Owari no Seraph 2 – 11

owa2_111

This episode runs somewhat concurrent with Yuu and Mika’s reunion and re-alliance, focusing on Teams Shinoa, Narumi, and Guren. Shinoa in particular provokes the deadly ire of Rika, who blames her and her team for the death of her comrades. Narumi relieves Rika, only to step in an threaten to kill Shinoa himself, and bristles when Shinya, in charge in Guren’s absense tries to stop him.

At that point this becomes about more than fallen comrades and who is to blame, but how had it Narumi is with the all-knowing, all-powerful Hiiragis ordering humanity around and deciding who lives and dies. He’ll ignore orders to “stand by” (i.e. die) and instead head back to try to rescue Guren.

What Narumi didn’t expect was that Shinya, Hiiragi Shinya, a general and a part of the cabal he hates so much, not only doesn’t try to stop him, but thinks they should all go together. Shinya’s fought and bled with these guys, and we’ve been able to see the gradual change from almost vampire-like nonchalance to a solemn, haunted determination. Screw his orders and his last name; Shinya’s going to fight for his comrades here and now.

owa2_112

Meanwhile, Guren is still alive, and still managing to be defiant in the face of the vampire nobles who take turns scooping him up. He’s going to give them false intel to lure them into a trap in Shinjuku, but needs the vamps to believe it’s because he’s been beated badly enough to not be able to go on keeping his silence.

Crowley, who saw through the machinations going on and correctly suspected Ferid, is bemused when Ferid admits he gave the Demon Army the locations of the nobles, including his old chum Crow. Ferid even has the audacity to tell Crowley to thank him, since he had a fun fight thanks to him.

Once Guren has been beaten enough, he goes into his Happy Place with his demon companion and dead ex-girlfriend Mahiru, who decides its time to awaken and fight back. I must say she show’s always done a good job portraying Mahiru as imminently mysterious, seductive (moreso even than the other demons) and ethereal, like a dark angel.

owa2_113

She is also the reason for Guren’s dual personalities: one dedicated to his family, the other thirsty for power. When Krul takes him down and gets in close, out of earshot of the others, Guren/Mahiru discuss the plan Krul had been a party to all along, betraying her people in the process, and how that plan hasn’t changed: she still needs the Seraph of the End.

On the other side, Kureto arrives at the airport (with Mitsu’s stern sister Aoi by his side) to relieve the teams assembled there, saying “they’ll take it from here.” It’s clear Kureto has a new toy he wants to try out; he even admits he’s in a good enough mood he won’t summarily execute Narumi & Co. for questioning his orders.

owa2_114

But what he does do is open the Big Box he flew in, out of which come hundreds of interconnected swing hangars with blades on the ends, many of which pierce through Kureto’s own soldiers, including Rika, who definitely looks like a goner. The blade go after Narumi when he lunges forward for revenge, but to his shock, he’s saved by Yoichi and Shiho, while Shinoa’s blind spot is covered in the nick of time by Yuu, who has arrived with Mika to help out.

owa2_115

Mika doesn’t waste any time saying it was a bad idea to come back, as he sees the humans fighting amongst one another. But that fight is tabled when hordes of vampires drop from the skies and it becomes a giant line battle. Amidst all the chaos, Yuu catches sight of Guren, safe and sound, and runs toward him, beaming with joy.

Only Guren isn’t quite himself anymore, drawing his sword and bringing it down, followed by a cut to black. With dual personalities, crazy experiments, and betrayal and intrigue on both sides, what probably won’t be black—or white—is the impending finale, which looks to be a good one.

9_mag

Sket Dance – 72

In the first half, Chiaki brings a student to the Sket-dan who has fallen victim to a dastardly pickpocket known as Kagerou or “Shadow Wolf.” They seek to apprehend him using Himeko as a decoy, but they find themselves outmatched, until ninja descendant freshman Katou Kiri intervenes. In the second half, the student council’s new treasurer Usami Hani is introduced. In her normal state, she hates men so much she completely ignores Tsubaki. When he touches her, her sexy, boy-crazy alter ego Bunny-chan emerges. After getting a headache, Tsubaki insists the final concil slot will be filled by a male – enter Katou Kiri.

Sket Dance’s policy regarding characters seems to be “the more, the merrier”, and in the case of the two new characters introduced this week, there’s no reason to change that policy. Both Katou Kiri and Usami Hani leave underwhelming first impressions early in their respective segments, but then they show an entirely different side of their characters. In Kiri’s case, he feigns slow reflexes to hide his ninja skills, but uses them to bail Himeko out of a serious situation (one of the only times we can recall she’s at knifepoint; while Bossun is unconscious).

Katou Kiri is okay, but of the two, we preferred Usami Hani (voiced by Yuka Iguchi), who has the extemely bizarre quality of totally changing personalities based on which gender touched her last. The relay system she sets up with Minorin tests Tsubaki’s patience, as does her jumping to conclusions when he’s direct with her. Fourth Wall expert Saotome Roman chimes in at a couple opportune times to give her assessment, which was much like ours: uninspiring at first, but turns out to be very quirky and not without potential.


Rating: 7 (Very Good)