Chained Soldier – 12 (Fin) – Money on the Table

While Tenka saw her future with Yuuki and Aoba flash before her eyes last week, we get more of Kyouka’s past flashing by here in the finale, as we see the peace and happiness and love in which she grew up turn to ash, and everything she did to become stronger.

She’s fueled by the desire to avenge her hometown and everyone in it, just as Yuuki is fueled by his desire to save his sister, protect his friends, and stand beside Kyouka. Their combined resolve manages to defeat the berserk Unihorn and force an impressed Shikoku to retreat.

With both Coco and Naon being captured by the enemy, Aoba is determined to rescue them. But while she trusts both Tenka and Kyouka to have her and her brother’s best interests at heart, she can’t trust the organization they work for, so she declines their offer to help her.

Kyouka vows to become Supreme Commander, so she can change the policies of the Demon Defense Forces, protect Mato victims like Aoba and her friends, and maybe one day find a cure to their condition. Aoba heads into hiding with a new appreciation of her little brother’s strength, knowing he’ll be just fine until they meet again.

That said, I doubt she’d be okay with Kyouka sharing her bed with Yuuki for a night as his reward while they’re both in their underwear. It’s pretty tame by reward standards, but then again it’s based upon Yuuki’s imagination, so perhaps he can’t quite imagine going all the way with Kyouka (or any girl, for that matter).

The rewards of last few episodes have seemed more of an afterthought; like the show knows this is the system it has set up in order to operate in both the sci-fi action and ecchi spheres, but its heart seemed to be much more in the family dynamics and combat.

That’s evident by how happy lil’ Nei is to see Yuuki when he returned with Kyouka, and how the two go all out to prepare a huge feast for everyone once they recover from their battle injuries. Honestly the sell for Chained Soldier for me is more about these lovable, nicely-designed characters, whether they butt heads, get along, or fight over Yuuki.

Of course, while Tenka can still sneak into Yuuki’s room with her ability and mount him whenever he wants, the fact remains that he’s Kyouka’s “servant” first and foremost. When Nei detects a horde of Shuuki and the 7th squad is mobilized, they’re the ones to deliver the coup-de-grace to the big Shuuki boss.

Since the show kinda just ended with a kind of summing-up of this dynamic, with lots of stuff still to do, either a second season will come along (Update: second season confirmed) to continue the story, or those interested will have to settle for reading the manga. And while I can’t yet commit to a second season, I also won’t deny that I had fun watching this one.

Rating: 4/5 Stars

Synduality: Noir – 22 – For the Not-So-Great Cause

Weisheit wants Mystere’s black box in the worst way, so he sends a huge assault group led by Macht. Macht is eager to step out of Tokio’s shadow and believes in his boss’ “great cause”, but throughout all of this Schnee has seemed worried about her lord going down this path. She’ll never voice her objections as she feels it wouldn’t be her place, but it’s all in her facial expressions, and MAO’s pained, almost mournful voice.

Weisheit also wants the assault team to destroy the spaceship the enemy has rebuilt. Wait, what spaceship? The dang space shuttle Maria rebuilt from materials scavanged from Carthage. There’s also a brand new linear catapult. This strained credulity for me for some reason. To be less generous, it’s dumb as hell.

Building and maintaining coffins and simple rockets is one thing, but a space shuttle and catapult? With Maria’s fly-by-night team? It should’ve taken months, if not years. Instead, boom, here they are, ready for a test launch with Kanata as the space monkey.

But hey, this is a show that heavily features gussied up rock-em-sock-em robot fighting, so it’s fine. We get a big dumb battle that’s oddly bloodless; Ideal looks like a highly-trained and conditioned military force. You only show up to Maria’s base if you’re ready to kill some people. On the other side, Kanata & Co. have experience killing monsters, but fellow humans and Magus?

Say they’re not killing anyone. It still seems highly unlikely you’d be able to get off enough perfect shots that all of the Ideal coffins and carriers are simply disabled. The utter lack of visceral danger even with all this heavy machinery and weaponry flying around makes the whole enterprise feel toothless. Then again, this is not Gundam.

For all of their gumption and Home Alone-style traps, Team Rock Town doesn’t have anything that’s a match for Weisheit’s coffin once he joins the battle. He’s so fast even Mouton’s “Overclock” Magus skill that lets him virtually stop time for himself can’t track him.

He swoops right down the catapult and into the hanger, and Maria is just chilling in there on her rig with a machine gun (the cutaway to her is woefully under-animated for some reason; her mouth doesn’t even move as she speaks for part of it). Obviously, her attempt to defend the shuttle is futile against Weisheit’s top-of-the-line rig.

Weisheit looks ready to kill her, but Mystere saves her by drawing attention to herself. Weisheit launches a bunch of robo-tentacles (because of course) that string her up in midair and cause a great deal of pain, before he shuts her down and brings her aboard. He later tells Kanata that her ego has been purged, so now she’ll be an obedient marionette.

Weisheit then hops into the cargo bay of the space shuttle, hacks into it, and launches it, which is pretty gutsy, considering it hadn’t even been tested yet and a lot of Maria’s past rockets went boom. But in launching up to Histoire in orbit, he abandons his entire Ideal team, and they don’t seem particularly happy about it.

Macht is ready to obey Weisheit’s final order to kill Macht, but Schnee stays his hand by deactivating his cockpit, embracing him from behind, and asking him if this is really what he wants to do. In doing so, Schnee has finally defied her Lord, for his own good, and her’s.

