Tenrou: Sirius the Jaeger – 04 – Brains, Trains, and Automobiles

Kershner sends an envoy to cut the Hyakko Party off from Alma Company’s funding, but Hyakko’s leader doesn’t like that, and kills the messenger. Williard takes the measure of the Alma company, a front that looks on the surface like any respectable downtown business office. While on the lift he’s gently prodded for info by Major Iba, but doesn’t give away much.

Iba is spotted by his old academy mentor and new chief of weapons development, Maj. Gen. Kakizaki, who is glad he got Iba into intelligence, considering how much his student already knows. Willard convenes with his subordinates in V Shipping and determines that the vampires and Hyakko had a falling out, but the vamps must’ve managed to collect all the “parts” they needed.

Both Major Iba and Willard know where to go next: Shizuoka, where a weapons “exercise” will be taking place. A restless Yuliy volunteers to take the trip, but Dorothea accompanies him to keep him in check and on mission. After having a formal Japanese meal with Minister Naoe and Ryouko, she learns of their trip and decides to tail Yuliy, too intrigued to heed his warning for her to keep her distance.

Meanwhile in Shizuoka, Gen. Kakizaki witnesses in horror as the Frankenstein-type monster the Alma Company commissioned eliminates an entire battalion of soldiers with grim efficiency. As Yuliy, Dorothea, and Ryouko board the Shizuoka-bound train, the Hyakko Party raids Alma Co.’s headquarters and slaughters everyone in the office, believing them to be vampires even though they’re only humans.

Yuliy suddenly smells blood, and when the train stops, he switches to the one going in the opposite direction, as Dorothea—and a Ryouko determined to have lunch with them—both follow him. Major Iba also transfers from one train to the other, believing Kakizaki to be aboard. Kershner and his Dr. Frankenstein-y mad scientist subordinate are also aboard, along with the monster.

Finally, when Dorothea goes off to count passengers, Yuliy ends up encountering his brother Mikhail once more. Practically everybody is on this damn train! That means there’s sure to be some fireworks in short order; woe betide Ryouko or any other civilian caught in the fray.

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Tenrou: Sirius the Jaeger – 03 – Just Live

As Ryouko’s classmates mistake her frustrated sigh for a lovesick one (though her blushing suggests they’re on to something), Yuliy’s unexpected encounter with his now-vampirized brother Mikhail brings all of his memories of him roaring back, starting with the good times when the two would hunt in the wintry forests of their home—which I imagine to be somewhere in eastern Russia; possibly Sakhalin.

After a good meal with the villagers, the elder laments that the Sirius Arc is no more, but a confident young Yuliy vows to protect it, only for his big speech, like his first kill, to be foiled by a sneeze (he’s sensitive to cold). That’s where the good times end; Yuliy wakes up in the night to find vampires raiding the village. Their mother is killed, but not before making both her sons promise to run away and live. Only one brother can obey; Mikhail sacrifices himself to Yuliy can slip away.

In the present, while reminiscing on all this, Yuliy’s fellow Jaegers try in vain to cheer him up, but the fact is, now that he knows his brother is alive, he can feel his resolve to kill all vampires wavering, as he still loves Mikhail and doesn’t want to kill him, even if he’s a vampire now. His frustration bubbles over when he remembers summoning the power of Sirius to save himself from a pursuing vampire, just when a determined Ryouko tries to confront him.

She isn’t scared of him—or at least talks a good game; we see her trembling slightly—but Yuliy doesn’t want any new friends, because it will mean more people he can lose or who might suffer because of their association with him or their proximity to his powers (Ryouko likely is willing to befriending him, and in any case it’s her choice to make).

Dr. Willard was the one who found him half-dead in the cold, and offered water so he won’t die, Yuliy says if it means he can see his mother and brother again, he wants to die. Willard’s words that follow—fine, die, if that’s what you think your loved ones want—have guided Yuliy ever since.

He may still not know how he should keep living; only that he knows it’s what his family would want, so he can’t give up. But with Kershner, Mikhail by his side, preparing to field some kind of Frankenstein’s Monster, just living—and keeping those around him alive—is only going to get tougher.

