The Promised Neverland – 02 – Building a Boat Out of Mud

Learning the truth of their home has shaken Emma to the core. She has vivid nightmares of Conny being served up as a fancy main course, can can barely hide her look of terror upon hearing and seeing Mama for the first time since their discovery. But Norman tells her they have to keep smiling like nothing’s wrong. Mama may know someone was at the Gate to leave the bunny behind, but she doesn’t know who.

Or rather, if she does, Emma and Norman are too valuable to kill just for witnessing Conny’s “processing.” During playtime, Emma and Norman agree escaping through the forest is the safest way, but when they cross the short fence they soon encounter a massive, seamless concrete wall. Further complicating matters, when a little tyke is lost all Mama has to do is glance at her “watch” and she knows exactly where to find her.

So, now they know that security is rather lax because they have some kind of tracking device implanted somewhere in their bodies. Mama seems to make a big show out of wordlessly warning the likes of Norman and Emma. Back at the house, while having a private moment of grief for Conny, Mama suddenly appears before Emma, wondering why she’s been “less cheerful” of late.

All Norman can do is watch in horror around the corner as Emma puts on a cheerful front for Mama. Ray ends up bailing them both out when he rings the dinner bell (likely intentional on his part), but as Emma and Norman depart, Mama asks them straight-up if they were at the Gate the previous night. They cheerfully say of course not, that’s against the rules, and continue on…but Mama is definitely suspicious. You could cut the tension in the atmosphere with a knife.

Once they’re alone again, neither can hold in their sheer terror anymore. Emma even collapses to her knees, but Norman helps her up with a trembling hand, and Emma sees she’s not alone and all hope isn’t lost. They’re going to get out of here…they just need a plan.

That plan involves stashing a bunch of table linen in a tree hollow near the wall that they’ll use to make rope when the time comes to escape (Norman figures they have two months left before the next child is taken). But someone followed them out to the wall; fortunately for them, it’s their friend Ray, who wants to know what’s up.

They tell him, and to their amazement he believes it all without a hint of incredulity, because he knows Norman well enough to know he’d never lie about something like this (Emma being a different story). While Ray is willing to lend his not inconsiderable intellect to the big escape plan, he has a big problem with Emma’s insistence that all 37 children will be escaping.

He brings up the virtual impossibility of getting everyone away from Mama and off the farm without serious or even total casualties, and something I didn’t consider: beyond that wall, it’s a Demon’s world, not for humans. Escaping is just the first step. The young, small, and weak will have to be left behind to ensure any chance of the survival of the older, bigger, and stronger.

But Ray’s way isn’t going to work with Emma. She doesn’t care if it’s impossible; everyone is being saved, and that’s that. It may be foolhardy, but Norman is with her. When Ray asks why in his otherwise right mind he’d go along with Emma’s “mud boat”, Norman explains simply that he likes Emma, and wants her to keep smiling no matter what, and that if dried and hardened it’s possible for a mud boat to float.

I have to say, I’m kinda with Ray on this one: if the sole purpose is to survive, not merely escape, they can’t take everyone. But at the same time, you can’t eliminate emotion from the equation, because these 12-year-olds are going to have to be able not just to live, but live with themselves once they gain their freedom. So mud boat it is!

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Yakusoku no Neverland – 01 (First Impressions) – Green Acres

WARNING: MAJOR SPOILERS AHEAD.

Look at how happy everyone is at this country orphanage! Clean white clothes, soft, warm beds, good food, plenty of friends, and fresh air…and a “Mama” that loves and cares for them all! What’s not to like?

Three 11-year-old “elite” orphans named Ray, Norman, and Emma distinguish themselves with their smarts and athletic ability. These three are the oldest at the “House”; everyone leaves the orphanage at age 12, but no one has a clear idea where they go and what they do.

All they know is, no one has ever written back. Ah well, they’re probably having too much fun, right?!

