Cardcaptor Sakura – 06 – Forest of Illusion

Sakura isn’t a fan of ghosts, like, at all. So when her friends suggest they investigate the forest behind the school for signs of haunting, she basically has to be dragged along. Sure enough, something appears in a flash of eerie blue light, but that something is different for everyone. Tomoyo sees a meat bun, but Sakura sees her mother Nadeshiko, who died when she was only three, and the anniversary of her death is approaching.

This is another case where Kero isn’t sure if a Clow Card is at work, but it’s enough of a possibility to visit the spot again, this time with Kero tagging along, Sakura in a kind of Italian opera bunny costume, and Tomoyo with her camera. When the spectre of her mother appears again, drawing Sakura closer, she steps right off the very sheer cliff she herself warned the others about.

Fortunately, Yukito catches her before she hits the ground, but she still passes out. She wakes up at his house, where he makes a point to mention his grandmother changed her clothes, not him, and that her “plush toy” is safe with Tomoyo for the evening. When Sakura contemplates whether who she saw was her mother, Yukito asks her: if it really were, why would she put her daughter in harm’s way?

When Touya comes to collect his little sister, Yukito tags along, and we learn that Sakura’s intense fear of ghosts comes from two things: her innate ability to sense (but not see) the real things, and Touya’s incessant teasing of her when they were younger. While he declares it his right as a big brother to mess with her, I could sense a tinge of regret in Touya’s telling, while Yukito suggests that maybe he can skip scolding her when she wakes up.

The next night, Sakura, Kero, and Tomoyo return to the forest, this time with Sakura wearing a very slick, futuristic, vocaloid-esque yellow costume. That’s two looks in the same episode for the first time! This time her mother beckons her to the cliff’s edge again, but Sakura snaps out of it, remembering Yukito’s words. Turns out it’s not the ghost of her mother, but a Clow Card called Illusion, which Sakura successfully captures.

The next morning, Sakura is ready to go back to school, but takes a moment to say hi to her mother, confident she’s not lonely by that cliff, but up in a beautiful place among the stars. Touya suddenly notices the real ghost of Nadeshiko appearing, however briefly, watching over Sakura and smiling.

This was the first truly heartstring-pulling episode of CCS, exploring how despite barely remembering her mother, she still loves her deeply due to the stories her dad and brother have told her, and in turn Nadeshiko is always watching over Sakura, no doubt immensely proud of her daughter’s new calling.

Cardcaptor Sakura – 05 – Heart of Plushiness

This week we are formally introduced to the rest of Sakura’s crew: Chiharu, Rika and Naoko. Chiharu in particular is a big plushie afficionado so the group is excited to check out a brand-new shop owned by the kind but somewhat uncoordinated Matsumoto Maki. Only the same night Chiharu purchases a panda toy, it is apparently stolen right out of her room, only to return to the store the next day.

It isn’t long before Sakura starts to suspect a Clow Card is at work, but Kero-chan can’t recall a card that would steal and collect plushies. When they stop by the shop at night for a closer investigation, Sakura is proven right: the card Jump, an extremely quick pink bunny-like card, is responsible for all the havoc. Tomoyo tags along to run interference for Sakura, politely stalling Maki by telling her just about everything she knows!

When it senses Sakura means to take it captive, Jump jumps out the shop window, but Sakura gives chase. As her rollerblading and prowess in gym class demonstrated, Sakura is a formidable athlete, and most cards would be hard-pressed to leave her in the dust, but Jump is different, and when she does finally get her hands on it, she gets taken for a ride up into the sky and then dropped!

Fortunately, Sakura releases her staff and activates Fly, then wisely uses the newly-acquired Wood to create a cage of branches to restrain Jump. Then Tomoyo shows up with her camcorder and delays the card-sealing, and Jump escapes, and then merges thousands of plushies into a single kaiju-sized Jump…but it doesn’t last, and Jump eventually falls over and returns to its normal modest size, enabling Sakura to capture it for good.

As Sakura remarks, it’s a bit “anticlimactic”, but from the initial confrontation in the shop to the chase into the sky to the kaiju walk, Jump was an agent of chaos that went through a lot of fun iterations. While Sakura lacked an official battle costume, you could tell as the chase continued and escalated she was determined to win. Now that she has the card, maybe she can gain the same crazy speed and agility.