Tokyo Ghoul:re – 12 – Say My Name

Eto, AKA The One-Eyed Owl, decides to join the fray on the rooftop, siccing Kanae on Sasaki, and the two combine to beat him up enough to send him into his head, where a young Kaneki Ken waits for him. I wonder if that was the whole point: for Eto to re-awaken the Ken in the Sasaki; to rid the Doves of one of their most durable weapons.

The Sasaki inside his mind comes to think of all the sweet dreams he’s had as a corrupting agent; deluding him into thinking “it’s okay to want.” He discards those dreams, and returns to reality with all of Ken’s power, but while seeming to remain Sasaki Haise. He dispatches Kanae, then attacks Shuu as an enemy, forcing Eto to intervene personally, her various puppets bested.

Back in the building, Shirazu summons previously unsummoned powers in order to create an opening for Urie to kill Noro, but in the process, Shirazu is mortally wounded and slowly dies in front of Urie, Mitsuki and Saiko, without doubt the toughest blow the young Quinx Squad has ever had to face.

Saiko can’t stop sobbing, but the loss might hurt Urie most of all…not to mention someone has to make sure Shirazu’s poor little sister is taken care of. Back on the rooftop, Sasaki fights Eto to a draw and forces her to retreat in pieces, leading her to confess her love for Kaneki Ken, who is honored, using her other name, Takatsuki-sensei. This is surely not the last we’ve seen of Eto.

The Sasaki Haise who emerges from the battle turns back into the model CCG investigator once his superior Ui arrives, claiming Shuu for himself while ceding Kanae to him. Sasaki throws Shuu off the building, but Kanae jumps off right behind him, revealing her true identity as Karen and confessing her love for Shuu before saving him from falling to his death at the cost of her own life.

The hardened Sasaki who meets back up with his Quinx Squad, now one man shorter, has no mercy for a crying Urie, blaming him for not being strong enough to keep Shirazu safe. With the loss of Shirazu and Sasaki’s transformative rooftop battle, the fun times are most certainly over. On the bright side, Shuu is still, somehow, alive, and is picked up by Tooka and Chie.

Needless to say, this felt less like an ending and more like a mid-season wrap-up, because Tokyo Ghoul re: will be back in the Fall. I’ll be sure to tune back in.

Tokyo Ghoul:re – 11 – Forest of Thorns

Tsukiyama’s underlings will do everything they can to keeping him alive as long as possible—no easy task when you have some of CCG’s finest after him. Having already lost so many people, Shuu all but begs Matsumae to make him a promise to come back alive along with Mairo, but she can’t keep it.

Kijima and Ihei await Matsumae and Mairo, while Shuu ends up encountering Sasaki on the rooftop helipad. Sasaki urges Shuu to surrender. Shuu doesn’t comply. He can’t. His life is no longer his own, if it ever was. Shuu has decided that honoring the sacrifices made in his name by living is more important than trying to wring Ken out of Sasaki Haise. So they fight.

It’s a bloody outing, as expected. The two new recruits Shimoguchi reluctantly accepted into his “cursed” squad are taken out by a masked Kanae; killed protecting him, who did nothing but shit-talk them till the end. Ihei is simply having fun fighting Matsumae…until she fails to mind her surroundings, slips on some blood, and gets run through.

Noro, one of Aogiri’s top ghouls, has also arrived, and the Quinx squad along with some others are unlucky enough to face his constantly-regenerating ponytailed ass. And get this: Saiko actually gets to demonstrate her power for once, rather than just stand there with her giant hammer waiting to be rescued (though she does that too, and her big attack has no effect on Noro).

Somewhat surprisingly, two of the most cocky and confident Doves in Ihei and Kijima meet most inauspicious and gruesome deaths; Ihei by a last minute suicide assist from Mairo; Kijima by his own chainsaw quinque, which happens to land right down the middle of his oddly-proportioned head. I wont miss either of them?

When everyone’s in deep shit and there’s seemingly no answer for Goro’s regenerating, Shirazu volunteers to cast away his fear and wield Nutcracker, but like Saiko’s kagune, it’s a lot of sound and fury signifying (and settling) nothing. Noro is simply blown into tiny pieces that are reformed into something even more grotesque and deadly.

