Domestic na Kanojo – 11 – There’s Always Someone Better

After lying and keeping secrets for so long, Natsuo finally tells Rui everything, from his long time love of Hina to his determination to be with her in the future. But just because it’s the truth doesn’t make the words sting any less. After sharing one last kiss and an evening of private sobbing, Rui is also determined to move on from Natsuo.

Of course, since it’s impossible for Rui to not handle such things in an odd way, she announces to Natsuo the next morning that she’s decided to “start disliking him.” I can’t say I blame her, as Natsuo has grown more selfish and insufferable with each passing week, but in her case it’s a defense mechanism. She’ll still treat him like family, but otherwise, she’s done.

At least Natsuo gets to talk to Rui; Rui freezes out Hina both on LINE and at school, where Natsuo and Hina misguidedly meet up once again to discuss it. The episode suddenly makes a hard right turn from the love triangle to…the “Natsuo Striving to be an Author” plot, when Rui wins an award instead of him (or Miu, for that matter).

This shakes Natsuo to his core, despite the fact, if he’s honest, he’s spent far more time lately being a horndog with Hina than he has crafting brilliant narratives. Still, he believes the solution is to go to Akari’s house announced and beg him to make him his apprentice. It’s not any more pleasant than Natsuo begging for sex.

His sensei turns him down in this case, because becoming his apprentice is not the way to go about becoming a good author; it takes actual struggle and hard work, not just connections. Natsuo takes this to mean writing one short story per week. Then, in another bit of whiplash, the episode makes another hard turn to School Beach Trip territory.

This means not only Rui and Miu and Momo in swimsuits, but Hina as well, and as she plays volleyball with the students, she looks more like a teacher than a student. Rui takes her aside to remark on the inappropriateness of her swimsuit, but Hina is so happy she’s not ignoring her anymore, that it leads to the two making up.

Rui isn’t interested in Hina breaking up with Natsuo if she still has real feelings for him; instead, she’s prepared to concede him to her and pursue other options. Honestly it’s probably a good move by Rui…if she can stick the landing. But Rui’s assurances don’t dissuade Hina from deciding to break up with Natsuo anyway, since it’s just not a tenable relationship.

It’s disappointing to see Hina’s position so callously overruled by Natsuo thanks to a cheap ring and a promise that he’ll make an honest woman of her for sure, even proposing marriage. Their two positions couldn’t be further apart, but there’s no compromise, Natsuo simply gets what he wants, again. 

While he may talk about caring about the future, it’s Hina who was looking out for both of them by suggesting they end things while they still can. Instead, they make out in front of an open window during a fireworks display, then have sex and apparently spend the night together.

These are not good decisions, as Hina learns on the first day back at school, when she’s summoned by the principal, who presents her a photo of her, and Natsuo, kissing by the open window, during the fireworks display.

She and Natsuo were so caught up in being together that they got sloppy, never stopping to think how others (who weren’t Rui) mind think and feel about them together. In the school’s case, it’s likely a fireable offense, and certainly a black mark on its reputation. Suffice it to say Hina is well and truly fucked.

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TenSura – 24 (Extra) – Conqueror Of Flames

This being an extra episode and all, I had no idea what to expect, so it was a nice surprise to get a story about one of Shizu’s exploits, which takes place before Rimuru even appears in this world. As she arrives at Filtwood Castle to join a host of other adventurers in an effort to defeat a recently summoned demon, it’s made clear Shizue Izawa is already a legend among her peers and in Filtwood’s court.

But she’s weary that even the formidable Silver Wings have recently fallen to the demon, suggesting it at least has a name that lends it more power (as we’ll witness later with Rimuru’s namings). It’s also odd that the less bold adventurers aren’t allowed to leave when they hear of the strength of their foe.

After one of them is killed and a lesser demon extracted, it’s revealed they’ve all been gathered there because more of them are suspected of being possessed by demons, so they’ll all be rooted out for the good of the kingdom.

Their execution of this plan is interrupted by a cloaked mage, whose immense power Shizu only then detects (suggesting it’s an extremely powerful mage who can mask such power). The mage is himself a demon calling himself “Kuro”, and is willing to kill everyone in the hall to find the demon he’s after.

Needless to say, Shizu isn’t about to let that happen, and so…they fight.

And what a splendid fight it is! At least as good as anything TenSura has served up. Shizu is a tough customer, but even she seems to be aware that Kuro is merely toying with her, and actually holding back quite a bit. Even her special finishing move only causes as slight amount of discomfort, yet even that is the most pain Kuro’s had the pleasure of feeling in some time.

What ultimately forces Kuro to withdraw, at least for the moment, is when he gets serious and attempts to behead Shizu. Her mask protects her and relieves Kuro of his arm, making him exclaim that the mask “surpasses time.” The assembled adventurers cheer for Shizu when Kuro departs in a black cloud…but this is only the beginning of the already exhausted Shizu’s busy day.

