Hensuki – 01 (First Impressions) – A Short Leash

Kiryuu Keiki gets to hang out with three cute girls in the Shodou Club (four if you count his imouto, which he doesn’t), but he wants a girlfriend. So imagine his shock when he finally receives a love letter from a secret admirer…along with a pair of underwear.

From there, Keiki tries to investigate which of the three girls (excluding his sister) could be the “Cinderella” to his Prince: the cool, mature senpai Sayuki (Taketatsu Ayana), the adorable blonde kohai Yuika (Hidaka Rina) or the approachable classmate Mao (Nomizu Iori).

In his interactions, the girls exhibit what could be construed as signals indicating they are the culprit, in addition to having feelings for Keiki beyond mere friendship, but nothing concrete until Sayuki happily accepts a date offer he accidentally makes when thinking out loud.

When he asks Sayuki straight up if “she has a secret” she’s not telling him about, she flees, and spends the entire next day at school very obviously avoiding him. Mao suggests he employ the “wall slam” tactic (much more effective in anime than IRL), which he does when he spots her walking home.

He tells her he knows her secret (assuming its the note and underwear); when she asks if that means he dislikes her now, he tells her it’s quite the opposite; after the initial shock, he was glad. Mind you, he makes no mention of what he’s talking about.

The next day, Keiki reports to the clubroom as requested, Sayuki makes him close his eyes, and when he opens them, she’s wearing a collar and leash,  exposed her bra, and asking to be Keiki’s pet. That’s when Keiki knows he’s in for something a lot stranger than he bargained for!

Hensuki is another show that would probably benefit from being 12-13 minutes instead of double that; the “investigation” drags on too long even if it’s also meant to introduce the main players. While a decent-looking, this show is utterly by-the-numbers and generic except for the twist at the end, which doesn’t definitively answer the question of who gave him their underwear.

This will be the story of a guy whose female acquaintances each have their own unique kinks, which they’ll reveal to him because he’s a kind and understanding dude. It is notable that the show so far exhibits a particularly soft touch when it comes to its ecchi element. But where this goes from here—and whether and how the premise can be sustained for 12 episodes—very much remains to be seen.

Sarazanmai – 05 – A Nostalgic Scent

Not long after Haruka was born, Kazuki gleaned from his grandfather’s dying words that his mother wasn’t his biological mother, and ever since felt disconnected from the family as a non-member, despite all the love they gave him.

It’s not so much that he hated his brother, as he said last week, but he hated the whole situation of him and his brother not actually being related by blood. Why it matters so much to him that they are connected by blood, but there it is.

In the present, Toi captures Sara’s manager and escorts her away from her fan meet-up event, but finds she’s not quite human, and thus capable of transforming into a little critter who can squeeze out of any confinement.

Kazuki fares rather well as Sara’s double, at least where Haruka’s concerned, but things go pear-shaped fast when both the manager and the real Sara arrive in the hall and the former removes Kazuki’s wig. And that’s it: his secret is out. Now Haruka knows all those texts were just from him.

As all this is going on, the Otter Cop Duo wrings the desire from a man obsessed with sachets of a very specific smell, creating a new Kappa Zombie boss.

The three kappaboys do their song-and-dance, but when the Sarazanmai comes, and Kazuki’s memory of finally reuniting with his true mother in secret, the smell of her sachet he remembers is the same as the sachet Haruka always carries.

Whatever that means, the three kappaboys are ripped out of the tunnel of water, their work to extract the shirikodama still incomplete.

Keppi is so mad he can boil tea on his belly, and asserts to the boys that they won’t get their human forms back or get a dish of hope until they defeat the Sachet Zombie. Kazuki shares more about his meeting with his mother with Toi and Enta, culminating in him deciding to stay with Haruka and his non-biological parents.

Even so, before he returns to them, Haruka runs (that’s right runs on his functioning legs) to beg Kazuki to come back, fearing he’s going away. Kazuki spurns him rather harshly and walks off, but Haruka follows him…and gets hit by a car.

Now, every time Kazuki sees Haruka in his wheelchair, he’s reminded of what he did to him, and simply can’t bear it, which is why he adopted the Sara clone routine to make a faux connection with him from a safe distance. But odds are Haruka already forgave Kazuki a long time ago, and couldn’t care less if they have different mothers.

Sarazanmai – 04 – Only The Bad Ones Survive

That’s the mantra a younger Kuji Toi learns from his older brother Chikai at a seminal moment in his life, along with the lesson that those who can’t survive can only perish and be forgotten. It’s when Toi is thinking about these things that Enta calls him to meet. Enta wants him to give his Dish of Hope to Kazuki…again for Haruka’s sake.

We learn along with Enta that Toi’s relatives run a soba shop that used to be run by his and Chikai’s parents before they ran into debt and committed suicide. It’s from those shadows that Toi finds himself in the position to give someone some light: in Kazuki’s case that means kidnapping the real Sara Haruka is poised to meet so he’ll meet Kazuki instead, preserving his secret identity.

