Chainsaw Man – 07 – Loosening the Screws

When Kobeni accidentally stabbed Aki, Himeno started to lose it, because she felt like she was going to lose the latest in a long line of unfortunate partners. But while she despaired, Denji scoffed. He didn’t ask Aki to save him, and is done owing anybody anything, so he happily dives into the fell eldritch mass that is the Eternity Devil and pulls his ripcord.

It doesn’t take long for Denji to start losing some serious blood, but once he starts drinking the devil’s blood, he basically becomes a self-healing “perpetual motion machine”, boasting that he, not Power, will be the one to win that Nobel Prize.

In a flashback, Himeno visits her parents’ graves with her master; like Aki, she lost them to the Gun Devil, which is why she joined the force. But her master warns that a devil hunter cannot be too earnest straight-laced—devils know exactly how to fuck with and kill those kinds of people. All of Himeno’s previous partners died because they were too sane, and feared the devils, and devils love fear.

Her master “loosened the screws” by drinking heavily on occasion. Knowing that Aki is another upstanding lad, she tried to get him to quit the force and follow her into the safer private sector, but he refused. But as she watches Denji, Himeno sees what the ideal devil hunter is like: window-lickingly insane, unpredictable, and immune to the devil’s mind games.

When Denji’s motor cuts out, Himeno uses her ghost arm to pull his cord, and for three days he tears at the Eternity Devil until he finally reaches its core. By then, it is pleading for its life, but Denji slices it in two. Just like that, the hunters are off the eighth floor and out of the hotel.

No sooner do they leave the hotel than Denji passes out, but Himeno is there to carry him on her back to the hospital. Later, during a mission with Aki, Himeno proposes the whole squad go out for drinks to break the ice … to loosen the screws. Also, bury the hatchet vis-a-vis everyone trying to kill Denji.

Leave it to Chainsaw Man to make the izakaya where the 4th division meets up look like just the place I want to be on a Friday night. The beers are tall, cold, and frosty, and the snacks look delectable (so much so that Power systematically hoards them).

We meet a couple other division members, one of whom recently lost his rookie subordinate, just like that. A haunted look washes over Kobeni as she reckons with the fact that people in their line of work live short lives.

Denji brings up the kiss Himeno promised, but she tells him she needs to drink more first. Things get complicated for Denji when Makima arrives fashionably late wondering what all this talk of kissing is about.

When Aki asks Makima straight-up why she’s so interested in Denji, she says she’ll answer, but only if he can outdrink her. As expected, he can’t, as both he and Himeno fall to her indomitable tolerance. At this point, Himeno’s screws have been sufficiently loosened that she decides to bestow her promised kiss upon Denji’s lips.

It’s his first kiss, with tongue … and also with Himeno’s vomit. Turns out she loosened the screws a bit too much. Denji swallows some of it and gets ruinously drunk (it shocks everyone to learn he’s only 16). He and Arai have a bonding moment when he helps Denji boot—Arai having experience helping his alcoholic mom.

With the hour growing late and everyone sufficiently lubricated, the 4th division departs from the izakaya. Himeno manages to sneak of with Denji, and when he comes to, it’s on her bed, underneath her. She gives him another kiss—this time of beer, not barf—and proposes that they bone. Denji is growing up fast in the 4th Division.

The soft bluish-purple light, Himeno’s fluid movements, and her seiyu Ise Mariya’s gently seductive voice lend an almost sacred beauty to an otherwise profane scene. But it’s also a sad one, because Himeno is clearly compensating for her crippling grief and loneliness, not to mention her part-familial, part-romantic feelings for an Aki who only has eyes for Miss Makima.

Then again, maybe Himeno just figures she could die tomorrow—or later that night—such is the fate of all devil hunters. That being the case, one must take their fun when and where they can get it.

P.S. Every episode of Chainsaw Man has a unique ED and theme, and this one might’ve been my favorite, as it’s a 4:3 standard-def retro-gasm. Reminded me of one of the best OPs of all time, the retro Koimonogatari OP “Kogarashi Sentiment”.