The Quintessential Quintuplets – 08 – Somebody That He Used to Know

I know it’s usually the case in these kinds of shows that the less we know about the protagonist the better, but considering how much we’re learning about the five Nakano quintuplets, it was only a matter of time before we finally got a little more insight into where their tutor came from.

We know Fuutarou’s dad seems a lot carefree and “wilder” than his serious son. But it wasn’t always that way; Fuutarou used to be a wild man just like his old man, and still carries a photo in his student handbook to prove it. Pops also says that he transformed into the young man he is now shortly after meeting a certain girl. The plot thickens.

At Casa Nakano Miku ends up being the one to disrupt lessons when she becomes determined to make the perfect croquette, leading Fuutarou to overeat. When Nino and Itsuki prepare to leave for lunch, Fuutarou begs Yotsuba to keep them there, and she demonstrates how bad a liar she is by saying Fuutarou is so ill moving will kill him.

Still, Itsuki sits beside him and Nino whips up some porridge, showing that each and every one of them is a good girl at heart. Alas, when Nino slips on the ketchup Futaoru used to simulate coughed-up blood, the hot porridge spills on his face and he moves around…without dying.

Nino and Itsuki bail in outrage, leaving Fuutarou alone with Yotsuba. When she laments how little she’s been able to change, Fuutarou reassures her: she was the one sister who was honest, straightforward, and friendly from the start, and without her his job would have been impossible.

When he says she’s too straightforward to lie properly, Yotsuba draws in close—too close; intimately close—to tell Fuutarou she can’t help but be straightforward…she likes him. After an appropriate beat to allow Fuutarou’s heart to stop, a wide Cheshire Cat grin sprouts from her face…she was “just kidding”, and can lie just fine when she wants to. The question is, was she really lying?!

Back at school we learn School Camp is coming up, always fertile ground for rom-com events. The task of running the Test of Courage is foisted upon Fuutarou, who is determined to get back at his class by scaring the shit out of them. His clown mask is certainly effective on Yotsuba.

Ichika then shows up to tell him she can’t sit in on the lesson because she has a shoot, and proactively gives him her contact info so she can tell him in advance of schedule conflicts. Only that’s not her only reason: not thirty seconds after receiving his number, she texts him a photo of him sleeping on her lap, which she threatens to distribute to the others unless he acquires her sisters’ contacts as well.

It’s a diabolical and very Ichika scheme, in keeping with her promise to help him out by letting him help himself, in this case by earnestly reaching out to the others. Getting Miku’s number is easy (and she’s eleated to have his), and he bribes Itsuki by throwing in Raiha’s contact info with his own. Nino’s a tougher cookie, but FOMO forces her hand as well, and she writes her info in Fuutarou’s handbook.

While giving Fuutarou her info, Yotsuba gets a call from the basketball club. Wondering if she’s the world’s biggest pushover or is maliciously agreeing to anything to avoid studying (why not both?), a suspicious Fuutarou follows her, only to be pleasantly surprised when she gives the club her regrets: she tells them about her “previous engagement” and the “someone who’s spurring me on, even though I have no talent.”

Fuutarou may may light of Yotsuba’s ditziness, but he shouldn’t throw stones in glass houses, as he doesn’t realize Nino still has his handbook until he’s home that evening! The next morning Miku lets him in her room, and catches her asleep in a very unglamorous position.

Nino agrees to let the infraction pass if he agrees to pierce her ears, the tool for which she got from Ichika. Despite his hostility towards him, it says a lot about how she really feels about him that he’d ask her to do something so personal for her. But he uses her moment of vulnerability to try to snag the handbook, and it falls to the ground, revealing the picture of a “hot guy” who is just Nino’s type.

Perhaps due to his pierced ear and bleached hair, Nino doesn’t recognize it as a younger Fuutarou, and Fuutarou claims it’s just a “relative” he’ll introduce to her some day. But Fuutarou is just relieved to have the photo back before she saw the other half, which stayed folded over. The second half reveals the girl he met five years ago whom his father mentioned led to his metamorphosis in to an ace student.

Just as Nino shows her sisters an album with a photo from those same five years ago. It’s now indisputable: Fuutarou’s first love was one of the quints. Only we just don’t know which one, since they all looked exactly alike five years ago. Fuutarou changed quite a bit too, so neither side recognizes the other from the past…unless that certain one of them does remember and is keeping it a secret.