Kazuki is so dedicated to his Sara persona, Toi can’t help but blush when he watches him eat soba, even though he sucks at eating soba! Watching Kazuki work to protect his weaker brother dredges up more memories for Toi, even to when he and his brother were not on the best of terms.

Chikai joined a gang to make money, cursed their folks for offing themselves, and spitting on Toi’s quaint sentimentality. But he also takes care of Toi, even if Toi doesn’t think what he’s doing is good or right. He produced enough cash to prevent the soba shop from leaving the family, and put their relatives to work running it. It was as if Chikai was sacrificing his goodness for Toi’s sake.

Kazuki’s crazy Sara-kidnapping plan is sidelined by a Zombie Kappa alert, also soba-themed. Specifically, Sobatani, a soba shop owner who was charged with stealing bathwater from a female regular. The Flying Object of the Week is soba and soba dishes, drawn by the Zombie Kappa’s insatiable desire.

Since some of the soba he draws in comes from Toi’s relatives’ place he has a personal stake in defeating the Zombie Kappa, and so takes the lead, demanding Keppi transform him, then uncovering the truth after their song and dance: Sobatani wanted to make soba out of the bathwater. Weird!

With Sobatani’s secret out and Shirikodama extracted, Sarazanmai occurs, and Kazuki and Enta watch along with Toi as the missing pieces of his tragic flashback fall into place. When Toi learned that both his and Chikai’s lives were in danger after stealing the money to buy the soba shop, he takes the handgun he finds in a drawer and shoots Chikai’s gang senpai.

Chikai arrives on the scene, and puts too more bullets in the man, claiming he was the killer, not Toi. Even when Toi sought to share some of the burden of badness in order to survive, Chikai was there to cover for him; to, in a way, save his soul. If only the two of them knew the truth, no one in the world would ever suspect the little brother of murder.

But Toi still concedes he killed someone, his brother’s save aside. He claims not to be too haunted by it—it was a necessity to ensure both his and Chikai’s survival, in keeping with his bro’s mantra. But it’s still his secret, and he threatens Enta and Kazuki with deadly retribution if they ever spill the beans about what they’ve learned.

Having gained new insight into Toi’s upbringing and motivations, Kazuki decides to offer up his Dish of Hope to him, believing he’s more deserving of it than he. ‘But what about Haruka’, Enta protests? Well, for Kazuki, that’s why Toi is more deserving: Kazuki claims to hate Haruka.

Does he mean Kazuki finds looking out for him and doing these things for him a burden? A mere excuse to indulge his own desires? Or would he never kill, even for Haruka’s sake? It’s a declaration that seems to come out of left field, but I’m sure there’s more context to come.

Sarazanmai – 03 – The Golden Duo

Kazuki wakes up, but is too out of it to notice that Enta was just kissing him. Enta is direct with the audience: he’s in love with Kazuki. He has been for a long time, ever since they were the unstoppable “Golden Duo” in soccer, complete with a signature pose. Enta has to contend with a lot of kissing the next day, as his big sister Otone is going on a fishing trip with her boyfriend.

The episode plays with the fact that kisu is not just how you say “kiss,” but the Japanese name for Sillago japonica, or Japanese whiting. The city idol declares it’s kisu day, and in lieu of someone to kiss (that he knows of), Kazuki tries in vain to go to a fishmonger for a “kisu selfie” for Haruka.

While playing cards with Haruka (who “Sara” texts to apologize for the selfie being late), Enta learns that Kazuki isn’t laughing around his little brother either ever since quitting soccer. Enta wants to use the wish from the next dish of hope to reunite the Golden Duo.

Enta even fantasizes about Kazuki coming around on his own and letting him tie the miçanga to his ankle – the symbol of their soccer brotherhood as well as a token of affection. But no—it’s just Otone, who runs off with the anklet for her date.

As Enta defends the spot by the river where he and Kazuki used to practice by getting into a fight with two other players, the two “Otter” cops create another Kappa Zombie, this one from Otone’s kisu-loving boyfriend. His head takes the form of a kisu, but he’s a Don Juan who has many women and many kisses, obsessed with quantity over quality.

Enta fantasizes again that Kazuki comes to rescue him, but it’s just Kuji, who doesn’t get why Enta got in a fight he had no chance of winning. Enta is committed to protecting the Golden Duo’s practice spot…in the off-chance Kazuki comes back to him.

The Kappa Zombie alert is then sounded (with Sara doing a wonderful homage to Castle in the Sky), and rather than cats last week the sky is full of brides, all of them drawn to the zombie, who turns them to kisu with a kiss. The three lads are transformed by Keppi, do their attack song and dance, and extract the zombie’s shirikodama.

