Lycoris Recoil – 12 – Spider Lily Shuffle

Takina’s heroic arrival means Chisato’s finally able to maneuver herself into position to fire her gun near both of Majima’s ears, incapacitating him long enough for her to blast him with her concussive rounds and for Takina to shoot him with binding rounds.

He still gets in a couple of kicks, however, so as the girls recover by lying on the ground for a bit, Chisato asks why Takina there, Takina says she quit, and Chisato says she’s a big ol’ dummy. Takina won’t disagree, but between the DA and Chisato, there was no choice.

Chisato proceeds to find Mr. Yoshi, who expresses immediate disappointment when he learns she didn’t kill Majima. When Chisato tells him that she’s already plenty happy helping people, he says he “didn’t wind up the spring of a dying doll” for that. He can’t stress enough that Chisato can only fulfill her purpose by taking lives.

Takina, who is listening in the hall, has heard enough. If Chisato won’t shoot this guy, she will. Especially when they learn he’s had the advanced artificial heart put in his chest, making it so that he must die for Chisato to live. While that’s perfectly okay for Takina, it’s not at all okay for Chisato, who stops Takina from killing him.

Yoshi’s sidekick drops in and kicks Takina out of the tower and almost to her death, creating yet anoher cruel game for Chisato: kill his sidekick before she kills Takina. When Takina is holding on to a beam for dear life and Yoshi starts shooting at her hands, Chisato begs him to stop. When he won’t she finally pulls the trigger and sends a real bullet into his chest.

Fortunately for her, it goes straight through him and misses his vitals. Takina survives her bout with Yoshi’s sidekick (albeit with a half-bloodied face to show for it), and unloads a clip at the two as they retreat. Chisato tells her to stop and holds her as she says even if they killed Yoshi to save her, she wouldn’t be Chisato anymore. The time comes for farewells for everyone, but she’s not gone yet.

As Mizuki and Kurumi arrive in a helicopter to pick them up, Chisato and Takina learn about the next crisis: now that they’ve been outed to the public, the director has decided to eliminate all of the Lycoris (with the male version, LilyBell). Mizuki flies them to Enkuboku, while Kurumi gives them a USB dongle to put in the Enkuboku servers. Fuki and Sakura go floor to floor gathering up the wounded Lycoris, with Erika having their six, filling in for Takina.

When the three bite off more than they can chew with two of Majima’s bigger thugs, Chisato and Takina come to their haughty colleagues’ rescue once more, and then they proceed to the server room, where Sakura points out how Fuki and Chisato’s arguing sounds a lot like flirting.

Once the USB is in the server, Kurumi, AKA Walnut, proves she was and is the world’s best hacker, creating a new cover-up for the Lycoris (announced to the city as an immersive crisis adventure simulation…though that doesn’t explain the guns dispersed among the public) and leading the cops straight to Robota’s hideout.

With the Lycoris given fresh cover and Chisato dodging LilyBell’s bullets, the director orders them to retreat. Lilybell’s 1st glares at Chisato on his way out, and Takina isn’t sure whether she should be unsurprised or jealous. Probably both. Takina and Erika get another nice little moment, as Takina shows how a little Chisato has rubbed off on her by ribbing Erika for being “awful” for taking her placed at the DA.

It looks like all’s well that ends well, until Kusunoki is informed that the cleaners responsible for retrieving Majima have gone silent. The elevator doors are about to close when Chisato spots her bookbag and runs out to get it. Majima then sprays a clip into the elevator (all bullets absorbed by an airbag thanks to quick thinking from Fuki). But the elevator doors close on the Takina, Fuki, and the others, leaving Chisato all alone with Majima for a final round.

Majima’s plan to turn the public against the government failed, and he’s lost Robota, the only means of attempting to do so again. So this is clearly just him wanting to either kill or be killed by his finest and most interesting opponent. As for Chisato, she seems resigned to her fate, and unless there’s a third fake heart out there somewhere, Takina may have to be too.

But when that elevator descends to the ground floor, dollars to donuts Takina’s going right back up to the top to be back beside Chisato, as long as she possibly can, until the farewell.

Lycoris Recoil – 11 – Dance in the Dark

Kusunoki is barely two minutes into breifing the Lycoris for the Enkuboku operation when Takina interrupts her after spotting Chisato’s name on one of the rosters. She realizes something’s up and leaves the bus to go find her. Chisato and Mika are being led by Robota exactly where Majima wants them to go.

Mizuki and Kurumi are at the airport lounge, and part ways “forever” without much fanfare, only for Kurumi to deplane from her luxurious first-class seat (Mizuki got stuck in economy) when her turbo-hacking reveals there’s a second artificial heart out there.

Takina arrives at LycoReco to find it abandoned and Chisato and Mika’s phones left behind. Then she gets a call from Kurumi about the second heart: it’s an improvement on the one Chisato has, which suggests she could live a full life with it.

The person in possession of this second heart? Yoshimatsu Shinji, naturally, who Kurumi shows Takina has been taken captive by Majima at the old tower where he and Chisato first crossed paths. Takina, who had been in the middle of the operation with Fuki & Co., excuses herself, even if it means she’s done with the DA. Fuki even lets her go, knowing that’s the best move. But before she leaves, Erika gets to have a nice moment, hugging Takina and thanking her for saving her.

Takina’s reason for abandoning her DA duty is simple: she can’t save Chisato from the Enkuboku. She’s in the wrong tower. So she runs with everything she’s got to the other one. Majima, meanwhile, is able to get back on the airwaves thanks to Robota, who uses Radiata’s heavy defenses against itself with thousands of simultaneous hacking attacks.

This enables Majima to officially expose the Lycoris by showing video footage of them walking around the tower with guns near pools of blood. When he tells those who found the guns he left for them to find to watch out for Lycrois, there’s a confrontation that results in both Lycoris and civilian getting shot. Kusunoki’s failure is quickly becoming a bloody fiasco.

Chisato arrives at the old tower, goes inside, rides the elevator up as high as it will go, then heads outside for a bit of acrobatics. She not only has to maintain her own balance to keep from falling to her death, she also has to make sure the thugs she shoots don’t fall to theirs.

Because Chisato doesn’t kill anyone she encounters, it makes sense that she’d act and talk so casually, even playfully while dispatching them non-lethally. She’s not just making her way to Mr. Yoshi, she’s having fun while doing it. Then the fun suddenly stops when Majima drops the shutters and leaves Chisato without her most powerful attribute: her sight.