A knight comes to her quarters to escort her to an audience with the king, and while en route, this knight expresses both his gratitude for her heroism and awe at said heroism’s form…only the ever-observant Shizu doesn’t recognize him as someone who was present for her fight. Turns out she’s right.

The “knight” is actually the real king of Filtwood, and a demon at that. Not just any run-of-the-mill demon, either: a “legendary-class Greater Demon General,” which I assume is a real thing and not something he made up in a sudden chuuni fit. His name is Orthos, and he is revered by the people as a demon-defeating hero, giving him more strength.

Orthos thanks Shizu for being a “sacrifice”, something she has no intention of doing (and also obviously won’t die as Rimuru meets her much later). That said, Orthos is a tough customer, and Shizu has had no time to replenish her strength, magic, or stamina, which is of course Orthos’ plan all along.

Unfortunately for him, Kuro reappears in the nick of time to save Shizu. Before she was summoned into this situation, she recalled what Leon told her about demon “Progenitors” who are named after colors. Kuro is one of them, an identifies Orthos as an underling of another Progenitor, Red. That means Orthos is absolutely no match for Kuro, who utterly ends him.

In the end, Kuro is credited with killing the public king and minister of Filtwood (who were really Orthos’ puppet) while official records credit Shizu with defeating Kuro. In reality, the two agree to go their separate ways and forget they ever saw each other, and in exchange, Kuro won’t end Shizu like he ended Orthos. Still, Shizu predicts “someone will do something about that demon someday”…and that someone turns out to be Shizu, summoning him as “Diablo.”

This extra episode took a while to get going what with the need to set up an entirely new setting and scenario, but once Shizu drew her sword, good things started happening. It was a fun, exciting outing that added texture to the vast world of TenSura, not to mention demonstrated that it can do just fine without Rimuru or any of his entourage.

Domestic na Kanojo – 10 – Cowardly Lion

This week’s cold open features Hina cooking for Natsuo at her place—or rather trying to cook while he paws her. They look cozy, comfortable; lived-in. It’s clear he’s been coming to her place a lot. Cut to what must mercifully be the shortest cultural festival I can remember (they usually take up 2-3 episodes in shows like this!) followed by the concerned lit club members paying Kiriya-sensei a visit.

Turns out Kiriya is not just a famous author, but one of Natsuo’s idols. He presents Natsuo with the opportunity to submit his work for an award that could get him on the fast track to a professional writing career. Later, Natsuo teases Miu about liking Kiriya, and she accidentally shoves him down some stairs, fracturing his leg.

Natsuo’s physical “crashing down” is a portent for another imminent and unavoidable collapse: that of his half-assed web of lies!

I was very cross with the whole Natsuo x Hina situation last week, but I’ve moved on to the acceptance phase: I like Rui better, but it doesn’t look like it’s in the cards for her, so better to move on and see where this goes. But just because I’ve moved on doesn’t mean Rui isn’t going to use Natsuo’s injury as an excuse to act as his nurse—a role she embraces with gusto, including washing him in the bath while nude (and accidentally mistaking his little Natsuo for a soap pump).

It’s when Rui mentions how much she’s missed Natsuo being “at Fumiya’s house” so often recently that we learn how he’s gotten away with his visits to her under Rui’s watchful gaze: He’s just lying to Rui, because he’s a coward. Just like the Cowardly Lion in the school play. When Rui tells Fumiya about Natsuo’s leg, he says he hasn’t been by in ages. When Natsuo is caught in a lie and confronted by Rui, he lies again, saying he was going to Momo’s.

But the next time Natsuo is at Hina’s, and things start to get hot and heavy despite the cast, there’s a ring at the door and it’s Rui. When she sees Natsuo on the floor, clearly having been up to no good with Hina moments before, her eyes well up with tears and she storms off into the rainy night. The mood ruined, Natsuo goes home. But Rui isn’t there.

After a long time looking for her on his wet, muddy cast, Natsuo finally finds her, and she has a slap in the face ready for him. Turns out she was awakened to the possibility of where Natsuo might be (if not Fumiya’s) when she read his novel (which is presumably an extremely fast read). It’s the semi-biographical story of a student falling for his teacher even though he had a girlfriend.

Only instead of a girlfriend, Natsuo has Rui, the first person he slept with. Only he was never in love with her, but with Hina. Just because Rui has developed strong feelings for him doesn’t change that fact. It’s just a shame she had to find out the way she did, and that Natsuo had to lie to her not once but twice. This was the the wake-up call he needed to stir up some of that “nerve” the Cowardly Lion yearned for…it just came too late to spare Rui.

Wotaku ni Koi wa Muzukashii – 07 – Playing a Netoge, Then Eating Out Separately

This week’s WotaKoi is split between two completely different stories involving the core quartet, which is probably for the best as I doubt either one could be sustained for the entire episode’s length. Feeling more than ever like two distinct episodes works to both stories’ advantages, as neither wears out their welcome.