Chainsaw Man – 06 – Endless Eight

After battles that took place in spacious warehouses and the open city streets, Chainsaw Man shifts to an initially innocuous but increasingly menacing and claustrophobic hotel floor. All stairs, windows, and floors lead to the same place: where they are.

Kobeni loses it almost immediately, convinced they’re all going to starve and die in this closed, timeless place. When she falls to pieces saying how the 4th Division wasn’t her choice (apparently it was this or sex work), Power laughs it up, because human fear fuels devils.

Himeno is a lot more calm and collected, as this isn’t her first rodeo. Also, she has cigarettes. But as she lights up her last one, she tells Denji how she “taught Aki the taste” of cigarettes, being intentionally suggestive with the phrasing.

When the family member of one of her past partners took it out on her by slapping her, Aki followed the person and stuck gum to their clothes as payback. From that point on Himeno knew she had someone special. She finally got Aki to smoke a cigarette, which he said would be his first and last, but as we see in the present, that’s far from the case.

Himeno’s point was that no Devil Hunter lives a long life, so you might as well enjoy the little pleasures like cigarettes. But Aki doesn’t intend to die anytime soon, which comforts Himeno. Their host, the “Eternity Devil”, appears in the form of a horrific mass of faces and limbs, and offers the hunters a deal.

If they give it Denji, dead or alive, it will let everyone go. Kobeni, whom Himeno had knocked out when she tried drinking toilet water, comes to just in time to hear this, and rushes Denji with a knife. To his surprise, Aki stands in front of him and kicks the knife out of her hand. As far as he’s concerned, no one’s killing Denji. Himeno has his back.

But time passes, and Power eats all of the food they’d scavenged from the abandoned rooms. When Himeno tries her ghost limbs she’s able to injure the Eternity Devil, but it simply grows larger and then chases them through the halls, making the spaces they occupy even smaller.

Finally, the angles of the hallways (which are really the walls of the devil’s stomach) start to shift, adding to the increasing sense of disorientation and dread. With the devil closing in, it’s time to either give it Denji or die. There is another option: the sword on Aki’s back. But when he goes for it, Himeno paralyzes him with her ghosts.

Her reason is that using the sword shortens Aki’s life, and he has “too much to live for”. Also, Himeno clearly cares for (if not outright loves) Aki and doesn’t want to outlive yet another partner. But her plan backfires, as Aki manages to overpower the ghosts and takes Kobani’s knife to the ribs to protect Denji. His reason is that he can’t kill the Gun Devil without people like Denji.

As he starts bleeding out, Himeno finally loses it, making Aki, Denji, and Power the only ones with their heads on their shoulders. Power uses her blood manipulation power to try to keep Aki alive (even though she’s best at controlling her own), while a panicked Himeno asks Aki what the plan is.

Finally Denji, who never asked Aki to take a knife for him, decides to bite the bullet and jump into the devil’s gullet. Only once he’s in he’ll break out his chainsaws. He figures the one thing the devil is scared of most is him, which is why it wanted the others to kill him first. That ain’t happening; Denji’s going in on his own terms, and I like his odds.

This dark and nervy Chainsaw Man really showed how a hopeless situation can bring out the devil in anyone. Kobeni is probably a nice enough girl, but in a situation like this has no qualms about murdering another to save her own skin. Even Himeno abandons the tenets of her profession due to her personal affection for Aki. Aki keeps his composure, but he’s fueled by vengeance. But as horrible and nightmarish as this place is, it’s not that bad compared to what Denji’s already been through.

The beds in the hotel are so nice he curls up and naps in one like nothing’s the matter. All the talk of starvation must sound extremely quaint to someone who barely ever had enough to eat. Maybe that’s why Kobeni turned on him so fast: despite being a fellow human, his attitude was so different form hers in this situation that she became able to see him as an other, a devil to be sacrificed.

