Urusei Yatsura – 03 – In Flies Another Hassle

It’s just another day in Ataru’s class with Lum hanging off of him and Shinobu throwing chairs and desks at him in, but then the mega-rich transfer student Mendou Shuutarou leaps out of one of his family’s fleet of private helicopters and is hit by one of the desks Shinobu throws. Shinobu approaches him to apologize and is immediately smitten with Mendou … giving a concerned Ataru a foot to the face.

Ataru doesn’t have to worry … much, as the moment Mendou spots Lum floating around class, he loses all interest in Shinobu. Unfortunately for him, Lum only cares about her Darling, Ataru. Mendou arrives on the day of the election for class president, but worried his administration will be too punitive towards his fellow male students, the lads nominate Ataru to run against him.

When the two tie (Ataru getting all the boys’ votes, Mendou getting all the girls’), Mendou challenges Ataru to a traditional Mendou family duel: a William Tell routine, but with cannon instead of pistols. In order to commence the duel Mendou has to throw a glove at Ataru, but finds it impossible due to Ataru’s ninja-like elusiveness. He ends up hitting Lum with his duel glove instead, and she zaps him for his trouble.

Despite the principal insisting students aren’t allowed to parachute into school, Mendou arrives the same way as his first day, only this time Lum runs into him instead of a desk, and the two get tangled in his parachute. Lum was searching for her Darling, who slipped away to have a private chat with Shinobu.

To Ataru’s dismay, Shinobu plainly admits she has the hots for Mendou and sees no reason why it’s any of his lecherous, cheating-ass’s business. Just then, the parachute falls, and Mendou ends up on top of Shinobu, who is as elated by the experience as Ataru is mortified.

When the class goes on a team-building trip to the woods, we see Lum in human clothes for the first time, and it’s clear she’s got fine fashion sense. As usual, Ataru would prefer to be alone with Shinobu than her, so when Mendou asks Lum if she’ll accompany him to explore a nearby limestone cave, Ataru invites Shinobu.

All four know that a cave means the potential for scary darkness and clinging to the one you like. The only problem is, everyone likes someone who doesn’t like them: Lum wants Ataru, Ataru wants Shinobu, Shinobu wants Mendou, and Mendou wants Lum. It’s a perfect romantic Ouroboros!

As expected, Ataru never ends up with his preferred clingmate, despite conspiring with Mendou to turn out their flashlights simultaneously. He first ends up with Lum while Shinobu gets Mendou. The next time they try it, the two boys end up with each other.

That’s when Ataru learns that Mendou becomes terrified to the point of tears and raving when he’s in a confined dark space … but only when girls aren’t looking at him. As in, even if Lum and Shinobu are right there with him, he wails like a baby when Ataru covers the girls’ eyes.

If it wasn’t clear from our previous dealings with Mendou, he’s just as much a lady-obsessed chowderhead as Ataru, only richer. He’s also voiced by fellow comedy vet Miyano Mamoru, one of the few seiyuu of his generation who can go toe-to-toe with Kamiya Hiroshi.

When the flashlights crap out for real, Lum is fed up and uses her electrical powers to light the way. But by doing so, she activates some kind of alien spaceship that was embedded in the rock, causing it to launch and create a huge hole in the caverns.

Everyone’s safe and sound, with the boys and girls embracing one another this time, but the ship attains Earth orbit and its passenger looks poised to awaken at any time … let’s hope next week. The more zany characters the merrier!

Komi Can’t Communicate – 03 – God’s in Her Classroom, All’s Right in the World

When Agari Himiko, the shy school librarian who is afraid of being looked at, is stared at by Komi, who can’t communicate that she just wants to be friends, she jumps to the wrong conclusion and believes she either offended Komi in some way or is simply being messed with by the popular beauty for sport.

That said, Himiko’s fear of Komi staring at her helps her overcome her lesser fear of talking to the class, as she’s able to bravely relay to them where gym class is being held. She thanks Komi on the steps for scaring her into being brave. Tadano proposes the two become friends, but Himiko settles rather quickly for being Komi’s “dog.”

With Komi making friends left and right, she asks for and receives a cell phone from her folks—an old-style flip phone from simpler times. Now she can text her friends…if she had their number. She manages to get both Himiko and Najimi’s, but pointedly has them write them down on paper, because she wants to enter Tadano’s number first.

When it comes time to decide who will be class president, everyone nominates Komi, who seems poised for a position way beyond her current communication abilities. Najimi bails her out by opposing her, but when they’re surrounded by roughs, they declare that “president” is far too puny a title for someone like Komi! So everyone declares her Class God, and leave the thankless presidency to Tadano.

That night, Komi is giddily futzing around with her new phone when she accidentally calls Tadano (falling victim to a horrifying feature where simply putting your ear to the phone calls someone). As a result, both we and Tadano hear Komi talk more in a few moments than she has in the entire preivious two and three-fifths episodes. Koga Aoi, so expressive as Kaguya-sama, shows how much she can do with so little, from her little squeaks and screams to fractured sentences.

Finally, Komi is feeling bold, and wants to join the Cool Kids for some pre-class traditional games which go as completely over my head as they do her. Of course, I have an excuse having not grown up in Japan; Komi has never played any of the games the others grew up with because she could never communicate.

