Summertime Render – 14 – Trouble Out of the Gate

As Shinpei and Ushio continue to watch Hizuru’s past interactions with Haine unfold, it’s clear Haine was not always evil incarnate, but more of a timid, frightened little girl Hizuru just couldn’t let be. Haine’s story of how the rest of her family starved is probably a big part of that; no doubt Hiruko inherited that story from the host body.

But the more Hizuru fed her, the more hungry Haine became, and she could no longer control herself. Hiruko’s instinctive drive to devour took over just as Ryuunosuke encountered a bloody Haine while looking for his twin sister. This is the day Ryuunosuke died, then in short order became a part of Hizuru.

Hizuru’s split personality wasn’t due to emotional trauma, it was an actual thing that happened as a result of Ryuunosuke’s copy bouncing off Haine (who is momentarily her former, innocent self) and imprinting onto Hizuru. Ryuu has powers similar to Ushio in the present, but by using them in his sisters body he puts immense strain on that body.

That said, he manages to kill two shadow babies and rescue Hizuru and a younger (but still old) Nezu. But Hizuru couldn’t do anything about the loss of her brother’s body, and her family soon moves off the island, much to Asako’s distress. As her boat departed, Hizuru spotted Haine wearing a patch where her right eye had been, promising the next time they meet she’ll kill her.

The memory ends abruptly, and Shinpei and Ushio end up back with Hizuru and Nezu about to confront Shiori. Ushio uses her memory transfer ability to bring the two up to speed, and they decide to regroup for now. Shinpei has Mio, Sou, Tokiko, and Tetsu meet him, Ushio, and Hizuru at the school, where he gives a speech about not wanting to run away, but to stand and fight…and for that he’ll need all their help.

Now knowing what awaits her by dutifully continuing her family’s practice of aiding Hiruko (betrayal and grisly death) even Tokiko agrees to help fight, leaving the cowardly holdout Tetsu no choice but to also agree. Nezu, keeping watch outside, ends up like Muldoon in Jurassic Park when he looks the wrong way at the wrong time and a “clever girl” kills him.

Just as Shinpei’s new plan is about to commence with everyone filled in and on board, there’s a flash and he loops back to when he was making sandwiches in the kitchen of his house. Clearly, one of Shiori, Shadow Mio or Shide (the four-armed one, embodiment of greed) killed him with Nezu’s sniper rifle. Shiori has realized that the starting points of Shinpei’s loops are getting later and later, so the faster she and her ilk make Shinpei die and loop, the faster he’ll run out of time.

That said, his starting point here is getting very late indeed with most of a second cour left; surely something in his favor has to happen soon. That is, unless, perhaps, reaching that point where there’s no time left is his natural next step on his journey…

Princess Connect! Re:Dive – S2 05 – The Princess Is in THIS Castle

I dove into into PriConne’s second season expecting a feast for the eyes as well as for the heart with its lovely slice-of-life lighthearted comedy with a formidable budget. What I was not prepared for was the sheer scope and scale of this season. We’re only five episodes in, but this could have been a penultimate episode or even a season finale!

Peco has been teleported to Landosol by the big bad—whose name I don’t believe has crossed anyone’s lips thus far, but is known as Kaiser Insight—to be “assessed”. Peco is defiant and doesn’t show fear, but the bottom line is Kaiser took everything from her, and has been letting her soul “ripen” to maximum despair.

While that happens, the battle continues without Peco, and Kasumi and Yuuki discover that the Shadows and the golem are headed in Kiiri’s direction. After saving her, Kiiri is gung-ho about being Kasui’s assistant; one on the fast track to being a fellow great detective.

While the others stand by as the shadow army pivots, Karyl stands atop a bluff, knowing full well what just happened: Kaiser teleported Peco away. There’s so much emotion in this little scene, as Karyl struggles with worry over Peco and guilt over the means by which she’s been taken. It’s not like she could have crossed Kaiser, but she still feels awful about doing it.

Kasumi, Yuuki and Kokkoro quickly come up with a plan to use Kiiri as a lure so the golem and army will end up in a lake to be defeated. Kokkoro even has the leaf glider she can now conjure all gassed up, but they hit a sudden and heartbreaking snag: Kiiri, a copy of Kasumi without a soul of her own and thus an anomaly, is erased by the self-correcting systems of the world.

I have to hand it to PriConne, which is no stranger to quickly introducing characters, but it was able to wring a lot more pathos out of me than I’d have thought with the death scene of a character who had just been introduced last week. Now I know why they didn’t cast Minase Inori as Yuni the scholar; instead she does yoeman’s work as both Kasumi and Kiiri.

Kiiri’s erasure from the world leads to Yuuki remembering a previous life he lived with Peco, Karyl and Kokkoro, before being killed in battle protecting Peco. At that point he is sent…somewhere where Ames and Labyrista give him a choice: return to the hopeless battle from whence he came, or “cast his eyes downward and start anew”, re-building his bonds from scratch.