Chainsaw Man – 05 – Don’t Die on Me

Well, color me surprised: Denji doesn’t chicken out. When Power sits there waiting for him to obtain his reward, after some hesitation and heavy breathing, he places his hands on her chest and gives them a squeeze. When he does, foam pads drop from under her shirt. Without skipping a beat Power asks him to go in for seconds, then thirds. And just like that, it’s all over.

Power heads to bed with Meowy, and Denji stands paralyzed in the toilet wondering … Was that IT? Achieving his dream was far more underwhelming than he expected, and it sends him into a haze of confusion, as he’s now suddenly utterly bereft of his primary source of motivation. It might’ve been better to never cop a feel at all than to have copped a feel and felt so … so little.

While perhaps Power’s smaller-than-advertised bust size was probably one factor in his disappointment, the fact is touching a boob is an incredibly small dream to base your life off of, just like wanting a soft bed or a warm meal. When Makima sees something’s up and asks him, and he pretty eloquently verbalizes what’s up, she takes swift action to re-motivate her favorite new tool.

Makima tells Denji that sex and the contact that leads up to it feels better when you truly understand the other person. Makima then demonstrates this by sensually caressing Denji’s hand (phenomenal animation, that), giving one of his fingers a nibble, then showing him that not all boob grabs are created equal. Then she offers to make any dream of his come true—and that means anything—if he can defeat the Gun Devil.

The Gun Devil is no bat or leech, but an uber-devil created on this world’s equivalent of 9/11. Once it appeared, the Gun Devil killed millions, including Aki’s mother, father, and a sickly little brother with whom he was only starting to get along. The flashback switches gears from family warmth to utter destruction so fast we’re left in as much horrified shock as young Aki.

The key to finding the Gun Devil is to use pieces of its flesh it has dropped, which are drawn to it like magnets. Aki leads a six-person team of Denji, Power, and himself along with his senpai Himeno and two rookies, Kobeni and Arai, and the flesh leads them to a hotel. When Himeno tries to offer a kiss to whomever gets the Gun Devil, Denji parrots some of Makima’s words, only for Himeno to up her offer to a French kiss.

Himeno’s informal, happy-go-lucky attitude belies her past, as Aki is her sixth partner. She makes sure to clarify that the other five didn’t die because of anything she did or didn’t do, but because they were all useless. Himeno alone senses the first devil they encounter: a head that moves with a hand and foot that leaps at Kobeni, but is held in place by Himeno, allowing Power to slash it in two.

When Power, who as always yearns for blood, casually threatens to kill Kobeni, Himeno demonstrates her ability on her, specifically her throat. Himeno contracted with a Ghost Devil and is able to control a ghost hand (that is, an invisible hand Power cannot touch). Lesson learned: Let’s all get along!

Teamwork will indeed be needed for the coming trials, as the group suddenly finds themselves in a M.C. Escher-style loop, ending up on the same floor they killed the Head Devil even though they went up a flight of steps. Going down a flight gets Arai nowhere. Looks like we’re dealing with a Devil that can either morph reality or morph others’ perception of it. Pretty wicked.

Chainsaw Man – 04 – Three Squeezes

As Power reflects on her life as a feral devil in human form living meal to meal, she wonders why, when Meowy was taken, did she not only run after him but work with humans to try to save him?

It all comes down to the warmth of Meowy, like the warmth of blood, being like nothing else. The calls it a “foolish reason”, but one moment she’s in the stomach of the Bat Devil with Meowy, and the next, they’re both back in the sunlight—and in Denji’s arms.

Power’s first question is, no unreasonably, “Why” he saved her. His answer is simple, and just as “foolish” as her desire for Meowy’s warmth: he wants to cop a feel. Considering he repaid her deception by saving her and Meowy, she’s fine with him doing so.

But Denji dithers, and as he raises his arm in celebration, it’s swiftly chopped off by an even nastier devil than the bat. She’s “Batty’s” woman, but finds Denji cute enough that she’ll spare him if he flees. But the girl and cat? They die.

