only return him to the dark and lonely, hopeless room of his childhood, but darken and sap of color the very room in which the conference is taking place. When Mayuko tries to interject, Yuki’s mom is ready with barbs about her unmarried status and silly school.

Then Ayame bursts through the door, resplendent in one of his handmade suits and bearing a huge bouquet of roses for his pal Hattori’s new squeeze. But more than anything, he’s there for his beloved little brother, who gave him a second chance even though he didn’t deserve it. He also blames his own failure to meet mom’s expectations, which made her shift them all to Yuki.

Yuki is shocked to see that their mother has no idea how to deal with Ayame, and eventually storms out in full retreat. Yuki decides not to squander the chance Ayame gave him, and proceeds to chase his mom down in the hall. It’s then that he notices, for the first time, how small and thin she is. Of course, his most vivid memory is of her towering over him, utterly ignoring his pleas for help with a placid, complacent smile.

Furuba doesn’t pretend that Yuki’s mom’s hardships weren’t real and considerable, but it doesn’t excuse what she did either. Yuki uses the simplest terms he can: he wants to live in the world, which requires effort he wants to put in.

Even if he fails, he’ll take pride in the effort. But to him, letting her decide what his life will be is no better than ending it altogether. Considering what she’s done to his life thus far, that’s not an exaggeration!

His mom leaves without responding, but perhaps maybe finally she heard his words. That’s the first step towards exploring what other times she hadn’t heard them, and the price he paid.

As with Ayame, she won’t get anywhere if she doesn’t reckon with what she did and didn’t do for Yuki when he needed love and protection her most. Unlike Ayame, she may ultimately be beyond saving. But hey, Yuki made the damn effort!

For that effort, Yuki gets to see Tooru in the hall just as the sun peeks back out of the clouds. Sakuragi grabs him for a StuCo emergency (Ayame has invaded the office and is considering re-taking command) but as he passes Tooru he smiles and they exchange the same words as family when leaving for the day: I’m off. Take Care.

Tooru’s “meddling” against Akito has barely begun, but it starts with little things that mean everything, like telling Yuki earlier in the episode that his path and future are his to choose, no matter what anyone else says, and being in that hall later, just when he needed her smile.

Read Crow’s episode 40/15 review here!

Fruits Basket – 38 (S2 13) – Council of Troublemakers

It’s a new cour, and a new term for Tooru, Yuki, and Kyou, and while Arisa and Saki make a quick appearance at the beginning (confirming that Arisa has had no further contact with Kureno), this episode is not about the main crew at all. It’s all about Yuki, and his ability to lead the Student Council, which as was hinted at far earlier in the season is packed with some colorful personalities.

First there’s VP Maname Kakeru, who sleeps often, calls the council the “School Defense Force” and does little work. There’s secretary Todou Miki, who looks like Tooru’s twin sister, sounds like cutesy Kagura, but is a first-class stirrer of shit. The high-strung, irritable Sakuragi Naohito and the taciturn treasurer Kuragi Machi round out the crew.

Wrangling these misfits would be a tall task for any president, let alone one who was tortured by a god-child cult leader for years into thinking he’s lower than scum and devoid of hope. Yuki may be committed to a new, more honest and take-charge self, but he still has trouble interacting with people who aren’t family. Heck, he still has trouble with family!

Not only that, Vice President Manabe has a bright, charismatic personality and people are naturally drawn to him, which not only reminds Yuki of his big brother, but also social butterfly Kyou, two people “inner Yuki” has always compared himself to, and found himself wanting. He’s just not sure what to do around a guy like Kakeru, so he withdraws within himself.

When a StuCo session is commandeered by Manabe for the sole purpose of assigning Power Ranger-like colors to each member, Naohito fume, Machi simmers, and Miki eggs everyone on, and Yuki has no idea how to maintain order. The chaos washes around him, even as Manabe names him “Red” simply because he’s the leader, taking the more aloof “Black” for himself. No doubt Yuki sees it the other way.

Things come to a head when, while Yuki carrying seedlings for the gardening club after school, Kakeru confronts him about the nature of his relationship with Tooru. He spotted Kyou walking home with her and judges the guy to look more like Tooru’s boyfriend, and “happier” looking in general. That sets Yuki off, and he unleashes a tirade at Kakeru condeming his apparent hobby of weighing the happiness of others for his own amusement.

Surprisingly, Kakeru kicks the tray of seedlings out of Yuki’s hands. Not one to back down from a confrontation, he calls Yuki out for lecturing him so brazenly. The two bicker, and Yuki eventually admits he was really just lecturing himself, because comparing himself to others is what he always does…or rather did, and wants to stop doing so much.