This is all great stuff! I’m actually glad there’s a deeper connection, and I love a good wholuvit mystery. A lot happened and was introduced in this episode, and it didn’t always connect organically, but QQ has more than earned my faith in its ability to develop its new plot points and tap the new central mystery for drama and possibly resolve it in a smart and entertaining manner.

In / Spectre – 10 – Bogged Down in Committee

If Kotoko’s logical fiction were a car, this week she suddenly pops a J-turn. One could say her first solution was simply a means of putting feelers out. If the forum is already convinced that Steel Lady Nanase is a real ghost, she turns into the skid with her second solution.

Jealous and spiteful of her success, Nanase Haruka’s father fell down the flight of stairs all by his lonesome, and intentionally left a note behind implicating his daughter, whose career was then ruined. Haruka let the falling steel beam kill her. When she met her father in the afterlife, he revealed the truth to her.

Wracked by his betrayal, Haruka’s soul couldn’t move on, but returned to the world of the living as the evil ghost Steel Lady Nanase. Having solved the mystery of her father’s death and created a logical reason for the existence of the ghost, Kotoko takes the next natural step and creates a reason for her to disappear.

To do so, she beseeches the forum to focus their prayers on delivering her from evil so her soul can move on in peace. This solution is so different it catches Rikka off guard. Kurou returns from his latest death having chosen a favorable future, and Nanase is visibly weaker, enabling him to get the upper hand.

But it’s not over. Kotoko has simply created another crack in the portrait of the Steel Lady; it remains to be seen if she can shatter it. The forum pokes a fresh hole in Kotoko’s latest solution Steel Lady Nanase wouldn’t need to wreak so much havoc if her only goal was to expose her father’s betrayal.

Rikka kills herself. Having pursuaded a few more but not enough, Kotoko pivots to her third solution, involving Haruka’s older, far less famous sister, Hatsumi.

Kotoko presents the idea that Hatsumi was also jealous of Haruka, so when she found the note their father left incriminating Haruka, Hatsumi mailed it to the media. This action had a much more devastating reaction than she anticipated, throwing Haruka into a pit of despair that led to her suicide-by-steal beams.

Only Hatsumi wasn’t convinced Haruka committed suicide, and said as much to the police. In fact, Hatsumi didn’t even believe the faceless body was truly Haruka, but a body double, and her sister was still out there, somewhere, waiting for the right time to exact revenge on her big sis.

Hatsumi became beset by obsession and paranoia, to the point someone depraved who knew and was infatuated with her sought the means to make Hatsumi believe Haruka was truly dead, setting her at ease. He achieved this by creating the spectre of Steel Lady Nanase. Once he murdered someone in her name, this individual might have gone on to seek a closer relationship to the object of his obsession.

Kotoko closes this third solution by calling for the forum to aid in the search for the degenerate before anyone else is harmed. The people take to this story like ducks to bits of bread…until Rikka herself inserts herself into the forum and questions the motives of Kotoko’s would-be creeper, and questions why Hatsumi wouldn’t think Steel Lady Nanase wasn’t her sister’s ghost trying to kill her.

Since we knew from the preview for this episode that only the second and third solutions would be presented, this episode has the disadvantage of being neither the beginning or end of Kotoko’s duel with Rikka. Yet it was still engaging thanks to Kotoko’s boundless charisma.

Rikka’s hold on the forum seems stronger than ever, while Kurou finds himself miles from the future in which Steel Lady disappears. But Kotoko still has a fourth ace of her sleeve. We’ll see if the last solution can sway the forum for good.

Check out another In/Spectre Episode 10 Review by Crow’s World of Anime.

In / Spectre – 09 – There is No Truth Here

Parliament is in session, and Leader of the Opposition Iwanaga Kotoko confidently casts her first net of logical fiction, hoping to snare enough votes to neutralize Steel Lady Nanase. A string of believable lies issues forth from her brain and fingers into the forums, creating a non-supernatural solution to the murder of Detective Terada. This early in the game she knows she doesn’t have to convince everyone, just enough to start creating reasonable doubt. It’s as much a murder case as a committee for a bill.