Power can’t move yet and Meowy is helpless in a cage, so it’s up to Denji to protect them, but he’s low on the blood that fuels the chainsaws, and only a single tiny Pochita-like blade emerges from his forehead when he rips his cord. No matter; he puts up his remaining duke and fights the giant leech monster with everything he’s got.

He drops potshots and makes spinning slashes while dodging the leech’s punishing blows. Eventually the Leech stops messing around and impales him with her tongue, but with one hand signal and one word from Hayakawa Aki, a giant fox demon appears and glomps the Leech stright back to hell.

Aki finds Denji’s arm and he makes a full recovery. When he wakes up, Aki is there, with perfect little apple bunnies he’s not ready to relinquish until Denji answers some questions. Having found a fellow pet-lover who, more importantly, will let him fondle her chest, Denji sticks to his guns and covers for Power.

Since no one died (and quite a few bystanders told him to thank Denji on their behalf), he lets it slide, and so does Makina when he makes his report. I love the way he neatens himself before entering her office, dude’s got it bad for the boss.

Aki lets everything slide on one condition: Denji has to do what he says. Makima also lets everything slide, but then has Power join him and Denji in his cramped but tidy apartment, which becomes far more cramped and less tidy.

The wordless sequence of Makima’s morning ritual and balcony serenity before all hell breaks loose was a thing of beauty, and while power wears clothes now, she’s still quite feral by human standards, and in dire need of domestic training.

But if her hygiene and diet leave much to be desired, her memory works just fine, as well as the importance of her word. She told Denji he could feel her up, but the Leech Devil interrupted them. Now that they’re living together, she wastes no time giving him the opportunity to collect his reward.

Shutting them in the bathroom, she allows him three squeezes: one for saving Meowy, a second for slaying Bat Devil, and a third for protecting her from “Topknot”. Power is a picture of cuteness and badassdom as she awaits Denji’s hand. The question is, now that he’s so close to his dream, will he actually be able to execute?

Spy x Family – 11 – A Dog Will Bring Peace

The agency expects Anya to earn eight Stella in four months, but it’s becoming apparent to Loid (thanks to Anya’s test scores) that academics might not be the way. Fortunately, there are other ways to earn Stella. Unfortunately, Anya is also not great at those other ways either.

Loid thinks her drawing of a moo cow is a cheetah or a panda; Anya plays the violin like a cello and breaks all the strings; she can’t hit a tennis ball she tosses in the air (I felt seen). There’s also volunteer work, but no sooner do Loid and Anya show up eager to work that the kindly head nurse loses her cool and tells them to clear out.

It’s important to Loid/Twilight that Anya earn these stars without any undue “outside assistance”, but with even a volunteer Stella feeling as far away as an actual star, he may have to ask his agency for that assistance in order to get Desmond in a room. Then Anya hears a boy’s thoughts: he’s fallen into the pool and he can’t move his legs.

Without any regard for her secret, Anya tells her dad that there’s a boy drowning in the pool, before taking advantage of Loid’s confusion to walk it back and come up with a (slightly) more plausible reason for racing to the pool. She dives in and swims with all her might, but soon tires out. Loid, having seen where Anya went, jumps in and pulls both her and the boy out.

Loid is too proud of his daughter to think too much about how she knew what she knew. There’s also the matter of Anya literally putting her life on the line to save a little boy’s life. It’s an act of heroism that earns her a Stella, the first in her class and the fastest ever to earn one at Eden.

While Anya’s legend grows among her peers, Loid and Handler meet in disguises that make them unrecognizable. Handler asks if any agency resources could be used to help quicken Anya’s rise to Imperial Scholar, but again Loid declines. He doesn’t want to put anyone else at risk. If Anya won one Stella on her own, she can win another. That may not be Twilight’s cold logic and practicality, but Loid Forger’s pride, trust, and love.

The dangers of Anya rising to far too fast are evident at her return to normal classes. While she earns the esteem of some classmates, rumors start to swirl about the legitimacy of her Stella. But when Damian is asked by a couple of girls to add his two cents, they get more than they bargained for: he scolds them for besmirching Eden’s good name with such spurious accusations.