He admits to her that the day Licht asked him to join him in leaving Ideal, he considered leaving with Schnee. But even if he had, that probably wouldn’t have greatly altered Weisheit’s grand plan. Macht just seems like one more sucker like the rest of Ideal, that their boss stepped on so he could reach Histoire all by himself.

There’s also the whole matter of Weisheit’s plan to create a world without Magus, which even Macht didn’t know about and doesn’t seem to be much of a fan of it. All of the other Ideal pilots seem to have Magus partners, so I doubt they’d want that world either.

He seems to be the only one who seems to hate and dehumanize Magus, while most everyone else considers them valuable companions, even equals. Unfortunately, he’s also the only one on a shuttle headed to Histoire, and possibly gain the means to make his twisted, prejudiced world a reality.

Here’s hoping that second shuttle that was behind the first works, so Kanata, Noir & Co. can go rescue Mystere. Heck, maybe Mystere will even stop calling Noir a dud if they manage to save her.

Chained Soldier – 09 – Is My Big Sister a Baddie?!

After another battle in which Yuuki takes care of the last Shuuki on his own, Kyouka praises him, and it motivates him to keep getting stronger so he can save her. Then his reward acts out the fantasy of saving Kyouka, gathering her in a princess carry so she can kiss him. It’s a rare instance of Kyouka letting her guard down and being a little vulnerable, if only because she’s in reward mode.

Back at base, Tenka is still loitering around, and when talk of Yuuki’s inspiring big sister comes up. Yuuki regales her and the squad of a time one of his classmates and his big brother threatened him, but she came to his rescue, judo-throwing the older brother (who is three times her size). To her surprise, Yuuki also puts the younger bully in a lock, having learned a thing or two from his sis. This pleases her to no end.

Anyone would envy having a tough, cute big sis like Wakura Aoba, and no doubt Yuuki has been missing her every day, and remains both confused and intrigued by the possibility she’s still around, in humanoid Shuuki form. When Nei detects what looks like a kid being chased by Shuuki, Shushu and Himari are dispatched to save her, only for the “kid” to be one of those humanoid Shuuki.

When a second humanoid Shuuki shows up, Shushu and Himari are in big trouble, so despite Kyouka giving Yuuki the rest of the day off to bathe and recharge, they have to head right back out to save their comrades. By the time they arrive, a third humanoid is there: the one who looks like Aoba. When he charges at her, she shouts for him to stop, and he obeys. Kyouka is thrown from his back, and Aoba surrounds her with lesser Shuuki. By the time she’s carved her way through them, the humanoids and Yuuki are gone.

It’s a rare defeat for Uzen Kyouka, but more than that, the fact Yuuki is more than a pet or slave, but a comrade and friend as well, makes it that much harder for her that they’re now separated. He waks up naked, being licked all over by the petite humanoid (her saliva has healing properties). Then Aoba comes in, acts in a way Yuuki immediately clocks as his big sister, and they share a touching embrace.

Aoba, along with her comrades Zanibako Coco (petite) and Yuno Naon (sultry), act pretty much like the humans they used to be … they just look a lot cooler and sexier now. Their chemistry and interactions prove just as charming as the ones among the DDF members. It’s only when Yuuki brings up the DDF that their eyes start to glow and they adopt a more menacing posture, but that soon fades and Aoba returns to the big sister Yuuki knew and loved.

I actually like how much of his time with Aoba the humanoid Shuuki depicts them as less two-dimensional than the heels they make themselves out to be on the battlefield. At the end of the day, they are victims of Mato-related accidents making the best of their new half-monster lives. Like Yuuki, through Aoba I was able to empathize quite a bit with them. These aren’t monsters to be defeated by the DDF, but people with the same souls thery had as humans.

That said, Aoba and her two lieutenants have higher-ups who seemed a lot more one-dimensionally eeeeevil, and it’s clear they have no interest in negotiating or co-existing with the DDF. Suruga and Himari are worried not just about Yuuki, but Kyouka, who holes herself up in her room after they return, but once Yuuki transformed back into a human, Kyouka became a Yuuki detection radar, since she needs to give him his battle reward.

Tenka, Yachiho, and Sahara join forces with Kyouka, Shushu, and Himari for the Rescue-Yuuki mission, but none of them know yet how much more complicated things have gotten. Now that he knows what she is, I doubt Yuuki will allow his big sister to be harmed. It’s your classic case of family-vs-friends divided loyalties, adding a welcome and fascinating wrinkle to what had been a black-and-white fight.

Giant Beasts of Ars – 02 – Covenant of Convenience

With no time to waste, the Paladin Jirou performs the Covenant Ritual that allows him to become a vessel for the Cleric Kuumi’s godlike power. He wields that power in the form of an expandable spear, which he plunges into the eye of the beast to kill it, saving the town from devastation. After the battle, Kuumi returns to her normal state, and Jirou passes out.

The next morning the Imperial commander inspects the pier where Kuumi accidentally dusted some soldiers with her miasma. He deems the prototype successful and orders his underlings to leave no stone unturned in their search for her (or as he calls her, “it”). Clearly, this isn’t someone in whose clutches you want Kumi to be.

Jirou comes to inside Myaa’s airship, waking up from a dream from the past when his former cleric, whom he loved, died in battle. When he overhears Myaa talking about marriage to Kuumi, he makes it clear he only formed a covenant with her because there was no other choice in the matter. But as it was Kuumi’s first time, she’s rightfully confused.

