Zoku Owarimonogatari – 06 (Fin) – Twenty Percent Interest

As is usually the case when involving Oshino Ougi, there’s a sinister aura to the “ghost classroom” where Koyomi finds her; like the last level of a game that may well end up kicking your ass because you’re under-leveled. That Ougi is wearing Koyomi’s boy’s uniform actually adds both to the sense of unique occasion and ominousness.

But if Monogatari has taught us anything, especially from the likes of Shinobu and Ononoki, it’s not to tell a book by its cover. This isn’t going to be a battleground, because Ougi isn’t Koyomi’s enemy. Ougi is Koyomi, and vice-versa. Case in point: the only reason their uniforms are swapped is because she thought it would be a funny prank.

Rather than a battle of fists or magic, this will be place where these two sides of Koyomi take the various pieces he’s collected in this mirror world and start to fit them together. Ougi starts with the easiest, most obvious, and yes, most cliched hypothesis: It was all a dream. Not just the mirror world, but all of Koyomi’s dealings with everyone thus far.

When Koyomi says if it was all a dream, he’ll consider it a happy one, wake up, stretch, and live out the day in a good mood. She withdraws this rather uninteresting theory relatively quickly, but answers him directly about being his double, not the Koyomi of the mirror world. She came to the world with him and helped him along the way, such as asking Black Hanekawa to save him.

She did this in part because Koyomi’s best interests are her best interests, but also because despite all her glaring and teasing, but because she is truly grateful to him for saving her from the darkness. That’s a tidy segue into the reflection rate of mirrors, with which Koyomi is already familiar thanks to Sodachi, who said that most mirrors only reflect 80 percent of the light.

The 20 percent that isn’t can be said to be absorbed, or erased, or executed. In any case, it goes into the darkness; into nothingness. Until that morning when Koyomi noticed his reflection had suddenly stopped moving. Koyomi didn’t pass through the mirror into a new world; he pulled a mirror world out of the mirror, saving the 20 percent of light that would have been lost—utilizing his innate mastery of all oddity qualities.

As has been established earlier, this world doesn’t really make sense as a reflection of Koyomi’s original world because the people in it aren’t mirror images, but other sides of who they fundamentally were, are, or could be. Here Koyomi learns why those other sides are what they are.

Gaen Izuko’s bitter memories created Gaen Tooe. Hanekawa’s regret about leaving town created her mini-me. Shinobu and Ononoki regained the humanity they lost. Koyomi’s regrets, and those of everyone else, that they either forgot or wanted to forget or pretend never existed, came back in this world. They gained their lost twenty percent back.

Ougi mentions that this isn’t something to be undone with the snap of fingers; Koyomi and everyone else actually experienced what it was like to regain that percentage, for good and ill, and will carry it with them from now on, even if they all revert back to the people they were before the mirror world was pulled out.

Perhaps most poignantly, the mirror world proved to Ougi—and any potential specialist who might place a target on her back—that there was value in Koyomi saving her from the darkness. That the darkness itself was wrong to think she had no reason to exist. In this mirror world, Ougi was Koyomi’s fail-safe. Without her, this story might’ve ended under the fist of the Rainy Devil.

In part as thanks for that, Ougi presents Koyomi with a zero-reflection, 100-percent absorption rate mirror, or a “slice of darkness” he’s to offer to Mayoi at the Shrine of the Polar Snake. There, at that focal point of the town, it will absorb the twenty percent of light he pulled out of the mirror, restoring the world to its previous state. But again, the “reminder” everyone got of that light—of their almost-forgotten regrets—will remain. With that, Ougi leaps out the window, her work there done.

Back home, Koyomi gets a knock at the door. It’s his girlfriend, Senjougahara Hitagi, trying out a new, adorable look that isn’t based on Hanekawa’s style. Her late arrival provides the perfect capper for a wonderful epilogue that explores how far Koyomi has come, and how he fears not knowing where to go from there.

He explains his last two days to Hitagi, about how after losing his title as high school student he looked in the mirror and summoned his regrets. Mind you, those myriad regrets weren’t all resolved to his or anyone’s satisfaction; they were simply remembered, faced, and acknowledged, which enables him to step towards the future a little more informed, so that he might hopefully avoid actions that will create more regrets.

In this regard, Hitagi’s total absence from the mirror world makes sense: Where she’s concerned, Koyomi has no regrets, and it’s reasonable to assume neither does she where he’s concerned. Koyomi creates a microcosm of his occasional hesitation when the two come to a crosswalk, where he used to stress about whether to lead with his right or left foot when the crossing light signals “go.”

Hitagi has a wonderfully Hitagi response to that: just plant both feet and take a leap, which is exactly what she does after taking Koyomi’s hand. Then Araragi Koyomi delivers a  stirring final monologue: “The long-continued story having come to its end, I remember my memories, leave my business unfinished, and leaving ample aftertaste and black space, towards the next story, we take a leap.”

Whew. It’s been quite a ride, leaping from one story, one oddity to the other over ten years and one hundred and three episodes containing many more individual chapters. I don’t think it’s a gross exaggeration to declare Monogatari, when taken as a whole, to be the most rich and satisfying collections of anime I’ve ever experienced.