Her solution to Terada’s unusual, uncontested murder is surprisingly elegant and plausable, capitalizing on Terada’s general exceptionalism both as a detective and as a judo practitioner. She also makes good use of the site where his body was found (an abandoned gas station on a sleepy road). She spins the yarn of a the unghostly killer rigging a weight on a pendulum and luring Terada to the spot where it would smash into his face at great speed and kill him without resistance.

Since the episode can hardly just show Kotoko tapping away on her laptop in the back seat of a car the whole time, the online committee is visualized as her standing alone in cyberspace, surrounded by the screens of other users on the forum, poking holes into Kotoko’s solution. Kotoko expected this—any underdog would—and rather than trying to make everyone happy by plugging all of those holes, she settles for reducing the belief in the ghost story by increasing the specificity of the “real” killer’s description.

When that description starts sounding an awful lot like Saki, the policewoman turns around to shoot an angry look at Kotoko. She explains that it’s not her intention to frame an innocent policewoman at all, but to create an alternate killer that both fits the facts of the case and has motive (in the case of Kotoko’s fiction, romantic obsession). After all, neither her solution nor the legend of Steel Lady Nanase are true; they are dueling fictions. Since Rikka’s got a huge head start, Kotoko has to use every rhetorical weapon at her disposal to create lasting doubts.

And therein lies the challenge of this committee: even when Kotoko starts to sway the flow of the forum in her direction, the flow changes back to believing in the ghost all too quickly. That’s because Rikka is killing herself, visualizing and choosing the future threads that favor her ghost story. In the meantime, Kurou duelling with Nanase isn’t just to serve as a gauge for the effect of Kotoko’s lies (her power fluctuates in real time), but a way for Kurou to die and see the futures that favor those lies.

Despite it being another extremely talky episode of perhaps the talkiest show of the season, this is honestly all very fascinating and exhilarating to me. Your mileage may vary, but watching Kotoko do her thing is freaking awesome. Not only that, her first solution not holding up long was already folded into her calculations. She has three additional doubt-creating amendments to her proposed bill, so she’s feeling very confident about a legislative upset.

In / Spectre – 08 – The Curious Case of Sakuragawa Rikka

No sooner is Kuro’s mysterious cousin retroactively introduced as his “one true love” is the frail yet hauntingly beautiful Rikka revealed to be not only a fellow mermaid/kudan flesh-eater like Kurou (explaining why she’s his type), but the very mastermind behind the Steel Lady Nanase monster of imagination. Karin’s older sister was a red herring, while Karin herself was only a loose template upon which Rikka crafted a powerful urban legend.

Surprisingly—and yet not—Kotoko knew this all along, but coyly kept it from any part of the audience who didn’t suspect Rikka as soon as she was mentioned, not to mention from Saki. Kurou also knew it, which is the main reason he arrived to take the Steel Lady on (not exclusively because Kotoko summoned him).

As for how she knew, Kotoko recognized Rikka’s style in the illustration of Steel Lady Nanase that adorns the website, and which is key to creating a strong and consistent image grafted to existing rumors about the idol Karin’s ghost.

Once a goblin cat informs her that the Steel Lady has reappeared, Kotoko, Kurou, and Saki head to her location. There, Kurou will fight her, all night and dying several times in the process if necessary, as Kotoko works her logically fictitious magic in the car. Kotoko remarks that she’d rather not see her boyfriend die over and over, but this is the best way to keep Nanase from hurting anyone else.

As for why Rikka is doing this, Kotoko believes it’s so she can refine and expand her inherited kudan abilities. As Kurou mentioned, reading the future is an imperfect art, but Rikka is attempting to make her ability as perfect as possible, and is apparently obsessed enough in that venture to overlook the occasional murder.

Kotoko closes the episode with a wonderful analogy, likening her impending duel with Rikka as the start of a committee to discuss a proposed bill in parliament. It’s a deliciously wonky yet apt analogy. Rikka has a powerful, seemingly insurmountable majority with her captivating Steel Lady story and its accompanying imagery.

But here’s where things differ from government: among the “voters”—the tens of thousands who visit the site and contribute to the forums—there are no coalitions, nor alliances. Not only that, the masses aren’t explicitly aware they’re voting for anything; they’re simply going to believe the most compelling story. If Kotoko can convince them Steel Lady Nanase isn’t real, she can steel the votes and the majority, and sap her of her power.