All three parts of the ensuing sarazanmai are related to Enta’s long-standing secret crush on Kazuki. We see Enta smelling Kazuki’s clothes, playing his recorder (for an indirect kiss), and finally his more recent kiss with a sleeping Sara!Kazuki.

The zombie thus vanquished and its desire assimilated, Otone and all the other women wake up and completely forget Mr. Kisu…as if he had never existed. He even disappears from photos, Back to the Future-style! Enta confesses his love to Kazuki and just when they seem poised to kiss, it’s only another fantasy; “Kazuki” is just Keppi.

Thanks to Kazuki’s obliviousness and Kuji’s lack of really caring, Enta’s secret seems to be secure—or at least emotionally tabled—for now. The next time he’s with Haruka (who we see in a wheelchair for the first time), Enta declares he’s going to “give up” on trying to win Kazuki over.

Part of that is that he saw a random mouse making off with the miçanga meant for Kazuki as a sign that it’s not to be. But then Haruka produces Kazuki’s original miçanga, saved from the trash, and asks Enta to keep trying to get Kazuki back into soccer.

Meanwhile, the Otter Cops are scolded by their boss, who is “otterly” furious at their lack of progress due to kappa-related interference (I hope he’s just a giant talking otter, for the record). With his frustration in mind, I wonder how much longer the kappa zombie fights will remain as easy as they’ve been.

Sarazanmai – 02 – Let Slip the Cats of War

As a reward for defeating their first kappa zombie, Keppi bestows upon the boys a silver “Dish of Hope” they can use to wish for anything. Enta snatches it and accidentally wishes for a hatchback-sized cucumber roll, shattering the dish and leaving the three with no reward (unless they’re going to eat that roll…which is on the ground).

Kazuki is eager to earn another dish that he can use not to fulfill his own wish, but that of his little brother Haruka. We learn that he is the “Harukappa” to whom Kazuki is sending selfies of himself-as-Azuma Sara. Kazuki’s only wish is that Haruka is happy, and a dish can only help that cause.

Meanwhile, Kuji Toi is up to more criminal mischief on behalf of his older brother, while Enta receives a Kappazon package meant for Toi—containing a handgun of all things—strengthening Enta’s belief he’s Bad News

When Nyantaro, the fat, awesome neighborhood cat Haruka adores, sneaks into Toi’s weed-growing lab and steels a shipment hidden in cat treats, another ludicrous chase ensues. Kazuki (dressed as Sara again) stops Toi when he threatens Nyantaro with his metal ruler, and refuses to get out of his way or stop following him.

The chase leads them to a couples-only theme park, an employee of which dresses the two up in bee costumes and insists they hold hands the entire time they’re in the park. Kazuki and Toi hold hands and chase Nyantaro on ride after ride, but can’t manage to close the distance, since we’re talking about a neighborhood cat here: if he doesn’t want to be caught, it’s not happening.

We learn a little more about the two bishounen cops from the end of last week, who appear to do an elaborate song and dance of their own to extract desire and create a new cat-based kappa zombie boss.

It’s apparent these two and Keppi’s three young helpers are working at cross purposes, but the cops’ specific motivations, beyond their commitment to “wring out the desire”, remain mysterious.

Not soon after their “performance”, thousands of cats start to float up into the sky, including Nyantaro, and Enta and Keppi (disguised as his date) meet up with Kazuki and Toi to discuss the situation. Enta warns Kazuki to stay away from the kid he’s currently holding hands with, but in order to get his little brother’s favorite cat back, he needs Toi’s help.

Events from there follow a pattern now familiar after the first go-around last week (in what I like to call the Ikuhara Formula): Keppi turns the three lads into kappa, they attack the zombie boss (this time a giant cat), and when they determine its secret (he kidnapped cats and shaved them to give himself a coat of fur so his girlfriend would take him back! Of COURSE!!), they  break through and extract its shirikodama.

Once that’s done, the guys go through the titular sarazanmai, during which it’s revealed that Nyantaro was owned by another family before Kazuki stole it so Haruka could have a cat (even if it was only a neighborhood cat). He defends what he did because he did it for his brother’s sake; his happiness trumping all other considerations.

With the second boss defeated, the lads receive another silver dish of hope, and Kazuki and Toi immediately argue over it, with Toi even brandishing his gun. Since both have brothers they want to make happy, and Keppi informs them they’ll need five to grant a real wish, Toi cedes the dish to Kazuki, but he’s getting the next one.

That night, Kazuki finally completes his mission to take a Sara selfie with a cat (specifically the rescued Nyantaro), to Haruka’s delight. Exhausted from the day of activity, he passes out right there in the park, where he’s approached by none other than Enta…who promptly kisses him! Looks like he’s got a secret too—one that re-contextualizes why he was so concerned with Kazuki hanging around Toi.