It’s at this point when I remind readers I’ve never played the source game and have no idea how much of this expansive story comes from that and how much is original, or even how deep it goes. Yet I don’t really mind that sometimes I’m lost, because it just means I have to use my brain to fill in the blanks. With a show that looks this good with characters this lovable, that’s not a chore at all.

You could say Yuuki and Peco have experienced similar fates: both lost everything, but are absolutely defiant and determined to get it all back. Kaiser thinks she’s won when she gets Peco to make a despairing face over the prospect of being forgotten again. But it will take a hell of a lot more hardship and despair for Peco to give up.

Obliterating the gaggle of Shadows Kaiser sicced on her, Peco invites Kaiser to share a meal so she can understand her better. Kaiser declines, but Peco reminds her she’s no longer just Princess Eustania of Landosol; she’s also Pecorine of the Gourmet Guild. Kaiser concludes that Peco still isn’t quite “ripe” enough and teleports her back to the battle…but not before vowing to take everything Peco has left.

Back on the scene and falling from the sky, everyone revels in Peco’s return, and Yuuki powers her up so she can deliver the mother of all Princess Strikes, defeating the golem and the army in one beautifully-animated explosion that really packs a punch. It’s Gurren Lagann-level coup-de-grace, and it reminds us just how determined and capable Peco is of following through on her promise to get everything that’s been taken from her back.

Once the dust clears, the search for Peco among the golem rubble and rent earth commences. It’s very fitting that the first one to spot her is Karyl, who cannot hide the fact that her worrying about Peco brought tears to her eyes. When Peco sees those tears, she gets emotional too, and simply says “I’m home” and “I’m starving.”

Some rubble gives way, and Karyl slides right into Peco’s waiting embrace. She calls Peco a dummy like usual, but also says “welcome home.” She’s not talking about their cozy cottage, either: for Karyl, home is wherever the people you love happen to be. Kaiser may have sworn to destroy that home, but as long as the Gourmet Guild are together—and flanked by all manner of colorful allies—she’ll have a hard time fulfilling that pledge.

Vanitas no Carte – 14 – Nu au Coin du Feu

Jeanne’s complex relationship with Vanitas gains a new layer as she rescues him from dying of exposure, finds a cabin, and orders him to disrobe. The two sit by the fire together, naked under a blanket. While she’s most often disgusted by his usual arrogance and terseness, she can’t help but find this vulnerable side of him refreshing…even cute.

On the surface, nothing she does for Vanitas is with romantic or amorous intent—even feeding him water with her mouth—she’s just helping to save someone who helped her. But it’s impossible to ignore their history together thus far—all their scenes here are sexy as hell. Vanitas even tells her that they want different things: he wants to save the Beast and she’s been ordered to execute it.

That makes them foes in this enterprise, and she’d be better off letting him die. Of course, Jeanne isn’t going to do that. Instead, she tells Vanitas why she feels responsible not just for getting Vanita’s wounded by a poisoned blade, but for the whole Beast of Gevaudan affair. When she was a little girl, she met the vampire Chloé d’Apchier while left in the care of the Marquis d’Aphcier. Chloé was like a big sister and Jeanne loved her, but that no longer matters: she’s killed scores of people, and must now answer for it.

The reason Jeanne is here is that she failed the first time, but Ruthven gave her a second (and probably last) chance to do it. The next morning, when Jeanne is far more flustered than the fully-recovered Vanitas by the previous evening’s activities, she finds him speaking with Johan, and eventually Dante shows up as well. After threatening both Dhams to tell him everything about this Beast situation, he bids the four of them make haste to the castle to retrieve Noé.

Vanitas is right to worry—Noé wakes up in an unfamiliar bed with the tiny vampire lying on top of him sucking his blood. Despite Chloé being tiny, Noé is so weakened from the battle that he can barely move, leaving him completely at her mercy. If she wants another taste of his blood (and the memories it reveals—though that’s not touched upon here), there’s nothing stopping her…

Except for her attendant, Jean-Jacques, who scolds her for sucking someone’s blood without their consent while also expressing deep loathing for the owner of the other neck she bit. That said, JJ presents Noé with a safe-and-sound Murr and his freshly cleaned and mended clothes. When Noé meets Chloé and JJ in the banquet hall, they’re accompanied by a troupe of musical automatons…along with Naenia.

It addition to being its usual sexy self, this episode of Vanitas added texture to what had initially been labeled a simple mission of kill-or-save the Beast. Chloé is an intriguing potential antagonist, but despite her apparent alliance to Naenia doesn’t come off as pure evil; she was kind to Jeanne, after all.

Instead, as is typical of ancient vampires, she seems to float over everything and everyone, seeking nothing but entertainment and satisfaction out of this scenario…a balm for the ennui of the centuries.

Vanitas no Carte – 13 – La Bataille D’Argent

I did not watch the Episode 12.5 recap of the first twelve episodes, instead catching up by reading my write-up of Episode 12…only to find it full of typos and grammatical errors! I do apologize for that; it’s all fixed up now.