Most of Part One is presented within the virtual world of a fantasy netoge the crew has agreed to play together. The warrior Kabakura and elf assassin Narumi are the first to arrive, and Kabakura is thoroughly charmed by Narumi’s adorable avatar.

Not too much later the sexy black mage Koyanagi joins them, but when they end up in a random encounter with a rare boss, they’re almost undone when Hirotaka’s avatar is being controlled by Nao. Once Hirotaka takes over, he literally takes over, as in defeating the boss and collecting the loot as if he were playing solo, without any cooperation from the others.

Despite being perhaps the least enthusiasm for the game, he’s still the best at it and his player has the maximum level, because, well, he’s a game otaku. Acing games is kinda what he does.

We’re back in the real world for Part Two, as the guys and gals split off for a night of drinks and dinner. Hirotaka and Kabakura must patiently endure their two junior co-workers talking non-stop about Narumi and Koyanagi, including getting their personalities and traits totally wrong due to their lack of interaction with them.

Meanwhile Narumi and Koyanagi are poised to have a lovely dinner chatting over the anime Narumi had Koyanagi borrow and watch…only for the two to, as usual, hold opposite views regarding said anime. They regain common ground in considering their boyfriends in BL situations, but once again butt heads over which of them should be on top.

When dinner’s over, the four end up running into each other on the street. With the junior co-workers there, the two couples play things cool and quiet, not overly indicating they’re dating each other, and merely bidding each other goodnight.

It was definitely a case where things might’ve been easier (or at least less irritating) if Hirotaka and Kabakura had simply said they were dating Narumi and Koyanagi, respectively. But at the same time, it’s really not their business, so the lads are content to endure their ignorance for the sake of romantic privacy. And rightly so!

Hinamatsuri – 05 – I’m Totally Confused, But This Isn’t Prostitution

We begin with the very stark differences in Hina’s and Anzu’s everyday lives laid bare. Anzu learns cat’s cradle from a fellow homeless person, and is excited to show Hina so they can play together…but Hina only cares about video games.

Anzu has a good heart—perhaps too good for her own good—so rather than tell Hina to take her video games and get stuffed, she implements a scheme whereby she’ll find and sell used TVs she finds off the streets in order to afford video games with which to play with Hina.

Hilarity ensues, as Anzu first learns that CRT TVs are worth less than the dirt they’re sitting on, then learns that Hina and Hitomi are friends. Seeing the futility of searching the riverbank for LCD TVs, Hitomi asks her mom if she can have the one they’re replacing, only to get stopped by a cop for illegal dumping.

Meanwhile Hina makes herself useful (and demonstrates how clueless she is about…pretty much everything) by asking Nitta for cash to buy a new TV, then taking a 5900-yen taxi ride to the guy who buys the TVs…for 3000 yen. Hey, Anzu said she wanted TVs, right?

At the end of the night, Anzu spills the beans about wanting to afford video games to play with Hina (though it may well have fallen on deaf ears) while Nitta ends up very confused when Hina talks about selling the TV she just bought with his money to pay for cab fare. (A particularly standout exchange: Cabbie: “Where to?” Hina: “The river.”)

We then shift back to a Hitomi-centric segment, which is fine with me, as Hitomi is awesome. Two male classmates watch her enter the Little Song bar, and when Matsutani-sensei immediately follows her, they, with their adolescent brains, fear the worst: an illicit sexual relationship.

To that end, the boys start a “Matsutani Illicit Sexual Relationship Suspicion Task Force” made up of the two of them and Hitomi’s friend Aizawa, who thinks they’re full of it but recommends they recruit Hina—who has know idea what’s going on, and whose numerous pleas to know what’s going on go hilarious unanswered for the rest of the episode.

While initially skeptical, Hitomi’s ridiculous (and sometimes adorable) reactions to Aizawa’s probing convince her that something is amiss, but when it looks like she’s just messing with Hitomi to get those reactions, the boys split off (though they all have to take the same single staircase down).

After following Hitomi and Matsutani to the prep room and gaining no new intelligence, the four kids (Hina’s still there, but doesn’t know why) stake out the bar one night, and spot Hitomi entering, followed shortly by Nitta (who they regard as Hina’s dad).

Hitomi’s closest friend, Aizawa, decides to throw caution to the wind and rush into the bar, and the others follow shortly thereafter, where they catch Hitomi red-handed. However, after imagining the absolute worst that could be happening to her, Aizawa and the boys are actually relieved it’s just a matter of her being a middle school bartender.

With that, Aizawa forces Hitomi to repent for keeping them in the dark by declaring she is a middle school bartender, with the spirit of an idol introducing herself, which Hitomi does. This gets her the applause not only of her peers, but of Nitta and Utako as well. Hina, meanwhile, remains just plain confused.

Tada-kun wa Koi wo Shinai – 02 – Photography Club Can Be a Hoot

Between TKS and 3DK, Tada-kun takes round two. While we only took the tiniest step further in the ostensible romance between Tada and Teresa, we’re introduced to the rest of the crew and…I kinda like all of them?