The boundaries of the orphanage are not particularly stout, but a warning from Mama is enough to keep even Norman, Ray and Emma from crossing them. And while she’s not yet 12, the day arrives when lil’ Conny is to leave the House, and she gets a warm sendoff. She promises she’ll write back.

Conny has already left the orphanage, escorted by a wordless and very creepily-lit Mama, when Emma discovers she forgot her stuffed bunny. Well that won’t do at all, will it? She has to reunite Conny with her treasure! Norman decides to tag along.

They will both come to regret doing so.

Once they cross the gate (Norman says they’ll “get scolded together” for the transgression) they come upon a truck; the first either of them has ever seen. And in the back of the truck is Conny, only she’s dead, and there are flowers sprouting out of her chest.

Utterly shocked, Norman and Emma just have time to hide under the truck when monsters arrive to collect Conny’s corpse, going on about how it’s “high quality human flesh for the rich.” That’s right: Norman, Emma, Ray, Conny and all the others are free-range children. The orphanage is a farm. And they’re meat.

Norman and Emma just manage to slink away before a monster smells and discovers them, but they leave the bunny behind, so Mama, AKA Isabella, knows someone was there. They’re alive for now, but along with Ray, they’re going to be the next kids to be killed and shipped off to be eaten by some kind of well-to-do monster gourmands.

Emma and Norman return to the House, forever changed and scared out of their wits. But Norman decides that he’s not going to let anyone else follow Conny’s fate. They’re going to get out of there, along with all the other orphans. It’s just a matter of strategy, and if any kids can do it, it’s the elite three. Of course, that’s easier said than done, and I highly doubt Conny is the last victim.

Even as little hints spring up here and there in the first half that Not All Is Well, Yakusoku no Neverland is masterful at holding us in suspense until the big horrifying reveal, mercilessly upending the world of three kids. Emma’s initial face mirrored my own upon seeing Conny.

That was one hell of a start, and it’s pretty easy to root for children to escape the fate of being killed and eaten. But of course, once such a bullet is shot, it is shot; the show will have to find new ways to shock us now that we know the gist. I’m guessing they have plenty more horrors in store for us.

SSSS.Gridman – 06 – The God who Went to a City School

“They shouldn’t be making episodes without kaiju!” proclaims Akane while at the Starbows having coffee with Shou. It’s a meta comment on the episode they’re in, which has no big kaiju battle. The resulting outing is largely a return to the quiet, normal, naturalistic sights and sounds of city life that distinguished the first episode, before All Hell Broke Loose.

And yet, the city always returns to that state after a kaiju battle. None of Yuuta’s classmates remember anything about the battle during their field trip, and because there’s no kaiju battle this week, he, Rikka and Shou are isolated from each other for the bulk of the episode.

Something sticking in Yuuta’s mind is Akane’s words to him, which suggest she has memories of the battles just as he does. He just needs one more push to learn at least some of the truth about her, and he gets that. But not before Akane puts out a hit on Yuuta, telling Anti that the two are one and the same.

The silences in this episode, or rather areas where there’s nothing but ambient sounds, are well-placed, and as such I really felt Rikka’s boredom of lounging around the house then milling through stores on a hot summer day.

It’s clearly a relief to her when she encounters Anti, who is not only hungry but also in great need of a bath. Rikka’s scenes with Anti further establish her as someone kind and generous with a good heart—someone Yuuta shouldn’t be so reticent about talking to.

When he can’t quite approach Rikka to discuss recent events, he tries the junk store, but she’s out. Then he’s confronted in an alley by a small girl who seems to revel in the creepiness of her own voice. She claims to be a kaiju, and grows to the size of a catbus to prove it. She’s not there to fight, but rather to repay Yuuta for something he doesn’t remember doing.

I just got done saying last week that I really don’t mind not having all the answers about what’s going on and why, beyond the fact that Akane makes the kaiju Yuuta fights. But the little stinky kaiju girl gets on a train with Yuuta and proceeds to provide some answers.

