Summertime Render – 12 – The Kitchen’s Closed

Tokiko reveals Hiruko no Mikoti, Mother of Shadows and God of Hitogashima, also known as Haine, the form of the first human Hiruko copied. To the outrage and disgust of her friends and brother alike, Toki also reveals her family’s solemn duty to feed Haine the bodies of the dead to restore her power.

When Sou bristles, Toki hits back, saying she had no choice; with Sou “being the way he is” he could never be told about the fam’s secret, while feeding Haine is the only way to keep their mother, now a Shadow, alive. As for Ushio, Toki says she got herself killed sticking her nose where it didn’t belong out of her own sense of justice.

Among the two bodies presented for Haine tonight by Nurse Negoro is Ushio’s original corpse; a double was cremated and the bones printed. When Ushio frees herself and snatches up her original body, she’s able to repair her arm and fight at full strength, which is good because Haine transforms Nurse Negoro into a musclebound monster.

Shinpei tries to take advantage of the chaos to shoot Haine with his nailgun, newly printed from Ushio’s hair, but before he can shoot both the gun and his fingers are sliced off by Haine’s Shadow bodyguard, who is holding an unconscious Mio by her head and threatens to crush her skull if anyone moves.

The bodyguard shoots at Tokiko, who was unaware that Haine plans to kill and eat everyone on the island, but Sou takes a bullet for his sister. It doesn’t matter; the bodyguard simply shoots her dead too, now that she and the Hishigatas have fulfilled their duties to Haine.

As Tetsu finally encounters the wounded Hizuru and agrees to carry her deeper into the cave, Haine decides not to kill Ushio, but reprogram her brain and use her as another tool. She also snatches Shin’s time-looping eye—the one in which he “renders” different realities—but it soon disappears from her hand and returns to his socket; not even a god can take away his power.

But what Haine and her hulking bodyguard can do is restrain him and keep him alive until her plans come to full fruition. The bodyguard kills Mio, and Shin’s last chance to be killed and loop seems to rest with Tetsu and Hizuru, who arrive just in time. Tetsu distracts the bad guys with his boobery, giving Hizuru a clean shot at both the bodyguard’s head and Shinpei.

Alas, the bodyguard shields Shinpei and kills Hizuru, so Shinpei uses his last resort: drinking an entire bottle of mercuric chloride from the abandoned clinic, which will most definitely kill him, albeit slowly and painfully. He uses time it takes for the poison to do him in to promise Haine that he’ll defeat her and save everyone. At the same time, Ushio’s powers have advanced to the point she can not only resist Haine’s corrosion, but reverse it and free herself.

Ushio’s final effort is to lunge to where Ushio is dying and take his hand, and she goes through the time loop with him. As long as they’re together, Ushio promises to go anywhere with him, as many times as it takes. But lest we forget, every time he returns to a new loop—this newest being the fifth—he starts a little later. He and Ushio arrive hand-in-hand just as he’s telling Hizuru and Nezu that he’s a time traveler, her book in his hand.

Shinpei now has a lot more information about the bad guys and their plans, but less time to act. The good news is Shadow Ushio is with him, along with all of the amassed memories of the previous loop. Her powers may also already surpass those of the weakened Haine. This episode at the series’ halfway point delves into the bloody depths of despair but ends on a note of hope and optimism that Shinpei and Ushio can turn this train wreck around.

Summertime Render – 11 – Prelude to Feeding

Shinpei, Sou, and Ushio with her nifty Shadow powers are looking like a great team against their Shadow adversaries…at first. As they go deeper into Shadow territory they find themselves increasingly outnumbered and outmatched.

Two other groups head into the sewers: the well-armed and prepared Minakata and Nezu, and Mio and Tetsu, the latter just hoping for some tough guy cred, while Mio wants to follow someone who is clearly Shadow Shiori, who isn’t lying when she says Shin is “down there”.

After another wave of Shadow Babies is defeated in a cave full of undersea life (shades of Nausicaa), Ushio collapses, and finally comes clean to Shin and Sou about her arm. Since Shiori damaged her main body, she needs data from the original Ushio’s body to repair it…but Ushio was cremated, so she can either endure the pain and bleeding or delete the arm, limiting her abilities.