When Kuumi won’t elaborate on why the Empire is after her, Jirou peaces out, not wanting to get involved. But he leaves his spear behind, so Myaa knows they’ll meet again. Once again, she and Kuumi show horrible judgment by walking around town in broad daylight and then having a meal at the tavern, where they’re quickly spotted by Imperial guards. When miasma starts emanating from Kuumi and she kills a guard, Myaa surrenders and the two are taken away.

Because Jirou’s spear is drawn to him like Mjolnir is to Thor, he soon locates them aboard the commander’s hovercraft. Because he’s a former elite Paladin, he has no trouble getting aboard the ship and neutralizing any hostiles. And because it would simply be rude to take his spear and leave the girls behind, he breaks them out of their cell.

He tells Myaa to ready his airship while he and Kuumi merge once more so he can disable the pursuing hovercraft. I wish we had gotten to see more of his ship, but after they get away the ending of the episode is very rushed and awkwardly edited, suddenly sapping the escape of energy and urgency. The animation in general did not impress this week, but I’m still sufficiently intrigued by this world and premise to keep watching for at least one more week.

Engage Kiss – 07 – Fullmetal Exorcist

While Shuu and Ayano were small fry to Sharon, being cornered by both Kisara, Ayano, and armored AAA units proves enough to force her to retreat, but only for the time being. Kisara and Ayano’s next priority is Shuu.

Kisara’s first instinct is to kiss him, but before their lips meet Ayano yanks her away by her hair. It’s the first indication this will be one of the hornier episodes of Engage Kiss, and I don’t mean demon horns.

While watching over a still-unconscious Shuu at the hospital, Kisara fills Ayano in on her and Shuu’s history with Sharon—using a great number of double entendres. Shuu seduced and teamed up with Sharon in order to find Kisara, but while Sharon wanted her dead, Shuu wanted her alive so he could use her power. When Shuu decided to run away with Kisara, he poisoned Sharon with a neurotoxin—through intercourse.

Sharon may say this is strictly Abbey business, but the fact we know the means by which Shuu scorned her means I’m not surprised there’s a personal element mixed in there. Of course, were their roles reversed, Sharon would have certainly done the same thing; she was just momentarily distracted by, well, sex.

The horniness continues as the detectives investigate a cargo ship that was robbed of “mechanical parts”, which we know to be a mech suit that contains demon flesh. In order to put it on, Sharon naturally has to strip in the moonlight, then allow the demon flesh tentacles to envelop her and pull her in, which results in a combination of pain and pleasure. This is pretty high-level shameless ecchi raunchiness, but it totally works.

It’s with this demon tentacle mech suit that our sexy scorned blonde battle nun intends to fight Kisara on equal terms. Kisara happily responds to Kisara’s text invitation to an abandoned warehouse for the duel. Kisara comes in her normal schoolgirl form with her sword, which is just what Sharon was hoping for.

She continues to exploit Kisara’s confidence by only showing off the suit’s conventional lead-bullet gun and tough demon sword-blocking armor, then whips out the demon flesh, which creates lasting wounds on Kisara’s body that slow her down and sap her energy.

When Kisara is impaled in the midsection by a demon tentacle, it’s looking like an upset victory for Sharon (who maintains her only objective is eliminating demons), but then Shuu manages to get Kisara away to a secluded hallway of the warehouse.

When Kisara comes to, she maintains her pouty face over what down with Shuu and Ayano—which, as we know, Shuu knows nothing about. We also know he doesn’t remember being lovers with Sharon. Kisara doesn’t want his apologies, he wants to know what she is to him.

After she rejects his request to table the issue for now, he assures her that if it wasn’t her, he’d never even think about kissing another demon. Yes, he’s deceiving and using her, but it doesn’t matter; his simple sentiment is enough to motivate her to keep fighting beside him.

After they make out, Kisara engages her Hot Topic form, which proves too much for a mere human in a suit, demon tentacles or no. As with all battles in Engage Kiss this one is thoroughly fun and, well, engaging, and you can really feel the momentum shift when Kisara ups the speed and power of her attacks.

Sharon ends up beaten unconscious at the bottom of several stories worth of warehouse rubble. She’s found by the police with her mech suit half-melted off, revealing half her naked body, because of course it does.

Shuu and Kisara end up making up, with the latter suggesting they hit up the diner without even changing her blood-soaked uniform. Ayano shows up half a beat too late with coffees, irritated that the rift between Kisara and Shuu didn’t last.

Finally, a captive (and fully clothed) Sharon tells Mikami that Celestial Abbey isn’t done in Bayron City. There’s an even larger Demon Hazard than Kisara that’s coming, and if eliminating it means destroying the city, so be it.

On paper, Bayron lacks the strength to oppose an ancient international organization of exorcists—including eleven other “Living Relics” like Sharon. They still have Kisara on their side, but will she, and what’s left of Shuu’s memories, really be enough? Also, how many other women was Shuu involved with, about whom Kisara wiped all memory?

Rating: 4/5 Stars

Summertime Render – 07 – Tools of the Trade

Deciding to tentatively trust Shinpe, Hizuru and Nezu fill him in on some details about the Shadows. For one thing, if you destroy a Shadow, like Hizuru just did with Alan’s, the Shadow can’t come back, and you can never be copied again. Hizuru’s brother was killed by one fourteen years ago, but a part of him lives on…as the second of her two personalities. When she puts her hair up, Ryuunosuke comes out.

That means it’s game time. The Kobayakawa’s are her target. Her old friend welcomes her in warmly, but Ryuunosuke takes a sledgehammer to her face. Then the monsters show their faces, and while her parents are relative pushovers, Shiori proves to be the toughest of the three. Ryuunosuke has to stab himself with chopsticks to injure her, but she manages to dodge fatal sledge strikes and slithers out a window.