On Teresa and Alec’s first day they’re the toast of the school, and bespectacled Class Rep Hasegawa asks if they’d like a tour to determine what club they’d like to join (they have to join something). 

That leads them to the photography club, where Teresa and Alec are reunited with Tada and Ijuuin, and upon inspecting a shrine of the club president Sugimoto’s favorite gravure idol HINA, Alec suddenly realizes that class rep Hasegawa is HINA.

Honestly, Tada and Teresa kinda chill in the background of most of this; the stars that shine brightest are Hasegawa, Sugimoto, and the trusty junior member Yamashita, nicknamed “dog” because he comes when Tada calls him.

When Teresa voices interest in joining the club, Sugimoto decides to hold a traditional photo-snapping contest to begin their trial period. The group splits in to, and they turn out to be inspired combinations.

Ijuuin ends up with Alec, with whom he clearly didn’t get off on the right foot, while Sugimoto and Hasegawa round out the 4-person Team B. Once the clock starts, they take turns running around the school trying to get good pictures of the other team, who doesn’t make it easy on them.

Tada, Teresa, and Yamashita make up Team A—a new couple and their pet dog—and the episode takes on a breathless, exciting energy as the club runs around the school with abandon, enjoying their youth.

In the midst of the competition, Yamashita reveals his excellent sense of smell, while Alec shows off her kunoichi skills (again adding fuel to my little princess’ bodyguard fire). We also get a lot of interesting interactions between Sugimoto and Hasegawa. She calls him “-chan”, so I wager they’re childhood friends.

But as Sugimoto falls for Yamashita’s “Look behind you, it’s HINA!”, it’s possible he’s unaware his friend is his favorite idol…and she’s fine keeping it that way. Still, gestures like Sugimoto shielding her from a bucket of water suggest that regardless of whether he knows, he definitely cares a great deal about Hasegawa.

Teresa and Tada thought they’d gotten the best shot of the contest by snapping a surprised Sugimoto and Hasegawa (cameras are good at picking up love between two people), it’s Ninja Alec who swoops in and snaps a picture of Teresa and Tada laughing, which ultimately wins.

So the two had a lot of fun together, and it looks like we have one long-standing couple and a pairing of opposites that just might work given time. And hey, even Yamashita has an admirer in Tada’s sister, Yui. Teresa and Alec join, and when Hasegawa takes her leave, Sugimoto stops her and invites her to join them in celebrating, since she’s part of the club too. All in all, a great ensemble effort.

Darling in the FranXX – 08

In another episode not about the FranXX but the flawed and confused boys and girls who pilot them, the effects of everyone in a squad hitting puberty at once comes to a head (no pun intended) when the latest Klaxosaur attack uses blue goo to eat away at the pistils’ suits, causing the stamens to ogle their partially naked bodies.

The girls are hurt, mortified, and furious, especially the fact the boys kept their condition a secret as long as they did (even if it was in the middle of battle). Led by the fiery Miku, a tape line divides the dorm in two: the girls on one side, the boys on the other, and n’er the twain shall meet.

Led by the fiery Zorome, the boys don’t take this perceived shabby treatment lightly, and proceed to take advantage of every loophole Miku and the girls didn’t think of, from flaunting their own half-naked bodies after taking a dip in the lake, to claiming the dining hall (and all the food in it) for themselves.

Meanwhile, those not so enthusiastic about the gender war, like Kokoro and Mitsuru, actually find common ground in their love of the greenhouse as a place of tranquil solitude (and where Kokoro hopes to read her baby book). The one neutral party is Zero Two, who the girls eventually confront to take a side. Perhaps charmed that they came to her, she agrees to join them.

However, as usual Two goes her own path in how to best antagonize the boys, using the other girls as bait by getting the boys to accidentally barge in on them in the bath, then stealing everyone’s clothes.

Hiro gets wise, but he’s absolutely no match against Two in a foot chase that leads them to the roof, where she releases the basket of clothes into the wind. Hiro can’t help but laugh at the situation, which Zero Two agrees is a lot of fun, while hoping Hiro can think of her as a little more “human” for taking part in the war.

Despite being ordered by Dr. FranXX only to observe and report, Nana and Hachi tell both sides to knock it the ef off; after all, they need their parasites in a position to sortie at any given moment, and that just isn’t possible with all the consternation floating around.

Zero Two tells the girls they’d better stop half-assing things and say what they want to say to who they want to say it, because it’s very likely none of them will be alive much longer, considering their occupations. Both girls and boys alike start to feel bad for the other side (which is good, because they’re thinking of how the other side feels and bears rather than just themselves).

The one holdout is Miku, who runs away and hides in an off-limits dorm. There, she discovers among a vase of dead lilacs, a photo of the previous Squad 13, all of whom must’ve been wiped out. When the others join forces to find her, Miku is a wreck, but the photo and empty dorm room are a powerful, sobering message: if you don’t get to know each other, they have no chance of surviving.