But that’s primed to change, as baby step by baby step she gets better at interacting with people and letting her will be known. The words will come in time…and even if they don’t, everyone will still worship her and the ground she stands on.

Sonny Boy – 02 – Kindle Blue Fire

While technically a beach episode, there’s not a ball or a bikini to be found. There are crabs—you gotta love crab—as well as a makeshift open-air classroom with rows of desks and a chalkboard, but otherwise the sand is just another flat surface for Nagara to lie on and wile away the hours.

When Nozomi catches a crab, it cuts her hand up pretty badly with its claw, but she soon heals; just another one of the rules of this “This World”, as the egghead Rajdhani calls it while explaining the situation.

While most of the class is in tents on the beach, Mizuho has, presumably through the three cat Amazon power called Nyamazaon, built a Disney princess castle full of stuff, but otherwise isn’t that different from Nagara in her fondness for straight chillin’.

Another girl steals makeup from Mizuho’s vast collection of things with impunity, but that and other items acquired from Nyamazon start to burst into blue flames, rumors spread that Mizuho is doing it intentionally.

Mizuho doesn’t help matters by stirring the shit on social media that the recent election was rigged in Michi’s (AKA Pony’s) favor—which is the truth; the extremely Kyuubey-like Hoshi helped rig it. Pony and Hoshi learn Mizuho is behind it and try to exact an apology, but Mizuho is stubbornly refuses.

When they confront her at the front gate, Hoshi uses his power of showing everyone potential futures to depict the entire island covered in blue flame; everything destroyed. On top of it all, Mizuho is exhausted and filthy from looking for one of her cats, who has gone missing.

While the rumor may have well gotten started since Mizuho is a natural target for envy and resentment among the other students due to her extremely cool power, Nagara still blames himself for blabbing about Mizuho knowing something about the flames, which got twisted into “Mizuho is responsible for the flames.”

But thanks to Rajdhani’s research and a retro Game Boy, it is determined that the blue flames appear every time someone receives something without a fair exchange. Among the things that burned-up, only Raj’s Game Boy was exchanged for some toys he made with his power, and only it escaped those flames. Therefore, it isn’t Mizuho’s doing, but the Rules of the World.

Among the students, most of whom end up in the “Punish Mizuho” camp/mob, only Nagara and Nozomi want to help her. They both know she’s not doing this, but also know that she hasn’t explicitly defended herself, which isn’t doing her any favors. Nagara also finds the missing cat, and unlike two previous instances of letting birds die, this time he takes care of the animal like the non-heartless person he is.

The two decides to go to her—nay, run to her, just as she’s literally making it rain fat stacks of cash, which soon burn up and set fire to the whole island. Mizuho, overcome with relief her kitty is safe, admits that she should have simply stated her innocence from the beginning. It’s an all-around wonderful performance by Mizuho’s seiyu Yuuki Aoi—which comes as no surprise as she’s one of the best in the business.

Nagara, Nozomi, and Mizuho oversee the ruined island—the realization of Hoshi’s vision—and concede the fact that they can’t live there any more. But then something happens: as the sun rises over the ocean, the island essentially resets itself to before everything burned up.

It’s as if the island, which set the rule of fair exchange, is forgiving all of the students for their stumblings as they learn of those rules and correct their misunderstandings. Mizuho comes down from her castle and apologizes, but only for making it rain flammable money…not the stuff she was accused of doing but didn’t really do.

Mizuho also stops by the beach where Nagara is lying to give him a token of her appreciation for finding her cat: a hat to keep his face out of the sun. When he asks if he needs to give her anything in return for it, she says with a gentle smile that it’s “her treat” before walking away.

This episode was significantly less weird and frightening than the first, but that tends to happen when you take the inscrutable black void out of the equation. What it was was another relatively straightforward exploration of how the court of public opinion can be wrong—in school or life—and it’s up to those who know it’s wrong to speak up. Nagara grew as a person in this episode, as did Mizuho, and they each gained a friend in the process.

Credit also goes to Rajdhani for not giving up on trying to make sense of the place, thus confirming the injustice being done to Mizuho, as well as Nozomi, for lending Nagara the encouragement to correct the injustice. Just as she’s the “Compass” who can see the ways out of these other worlds, she’s also a moral compass; a check against both rampant authority and rampant apathy.

Jaku-Chara Tomozaki-kun – 07 – Fall Today, Rise Tomorrow

It’s time for the campaign speeches, and Hinami controls the crowd as expected. Mimimi and Tomozaki are all ready to hit their key demographics when Hinami suddenly steals all their thunder by promising not only an electric ball pump, but A/C for every classroom.

Tomozaki knows they’ve been outmaneuvered by NO NAME, but Yumi and Mimimi still head out there and do their best, with Tomozaki rigging a Siri-like digital assistant that Mimimi can riff off of in order to amuse the crowd. Mimimi steps away from the podium and leaps into her “Brain’s” arms, feeling really good about her chances.

And then, Hinami proceeds to absolutely obliterate her at the polls, 416-131. That’s like a “U.S. House vote declaring puppies are cute” kind of landslide! It again underscores the yawning chasm between first and second place. Tomozaki joins Mimimi for a commiseratory rooftop visit, but Mimimi maintains an “I’ll get her next time” attitude.

