As isekai anime go, this one starts out pretty ordinary: after a stinger involving someone’s dream about being in a class where everyone likes them and they have one “best friend of all”, a boy, Mitsuki, is suddenly summoned into the court of a king, but when judged to be lacking, Mitsuki is promptly tossed out of the castle, where he meets the lovely priestess Menou.
Menou offers a roof under Mitsuki’s head and food and money if he’s willing to work for it. Menou informs him that he’s not the first “lost one” from Japan; in fact, this world has been so influenced by summoned Japanese, the culture there in full force. That said, this world still has its own strict social ladder in which the Faust, or members of the church like Menou, sit even higher than kings and lords.
Mitsuki laments he has no powers, saying the wizard back at the castle said they were “null”, but when Menou gets him to summon his powers, they learn that he actually has the power to nullify anyting, as in making it cease to exist. Once the kid realizes what this means, he immediately start to show signs that suggest he might well abuse that power if left unchecked…
…And so Menou checks him, plunging a dagger straight through his skull. Turns out her true duty is as an executioner of Lost Ones, neutralizing their threat to her world and its balance of power. This wasn’t Mitsuki’s story. It was never supposed to be. It’s Menou’s.
Mind you, Menou doesn’t enjoy doing this, it’s simply her duty, and considering how much chaos carnage a Nullify power could have caused, it’s a damned important duty at that. It’s just great to see the typical isekai (and typical dull MC) formula subverted so promptly and completely.
Menou understands all too well how important her role is, as she is the sole survivor of a calamity that resulted from a Lost One—another high school student from Japan—accidentally turning an entire town into snow (or something white and powdery).
Menou is saved when Flare, the priestess who will become her master, kills the girl. When the girl comes back as a giant snow monster, Flare’s old master Orwell takes care of it. I loved the haunting bleakness of the scene, with the snow (or whatever) serving as a stark contrast to the usual flame-themed dark flashbacks.
Back in the present, Menou meets with her aide Momo, who unlike Menou treats this whole business like a fun game, perhaps her way of coping with the things that must be done to uphold balance and peace (not agreeing with that philosophy per se, jut acknowledging it’s there).
Momo is also infatuated with Menou, an attempt to add some levity to a very dark and bloody business. When the king’s guards come to the church, Menou deals with them quickly and efficiently, while Momo takes care of the one who got away.
Momo determined that the second Lost One the king summoned after the boy Menou already killed is a “guest” of the castle. The king, being of the Noblesse class below the Faust, is hoping this Japanese girl could be used as a weapon to being the Faust down. The episode ends with Menou descending on the girl on the castle balcony.
Menou is immediately a complex and thus fascinating character to watch: ever since she was rescued from that disaster she’s been trained for nothing but what she’s doing, and even parrots Flare’s slogan that a priestess must always be pure, just, and strong. There’s a bitterness in the way Menou says it.
You could say she really is all three of those things, and that the potential threat of the Lost Ones justifies her cold vigilance and laser focus on duty. But to see her master Flare and her aide Momo seem to revel in their bloody deeds in the past and present, while she gives the boy she executed a proper burial, there’s definitely a kernel of moral conflict that this second Lost One will likely help to sprout.
Her Way of Life borrows a lot from its isekai predecessors, but I’ve always been one to say if you can tweak the formula enough that it’s fresh and execute it well, you’ve probably got me as a viewer. Menou’s complexity, concise world-building, the dark comedy of the would-be MC boy’s fate, and combat scenes that pack a punch all conspire to make this one a sure keeper.