With that, the two sides formally make up, with Miku rather adorably revising her stance, telling Zorome he can ogle “a little bit” as long as he doesn’t go so far. Apologies and handshakes are exchanged, and the squad recombines…but not before cleaning up the empty dorm where there predecessors lived and placing a vase of fresh lilacs by the window, a flower signifying friendship, fond memories, and youth, all of which were on full display this week.

I actually enjoyed these two past episodes in which the battle with the Klaxosaurs was either absent or pushed to the side; I’d much rather watch the members of Squad 13 continue to learn more about one another, become friends, and perhaps more…which is likely Dr. FranXX’s intention with the test squad, after all. That they’re all starting to realize they are boys and girls at once was certainly no coincidence.

Darling in the FranXX – 07

After last week’s epic battle, the 13th gets some well-deserved R&R on a real beach, which makes this a respite episode and a beach episode. It’s a good time to let us spend more time with the pilots as they interact in non-life-or-death situations for once.

The other big news is that 002 and Hiro are officially partners and Zero Two is now a member of the 13th. The higher-ups pulling the strings assign extra surveillance to her and seem to want Hiro to safely “deliver” her somewhere specific. Hiro also meets a fellow young man who’ll be the one doing the surveillance.

But for now, splashing and floating in the ocean are the order of the day, and the male gaze is in full force, with even a “goody-two-shoes” like Gorou thanking the powers that be for such a wonderful experience.

Hiro got to meet Dr. Franxx, who warns him not to let 002 “consume his emotions” if he wants to always be her partner. That is obviously a challenge, since Two is extremely flirty whenever around her Darling, even leaning in for what Hiro thinks is another kiss before she licks his cheek.

Zorome, Goro and Futoshi are in the dark about what all this “kissing” is about, and when Hiro grudgingly describes it and how it feels, Zorome is so eager to experience it for himself he tries to kiss Hiro. Mitsuru and Ikuno don’t participate in the other girls’ and boys’ fun, but Ikuno also makes it clear that doesn’t make them alike.

Then Mitsuru finds a path and leads everyone through it, and they find an abandoned ghost town not unlike the one they appear in during the typical end credits (we get a girls-in-swimsuits sequence this week).

It’s a place that’s gorgeous in its decay, where nature is taking over what was once civilization. Kokoro finds a book on child-rearing, something I’m sure is not done anywhere near the way we know about in our world, considering the ignorance of the parasites—or maybe it is, but since it has nothing to do with their duty to protect humanity, they were never taught about it.

002 tries to tease Ichigo about the fact that she’s kissed Hiro, but Ichigo mostly stands her ground without revealing she kissed him too. In any case, she’s far from ready to surrender Hiro to Two.

After enjoying a lovely sunset on an outcropping, the squad returns to the beach to find a sumptuous barbeque awaiting them. There, Ichigo and the others officially welcome Hiro to the 13th. They welcome 002 as well, but she runs off to swim some more, and seems miffed her Darling did not follow her.

That night, Ichigo gets some much-needed alone time with Hiro as they both wake up in the middle of the night and take a nice starlit stroll along the beach. Seeing Ichigo step into each of Hiro’s steps ahead of her was a really adorable move on her part, and she has a lot of nice closeups of just how much she’s enjoying being with Hiro and Hiro alone.

Ichigo eloquently expresses her feelings, from telling him not to give “all his attention” to 002 “look at her too”, to how much their kiss meant and her desire to be with him forever. She’s relieved Hiro still remembers the “Ichigo Star” in Orion he once pointed out to her.

Unfortunately, Hiro interrupts her, but it’s because a shower of shooting stars breaks out, further adding to the magic of the evening. Ichigo sees them as a good omen; the light they give off looking to her like rays of hope. Rather than repeat herself to Hiro, she playfully calls him baka for not listening when he had the chance. As exotic and alluring as 002 is, Ichigo shows no signs of relinquishing her Best Girl status.

Darling in the FranXX – 06

Dawn rises on the day of a battle that will decide whether everyone gets to see another sunrise. A massive horned cubic klaxosaur trundles over the horizon with a retinue of foot soldiers, throwing some serious Ramiel vibes—bizarre, mysterious, merciless. Ichigo tries to wash away her troubles with a refreshing bath; Gorou continues to worry about Hiro.

Gorou tries to get Ichigo to talk to Hiro, and Ichigo uses the opportunity to try to confess her feelings, but Zero Two appears, and says what she isn’t feeling instead—that she thinks of Hiro as a sibling—and is devastated when he says he feels the same. Ichinose Kana is killing it so far, even if it’s extremely hard to forget she’s not Hanazawa Kana.

With things needed to be said left unsaid, Zero Hour approaches, and the two Squads and Strelitzia take their positions. The effects of Ichigo’s unrequited love on her performance and Hiro’s ability to survive his third sortie with Two aren’t the only concerns: Squad 13 wants to prove to 26 they’re not just a bunch of in-the-way misfits.