Tomozaki isn’t sure whether Mimimi’s putting on a brave face, but at their next debriefing, Hinami expresses her surprise and pride in Tomozaki’s tactics, even if they were ultimately unsuccessful. Here I was ready for Hinami to be cut down to size, but instead her arrogance is rewarded with an easy and convincing win.

She immediately shifts back into helping-Tomozaki mode, presenting him with the task of asking Fuuka (remember her?) out to a movie. It’s a brief scene, and Fuuka already knows the theater where the movie is playing, but to Tomozaki’s credit he fights through the blushing, maintains eye contact, and asks Fuuka out, and she immediately accepts.

That could be one hell of a lovely date to watch, especially as Tomozaki has found he legitimately likes the Andi novels Fuuka loves, and thus will have plenty to talk about. That is…if he doesn’t stand Fuuka up due to an issue arising with Mimimi; namely that she isn’t able to give up trying to beat Hinami.

Aside from her real talk at the playground last week, Mimimi hasn’t really expressed what she really thinks, but it’s obvious she wasn’t prepared to be beaten as soundly as she was in the election, so acting like nothing’s wrong and working herself to the bone is concerning, not just to Tomozaki, but to her friend Tama.

While they watch Hinami and Mimimi practice around the track, Tama tells Tomozaki how Mimimi went to Hinami for advice on how to best approach Tama, back in first year when Tama had no friends. Hinami’s advice was for Mimimi to approach Tama a little bit at a time, even if it was just playfully poking her face.

After school and practice Tomozaki joins the three girls for a trip to the konbini, where they enjoy their usual dynamic. But then episode ends with the foreboding words “But the next day, Mimimi wasn’t quite herself.” I’m curious to see if Tomozaki can apply what he’s learned to “rescue” Mimimi the way she rescued Tama. I’m also preemptively preparing myself emotionally for the possibility that he’ll stand up Fuuka!

Jaku-Chara Tomozaki-kun – 06 – The Second-Tallest Mountain

Hinami has a bold idea for Tomozaki’s next assignment. While she was going to make him her own campaign manager for the StuCo presidential election, but with Mimimi throwing her hat in the ring, Hinami believes Tomozaki will get more out of being Mimimi’s manager. Hinami makes clear this isn’t meant to be a form of electoral sabotage: Mimimi is important to her. But she’s as confident that no one—not even Mimimi—can beat her.

Hinami’s attitude towards Tomozaki is basically “You’re not going to win, but give it your best shot”. The question is, is Hinami really this arrogant about the certainty of her victory, or is she quietly hoping Tomozaki will help Mimimi supplant her? Absent other information, I proceeded thinking the former: Hinami wants to win, and she’s not orchestrating her own exit from the spotlight.

Just as she has every right to believe victory is in the bag, Tomozaki has every right to doubt his ability to manage Mimimi’s campaign. Heck, when they almost collide in the hall and he earnestly asks her, she turns him down flat, justifiably questioning his reliability. While in the library, he gets extra context from Fuuka for why Mimimi is even going after Hinami’s throne: she wants to change things, and herself. So does Fuuka, though she adorably tells Tomozaki not to tell anyone!

The next morning outside of school, Tomozaki witnesses Mimimi campaigning beside her kohai and handpicked manager Yumi. He also spots Hinami working the crowd with her manager Mizusawa (the undertones of those two being a couple go uncommented upon). Hinami makes personal appeals to everyone around her, having memorized virtually all of their club affiliations.

Tomozaki sees how formidable a boss Hinami is, and how it’s probably for the best Mimimi chose someone else as her manager. But that changes when they almost collide in the hall again, and Tomozaki can immediately tell Mimimi needs help with her list of campaign promises. Not with the content, mind you: with the layout. He revises it in the lab and wins her over, but for her, it begs the question: why is he so dead set on helping her?

Tomozaki is ready with an answer she can relate to: The uber-powerful Hinami is simply an irresistible challenge to go up against; he wants to take her on and win. What he doesn’t tell Mimimi is that he’s not currently leveled up enough to go toe-to-toe with Hinami in the game of life—she’d mop the floor with him in any theoretical “battle”. But he could gain crucial life XP by “summoning” the top-tier character Mimimi as his “champion”.

Hinami may be imposing in her ability to amass and win hearts and minds, but as he follows her around the school, Tomozaki is reminded how Mimimi is no slouch in that department. Foregoing a full-on frontal assault for a rearguard action, Mimimi targets specific school groups and negotiates bargains in exchange for their votes.

It starts in the gym, where Mimimi can’t help but stuff her head inside Hanabi’s shirt, but she also makes an appeal to her senpai, promising an electric pump for all of the ball clubs. Later that afternoon, Tomozaki and Mimimi rest a spell in a park, where he notices her “totes adorbs” new haniwa (traditionally a funerary object), and she provides further context for her quixotic run at Hinami.

Mimimi starts out with a very effective quiz for Tomozaki: He’s able to immediately answer what is Japan’s tallest mountain or America’s first president, but in the case of naming number two, he doesn’t know. Mimimi does, because she’s perpetually been number two at school, both in academics and sports. She wants to move out of the second place shadows, to better validate all of her hard work and be recognized for it.