While Tetsu and Mio continue to tread far too close to their demises (and Tetsu gets himself copied; as we know Mio is immune), suddenly Tokiko turns up to confront Team Ushio, with a pair of Shadow Baby heavies. Shinpei waits for her to get close enough, then shoots her shadow full of nails and…nothing happens. Tokiko isn’t a Shadow…she’s just Tokiko.

If there’s one complaint I have with this tripartite excursion to the Hiruko Caves, it’s that it’s hard to gauge where each group is in relation to one another. You’d think Shinpei, Sou and Ushio, not to mention Tetsu and Mio, would hear Minakata’s shotgun blasts in a cave. And yet, the three groups never meet or even realize they’re all in generally the same place.

Undefined spatial relationships aside, one lesson that applies to all three groups is Never wander into the caves. Minakata and Nezu end up facing off with Shiori (who only pretended to be killed earlier) and her much bigger and tougher multi-limbed pal, who copies a shotgun, shoots Nezu in the chest, and Minakata in her liver as she’s fleeing.

This just shows that there are dark and deadly things down here that either no human has ever seen and lived to talk about, or in the apparent case of the Hishigatas (sans Sou), they’ve known about all too long. It’s a family secret, but back at their dad’s lab, it seems clear that he’s taken an active role in the cultivation of Hiruko and/or Haine.

Knowing they’re out of their element, Shinpei surrenders to Tokiko, who agrees to show them everything and come clean to her brother—as long as they don’t tell Mio, one thing Toki-chan apparently couldn’t bear. They arrive in the core of the cave where both Hiruko and Haine dwell, and their stomachs are growling. Usually a joke in anime, here it makes the skin crawl.

It’s now 9:00 PM, and “time to feed.” With the next episode ominously titled “Deadly Night”, I’m with Ushio in thinking Shinpei has probably abandoned this loop as a viable chance to fix everything. Progress has definitely been made, but much has gone wrong.

At this point, all Shin can hope is that he gathers enough info for to make the next loop more of a success before dying and returning. That probably means heading to the caves much earlier next time, and preventing Ushio from getting wounded.

Rating: 4/5 Stars

Summertime Render – 10 – A Leaf in the Forest

This week is a no-holds-barred Scooby-Doo adventure almost from start to finish. After watching what Ushio went through to warn Shinpei, there’s no way Sou isn’t going to tag along as they head to his family’s old abandoned clinic up in the mountains. Ushio also struts her Shadow Power stuff, able to transform into a shell necklace Shinpei wears, and explaining how her swimsuit is her armor.

Her abilities combined with Shinpei’s courage and Sou’s loyalty make them the perfect team to investigate a creepy haunted hospital. One great detail is a rare statue of the ancient Japanese deity Hiruko-sama, in the form of a limbless leach-like fertility idol. The fact that legend suggests it was heteromorphic creates an enticing connection to the clearly equally-ancient Shadows. Shinpei, Ushio and Sou end up in what seems to be a Shadow nursery.

Turns out there’s something even more terrifying than a Shadow … a baby Shadow, one that seems docile and harmless enough right up until Shinpei tries to shoot it with a nailgun. It dodges and rolls and bounds all over the place until Sou hits it with his baseball bat.

But then it wraps around the bat (again, Shadow) and very nearly kills him, only Shinpei has been practicing his nailgunning and gets three shots into the Shadow. Ushio finishes it off with her Shadow hair, and cue Victory Fanfare for the Scooby Gang. As much as I fear for their safety, it’s a hell of a lot of fun watching these three old friends get shit done.

At the end of the battle, Ushio gives Sou a playful shove forward as the three continue their investigation, but her arm starts bleeding, like the injury that occurred to a previous copy of the arm has returned. After her powers are essentially a cheat code for most of the episode, it’s good for the episode to self-level and demonstrate she’s far from all-powerful.

Shinpei knows this, and he also stands by his promise to always protect her (which made her blush earlier), and his foreknowledge of the nightmares to come even make a dark cave full of Shadow babies seem…not that bad? He knows firsthand it can always be worse! That said, considering how much effort it took to defeat one baby, the trio have their work cut out for them.