Nezu is ready for her outside with “Plan B”—a nailgun—but he’s unable to get three consecutive nails into her Shadow, which is key to pinning her down. Shinpei proves to be an indispensable member of the party by tackling Shiroi when she tries to give them the slip. Nezu pins her, and Kugimiya Rie gets to chew some scenery as Evil Shiori until Ryuunosuke has had enough and finishes her off.

Later, Ryuu tells Shinpei that he’s not the author of the two, but he does come out when his sister is forced to deal with things she doesn’t like: interviews, meetings, and killin’ Shadows. Hizuru regains control by punching herself in the face. Shinpei now has one quirky ally, but you can’t say she—or rather they—aren’t capable.

The next task is to try to deal with Shadow Mio, whom Shinpei knows will stand outside his house at 9. When he heads in, for a moment he thinks Shadow Mio is already there, but it’s just regular Mio, trying and failing to cook for him. It’s a pretty great fakeout.

I was almost yelling at Shinpei to not let Mio out of his sight, but thankfully the episode had a different cliffhanger in mind: that of the Ushio variety, as she suddenly appears with a growling tummy when he starts sautéing some onions. We know Ushio is a Shadow—Shiori admits to killing the original—but we also know that she acts just like Ushio without a hint of malice, so her arrival isn’t necessarily a bad thing.

Rating: 4/5 Stars

Love of Kill – 05 – A Pest On Land and Sea

Hou takes Chateau hostage and sticks her in the back of a car with a bomb, but as soon as she spots the bomb, she’s able to escape the car before it explodes. Despite being only about ten feet from the explosion the most she suffers is some glass in her leg, which I’d call a win.

Song wins his duel with Hou, but it’s not much of a fight, as the main issue is that Hou’s “nerves are fried”, which means it just takes a couple of minutes for his body to realize its riddle with bullets. In those minutes, Song manages to get himself pretty torn up, but he too doesn’t succumb to his wounds until he’s seen Chateau out of the burning warehouse and into his car.

Chateau may be extremely irritated by this guy most of the time, but she still follows a code that won’t allow her to let the man who saved her life bleed out. Thanks to her co-worker Jim (who is the actual most irritating character in the show—like, why no mouth, and why does he talk like that?), she gets him to a mob doctor who stitches him back together.

Chateau sits by his bed and “sleeps”, giving him a chance to slip out. It’s a cute little exchange. The next day she wakes up from a recurring dream where a man, whose hair kind of looks like Song’s covers her face to keep her from seeing his. Then her phone rings that horrible incessant ring, and it’s Song, announcing he’s going on a trip.

It happens to be the same trip Chateau goes on with her boss and Jim after she once again begs his forgiveness for getting into trouble during her suspension. That suspension is apparently suspended for the mission on the megaliner Artemisia, where their job will be to pose as tourist while protecting a VIP.

Along with Chateau and Song, there’s a third assassin aboard: your bog-standard childish happy-go-lucky murderer type. I mean, since he reminds me of Souma Momiji he’s at least a little more interesting than Hou, whose most distinctive feature was his dumb face tattoo. More interesting still will be whatever hijinx Song and Chateau get up to, and how they’ll team up to thwart this kid.

Princess Connect! Re:Dive – S2 05 – The Princess Is in THIS Castle

I dove into into PriConne’s second season expecting a feast for the eyes as well as for the heart with its lovely slice-of-life lighthearted comedy with a formidable budget. What I was not prepared for was the sheer scope and scale of this season. We’re only five episodes in, but this could have been a penultimate episode or even a season finale!

Peco has been teleported to Landosol by the big bad—whose name I don’t believe has crossed anyone’s lips thus far, but is known as Kaiser Insight—to be “assessed”. Peco is defiant and doesn’t show fear, but the bottom line is Kaiser took everything from her, and has been letting her soul “ripen” to maximum despair.

While that happens, the battle continues without Peco, and Kasumi and Yuuki discover that the Shadows and the golem are headed in Kiiri’s direction. After saving her, Kiiri is gung-ho about being Kasui’s assistant; one on the fast track to being a fellow great detective.

While the others stand by as the shadow army pivots, Karyl stands atop a bluff, knowing full well what just happened: Kaiser teleported Peco away. There’s so much emotion in this little scene, as Karyl struggles with worry over Peco and guilt over the means by which she’s been taken. It’s not like she could have crossed Kaiser, but she still feels awful about doing it.

Kasumi, Yuuki and Kokkoro quickly come up with a plan to use Kiiri as a lure so the golem and army will end up in a lake to be defeated. Kokkoro even has the leaf glider she can now conjure all gassed up, but they hit a sudden and heartbreaking snag: Kiiri, a copy of Kasumi without a soul of her own and thus an anomaly, is erased by the self-correcting systems of the world.

I have to hand it to PriConne, which is no stranger to quickly introducing characters, but it was able to wring a lot more pathos out of me than I’d have thought with the death scene of a character who had just been introduced last week. Now I know why they didn’t cast Minase Inori as Yuni the scholar; instead she does yoeman’s work as both Kasumi and Kiiri.

Kiiri’s erasure from the world leads to Yuuki remembering a previous life he lived with Peco, Karyl and Kokkoro, before being killed in battle protecting Peco. At that point he is sent…somewhere where Ames and Labyrista give him a choice: return to the hopeless battle from whence he came, or “cast his eyes downward and start anew”, re-building his bonds from scratch.