The city in which Yuuta lives is essentially ruled by Akane, whose lonely heart is being used by the outrageous-looking being we know as Alexis. Thus she creates kaiju who then go on rampages, constantly knocking down and remaking the city into something of a kaiju itself, while eliminating people or things she simply doesn’t like.

Beyond the confines of the city is a great fog, and then nothing, the kaiju continues. Thus, Akane is basically the city’s god, deciding what exists, stays, or goes. But because Akane is hurting and killing people, Yuuta knows what he has to do, which I imagine means confronting her soon.

In addition to ordering Anti to kill Yuuta, Akane ends up running into Shou at the bookstore, and then having coffee. He sole reason for interacting with him is to gather more info on Yuuta, just in case Anti didn’t fully understand her orders and fails. The thing is, Shou eventually catches on that Akane has no real interest in him, and stays loyal to Yuuta by saying nothing.

As for Anti, who now has a full belly and is squeaky clean thanks to Rikka’s kindness, he finally locates Yuuta and attacks him, only to be deflected by the members of Neon Genesis, whom we’ve seen lurking on the episode’s periphery the whole time, keeping an eye the Gridman Alliance.

When trouble comes in the form of Anti, they’re ready, not just with weapons, but words: If you kill Yuuta, you will never be able to defeat Gridman. That’s enough to get Anti to retreat. Akane’s words ultimately weren’t convincing enough for him to go against his primary directive, just as her charm wasn’t enough to get any info from Shou.

Those two failures belong to Akane this week, and while they’re not as big or flashy as the defeat of her various kaiju in the past weeks, they are defeats nevertheless that add to her frustration and rage, which Alexis is only too happy to exploit. I wouldn’t be surprised if Akane gets to work on a new kaiju design, which Lex will then embiggen so it can wreak havoc and challenge Gridman anew.

As for Yuuta, after a long, weird day of learning some truths, he ends up back at the junk store to brief Gridman on the computer (which the store bought back). There, to his relief and joy, are Rikka, Shou, and Neon Genesis.

Akane may be using her godlike powers to change almost everything, but the bonds Yuuta has formed with his friends and allies remain, and they look to be ready for whatever their opponent throws at them next.

SSSS.Gridman – 05 – Wear Some Damn Clothes!

SSSS.Gridman 05 is a swimsuit episode, but only peripherally. It doesn’t matter how skimpy the outfit or how piercing the male gaze, this was also an excellent episode; the best since the first, because of how it shook up established formula of previous episodes.

It did so with a savvy understanding of the universe it’s built so far and how those who live within it should feel and act. The fanservice, while abundant, never distracted from that.

Shinjou Akane is regarded not just as the idol of the class, but its goddess. So its ironic that we see her resplendently reclining…on a giant pile of bags full garbage she’s too lazy to take out. Her class is going on a rafting field trip, and the only way she sees it not being a complete hassle/waste of time is if she can manage to finally beat her nemesis Gridman.

Just as Akane is looking forward to confirming that Gridman is Yuuta and then mopping the floor with him, Yuuta is looking forward to sharing an activity with Rikka, to whom he has yet to confess his feelings. That hesitation leads to a distance between them; there’s little screen time with just the two of them.

Heck, in the first half of the episode, Akane spends more time with Rikka, even getting her to rub sunblock on her back (and jokingly asking if she’ll do her front too). Shou is embarrassed when  Rikka’s cool friends mock his paunch, but when Akane does it, he turns beet red, only seeing the surface of Akane and not the evil lurking just beneath it.

Akane also ends up spending a good amount of time one-on-one with Yuuta, remarking how they’re alike in “not being used to things like this”, this being the rafting trip and all the physical and social calisthenics involved. But again, Akane is trying to get Yuuta to admit he’s Gridman, and in a way, succeeds when, in the middle of a string of questions, she asks if he’s “transforming” and he answers in the affirmative.