Later, Tomozaki asks Hanabi for some help sound checking the gym for Mimimi’s campaign speech. Despite being shirted by Mimimi earlier, Hanabi agrees without hesitation, because it’s for her friend Mimimi’s sake. She just asks Tomozaki to look out for Mimimi, who is an “overdoer” despite her claims to the contrary.

Mimimi and her “Brain” stay in constant contact via LINE (at which Tomozaki has gotten much better) while at school, Tomozaki has grown accustomed to Mimimi’s bubbly enthusiasm and it’s even rubbed off on him a bit, which amuses her to no end. He’s even learned to dodge her back-slapping! The two are well and truly on the same wavelength. Hinami spots the two from her perch on the upper level of the cafeteria, initially looking concerned, but then with a proud smile.

Their physical positions in this scene are instructive. Tomozaki and Mimimi are doing everything they can to win this thing from the lower ground, even though Hinami, by all indications, is sitting pretty atop the high ground, and still not even considering the possibility of an upset loss to Mimimi. But ultimately, only one candidate can win.

Questions abound: Will the result profoundly affect their friendships, and if so, how? If Mimimi loses, can she take solace in knowing she did her very best with Tomozaki by her side? Could their time together lead to them…dating? Would Hinami handle defeat with grace, or with an identity crisis? With its intricate and fast-evolving relationships, Bottom-Tier Tomozaki has infused new life and intrigue in the well-worn school election scenario, and I can’t wait for the returns!

Kaguya-sama: Love is War 2 – 06 – Winning the Right Way

Only one battle is covered this week, and it’s not in Kaguya and Miyuki’s War of Love, but the StuCo Presidential Election. Osaragi, Iino Miko’s best and only friend, gives an impassioned speech on behalf of her candidate, but only half the crowd at best is even listening. By comparison, Kaguya’s speech is preceded by intentional mic feedback.

Kaguya speaks with equal or greater passion than Osaragi, but with all the attention and none of the desperation. More to the point, everyone adores and idolizes Kaguya, and the lavishly-produced visual aids are, as Osaragi says, “full of shameless baloney” but nonetheless incredibly effective.

This one was in the bag from the start, but what bothers Yuu isn’t that Miko will lose, it’s how she will lose, which is the same way she’s lost every election she’s run in with increasingly dire results: she’s a terrible public speaker. Yuu doesn’t like how someone who works as hard as Miko ends up the laughingstock of the student body simply because of stage fright.

Again and again Osaragi’s heart has been broken by her friend’s defeats, knowing that while everyone sees Miko as serious, no one ever saw her cry bitter tears in the bathroom stall, wondering why her message fell on not just deaf but maliciously mocking ears.

Miyuki picks up what Yuu is putting down, and just when Miko looks like she’s going to secure her worst defeat yet in an embarrasing, self-destructive fiasco of a campaign speech, Miyuki…interrupts. She forces Miko to forget about the crowd that is causing her so much anxiety and simply focus on him, the person she’s running against.

By asking her pointed questions about her policies, Miyuki helps Miko get back on point. Because she’s simply talking to one person, Miko can summon her pride, confidence, and passion.

Not only that, the crowd Miko forgot about is finally seeing Miko stand up for herself against an opponent, and it never occurs to them this is only happening because Miyuki furnished the conditions with which to stand up to him.

Miko ends up losing to Miyuki, but it’s a damned close race: he only beats her 320 to 280. Far more importantly, their spontaneous debate, which stretched on for over half and hour and captivated students and faculty alike.

As such, Miko the toast of the school: a scrappy, righteous underdog who fought the good fought, came up a bit short, but is in prime position for a victory in the next election. Osaragi has never been more proud to be Miko’s friend now that she’s finally been acknowledged…and it’s all thanks to Miyuki.

Kaguya, meanwhile, suffered a number of stomachaches that landed her in the school infirmary. There, she asks Hayasaka where the hell Miyuki is and why he didn’t come to her bedside immediately to watch over her. Did he discover all of the political dirty tricks she pulled to secure his victory?

Was his assist to Miko meant as a stand against the “horrible girl who relied on foul play?” Was she wrong about Miyuki being nice to her as a sign he liked her, since he was also nice to Miko, and come to think of it, is nice to everyone?

The answer to all of those questions is either “no” or “it doesn’t matter.” Miyuki was only delayed because the first duty of the new StuCo is to clean up the post-election mess—which he achieves with the help of Chika and Yuu, who retain their positions as secretary and treasurer, respectively.

When he comes to her bedside, he apologizes for his impulsive behavior on the stage, but tells her he was only able to do it the same reason he’s able to do anything: thanks to help from her and the others. He doesn’t just like Kaguya, he needs her. He needed her for his campaign, and he needs her by his side as vice president for the next year. Elated but not quite able to face him, Kaguya flashes an “ok” sign, and all is right in her world once more.

With that, the stressful StuCo Election is finally behind us, but we won’t be returning to the status quo ante. That’s because, acknowledging her value, Miyuki has invited Miko to join the StuCo to perform their forthcoming financial audit, and to be in charge of “general affairs.” Having a fifth member in the StuCo office of Miko’s caliber should prove to be a lot of fun!