The sheer scale of the boss before them, and the dramatic staging and lighting really lend this battle a sense of occasion and urgency; it’s all or nothing; either these ten comparatively tiny FranXX stop the enemy, or both Plantations will be destroyed.

The only mark against these stakes (which often applied to the populace in Eva as well) is that we never really see any of the people the parasites are protecting, aside from their two adult handlers and Dr. FranXX himself. That’s a small mark, and it’s easily forgiven in light of the pandemonium that ensues.

The contrast between the coordination and discipline of the five identical gray Squad 26 FranXX (also female in form) and those of Squad 13 (or lack thereof) is more stark than Arya, as Ichigo can barely keep her squad hanging in there when some lesser Klax get get through the front lines.

Zero Two observes this contrast, and the dire state of the 13th, and thinks she and Hiro should join the battle sooner rather than later before there isn’t a 13th left. Hiro asks Two why she fights the Klax; she opines it may be because “she’s a monster.”

Two asks him the same, and he says its because his only purpose in life is to protect Papa and the adults. They sortie, against orders, and mop up the Klax harassing the 13th with ease…but Hiro immediately starts to have trouble staying in sync, and the blue veins on his chest start to spread to his entire body and face.

Ichigo lays down the law, ordering Strelitzia to fall back, as she’ll be providing the coup-de-grace. That’s after the 26th, even with their perfectly coordinated tactics, utterly fail to destroy the giant “Gutenberg-class” Klaxosaur. Instead, it shapeshifts from a cube to a humanoid form.

Their leader 090 is almost crushed, but is saved in the nick of time by Argentea, and Zorome and Miku instantly earn his respect. The 13th gets their shit together and Ichigo orders everyone to create an opening for Strelitzia. Hiro uses everything he has left to help Two deliver the killing blow, and with an Eva-esque cross flare, they cause an explosion within the boss.

…But everything Hiro had wasn’t enough. The Gutenberg shifts again into a massive battering ram, and in another nod to Shinji’s first mission in Eva 01, that ram begins repeatedly smashing into Strelitzia. Hiro loses consciousness and Strelitzia shuts down.

Things look bad from Delphinium’s POV; indeed, when Ichigo fears she’s lost Hiro (without telling him what she actually has to say, to boot), Delph shuts down too, and Gorou can’t console Ichigo.

Hiro enters a dream-state, where he assumes he’s dead. Naomi chastises him for giving up. He says he didn’t give up, he just gave all he had. Unlike with Naomi, he still thinks Zero Two can carry on fighting without him. He’s content to go out being as useful as he could be, without regrets.

But that’s not quite right; and he’s not quite being truthful. Zero Two gave him a place to belong and a purpose again; he can’t simply lie down and die while she’s still in the cockpit suffering, slowly reverting to her baser Klaxosaur side.

Zero Two is on the verge of completely Losing It when Hiro hugs her from behind and tells her she should never have to fight—or be—alone again. The blue growth disappears. What is that stuff? I’d like to think it represents the lingering fear and doubt he carried; the belief that he was expendable to Zero Two when the opposite was the case.

With that gone, he gets his second wind, and he and Zero Two finish off the Gutenberg in grand, madcap fashion, with a nice assist from his fellow parasites in the 13th. His doubts and fears are gone now, because he’s found another reason to pilot a FranXX: to be Two’s wings.

And it’s wings we see spreading over the airborne Gutenberg before crushing it and releasing a titanic cloud of blue blood. Mission Accomplished. Casualties: Surprisingly, Zero.

As we watch him and Zero emerge from the cockpit to come together and celebrate with the other parasites from both squads, Hiro recounts the tale of the “Jian”, a bird with one wing, necessitating a male and female pair to lean on one another to achieve flight. That’s the case with Hiro and Zero Two, so he resolves to keep leaning on her that they might fly as high and far as they want.

Halfway into its first half, FranXX delivers a rousing powerhouse resolution to the “Can Hiro Cut It” arc. Now that we know he can, and that he won’t be dying from creepy blue growths anytime soon, we can move on to other matters, like if or when Ichigo will ever tell Hiro how she feels (if she still feels that way after the battle; I’m guessing yeah) and the identity of those new parasites we got a glimpse of in the ep’s final moments.

Whatever comes next, a solid foundation has been laid.

Darling in the FranXX – 05

Now that Hiro has shown he and Zero Two can make a difference in Strelizia, everything is just peachy on the Plantation, right? They can relax, celebrate their victory as Plantation 26 hooks up with theirs, and look forward to Hiro leading the way in the next Klaxosaur battle. Hiro and Zorome even bury the hatchet.

Well, not so fast. Hiro’s body is boiling. Gorou is concerned, but Hiro says he’s never felt better. On one level that might be true—he made a difference and has a chance to keep contributing—but on the basic physical level, he has to be suffering. And this is after two times in the cockpit with Two. “The next time is the third”, Nana ominously says. No stamen has ever made it to a fourth.