Rating: 4/5 Stars

Summertime Render – 09 – A Tale of Two Ushios

The video on Ushio’s unlocked phone shows both the original Ushio and her Shadow delivering a joint message to Shinpei. The original assures him her Shadow isn’t evil like the others, but an ally, then proceeds to tell the story of how she ended up dying, and why that’s not the end of her story, because ultimately she is her Shadow and her Shadow is her.

It started with Shiori telling Ushio about seeing her own Shadow and asking her for help, since no one else will listen to her. Then, while Ushio and Mio were cleaning up the beach, there was a flash from above and just like that there was a second Ushio, who runs away before she can learn anything more.

Ushio comes home for a bath to find the other Ushio is already in the tub; she went home because it’s her home, same as Ushio’s. Once she determines that this other Ushio isn’t a threat, the two join forces to seek out Shiori’s Shadow on Mt. Takanosu, the locaiton of Sou’s family’s old clinic, believed by most of the island to now be haunted. It is haunted, but not by ghosts…by a monster.

A Shadow in its black goo form copies Ushio’s copy and tries to kill her, but Shadow Ushio figures out on accident that the copy’s weakness is not its body, but its shadow, and that she can use her own body—like her hair—as a weapon to slice through that Shadow. She can also repair her physical body, and tells Ushio that the instinct to kill her original “fills her brain”, even though she has no intention of doing so.

The two Ushios return to the beach to record a message for Shinpei, and after the present-day Shadow Ushio watches it with Shinpei and Sou, she suddenly regains her memories and knowledge of her power. She uses that power and her phone to “transport” the three of them into a recording of the tragic events of July 21st on the private beach where original Ushio breathed her last.

Original Ushio had Shadow Ushio turn into a seashell necklace and wore her, so that when Shiori was washed out to sea, not one but two Ushios were there to rescue her. However, under those waves Shadow Shiori kills her original and drowns the original Ushio—the one Sou was unable to revive and ended up being cremated.

Struck by her original’s sacrifice for both Shiori’s sake and her own, Shadow Ushio vowed to help Shinpei wipe out the Shadows when he returned to the island. As Sou and Shinpei weep over what they witnessed, Shadow Shiori suddenly grabs Shin’s arm and transforms into Haine, who promises he won’t escape her next time.

Shadow Ushio switches of the recording so she, Shin and Sou are back in the present, but Shin now has a sinister black mark on his arm where Haine touched him, proving that it wasn’t just part of the recording, and that Haine is apparently capable of transcending time and space like he can.

That adds an extra layer of difficulty and dread to Shinpei’s task, but the recordings he and Sou watched proved one thing: Shadow Ushio is indeed their ally, and they need all the allies they can get against an increasingly menacing enemy.

Summertime Render – 08 – Curry Rhythm

Shinpei finds himself in a similar situation as Akari in Virgin Road—his loops aren’t as repetitive as he expected. New and unexpected things are happening, which means the utility of his foreknowledge (beyond broad strokes) is limited. Rather than meet Ushio the day of the festival by the water, they reunite right there in his kitchen. Not only that, Ushio knows that something terrible will happen on the 24th.

Perhaps whatever of the original Ushio is in this Shadow was drawn to his curry, but the why doesn’t matter; she’s there. At first, Shinpei follows Minakata’s advice, and even prepares to kill “it” when Ushio is wide open. But he can’t, because even though her shadow tickles when he touches it, this Shadow also happens to be Ushio Reincarnate.

There’s no hint of malice in this Ushio…until of course her swimsuit disappears, giving Shinpei a peek of the Full Ushy. Shinpei trusts this Ushio, who also wants to protect their family and friends like the original would. That means keeping her secret from Mio, though how Mio doensn’t hear her hollerin’ from the next prefecture I don’t know.

The first Mio to peek in is the real one, but the second is Shadow Mio, switching up her game by entering the Kofune household for the first time. She goes straight for Shin’s heart, but Ushio comes between them, sacrificing herself to save Shin for the second time in as many encounters. Nezu then manages to blow Shadow Mio’s head off from outside with a sniper rifle.