The two empty multiple clips at each other, but Chisato’s dodging ability isn’t too hampered, while Majima’s supernatural hearing enables him to dodge her wild shots and sneak up on her from behind multiple times. As the two twist and tussle in the dark, it’s clear the fun is back: two realtively evenly-matched opponents are going at it.

Then , just when it looks like Majima is about to get the upper hand, Takina literally smashes through the metal shutters and comes between him and Chisato, packing live ammo. Right now, the DA being exposed and the potential destruction of the new tower doesn’t matter. Takina’s there to save Chisato and Yoshimatsu make it out of there alive, which means Majima is simply in the way.

Lycoris Recoil – 07 – Bar Forbidden

We start things off with some levity, as both Chisato and Takina prove as horrendous at drawing as they are spectacular at gun-fu in trying to draw Majima for the DA. Chisato is closer with the green hair, but I’m not sure what the heck Takina was looking at.

Later at the café while on a bathroom break, Chisato catches the slightest glance at a message on Mika’s phone. It’s for a meeting the day after tomorrow at 9:00 PM at a “Bar Forbidden” about her “future”. Chisato comes to suspect this means the future of LycoReco is in question.

Chisato shares this suspicion with Takina, Mizuki, and Kurumi, and the latter quickly locates the members-only Bar Forbidden and forges entry for Chisato and Takina so they can get to the bottom of whatever’s going on. But in the meantime, Majima and Robota are planning another strike.

This time they assault a police station, with Robota providing cover for Majima’s team by creating dummy bomb threats that diver the Lycoris and spread them thin. While tomorrow’s news reports it was a yakuza attack, Fuki and Sakura arrive at the café with fresh footage. Chisato and Takina are able to positively ID Majima, while it’s confirmed Fuki has a mondo crush on Mika (and thus barking up the wrong tree).

The night of Mika’s secret meeting arrives, and Chisato and Takina finally have an opportunity to dress to the nines for their little spy mission. Chisato wears a glamorous backless red dress and ostentatious hat while Takina goes for a smart black three-piece suit. It’s clear and present ship-bait, and I’m A-OK with it.

When they spot Mika, and then see Mr. Yoshi meet him there, both Chisato and Mizuki arrive at the conclusion Mika is actually on a date, which neither Takina or Kurumi get because they didn’t know Mika swung that way. The girls start to head out, but then Chisato overhears the lads talking about her surgery, and can’t help but confront them.

Takina gives Chisato all the time she needs, but neither Mika nor Yoshi have anything of note to say to her. Yoshi is clearly upset that Mika allowed Chisato to tail him to what was to be a secret meeting. While nothing is explicitly stated, it’s clear from what Yoshi does say to both Mika at the bar and Takina outside: he intends greater things for Chisato.

For him, that means using her talent for killing to its full effect, which I’d guess he believes to be underutilized at LycoReco. But even if he was responsible for the heart surgery that saved Chisato’s life, she didn’t ask for that, and so even if she’s grateful to him, the life she was given should be hers to do with what she pleases. And we know that means helping people, not killing them.

The other question is whether Majima, an apparent fellow Alan Child, has perverted his Alan mission, or if he’s doing exactly what he’s meant to do. Whatever the case, this Tokyo’s version of the Sky Tree is at risk, and Chisato and Majima are on a sure collision course.

Rating: 4/5 Stars

Lycoris Recoil – 06 – Striking a Balance

“You come at the [Lycoris Queen], you best not miss.”—Omar, Probably

When LycoReco learns that the DA’s Lycoris are being targeted by a terrorist, Takina is immediately on the phone with Chisato as she heads to her place. Takina tells Chisato they’ll be living together and switching off nights for security reasons until further notice. Chisato is not just fine with that, she’s delighted she and Takina get to work and live under one roof together, and that it was Takina’s idea.

When Takina sees the state of the place and sets up a chore chart, Chisato inceptions the idea to decide who does what with rock-paper-scisssors. Chisato proceeds to kick her ass at it and Takina gets all the chores. Takina should have known her friend’s preternatural instincts are put to use even in non-bullet-dodging scenarios.

As for Majima, whom ANN’s reviewer has called “Joker” due to his green hair, he’s not satisfied with the progress of eliminating Lycoris. He wants to bring DA down, he wants Robota to find their HQ, and isn’t above using threats and violence against the hacker to make him hack harder.

The thing is, Robota has two masters right now: Majima, and the Alan Institute, with whom he communicates with Shinji’s secretary. He tries to get Majima interested in Chisato as the “chief Lycoris”, but Majima doesn’t care about pawns. Unlike the Joker, he’s not a big fan of chaos either, but wants balance, which to him means terrorists able to operate without being disappeared by the DA.

When Robota gets help from a fellow hacker, that hacker is quickly found out and arrested for being so blatant and reckless. Robota then sends two goons to break into Chisato’s apartment, but they’re not aware she lives below the apparent apartment in a safe house, and when they trip her silent alarm, she dispatches them with ease. All is not lost though, Robota uses footage of Chisato going wild to convince a fed-up Majima she’s worth targeting.

When Kurumi suggests that the terrorists are able to target Lycoris due to their distinctive uniforms, Chisato disguises herself with a huge yellow poncho and believes she’s safe enough to do a solo LycoReco delivery job.

It isn’t until she’s off on her own that Kurumi discovers that the terrorists targeting Lycoris—who got their guns from the deal that Takina got fired—also have footage showing the faces of the Lycoris they assassinated…as well as Chisato’s.

The fact that Kurumi (as Walnut) was hired to hack the DA that day is set aside for now, as the more pressing matter is Chisato’s safety. Takina calls her just in time for Chisato to get hit by Majima’s yellow Nissan GT-R and then menacingly surrounded by his underlings.

Fortunately, Chisato’s injured state is only an act, and she plays possum right up until Majima gets in her face, whereupon she unloads with her non-lethal gun. The rubber bullets actually put her at a severe tactical disadvantage, extending the fight far longer than if she’d used lethal ammo.

Nevertheless, principles are principles, and Chisato tries her darndest to escape her attackers, and even though she’s on foot and they’re in vans chasing her, she manages to even the odds by shooting the drivers and causing them to crash, and sending Majima flying.