He’d never admit he was standing up for Anya, but he is standing up for truth and justice, which make him good and cool. When Becky brings up Anya’s new opportunity to ask her parents for a reward, Anya tables her desire for a large amount of peanuts and decides that the right way to befriend Damian is by getting a dog.

When she makes the request at home, Loid is open to the idea for its security benefits, while Yor can’t help but imagine the ways dogs big and small might kill Anya if given the chance. All the while, we get a little closing sequence of what I presume to be the Forger’s future dog, currently in a cruel, dark kennel where experiments are being run on the dogs

Dororo – 07 – Spiders Are People Too

In the wake of the loss of Mio and the orphans, Hyakkimaru isn’t really in the mood to talk, even though he has his voice back. In an effort to get him to cheer up, Dororo tries to tickle him, no no avail. Instead, they encounter yet another monster.

This time it’s a frightening spider woman, who is busy sucking the life out of a man she hypnotized into thinking it’s a much more pleasurable experience. Notably, the man is not dead, and once Hyakkimaru frees him, the spider woman runs off, and we later see she’s transforming into human form.

This form allows her to grab the immediate attention of the first man to come across her passed out in a bed of flowers. His name is Yajirou, and he offers his home and his food to nurse her back to health. She has no human name, so Yajirou names her Ohagi.

She’s not particularly friendly, but his human food is good, and he’s not like other humans, not even harming a cockroach in his house. He values all life, big or small. In the night, while hungry for a human snack, Ohagi decides to have more rice instead.

As Hyakkimaru and Dororo spend the next two days searching in vain for the monster they believe is kidnapping villagers in a valley quarry where life is harsh, Yajirou is worried that Ohagi is getting paler and weaker, and offers to smuggle out of the town, whose lord is very stingy about letting people leave; he’d rather they work themselves to death at the quarry, making him money. It’s another sign that war or not, life is particularly tough for the little guy in this time.

Ohagi takes Yajirou up on his offer, but they come afoul of Hyakkimaru and Dororo. To their surprise, Yajirou confesses to being the “kidnapper”—the people who are missing he helped smuggle out of the town for their own sakes. Ohagi, meanwhile, doesn’t kill if she doesn’t have to, preferring to suck just enough life out of people to allow them to revive. But the village guard shows up, ready to arrest Yajirou.

Ohagi attacks them and slips away from Hyakkimaru, for whom it’s become a habit to tear off his fake arms and attack red form in his vision. But Ohagi isn’t always red; an indication she’s not always evil or demonic, just perhaps more often than most. More importantly, she’s not trying to kill anyone, just survive, and Yajirou wants to help her.

While I thought Ohagi would eventually betray Yajirou (like the scorpion and the frog—due to her nature), my expectations were nicely subverted, as it seems theirs will be a more symbiotic relationship.

The guard catches up with them and puts two arrows in Yajirou just after Ohagi agrees to go with her and be her regular “prey.” Yajirou strikes out in anger, and Hyakkimaru once again intervenes as Ohagi takes her true spider monster form. But once again, it’s not as simple as Hyakkimaru defeating the demon and regaining a new part of himself.

Thanks to Hyakkimaru’s hearing, he can hear both Yajirou’s pleas not to kill her, and he stays his blade, allowing the two to escape without further incident. Provided Ohagi has a willing source of life force in the person of Yajirou, Hyakkimaru can be confident she doesn’t pose a threat. For once, Hyakkimaru and Dororo aren’t walking away from a complete bloodbath; there’s hope for this couple.

While we’ve had a human serving as the instrument for a demon blade, we haven’t yet had demon who wasn’t just pure evil all or all about killing. We here at RABUJOI are all extremely pro-spider. They do humans far more good than harm as devourers of house pests, and aren’t really interested in hurting us unless threatened.

Thus it’s only fitting that the first demon to have a more nuanced, dimensional character takes the form of our scary-looking but generally beneficial eight-legged friends. The final scene—in which an initially-spooked Dororo spares a spider leading to Hyakkimaru’s first laugh—was pitch-perfect. Even better than having a diversity of foes is when some of them turn out not to be foes at all.