The two cops also now realize somebody is out there working against them. It’s likely only a matter of time before the two opposing groups clash. In the meantime, on with the hope-dish collecting!

After two episodes, I now have a better grasp of the beats and rhythms of a show that definitely dances to the beat of its own drum. With less head-scratching to do I could concentrate better on all the little details that contribute to making Sarazanmai such a fun and exciting little show that’s unafraid to challenge contemporary “norms”of gender and sexuality.

Domestic na Kanojo – 11 – There’s Always Someone Better

After lying and keeping secrets for so long, Natsuo finally tells Rui everything, from his long time love of Hina to his determination to be with her in the future. But just because it’s the truth doesn’t make the words sting any less. After sharing one last kiss and an evening of private sobbing, Rui is also determined to move on from Natsuo.

Of course, since it’s impossible for Rui to not handle such things in an odd way, she announces to Natsuo the next morning that she’s decided to “start disliking him.” I can’t say I blame her, as Natsuo has grown more selfish and insufferable with each passing week, but in her case it’s a defense mechanism. She’ll still treat him like family, but otherwise, she’s done.

At least Natsuo gets to talk to Rui; Rui freezes out Hina both on LINE and at school, where Natsuo and Hina misguidedly meet up once again to discuss it. The episode suddenly makes a hard right turn from the love triangle to…the “Natsuo Striving to be an Author” plot, when Rui wins an award instead of him (or Miu, for that matter).

This shakes Natsuo to his core, despite the fact, if he’s honest, he’s spent far more time lately being a horndog with Hina than he has crafting brilliant narratives. Still, he believes the solution is to go to Akari’s house announced and beg him to make him his apprentice. It’s not any more pleasant than Natsuo begging for sex.

His sensei turns him down in this case, because becoming his apprentice is not the way to go about becoming a good author; it takes actual struggle and hard work, not just connections. Natsuo takes this to mean writing one short story per week. Then, in another bit of whiplash, the episode makes another hard turn to School Beach Trip territory.

This means not only Rui and Miu and Momo in swimsuits, but Hina as well, and as she plays volleyball with the students, she looks more like a teacher than a student. Rui takes her aside to remark on the inappropriateness of her swimsuit, but Hina is so happy she’s not ignoring her anymore, that it leads to the two making up.

Rui isn’t interested in Hina breaking up with Natsuo if she still has real feelings for him; instead, she’s prepared to concede him to her and pursue other options. Honestly it’s probably a good move by Rui…if she can stick the landing. But Rui’s assurances don’t dissuade Hina from deciding to break up with Natsuo anyway, since it’s just not a tenable relationship.

It’s disappointing to see Hina’s position so callously overruled by Natsuo thanks to a cheap ring and a promise that he’ll make an honest woman of her for sure, even proposing marriage. Their two positions couldn’t be further apart, but there’s no compromise, Natsuo simply gets what he wants, again. 

While he may talk about caring about the future, it’s Hina who was looking out for both of them by suggesting they end things while they still can. Instead, they make out in front of an open window during a fireworks display, then have sex and apparently spend the night together.

These are not good decisions, as Hina learns on the first day back at school, when she’s summoned by the principal, who presents her a photo of her, and Natsuo, kissing by the open window, during the fireworks display.

She and Natsuo were so caught up in being together that they got sloppy, never stopping to think how others (who weren’t Rui) mind think and feel about them together. In the school’s case, it’s likely a fireable offense, and certainly a black mark on its reputation. Suffice it to say Hina is well and truly fucked.

TenSura – 24 (Extra) – Conqueror Of Flames

This being an extra episode and all, I had no idea what to expect, so it was a nice surprise to get a story about one of Shizu’s exploits, which takes place before Rimuru even appears in this world. As she arrives at Filtwood Castle to join a host of other adventurers in an effort to defeat a recently summoned demon, it’s made clear Shizue Izawa is already a legend among her peers and in Filtwood’s court.

But she’s weary that even the formidable Silver Wings have recently fallen to the demon, suggesting it at least has a name that lends it more power (as we’ll witness later with Rimuru’s namings). It’s also odd that the less bold adventurers aren’t allowed to leave when they hear of the strength of their foe.

After one of them is killed and a lesser demon extracted, it’s revealed they’ve all been gathered there because more of them are suspected of being possessed by demons, so they’ll all be rooted out for the good of the kingdom.

Their execution of this plan is interrupted by a cloaked mage, whose immense power Shizu only then detects (suggesting it’s an extremely powerful mage who can mask such power). The mage is himself a demon calling himself “Kuro”, and is willing to kill everyone in the hall to find the demon he’s after.

Needless to say, Shizu isn’t about to let that happen, and so…they fight.

And what a splendid fight it is! At least as good as anything TenSura has served up. Shizu is a tough customer, but even she seems to be aware that Kuro is merely toying with her, and actually holding back quite a bit. Even her special finishing move only causes as slight amount of discomfort, yet even that is the most pain Kuro’s had the pleasure of feeling in some time.