The StuCo may be full of troublemakers, but Yuki considers himself the biggest of all. Kakeru’s stance softens significantly, and he admits that he’s actually jealous of Yuki for having more empathy and understanding the feelings of others before needlessly hurting them.

Having only just started spending time with Kakeru, it was easy to box him into a caricature, but Yuki learns there’s more to the guy, including a desire to grow and change—even if he naps a bit too much to actually do so! While he was initially weary of the StuCo and his ability to lead, now he looks forward to spending time with Kakeru and the rest of these weirdos.

While I’ve honestly missed Tooru and the rest of the crew these past two weeks, Fruits Basket once again demonstrates it can tell a solid story from anyone’s perspective, and with any combination of main, secondary, and tertiary characters, without breaking a sweat.

Check out Crow’s episode 13 review here!

Fruits Basket – 22 – An Answered Prayer

Or: Why Kids Are Total and Complete Trash, Volume #3,692

Present-day Hanejima Saki’s “Waves” aren’t just a rumor about her, or some kind of occult quality she happens to believe in. They are an actual power, like ESP. I shouldn’t be surprised—this is a world where people turn into adorable animals when hugged by the opposite sex—and seeing how much a younger Saki suffered from the inability to control those powers really puts the person she now is into perspective.

But here’s the thing: she didn’t become a different person. She’s always been the same person: quiet, kind and gentle, and loyal to those who love her. Her problem in the past was, she feared her powers, and when human laws couldn’t be employed against her, she decided that whatever horrible bullying she received was punishment she was due.

Kids bullied the hell out of Saki, and it wasn’t until two shitty boys were holding her down to make her eat a live newt that she finally thought I want this boy to die that her ability had a physical effect, knocking the kid out for hours.

While its understandable for her to fear her power and even hate herself for it, that position totally ignores the fact that the little shit instigated things, and bears most of the responsibility. If he’d simply treated her with kindness, he wouldn’t have been hurt.

This week we also learn the extent to which Hanejima’s family loves her. It would be all too realistic for her mom and dad to one day reach their breaking point, but that never happens, and their love, protection, and desire for her to be happy never fades for an instant, even when she starts considering herself nothing but a burden to be discarded.

When the environment at school gets too bad—she has to sit and be burned and fight with everything she’s got not to fight back lest she hurt her bullies—the entire family moves, and urge her not to give up. Her devoted little brother Megumi wears all black in solidarity, and prays that one day someone will come who will love Saki as he does and end her crushing loneliness.

That day comes at her new school, where there’s no black in the uniforms, so she paints her nails black as a “mark of sin”, that original sin of harming the boy that she’ll never forget or forgive herself for. While in line for lunch, Honda Tooru chats her up. Little does Saki know that Megumi’s prayer has been answered in the form of this odd, ditzy, extremely polite and upbeat girl.

Of course, back then Tooru and Arisa were already hella tight, so they invite Saki to lunch with them, and won’t hear any objections based on her low self-worth. They make it clear to her that no matter how strange she may think herself to be, they’re just as strange, and welcome her company.

For the first time, a peer tells Saki “see you tomorrow,” and to her delight, they say “good morning” to her the next day, another first. As much as Saki tries to stick with her M.O. of staying away from people, she finds herself with Tooru and Arisa all the time, until even the once-oppressive sun seems to take on a gentler color.

All her progress with her new friends is suddenly threatened when two classmates ask her about her old school, having heard nasty rumors. But while Saki isn’t the one who burned a girl’s arm, she does own up to almost killing that boy, and for that reason, she believes Tooru and Arisa should distance themselves from her before they get hurt.

Needless to say, Tooru and Arisa..don’t do that. Not two minutes go by after Saki flees that Tooru catches up and declares that no matter what she does or doesn’t know about Saki, she loves her, and doesn’t want to stay away. Arisa joins them and asks simply: Does Saki want them to stay away? Of course, she doesn’t, and so they won’t.

The rest is history! In time, and probably in large part to emotional support not just from her family and two BFFs, Saki learns how to control her power, and the voices vanish. Now, as we know, she only uses it “a bit” to teach shitty people a lesson, but isn’t in any more danger of losing control.

But even if she’s more or less cured from a malady that was as life-debilitating as it was mysterious, she still wears all black, as it keeps her calm, while Megumi keeps wearing black for the same reason. His prayer was answered, but more importantly, Saki never gave up.

Fruits Basket – 21 – Prince Yuki, The Witch, and The Demon Queen

The cold open was so different from what I’m used to with Fruits BasketI momentarily thought my fansub might be a mislabeled episode of some dark mystery or maho shoujo anime. That is, until the appearance of Hanajima Saki, just before Minagawa Motoko wakes up from her nightmare in her hair bonnet.