In / Spectre – 07 – Turning Truths Into Lies

The sudden murder of Detective Terada in the middle of the night has made things way more difficult for Kotoko, Kurou, and Saki. Whereas before they had to deal with a moderately nasty spectre spreading fear and havoc within a relatively small sphere, now they must contend with a nationally known monster who has truly gone viral, only increasing the strength of its existence.

In her hotel room, which she bitterly resents is separate from the one in which her boyfriend resides, Kotoko taps away at her laptop, gathering as much information—as much truth—about the rapidly expanding fantasy of Steel Lady Nanase as possible. Time is of the essence; if they wait just one day, her legend will be too powerful to overcome no matter how convincing the logical fiction.

I’ll be honest: not a heck of a lot actually happens this week. The three leads basically sit in a hotel room and discuss things until Kotoko lands on some possible solutions to the problem. The thing is, In/Spectre is able to draw us into its world so subtly yet completely, even an actionless episode such as this feels consequential.

That’s due in no small part to the show’s hauntingly beautiful soundtrack. It’s a shame the anime’s composer isn’t listed anywhere obvious, because this wouldn’t be half the show it is without the music, which I find casts a kind of wondrous spell on me during otherwise interminable exchanges of exposition.

Through the lengthy scene in the hotel room, Saki observes that her ex has developed a nice rapport with Kotoko, depsite his protestations that the last thing he wanted was to go out with her, along with the fact that Kotoko is nowhere near his type. As for who is his type, Saki introduces the woman who was 100% Kurou’s type: his older cousin Rikka, a frail woman who nevertheless had a profound impact on the lad. We’ll see next week how she figures into this tale.

Magia Record – 08 – Solitude Killed the Radio Star

Iroha has a new home with Yachiyo and Felicia in Kamihama and has transferred to the same school as Tsuruno, Kaede, and Rena, but still feels like something is “missing” from herself. This is probably due in part to all of the recent upheaval in her life—not to mention the normal isolation that comes from becoming a magical girl—but for now she’s determined to fill that void with the investigation and search for Ui, and hopefully Ui herself.

To proceed, she needs more rumors, so she goes to the rooftop and finds Rena, who along with Kaede hadn’t been answering texts, but didn’t receive any. What with the strange behavior of Iroha’s phone in the cold open, it’s a good bet something is up with peoples’ devices. Rena is still uncomfortable being friendly with…well, anyone, but appreciates Iroha reaching out enough to share two rumors: “the Invisible Girl” and “Endless Solitude.”

Like Rena, Felicia seems unaccustomed to the give-and-take of a conventional friendship, and even flashes a bit of tsundere when she reveals she got in trouble fighting high school girls who were talking shit about Iroha and Rena. Felicia accompanies Iroha to the Chuo radio tower where a third “Radio Wave Girl” rumor was started, and sure enough, they hear the voice of a girl. Only she’s not crying, she seems to be giggling; never a good sign.

As Iroha deals with the other girls in class talking about her, she continually receives odd texts on her phone she dismisses as spam, but eventually grow specific, and start to overlap with the rumors about Radio Wave Girl. That leads her back to the tower, where she encounters one of the twin sisters with the Wings of the Magius, who mentions the name “Sana Futaba” when Iroha mentions the texts, but isn’t about to let Iroha leave.

Reinforcing the overall feeling that many magical girls are often uncomfortable or awkward in friendships but still come to each others’ aid in a pinch, Iroha is backed up by Yachiyo (whom she texted earlier just in case), Tsuruno and Felicia.

The twin’s “pet” witch is dispatched by Yachiyo and the four magical girls regroup at a restaurant, where Iroha finally responds to the spam-that-is-more-than-spam. The mystery text-sender urges Iroha to come to the Endless Solitude. No doubt that’s where they’ll find this Futaba girl.

In / Spectre – 06 – Conquering the Imagination, Grasping the Future

Practically speaking, most of this episode takes place in Saki’s apartment, and ends with Kurou biking Kotoko to the hotel for the night. None of the characters actually do anything, because this isn’t the kind of show where there’s always loads of action.