FranXX proves it can deliver an engaging episode without any flashy battles between the enemy and its titular sexy mecha. That’s because both the main players and the supporting roles are all very well-executed, if archetypal.

Ichigo in particular turns in a wonderfully-layered performance, due in no small part to the talents of newcomer seiyu and Hana-Kana sound-alike Ichinose Kana, as the squad leader watches her beloved Hiro snatched away from her by the haughty Zero Two.

Ichigo takes this in stride—she isn’t even the person she was a few episodes back, but just because she’s better able to prioritize her personal feelings with her duties (and asking that Gorou do the same) doesn’t mean those feelings aren’t there, seething beneath her cool surface.

Ichigo makes it plain to Zero Two that she won’t tolerate rule-breaking or offer special treatment, and takes Two’s “bossy” comment as a compliment. Meanwhile, Hiro continues to writhe in a pain he is hiding from everyone, and spots a spider on the bathroom light about to kill a moth; a not-so-subtle symbol of his current situation.

When Squad 13 meets Squad 26, we learn just how different and unusual our squad is, with its unique FranXX and nicknames for their parasites. 26 is All Business, but aren’t so cold they’ll crush Zorome’s dreams by telling him no children ever become adults in this business.

Parasites purpose is to fight until they die or can’t fight anymore; growing up and procreating, it would seem, is for other people. They’re not fighting for their future, but for a future for mankind they’ll never see. Hiro seems to understand this more than anyone, as he’s willing to keep partnering with Two even as a bizarre and intensely painful blue growth spreads across his chest.


Gorou eventually discovers Hiro’s secret, but Hiro makes him keep it a secret, out of deference to their friendship and because Gorou doesn’t want to be the one to deliver the news that will ground Hiro and rob him of his chance to make a difference.

There’s also the fact that Strelizia is a big part of Hachi and Nana’s battle plan for the impending surge of Klaxosaurs descending upon the kissing Plantations, and they cannot guarantee the success of the mission (i.e., their survival) if Hiro and Zero don’t sortie.

When Squad 26’s leader hears that Strelizia will join the battle, he shows the most emotion he has up to that point, condemning Two for not caring about her allies and blaming her for the death of his former partner.

Two isn’t apologetic; she doesn’t even recall the battle that changed this guy’s life, and says “weaklings die”. But when he draws closer in anger Hiro blocks him, assuring him he’ll keep Two under control.

That night, Ichigo goes off with Two to warn her not to push Hiro too far. This is beyond jealousy; Ichigo doesn’t want to lose Hiro, no matter what, but Two cannot guarantee anything. Things turn nasty when Ichigo accuses her of wanting to “suck Hiro dry” and discard him.

Two states that if he dies its because he didn’t have anything going for him, she slaps her and calls her inhuman. Two, with her headband knocked off her horns, glares at Ichigo with glowing red eyes and asks what Ichigo and the others even think “human” is.

Gorou, who couldn’t sleep (Hiro groaning in pain in the opposite bunk), observed Ichigo and Two’s exchange, and Ichigo bursts into tears, lamenting how much of a mess her mind is, and not wanting to feel the way she does. Faced with his partner getting so upset about another guy, Gorou seems to feel something similarly undesirable.

Ichigo and Gorou would seem to be in the worst possible emotional state prior to the biggest and most hazardous battle of their lives (it might claim a parasite or two from Squad 13 before it’s over), but Hiro and Zero Two are an island of tranquility, standing by the pond where they met.

Two knows about the growth and the pain Hiro is enduring, and gives him one last chance to back out from darlinghood. Hiro immediately and firmly declines. He said he’d fly with her. It’s what he wants. And he’ll do it as long as he’s able and allowed (or even if he’s disallowed, as he was last week). He knows the wings he’s been given may snap any day, but his place is in the sky.

Itsudatte Bokura no Koi wa 10 cm Datta. – 06 (Fin)

After much cathartic yelling and crying last week, it’s all gravy as Miou, Haruki, and their friends graduate from high school on a positive, if bittersweet, note.

Miou and Haruki get the time they need alone together and write all their dreams on the chalkboard, emulating the promo art with one important difference: a tiny “I love you” Miou rights just out of Haruki’s sight.

The two also avoid closing that 10cm gap they’ve always had, knowing that if they did, they’d likely never let go. That is, they’d never give each other the time and space to realize their individual dreams. A very mature move by both, and one that pays dividends later on.

Much, much, much later on, as in SEVEN GODDAMN YEARS LATER. Sheesh, what is it with these Fall romances and their huge time jumps? And here I thought Just Because!’s month was a long time!

At any rate, Miou is a mostly content art teacher at her old school, Yuu proposes to Natsuki in one the most adorable scenes of the episode, and even Souta and Akari remain a strong item. Miou’s friends worry about Miou, but Miou said she’d wait for Haruki, and wait she does.

Fortunately, all her waiting doesn’t come to naught, as the moment Haruki wins a rookie director’s award in L.A., he’s on the first plane back to Japan to tell Miou first (though Miou already finds out through Natsuki).