Kaguya-sama: Love is War 2 – 05 – Together We Will Rise: A Symphony in Three Movements

First Movement: When the Glare’s Not There

Chika is the first to behold Miyuki’s terrifying new face, or rather un-terrifying new face. As the result of his break from StuCo duties he’s been getting three extra free hours per day, giving him time to sleep more and fix his bed-head.

This has had the effect of making his eyes less heavy, so rather than glaring, his expression is bright and cheerful. This is very unsettling for both Chika and Yuu, so used to his usual scowl. But as other students greet him and invite him to hang out, it dawns on Yuu that Miyuki might have entered his Popular Phase!

Far more than make more friends, Miyuki wants to get Kaguya confess her love for him, and sees his new face as the latest weapon in that war. Unfortunately, Kaguya loves his ordinary intimidating glare, misses his “cool eyes”, and is thrown into a crisis of confidence in her love.

She goes to Nagisa for advice, mentioning a problem “her friend” is having. Nagisa instantly sees through the half-assed subterfuge, but admits she’s not nearly pure enough to endure—let alone discuss—on a topic as embarrassing as “What is true love?” Still, she tries her best, telling Kaguya she has nothing to worry about.

Chika overhears the conversation and declares love based on appearances to be fake and bad, but then Yuu pops by and argues that all love is true love if it comes from the heart, or some such. Kaguya eats it all up while Nagisa worries about losing her lunch.

Then, in a beat so unexpected and hilarious I had to pause the show to laugh, Miyuki appears looking like a dried-out demented wooden doll (exhausted from campaign work), scaring the Hell out of Nagi but delighting Kaguya, who is relieved her Miyuki’s face no longer resembles that of a stock shoujo manga love interest. Kashiwagi loses, while Hayasaka worries her mistress has adopted a particularly worrying face fetish.

Second (Bowel) Movement: Producing the Same Sound

The first movement explored the distinctive qualities that move someone to love that outsiders will never understand. This middle movement is all about a dark secret and deep yearning that dwell within Miyuki, which only comes to Chika’s attention while she’s conducting the student body in the singing of the school anthem, and notices Miyuki is lip synching. From her perspective, a former president and current candidate not knowing the words to the anthem is a scandal-in-waiting.

But Miyuki knows the words, and he wants to sing. He just doesn’t, because he’s “a little crap” at it. Despite reservations about the last time she trained him, this time Chika is right in her musical wheelhouse and wants to help him out. But when she hears him (and boy is it something to hear), she realizes she may have repeated a grave mistake and dug her own grave in the process. He’s not “a little” crap. He’s a veritable Cthulhu dump post-gorging on civilization!

No matter; Chika is a virtuoso, and if she can’t teach him he can’t be taught. She starts with the basics in a very beautifully directed sequence where she’s carrying a note and guides him to match that note using comments on the chalkboard. When they match, it’s a beautiful sound is produced, and Miyuki’s confidence is boosted.

When he tells her how his own elementary school teacher told him “you don’t have to sing” and his middle school classmates begged him to lip-sync, he stopped singing altogether and never looked back, but always felt left out and unfulfilled.

Chika displays a fierce maternal instinct in taking it upon herself to make a proper singer of Miyuki, so he no longer has to suffer in silence. A quick montage ensues with the two doing various exercises, and then the moment of truth arrives: another singing of the anthem.

To my surprise, Miyuki not only sings, but sings right on key! This show doesn’t always rip the rug out from under you! Even better, the anthem’s bittersweet lyrics very closely match the epic struggle she and Miyuki went through. By the time the anthem arrives at its coda, Chika is wading in a pool of her own tears…but they’re tears of pride and accomplishment. It’s a stirring win for both her and Miyuki.

Final Movement: Perfect Compatibility

Now we approach the end of this exquisitely crafted and performed symphony. The focus returns to the election, all-important to Kaguya in particular because the StuCo is the least suspicious means of spending time with Miyuki. The movement opens with Kaguya in Political Operator Mode, conferring with her contact Hayasaka on how oppo research on Iino Miko is going.

Hayasaka has their best internal and external people working on it, and we’re reminded of the long reach of the Shinomiya Empire, making it that much more charming that hardly any of it matters at all when it comes to Kaguya trying to get Miyuki to confess his love for her! Still, Kaguya’s not discouraged by the lack of dirt on their opponent. She simply has to turn Miko’s own pristine-ness against her.

When Kaguya meets with Miko in the darkened StuCo office in a nice bit of venue-as-posturing, we recall how when it comes to matter not related to love or Miyuki, she’s as competent and ruthless an operator as high school girls come. She’s able to assess Miko’s reliance on her strict ideals and their fragility in her moments of anxiety.

In far more words, Kaguya proposes a deal whereby she and Miyuki will support her in next year’s election if she bows out of this one. Miko can smell the dirty tricks a mile away, and proceeds to dress Kaguya down by saying she and Miyuki are “two of a kind” with “perfect compatibility.” Kaguya is delighted by her kind words, but thrown just enough off balance to be left open for Miko’s counter offer.

In President Miko and Vice President Chika’s administration, Miyuki and Kaguya will remain in their StuCo, albeit in reduced roles. Miko’s goal is to “restore order” to an academy wracked with chaos. Kaguya is instantly intrigued by this proposal, since it means she and Miyuki will still be together. It may even be preferable to him winning reelection, since he’ll have less exhausting work to do (though she doesn’t consider what that will do to his cool eyes!).