Instead, the three spend the whole time discussing the Nanase Haruko accidental death case, the online legend that bred the monster of imagination, and the proper steps needed to defeat that legend. The Steel Lady is not something Kurou can kill physically as long as hundreds if not thousands of people believe in her in her increasingly dangerous form.

 

That said, Kotoko knows their odds of coming up with a better “rational fiction” to blunt the Steel Lady’s power aren’t great, so she intends to cross every “T” and dot every I-Beam. After coaxing the official police position that Nanase’s death was a possible suicide, Kotoko confirms their suspicions by interviewing an unrelated third-party eyewitness to her death…who happens to be a ghost.

The means by which Kotoko summons the ghost—a “goddess’ dance” seems tailored not just to impress the former contruction worker, or annoy Saki, but because she definitely has a genuine joie de vivre about her life and her duties…and why not? Losing and eye and a leg feels totally worth it if in return you have an information network beyond the bounds of mankind or science.

With both the police conclusions and the eyewitness concluding an emotionally distraught Nanase did nothing to move out of the way of the falling beams, Kotoko has a full picture of the past, but that’s the easy part. She’s going to have to come up with a story that narrows down all the possible futures to come into a single one: one in which no one cares about Steel Lady Nanase anymore.

Even in the midst of all this careful analysis and preparation, I’m glad Kotoko still finds time to be a brat to Saki or to flirt with Kurou, as when she invites him to share her double bed at the hotel. Even so, she is clear-eyed about not knowing whether Kurou will be in her future, making it that much more important to make the best use of the time they have.

As for Kurou, it’s fascinating to hear him describe the abilities of the kudan, specifically that they don’t look into the future so much as pull all the branches of possibility into a single bundle. Kurou can use those powers to a degree, but not without dying.

While the mermaid flesh he ate means he’ll come back to life, his kudan powers are limited by the brief amount of time he has to look forward (the further into the future, the more branches, the less accurate he is) before resurrecting. For now, he’s confident he’ll be able to grasp the future he and Kotoko need, at least with regards to solving this case. Getting back with Saki is a future he can neither see nor reach.

Kotoko just hopes the Nanase saga won’t be complicated by an actual murder in the night while they sleep, but unfortunately that’s exactly what happens, only making their task even more difficult. Worse still, the victim is Detective Terada, Saki’s colleague, who wrongly assumed Nanase was a normal person in cosplay.

We also catch a glimpse of the mastermind behind the site and the Steel Lady legend. Is it Nanase’s older sister? Nanase herself? I can’t wait to see how this case is resolved, in large part because it was set up so smartly and carefully.

Magia Record – 07 – If You Can’t Join ‘Em, Beat ‘Em

Felicia is escorted by Black Feathers to a pair of higher-ranked White Feathers of the Wings of the Magius, Amane Tsukuyo and her twin sister Tsukasa. True believers in their organization, they are committed to the “salvation” of magical girls, though let’s be honest, that could mean anything!

Nevertheless, their goal of destroying all witches is very much enticing to the vengeful Felicia, as is the prospect of free room and board for an essentially homeless orphan. Kyouko also likes how all of the things she’d rather not worry about are taken care of, freeing her to do what she loves: defeat witches and collect grief seeds.

However, the longer they stay in the company of the Wings of the Magius, the worse and worse the deal looks. Yachiyo has a GPS fix on Felicia, so she, Iroha, and Tsuruno follow after her, prepared for anything. They are blocked by the Amane twins, who are polite and inviting, but also very clear that Felicia and Kyouko are now new members, while the other three are intruders.

With Kyouko already questioning why she’d have “no need” for Grief Seeds (I guess as long as she drinks the Owl Water her luck will keep her Gem clear?), Felicia suddenly feels betrayed when the Amane twins unleash a huge group of captive witches on Iroha, Yachiyo and Tsuruno. She doesn’t care if the Wings “control” them with magic or not; she hates witches!

When the witches are mostly defeated, the Amane sisters’ gems become very murky, but they were apparently hoping for that, and undergo a transformation similar to what happened to Iroha, when a witch-like version of herself emerged from her gem and went berserk. This happens to the Amanes, and then it happens to Iroha, who manages to defeat the Uwasa’s core all by herself.