Majima must’ve done work as a stuntman, since he’s able to shake off getting thrown from a car and shot in the face with rubber bullets. She turns the tables on Chisato (who again screws up by getting too close to her opponent; a clear act of arrogance on her part) by spitting either blood or liquified rubber bullet (or both) in her faces, rendering those special eyes usesless.

Majima proceeds to beat the stuffing out of Chisato as his underlings circle them and cheer, and while Majima admits that Chisato is “interesting”, he still seems pretty ready to shoot her…until his gun is shot out of his hand by  Takina, who has arrived just in time (thanks to Kurumi locating Chisato with her drone) and neutralizes all of the baddies.

Mizuki and Mika arrive at the scene in the escape car, and Chisato and Takina pile in. There’s still the matter of Robota chasing them in a remotely-controlled car, but Mizuki’s driving prowess is able to shake it off. The baddies’ last gasp is an RPG, but Kurumi is able to slam her drone into the guy at the last minute.

While the RPG fires, the grenade hits not the LycoReco car, but the car Robota hacked and Majima was about to comandeer. Somewhat unplausibly, the grenade blast doesn’t kill Majima, but throws him into the nearby water. Seriously…is this guy a Terminator? If Takina were to chop him up with a sword, would the pieces just turn into little Majima clones?

That said, with the assassination of Chisato thwarted, attention turns to Kurumi, who did hack the DA the day of the arms deal, but was ignorant to the arms deal itself (I wonder if it was Shinji who hired her to hack the DA). She prostrates herself and apologizes to Takina, but Takina doesn’t blame her for getting her thrown out of the DA…she blames her own actions.

Also, if Kurumi is indirectly responsible for the arms falling into terrorists’ hands, she’s equally responsible for Takina finding a new home, new family, and growing so close to Chisato. As for whether the two girls continue living together, Takina says they’ll settle that with one more game of rock-paper-scissors.

This time, Takina takes Mika and Mizuki’s advice and skips the “rock first” part of the game. When she finally beats Chisato for the first time, her elation and giddy little celebration was one of the highlights of an episode that struck just the right balance between over-the-top cinematic spy action and cute girls with guns having each other’s backs and bums.

Summertime Render – 16 – One Mio, Two Mio, Red Mio, Blue Mio

Once successfully hacked by Ushio and disconnected from Haine’s control, Shadow Mio is no longer a killbot, but retains her distinct deadpan delivery (in contrast to the real MioCoy’s higher, more bubbly lilt). As with Hikasa Youko and the two Minakatas, credit is due to seiyu Shirasu Saho for producing two distinct Mios.

Times may be desperate, but there’s still room in STR for a little bit of comedy as the two Mios act like opposing twins (and seriously throw off Sou, who as we know is in love with Mio). Mio II offers further insight into the nature of Shadows. Since she’s a “child”, she can only birth one child Shadow, and if Mio I doesn’t die in six days, Mio II will revert to black goo, essentially dying.

Mio II also has a little fun with Shinpei, whom she’s killed perhaps dozens of times, but points out she hasn’t killed him nor does she wish to. She also knows that Mio I is in love with him, and almost spills the beans but for the arrival of the truck. It’s interesting how there are aspects of Mio I’s personality baked into II, but she’s also her own person. She even asks Shin if he has a girlfriend in Tokyo, something Mio I could never ask.

Bottom line, Mio II is now on the good guys’ side, which is certainly a boon, and she promises she’ll keep her original safe. Shin decides their next objective is to track down Tokiko and Sou’s father and confront him about Haine’s true plan. That means heading to the clinic, which is also the Hishigatas’ home. They find all the furniture has been erased, as if the Shadows were trying to hide something.

While the Mios, Tetsu, and Nezu wait in the truck, the rest of the group heads deeper into the bowels of the dark abandoned hospital, freaking out Ushio even in Wristwatch Mode. These scenes have a great atmosphere and dread; if last week was a gory thriller, this is a slithering horror movie where you never know what might creep up behind you.

They find Tokiko and Sou’s mom’s wheelchair, but in the basement morgue where Ushio’s body is supposed to be, the body has vanished, and along with it the possibility of Ushio recovering fully from the battle. They follow an alternate underground tunnel to Haine’s nest, and find Tokiko and Sou’s mom lifting their dad by the neck and choking him out…never something kids need to see their parents doing.

Ushio runs up to the mom and hacks her, releasing her from Haine’s control, and she passes out, but the dad isn’t breathing. Tokiko and Sou show they’re doctor’s kids by administering CPR, and for their trouble their dad knocks the little Derringer out of an enraged Sou’s hand and shoots Tokiko with it for being disloyal. At first I was like “Oh no, they didn’t kill Tokiko again…”, but turns out it isn’t Tokiko…it’s Mio II.

Tokiko let Mio copy her, probably well aware her dad might pull the very shit he tried to pull. Back in the truck, Tokiko tells Mio that when a Shadow copies you they copy everything—right down to the depths of a person’s heart—but she’s fine with it. She’s done with secrets and hiding things. She’s lkely glad that one of the Mios truly understands just how much she means to Tokiko.

Having saved everyone, Mio II asks Shinpei if he trusts her now. He says he does, and if she doesn’t believe him she can copy him. But there’s no way Mio II would do that, as learning the inner depths of Shin’s heart would confirm to her that while he loves both Mio and Ushio, he’s only in love with Ushio.

Even after he’s been defeated, Sou’s dad keeps ordering no one in particular to kill for him. Then Mio tries to copy him but fails, because he’s already had a Shadow of himself made and died, giving him immunity. This comes as a shock to him. Then his assistant Negoro appears deeper into the cave, carrying Ushio’s body.

Ushio wants to go after her, but Shinpei tells her to stop, as she’s clearly trying to bait them on behalf of Haine and Shide. Shin’s been through enough that he’s not going to fall for the usual tricks anymore. Now that Tokiko and Sou’s dad knows the Haine have released the Hishigatas from her service, he has no further reason to hide anything, and reveals the location of a buried safe, which they dig up.

Back in the morgue, Ushio gives both of Tokiko and Sou’s parents all of the amassed information from the loops, as she did with everyone else. Now the mom finally knows she’s a Shadow. Pops reveals Haine’s ultimate goal is to “go home” with her amassed Shadow family, to a place far beyond the ocean where time doesn’t exist. He and his wife, and eventually Tokiko and Sou were to all become Shadows and join her in that eternal country.