Miko may be petite, but she has big plans for the StuCo, who will act as an extention of the Morals Committee she already heads: Uniform checks in the morning, garbage pickup in the afternoon…she and Miyuki could do all of these things together! But the bubble bursts on this ideal scenario when Miko declares that the academy will be a strict No-Romance-Zone. That’s a dealbreaker for Kaguya, and so negotiations break down!

But while a soft resignation and coalition with Miko may be impossible due to her staunch morals, those same morals may well sink Miko’s chances of gaining much support beyond her loyal base. High schoolers typically like the freedom to engage in hanky-panky. It’s a school, not a church. Can Kaguya craft the narrative that exposes the disconnect between Miko’s policies and the will of the student body? I wouldn’t bet against her!

 

 

Re: Zero – Frozen Bonds

There’s one more piece of business before we begin the months-long wait for Re:Zero Season 2: a second OVA that takes place before Subaru is transported into this new world from that convenience store parking lot. It’s a prequel that focuses on Emilia, prior to becoming a candidate. She lives alone in a treehouse in the forest, surrounded by ice sculptures of people she carefully tends every day. This begs the question: did she turn them to ice? Is this penance?

If it is, she doesn’t know it. We actually get a good amount of Emilia simply wordlessly going through her daily routine, and it’s clear she’s as good a good girl as she is in Re:Zero. But then there’s the issue of her appearance, and her resemblance to the Witch of Envy. Everyone dispises that witch, and Emilia has exhibited magical powers, so everyone in the nearby village is afraid of her and hates her. Everyone except Puck, of course.

When a band of thugs attacks her with the intent of capturing her and selling her into sexual slavery, Puck isn’t around, so she has to rely on her own powers, as well as the cooperation of lesser spirits Puck taught her how to summon. She begs the thugs again and again not to escalate, but they ignore her. A giant yeti joins the fray, and her powers go out of control. Puck intervenes, calming Emilia down, but only because he’s respecting her wishes not to kill anyone.

There’s an “arbiter” spirit named Melakeura who is intent on eliminating Emilia simply for resembling (and being descended from) the witch. He’s stubborn as a horse (and looks like one too!), and Puck can’t dissuade him. Not wanting Puck to take on everything himself, Emilia leaves the safety of her treehouse and sets off on her awesome ice snowboard. Melakeura confronts, condemns, and attacks Emilia, but Puck arrives in time to slow him down.

A multi-stage back-and-forth battle between the two occurs, with Emilia demanding the arbiter to judge her for who she is, not some different person, and Puck insisting she be allowed to live a happy life in peace. Melakeura isn’t having it, so after Puck is nearly KO’d, he forms an official contract with “Lia” and takes his notorious monster form for the first time to defend her.

Melakeura also grows to monstrous size, making this almost a kaiju battle ending. But when the dust settles, Lia and Mega-Puck are none the worse for wear, and commit to their bond as father and daughter before a gorgeous sunset. Frozen Bonds felt 20-30 minutes longer than it really needed to be (some of the battles and Melakerua’s halting dialogue got repetitive at times) but it was nevertheless fun to see a glimpse of Emilia That Was, and how she came to be the exceptional person she is in the present.

Bloom Into You – 03 – Too Kind, or Just Normal?

This week Yuu stays by Touko’s side at every turn, giving her an indirect kiss-through-bottle-sharing like it’s not biggie and then surprising Touko about her family owning the bookstore she likes. Yuu’s fam is certainly impressed with Touko (and why wouldn’t they be) while Yuu’s older sister Rei seems to cut right to it, perhaps without realizing what she’s doing, by referring to Touko Yuu’s “girlfriend.”

During vacay Yuu hangs out with friends, one of whom the others know is pursuing a senpai. She doesn’t break it to them until after they watch the mushy romance movie that she already confessed but was kinda-sorta rejected, with the guy saying he wants to focus on basketball.

Yuu is both envious and bemused by her friend, but also her other friends’ insistence things will “turn around” if she keeps at it. Speaking of persistence, before Vacay is over Touko makes it a point to stop by Yuu’s to give her a gift…but also, likely, simply to see Yuu at work at the store.

Yuu “guesses” she’s “pretty” happy about being given the gift of a mini-planetarium, but seeing the stars projected on her ceiling call to mind how the distance from her understanding of why Touko likes her sometimes feels as vast as the distance from those stars.

She just might gain a little bit of understanding the day of the stump speeches. Touko looks like a picture of calm…until Yuu notices her hands are shaking. She takes Touko outside, where Touko admits she can’t hide from the likes of Yuu. So she doesn’t: she bares her feelings right there, and also goes into her past, when she was “nothing” (i.e. shy and introverted).

Yuu isn’t shocked by Touko’s sharing. Even if others see Touko as perfect, Yuu knows perfect people don’t exist…but nor does she look down on Touko for not being perfect and trying to hide it. Touko may say she’s “hardly special” for showing her “weak side”, but Yuu thinks having such a side is perfectly normal.