One day, Yuuta, Rikka, or Shou (or heck, maybe even Hass) will confront Akane about who she truly is…but not this week. Akane’s weird question sticks in Yuuta’s head, but he has more pressing issues, like the absolutely humongous Leviathan Akane has Alexis conjure shortly after getting her confirmation.

Akane admits it might not be fair or sporting to scale up her kaiju so dramatically, but considering the losing streak she’s endured I can totally understand her desire to take the proverbial gloves off. Unlike previous conjurings, not only is this one bigger than ever, it’s in a non-urban area, and indeed is created from the lush natural landscape; a mobile mountain with jaws and two beady red eyes. Honestly…it’s kinda cute.

We’re also in uncharted territory with the Gridman Alliance nowhere near the kitbashed computer terminal that enables Yuuta to transform. They can call the shop in hopes Neon Genesis folk are there (and they are; just waiting around), but they left their cell phones in the lockers.

Yuuta and Shou run ahead (leaving Rikka to escape with the others), but while Shou has change when they find a payphone, neither knows the number to the junk store. But Rikka does, and in catching up to provide it, she demonstrates that she won’t easily break the bonds of the alliance by leaving her comrades behind so easily.

The cavalry gets the message, buys the computer from Rikka’s mom, boards the same train as Yuuta and Shou, fall asleep on that train and almost miss their stop, and set up the computer at the station where they plan to rendezvous with Yuuta.

While he takes a tumble down a hill and gets a bit scratched up, he manages to make it, and he and Borr transform into Gridmand and Buster Borr, respectively. At first glance they look comically outmatched against an opponent of such lopsided superiority in mass. The only advantage they seem to have is that the kaiju’s attacks are very slow and inaccurate.

As if they didn’t have enough to deal with, Item shows up, determined as always to fight and defeat Gridman, regardless of what Akane wants or doesn’t want. However his time on the stage as an effective combatant is brief, as Borr has a projectile for every need, from forest fire-extinguishing water missiles to super-adhesive projectiles that immobilize Item’s kaiju.

That gives Gridman and Borr time to combine and unleash a vicious barrage of weaponry at the giant kaiju, culminating in a Double Buster Grid Beam that finishes it off. From closeups to extra wide shots of exploding giant monsters, SSSS.Gridman continues to make a strong case for best-looking, most visually-imaginative anime of the season, if not the year.

Akane, once again defeated, nonchalantly slips onto the last train back home, while Yuuta, Rikka and Shou reunite and celebrate the victory. However, Rikka spots Item, and some strangely floating rocks suggest they may be celebrating prematurely.

Still, it’s good to know that whether they’re in skimpy swimsuits or not, the Gridman Alliance is strong…and that Hass doesn’t have some weird perpetual cold, but only wears her mask for show. I love little details like that (or Borr saying the words I reused in this article’s title when she spots Yuuta in nothing but swim trunks). SSSS.G is full of them.

As for Yuuta getting Rikka to notice him, well…perhaps he should see her repeated instances of catching up to be by his side—be it for practical or emotional support—as a positive sign that she might be receptive to his feelings…if only he managed to successfully tell him what they were…

SSSS.Gridman – 04 – Truly Vexing to Watch

Akane is pretty sure Yuuta is Girdman, but not 100% sure. She wants to investigate further, which includes questioning Rikka when the two take the bus to school on a scorcher of a day. The two also end up joining Rikka’s friends Namiko and Hass on a group date with the Youtube group of college boys called Arcadia, despite the fact neither Rikka nor Akane are really into group dating…or any dating at all.

Yuuta doesn’t really like the idea of Rikka going on any kind of date that doesn’t involve him, and Gridman can sense he’s troubled about it (though Yuuta tells him not to worry about it). Yuuta and Shou decide to basically shadow the group date, as it involves two women they’re both emotionally invested in (in Shou’s case, Akane; in Yuuta’s case Rikka).