What ultimately forces Kuro to withdraw, at least for the moment, is when he gets serious and attempts to behead Shizu. Her mask protects her and relieves Kuro of his arm, making him exclaim that the mask “surpasses time.” The assembled adventurers cheer for Shizu when Kuro departs in a black cloud…but this is only the beginning of the already exhausted Shizu’s busy day.

A knight comes to her quarters to escort her to an audience with the king, and while en route, this knight expresses both his gratitude for her heroism and awe at said heroism’s form…only the ever-observant Shizu doesn’t recognize him as someone who was present for her fight. Turns out she’s right.

The “knight” is actually the real king of Filtwood, and a demon at that. Not just any run-of-the-mill demon, either: a “legendary-class Greater Demon General,” which I assume is a real thing and not something he made up in a sudden chuuni fit. His name is Orthos, and he is revered by the people as a demon-defeating hero, giving him more strength.

Orthos thanks Shizu for being a “sacrifice”, something she has no intention of doing (and also obviously won’t die as Rimuru meets her much later). That said, Orthos is a tough customer, and Shizu has had no time to replenish her strength, magic, or stamina, which is of course Orthos’ plan all along.

Unfortunately for him, Kuro reappears in the nick of time to save Shizu. Before she was summoned into this situation, she recalled what Leon told her about demon “Progenitors” who are named after colors. Kuro is one of them, an identifies Orthos as an underling of another Progenitor, Red. That means Orthos is absolutely no match for Kuro, who utterly ends him.

In the end, Kuro is credited with killing the public king and minister of Filtwood (who were really Orthos’ puppet) while official records credit Shizu with defeating Kuro. In reality, the two agree to go their separate ways and forget they ever saw each other, and in exchange, Kuro won’t end Shizu like he ended Orthos. Still, Shizu predicts “someone will do something about that demon someday”…and that someone turns out to be Shizu, summoning him as “Diablo.”

This extra episode took a while to get going what with the need to set up an entirely new setting and scenario, but once Shizu drew her sword, good things started happening. It was a fun, exciting outing that added texture to the vast world of TenSura, not to mention demonstrated that it can do just fine without Rimuru or any of his entourage.

Domestic na Kanojo – 10 – Cowardly Lion

This week’s cold open features Hina cooking for Natsuo at her place—or rather trying to cook while he paws her. They look cozy, comfortable; lived-in. It’s clear he’s been coming to her place a lot. Cut to what must mercifully be the shortest cultural festival I can remember (they usually take up 2-3 episodes in shows like this!) followed by the concerned lit club members paying Kiriya-sensei a visit.

Turns out Kiriya is not just a famous author, but one of Natsuo’s idols. He presents Natsuo with the opportunity to submit his work for an award that could get him on the fast track to a professional writing career. Later, Natsuo teases Miu about liking Kiriya, and she accidentally shoves him down some stairs, fracturing his leg.

Natsuo’s physical “crashing down” is a portent for another imminent and unavoidable collapse: that of his half-assed web of lies!

I was very cross with the whole Natsuo x Hina situation last week, but I’ve moved on to the acceptance phase: I like Rui better, but it doesn’t look like it’s in the cards for her, so better to move on and see where this goes. But just because I’ve moved on doesn’t mean Rui isn’t going to use Natsuo’s injury as an excuse to act as his nurse—a role she embraces with gusto, including washing him in the bath while nude (and accidentally mistaking his little Natsuo for a soap pump).

It’s when Rui mentions how much she’s missed Natsuo being “at Fumiya’s house” so often recently that we learn how he’s gotten away with his visits to her under Rui’s watchful gaze: He’s just lying to Rui, because he’s a coward. Just like the Cowardly Lion in the school play. When Rui tells Fumiya about Natsuo’s leg, he says he hasn’t been by in ages. When Natsuo is caught in a lie and confronted by Rui, he lies again, saying he was going to Momo’s.

But the next time Natsuo is at Hina’s, and things start to get hot and heavy despite the cast, there’s a ring at the door and it’s Rui. When she sees Natsuo on the floor, clearly having been up to no good with Hina moments before, her eyes well up with tears and she storms off into the rainy night. The mood ruined, Natsuo goes home. But Rui isn’t there.

After a long time looking for her on his wet, muddy cast, Natsuo finally finds her, and she has a slap in the face ready for him. Turns out she was awakened to the possibility of where Natsuo might be (if not Fumiya’s) when she read his novel (which is presumably an extremely fast read). It’s the semi-biographical story of a student falling for his teacher even though he had a girlfriend.