It’s now Winter where I live, and freezing more often than not, so it’s only appropriate for Gévaudan to be cold as well when Vanitas and Noé arrive—with Dante and Johann tagging along. As is his wont, Noé gets separated from the others in the deep Silver Woods. Then, quite suddenly, the forest becomes a winter wonderland.

When Vanitas and the others spot vintage dragoons hunting the great beast (well, trying to anyway), he deduces that time has somehow rewound to the 18th century, when the King sent his best soldiers in to take care of the storied wolf. Unfortunately for those soldiers, they’re in the way of the Chasseur and Garnet Paladin Astolfo Granatum, who unlike Roland seems to be a bit of a sadist, and doesn’t consder it his job to protect humans, only hunt vampires like Noé. He’s not bad, either, as Noé isn’t fast enough to avoid getting cut.

Their duel is interrupted by the great wolf itself, and it’s not long before Jeanne shows up out of nowhere to battle the beast. Vanitas wants to save the Curse-Bearer who is in the form of the wolf. If Jeanne kills it, that won’t be possible. The thing is, Jeanne doesn’t care. She’s a bourreau, and considers it her job to destroy curse-bearers and eliminate the threat they pose—nothing more or less.

Once Vanitas and Noé reunite, Vanitas can tell that Noé was holding back in his fight with Astolfo for whatever reason. Vanitas in turn employs his inimitable gift for shit-talking by getting Astolfo extremely pissed off, and thus not at his sharpest. You have all the skills and talent in the world, but if you’re off-balance emotionally you won’t be able to fully summon those gifts.

Jeanne continues to battle the wolf, calling her “Chloé” and trying to get a dialogue going. When that fails, she re-commits to destroying the wolf. When she’s stopped by Noé, she warns the lad that if he gets in her way she’ll kill him too. That’s when Charlatan’s Naenia, who felt left out, shows up and creates an illusory world around everyone.

Some, like Astolfo, are unable to fight against the illusions and madly lashes out at Jeanne. But others, like Vanitas, can keep their heads, and he comes between Astolfo and Jeanne, paying back the favor when she saved him earlier. Sick of Naenia’s games, he whips out his titular Karte, only for someone to snap its chain, separating the book from its owner.

When the diamond dust settles, some dude with unkempt dark hair picks up the book, with Vanitas nowhere in sight. The man walks over to the silver-haired woman with azure eyes we caught a glimpse of back in episode 12; the Chloé Jeanne spoke of. Clearly she’s the Woods Witch referred to several times earlier in the episode, and if taking the Karte from Vanitas was the plan all along, then it went off without a hitch!

It’s a hell of a stirring start, introducing a new wintry woodsy setting, new characters, and big new stakes. All the while, the killer directive programmed into Noé looms over everything. Also, while I fully expected the OP and ED to not live up to their Part 1 predecessors, I’m please to report they both slap just as much! Vanitas no Karte hasn’t skipped a beat.

Mieruko-chan – 10 – One More Time

The show delivers one of its creepiest scenes yet without showing a single ghost or ghoul…just creepy-ass Toono Zen, cracking open the door of his pitch-black apartment surrounded by crows, accepting some leftovers from a kindly lady with some suspicious blood on his hand. He retreats back inside when talk turns to the recent maiming of cats in the neighborhood.

How such a guy was able to get a job subbing at a girl’s high school is beyond me, but a lot of the class finds him hot. Naturally, this doesn’t include Miko, who now has to constantly see those tortured cat ghouls writhe around Toono, who looks on the surface like he’s not aware of their presence, but at the same time could simply be hiding the fact he’s aware of them…just as Miko tries to do.

One side-effect of their new substitute teacher and his ghoulish kitty entourage started out as a joke, but is now starting to become worrying: Hana just can’t stop eating. She even inadvertently bails Miko out of a very sticky situation with Toono and the ghouls when they to to the nurse’s office. Yulia sees them go in, and immediately correctly diagnoses the problem: Hana’s aura is being drained by the spirits surrounding Toono.

That Yulia knows this could prove crucial to Miko and Hana in the days ahead, but there are two problems: Hana has no idea what Yulia is talking about, Miko does know but is still apprehensive about talking about it, and Yulia thinks Miko is out to get her. To Miko’s point, ghouls can pop up anywhere at anytime; there’s no safe time or place to talk about them, as evidenced in a “peaceful” park where one cute kid transforms into a ghoul and has to be destroyed by Miko’s guardian spirits.

But that marks the second of three times they’ve helped Miko; the third time will be their last, adding one more lump in her throat. The episode is bookended by two students accidentally interrupting their teacher Toono’s seemingly nightly cat-hunting mission. Here I thought the show was going to try to humanize him a bit at some point, but nope, looks like he’s pure evil.