Shinpei uses that moment to stab Mio’s shadow, but before she vanishes she still tries to convince Shinpei that he killed the real Mio, demonstrating again how one can’t trust a Shadow for a moment, because that moment might be your last. Even so, Ushio is different—Shadow Mio even considers her a traitor—and when Hizuru in Ryunosuke Mode comes in to kill her, Shin shields her.

Hizuru naturally assumed Shinpei has fallen for a Shadow’s tricks, and they have no reason not to. And yet, even she has to admit there’s something different about her. Not only that, she has to credit Ushio in some form with bringing her to the island in the first place. She still has the recording telling her to go back, find Shinpei, and save everyone.

That said, Hizuru still isn’t ready to trust Ushio quite yet—she only just barely trusts Shinpei—lest the evil Shadows either “fix” Ushio (by making her evil like them) or use her like a conduit to foil her plans to rescue the island and kill her. Before they part for the night and possibly longer, Shinpei tells her not to die, like she did the first time they met on the island.

The next day, Shinpei recruits another person he can trust—Sou, whom Ushio surprises by popping up behind him in a disguise. Sou’s reaction is only the latest in a long sequence of excellent contorted faces that are this episode’s specialty. Sou is a self-pitying mess, but Ushio literally kicks him out of it, telling him that they don’t have a use for crybabies in their quest to save everyone from the Shadows.

Whatever he regrets, he can make up for it now. Can these crafty kids, with help from an author and hunter, prevent that future calamity at the festival? Judging from this series’ two-cour run, perhaps not at first. More loops are almost assured, but Shinpei has already made progress. Perhaps he and his friends will make a little more before Return By Death kicks in again.

Rating: 4/5 Stars

Summertime Render – 07 – Tools of the Trade

Deciding to tentatively trust Shinpe, Hizuru and Nezu fill him in on some details about the Shadows. For one thing, if you destroy a Shadow, like Hizuru just did with Alan’s, the Shadow can’t come back, and you can never be copied again. Hizuru’s brother was killed by one fourteen years ago, but a part of him lives on…as the second of her two personalities. When she puts her hair up, Ryuunosuke comes out.

That means it’s game time. The Kobayakawa’s are her target. Her old friend welcomes her in warmly, but Ryuunosuke takes a sledgehammer to her face. Then the monsters show their faces, and while her parents are relative pushovers, Shiori proves to be the toughest of the three. Ryuunosuke has to stab himself with chopsticks to injure her, but she manages to dodge fatal sledge strikes and slithers out a window.

Nezu is ready for her outside with “Plan B”—a nailgun—but he’s unable to get three consecutive nails into her Shadow, which is key to pinning her down. Shinpei proves to be an indispensable member of the party by tackling Shiroi when she tries to give them the slip. Nezu pins her, and Kugimiya Rie gets to chew some scenery as Evil Shiori until Ryuunosuke has had enough and finishes her off.

Later, Ryuu tells Shinpei that he’s not the author of the two, but he does come out when his sister is forced to deal with things she doesn’t like: interviews, meetings, and killin’ Shadows. Hizuru regains control by punching herself in the face. Shinpei now has one quirky ally, but you can’t say she—or rather they—aren’t capable.

The next task is to try to deal with Shadow Mio, whom Shinpei knows will stand outside his house at 9. When he heads in, for a moment he thinks Shadow Mio is already there, but it’s just regular Mio, trying and failing to cook for him. It’s a pretty great fakeout.

I was almost yelling at Shinpei to not let Mio out of his sight, but thankfully the episode had a different cliffhanger in mind: that of the Ushio variety, as she suddenly appears with a growling tummy when he starts sautéing some onions. We know Ushio is a Shadow—Shiori admits to killing the original—but we also know that she acts just like Ushio without a hint of malice, so her arrival isn’t necessarily a bad thing.