But out there, Yuu realizes she saw a “special” side of Touko, one she wouldn’t show to anyone else. Simply being that person makes Yuu herself special, and not just to Touko, but in general. Her speech doesn’t betray what she’s learned about Touko, but nor does it lie about who Touko the Student Council member is. She really does put the work in, and really is kind, and really would make a good president.

But it also means Touko’s hands will shake sometimes, and she’ll need someone to help her steady them. Yuu lists the boxes Touko checks, but includes her personal take on her, including using the speech to announce that she’s joining the council.

Touko win the election handily, and celebrates with Yuu via a PDA that their classmates don’t read too much into. As for Yuu, she’ll stay close to Touko and see where this goes. Will things “turn around” if she merely “keeps at it”? She’s resolved to find out.

Bloom Into You – 02 – Really Unfair

It’s not just Yuu; Nanami Touko IS pushy. It looks like she has been for a while. I don’t think she works at it, its just the way she is. Others may hold back or defer or concede, but she knows what she wants, she knows who she wants to help her get it, and as of the other day, she also knows who she loves, and it’s Yuu. If you can’t present a strong enough argument not to go along with her, you’ll get caught in her current by default.

Nanami choosing Yuu as her campaign manager has caused a rift in her longtime friendship with Saeki Sayaka. Nanami knew it would, but she did it anyway, and she presents a solid argument why: to reach out to and galvanize the first-year vote when no one else will. Nanami and Sayaka are always in sync on the volleyball court, but this is a lesson to Sayaka that at some point quite suddenly they weren’t, and that time has come.

Sayaka doesn’t fight it, and shows absolutely no outward aggression towards Yuu, save agreeing with Yuu’s assertion that Sayaka may well do a better job as Nanami’s manager. Sayaka isn’t blaming Yuu for this; she knows Yuu is as swept up as she is.

When Yuu finally brings up Nanami’s sunset confession, it’s at a railroad crossing. When the barriers come down and the train passes, Nanami steal’s Yuu’s first kiss, to make no mistake what kind of love she was talking about. Considering neither of them know much “what to do” following that kiss, it’s apparent Nanami may just as along for the ride as everyone in her orbit.

When Nanami asserts that she didn’t choose Yuu simply because she loves her, but still asks again to stand by her in the election as a friend, Yuu doesn’t have a problem with it. What she does have a problem with is that she feels she can’t properly respond to Nanami’s feelings, not matter how much she may want to.

During an interview and photo shoot with the school paper, Yuu suddenly takes Nanami’s hand in her’s, behind their backs where no one else csan see. She sees Nanami’s reaction, and is further frustrated: how can Nanami feel that “special feeling”, while Yuu feels nothing? What drew her to Nanami was the feeling they were similar in being unable to fall for anyone. That’s no longer the case. She feels left behind.

A meeting at a cafe to go over a speech provides Yuu with another opportunity to express how she can’t fall in love with Nanami, but the barista interrupts them with their coffee, and then Nanami steps in and speaks first: She knows what Yuu is going to say, and is willing to accept it. All she asks is that Yuu let her love her, not expecting anything in return.

Yuu thinks that’s weird, and it kinda is, but for someone like Nanami, who was like Yuu for so long—never knowing what that special feeling was like—finally feeling it made her that much more fulfilled. Yuu says fine, she doesn’t mind…but she doesn’t know why she said it, as she’s not even sure whether she really doesn’t mind.

For all of this, Yuu calls Nanami “unfair”, but that’s not really, well fair; it’s just that Nanami is a little older, and a lot can happen in the years between them. Yuu shouldn’t be measuring her own feelings against the older, wiser, more daring Nanami’s—that’s not being fair to herself. Nanami is a little older, a little wiser, and most importantly, a different person. It’s not a question of fairness for Yuu…it’s a question of patience.

Bloom Into You – 01 (First Impressions) – Waiting for Wings

Be it shoujo manga or song lyrics, Kaito Yuu has been trained to know what true love is supposed to feel like. That it’s a feeling so conspicuous and powerful and different from anything you’ve felt before, you’ll know it when you feel it, so just be patient and wait for it.

Now a first-year at high school, Kaito Yuu does not get run over by a truck, but ends up getting tricked into a position with the student council. On the way to the far-flung, isolate council office, Yuu encounters a confession in progress, followed by a prompt rejection.

The one doing the rejecting is second-year Nanami Touko, who also happens to be her senpai, and it isn’t her first, or even ninth, rejection. She always says she’ll never go out with anyone, because her heart never flutters when she hears them confess, be they boys or girls.

Yuu is in a similar situation. When her good guy friend from junior high confessed and asked her out, she expected that to be the moment she finally felt the same “blinding radiance” (or “sparkles”) she knows to look out for from her years of consuming conventional media.

But it wasn’t. He asked her out, and she felt…nothing at all. That was a month ago, and she’s been delaying her reply all that time. Now that she’s met someone with confession experience in Touko, Yuu decides she’ll try to ask for advice. She almost chickens out, but Touko can tell something’s on her mind, and Yuu is able to tell her.

Touko replies very wisely that there’s nothing wrong with Yuu not feeling anything special with her friend, nor should she feel like there’s a way she should be that she’s not being. When the guy rings as scheduled, Touko holds Yuu’s hand, giving her the courage to gently turn him down.