It’s at this point when I remind readers I’ve never played the source game and have no idea how much of this expansive story comes from that and how much is original, or even how deep it goes. Yet I don’t really mind that sometimes I’m lost, because it just means I have to use my brain to fill in the blanks. With a show that looks this good with characters this lovable, that’s not a chore at all.

You could say Yuuki and Peco have experienced similar fates: both lost everything, but are absolutely defiant and determined to get it all back. Kaiser thinks she’s won when she gets Peco to make a despairing face over the prospect of being forgotten again. But it will take a hell of a lot more hardship and despair for Peco to give up.

Obliterating the gaggle of Shadows Kaiser sicced on her, Peco invites Kaiser to share a meal so she can understand her better. Kaiser declines, but Peco reminds her she’s no longer just Princess Eustania of Landosol; she’s also Pecorine of the Gourmet Guild. Kaiser concludes that Peco still isn’t quite “ripe” enough and teleports her back to the battle…but not before vowing to take everything Peco has left.

Back on the scene and falling from the sky, everyone revels in Peco’s return, and Yuuki powers her up so she can deliver the mother of all Princess Strikes, defeating the golem and the army in one beautifully-animated explosion that really packs a punch. It’s Gurren Lagann-level coup-de-grace, and it reminds us just how determined and capable Peco is of following through on her promise to get everything that’s been taken from her back.

Once the dust clears, the search for Peco among the golem rubble and rent earth commences. It’s very fitting that the first one to spot her is Karyl, who cannot hide the fact that her worrying about Peco brought tears to her eyes. When Peco sees those tears, she gets emotional too, and simply says “I’m home” and “I’m starving.”

Some rubble gives way, and Karyl slides right into Peco’s waiting embrace. She calls Peco a dummy like usual, but also says “welcome home.” She’s not talking about their cozy cottage, either: for Karyl, home is wherever the people you love happen to be. Kaiser may have sworn to destroy that home, but as long as the Gourmet Guild are together—and flanked by all manner of colorful allies—she’ll have a hard time fulfilling that pledge.

Love of Kill – 04 – Noble Pursuit

Chateau, off-duty and on probation, returns home to visit her mother and to visit the grave of her father, content to be rid of Song Ryang-ha for a bit. Naturally, he follows her there, and it’s probably a good thing too, as she wasn’t sufficiently prepared for the assassins who come for her.

While Song deals with the cut-rate killers, Chateau runs back to her father’s grave, where Hou, the guy she met after her car crashed, is waiting. Once again, Chateau is overpowered, as her stun gun is ineffective against Hou, whose nerves are a bit fried from the drugs he’s taken throughout his life. He knocks her out, again, turning her into a damsel in distress in need of rescue, which is a bit of a downer.

The frustration of Chateau constantly getting her ass kicked is somewhat tempered by a look back at her past, when one Detective Dankworth, one month from retirement, finds her sleeping in a car driven by a boy, apparently dead, named…Song Ryang-ha. Dankworth and his wife end up adopting her, as they’re the only ones she trusts. Let it be said without hesitation that Lil’ Chateau is cute as hell.

So is this Song the same Song who was found apparently dead in that car by Chateau’s eventual adoptive father? Or did the present-day Song simply take his name? I’m inclined to believe they’re one and the same, and that this is the reason Chateau got into bounty-hunting…so that she’d one day encounter him.

It could be he killed her parents, which would make him her arch-nemesis; someone to be killed. So I understand if she suddenly has conflicted feelings about killing him when he continually comes to her aid. Lame car bomb fake-outs aside, I’m intrigued by what Chateau is still hiding from us regarding her deadly admirer.

Vivy: Fluorite Eye’s Song – 08 – Get Thee to a Nunnery

We, along with Diva, learn via Matsumoto of Ophelia’s beloved partner and support AI Antonio, who despite a propensity for crankiness always had her back. He always said there was nothing wrong with her singing, she just needed the right stage to perform it. His mission was only ever to help her achieve hers.

But before he could do this, he mysteriously shut down five years before the present day. Ophelia lost her primary sound and lighting guy along with the only person she trusted with his rough-edged praise and encouragement. As such she was never the same, and eventually committed suicide or “self-destruct”, lending credence to the growing belief that AIs had souls, the same as humans.

Matsumoto’s plan of action feels too much like a “stopgap” measure for Diva—especially this evolved, more human than ever version of her. She wants to get to the root of Ophelia’s distress so she won’t even have to talk her off the ledge, because she’ll never climb onto it in the first place.

Diva finds Ophelia in the concert hall’s museum, where she’s watching Diva’s early days. Diva asks her upfront (and rather clumsily for this Diva) whether there’s anything troubling her to the point she might want to die. Ophelia leads Diva to the Antonio exhibit, where Antonio’s actual body is on display in a box of lilies.

It’s clear from the way she was watching other songstress sisters that Ophelia is seeking the answer to how they all sing, and for what purpose. But while Ophelia grieves for Antonio, her one and only partner, she’s not in any hurry to join him, as she knows he’d be the first to say she has to do better. Diva puts a lily in Ophelia’s hair, hoping it will be a talisman of protection, and sends her on her way.

Ophelia (performed by the always adorable Hidaka Rina) puts on a wonderful, spellbinding show as expected, but afterwards Diva is troubled when she sees “that look again” on Ophelia’s face. Still, she’s determined that it’s probably not Antonio’s loss that led the near-future Ophelia to suicide; or at least not all it was.