Only instead of a girlfriend, Natsuo has Rui, the first person he slept with. Only he was never in love with her, but with Hina. Just because Rui has developed strong feelings for him doesn’t change that fact. It’s just a shame she had to find out the way she did, and that Natsuo had to lie to her not once but twice. This was the the wake-up call he needed to stir up some of that “nerve” the Cowardly Lion yearned for…it just came too late to spare Rui.

Wotaku ni Koi wa Muzukashii – 07 – Playing a Netoge, Then Eating Out Separately

This week’s WotaKoi is split between two completely different stories involving the core quartet, which is probably for the best as I doubt either one could be sustained for the entire episode’s length. Feeling more than ever like two distinct episodes works to both stories’ advantages, as neither wears out their welcome.

Most of Part One is presented within the virtual world of a fantasy netoge the crew has agreed to play together. The warrior Kabakura and elf assassin Narumi are the first to arrive, and Kabakura is thoroughly charmed by Narumi’s adorable avatar.

Not too much later the sexy black mage Koyanagi joins them, but when they end up in a random encounter with a rare boss, they’re almost undone when Hirotaka’s avatar is being controlled by Nao. Once Hirotaka takes over, he literally takes over, as in defeating the boss and collecting the loot as if he were playing solo, without any cooperation from the others.

Despite being perhaps the least enthusiasm for the game, he’s still the best at it and his player has the maximum level, because, well, he’s a game otaku. Acing games is kinda what he does.

We’re back in the real world for Part Two, as the guys and gals split off for a night of drinks and dinner. Hirotaka and Kabakura must patiently endure their two junior co-workers talking non-stop about Narumi and Koyanagi, including getting their personalities and traits totally wrong due to their lack of interaction with them.

Meanwhile Narumi and Koyanagi are poised to have a lovely dinner chatting over the anime Narumi had Koyanagi borrow and watch…only for the two to, as usual, hold opposite views regarding said anime. They regain common ground in considering their boyfriends in BL situations, but once again butt heads over which of them should be on top.

When dinner’s over, the four end up running into each other on the street. With the junior co-workers there, the two couples play things cool and quiet, not overly indicating they’re dating each other, and merely bidding each other goodnight.

It was definitely a case where things might’ve been easier (or at least less irritating) if Hirotaka and Kabakura had simply said they were dating Narumi and Koyanagi, respectively. But at the same time, it’s really not their business, so the lads are content to endure their ignorance for the sake of romantic privacy. And rightly so!

Hinamatsuri – 05 – I’m Totally Confused, But This Isn’t Prostitution

We begin with the very stark differences in Hina’s and Anzu’s everyday lives laid bare. Anzu learns cat’s cradle from a fellow homeless person, and is excited to show Hina so they can play together…but Hina only cares about video games.

Anzu has a good heart—perhaps too good for her own good—so rather than tell Hina to take her video games and get stuffed, she implements a scheme whereby she’ll find and sell used TVs she finds off the streets in order to afford video games with which to play with Hina.

Hilarity ensues, as Anzu first learns that CRT TVs are worth less than the dirt they’re sitting on, then learns that Hina and Hitomi are friends. Seeing the futility of searching the riverbank for LCD TVs, Hitomi asks her mom if she can have the one they’re replacing, only to get stopped by a cop for illegal dumping.

Meanwhile Hina makes herself useful (and demonstrates how clueless she is about…pretty much everything) by asking Nitta for cash to buy a new TV, then taking a 5900-yen taxi ride to the guy who buys the TVs…for 3000 yen. Hey, Anzu said she wanted TVs, right?

At the end of the night, Anzu spills the beans about wanting to afford video games to play with Hina (though it may well have fallen on deaf ears) while Nitta ends up very confused when Hina talks about selling the TV she just bought with his money to pay for cab fare. (A particularly standout exchange: Cabbie: “Where to?” Hina: “The river.”)

We then shift back to a Hitomi-centric segment, which is fine with me, as Hitomi is awesome. Two male classmates watch her enter the Little Song bar, and when Matsutani-sensei immediately follows her, they, with their adolescent brains, fear the worst: an illicit sexual relationship.

To that end, the boys start a “Matsutani Illicit Sexual Relationship Suspicion Task Force” made up of the two of them and Hitomi’s friend Aizawa, who thinks they’re full of it but recommends they recruit Hina—who has know idea what’s going on, and whose numerous pleas to know what’s going on go hilarious unanswered for the rest of the episode.

While initially skeptical, Hitomi’s ridiculous (and sometimes adorable) reactions to Aizawa’s probing convince her that something is amiss, but when it looks like she’s just messing with Hitomi to get those reactions, the boys split off (though they all have to take the same single staircase down).

After following Hitomi and Matsutani to the prep room and gaining no new intelligence, the four kids (Hina’s still there, but doesn’t know why) stake out the bar one night, and spot Hitomi entering, followed shortly by Nitta (who they regard as Hina’s dad).