Turns out she’s not so weak after all…but controlling her “witchy side” won’t be easy. As for the Amanes, thy seem worried about how their boss will react to their failure, and that boss turns out to be Mifuyu, the real version, not the Seance Shrine echo. She claims to have been “left behind”, insinuating Yachiyo and the others had something to do with it, but Yachiyo has no intention of joining the Wings, so they part ways with the rift intact.

With the consequences for running out of luck now gone, Iroha offers Felicia a place to stay, even though she’s about to move herself. Yachiyo offers a room at her empty boarding house, and Iroha cooks everyone a nice meal; Felicia’s first. Then the last lucky happenstance occurs: the boarding house Iroha’s parents assigned to her is…Mikazuki Villa, Yachiyo’s house.

This episode ends with the magical girls learning a bit more about their Wings of Magius rivals and in a comfy, amicable new living situation that’s conducive to further cooperation and bonding. It’s a shame Mifuyu may be lost to the cult of Magius, but at least Felicia seems to be on firmer ground, now that she’s starting to understand that she is her own most important client for her “mercenary” work.

In / Spectre – 05 – A Ghost Born from a Wiki

very cross Saki arrives just in time to witness her ex go toe-to-toe with the vicious steel beam-wielding ghost of an idol. Saki had seen Kurou’s cuts heal immediately and even saw his detached finger regenerate, but had never seen him die, which is what happens when Nanase whacks his head off.

I was surprised Saki didn’t let out a scream upon witnessing such a  horrifying sight, but in possibly an even more unsettling sight, Kurou’s head is whole again and he’s alive and well just a minute or so later.

Having taken her best shot, Nanase can’t really do anything else other than try to kill Kurou again. Kurou is also able to predict her generally mindless movements, but even when he snaps her neck she’s back as quickly as he was. Perhaps sensing a stalemate, Nanase disapparates to fight another night.

We learn through Kotoko that Kurou is the result of his insane grandmother performing human experimentation on members of the Sakuragawa clan and the flesh of the immortal mermaid and future-seeing kudan. Kurou was the first to consume both and not immediately keel over and die, but in gaining the abilities of the monsters he ate, he naturally became less human.

This is no doubt a large part of why Kotoko is so enamored of Kurou—they both inhabit the space between humans and the supernatural, and who else would be able to deal with either of them? But while Kotoko is determined to make Kurou her husband, Kurou seems to be less enthusiastic and even fatalistic about the prospect of such an often annoying brat being his only hope at happiness.

Kurou’s reunion with Saki is pleasantly cordial, underscoring how there’s still love there for both of them and things ended so abruptly as to lack closure, and thus cause emotional confusion upon seeing one another again. The reason Kurou is there is because some of the monsters in the city sought out his aid without using Kotoko as a go-between, demonstrating effectiveness of her efforts to make him less frightening to her supernatural pals.

Meeting in Saki’s apartment, where Kotoko must endure Kurou staring at his ex (who says she lost weight due to her police job, not depression), Kotoko explains how a “monster of the imagination” like Steel Lady Nanase comes into physical existence. It’s essentially a matter of humans playing a game of telephone with each other regarding a rumor, which is spread, embellished, and refined until it is given name and a form.

Typically monsters of imagination aren’t grave threats to humanity, but Steel Lady Nanase clearly is, and the rumor that eventually gave her form was essentially supercharged by the power of the internet to reach more people and gain viral status. Thus, the wiki Saki found wasn’t created in response to Nanase, Nanase was created because of the wiki.

Kurou can fight Nanase all night long, every night, but she’ll never be defeated for good until a new rumor, one simultaneously more enticing to people and less lethal to people than the current iteration. That won’t be easy, but Kotoko is already a powerful conduit for human-supernatural networking, which means no one’s better suited for the job.

Magia Record – 06 – Dark Wings, Dark Deals

After waking up to breakfast at Yachiyo’s sad, lonely, empty boardinghouse, Iroha decides to do a little more exploring around Kamihama before heading home. Her unyielding desire to find Ui literally leads her down the wrong road, in this case a sketchy underground market populated by witch-like beings.

Yachiyo warned Iroha to be cautious and hide her magical girl identity, but within a minute of arriving at the market, she meets another magical girl, Felicia Mitsuki, and the two drink a mysterious “Lucky Owl Water” offered for free by the beings, which they market as a “distillation of joy” to anyone who drinks it.