After showing Matsumoto the image of a young Kakitani (whom he insists shoudn’t exist in this timeline), he warns Diva to ditch her sympathy and empathy she’s developed over the years and stick to the mission. Then she insists he tell her more about Vivy and their relationship, which she imagines must be substantial considering he rescued her from falling without hesitation.

Matsumoto decribes Vivy as we watch a montage of her in action, and while the words describe an unpredictable pain in his cubic ass, there’s also a hint of reluctant pride in his telling. He even admits there was a point when he thought he could “look to her with confidence” (as a reliable partner in the Singularity Project), but then Saeki killed himself and she froze.

When Ophelia’s show is over, Diva and Matsumoto keep an eye on her via the cameras, but then Diva spots Kakitani, and goes chasing after him, promising to tell Matsumoto about Vivy’s “basic distress.” But because Diva rushes headlong to Kakitani without all the info—just as Vivy often did—he ends up captured by him. All of her memories of him in past timelines wash over her just before he zaps her with a gun that paralyzes her.

Meanwhile, Matsumoto realizes the camera footage has been faked (since Ophelia in the green room has no lily in her hair) and someone other than him is doing some hacking. He races to Ophelia as fast as his little flight servos can carry him, but is met with another bombshell: Ophelia isn’t Ophelia anymore, but Antonio in Ophelia’s body. It seems, then, that when Antonio shut down, it was because he either merged with Ophelia or took over her body. In any case, he says Matsumoto is “fatally too late” to save her. To be continued…

Post-credits we find ourselves hearing Kakitani (or whoever he is)’s story, as he yearned to be a pianist and to catch up to his talented teacher. When he and that teacher are in a horrific multi-car accident (which…how do these keep happening even in the future?) the teacher saves his life and then goes back into the inferno to save others.

Like Vivy, he extended his mission to “make people happy with his piano playing” to keeping those people alive. Unfortunately, the gas of the cars ignited and blew him up before his protégé’s (presumably non-fluorite) eyes. That brings us back to the “present”, where Diva is bound to a chair and Kakitani greets her…as Vivy. How he knows that, and how his actions related to Ophelia/Antonio, are questions for next week.

Rating: 4/5 Stars

TenSura – 35 – The Conditions Have Been Met

Once he began eliminating soldiers of Falmuth by the thousands in service of his goal to evolve into a Demon Lord, it marked the official end of the “happy-go-lucky” Rimuru Tempest…or at least it should, if we the audience are to feel any sympathy at all for the scores of human beings he’s coldly murdering.

Meanwhile, Archbishop Reyheim—the mastermind behind this whole invasion—is spared, along with Falmuth’s King Edomalis. Folgen and Razen aren’t so lucky, getting headshotted just when the king feels like they have a shot at retreating. Even when Rimuru looms high above them with their literal lives in his fingers, Edomalis can’t help but look down on the slime.

With his soul quota at just over halfway met, Rimuru makes use of his new unique skill “Merciless”, which uses the remaining soldiers’ own lost will to fight to kill them all at once. With the requisite number achieved, the “Harvest Festival” begins. It cannot be stopped, and when it ends, Rimuru will emerge a Demon Lord.

The process also makes him extremely sleepy, so before he passes out he summons an archdemon and two underlings to fight and capture the one survivor the Great Sage detected amongst the dead, then has Ranga take him, the king, and the archbishop back to the capital, so the festival can continue in safety.

Shuna places the unconscious Rimuru atop a dais in the center of the plaza, and the Great Sage, which Shuna refers to as “Words of the World”, proceeds to give updates on the process. Benimaru hopes the Rimuru who emerges won’t “become a different person”, but…he kinda already did that when he chose this path, didn’t he?

Rimuru evolves into a Demon Slime, with vastly improved physical abilities. All of the skills he’s acquired in the past carry over or are evolved into even more powerful skills. The Great Sage also attempts to evolve, failing hundreds of times before sacrificing “Degenerate” and eventually becoming the ultimate skill “Raphael – Lord of Wisdom”.

Despite getting shot in the head by Megiddo, Razen’s “Survivor” served as an Auto-Life spell, keeping him alive. Unfortunately, he is immediately approached by the archdemon, whom he unwisely assumes is no match for him. His Nuclear Cannon is literally blown away by the archdemon as one blows a stray hair out of one’s face.

When Razen summons a spirit knight, the archdemon casually sidles up and smashes its core, destroying it in the blink of an eye. Turns out while spirits are typically superior to demons, the age and experience of the summoner matters, and Razen is still “far too young”. When Razen realizes nothing he can do will put a scratch on the “primordial” archdemon, he passes out in fear.

Meanwhile, in the plaza, the evolution is complete, and Rimuru’s closest companions are bestowed with a “gift”—which they can sense makes their connection to him even stronger. Like Rimuru when the Festival began, they all pass out from the process, but Rimuru regains his familiar human body, only now he features scarlet eyes.

Speaking with what sounds like a combination of his voice and that of the Great Sage (sorry, Raphael), he uses his new skill Beelzebub (basically Gluttony on steroids) to collect all the magicules within the anti-magic barrier, then separate them into individual souls which hang over all of the corpses.

When the archdemon returns to his side with Razen, and says there are still insufficient magicules to revive everyone, Rimuru is prepared to expend his own life energy to make up the difference. The archdemon informs him that such a sacrifice is not needed; his two underlings will gladly sacrifice themselves instead.

Rimuru accepts the offer, and the ultimate secret art of Spirit Resurrection commences. Mjurran is amazed by what she’s witnessing. Grucius knows Lord Carrion could never match this power. The archdemon is determined to become Rimuru’s subordinate “at any cost”.