The forces of evil seem to be amassing around Miko, Hana, and Yulia. With only one guardian intervention left to count on, it may be time for Miko to drop her guard and converse with Yulia about ways to protect themselves from the coming scourge…and prevent Hana from gorging herself.

Vanitas no Carte – 12 (Fin) – The Beast Lives

Vanitas and Jeanne end their bloody makeout session, neaten their clothes, and return to the streets, and when Vanitas asks why she was permitted to spend the day with him, it becomes immediately apparent that Jeanne was unknowingly serving to distract him while Ruthven helped himself to a Caffè Noé. Specifically, he keeps Noé alive so that one day, he can give him a command and he’ll obey it without question…even the command to slay Vanitas.

Roland may have lived his entire life believing that vampires were an enemy to be eliminated, but his encounter with Noé changed his mind about that, and we find him digging into books in a cozy little church library. His comrade Olivier warns him against digging too deep into forbidden topics, but then Roland warns Olivier that there isn’t really anyone who can stop him from discovering the truth. He can’t believe in things he knows not to be true.

Speaking of which, once Vanitas returns to the hotel to find Noé right where he left him, the two are visited by Dante with news: The Beast Lives. Specifically, the Beast of Gévaudan, a wolf-like abomination that slaughtered women and children in the Gévaudan region in the 18th century. It’s believed to be a curse-bearing vampire, so Vanitas is just the man to hunt the beast down.

While Vanitas and Dante chat, Noé is distracted by Vanita’s ridiculously sweet-smelling blood. Combined with his fatigue and hunger, he begins to ask if he could have but a small taste. Vanitas responds deadly seriously by promising Noé that if he ever tries to drink his blood (and therefore see the memories from his past), he’ll kill him. Daaaaamn.

This creates a friction between the two that lasts through the night until the next day, when the two head out to board the non-Mugem Train to Gévaudan. Noé apologizes, Vanitas half-jokingly offers to let him lap up any blood he spills (he can only read memories from blood straight out of the taps) and the two share an easy laugh. They thus make up just in time for a train ride that Noé is super excited about, the way a kid—or me—would be about such a train! Trains are awesome.

After the credits, we get a lovely but ominous birds-eye view of a snowy landscape not too dissimilar from the countless wintry vistas we were treated to in Golden Kamuy. Only here there be not bears nor naked Russians: but Charlatan’s apparent Boss: an ethereally beautiful lass with silver hair and piercing azure eyes poetically declaring how she’ll “make my song of vengeance echo across the land”. My guess? She’s the Beast!

While there were some nice tense scenes between Noé and Ruthven and Noé and Vanitas, and their little fight and make-up sequence was a subtle, quiet little marvel of character work, but I’m not gonna lie: not a lot actually happened this week. It was but table-setting for a feast that won’t take place until Winter 2022. But the dishes and silverware look great…just in time for a giant wolf to smash it all!

Meikyuu Black Company – 06 – Meteoric Rise, Temporary Escape

Ninomiya celebrates his promotion to the Demon Lord Army’s Western Invasion Force Director with a trip to a hot spring with Ranga and Rimu. He revels in the fact that at this pace of advancement he’ll soon be a board member who can meet the Demon Lord face-to-face, and possibly return to Japan.

Little do the three know that they’re under surveillance from a camera owned by one of the Three Ravens, high level corporate executives who feel threatened by Ninomiya. One is an old fart who’s always spitting and wearing out the phrase “kids these days”; one is a voluptuous meatheaded amazon, and one is a four-eyed calculating perv.

Knowing what we know about Ninomiya, Rimu, and Ranga, it was a foregone conclusion that their petty schemes would fail one by one, much like Wile E. Coyote is always defeated in his efforts to capture Road Runner. Meathead unleashes a giant worm which Rimu quickly deals with; the worm even joins Ninomiya’s team!

When it’s the old fart’s turn, he challenges Ninomiya to cultivate some barren land, which is easy thanks to giant worm tilling and Ranga’s growing magic. Finally, the four-eyed perv tries to take unconsensual photos of Ranga nude, only to be defeated by the revelation he’s a boy.

If the first half is all about Ninomiya continuing to rise due to his ability to assemble a powerful and talented team, the second half is all about one of its members: Ranga. In what is clearly a dream in the style of Alice in Wonderland, Ranga witnesses the drudgery of unending labor in the form of a group of rabbits turning a wheel to power the Queen’s fountain.

When he laments that she can’t get them more tolerable hours or paid time off, he suddenly shrinks to a tiny size. While escaping the horde of evil rabbits (very Re:Zero-esque, that) he falls through a chute down into a massive underground…internet café.

If the rabbits toiling above ground represented one extreme of the labor spectrum, this café represents the other: all the mole people there have no goals other than repeating the same actions over and over again, calling into question whether life is even worth living.

From corporate grunts to NEETs, oppression and stagnation, Ranga finds himself trapped, both spiritually and physically (in a cage). His ancestor Belza, the Queen of this world, insists that he take her place by her side. That’s when the real Ninomiya stomps the White Rabbit Ninomiya and head-butts Ranga back into reality.