Rating: 4/5 Stars

Summertime Render – 06 – The Kobayakawas Were Dead to Begin With

Much of the episode’s first half takes place through the eyes of Nagumo Ryuunosuke, AKA Minakata Hizuru. When she watches Mio send herself and Shin into the sea, and wonders if this “Shin” is Ajiro Shinpei. She attends the funeral, meets old friends, and we learn she frequented the Kofune diner as a middle schooler, before Shinpei was taken in by Alan. She was also friends with Shiori’s mother Asako, whom she learns is a Shadow when her shadow moves to avoid Hizuru’s feet.

Hizuru can’t trust anyone on this island…anyone, that is, except Nezu, whom she seems to trust implicitly. Not only does she invert herself in his presence, she even cries. She uses Nezu as a sounding board, reporting that the entire Kobayakawa family has been killed and replaced by Shadows, and that Ushio drowned because a Shadow attacked her. There’s a Shadow that can make other Shadows, and it’s been busy. How Hizuru and Nezu intend to end its free reign remains to be seen.

That brings us to Shinpei, who tries to act normally, but still warns Shiori about Shadows, inviting the suspicion of her parents. In one of the creepier moments in an episode full of creepy moments (what with all the body-snatching) and ant creates and ant-sized hole as it crawls across Shiroi’s parents’ shadows. Then Alan gives Shinpei a note written in a seemingly indecipherable code…unless you happen to be a fan of Nagumi-sensei’s work.

We see Shadow Mio create a Shadow Alan, who tries to replace the real Alan when he goes to the bathroom. However, Hizuru is already waiting for it, and smashes Shadow Alan’s shadow with a sledgehammer, thus destroying it. But it’s a hollow victory; so many lives have been taken already, and so many more hang in the balance. Hizuru and Nezu wont’ be enough … especially if neither of them can travel through time.

Enter Shinpei, who cracks the code and calls the number for Hizuru’s second phone, which she gave to Nezu. Nezu makes sure Shinpei isn’t a Shadow by getting him to stand in a certain place, then shoots his shadow with his sniper rifle. Once that’s settled, he takes him to Hizuru, and Shinpei immediately asks for Nagumo-sensei’s autograph.

Of course, Hizuru knows for a fact that no one but Nezu knows that she’s Nagumi-sensei, which means the only way Shinpei knows is because he’s lived July 22nd before, likely multiple times. When she tells Shinpei this, he can’t help but tear up in relief: somebody knows and believeswhat’s happening to him. Someone who can help him save Mio and the island.

Rating: 4/5 Stars

Summertime Render – 05 – Now She Rises

The bespectacled lady with the shotgun manages to save Shinpei’s life (and her own) not by shooting Shadow Mio, but by shooting her shadow, which is its true form. Shadow Mio glitches out, allowing the lady to set his broken arm, introduce herself as Nagumo Ryuunosuke—the same name as a novelist Shin reads—and deliver some exposition.

Basically, Nagumo lifts most of the mystery of how the shadows operate: they scan humans with light, absorb their information, and feed on human data. The two of them are only survived by staying out of sight, and can discern even a shadow that’s a really good actor by stepping on their shadow, which will cause said shadow to move on its own.

Nagumo was sent to this island to save Shinpei, and seems to be doing it out of obligation for her sister. But after what happens when the two ascend the steps to the shrine grounds, Shin might just wish Nagumo had let Shadow Mio kill him. The shadows have amassed and have made a mountain of corpses out of the festival goers. Shin arrives just in time to watch both Toki and Sou get stabbed in the back of the skull.

When Nagumo shoots Shadow Sou’s arms off before he can kill the real Mio (who was being shielded by the real Sou, which, after hearing his confession and rejecting him…goddamn) but the “lead” shadow, a four-armed humanoid made of black goo, instantly copies her form and her shotgun and shoots back. Nagumo avoids the killshot, but is still gravely wounded.

The lead shadow reaches out with a stretchy arm and restrains Shin, noticing that he bears the eye of the shadows’ “mother”, enabling him to control time. But while Shin possesses the power to reset the game here and now at the moment of his defeat, what if the boss (in this case, the lead shadow) is not only aware that there’s a reset button, but that it’s attached to a console he can simply cut the power to?