Despite the well-known amount of, er, temptation in the Hollywood scene, Haruki kept his head down the whole time, and was there to work and realize one of his dreams. And he missed Miou as much as she missed him.

At the top of the steps where they always sat 10cm apart as kids, they confess their love as grownups, and finally, mercifully, close that infernal gap with a hand-hold and a smooch. Medetashi medetashi!

And that’s a wrap for Fall 2017! I should hope so; it’s literally Winter now, and frikkin’ freezing to boot. Thanks for reading! We’ll be back in action soon checking out the new shows Winter 2018 has to offer.

Itsudatte Bokura no Koi wa 10 cm Datta. – 05

Just as Miou has come out of her funk and started to work on her painting of love anew, Haruki develops a profound crisis of identity. He stops coming to school snaps at Saku, and decides he won’t be going to America after all, because he’s now convinced filmmaking was his brother’s dream, not his.

Miou pulls out the ol’ “I’ll wait as long as it takes at the usual spot” to draw Haruki out, as when the snow starts coming down, he worries, correctly, that she’ll be standing out in the cold all alone. There, in their usual spot, the two have it out.

While in the moment I was frustrated with how mean Haruki was being, one has to consider how emotionally unmoored he is, as well as frustrated with how Miou wouldn’t talk or even look at him for so long, only to need to talk now.

Haruki really does need to just cool it with the angst and listen, because Miou has to tell him she was the one Chiaki saved, and to apologize for keeping it from him so long, worried he’d hate her.

Haruki is too busy hating himself to hate Miou, but when he starts talking about what an idiot he is to confuse his brother’s dream with his own, Miou gives him the front of her right hand, breaking the 10cm distance in an instant.

She reminds him two brothers can have the same dreams, and that in all her time watching him, she could tell that Haruki’s dream of directing films was his own, and a powerful one at that, so he should really lighten up!

Miou also shows Haruki her recently completed painting, one of a guy and a girl looking out a window in the classroom. I assume it’s meant to be the two of them, and so the painting serves as a kind of confession of sorts for Miou. Haruki is cheered up, and the two head to his place to get out of the cold.

There, after cocoa, Miou remembers she has a DVD Saku told her to watch with Haruki. It is footage recorded right after Chiaki saved the girl Haruki now knows was Miou; Chiaki tells his little brother he’s filming one of the best scenes a director can film: a person’s moment of victory for having achieved something great (in his case, saving Miou).

Young Haruki promises his brother right there that he’ll follow his dream—yes, his dream of directing—making the DVD video evidence that what Miou said to Haruki is true, and he really does love making films. I guess that means he’ll be heading to America after all…which is bittersweet, since it’ll mean being apart from Miou.

Itsudatte Bokura no Koi wa 10 cm Datta. – 04

This ain’t ten centimeters!

Miou’s in a funk and a half, and really just wants to curl up and die, or at least switch places with Serizawa’s dearly departed brother, since she doesn’t deserve to live while he’s dead, and it’s all her fault for drowning. This is of course patently ridiculous…yet here we are.

Of course, Miou doesn’t tell any of this to Akari or Natsuki right away, but they don’t like her in this troubled state and do all they can to support and cheer her up. Such nice friends!

“My finger camera…broken?!”

Miou’s sudden disappearance from his life, compounded with the notice that he’s won the chance to study abroad in America, is also weighing on Haruki. Frankly, both protagonists are real mopey pains in the ass this week, and it was most unpleasant to watch.

I’d like to think I’d have the patience of Miou and Haruki’s friends, but some one can only snap at you, or tell you they’re no good, so many times before one has no choice but to throw their hands up and say “You know what, fine! You’re right! Now go suck someplace else!”

“There you go, quit being a whiny little brat and paint something!”

While Haruki sinks deeper into the muck, even questioning whether he really wants to be a filmmaker or if he’s just carrying on his brother’s dream, Miou thankfully comes to a sort of epiphany when Natsuki begs her and Akari to help her out at a community art class.

Echoing the cold open where a Lil’ Miou wowed her preschool-mates with her drawing, Miou interacts with an ornery little boy and gets him to cooperate and even have fun, then moves from person to person giving tips and encouragement. She clearly has a knack for talking about and teaching art.

“Let’s do this, canvas.”

She also later realizes she can’t keep the secret about Haruki’s brother inside forever or it will eat away at her like a sickness. So she comes clean, only it’s nothing to “come clean” or even blame oneself for; Natsuki can’t stress it to Miou enough: It’s not her fault, and staying away from Haruki out of fear he’ll hate her will only make him hate her.

Natsuki and Akari agree both Miou and Haruki are at their best when they’re on good terms, talking and hanging out together. So even though Haruki can’t see any future with Haruki in it (especially now that he’s headed for America), that isn’t going to stop her from imagining that future anyway—starting on the canvas, which she returns to with newfound desire to fill it with her vision of “love.”

Besides, Haruki may not end up going to America anyway. He just needs a reason to stay.