Bloom Into You – 09 – Ready, Set, Yuu

Sports Day has arrived, and the StuCo is so busy Yuu and Nanami hardly see each other, to say nothing of anything more. Just as Yuu is thinking about this as she’s leaving the storage shed, Nanami appears and the two go into the shed.

Yuu lets Nanami kiss her, but when Yuu pulls her off, Nanami agrees to behave until Sports Day is over, whereupon Yuu promises to give her a “reward” of her choosing: instead of Nanami initiating, Yuu will kiss her.

The Sports Day unfolds as one would expect: Yuu does her class relay, demonstrating she’s fast for a short kid, owing to her long-standing friendship with the far taller Akari. Yuu then gets to talk with Maki for the first time in a while, still adamant she has no feelings for Nanami despite his suspicions. She tells him she can’t fall in love with anybody, which in theory would make the two of them the same…but Maki doesn’t buy it.

There’s every reason to put stock in his doubt, considering how he’s basically carved out a life of observing relationships from afar rather than participating directly. As such, Maki has seen a lot of faces of both lonely and content people, and Yuu’s face looks lonely…too lonely for someone incapable of falling for someone.

Meanwhile, in a continuation of last week’s thread, Sayaka greets Hakozaki-sensei’s live-in girlfriend, who shows up to secretly watch her run in the teacher’s relay. When it’s time for the StuCo to do a relay against the basketball team, Yuu sees how much Nanami really wants to win, as well as her and the basketball captain Serizawa exchanging trash talk.

Yuu does her best, and manages to keep pace with the far more athletic Akari running beside her. She hands off to Sayaka smoothly, and Sayaka does the same with Nanami. As Yuu watches Nanami run with everything she’s got, everything else in her world fades into the light and it’s just the two of them. Perhaps a rare instance of her actually feeling that “special feeling” she claims she’s unable to feel?

The ballers win in the end, but it was close, and despite having to deal with Serizawa’s gloating, Nanami is happy her StuCo worked so hard. Then, with Sports Day in the books, Nanami and Yuu retire to the storage shed once more. Yuu is nervous, as she didn’t think Nanami meant immediately after Sports Day was over, and when Nanami waits for Yuu to come to her with her lips, Yuu feels like she’s crossing a boundary she shouldn’t, because she doesn’t like Nanami.

She tells Nanami to go instead, and she does, including putting her tongue in Yuu’s mouth for the first time. We haven’t seen the telltale blushing on Yuu’s face until that happens, because when Nanami pauses and asks if she should stop, Yuu tells her it actually feels good.

So Nanami keeps French kissing Yuu, as Yuu thinks about all of the positive physical and behavioral qualities Yuu finds comfort in. She considers them all “normal” and not something to be considered “special.” But as Maki would tell her, someone as incapable of love—and as comfortable with same—as Yuu claims simply wouldn’t be going around looking lonely or making out with someone.

That being said, just because Yuu seems to be on the road to falling for Nanami (if she hasn’t already), unless she’s actually aware she’s on that road and acknowledges it once and for all, her vacillating is doomed to continue.

That she’s still trying to explain/excuse her rapidly escalating romantic entanglement with Nanami after nine episodes suggests the series just might end without Yuu ever coming to believe she’s in love with her. Fortunately, four episodes is plenty of time to resolve this one way or another, and whatever the outcome, it’s been a wonderful ride.

Darling in the FranXX – 10

Zorome was an abrasive bully to Hiro early on, but we later saw that it was as much due to disappointment in the kid all the others put their trust in (and who gave them all their nicknames) than any kind of malice. Zorome may just be the most immature of the parasites, and certainly one of the most naive, as he’s driven by the dream of becoming an adult and living in their city.