The Felix Felicis-like bevvy sets in immediately, with Felicia easily dispatching a witch, Iroha treating her to ice cream, and both of them getting good luck messages on the sticks. They hit the arcade and casino to let that good luck ride, winning at everything they play and raking in the cash.

Cash that Felicia needs, by the way, as she was orphaned by witches and must take care of herself. She labels herself as a mercenary, offering her not inconsiderable witch-hunting skills in exchange for cash money. As the two celebrate their luck, numbers everywhere gradually count down from 24, portending doom.

Meanwhile, there’s another new old face in Kamihama: Sakura Kyouko, from the original series. She’s still fond of perching on roofs and is looking to kill some witches. Yachiyo, who encounters her, tells her there’s plenty of witches to hunt as long as she abides by the rules: no harming other magical girls, and no poaching.

Both Felicia’s on-again, off-again party and Yachiyo learn through Yakumo of a new rumor of Lucky Owl Water, as well as the catch: after 24 lucky things happen to the drinker, they start experiencing bad luck, at least until they drink more Owl Water. It’s basically an addictive drug, only instead of affecting your body or mind, it affects your luck.

Yachiyo and Tsuruno meet up with Iroha and Felicia in order to find a way to cancel the effects of the water, which Yachiyo believes can be achieved by destroying the main body of the Uwasa, or rumor. But first they have to find it, which means returning to the market where Iroha and Felicia first encountered the water pushers.

Predictably, they offer nothing but more Owl Water as a corrective, and Felicia loses her temper and lashes out at them, causing them to disperse. Yachiyo laments that Felicia didn’t just drink more water for now, in order to buy them more time to find the Uwasa.

Instead, Felicia and Iroha are down to 13 lucky events before shit starts going down. The quartet are soon surrounded not by witches, but mysterious girls in black cloaks who all finish each other sentences and call themselves “Wings of Magius.” Like the magical girls, they want to destory all witches, but they go about it in a very different way.

When these Wings fail to recruit the magical girls, they appeal to Felicia’s constant need for income and offer to hire her as a mercenary. Her reward will be what her wish to Kyuubey probably was, but is naturally yet to be achieved: revenge.

Iroha had already hired Felicia to help her find Ui, offering her a home-cooked meal, but I think she just got outbid, and Yachiyo is proven correct about the dangers of getting involved with someone who puts their own desires before the safety of her peers.

In / Spectre – 04 – Much More than Big Melons

Despite Saki’s hospitality in bringing Kotoko into her home to tend to her minor wounds and serving her coffee, it doesn’t take long for pleasantries to cease and for the barbs to start flying.

Saki is dubious that Kotoko and Kurou are really dating, and isn’t convinced by Kotoko’s obviously forced “couple” photos. Kotoko eventually reveals that Kurou disappeared a week ago and hasn’t answered her calls or texts—more fuel for Saki’s “he doesn’t like you” fire.

After Kotoko takes her leave (on the shoulder of an awesome giant skeleton!) Saki wastes no time diving into the internet to research the life of Nanase Karin, a well-endowed beauty who could also boast a sharp intellect.

She gained a flame-throwing lead role on a live-action drama (the OP for which we see in its entirety) and her fame grew, but her father, whom it’s believed she resented after he quit working, died under mysterious consequences.

An unscrupulous tabloid put forth the theory that she murdered her father to get him out of the picture (and collect on his life insurance), Karin took a kind of sabbatical. But the day after a bad storm an eyewitness found a body buried under fallen steel beams.

The head and face were completely pulverized, but the rest of the body, clothes, belongings all pointed to Karin as the victim of the accident. Some time after that the legend of a vengeful spirit grew in the town.

Both Saki and Kotoko arrive at the same point in their respective investigations, but only Saki has the benefit of police records and resources to support their case. The idea is planted in both their heads that there’s more to this Steel Lady Nanase than has been covered by news, reports, and the internet.

My take? The absence of her face could mean the body was that of Karin’s older (and similar-looking) sister, whose life Karin then took over…but that’s just one of several theories rattling around.

Before Kotoko and Saki meet to put their heads together (and make no mistake, Kotoko relishes being able to freak Saki out with youkai), Kotoko is informed that Steel Lady Nanase has reappeared, and finds Kurou dueling with her.