Apparently, the team was on a mission to defeat a Mobile Suit-like giant robot when it shot a strange beam into Ranga’s head, placing him in that dream prison that drew upon his own fears and insecurities. When he asks Ninomiya if always running away is bad, he tells him perhaps usually, but there’s always the useful phrase “strategic retreat”.

As long as Ranga’s overall goal hasn’t changed, he’s free to run away as many times as he needs to for the sake of future victory. Of course, Mobile Suit Gundam, the source of inspiration for their defeated mecha, was packed with those kinds of strategic retreats.

Defeating the mecha means Ninomiya can finally meet the Demon Lord…and she (or he) appears to be a Bahamut-like dragon in human form, like Rimu. Like Ranga last week, s/he asks Ninomiya to “save this world”. I know what he’ll probably say: Assuming he does, can he go home?

Meikyuu Black Company – 05 – The Rise of General Ninomiya

After a very nervy and fun fakeout in which Ninomiya dreams he’s back on Earth but Rimu followed him and is wreaking havoc on the city, he wakes up somewhere else entirely…or rather somewhen else. He was summoned to save humanity, who have been living in the underground town of Marcia for the last three centuries. This appeal is initially clumsily made by Marcia’s “Priestess”, Ranga (voiced with great verve by M·A·O), whom Ninomiya discovers is a boy…by grabbing his crotch.

This is obviously a despicable act, but not shocking considering it’s long since been established that Ninomiya is a slimebag. The “cute girl is really a boy” trope is also particularly outmoded and tone-deaf, especially for a show spouting progressive socioeconomic theories. It also isn’t dwelled on for too long, so I won’t either. Suffice it to say Ranga is determined to make his “Lord Messiah” fall for him—Why, I cannot say—but also is mainly on board so he can get to the surface; he can’t stand living underground.

When Ninomiya bristles at helping a bunch of needy losers, Marcia’s mayor Zazel pulls an old 9mm pistol on him, only for the gun to get chewed on by Rimu. Ninomiya, a constantly snacking Rimu, and Ranga travel across the surface by motorcycle. There, Ninomiya learns this isn’t a different world, but the same old Amuria, just in the future.

Raiza’ha Mining Corp. basically destroyed human civilization and made it ripe for conquest by the Demon Lord. Now the monsters rule the surface. Ranga directs the trio to what is “probably” the Demon Lord’s castle, but turns out to be home to the Demon Lord’s deputy assistant section chief, General Ant.

This ant turns out to be Ninomiya’s old friend and comrade Ant A, who treats them to a feast while he unburdens himself with the monsters’ current troubles. These are put into relief when one of the conquered humans bursts in complaining about the horrific conditions under which he works.

These conditions are, hilariously, the norm in both Japan and America: 8 hour days, only two days off (AKA the weekend), and a scam called insurance. While it’s a pretty on-the-nose critique of our present late-stage capitalist dystopia in which we live, there’s definitely something to plainly listing all the ways it sucks through the voice of someone acting like it sucks, rather than it being the norm.

Of course, this and many of the other humans aren’t aware that it could be much worse than the status quo; it could be like the state of Raiza’ha at the height of its power, when employees were treated like dispensable slaves. Seeing which way the wind is blowing and reunited with his good friend Ant A, Ninomiya decides to ditch the mission he was summoned for and join Team Demon Lord.

By employing more draconian labor practices upon the conquered surface humans while at the same time incentivizing rule-followers and hard-workers with the ability to boss other humans around, he quickly reorganizes the entire social structure of the human subclass, while increasing efficiency, output and earning favor with the big guy.

This results in Ninomiya returning to Marcia in a gaudy Captain Harlock outfit. As the Demon Lord’s newest deputy assistant section chief, General Ninomiya declares that he’s going to be running Marcia from now on. Flanked by Ant A, Cerberus, Rimu, and a Ranga who is simply going with the flow at this point, I’m not sure the underground humans have any choice but to submit, desperately short on supplies as they are.

At any rate, Ninomiya Kinji has once again climbed to the top of his situation by being nothing more or less than the asshole he is and always will be. We’ll see how long it lasts and what form his likely inevitable downfall takes.

Elfen Lied – 07 – Let’s Be Friends

It’s fitting that the seventh episode of Elfen Lied is all about #7, or Nana, back from the (near-)dead. Shichi is another way to say seven in Japanese, but because shi means “death”, nana is more commonly used. In western culture seven is considered lucky, yet Nana is unfortunate enough to immediately cross paths with Bando on the beach.

He has a few new anti-Diclonius tactics—social distancing(!) and harder bullets—but his new arm crumbles from his gun’s recoil, and their duel ends in a stalemate. When he learns they both consider Lucy an enemy, he tries to give her his number (the same one he wrote for Mayu) but she doesn’t know what a “number” is, so he gives up.