In truth, Zorome and the other parasites are nothing but game pieces for those adults, and utterly at the mercy of their whims. The bigwigs at APE decide it’s time for the rapidly progressing Squad 13 to lead (or is it lure?) Zero Two to the Great Crevasse, or as they put it, their “next stage.” But first, they’ll draw from history and award their soldiers for their valor.

As the squad will be presented their medals at Plantation Parliament, that means they’ll be allowed access to the inner city, a first for children (not counting when Zero Two and Hiro’s glimpse). Everyone is excited, but no one more than the wide-eyed Zorome, who believes he’s been allowed a sneak peek at the place where he hopes to end up one day.

Well, everyone but Zero Two, who is quiet, grave, and lost in thought the entire episode, perhaps sensing APE’s plans for her, Darling, and the squad. On their way back out of the city on foot, we see that Ichigo still feels a bit awkward being around Gorou since he announced his feelings for her. Gorou tells her not to let it bother her, as he doesn’t expect anything from her in return, and she says okay, but you can’t help but wonder.

Zorome, not wanting to leave the city so soon, gets himself left behind, and he eventually gets lost. Zero Two once called the city “dead”, and we find out why: there are almost no people walking the streets. Zorome spots one, who is startled by his presence, but when he falls and knocks himself out, the adult takes him to her apartment and treats him.

This adult, a woman, removes her hood to reveal she’s fairly advanced in age, to Zorome’s amazement. As they have tea in her sitting room, Zorome learns a great deal about life for adults in the city, from her “partnership” to a man in something like a stasis chamber (their partnership a dim vestige of the relationships pairs of people used to have). Adults have no taste, they rarely if ever talk, and they get their happiness and other emotions in “doses.”

In short, it is hardly any kind of life at all. While it was hinted at that they’re a very strange squad with their nicknames and emotional connections to one another, Zorome’s extended visit confirms it: while they may spend their days getting into weird positions inside mechas and fighting giant monsters, their off-duty lives are far more on par with those of our contemporary world than those of the adults in the city they protect.

It’s also hinted that this particular woman may be related to Zorome in some way (since they have similar hued eyes). From the way he feels around her, it would seem there’s an unconscious maternal bond in play, but since neither party probably grasps what a “mother” is (at least by our standards), the feeling doesn’t go far.

Some attendants come by to pick Zorome up and take him back to where he belongs, just as the woman is about to explain why Zorome’s dream to one day become an adult, live in the city, and see the woman again is all “out of the question.”

One of those attendants scolds Zorome for “waisting their time” by going where he not only didn’t belong, but would never belong because he’s “infected.” That certainly seems to imply Zorome and the other parasites won’t make it to adulthood, even if they aren’t KIA.

Zorome goes back to his “ordinary” life as a parasite in Squad 13, trading barbs with Miku (though him expressing why he didn’t mind her as a partner to the woman was one of his best and most mature moments; really good to hear him put that kinda thing into words). He eventually forgets all about the woman, which…whether that’s a factor of how slight an impression adults are meant to make, or something in his food, who knows.

But even if he didn’t grasp the full crushing reality of life in the “Eternal City”, which very much resembles the one in Fate/Extra Last Encore in appearance and stagnation, his dreams seemed doomed to be unfulfilled. Zero Two, inspecting her fangs in the mirror Hiro gave her, knows the score, which is why not once did she flash a genuine smile this week.

We’re closing in on the halfway point of FranXX, the world beyond the plantations remains mostly a mystery (though it may well simply be a wasteland infested with Klaxosaurs) but we gained a lot of insight into the inner world the parasites were long forbidden from seeing.

Everyone’s visit was carefully choreographed, and even Zorome’s had limited impact since he was so overwhelmed by the sheer differentness of everything. But it’s pretty clear there’s not really much that’s good about that world. Being a parasite in Squad 13 may be the closest thing to normal life a human being can count on.

What with APE wanting so badly for Squad 13 to take Zero Two to the Great Crevasse, I’m also wondering if she’ll end up like the Fearless Demon Leader himself, Kamina—a major character who left the stage shockingly early in the narrative, but the loss of whom got Simon’s true journey started.

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