Back up on the roof, the Eto-coached Kanae joins the fight, relieving Sasaki of his arm. Sasaki, for his part, was able to correctly predict every move Shuu made, though he didn’t dodge them. We learn that like Shuu is now, Kanae was once a girl, and the last living member of her family, but shed the gender of her birth in order to take on the Rosewald mantle.

But whether Sasaki, remembering Arima’s tough-love training, will show Kanae or Shuu any mercy is up for debate. And we have another ghoul incoming who will shift the momentum once more. But so far this is turning out to be a win for no one.

Tokyo Ghoul:re – 10 – The Things We’re Taking are Lives

Eto confronts Kanae and proceeds to read them like the open book they are. She seems intent on changing Kanae’s fruitless course to make Shuu love them. Eto offers them an apple, or “fruit of knowledge”, in the form of one of her “bones.”

This will likely make Kanae more powerful and thus capable of taking away that “something precious” from Shuu—namely Sasaki Haise—in order to take their place as Shuu’s “precious person.” It’s also sure to come at a heavy cost: Kanae’s remaining humanity, sanity, et cetera. Like Rize and Ken, the deal seems a bit…Faustian.

We also learn the core of Shirazu’s hesitance to use Nutcracker. The final words of the first ghoul he killed echoed what his sister said, once what had been a mole under her eye turned into a life-changing growth: “I want to be pretty.” He’s in CCG and the Quinx Squad only to make enough money for her considerable care.

Fura comes upon him, and relays to him the commonality of investigators having trouble with quinques from their first kills. He says it’s perfectly normal, and even healthy, as someone who felt nothing for taking another life is probably not a great way to start one’s CCG career.

As we’ve seen, the opinions on morality vis-a-vis ghouls within the organization run the gamut from “ghouls are people” to “ghouls are targets to be eliminated.” Shirazu would seem to be oriented more towards the former; S1 investigators Ui and Ihei the latter.

As Haise deals with his worsening identity crisis, he continues to do his job, wanting both himself and Quinx to be useful to S1 in the operation to take down Rose. To that end, Ui allows him and Quinx to don the masks Uta made them (or in Haise’s case, made for Ken) and mingle with the ghouls for intel.

They learn that all the ghouls on the street are uneasy, guarded, distrustful of newcomers, and in Haise’s case, deathly afraid of his mask, which is that of the “Eyepatch Ghoul.” He learns the name “Kotarou Amon”, then meets with Shuu, wanting to learn more about Kaneki Ken so that he can accept him.

But despite having been restored to health by Haise, Shuu has no idea what to tell him about Ken, and ends up running away. Besides, his hands are full; his servant Yuma is still being held by Kijima. In a sickeningly brutal scene that shows where on the spectrum Kijima falls, he executes an already brutally tortured Yuma.

As Ui receives permission from CCG Chairman Washu to implement the Tsukiyama Family Eradication plan (with S2 head Washu breathing down his neck), Haise searches the archives for more info on Kotarou Amon and the Eyepatch Ghoul, fearing that in reality he was the latter and murdered the former. Akira draws him into a hug, comforting him without confirming any of his (correct) assumptions.

That night, Shuu’s Papa Mirumo gives him a cup of coffee, which makes him pass out instantly. The Doves surround the mansion, and Mirumo greets them in the grand foyer, claiming he does not intend to fight or resist, but only asks that he and his family be left alone and allowed to live out their lives as people, as they have done. Ui isn’t having it.

When Shuu wakes up, his world has been inverted. He’s in a car, being driven by Matsumae at top speed away from the mansion, where Papa and all the other servants are making a stand for Shuu’s sake. Shuu wants to go back; Matsumae won’t comply. It’s imperative Shuu survive.

They arrive at the headquarters of one of the Tsukiyama Group’s many subsidiaries, where an army of Ghouls loyal to Shuu’s Papa stand ready to fight to the last man to keep him safe. All Shuu can do is admire the greatness that inspired such loyalty, greatness he likely doubts he himself possesses.

The three Tsukiyama veterans in charge of the defense get prepare for what may be their final night alive, as a smug-as-hell Ihei orders the commencement of the extermination operation.

As the aggressors in this latest conflict, led by those who made the decision long ago that Ghouls are not to be empathized with or shown mercy, the Doves definitely felt like the Bad Guys this week—which means Haise and our Quinx Squad are fighting on the wrong side.