Mayu doesn’t know much of anything about the outside world, but she is hungry. She watches people exchange coins for crepes, but doesn’t realize the stacks of paper in her bag are hundreds of thousands of yen. It’s another scene that comments on the dearth of general kindness and empathy in this society, as the crepe guy tells her to buzz off and the other women comment on her clothes. No one asks if she’s okay.

Even if Dicloniï didn’t possess the potential for lethal mayhem, they’d be ostracized simply for looking different. Nana understands this is not her world and never will be, so she considers destroying it and making a new one where she does belong. But for the time being, that’s beyond her abilities, and she could settle for a meal.

Nana isn’t done with chance encounters, as #2 involves Wanta leading Mayu to the spot where Nana and Nyu fought, and finding Nana there, warming herself by a fire made from the money. Most people in this town might be assholes, but Mayu certainly isn’t, and has very recently been in Nana’s shoes: nowhere to go and unsure what to do.

Mayu notes that at least someone (Nana’s “dad”) cared enough about her. They agree to become friends, and Mayu notes how Nana and Nyu both have horns. That makes it the second episode in a row where Mayu has told someone something she couldn’t that puts Kouta, and Yuka in danger…not to mention herself.

Sure enough Mayu invites Nana to her house, where Nana has her third change encounter of the day: one with her self-appointed nemesis. Notably, she cannot sense Nyu’s presence the way she can sense Lucy’s; her personality shift to Nyu apparently has the effect of nullifying her Diclonius signature.

The second she spots Nyu, Nana goes into attack mode, shocking Kouta and Mayu. Will Mayu’s hastily forged friendship with Nana be enough to calm her? Will Lucy wake up and just make things worse? Whatever the case, it looks like it’s going to be another long night for everyone.

Sword Art Online: Alicization – 18 – The Sword That Cut Through Time

Bercouli Synthesis One isn’t like the other Integrity Knights have Eugeo and Kirito have faced to this point. He’s not in a rush to fight; he agrees not to kill since they didn’t kill his apprentice Fanatio; he calls Eugeo “shounen” rather than “boy-o”; he doesn’t look down on Eugeo or question his existence, or curse his sinfulness.

Yes, Bercouli is a “friendly opponent”, the guy who, inadvertently or not, seems to lull less focused opponents into a false sense of security with his casual, charming manner. But there’s no doubting the guy can bring it, thanks to his Time-Splitting Sword that was once the hand of an earlier Cathedral’s clock.

He’s also more than happy to explain how his move works…but not until he’s already used it and Eugeo has fallen victim to it. Eugeo sees that he can’t make this a close-range fight, but also knows Bercouli wants him to think long-range for his next attack.

Eugeo does indeed go long range—there’s no alternative—but when Bercouli stops and shatters his ice, Eugeo uses the shards to obscure the fact he’s tossed his sword away and made a false one, which also shatters. In Bercouli’s moment of wondering what’s going on, Eugeo releases his real sword from the ceiling, catches it, and stabs Bercouli with it in a smooth sequence of moves.

Kirito would be proud: it’s an Aincrad combo if ever there was one, not only making full use of the surroundings and anything else to gain an advantage, even if the opponent thinks it’s unfair or underhanded. For his part, Bercouli is amused and even impressed by the sheer audacity of someone throwing their sword away in the middle of a fight.

He’s in good spirits because the Eternal Ice didn’t finish him, and he starts to break out of his frigid binds, but Eugeo summons the second memory of his divine object: The Rose, which slowly drains both of their lives. The reason this isn’t suicide for Eugeo is that being a character near the peak of his maximum life, he’s confident that his life will outlast that of Bercouli, who was turned into an integrity knight much later in life.

Bercouli wonders what he’s talking about, miffed that Eugeo presumes to know anything about his past. That response in turn angers Eugeo, who hates how all of these Integrity Knights believe they’re divine beings summoned from the heavens by the Pontifex, when they’re really human beings; their mothers gave birth to them; they lived their own lives.

Even if most of the people in those lives don’t remember the knights, Bercouli is different because the heroic deeds of his life are immortalized in the oral tradition of Rulid Village. It’s as if, in his case, Administrator overlooked the potential means of her first knight recovering his lost memories and thus regaining his humanity.

This is all very good stuff, so it’s a little jarring for a new party to arrive on the scene quite suddenly, especially when that party is of the “goofy carnival clown/jester-class” disposition. Before The Rose fully takes Bercouli’s life, this asshole, one “Prime Senator Chudelkin”, rolls in like a ball, then scolds Bercouli for his “treasonous” act of not going all-out against Eugeo.

Bercouli bristles at this and asks Chudelkin to stay out of the affairs of swordsmen, to no avail. Chuddy puts Bercouli in a Deep Freeze—far deeper than even The Rose—after informing him that both he and Fanatio will be “reprocessed” by the Administrator in due time, and that they’ve found a new pawn to replace him…in Eugeo, calling for Kirito’s help before he freezes over.