We learn that the pile of corpses, and indeed every living soul on the island that is gradually swallowed up by waves of black and blue ooze, are all an offering, a meal for the shadows’ mother, Haine. A scientist at the Hishigata Clinic observes what’s happening and concludes that Haine managed to awaken by devouring a thousand human lives. Something tells me that’s just an appetizer, as shadows can reach out into the water…

The bottom line is, everything is super fuckity-fuck-fucked in this go-around. It’s a wash; by far the worst of the bad endings Shin has experienced so far, and reminds me of the things-can-and-will-always-get-worse progression of Subaru’s loops in Re:Zero. But the option to reset still exists, in the form of the dying Nagumo’s last shotgun shell.

Ushio, who it’s clear is unique among shadows in not being evil or wanting any part of helping Haine rise, punches the lead shadow in the fact, giving Nagumo time to shoot Shin in the head. She promises to save him next time no matter what if he finds her and tells her his name.

In the interstitial plane between the previous loop and a new one, Ushio can now see and hear Ushio clearly. She embraces him from behind and warns him to be careful, for his ability to reset has a limit. Shin figures out what that is soon after resetting: his start point keeps moving further forward in time, locking what came before in stone.

In this loop he has three days, but if he fails too many times, he won’t have the time he needs to save everyone, if he can, and will eventually reset to a time after everything is fucked. Meanwhile, we learn Shadow Ushio (if that’s what she even is) washes up the same day he arrives, meaning she could theoretically go to her own funeral, Huck Finn-style.

Summertime Render – 04 – Ushio Deux

Last week Shinpei encountered Ushio on the beach, dramatically backlit by the festival fireworks. But it’s only this week that she says anything, and actually tackles Shinpei. Nagase Anna has such a refreshing voice that’s perfect for Ushio: crisp, clear, and full of exuberance.

Considering his previous encounters with doppelgangers of people he knows, Shin is understandably weary, as this Ushio must be a shadow. But she’s different from the others. For one thing, she’s not evil. For another, she doesn’t know she’s a shadow (or what a shadow is). As far as she’s concerned, she’s just Ushio. She wished for Shin to return, and he did, so she wastes no time confessing to him.

Shin still doesn’t fully trust this Ushio, but she’s talking and acting so much like Ushio, it’s a complete trip. When she runs off and joins the festival—still in her swimsuit—he chases her down, takes her to a quiet storage area and insists she stay put, lest someone see her and wig out. Incidentally, the only person we see spot her is Shadow Mio.

Shinpei gets back to the gang in time to join Tokiko in witnesseing Seidou totally crashing and burning in his sudden confession to Mio. Tokiko knows full well who Mio really loves, and that her brother is doomed to fail. Mio friendzones Seidou so fast his head spins.

That’s when he’s comforted…not by Shin or Toki, but but someone wearing a magical girl mask. Everyone instantly recognizes Ushio’s voice, and thus she’s found out even faster than Seidou was rejected by Mio. But when Mio sees Ushio, she naturally wigs out…because this Ushio is a monster…or is she?

For the moment, no; Ushio remains a compelling enigma: a shadow somehow gone wrong. When Shin first takes hold of her, I assumed he was going to scold her or lead her back to her hiding spot. But then he grabs her so hard it hurts her, and even causes her to bleed, and that’s when the shoe drops: this isn’t Shinpei.

But wait, when Shin returned, Mio said the code word and he gave the right response, right? Right; but as we see, Shin is jumped by Shadow Mio on his way back to his friends, and Shadow Shin updates his memories. Not only does he know his code with Mio, but now the shadows know he’s experiencing time loops. Shadow Shin’s solution to that? Don’t kill him…at least not until “everything is done”.

Shadow Mio obeys Shadow Shin, who heads to Shin’s friends. Regular Shin may be badly hurt, but even when Mio breaks his arm, he keeps trying to crawl to the real Mio to keep his promise to protect her. Shadow Mio is about to break his leg as well when her head is blown off by two shotgun blasts from none other than the woman on the Ferry.

The engaging mystery of “New Ushio” and her lived-in rapport with Shin combined with the added suspense and peril of the evil shadows and one hell of a switcheroo return Summertime Render to rare rating air.