Rimuru/Raphael then repeats the “3.14%” chance of successfully reviving the dead, estimating that number should be revised quite a bit upward since the probability was calculated before he attained Demon Lordship. Sure enough, the wounds of the corpses are healed, Shion’s hand moves, and her eyes open.

Rimuru has achieved everything he set out to do in this operation. With the exception of the archdemon’s fight with Razen the action in the episode was minimal, replaced by the procedural formalities inherent in such a momentous evolution. And all it took was for Rimuru to become the very thing the humans of Falmuth feared he would. Will it be back to business as usual in Tempest, or will there be any ethical or karmic blowback?

Rating: 4/5 Stars

Attack on Titan – 74 – A Whole New Ballgame

First, a recap of what transpired in the final act of last week’s episode, which was cut short: We check in on the training corps, with Keith Sadies delivering another tough-love drill sergeant speech while some young trainees are muttering about why they’re even talking about fighting Titans. One of them, Surma, blurts out what a lot of them are thinking: they should align themselves with Eren and the Jeagerists in order to secure a future for Eldia.

Right on cue, Floch arrives with the captive Hange, and asks any and all trainees who wish to join them to step forward. He then orders them to prove their loyalty by beating the shit out of Sadies until he can no longer stand…and they proceed to do just that. Looks like the next generation of Eldian fighters are on board with the change of leadership.

Eren looks on from a window as his former comrades sit in a jail. We then check back in on Levi, who successfully captured Zeke. Just as he’s coming to, Levi informs him the detonator for the lightning spear lodged in his chest is connected to Zeke’s neck with a rope, so no quick movements.

He then starts hacking away at Zeke’s feet and ankles, ensuring his Titan healing will keep him from moving around too much. Zeke asks a seemingly mundane question: whether Levi happened to know what happened to his glasses. We learn the distinctive specs once belonged to a Mr. Ksaver, with whom Zeke used to play catch.

That brings us to the next episode, in which Zeke takes his mind off the pain he’s currently experiencing and looks back on his life, starting with the first day his parents took him outside the walls of Liberio. An initially friendly Marleyan janitor tosses his bucket sludge on Zeke and his parents when he spots their Eldian armbands, claiming they’re defiling the clock tower and cursing them for daring to procreate.

Marleyans shout epithets as the Yeager family walks through the streets. Turns out Zeke’s parents intended to show him that his is what it’s like on the outside world, and why Eldians need to fight so their children and children’s children won’t be thus oppressed. Their plan involves making Zeke a warrior candidate…but it doesn’t go well.

Zeke is undersized for his age and not particularly athletic, so despite his best efforts, he falls behind and risks washing out, ruining his father’s plans. Their relationship sours and Zeke falls into depression as someone shunned both by his candidate instructor and his parents. Meanwhile, his father never once just played with him; it was always about business…about the grand plan.

There was only one person in Zeke’s life who didn’t shun him for not shaping up: Tom Ksaver, who happens to be the Beast Titan. Zeke caught Ksaver’s eye when he was struggling with training, and Ksaver reached out to him with nothing but a baseball and the offer to play some catch whenever he wanted.

In Zeke, Ksaver saw a kindred soul; one not inclined for military duty but thrust into it nonetheless. While he’s the Beast Titan, he’s also a researcher, and didn’t seek glory in becoming the Beast, but answers to the mysteries of the Subjects of Ymir, which to him make all the hatred and war in the world seem trivial.

Ksaver impresses upon Zeke that there’s nothing wrong with him just because he can’t walk the path his parents laid out for him. The two of them are simply “decent people, a real rarity” in their world. And because Zeke is constantly overhearing his parents engaging in seditious activity and won’t heed his wish that they stop “doing dangerous things”, Zeke comes to Ksaver with the knowledge his folks are Restorationists.

Zeke was right to trust Ksaver, who tells no one else what he hears, but he also tells Zeke there’s no choice but to turn his parents in. If Zeke does that, he’ll save himself and maybe his grandparents. Ksaver makes it clear that it’s not Zeke’s fault; his parents chose their traitorous paths and there was no saving them. Had they acted a little more like his parents and less like operators, maybe Zeke wouldn’t have done it. But by the time he fingers them and they’re sent away, Ksaver has already been more of a father than Grisha.

That relationship continues as Zeke grows up, and he learns how Ksaver once made the mistake of trying to live his life without an armband. When his wife found out he was Eldian, she slit their son’s throat and then her own. Ksaver has been “running from his sins” ever since, all the while believing it would have been better to have never been born at all. Hearing his Ksaver’s story, and his desire to retake the Founding Titan and save the world, Zeke resolves to inherit the Beast Titan from his mentor.

Near the end of his term, Ksaver shares his findings regarding Zeke’s function as the key to the lock that can break the Eldian vow renouncing war. Before passing the Beast to Zeke, he tasks him with finding that lock: the Founding Titan. Zeke also inherits Ksaver’s distinctive glasses, which is why they were so important to him that he asked Levi about them.

Time passes, and after the scouting mission to Paradis, Reiner and Bertholdt inform Zeke of the identity of the Founding Titan—Eren Yeager, Zeke’s own half-brother. He learns Grisha wasn’t turned into a Titan upon reaching Paradis, but remarried and had another son in hopes of salvaging his plan.

More years pass, and Zeke finally meets his half-brother at the hospital in Liberio, where Eren is posing as a wounded veteran. Eren already heard the gist from Yelena previously, but Zeke reiterates his plan for Eldian euthanization, in which the Founding Titan’s power will be used to sterilize all of the Eldians in the world. If successful, within a century there will be no more Eldians for the rest of the world to hate, and no more Eldians who will have to suffer that hatred.