He also tells Shinpei that if he achieves his goal of killing Haine, all Shadows will die, including Ushio. In response to this, Ushio says she’s ready to die if it means eliminating the threat to her family, friends, and island. She considers the time she’s lived since being killed to be “bonus time” anyway. It’s such a noble, selfless, and brave sentiment that Shinpei is ashamed for thinking his Ushio would feel any differently. It’s probably a big part of why he loves her.

Dr. Hishigata’s wife Chitose tells him that even if she dies, he still has his children and the people of the village to care for. Dr. Hishigata also isn’t done revealing secrets. Inside the safe is a list of all the people he diagnosed with “Shadow Sickness”, but actually became food for Haine. That list includes Shinpei’s parents, who discovered Haine’s cave and were killed for threatening to expose it.

Finally, Pops also knows the true identity of Shide: he was once his ancestor Hishigata Shidehiko, the founder and first director of the Hishigata clinic. Family ties, indeed. One Mio stronger in number and armed with all this information, it’s going to be an interesting final nine episodes spanning the final two days before the Shadowpocalypse.

Summertime Render – 15 – Shadow and Flame

No sooner does Shinpei loop back to the kitchen does Ushio arrive with Mio to fill him in on what happened: the enemy got to Nezu and used his own sniper rifle to kill Shinpei. We also learn that the creepy vision Shin keeps having is a visualization of his situation.

The past is crumbling behind him, and should he loop back where there is no more solid ground, he’ll fall into nothingness. He figures he has one loop left, if that. If they’re going to make their stand against the Shadows, it’s now or never.

Shinpei’s plan involves using himself as bait, since Haine wants to kill him until he’s out of loops and no longer a threat to her plans. The part of Mio’s personality Shadow Mio copied can’t help but admire how cool her big brother is by doing this, but forgets that Ushio can transform into a watch.

Ushio transforms and runs with Shin in her arms as an angered Mio gives chase. The real Mio, Sou, and Tokiko block her path, with Tokiko using two Shadow Babies Ushio freed from Haine’s control for defense and offense. Hizuru gives herself over to Ryuunosuke, who takes on “Shiori’s” corrupted family and friends.

When Haine and Shide get involved in chasing after Ushio and Shinpei, Ryuunosuke takes a bullet for them, buying them enough time to regroup in the gymnasium. Back outside, Shadow Mio shows off just how graceful and diabolical she can be by merging her body into one of the babies, but ends up getting burnt by her original and shot with nails by Sou.

Back in the gym, Ushio narrowly avoids getting shot to shreds by Shide and his trusty revolver, taking the stage as Tetsu switches on the stage lights to keep Haine and Shide’s attention on her. Haine and Shide, always convinced they have the advantage, are sorely mistaken in this case.

Still floating just over them are Ushio’s hairs, which are transformed into six masses of gasoline that then fall and soak the two. Then Shinpei, who was lurking on he balcony above them, tosses a match that starts a conflagration, then brandishes a revolver of his own. It’s a very cool action movie scene.

Hell, everything in this episode is incredibly cool and cinematic. A great deal of time and effort went into the animation; clearly STR was holding a large chunk of its budget for this episode (and probably a couple of future ones). While some suspension of disbelief normal “civvies” in Shin’s group survive as long as they do, great care is taken to ensure the weaker (Shinpei, Tetsu, Sou, and Mio) are protected by the stronger (Ushio, Tokiko, Nezu and Hizuru).

Thanks to their preparation, coordination, and vast amounts of misdirection, along with exploiting the arrogance of the enemy, Ushio is on the cusp of deleting Haine…only for Haine to use Shiori’s face, voice, and tears as a psychological weapon that cause Ushio to hesitate for just a moment. In that moment, Shide, who was playing dead in the fire, shoots Shinpei in the chest several times, then grabs Ushio and pulls her into the flames.

Shide intentionally missed Shin’s vitals so that Ushio would die before he did, and all the information on the previous loops will die with her. But once again Ushio pulls a fast one on him, as the body he grabbed was just a dummy. The real Ushio, in shell pendant form, reforms into a human and stabs Shide through the heart, promising to delete him.

Shide is only saved by Haine pulling off the most impressive Shadow stunt to date: deleting all of the air in the gym, killing the fire, causing Shinpei and Tetsu to nearly asphyxiate, and blowing out all of the gym’s windows from the air outside, allowing Haine and Shide to escape.

When Ushio collapses, a distraught Shinpei rushes to her side, but she’s fine; she’s only exhausted from all the copying she did. Like Haine and Shide, Ushio laments that Shinpei has been mortally wounded by the gunshots and doesn’t have much time left, but he reveals that a homemade bulletproof vest under his shirt protected him.

At the sight of the vest and upon realizing her Shin is okay, Ushio pulls him into what must surely be a very painful (due to the bullet impacts) but also very welcome hug. It’s an incredibly sweet and moving hug, the reward for going through a literal trial-by-fire.

While Haine and Shide are still out there and sure to regain their strength soon, it’s about as good an outcome as you could ask for. None of Shinpei’s friends or family were killed, and they’ve even captured Mio, whom the real Mio says Ushio should hack so she can become one of them.

Along with Toki’s Shadow Babies, Ushio’s hacking looks to be the potentially decisive key to victory: being able to turn enough of Haine’s minions to their side so they can fight on more even terms. The only problem is time.

Tokyo 24th Ward – 08 – Crane Game

Managing to bake a Golden Sunrise comparable to his dad’s nets Shuuta the location of the guy painting over Ran’s Kaba tags. Zeroth tells Shuuta that while he’s not Carneades, he is “acquainted” with them, and knows that right now they’re atop the Cornucopia arcology that houses the KANAE System.

No sooner does Shuuta head that way, stopping by Mari and his mom on the way, do he, Ran, and Kouki all receive the latest call from “Asumi”, with a new Trolley Problem. Three giant cranes atop the Cornucopia will get struck by lightning. They can choose to either call the one person atop the tower and save his life, or sacrifice that person while saving all of the people who would be killed or wounded by the cranes.