Neither really ever had anything to worry about; the only two women remotely  interested in Arcadia are Namiko and Hass. Akane is far more interested in learning why Rikka is spending more time with the guy she suspects to be aligned with her arch-enemy Gridman.

Akane also ditches the other girls at her earliest convenience, and succeeds in killing all but one of them with a kaiju. Rikka later catches on to the fact three of the four members of the group were killed and erased from the collective memory of society (including her friends), so she meets with the last surviving member, Yamato, to warn him of his impending doom.

She’s almost too late, as the fog that serves as the precursor to the latest kaiju attack envelops Yamato. It’s Samurai Calibur who ends up saving them both from the kaiju. Yuuta and Gridman deploy, but they end up having to fight not only the insectoid kaiju that killed the other members of Arcadia, but Item as well, who is singularly interested in defeating Gridman and nothing else.

All four members of Neon Genesis decide to sortie at once, but when combined with Gridman’s deployment, the computer they’re all working through basically freezes, freezing all of them in turn. Rikka scares the shit out of Shou by unplugging the computer, then plugging it back in and rebooting it, but doing so actually solves the problem, as the whole of Neon Genesis simply isn’t able to sortie simultaneously.

Instead, only one of them, the tank from last week, sorties, combining with Gridman into Gridman Max, defeating the insectoid kaiju. Item then reaches his time limit and reverts to his human state. It’s another victory, albeit a close one.

Later, at the shop, Yuuta works up the courage to ask Rikka out to grab something to eat, but she misinterprets it as a suggestion for the whole group to have a meal together. Mind you, Yuuta could mend the misunderstanding with two words: “just us,” but of course he doesn’t, mimicking Wile E. Coyote in the “trying something only once” strategy.

This was an episode in which the large-scale battles between Gridman and kaiju took a backseat to the high school romantic drama unfolding between Yuuta, Rikka, and Akane. Yuuta has proved pretty inept at getting Rikka to notice him in the way he’d prefer, but he should have plenty more opportunities, especially since she doesn’t have the slightest interest in Arcadia’s Yamato.

Koyomimonogatari – 01

Koyomi Stone is the first in a 12-episode miniseries of short stories involving Araragi Koyomi and all the other various characters in his orbit. First up is Hanekawa Tsubasa, whose dealings with Koyomi pre-date his girlfriend Senjougahara’s. Tsubasa presents him with a mystery of a stone in a shrine and asks him to report it to Oshino to see if it’s an oddity.

Oshino’s reply is for Koyomi and Tsubasa to study the high school’s curriculum. Tsubasa picks up on the clue and deduces the stone was once on its own until someone was about to toss their failed woodworking project into the nearby garbage, but placed the stone in it instead.

As a result, both objects changed: the stone became something that resembled an object of worship, and the failed house became a successful shrine. With the case closed, Koyomi remembers it was he who built the crappy house and put the stone in it; he later tosses the house and discovers the stone is really just a hunk of concrete.

The usual Monogatari style is all there to be seen and heard, adding weight to an otherwise slight and superfluous mystery, while the shorter runtime makes for easy watching.

SSSS.Gridman – 03 – Gridman, I Hate You!

It’s a rainy day in Tokyo when the newest kaiju appears, and this one seems different, because Akane isn’t making a model, but interacting with a small silver-haired boy named Anti who can transform into a kaiju. Why does he eat like he does, and why does hate Gridman so much? We don’t know. For that matter, we don’t know why Akane hates Gridman and wants him dead so badly, aside from having lost to him twice.

In any case, the Gridman Alliance is collected by Calibur, and before Rikka can apologize for not answering Yuuta’s phone call, Yuuta heads into action—and once again has his ass handed to him. Combined with Yuuta’s worry that he may be fighting/killing a human inside his opponent, he doesn’t fight back, even with Calibur by his side, and the two LOSE to Anti, much to Akane’s elation.