It’s a series that has demanded time, patience, and at times, a certain twisted sense of humor, or tolerance for same. It’s downright bittersweet to think the book of Araragi & Co. has finally closed for good. But I’m glad I took the leap. Or should I say, a huge, joystick-pushing, lake-obliterating jump.

Cardcaptor Sakura: Clear Card – 21 – Two New Keys to Victory?

In an extended opening act between Sakura’s brother and father, the two discuss her similarity to her mother Nadeshiko, both her smile and the “something mysterious” about her. Sakura’s husband left things he couldn’t sense to Nadeshiko and didn’t ask questions, even if it meant he felt left out. But unlike his dad, Touya has the power to aid Sakura, should that time arise…and it’s looking pretty likely that it is!

Meanwhile, Sakura’s grandfather gives her one of the two items her mother wished her to have: a jeweled key she always treasured. My first thought was that this could be the key she needs to focus her magical power in order to oppose Yuna D. Kaito. The second “item” turns out to be gramps’ villa itself, meaning not only does Sakura have a potential new tool in the key, but a base from which to draw power.

Eriol mentions to Yue and Kero that the mansion where Yuna and Akiho live was once torn down to build an amusement park, yet now the park is gone and the mansion is back; its location being a particularly strong base for magicial power. He also informs his associates that Yuna was excommunicated from the order that gave him the “D” title, ostensibly for stealing a magical relic.

Eriol has a lot of exposition this wek: confirming that it is Sakura herself who has summoned all of the cards she’s been securing. They represent various aspects of her power, and while that power is considerable, it is still chaotic, without focus, and most importantly, inadvertent on the part of their creator.

Perhaps sensing his enemies have conspired together long enough, Yuna launches an attack on Eriol, cutting off both magical and conventional communications between him, Yue, and Kero. Eriol manages to fight off the attack, cracking his staff in the process, but it exhausts him. Even he can’t go up against a “D”-class magician for long.

While Yuna’s watch is finally broken, he still has that stolen relic—I’m guessing the book—and doesn’t seem too perturbed about pushing Akiho has far as he can in order to get Sakura’s cards.

Sakura remains uneasy about recent events, but nevertheless blissfully unaware of the identity, nature, and scale of her enemy and his plans. Instead, while watching Syaoran and his reflection in the car window, she wishes she could look in a mirror and see the Sakura everyone else sees.

That wish casts a fog around her home, and when she and Syaoran arrive, it has flipped around; become a reflection of itself. While a little strange and unnerving, there’s no active physical threat; all Sakura has to do is release her staff and secure the card, somewhat unimaginatively called “Mirror.”

It’s her twentieth card, and it enables Sakura to “mirror” her Flight card, making a double which she affixes to Syaoran so they can fly around hand in hand. Of all the things she could have done, she did something to make her and Syaoran happy. Too much power will make its owner unhappy, and Sakura is certainly hella powerful at this stage, if still chaotic. But Syaoran embraces her in midair and promises her he won’t let her be unhappy.

I’m not sure what he, or Kero, Yue, Eriol, or Touya can actually do, considering it’s been implied Yuna is stronger than all of them, and Sakura is the only one who has a chance of defeating him. But first she has to be told that Yuna is even an enemy that needs defeating, right? He’s been operating in the shadows for far too long while she’s dilly-dallied about with her newfound powers and ancillary high school life.

If her boyfriend, brother, friends and allies are really serious about preserving her happiness, she needs to be told the truth, even if it makes her unhappy. She needs to know so she can prepare for what’s coming. Because you know what would make her even more unhappy? If they, or anyone else (say Akiho) gets hurt because Yuna successfully stole her cards and becomes an unstoppable force.

Kyousougiga – 09

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Koto pleads her case with the chief priest that the mirror world should survive. She doesn’t make any headway, but Inari embraces and praises her for becoming “the other [him he] always wanted”. He stabs her with his sword, putting her in a trance, and she starts to destroy all of the planes. Myoue wakes up in a cave with Kyouko and Kurama, who tells him he was always supposed to rule the mirrored city alone when he was ready. Armed with the beads that contain the power of creation, Myoue rushes to find Koto, snaps her out of her trance, to create a new beginning together.

It only comes as a minor surprise that Inari is indeed a god, the brother of the cheif priest, who was tasked with creating the twelve planes and looking over them for their “lazy dad.” Inari got bored with that existence and a bit too creative, resulting the thirteenth plane, which was outside of his mandate. When he finally returned, preceded by Koto, it was to put an end to the current order of things and start over. He instigated the end, which is in progress as of the end of this episode, while it’s up to Myoue to see to it there’s something after that end. As Kurama tells him in a subterranean pep talk, the world won’t change if he doesn’t.

Kurama’s always been the one to deliver him cold truths, from the time he says he and Yase are “false siblings” to the day their parents leave. It’s fitting that the big bro, false or not, is there to give a sulking Myoue a slap in the face. For so long Myoue’s been fixated on the past and his own denied death. But the truth is that life is gone and won’t be coming back. But he does have Koto, and his prayer beads, and he won’t let everything end the way Inari has set things up…”probably”. Inari pulls a bit of an infodump early on, and the score goes big and movie-like, almost bordering on sappy at times, but after last week’s standoff it’s good to see things on the right track to a favorable conclusion.

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Rating: 8 
(Great)