Seems simple enough (though I question how lightning, a fairly common phenomenon, would be such a huge threat here), but while Ran and Kouki are united in choosing the option that saves more people, Shuuta won’ be satisfied unless he can save everyone. Ran is also approached by Zeroth and asked to hack into the KANAE System to access some data for him. He won’t say why just yet, nor does Ran know how…but he likes a challenge.

Kouki, while the most passive this week, still makes a call to Tsuzuragawa that he later believes would lead to her death. That’s because, as Shuuta learns when she’s struck by lightning and almost killed, Tsuzuragawa is Carneades. Dun dun dunnn. As she told Kouki (and only Kouki), it was a character she assumed in order to cover for a horrible flaw in the Kanae System: Asumi is still conscious in there.

Shuuta is only witness to one of those two bombshells, and gives Tsuzuragawa CPR until she starts breathing again, then basically jumps off the Cornucopia while carrying her in his arms. As for the cranes going haywire? Not much is said but I assume there were no serious casualties. He got himself pretty banged up in the process, but Shuuta prevailed: get got the third outcome.

After a brief virtual dip into the KANAE System to retrieve what Zeroth wanted, on Ran’s way out he hears what sounds like Asumi calling for help. He’s not wrong, but unlike Kouki doesn’t realize it’s the real Asumi, just in a virtual form. But Zeroth says the heart of KANAE is a “demon”, and he’s going to use the data Ran got him to hack back in and destroy it. What that means for Asumi, and how RGB will respond to his plans, remains to be seen.

SAKUGAN – 06 – CRIME FOR JUSTICE

For his assistance in restoring the God of Wind, Gagumber comes into some money, which he quickly turns into a lot more money at Jolly Jolly’s casino. It’s all going quite well for him (unbeknownst to Memenpu)…until he loses everything on a bum hand. Shoulda quit while he was ahead. Gagumber Gambling Problem? Call 1-800-Gagambler.

He and Memenpu then end up captured by, essentially, a band of punks, led by Yuri, who calls his crew the “Yuri team.” They’re gentlemen (and ladies) of fortune, stealing from the rich and giving to the poor like Robin Hoods in the colony of AreYaar, whose university president Trevi claims to be a colony of “equality” but is really anything but.

Because Yuri was hired by Zackletu to do a hacking job for something like a million gold, both Yuri and Zackletu want what’s owed them from Gagumber, who it’s established is broke after flying too close to the sun at the casino. So instead he and Memenpu will work off their debt doing domestic labor for the Yuri team, who lives in an undertown under the already underground colony.

Memenpu and Yuri soon form a bond as the former learns the latter is a pretty good hacker, while she may be one of the first to tell him she thinks his prosthetic hands are cool. She and Gagumber accompany the Yuri team on a number of Robin Hood heists. They’re riding high, but Yuri doesn’t want to just make money; he wants to make Trevi and all the haves of AreYarr actually hurt and hurt bad.

Not only is his right-hand man Fidelio not okay with this, who understands that becoming more extremist or violent will only have the authorities cracking down on them harder, but Gagumber sees quite a bit of his old self as having big, bold, and ultimately reckless dreams, having left his friend Rufus’ side when Rufus wasn’t prepared to go so far. It ended in tears.

Gagumber is older and wiser and doesn’t wish the same of Yuri (i.e. losing everything, like Gagumber did both years ago and again at the casino), so he and Fedelio literally hang on to Yuri’s bot as he makes an ill-advised attempt to take over AreYaar’s central tower, which is also the center of the colony’s power. Yuri wants to “change the world” like the Labyrinth-widely infamous Shibitu, but Shibitu are pretty much just terrorists.

Ultimately Gagumber, Memenpu and Fidelio succeed in keeping Yuri from doing something that could get him and all of them arrested and at worst killed. Instead, Yuri and Memenpu use their hacking skills to embarrass Trevi by broadcasting his dalliances with the casino bunny girls to the whole colony.

The episode ends by teasing a new dynamic: both Zackletu and Yuri sticking close to Gagumber and Memenpu on their travels, making it a full-on adventuring party. I can’t say yet whether Zakletu has either wife or big sister potential, but Yuri makes a good big bro for Memenpu, and it will be fun to see them interact more.

Rating: 4/5 Stars

Vivy: Fluorite Eye’s Song – 09 – Diva’s Final Curtain

Matsumoto, always entertaining when thrown for a loop, finds himself speaking to Antonio through Ophelia, as he decides the best way to fulfill his mission to support her was to become her, sparing her the burden of fame and the pursuit of perfection, but also sparing her an independent existence. He considers his mission far more noble than Matsumoto’s designs to prevent her suicide, though he might not say that if he knew the bigger picture.

Speaking of that, Kakitani’s youth is promptly explained: he’s an AI copy of the human, and his mission is to get an answer he couldn’t from his teacher, which only Vivy could provide. That means infecting the captured Diva with a custom logic palette that “doesn’t belong in this era” which, throughout the episode, slowly erases Diva’s personality, eventually leaving only Vivy behind to answer him.

Thankfully, it’s a slow countdown, and while it is technically a ticking clock, because it’s only one of several spinning plates in this arc finale, it feels earned rather than cliched. That it is an inevitability even Matsumoto’s hacking skillz cannot override also adds gravitas to every moment Diva is on screen, because they’ll be her last.

It also assures that the titular Vivy we know and love, who can neither act like a human nor sing half as well as Diva, will ultimately return. It occurs to me that at the conclusion of every previous arc, we didn’t just say goodbye to one of Vivy’s sisters, but a part of Vivy as well, as her interactions with them helped her grow, both as a songstress and a person.

This time we don’t just say goodbye to a part of Vivy, but an entire alternate version of her, who lived for sixty years. It’s a tough loss…but before she goes Diva makes sure she puts absolutely everything she’s got in all the time she has left to be the best temporary partner to Matsumoto he could ask for…and vice versa.

While packed with drama, pathos, tragedy and romance, Wit Studio flexes its muscles like never before in this episode, as we cut between the parallel battles, one of the more abstract electronic variety, one more down-and-dirty hand-to-hand combat, but both equally gorgeous an awesome to watch unfold.

That Kakitani is also an AI means both he and Diva can take the fight to levels humans would not be able to survive, while Matsumoto manages to copy himself into enough cubes to fight his battle with Antonio while supporting Diva. Compare this to Antonio, who happily accepted Kakitani’s help but is otherwise not working towards the same mission, making them inherently weaker against a united front.