Motoko is the third-year rep for the Souma Yuki fan club, Prince Yuki, of which we haven’t seen much since much earlier episodes. But along with her first- and second-year counterparts Yamagishi Mio and Kinoshita Minami, Motoko is committed to “getting rid” of the vile “witch” Honda Tooru.

They believe she has stolen their beloved Yuki’s heart with an evil spell, but she’s under the protection of the “demon queen” Hanajima Saki, whom they must defeat in order to get to Tooru.

If it sounds like these three girls have a case of chuunibyou, well…it kinda is, what with the specialized jargon, military-like procedures, and serial pose-strikin’! But mostly, they’re simply jealous of Tooru and Yuki’s relationship, despite knowing next to nothing about it, and believe their numbers give them the right to determine what’s best for Yuki.

While Motoko, Minami and Mio all have the same idea of Saki’s home (a haunted western mansion surrounded by graves), they’re surprised to find it’s…just a normal house. Her room is normal too, aside from the persistent black-and-purple theme (she even has some of the same shoujo series as they do!).

They’re looking for a weakness…anything they can use. Instead, they find Saki’s little brother, Megumi, who was hiding in the closet and only comes out when Saki tells him to.

Megumi: New friends of yours?
Saki: No. They’re strangers that happen to go to the same school and be the same gender as me.

I love how Saki and Megumi never for a moment stop being the people they always are, but by doing so keep the three Prince Yuki reps in a perpetual state of unease and dread. Saki warned them not to say their names in the house, and later Megumi explains why that is: all he needs is someone’s name to put a curse on them…or to counter-curse their counter-curse.

When the youngest of the reps starts wanting to leave immediately, the three finally come out with it: they want Saki to tell Tooru to stop being so close to Yuki. Megumi immediately takes their position for what it is—jealousy—and in trying to explain that it’s not jealousy, just being mad about someone having something they don’t have, she just ends up…describing jealousy.

Both Megumi and the musical score turn serious when he gravely warns them not to assume they can do what they want just because they like someone, and that pushing such intense love as theirs on someone can burden or hurt them, not loving them back. He asks them to consider how Yuki feels and respect those feelings, before they end up making him hate them.

Then he gravely says their names, one after the other, which sends them bolting out of the house, passing by the youngest (and most normal) Hanajima sibling in the process. They clearly forgot that Megumi could hear them using their names while he was hiding.

Hopefully, Motoko, Minami and Mio learned something from their visit to Saki’s house about taking such strong and unyielding positions about things they know so little about…but I’m not going to hold my breath, because the next day they’ll still have their huge fan club with its book of rules, and their two simultaneous, contradictory believes Yuki shouldn’t belong to anyone, but also should secretly belong to each of them.

Saki, on the other hand, took Megumi’s words to heart about jealousy, because she admits that’s what she’s felt ever since Tooru started living with Yuki, Kyou, and Shigure and had many adventures with them and the other Soumas. She tells herself she mustn’t let those feelings of loneliness make her selfishly think her needs and desires vis-a-vis Tooru are any more important than those of others.

With that, her loneliness is extinguished when Arisa and Tooru arrive at her front door; turns out Tooru doesn’t have to work until later, so she can hang out with Arisa and Saki. That brings a big, bright, very ungothic smile to Saki’s face.

The next morning, Motoko again awakes from a nightmare involving the “demon queen” Saki and hell, let’s call him Saki’s “death squire” Megumi. Minami and Mio also had nightmares, even though Saki teases them that the “curse” won’t take effect for three days.

But like their vilification of Saki and Tooru, perhaps those dreams are nothing more than a manifestation of their ugly jealousy, which starts as less ugly loneliness. After all, not a single member of Prince Yuki can possibly be happy, since they all love him, yet cannot be with him.

*  *  *

After twenty-one episodes, who is my favorite Fruits Basket character? Uotani Arisa. NEXT QUESTION. Who is my second-favorite? Hanajima Saki. NO MORE QUESTIONS. 

Both women are as strong as they are because they are able to be upfront and honest about their “weaknesses,” and while they have no time for childish challenges thrown their way by their would-be, so-called “adversaries,” they’re not above putting a good ol’ scare into them—and not below delivering wise advice when it’s called for. Tooru is as blessed to have them as they are blessed to have her in their lives.

Finally, I’d be remiss if I didn’t mention how goshdarn funny this episode was…I was laughing from start to finish at the Prince Yuki reps’ petty machinations and while watching their absolute drubbing at the hands of a young woman (and little brother) they never had any business trifling with.