Rikka and Shou are stunned. They fear Yuuta and Calibur are dead, and in lieu of knowing what to do next, they wait in the shop and snipe at each other out of frustration. Their quarrel is broken up by the arrival of the “Neo Genesis Junior High Students” a team allied with Calibur and Gridman (and whose name is an homage to Evangelion). They tell Rikka simply to call Yuuta, and to her and Shou’s great relief, he is alive, and Gridman is simply regenerating. Before long he’s back in the fight.

One of the members of Neon Genesis joins the battle in the form of a battle tank, and combines with Gridman to form a new set of extra-chunky arms and fists with which to defeat Anti, who “runs out of time” in kaiju mode and reverts to human form, after which he’s basically disowned by a furious Akane.

Back at Junk, Rikka apologizes to Yuuta, which is something I think is way overblown in the grand scheme of things (I mean, people miss calls; she was trying to help someone she thought was in need), while her mom (who is voiced by the same actor who portrayed Haruka in FLCL) wonders where so many new people suddenly showed up in her shop.

While Gridman’s defeat was a nice change of pace, the fact it was resolved so easily—with Rikka and Shou simply sitting around until the cavalry arrived—kind of gutted the suspense. Everything is in a very bad way, and then moments later everything’s fine and dandy.

As for why Akane is doing what she’s doing, where exactly Anti came from, and other mysteries, lets just say I’m not holding my breath for satisfying explanations. Perhaps it would be best to just sit back and enjoy the action…it would just be nice if it meant more.

Banana Fish – 07 – Lee Lee Land

Ah, Los Angeles, home to…Roadside CGI Booty? All right then! Ya know, Shorter, women aren’t objects to be catcalled from the back of a truck! But in Max’s case, women are the people who take care of your adorable son while you’re in prison or on an unpaid cross-country investigative journalism gig. But at least Jessica “Lobo” is handy with a rifle.

Max paying a visit to his son on his birthday ends up being a bush-league move in addition to a dawdle, as it only serves to let whoever is following/watching them know that Max has something to lose. When they arrive at the address they got in Cape Cod, they find a kidnapping in progress. Ash breaks it up with his nighttime marksmanship, and they end up rescuing a very pretty young man: apparently the adopted son of Abe Dawson, who was apparently kidnapped six months ago.

Ash spends an inordinate time at a computer hacking into Abe’s files, which does not make for particularly thrilling action. After dicking around on Windows XP, Ash discovers that Banana Fish is not a “who”, but a “what”; an experimental psychotropic drug that may have been developed by the military.

Meanwhile, in L.A.’s Chinatown, Shorter is ambushed and forced to spy on Ash for the Lee clan, lest they kill his sister. Realizing how big this shit has gotten, Ash decides to play the bad guy and insist Eiji get the hell back to Japan.

Shorter voices his disillusionment with the Lee clan, who he once looked up to despite all the bad stuff he heard, which turned out to be true. The pretty raven-haired kid, who turns out to be the seventh son of the Lee clan, almost seems ashamed after Shorter’s rant.

Even so, some goons from either Golzine or Lee show up to Max’s ex-wife and son’s house, so they’re either dead or hostages. Whatever Ash intends to do—and I’m not sure exactly what that is, beyond “confront Dino again”—he’d better to it quick before his enemies are out of loved ones to kill!

Holmes of Kyoto – 06 – Oh No They Cela-Didn’t

At school we see Aoi has remained in touch with Kaori. Aoi has been invited to the Owner’s 77th birthday party, which is apparently quite a bash. Aoi learns quite a bit of new things the day of the party.

First, Holmes has a kind of male version of her in Takiyama Rikyu, a kid whose 40-ish mom (who looks half her age) is the Owner’s girlfriend, Yoshie. When Aoi finds she’s under-dressed for the occasion, Yoshie hooks her up.