Hitomi’s closest friend, Aizawa, decides to throw caution to the wind and rush into the bar, and the others follow shortly thereafter, where they catch Hitomi red-handed. However, after imagining the absolute worst that could be happening to her, Aizawa and the boys are actually relieved it’s just a matter of her being a middle school bartender.

With that, Aizawa forces Hitomi to repent for keeping them in the dark by declaring she is a middle school bartender, with the spirit of an idol introducing herself, which Hitomi does. This gets her the applause not only of her peers, but of Nitta and Utako as well. Hina, meanwhile, remains just plain confused.

Tada-kun wa Koi wo Shinai – 02 – Photography Club Can Be a Hoot

Between TKS and 3DK, Tada-kun takes round two. While we only took the tiniest step further in the ostensible romance between Tada and Teresa, we’re introduced to the rest of the crew and…I kinda like all of them?

On Teresa and Alec’s first day they’re the toast of the school, and bespectacled Class Rep Hasegawa asks if they’d like a tour to determine what club they’d like to join (they have to join something). 

That leads them to the photography club, where Teresa and Alec are reunited with Tada and Ijuuin, and upon inspecting a shrine of the club president Sugimoto’s favorite gravure idol HINA, Alec suddenly realizes that class rep Hasegawa is HINA.

Honestly, Tada and Teresa kinda chill in the background of most of this; the stars that shine brightest are Hasegawa, Sugimoto, and the trusty junior member Yamashita, nicknamed “dog” because he comes when Tada calls him.

When Teresa voices interest in joining the club, Sugimoto decides to hold a traditional photo-snapping contest to begin their trial period. The group splits in to, and they turn out to be inspired combinations.

Ijuuin ends up with Alec, with whom he clearly didn’t get off on the right foot, while Sugimoto and Hasegawa round out the 4-person Team B. Once the clock starts, they take turns running around the school trying to get good pictures of the other team, who doesn’t make it easy on them.

Tada, Teresa, and Yamashita make up Team A—a new couple and their pet dog—and the episode takes on a breathless, exciting energy as the club runs around the school with abandon, enjoying their youth.

In the midst of the competition, Yamashita reveals his excellent sense of smell, while Alec shows off her kunoichi skills (again adding fuel to my little princess’ bodyguard fire). We also get a lot of interesting interactions between Sugimoto and Hasegawa. She calls him “-chan”, so I wager they’re childhood friends.

But as Sugimoto falls for Yamashita’s “Look behind you, it’s HINA!”, it’s possible he’s unaware his friend is his favorite idol…and she’s fine keeping it that way. Still, gestures like Sugimoto shielding her from a bucket of water suggest that regardless of whether he knows, he definitely cares a great deal about Hasegawa.

Teresa and Tada thought they’d gotten the best shot of the contest by snapping a surprised Sugimoto and Hasegawa (cameras are good at picking up love between two people), it’s Ninja Alec who swoops in and snaps a picture of Teresa and Tada laughing, which ultimately wins.

So the two had a lot of fun together, and it looks like we have one long-standing couple and a pairing of opposites that just might work given time. And hey, even Yamashita has an admirer in Tada’s sister, Yui. Teresa and Alec join, and when Hasegawa takes her leave, Sugimoto stops her and invites her to join them in celebrating, since she’s part of the club too. All in all, a great ensemble effort.

Darling in the FranXX – 08

In another episode not about the FranXX but the flawed and confused boys and girls who pilot them, the effects of everyone in a squad hitting puberty at once comes to a head (no pun intended) when the latest Klaxosaur attack uses blue goo to eat away at the pistils’ suits, causing the stamens to ogle their partially naked bodies.

The girls are hurt, mortified, and furious, especially the fact the boys kept their condition a secret as long as they did (even if it was in the middle of battle). Led by the fiery Miku, a tape line divides the dorm in two: the girls on one side, the boys on the other, and n’er the twain shall meet.

Led by the fiery Zorome, the boys don’t take this perceived shabby treatment lightly, and proceed to take advantage of every loophole Miku and the girls didn’t think of, from flaunting their own half-naked bodies after taking a dip in the lake, to claiming the dining hall (and all the food in it) for themselves.

Meanwhile, those not so enthusiastic about the gender war, like Kokoro and Mitsuru, actually find common ground in their love of the greenhouse as a place of tranquil solitude (and where Kokoro hopes to read her baby book). The one neutral party is Zero Two, who the girls eventually confront to take a side. Perhaps charmed that they came to her, she agrees to join them.

However, as usual Two goes her own path in how to best antagonize the boys, using the other girls as bait by getting the boys to accidentally barge in on them in the bath, then stealing everyone’s clothes.

Hiro gets wise, but he’s absolutely no match against Two in a foot chase that leads them to the roof, where she releases the basket of clothes into the wind. Hiro can’t help but laugh at the situation, which Zero Two agrees is a lot of fun, while hoping Hiro can think of her as a little more “human” for taking part in the war.