Shoukoku no Altair – 04

Mahmut’s first posting as a newly-demoted Binbashi is his home village of Tughril, rebuilt since its destruction twelve years ago in the last war. Mahmut still carries emotional scars and has nightmares of that night, but he’ll no doubt have to overcome or refocus those fears if he wants another shot at Pasha.

Using the Pyramis crystal at the water shrine, we and Mahmut quickly find ourselves deep in the intricate spy world of Turkyie. Barbaros, an old man who once carried the flag for Halil Pasha, now kulak of the village, serves as go-between between Mahmut and Zaganos’ spy in the area.

That spy turns out to be Suleyman Kara Kanat, who along with Mahmut are the last survivors of the previous Tughril village. Like Mahmut, he cursed himself for not being in the position to save his village, but for a different reason: while Mahmut was just a wee kid of five, Suleyman was off eating, drinking and cavorting in far-off Florence.

Consumed by despair and self-hatred and pity, Suleyman ended up raised up by one Zaganos Pasha, who would later visit him the first day of his promotion and offer him a job in his new spy network, one to rival the splendid information system that was the real power of Florence. Given purpose and a goal again, Suleyman gladly entered Zaganos’ service.

Meanwhile, after a scene of Minister Louis drawing up some dastardly scheme, his Rod Orm assassins arrive in the village and attempt to knock off Barbaros, who turns out to be as spry as Yoda and gives them a fight.

Mahmut and Suleyman join the fight, but Mahmut makes a couple of potentially fatal mistakes when he underestimates the assassins’ ability to adapt to his tactics and use some of them against him, as well as misjudge their weaponry.

After a literal cold shower (to get the eagle-luring blood off his clothes), he puts his trust in Suleyman and Barbaros, and the three re-confront the female assassin and run her out of town, destroying her mask in the process.

When called upon, Altair can execute action competently, albeit at a slower pace than most shows in the genre muster. That said, it’s good to see Mahmut’s usual tricks countered, suggesting a worthy foe. This is all a valuable learning experience for the next stop on his spy-world itinerary: Phoenicia.

From the New World (Shin Sekai yori) – 23

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Saki, Satoru, Inui and Kiroumaru traverse ever more subterranean horrors until reaching a dead end: a dangerous underground river. As their pursuers split into two groups, Kiroumaru suggest the same, and they do. Inui accompanies Saki back to the submarine, take it until the tunnel narrows, then continue on foot. Inui is taken out by a giant ragworm, but Saki reaches the location of the psychobuster drug, which is contained in a decorative metal talisman. Throughout their trip, she starts hallucinating about Shun, finally remembering his name. When she returns to the surface, he is there waiting for her, his mask removed.

The people of Japan believe Tokyo to be hell on earth. Their collective Canti leak, and make Tokyo the very hell on earth they fear, positively crawling with nightmarish mutant creatures. Thankfully, they’re all dispatched with fire, and none of them are capable of igniting that fire in suicide attacks. But Inui isn’t quite fast enough, and gets jumped by a worm. No body, so we don’t know what’s become of him, but for the remainder of the episode, Saki is alone in perhaps the worst place in the world…or is she?

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Years ago, her still-developing child brain was purged of all clear memories of Aonuma Shun, her soul mate, so much so that she eventually found another soulmate in Maria (only to lose her too). Whether enough time has passed or from the effects of Tokyo, she finally recalls Shun’s name and face. He’s aware of her situation, and warns her that the “fiend” she’s supposed to kill isn’t really a fiend. This explains why it can be controlled by Yakomaru: it’s been conditioned by the queerats since birth.

Unlike children in the villages who are trained to control their canti, this child’s cantus has been honed to its full destructive potential, while maintaining a basic humanity. The process that made Saki and her friends was reversed to make this “pseudo-fiend.” Already reticent about utilizing biological WMD, Saki’s heart stands to waver even more now that she’s been told her foe is neither mindless nor a lost cause, but just as much a victim of fate and circumstance as she is.


Rating: 8 (Great)

P.S. Saki breaking through the wall and emerging onto the surface of a ruined Tokyo at dawn is one of the more gorgeous and arresting moments this exquisite series has treated us to.