The “mystery”, which is a bit contrived almost to the point of exhibition (though I guess that was true of last week with the monk too) involves the Owner’s most valuable antique—a Chinese Celadon vase—that for some reason is not encased in glass like the rest of the less valuable vases. That was weird for a start. Even weirder is that Holmes has the key to the hall of antiques, and leaves that key in Aoi’s possession. To which I say…why?

The story about the two proteges of a famous magician exacting revenge on the owner by pretending to break the vase by switching it out for a shattered fake, getting everyone to look up at what would have been an obviously visible chandelier, and using some kind of portable speaker to make the shattering noise…again, it’s all very strained and artificial.

Unlike previous “cases” I couldn’t help but ask questions the show wasn’t interested in addressing like “why aren’t there servants in such a big house?”, or “how did Owner make so much money?”, or “why was the vase out in the open like that for anyone to knock over?”

Elsewhere, Aoi’s nebulous/intermittent interest in Holmes is starting to wear thin, as is Holmes’ seeming omniscience with the cards. And don’t get me started on the show’s looks…it doesn’t have any. But I’m probably being too granular and harsh on a show that’s just trying to tell a series of fun little mysteries.

Banana Fish – 06 – All the Good Ones Die First

Ash, Eiji, Shorter, Max and Ibe head north to Ash’s birthplace at Cape Cod, far from the blood and chaos of NYC. The scenery is gorgeous and the air is clean, but the family dynamics have a few warts.

Ash and Griff had different mothers; Ash’s mother forced Griff’s mother out, but then left their Dad. Ash’s Dad welcomes him by calling him a “whore” about six times in two minutes of contact. Ash doesn’t care; he just wants the keys to their now-abandoned birthplace.

It’s a sad, lonely little house. His Dad’s kindly companion Jennifer assures him he’s actually happy to see him; I have no reason to doubt her. She lives with the guy, plus it’s always hard for Dads to express their true feelings, and often cover them up with a bunch of machismo and faux loathing.

At the house they find the clue that indicates that their next destination in discovering the truth of Banana Fish will be Los Angeles, but the truck needs to be fixed before they can set off. Ash and Eiji share a sunset, but Ash tells him there’s nothing there, and he has no feelings for it.

Ash gives Eiji a shooting lesson the next morning, while Ibe talks with Max about how he wants to help Eiji after he lost ability to pole vault competitively. When Max tells Ash’s Dad that he was in Iraq with Griff, he loosens up a little, has a drink with Max, Eiji, Ibe and Shorter.

He tells them how Ash was raped when he was 7 by a coach. It went on for some time but eventually Ash killed him, and the coach was exposed as a serial rapist and murderer. Considering what a cruel and violent childhood Ash endured, it’s no surprise he’s gone on to live a cruel and violent life.

Not only that, but people close to him tend to get caught up in it. Case in point, Golzine’s goons catch up to him and take his Dad and Jen hostage. IN the ensuing fracas Jen gets shot dead and Ash’s Dad takes a bullet in the chest. So yeah, Ash’s record with hostage situations clearly sucks ass.

No matter, when the chips were down  his Pops came through for his son, stalling the authorities so Ash & Co. can escape and get on with their mission. But while Golzine has nobody out west, he forges a quick alliance with Mr. Lee, who does have men in L.A.’s Chinatown. One wonders who among the five-man group will kick the bucket there.

Holmes of Kyoto – 05 – The Forger of Nanzenji

Aoi mostly sits this one out, with her brief appearances book-ending the episode. Instead, it’s Akihito accompanying Holmes on his latest mission, with the added objective of giving the actor some pointers for a Kyoto-based TV role. Despite Holmes still being weary of Akihito, he does admit his true nature regarding women (he’s through with long/deep relationships, but would be open to flings).

In another example of the “culprit” showing their face almost immediately, the monk Ensho is their guide as they tour Nanzenji Temple, which is full of several magnificent works of art…and one that is merely “impressive.” Holmes’ suspicions about the scroll in the entryway are confirmed when the vice abbot informs him that Nanzenji’s “dragon” has indeed been stolen as the note indicates. To be more precise, it was swapped.