Despite being ordered by Dr. FranXX only to observe and report, Nana and Hachi tell both sides to knock it the ef off; after all, they need their parasites in a position to sortie at any given moment, and that just isn’t possible with all the consternation floating around.

Zero Two tells the girls they’d better stop half-assing things and say what they want to say to who they want to say it, because it’s very likely none of them will be alive much longer, considering their occupations. Both girls and boys alike start to feel bad for the other side (which is good, because they’re thinking of how the other side feels and bears rather than just themselves).

The one holdout is Miku, who runs away and hides in an off-limits dorm. There, she discovers among a vase of dead lilacs, a photo of the previous Squad 13, all of whom must’ve been wiped out. When the others join forces to find her, Miku is a wreck, but the photo and empty dorm room are a powerful, sobering message: if you don’t get to know each other, they have no chance of surviving.

With that, the two sides formally make up, with Miku rather adorably revising her stance, telling Zorome he can ogle “a little bit” as long as he doesn’t go so far. Apologies and handshakes are exchanged, and the squad recombines…but not before cleaning up the empty dorm where there predecessors lived and placing a vase of fresh lilacs by the window, a flower signifying friendship, fond memories, and youth, all of which were on full display this week.

I actually enjoyed these two past episodes in which the battle with the Klaxosaurs was either absent or pushed to the side; I’d much rather watch the members of Squad 13 continue to learn more about one another, become friends, and perhaps more…which is likely Dr. FranXX’s intention with the test squad, after all. That they’re all starting to realize they are boys and girls at once was certainly no coincidence.

Darling in the FranXX – 07

After last week’s epic battle, the 13th gets some well-deserved R&R on a real beach, which makes this a respite episode and a beach episode. It’s a good time to let us spend more time with the pilots as they interact in non-life-or-death situations for once.

The other big news is that 002 and Hiro are officially partners and Zero Two is now a member of the 13th. The higher-ups pulling the strings assign extra surveillance to her and seem to want Hiro to safely “deliver” her somewhere specific. Hiro also meets a fellow young man who’ll be the one doing the surveillance.

But for now, splashing and floating in the ocean are the order of the day, and the male gaze is in full force, with even a “goody-two-shoes” like Gorou thanking the powers that be for such a wonderful experience.

Hiro got to meet Dr. Franxx, who warns him not to let 002 “consume his emotions” if he wants to always be her partner. That is obviously a challenge, since Two is extremely flirty whenever around her Darling, even leaning in for what Hiro thinks is another kiss before she licks his cheek.

Zorome, Goro and Futoshi are in the dark about what all this “kissing” is about, and when Hiro grudgingly describes it and how it feels, Zorome is so eager to experience it for himself he tries to kiss Hiro. Mitsuru and Ikuno don’t participate in the other girls’ and boys’ fun, but Ikuno also makes it clear that doesn’t make them alike.

Then Mitsuru finds a path and leads everyone through it, and they find an abandoned ghost town not unlike the one they appear in during the typical end credits (we get a girls-in-swimsuits sequence this week).

It’s a place that’s gorgeous in its decay, where nature is taking over what was once civilization. Kokoro finds a book on child-rearing, something I’m sure is not done anywhere near the way we know about in our world, considering the ignorance of the parasites—or maybe it is, but since it has nothing to do with their duty to protect humanity, they were never taught about it.

002 tries to tease Ichigo about the fact that she’s kissed Hiro, but Ichigo mostly stands her ground without revealing she kissed him too. In any case, she’s far from ready to surrender Hiro to Two.

After enjoying a lovely sunset on an outcropping, the squad returns to the beach to find a sumptuous barbeque awaiting them. There, Ichigo and the others officially welcome Hiro to the 13th. They welcome 002 as well, but she runs off to swim some more, and seems miffed her Darling did not follow her.

That night, Ichigo gets some much-needed alone time with Hiro as they both wake up in the middle of the night and take a nice starlit stroll along the beach. Seeing Ichigo step into each of Hiro’s steps ahead of her was a really adorable move on her part, and she has a lot of nice closeups of just how much she’s enjoying being with Hiro and Hiro alone.

Ichigo eloquently expresses her feelings, from telling him not to give “all his attention” to 002 “look at her too”, to how much their kiss meant and her desire to be with him forever. She’s relieved Hiro still remembers the “Ichigo Star” in Orion he once pointed out to her.

Unfortunately, Hiro interrupts her, but it’s because a shower of shooting stars breaks out, further adding to the magic of the evening. Ichigo sees them as a good omen; the light they give off looking to her like rays of hope. Rather than repeat herself to Hiro, she playfully calls him baka for not listening when he had the chance. As exotic and alluring as 002 is, Ichigo shows no signs of relinquishing her Best Girl status.