Summertime Render – 03 – Mesopotamian Culture

Having watched footage of her own shadow on Shin’s phone, Mio believes the next step should be to help Kobayakawa Shiori. But when Shin goes to Shiori’s house, he finds only piles of black powder where Shiori’s parents once were, and deduces that the Shiori he saw at the funeral was actually her shadow, and the real Shiori is really dead.

After unsuccessful attempts to locate the woman in glasses from the ferry, Shin is heartened that at least the island cop Tetsu survived in this loop. He tells Shin and Mio that a detective from the mainland is on his way to investigate, and also gives Shin Ushio’s phone, saying she said he’d know what to do if he got it…but Shin can’t unlock it.

Shin shares everything he knows so far with his old friend Sou, who believes that since the shadows can be photographed, they are real and thus can be killed like normal people (might be a stretch). Mio thinks they should go to Hiruko (like the previous loop) for answers, but knowing what became of Mio there (being killed by her shadow) Shin hesitates at this suggestion.

After getting caught in the rain together, Mio gives Shin Ushio’s shell necklace, just like the previous loop, saying she wishes he’d stay on the island forever. Later, Sou shows up at Shin’s with both Mio and their mutual friend Yukiko in yukata for the annual island festival, which they attend together.

While there, Shin deduces that Sou is harboring a crush on Mio, while Toki asks Shin flat-out about his feelings for Mio. He responds that he of course cares or her…as family. That answer doesn’t seem to make Mio particularly happy, but Shin is distracted by the sudden sight of what looks like Ushio in the festival crowd.

His pursuit leads him to the beach, where he sees an apparent ghost—or possibly the shadow—of Ushio, backlit by the festival fireworks. Shinpei may have survived this loop—so far—but while it has resulted in some answers, a lot more questions have surfaced. At least he’s not alone in being aware of the general situation…but what’s up with this Ushio on the beach, and how can he be certain at this point that his friends Sou and Toki aren’t shadows?

While I’m enjoying the atmosphere and sense of dread lurking just beyond the corner, and the fact Shin and Mio survive to the end of the episode having learned more about the situation, this episode lacked the punch and the drive of the earlier two episodes, and featured some iffy animation to boot. I’m hoping for a rebound next week with the arrival of “Ushio”.

Summertime Render – 02 – Taking a Step Back

At night I’m driving in your car
Pretending that we’ll leave this town
We’re watching all the street lights fade
And now you’re just a stranger’s dream
I took your picture from the frame
And now you’re nothing like you seem
Your shadow fell like last night’s rain…
—”Shadow”, Chromatics

After he is brutally murdered by an evil copy of his adoptive sister Mio, Shin ends up back on the boat to Hitogashima, in the warm embrace of the bespectacled woman’s bosom. Back on July 22nd. The day repeats itself much the way it did before, with Mio ending up in the ocean. This time, Shin notices that her brakes were cut—likely intentionally.

After the funeral and dinner unfold much as they did the first time, Shin switches things up by staking out the front of the Kofune household. He witnesses Mio’s copy killing the cop Totsumura, then getting a glimpse of the shadowy alien/whatever that then assumes Totsumura’s form.

Thus the Totsumura we saw in the diner last week wasn’t Totsumura at all. Unfortunately, Mio spots Shin hiding, then kills him in gruesome fashion. But now we know: Mio’s copy tried to kill her by cutting her brakes, and these evil copies have plans.

…But yet again, Shin doesn’t die, and even observes his dead self before his Return by Death-style resurrection repeats. In the in-between space/time between loops, Shin both hears the voice and feels the embrace of his sister Ushio, urging him to protect Mio.

Back on the dock on July 22nd, Shin follows Ushio’s edict, putting himself between Mio and the sea to prevent her from falling ino the drink. Like Subaru, he is trying to take a long view of the situation and understand as much as he can while also trying to change enough to prevent further tragedy from befalling his family.

Meanwhile, the bespectacled lady is recording a message for someone we know not whom while inverted on a tree branch so she can maximize blood flow to her brain. Both of these odd practices and her dark suit reminded me of Agent Cooper from Twin Peaks, and indeed, the talk of “shadows” led me to go back and watch the closing minutes of the second episode of Twin Peaks’  third season, when Chromatics performs “Shadow.”