That would have been a perfectly respectable, even boss way to end the episode, but SAO:A wasn’t done. We check in with Kirito and Alice resting on a ledge, waiting for more light to keep climbing. Kirito complains about being hungry, assuming Integrity Knights don’t, but he’s shown to be mistaken when Alice’s stomach grumbles.

At that point, he produces the buns Cardinal had given him, and prepares to toast them with a fire spell. Alice snatches them away, and uses a much more appropriate combination of water and air to properly steam the buns right there in her hand. She even jokes about eating them both before handing one to Kirito.

This may seem overly sweet and lightweight after such a comparatively heavy and serious end to Eugeo (which worked despite Chuddy’s horrid design) but I for one enjoyed it, since it’s likely next week won’t have any time for such moments. Kirito, impressed with Alice’s cooking skills, recalls that her little sister Selka is also so skilled, and Alice grabs him like he’d just delivered a grave insult.

She wants to know what he’s on about, and depending on how honest she judges his story, she might kill him on the spot. I had assumed they’d get right back to fighting as enemies once they reached the open floor, but with Eugeo now incapacitated and only Chuddy and Administrator herself left to face, that might not be the case.

It’s possible Alice believes Kirito’s story about her, the memory block is ejected from her head, and the two fight side by side to safe Eugeo and defeat Administrator. But hey, that’s just one possible route; I don’t possess a blade that cuts through time to the show’s future…AKA the LN.

Wotaku ni Koi wa Muzukashii – 11 (Fin) – What We Like Never Changes

We begin the finale of what is likely only the first of two (if not more) seasons of a solid Working!!-like anime that focuses on young working adults and their relationships, with Koyanagi and Kabakura in a kind of domestic bliss, just enjoying a day off reading manga and drinking tea as a couple.

Narumi wants that kind of normalcy in her partnership with Hirotaka, so she decides she’ll arrive at his house unannounced. Neither of the welcomes she comes up with in her head come to pass; instead she finds the door unlocked and Hirotaka all but passed out, exhausted and starving as a result of playing games and doing nothing else.

Before getting into a bickering match with Kabakura about BL and finally getting him to agree to try it out, Koyanagi has a phone chat with Narumi, who is in the act of doing “the girlfriend thing” of taking care of her man like his mother would have earlier in life. It’s an outmoded dynamic, but there is no doubt it is the norm in Japan, and America as well.

Narumi quickly learns that her boyfriend will walk around his apartment naked after bathing in search of a towel, and that even the few articles of food in the house were brought there by Naoya, who performs the girlfriend duties Narumi wants to do whenever he sleeps over.

Kou’s route with Naoya inches ever so slightly forward, with it seeming far more likely Nao is unaware she’s a girl than not; perhaps we’ll see more (slow, steady) progress there in sequels. Meanwhile, Narumi takes Hirotaka out on a mandatory walking “date,” before remembering that not only is her favorite seiyu on a variety show, but that she specifically wants to see it with Hirotaka.

In other words, she wants to share what she likes with the person she likes. Who doesn’t? Hirotaka then puts actual effort into his running in exchange for another girlfriend-cooked meal, just as Hirotaka wants to just Netflix and chill with her after dinner. A very chill ending to a show that I suspect has a lot more stories big and small to tell down the road.

Ushio to Tora – 05

It was only a matter of time before one of the characters from the OP we haven’t seen yet comes out of the woodwork, drawn out by Ushio and Tora’s very highly-televised appearance a couple weeks back, the fallout for which I’d been waiting for. This new character, Hyou the Exorcist, is probably the most interesting “monster”-of-the-week thus far, because he’s not merely pure evil, nor does he immediately target Ushio’s girlfriends. He’s a breath of horribly-scarred fresh air.

Hyou gave up his name and his old life after his family, most of that life, was viciously murdered by a demon, so he trained his mind and body towards avenging them. Hyou could only have gotten the slightest glimpse of the demon in the dark that tragic night years ago (with his one non-blood-filled eye), but the fuzzy image on the TV is enough to convince him that Tora is the culprit.

When he comes to Japan to kill Tora, he inevitably meets Ushio, whom he trusts is not his enemy because he wields the Beast Spear. That being said, Ushio is immediately conflicted by the situation before him. He can either tell Hyou the truth—Tora has been locked in a cellar for 500 years and couldn’t possibly have killed his wife and daughter—or simply let Hyou kill him, so he doesn’t have to do it.

Ushio decides on the latter, and Hyou begins to battle Tora fiercely while Ushio…washes dishes, not at all confident that the choice he made was the right one. At school the next day the girls immediately pick up on his quandary and the fact he’s not acting like himself. Mayuko imagining an imminent shouting match that doesn’t pan out is a nice way of showing how off he is.

Asako, showing how deep and strong their friendship goes, isn’t about to let him be. While Hyou is a great new introduction and his history is a sad one, but it’s the deepening of Asako’s character, who might feign dislike for Ushio most days but won’t hesitate to leap out and try to pull him out of his funk, that forms the emotional heart of the episode.