It turns out Ensho is the forger, and he’s a very good one, but not good enough to get past Holmes. While Holmes didn’t sense the “malice” and desire to deceive in the fake dragon scroll, it still lacked the aura of the genuine article, and Ensho was walking, talking, and breathing strangely when the scroll caught Holmes’ attention. And make no mistake; while the fake was impressive, Holmes does not consider it art; he’s even pissed enough about it to lapse into his drawl.

There’s likely a part of Ensho that’s glad he was acknowledged, but he’s determined to evade Holmes’ sharp appraising eye, as well as justice. Since he has shinobi training, he won’t be easily caught, but in the meantime Holmes can commit himself to exposing every fake work of art Ensho tries to pass off as real. Now that he knows so much about the forger, his task shouldn’t be beyond his abilities.

Banana Fish – 05 – No More Quitting

Ash is on his best behavior when interacting with Max’s lawyer, who manages to score a conditional release for the kid, checking off one of the items on my wish list for this week: Get Ash Outta Jail. Max, thanks to his time inside with Ash, isn’t fooled, but Charlie and Ibe are when, after telling him Griff was killed, he breaks free of their custody. Though that’s only possible when Eiji decides to commandeer the car. Ash wants to take care of everything by himself, but between Eiji and Shorter, he’s destined to be disappointed.

Having to quit pole vaulting has never sat well with Eiji, and now that he’s involved (feeling responsible for getting Griff killed since he was followed), he’s done quitting. Shorter too doesn’t trust Ash to do anything on his own but get himself killed. Thankfully, he listens to reason, and the trio are harbored by the “banker” Mr. Lee, who is cool with anyone trying to bring Dino down. Ash knows where Dino will be…but so does Max, and he tells Ibe.

Everyone converges at “Club Cod”, a restaurant front for a dastardly child sex trafficking operation that once included Ash himself and still ensnares bigwigs the nation over, who end up in Dino’s pocket (for the record, the Mafia aren’t that powerful in America anymore…though they certainly once were!). Unsurprisingly, things go pear-shaped: Dino takes a bullet, but it’s not fatal, and Ash and Shorter get shot too (though also not fatal).

Max and Ibe arrive in the middle of the fracas, and decide the best move is for all the good guys to take a swim in the river, which, East or Hudson, ain’t a pleasant experience. But it’s certainly better than getting killed, which no one important to Ash is, notably. Max knocks Ash out and takes him to his hideout where he fixes Shorter’s wound and plots the next move: heading to Cape Cod, where Ash and Griff grew up, hoping to find more clues in the Banana Fish investigation.

Banana Fish – 04 – Thoroughly Punished

Arthur gives Eiji a choice—tell him what he knows or watch one of the white coats die—but even when Eiji relents, he still orders the woman’s death, only cementing the axiom that a traitor like Arthur can never be trusted. Shorter manages to rescue Eiji and the two white coats, but at great cost: Griffin is shot when he bursts into the middle of the standoff, and eventually dies from his wounds.

It seemed like a great deal of what Ash was doing was for the sake of his brother, but he doesn’t learn until after he defeats his new bunkmate Bull. Ibe feels responsible for Eiji and wants him to return to Japan now that his life is in danger, but Eiji wants to stay put; he can’t leave Ash now. Ash is also attacked by convicts loyal to Golzine but he manages to handle them thanks to a fork he hid. After that, Max lets him know about Griff’s death, and the two have it out, each giving in to the grief.

As Ash and Max reach a kind of detente, bunkmates once more, the wheels of justice may be slowly turning in Ash’s favor. I certainly hope he’s out of prison soon; the fights and threats of rape have grown stale, especially since it’s clear Ash can handle himself. Even with Griffin dead, Ash probably won’t stop scratching at this itch of a mystery once he gets out, and Eiji will no doubt be by his side in the search for the truth, no matter how many dangers accompany their path.