It’s the equivalent of taking the ball and going home, only the “ball” is their very existence as a race of people. It’s a tough pill to swallow, but history hasn’t been kind to any of the alternatives, to say the least. Eren tells Zeke how he experienced the memories of Grisha slaughtering the wall’s royal family, and could even feel the heads of the children his father killed in his hand.

But where both his father and he (at the time) were wrong is that those children were killed so that they could live. Eren, like Zeke and Ksaver, would rather Eldians didn’t live than have to suffer under the heel of the Marleyans. So he agrees to help Zeke end two millennia of Titan domination. Rather than shake hands to arouse suspicion, Zeke simply tosses Eren a baseball.

Zeke wakes up in a cart driven by Levi through the pelting rain and mutters “Eldia’s sole salvation is its euthanization”. Zeke’s final words are “Mr. Ksaver? I hope you’re watching!!” before triggering the thunder spear detonator and blowing himself up.

Even if Levi survived the blast, he’s probably in pretty bad shape. Meanwhile, I could just make out Zeke’s torso falling to the ground. If there’s enough of him left for the Titan healing to work its magic, and Levi is too injured to keep him restrained, then there’s no longer anyone standing between him and Eren; between the royal blood and the Founding Titan.

The question is, will Eren really carry out Zeke’s monstrous, genocidal plan to relieve Eldia of the “injustice of life?” Or does he have something else in mind? One thing’s for sure: final episode of the final season will be a busy one.

Attack on Titan – 73 – Burning Bridges, Breaking Bonds

Note: This episode was interrupted ~17 minutes in by a special news report of a magnitude 4.7 earthquake near Wakamiya. As of yet are no reports of serious injuries or damage, and there is no tsunami threat. We’re hoping everyone is okay.—R.S.

The first eight minutes of this episode contain some of the bitterest, most heartbreaking moments of the entire run of the show. Eren hasn’t come to see his two best friends to ask them to join his cause. They aren’t friends anymore, and according to him, one of them never was.

When Armin accuses him of being manipulated by his big brother, Eren turns the accusation back on Armin. Since he carries the Colossal Titan, he also carries Bertholdt Hoover’s memories, and has thus partially become Bertholdt, whom Eren considers the enemy. Eren isn’t wrong, either: why else has Armin been visiting Annie?

If Mikasa thought she be safe from Eren’s aspersions, she is proven dead wrong, as he dismisses her as nothing but a vessel for the Ackerman blood, sworn to protect the king of Eldia at all costs. The day she killed to save him in that cabin, she was simply obeying orders, like a slave, and every time she’s saved him since was for the same reason.

There’s nothing Eren hates more than people who aren’t free, who he calls “cattle”, and blows right through Armin’s “stop it” by saying just looking at Mikasa would piss him off, and that he always hated her. 

Whether it is true if Eren always hated her (I tend to doubt that), no one can deny Mikasa putting Eren’s safety above everything else, even defining her entire existence. She doesn’t help her case when Armin, who’s had enough of Eren’s lip, leaps over the table to slug him, only to be immediately and easily restrained…by Mikasa, again moving without thinking, betraying her Ackerman programming.

Armin still manages to get a potshot in, and Eren decides to stir the shit a little more, telling him that they’ve never fought each other once in all their lives because it wouldn’t be a fair fight. To drive that point home, he beats the shit out of Armin while Mikasa can only watch in tearful horror. He then asks one of his underlings to take them, and Gabi, away. They’re headed to where it all began: Shiganshima.

I can’t believe Eren always felt this way about Armin and Mikasa, but it is probably no coincidence that the man who has become obsessed with his idea of “freedom” isn’t just breaking his bonds of bondage, but of friendship as well. Even if there was once an Eren Yeager we could root for, that Eren is long gone now.

I don’t care what he says about Armin or Mikasa or how technically accurate he may be about their circumstances. The fact is they both loved him, and dearly. They didn’t deserve to be shit on like this, and he didn’t deserve them, period.

Levi is tired of waiting around for something to happen, and so breaks his bonds of protocol and command by deciding that both Eren and Zeke will be fed to other, more malleable hosts. But he waited a little too long, and also made the critical mistake of letting his unit drink the Marleyan wine usually reserved for the Military Police.

Zeke lets out a shout as he flees the camp, and in moments each and every one of Levi’s solders transform into Pure Titans under his control. At the same time in the capital, Pyxis and a host of other officials are momentarily paralyzed and report feeling strange…including Falco, who swallowed a drop of wine after all.

Zeke may seem to have the upper hand, but makes the miscalculation that Levi would refrain or even hesitate to slaughter Titans bearing the faces of his subordinates. That’s exactly what he does, including two of the three escorting Zeke out of the forest when he catches up to him, slicing them up like spiral hams. Zeke is left with no choice but to transform into the Beast, and repurposes pieces of a Titan’s corpse into deadly thrown projectiles.

Unfortunately, the lumbering Beast Titan is no match for someone as small, agile, and fast as Levi in the middle of a forest full of anchors for his ODM gear. He can attack Zeke from any and all angles, and launches four nape-busting missiles right into the Beast’s neck.

Zeke is thrown from the Titan body, severely injured, but still alive, and Levi’s plan to feed him to someone else are back on. If Zeke was headed to Shiganshima to meet with Eren, like the final six minutes of this episode, he’s been delayed indefinitely.