That heart is fully bared as Asako follows Ushio home at sundown, keeping her distance at first, then rushing and attacking him, hoping he’ll lash out and snap out of whatever is going on with him. Ushio isn’t about to hit her, funk or no, but Asako’s passion, concern, love, and physical blows do shift Ushio from his stasis, and inspire him to right the wrong he made. Komatsu Mikako really pulls out all of the stops for the multi-dimensional Asako.

Meanwhile, Hyou has been battling Tora for two days and two nights, and he’s on the brink of victory, which he believes will quell his boiling rage and give him peace. And it would have, had Ushio kept his mouth shut. But that ain’t how Ushio works. If it’s within his power to correct an injustice, he must act, much like the Road Runner must run on the road.

Tora may be an evil jackass sometimes, but he didn’t kill Hyou’s family, and killing him, or rather killing Ushio, who decides to protect him, will make Hyou a murderer, not an avenger. And that isn’t even the only reason Ushio is doing this. Not only did Tora save his life (and the lives of his friends), but if anyone is going to ultimately defeat Tora, it has to be Ushio. Just as Tora fights off others to preserve his prey for himself, Ushio fights off Hyou to preserve his.

In keeping with shonen-style romances, Ushio doesn’t thank Asako face-to-face (meaning no blushing or near-kissing; though it’s a long show; who knows what the future holds). Instead, he thanks her by delivering a gigantic beauty of a watermelon that puts a big smile on Asako’s face, not just because she knows Ushio is feeling better and got over whatever was bothering him, but because she was the one able to help him out.

Ushio likely didn’t want to freak Asako out by appearing before her anyway, as his face is a swollen, scarred mess and he’s recovering from multiple stab wounds at home, all the marks of defending Tora. Tora performs his usual stalking maneuvers over the snoring Ushio (calling to mind Hobbes’ pouncing routine), but seeing those marks stays his paw, as does remembering how good Mayuko’s cheeseburgers tasted.

Ushio to Tora – 04

Ushio to Tora continues its run of Very Good-ness serving up meaty portions of unsettling supernatural baddies-of-the-week, the gradual forging of something resembling a friendship between the titular characters, and exciting action with high stakes laced with hearty comedy.

There’s something both frightening and funny about the giant floating heads called the Gamin-sama, not to mention the fact they’re released by the greed of developers for whom there are no sacred cows. Frightening because they tear humans to pieces like wild dogs; funny because, well, they’re giant floating heads with extremely expressive faces and voices.

They’re out for the blood, flesh, and bones of the beautiful shamaness Hizaki Mikado, who sealed them in the Meiji era, according to an old man who pleaded with the construction teams not to lift up the “keystone” that kept the demons sealed. When Ushio gets a look at Hizaki, he finds she bears more than a slight resemblance to his old friend Inoue Mayuko.

Mayuko just happens to be on a shopping trip into the city on her own, which was a situation that immediately spelled dread. But her doomed trip crosses with Tora’s own excursion into the city, for the first time, where he’s flummoxed by glittery skyscrapers, annoying cars, and those magical transparent barriers known as windows. It’s a great fish-out-of-water situation for a youkai out of his time.

Best of all, Tora is in town to eat someone, so he’ll have the strength to kill Ushio once and for all. But the smells of perfume and hair products and the presence of “anti-youkai trinkets” (i.e., accessories) on their bodies nearly puts him off his lunch…until he finds the soft, clean, nice-smelling Mayuko (who conveniently told Asako she’s not one for accessories).

Not only is it clever to make Ushio target the same food as the giant heads, thus bringing them together in conflict, but Ushio chooses her specifically because she’s a more traditional human that looks and smells like the humans he’s used to. Kinda like Hizaki Mikado, whom the heads mistake her for (we’ll see if in turns out they’re actually related).

Regardless, Mayuko puts up a pretty good fight, in that she’s able to successfully run away and evade the Gamin (and her death) for a good long time; she’s partly fueled by primal fear, sure (who wouldn’t be) but there’s a toughness to her refusal to be glomped up, not to mention put bystanders in harm’s way. That buys enough time for Ushio and Tora to show up and save her; Ushio because she’s a dear friend; Tora because he won’t let these moronic heads eat his food; the same reason he won’t let anyone else kill Ushio.

It’s selfish altruism, but it’s altruism, and Tora is making more an more exceptions to his evil youkai ways and doing ever more semantic gymnastics to explain away what are, essentially, good deeds that make him more than just a monster and Ushio and Mayuko more than just dinner.

Once the five heads are squished, sliced, and speared into oblivion, Mayuko gets up, dusts herself off, and, realizing Ushio told her who Tora was, offers a cheeseburger in gratitude for his help. And it’s perhaps the most proportionally amazing feat anyone pulled off this week that despite everything she went through, she managed to hang on to those burgers!