Among other Kakitani’s surprises is an elaborate arm cannon (always a sharp feature when going on a timeline-bending crusade to avenge his mentor—and a special knife that seems to act as an EMP, deactivating the Matsumoto cubes aiding Diva.

All the while, Diva tries to impress upon Kakitani the fact that she’s not Vivy, and has no answers for him he’ll find satisfying. When she says she puts everything she has into her singing to make people happy, that includes everything about Vivy, despite her knowing next to nothing about her.

On the Antonio side of things, Matsumoto says he almost turned into him, discarding his partner as part of his “perfect calculations”. Looking at what’s become of Antonio, he’s not glad he didn’t eliminate her. As for his mission, it was never specifically to stop Ophelia’s suicide; it was to carry out the Singularity Project with his partner.

Even taking over Ophelia couldn’t satisfy Antonio, because no matter how happy the crowds were with his performances, he always knew he wouldn’t be able to match the power of the true Ophelia’s singing. In fact, it irked him that their standards for excellence were so low, resenting the very people it was Ophelia’s mission to make happy.

The Matsumoto cubes manage to hack both Antonio and Kakitani and disable both, and transfers Antonio back into his own clunky body. It’s only then in his last moments that he admits that all he really wanted was for Ophelia to sing for him and no one else. Ophelia, regaining consciousness before shutting down, admits she only wanted to sing for him; to make him smile.

In the end, their mutual love and devotion to each other corrupted their missions. In true Shakespearian tragic fashion, it was a love that could never be. In that same vein, the moment Kakitani uploaded that logic palette, Diva was a version of Vivy that could never be, even though she did a bang-up job serving as Matsumoto’s partner. Before Kakitani shuts down, he tries to twist the knife once more, telling Diva “there were humans who suffered because you existed!”

That line might’ve worked on Vivy, but it doesn’t faze Diva that much. And in true Diva fashion, she gives one last snap and tells Matsumoto she’s going to use her last five or so minutes of existence doing what she was built to do: dazzle the stage, put her heart into her singing, and make everyone in attendance happy to be there. As she performs, she simultaneously opens a dialogue with Vivy within the Construct.

In this lovely parallel scene, their positions couldn’t be better illustrated, as Diva is both on stage and in the brightly lit classroom, while Vivy is relegated to a dark, shadowy, morose office. The pair lean against the same door, and Diva says she hears how Vivy had been struggling with putting her heart into her singing. She says the answer is to simply to hear the song she’s singing now, in her final performance, as in the Construct she slowly dissolves away into cybernetic oblivion.

And yet, as Vivy opens the door and steps into the light, then wakes up on stage to a deliriously ecstatic crowd cheering the song Diva just sang, Vivy still doesn’t understand. Then again, she only just woke back up; maybe she needs a few decades to process what she heard and what it means. Thanks to Diva, she has her existence back, which means anything is possible for her. As long as she sticks with her partner Matsumoto, who promised Diva he’d take care of her.

Vivy: Fluorite Eye’s Song – 08 – Get Thee to a Nunnery

We, along with Diva, learn via Matsumoto of Ophelia’s beloved partner and support AI Antonio, who despite a propensity for crankiness always had her back. He always said there was nothing wrong with her singing, she just needed the right stage to perform it. His mission was only ever to help her achieve hers.

But before he could do this, he mysteriously shut down five years before the present day. Ophelia lost her primary sound and lighting guy along with the only person she trusted with his rough-edged praise and encouragement. As such she was never the same, and eventually committed suicide or “self-destruct”, lending credence to the growing belief that AIs had souls, the same as humans.

Matsumoto’s plan of action feels too much like a “stopgap” measure for Diva—especially this evolved, more human than ever version of her. She wants to get to the root of Ophelia’s distress so she won’t even have to talk her off the ledge, because she’ll never climb onto it in the first place.

Diva finds Ophelia in the concert hall’s museum, where she’s watching Diva’s early days. Diva asks her upfront (and rather clumsily for this Diva) whether there’s anything troubling her to the point she might want to die. Ophelia leads Diva to the Antonio exhibit, where Antonio’s actual body is on display in a box of lilies.

It’s clear from the way she was watching other songstress sisters that Ophelia is seeking the answer to how they all sing, and for what purpose. But while Ophelia grieves for Antonio, her one and only partner, she’s not in any hurry to join him, as she knows he’d be the first to say she has to do better. Diva puts a lily in Ophelia’s hair, hoping it will be a talisman of protection, and sends her on her way.

Ophelia (performed by the always adorable Hidaka Rina) puts on a wonderful, spellbinding show as expected, but afterwards Diva is troubled when she sees “that look again” on Ophelia’s face. Still, she’s determined that it’s probably not Antonio’s loss that led the near-future Ophelia to suicide; or at least not all it was.

After showing Matsumoto the image of a young Kakitani (whom he insists shoudn’t exist in this timeline), he warns Diva to ditch her sympathy and empathy she’s developed over the years and stick to the mission. Then she insists he tell her more about Vivy and their relationship, which she imagines must be substantial considering he rescued her from falling without hesitation.

Matsumoto decribes Vivy as we watch a montage of her in action, and while the words describe an unpredictable pain in his cubic ass, there’s also a hint of reluctant pride in his telling. He even admits there was a point when he thought he could “look to her with confidence” (as a reliable partner in the Singularity Project), but then Saeki killed himself and she froze.

When Ophelia’s show is over, Diva and Matsumoto keep an eye on her via the cameras, but then Diva spots Kakitani, and goes chasing after him, promising to tell Matsumoto about Vivy’s “basic distress.” But because Diva rushes headlong to Kakitani without all the info—just as Vivy often did—he ends up captured by him. All of her memories of him in past timelines wash over her just before he zaps her with a gun that paralyzes her.

Meanwhile, Matsumoto realizes the camera footage has been faked (since Ophelia in the green room has no lily in her hair) and someone other than him is doing some hacking. He races to Ophelia as fast as his little flight servos can carry him, but is met with another bombshell: Ophelia isn’t Ophelia anymore, but Antonio in Ophelia’s body. It seems, then, that when Antonio shut down, it was because he either merged with Ophelia or took over her body. In any case, he says Matsumoto is “fatally too late” to save her. To be continued…

Post-credits we find ourselves hearing Kakitani (or whoever he is)’s story, as he yearned to be a pianist and to catch up to his talented teacher. When he and that teacher are in a horrific multi-car accident (which…how do these keep happening even in the future?) the teacher saves his life and then goes back into the inferno to save others.