It occurs to me there’s a distinct Twin Peaks-y vibe to Summertime Render, in that an isolated, seemingly idyllic community is suddenly beset by an unspeakable, inscrutable evil force that can take the form of its inhabitants, like Ushio and Mio. Perhaps this lady was sent here to investigate.

Unfortunately, in the first loop she is killed by said evil copy of Mio. But with each loop Shin learns more and takes measures to keep both Mio and himself safe. He deletes most of the data on his phone and hooks it up to an external battery in order to record the copy of Mio outside the house without actually being outside the house, then makes sure Mio is safe by barging in on her while she’s bathing.

Smacking him with the shower wand seems to be adequate punishment, since Mio doesn’t hold a grudge against Shin the next morning when he comes in to present her with footage of her own shadow. Knowing that an evil copy of her is roaming around, and that she and Ushio both saw a copy of Ushio, it’s pretty easy to deduce that Ushio’s copy may well have murdered Ushio.

At least for the moment, Ushio seems dead for good, as Shin can only reset back to the day he arrived on the island, which was well after she died. Can he, Mio, and Dahlia Cooper collaborate to neutralize the shadow threat? Perhaps, but I imagine it will take a few more loops—and unfortunate murders—to pull that off.

Summertime Render – 01 (First Impressions) – Beware the Shadows

After a suitably creepy dream that seems to set the tone, Summertime Render then suddenly seems to stumble, with Ajiro Shinpei waking up with his face all up in a woman’s chest. Soon after arriving on his home island for the first time in over two years, his little sister Mio flashes her shimapan as she flips into the water. So what are we doing here?

It was later in the episode that I realized—and even appreciated—the earlier moments of levity. That’s because much of the rest of the episode is simply dripping with grief, regret, sadness, and longing. Shinpei’s other sister Ushio is dead, and he’s here for the funeral. She died successfully saving a little girl from drowning. Her sudden loss casts a heavy pall over the entire island.

One of Shinpei’s friends, whose father is the island’s doctor, assures him that an actual full autopsy wasn’t performed, but that his dad was brought in to examine strangulation marks on Ushio’s neck. While her death was ruled an accident, those marks loom large. But not as large as seeing Mio—seemingly a different Mio—ominously standing outside her own home.

Inside, after a dinner of curry Shinpei made—which he said he’d make for Ushio again before leaving but never got to (he also leaves a serving at her empty place at the table) and the call from his friend, Mio embraces him and starts to bawl her eyes out, though promising they’re the last tears she’ll shed, not wanting to worry Ushio.

The next day, Shinpei, Mio, and their dad Alan start the process of moving forward and getting through their grief by keeping as busy as possible at the family diner. But a drunk customer makes a strange comment about a large-chested lady looking for Shinpei, while the island’s sole cop informally reports that the girl Ushio saved and her entire family have vanished from the island.

Mio is so upset by this she runs out of the diner, and Shinpei follows. When he finds her sitting against a wall covered in shadow, she tells him that she and Ushio saw a double of Ushio, just as the little girl Ushio saved saw a double of herself. A passing old hunter tells the kids the old story about a “shadow sickness” on the island that causes people to see their shadows.

Back in the old days, people with this affliction would be cleansed at the island’s shrine, so Shinpei and Mio head there, and Mio spots someone she thinks is the little girl Ushio saved in the woods. Instead, they find the large-chested woman gravely wounded by a gunshot. Before she can tell Shinpei who did it, she’s shot through the head…by Mio’s shadow, who then headshots Mio and then Shinpei.

Cut to black, then some static, and suddenly Shinpei is back on the boat, with his face in the woman’s chest. So we have Groundhog Day with murderous doppelgangers on a sleepy island cloaked in dark old legends and mysteries. I’m in. From the depths of grief and loss to a violent bloodbath, Rendering escalates quickly and ends with an exclamation point of a reset button. However many times that button gets pressed, I’ll be here to watch what unfolds.

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