It goes so easily and is over so soon, Yuu wonders what took her so long and why she was torturing herself all that time. But Touko hasn’t let go of her hand yet. Unlike Yuu’s, Touko’s hand is trembling and clammy, and she’s blushing. The moment neither of them have ever experienced? Touko is suddenly experiencing that moment, right then and there.

She draws Yuu closer in and gazes into her eyes…but Yuu doesn’t understand what’s going on. At least, she doesn’t feel the same way as Touko at the same time. To be confronted with someone saying they’re “falling in love with you” immediately after turning someone else down must be a bit disorienting for Yuu, not to mention the fact they’re both girls, which Yuu isn’t quite sure how to handle.

Time passes, and nothing more happens between Touko and Yuu. But that afternoon is always weighing on Yuu’s mind, even as the whole council assembles to celebrate the impending transfer of power. Touko is running for president, and essentially asks Yuu to be her campaign manager. That means they’re going to be spending a lot more time together, often alone.

Bloom Into You is solid, straightforward shoujo romance. Yuu’s sparkly internal monologue about her ideal of love (how she thinks she’ll sprout wings and fly off) is beautifully illustrated, and Kotobuki Minako’s strong, assertive voice is a great choice for Touko (I don’t know much of Takada Yuuki, but she does fine work as Yuu). I’m in!

Mobile Suit Gundam: Iron-Blooded Orphans – 27

This striking image encapsulates the episode pretty nicely: Hash (or Hush) wants to be able to do what Mika can do, and what what his “older brother” couldn’t do back in the slums. He is at the head of the new recruits who have heard tales of Tekkadan and seek greatness—and purpose—in this new Mars, but haven’t escaped their past.

We also check in on Tekkadan’s Earth Branch in Edmonton, where Takaki lives with his sister Fuka and takes her to school. Things are still a little delicate, but Takaki will take all the stability, normalcy, and domesticity he can get. He’s an iron-blooded orphan success story; in a way, he achieved what Biscuit tried to but could not. Now that he has it, he has no qualms about paying it forward.

We jump from a meal on earth to one on Mars, where Hash makes his pitch to Yukinojo: he wants the A-V surgery. “Too old” is the cold reply, along with warmer words from Atra that Hash simply doesn’t want to hear. He’s poised to shove Atra aside, but Mika grabs his arm. And here Hash is: faced with the person he wishes to be more than anything, even at the cost of his life.

Hash seems an over-eager brat in a hurry to die—until we hear his story, and it’s a sad one. His “big bro” Builth went off to CGS looking for glory, but his A-V surgery failed, leaving him paralyzed from the waist down.

Hoping to make the lives of the younger kids like Hash easier, Builth’s actions had the opposite effect, and he took his own life before he could over-burden them too much. But doing so bestowed Hash with a new and potentially deadlier burden: to follow in his footsteps, but succeed where he failed.

Meanwhile, Tekkadan is going to subjugate the Dawn Horizon Corps pirates, Todo reappears (as a Very Irritating Person), and Fareed has sent the Arianrhod Fleet to Mars to join the pirate fight. Aboard is Iok (who seems put out), Julieta (who seems less crazy but no less devoted to Rustal), and…a new Masked Man.

Who the heck is this? Will he ever speak, or does he rely on the pulsing lights on his face to communicate? I’m not quite sure, but Julieta doesn’t trust him. Nor does Orga trust Fareed, but that doesn’t mean they can’t work together, at least for a time, towards a shared goal.

Mobile Suit Gundam: Iron-Blooded Orphans – 26

Donna Draper, Creative Director

Tekkadan is finally legit, Kudelia is getting shit done from her Mad Men office, and Gjallarhorn has fallen out of favor. Perfect opportunities to introduce new players on all fronts. Tekkadan’s standing is more solid, but there are still tectonic rumblings throughout this episode, which starts out peaceful, even mundane, but becomes progrssively more Gundam-y as the unintended consequences of everyone’s success mount.

Looks like a family

Kudelia’s underestimating of a sniveling economic rival mirrors how seemingly innocuous threats could end up a pain in our heroes’ collective rears. Cookie and Cracker are getting a decent education, but they cling to Mika when he even thinks about going back out into danger, something he obviously has to do and will continue to do.

Julieta here (voiced by MAO) is sure be in a cockpit soon, facing off against Mika

Kudelia and Tekkadan alike gained feisty rivals by showing the world that not all underdog causes are hopeless. Now that McGillis has a seat at the Seven Stars Big Boy Table, he, like Orga in Tekkadan, isn’t going to stop moving forward; it’s the only way for either figure to survive. Only Orga just wants to settle down make an honest living some day. McGillis has big ambitions, which attract both ire and push-back from the families whose toes he’s stepping on.

Mika makes another grand entrance in the nick of time

The world(s) is familiar, as are most of the faces, but it was exciting to see many in new or refined roles. It was also good to see new recruits positioned below, experiencing at the end a measure of the hell of war the main cast went through in their first episode (though these newbies have much nicer bosses.

All of Kudelia’s, Tekkadan’s, and McGillis’ plans to “let it ride” on the gutsy gambles they’ve made are being challenged at every turn by those who want to keep them down in the muck. We’ll see how the new role of the challenged, rather than challenger, fits our scrappy team.