Like Vivy, he extended his mission to “make people happy with his piano playing” to keeping those people alive. Unfortunately, the gas of the cars ignited and blew him up before his protégé’s (presumably non-fluorite) eyes. That brings us back to the “present”, where Diva is bound to a chair and Kakitani greets her…as Vivy. How he knows that, and how his actions related to Ophelia/Antonio, are questions for next week.

Rating: 4/5 Stars

Vivy: Fluorite Eye’s Song – 06 – Grace Under Fire

Vivy once again saves Kakitani along with a handful of Toak operatives, but Kakitani is once again ungrateful and Matsumoto determines it will be hard to conceal the fact that the AIs of Metal Float killed a fair number of humans, all thanks to Dr. Saeki’s apparent “shutdown” program caused all of the AIs to rampage, like antibodies fighting off an infection.

Saeki’s personal stake is put into context as we learn he was once a patient at the facility where he’d eventually work. As a child, it fell to the nursing AI Grace, descendant and Sister of Diva, to tell him his parents abandoned him, and to comfort him.

When he returned as a researcher, he fell in love and proposed to Grace, and they became the first official human-AI couple, with Grace considering marriage to be a logical step in her attempt to better understand humans as part of her mission to save and protect human lives.

When Vivy confronts him, he reveals his true plan, which at first he believed aligned with her and Matsumoto’s goals: like them he intended to shut down Metal Float, but he also intended to retrieve the data comprising the “soul” of the real Grace, who had been forcefully appointed the island’s control AI, and her mission rewritten.

Saeki tries to prove to Vivy that the Grace he knew and loved is still imprisoned in the core, singing Diva’s song (and incidentally, the opening theme) on a loop as a kind of distress call. But both she and Matsumoto hear the “singing” for what it is, nothing more than “tone data”. The Grace Saeki had hoped to download into his replica Grace no longer exists.

After Vivy makes clear to Saeki that in her current form she is not Diva, but Vivy, “an AI who will destroy AIs to change the destructive future”, he siccs his Grace replacement on her, but she’s able to easily defeat her thanks to her combat program. Matsumoto then determines the best place to look for the Grace core is the island’s main tower.

He proceeds to hack the production facility to quickly manufacture dozens of Matsumoto cubes, which coalesce into a kind of flying mecha Vivy uses to fight her way through the waves of defense AIs to reach the tower. Trippy Tron-y baroque neon spectacle set to the theme song ensues, to the point it’s hard to tell what’s going on at times, but it’s definitely cool-looking.

Vivy’s final obstacle is M205, who attempts one last surprise to detonate in her proximity in order to neutralize her, but Matsumoto mecha shields her from the explosion. While her face is damaged, Vivy enters Combat Mode and puts her arm through Grace’s chest. The island shuts down, making the operation a success. But it’s also framed as a death of honor and mercy, freeing Grace from a mission she never wanted.

But this success has immediate consequences. Despite Vivy’s hope and desire that Saeki be able to find happiness elsewhere in the wake of the loss of his love, Saeki instead chooses suicide by putting a bullet in his head, thus joining his lost love. As a result, in this instance, Diva failed in her mission to make people happy with her singing.

With one hand drenched in Saeki’s red human blood and the other in Grace’s blue AI blood, Vivy has a bit of an existential crisis. While Grace accepted the mission rewrite and assumed her new role as control AI of Metal Float, Diva/Vivy has maintained all along that her mission has not changed.

But one cannot deny that she’s suffered quite a bit of mission creep, and the resulting complications in her new dual role as savior of humanity is having a deleterious effect on her sense of being, and possibly her very sanity. We’ll see how this carries over into her next operation, whenever in the future that might be. But I imagine her condition will continue to worsen before it improves.

Rating: 4/5 Stars

Vivy: Fluorite Eye’s Song – 05 – The Machine City

As last week marked the end of the Space Hotel Sunrise operation, it was anyone’s guess where and when Vivy would end up next time. This week begins with one hell of a hook: an apparently human man and an AI woman getting hitch in a gorgeous derelict cathedral on a lush green island. We pull out from that timeline and are presented with what must be that same island, only it has been developed into a futuristic floating city.

Five years, one month, and nine days have passed since the Sunrise incident. Estella was lauded for her heroics as the quintessential benevolent AI. Vivy is more popular than ever, headed ever closer to that main stage. Suddenly Matsumoto arrives in his floating cube form. The first step of Vivy’s newest op is to save the life of AI researcher Dr. Saeki Tatsuya from pursuing Toak agents. Due to his position, Saeki recognizes Vivy as the Diva AI.

Once Toak is dealt with and Saeki is safe, they pull over by the water where an island looms on the horizon. That island is the Metal Float, the world’s first unmanned offshore plant built and run by AIs and only AIs. Immediately I thought of the Machine City Zero One from The Matrix, as well as the reclusive advanced nation of Esthar from FFVIII.

Dr. Saeki puts it simply: That island’s overkill for this era. Matsumoto confirms its present advanced state has come about twenty years earlier than the “official history”. Vivy, Matsumoto, and Saeki are in agreement that the island must be shut down if the future annihilation of humans by AI is to be avoided. He takes them to his home where his AI wife Grace is waiting, and shows them a storage device that contains a program that will shut Metal Float down.

Matsumoto informs Vivy that Dr. Saeki’s wife Grace is one of the Sisters (though insists it’s a coincidence they keep running into them on their ops) and that they are the first human-AI couple to marry, and as such are celebrities. It’s a certainty that if they are to succeed in this operation and shut the island down, it will likely doom their marriage.

Nevertheless, they press on, taking a boat to the island where they are met by a WALL-E-like robot whose designation is soon shortened to “M”, and welcomes Vivy, who is registered as an “Inspection Team Researcher”, and Matsumoto her assistant.

Vivy can’t contain how awed she is by what AIs have been able to create on this island without any human involvement. Even Matsumoto admits it would be hard for any AI to deny that seeing such a place makes them feel something. Indeed, that very something may be what pushes future AI to turn on humanity. The Metal Float is truly a world all their own; a Utopia and crowning achievement of AI. And she’s there to shut it all down.

Even so, there are already facilities pre-built for the express purpose of accommodating future human visitors—Vivy and Matsumoto being the first visitors of any kind—and M and his compatriots throw a surprise party to welcome them, singing a song sung by Vivy (i.e. Diva) herself.

The affable visit is suddenly interrupted when M’s eyes start flashing red as he reports armed targets approaching the island. Toak has sent craft by both air and sea to capture the secrets Metal Float possesses.

Matsumoto tells Vivy to attach Saeki’s storage device to M so he can force-connect to the CPU. Meanwhile M and his compatriots spring into action, repurposing themselves as kamikaze missiles to destroy the approaching Toak craft.

Vivy dives into the ocean to rescue one of the Toak agents, who turns out to be Kakitani…again. She saved him when they first met, and Elizabeth saved him from dying on the Sunrise. At some point you’d expect this guy to come around and rethink his stance on AI. Meanwhile, in the heart of the island, another Sister seems primed to wake up. As expected, this operation is about to take some unexpected turns.

Rating: 4/5 Stars

Vivy: Fluorite Eye’s Song – 04 – Be Our Guest

In a cryptic and haunting Blade Runner-esque cold open, Estella holds a bird in her hand beside a second caged bird, and when she smiles, another AI lying on a medical bed smiles as well. Researchers’ voices report they’ve “failed”.

The second AI ends up in a junkyard, surrounded by other discarded AIs in various states of disrepair. A light shines on her once-beautiful, now-ruined face: four armed men have come for her, to give her a new mission.

Vivy decides to lie to Yuzuka about knowing her sister, insisting she’s mistaken. Before Yuzuka can argue, the entire ship shakes. Estella informs all hands that a malfunction of unknown origin has occurred, and all guests are to head to the main hall as a staging area for evacuation.

The crash of the Sunrise is beginning, but Matsumoto is confused; it’s far too early. Events have diverged too far from history. Then Vivy and Yuzuka meet Estella in a corridor, and immediately after Vivy notices she’s not wearing a staff bracelet, Estella attacks her.

After doing some digging, Matsumoto discovers the culprits behind “Estella’s” manipulation and the impending crash of the Sunrise: the anti-AI terrorist group Toak, led by an operative from fifteen years ago.

Vivy and Yuzuka escape the evil “Estella” double and soon find the beheaded LeClerc. Vivy removes her ruined arm and attaches LeClerc’s functioning one, then asks Matsumoto to prepare the anti-personnel combat program he tried to forcefully upload before. Yuzuka on the verge of wigging out, so Vivy gently presses their foreheads together and calmly promises her she’ll get her safely back to Earth without fail.

Upon receiving the combat program, Vivy’s entire aura shifts. She’s still Vivy, just considerably more badass. Ditching her glasses and putting her jacket back on, she heads out into a corridor and the Toak agents are absolutely no match for her superior speed and strength as she dodges bullets and delivers vicious blows.

Vivy revives the real Estella in her office, and when Vivy says the terrorists have control of the Sunrise and are bringing her down, Estella realizes only one person besides herself could make that possible: her younger twin sister, Elizabeth. They were created to determine if copying over one AI’s accumulated experience data to another AI would produce a perfect clone of the original. This puts the cold open into context.

Meanwhile in the control room, Elizabeth sets the drop trajectory to crash the Sunrise, just as her Toak “master” recognizes Vivy on a security monitor; turns out he’s Kakitani, the operative whose life she saved fifteen years ago. As Matsumoto would probably put it, her “unnecessary calculation” resulted in Kakitani coming up with this new scheme.

But Beth has some unnecessary calculations of her own, sedating Kakitani and warning the other Toak agents to take him and hurry to the evacuation ship. She wasn’t prepared to let her master sacrifice himself.

She leaves them, ditches her blonde wig, and changes into more comfortable threads for her confrontation with Estella and Vivy. Beth cops to convincing LeClerc that Estella killed the previous owner, giving her all the systems access she needed. Vivy uses her combat skills to protect Estella, and Matsumoto infects Beth with a reformatting virus that affects her motor skills.

Unlike Estella, the free bird who had a mission, Beth had nothing until Kakitani brought her in. She considers herself Master’s “lifekeeper”, defining him as the only member of “humankind” it became her mission to protect. There’s no doubt she got the short shrift, but Vivy and Matsumoto simply don’t have time for the sisters to hash it out, so Vivy headbutts Beth, knocking her out.

In the control room, Estella discovers that the die is cast: Sunrise’s mass won’t allow it to pull out of its descent. Even worse, it’s headed not for the ocean, but a coastal city. To fulfill her lifekeeper mission, Estella decides to systematically separate the Sunrise into its constituent modules, so the smaller pieces will burn up in the atmosphere.

It’s an operation that can only be performed by her, in the control room, so she’ll be going down with the ship. When Vivy tells her they’re sisters too, Estella reminds her, they’re AIs. They live for their missions, not one another.

With another gentle meeting of foreheads—possibly exchanging data—Estella urges Vivy to board one of the departing evac ships. Shortly after, Beth joins her in the control room, her Toak conditioning purged, and the sisters meet in person for the first time.

Vivy reunites with Yuzuka aboard an evac ship, and Estella’s warm and calming voice comes over the PA, apologizing to the guests for all of the inconvenience they’ve suffered, but assuring them that they’ll be alright. She then opens the ships’ observation windows and directs their attention to the sun rising over the Earth.

As Beth begins to sing a sad and beautiful song about the stars with her sister by her side, the evac ships are on course for the airports on the surface, and the human guests aren’t just remaining calm, they’re smiling as they behold Earth’s majesty—and smiling guests was always Estella’s greatest wish.

As the several dozen decoupled components Space Hotel Sunrise burn up in the atmosphere shortly after the song concludes, Matsumoto declares their Singularity Project mission accomplished, and shuts down until their next mission in the future.

Vivy confesses to Yuzuka, that she was lying before about not being Diva; not she did know Momoka, she was her only human friend, who gave her her name and the bear. Vivy gives Yuzuka the bear for safekeeping, and the two await their return to humankind’s proper place: Dear Old Earth. So ends another fine chapter in Vivy’s epic time-traversing odyssey to save humankind.

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