To Your Eternity – 06 – A Grand Objective

Note: This episode was originally mislabeled as episode 5. It is episode 6.

The original March may be deceased, but she lives on in Fushi, in the same way parents live on in their children…only different, because it’s Fushi, who can take on the physical form of his found mama. Thankfully, it’s not just her climbing ability he’s inherited, but a measure of her profound humanity.

There’s no doubt that March taught him generosity and gratitude, which he pays forward when he reunites with a stranded and hungry Pioran quite by chance. Pioran is her usual sardonic self, but isn’t beneath trying to take a literal bite out of Fushi in his boy form, causing him to switch to his defensive wolf form.

Eventually he becomes March again, climbs a tree, tosses Pioran some fruit, then says “Thank you” in a way that sounds like “This is what you say.” Pioran, in turn, starts to teach him more words, as well as how to write his name, as well as her own, March’s, and Parona’s.

The two make a good traveling team, and Fushi learns more and more, so by the time they arrive at a port town and board a boat to Pioran’s homeland, he’s able to communicate in a more-or-less conversational manner, a far cry from crudely mimicking sounds out of context. The youthful vigor of the late March as well as the seasoned wisdom of Pioran have quickly made Fushi more human than ever.

So it’s terrifying when he’s ambushed one night in the woods by mysterious tree golem-like monster who literally steals Fushi’s boy form, along with most if not all memory of the boy’s life. The narrator arrives and tells Fushi the score: the tree monster is the enemy, and if he wants the boy back, he’ll have to fight…and win.

Fushi transforms into the wolf, but the monster steals the wolf. He transforms into the giant bear, but the monster steals that too. In terms of corporeal forms, he’s down to just March, who while tiny and relatively weak, is quick and agile enough to dodge the monster’s bear form, enter its hollow chest, and grab the core that enables the golem to move.

This is a simply breathtaking action scene, marred only by the low light, which isn’t even that big a deal since it leds a great gloomy atmosphere to Fushi’s building panic at losing his forms. Like the drawings in the boy’s hut (which are updated in the card between the A and B parts), they are Fushi’s family, and he’s clearly distressed about losing them.

Fortunately, his March form is enough to grab the core, give it a good squeeze, and the wolf, boy, and bear flow back into him. He smiles in relief, and the mysterious cloaked narrator introduces himself as Fushi’s creator. He created him with a grand objective in mind: preserve the world before “the coming end”. The tree monster was their enemy, unable to take a true animal form and bent on impeding their objective.

That said, the Creator can tell Fushi can’t quite understand these concepts, and so parts ways with him until later, when he’s lived a little more in the world, and gained a few more forms. Pioran takes him to her hometown and the house of her lover, who is apparently a scholar who might be able to make heads or tails of Fushi. The house is also home to a boy wearing a distinctive mask that hides his face. Pioran rather rudely introduces Fushi as an “immortal freak.”

Rating: 4/5 Stars

To Your Eternity – 05 – A Family

Parona frees March, Fushi, and the old lady Pioran, but before they escape the prison, she wants to cut off a chunk of “Oniguma-sama” as proof to Ninnanah he was defeated. She even has a wolf toy ready to placate March, along with the justification that it will save the lives of many girls.

But March, who had just washed the great bear’s wounds and watched him die, won’t allow it. So Parona reconsiders. She’ll convince the villagers some other way—one that doesn’t require another life.

Parona proves as bad a wagon driver as she is an archer, but thanks to her asking March what she wants to do when she becomes a grown-up, it offers March a chance to set a death flag or three. Right on time, the casually relentless Hayase and her Yamone warriors close in on their fleet donkeys.

Hayase assures them she’ll spare their lives if they give up the dog, but Fushi is family, so that ain’t gonna happen. Parona gives a valiant effort to fight them off, but she has to be saved from an arrow by March, who declares “I can do something too” before saving her beloved husband.

Immediately after March is shot, Fushi leaps towards Hayase, transforming in mid-air from wolf to giant bear, wounds and all, and rakes her across the face. Then we take a look back at how Parona and March met. Parona watched from a distance as March played with her fingers in the dirt, imagining them as her kids.

When March approached her wondering why she was always alone, Parona presented her with a doll she made, and March returns the favor with a “thank you meal” that, while inedible, Parona still “eats” and voices how delicious it is. March suggests they become a family; her new doll can be their kid, she’ll be Mommy, and Parona will be Daddy.

Fast-forward back to the wagon, and March is fading fast. Parona finds another “thank-you meal” with which March was going to surprise her. March asks Parona to become a mommy in her place, then asks if Fushi is near, and as he causes a rampage in the city, Parona says that he is. Then March draws her last breath.

Between this and Fruits Basket’s tearjerker earlier today, I’ve gone through half a big box of tissues crying my eyes out. But Parona wears a smile as she approaches Fushi and tells him to stop; there’s no longer any need to fight.  He returns to human form, while Parona finds Hayase lying in a pile of rubble, wounded but alive. She picks up a nearby broken blade, telling March “Let’s go home together.”

In the space between life and death, March envisions returning to her village with Parona and leaping into the arms of her elated parents. She dreams of growing into a beautiful young woman with lots of stuffed “kids” made by Parona. But then March notices this isn’t really happening, and that she’s not really there, or anywhere. She doesn’t want to be nowhere, not when there was so much more she wanted to do.

She sees Parona with the blade, seemingly pointed at Hayase, but Parona, who is unwilling to live in a reality where she outlived March, turns the blade on her throat and prepares to plunge it in, thus “going home together” with her little wife. She can’t hear the spectral March pleading for her to stop…but Fushi does hear her, and stays Parona’s hand, all the while pouting like March. He takes her by the arm and transforms into Oniguma, and the two ride back to Ninnanah.

Once there, Parona approaches March’s parents and presents them with the “letter” containing only March’s handprint, which Parona translates as “March is doing great.” That, along with Parona’s demeanor tells the parents all they need to know. But rather than shun her like her parents did when she dared to live, March’s mother embraces Parona, thanking her for everything she did—and tried to do—for their March.

As the watch announces the Yanome are coming, Parona tells a suddenly far more expressive Fushi to flee before the enemy arrives. After all, life is never merely given, it must be won. He transforms into a wolf and departs.

Using an arrow that’s served her well for more than half a year and a heavy bow borrowed from a watchman, Parona takes aim at Hayase as she aims at Fushi, and her arrow goes right through Hayase’s hand. Even so, Hayase merely smiles, and Parona admits she missed her intended target, which was no doubt meant to be fatal.

As for Fushi, as the narrator says: “In meeting its mother and parting with her, its humanity increased.” Not only that, he can now take March’s form, and does so in order to grab one of the fruits his mommy once so generously fed him. So ends the most moving episode of To Your Eternity yet, in my books surpassing even the sublime first episode.

If I’m honest, I always knew March would be a goner and probably end up another one of Fushi’s forms. And yet the show kept serving up hope she might have a future, right up to her act of self-sacrifice. Parona may not have to live with the loss of March and her sister, but she’ll keep living all the same. It’s what her wife would have wanted.

Attack on Titan – 67 – A Few Miscalculations

Here it is, the rematch you’ve all been waiting for. Eren vs. Reiner. Attack vs. Armored…aaaaand just like that, it’s over. Reiner’s down for the count. He didn’t have much gas in the tank to begin with, and neither did Eren, who hops out of his Titan and gets picked up by a waiting Mikasa.

After last weeks Titan battle-heavy episode, I was pleased that this was only a brief struggle, with Reiner’s consolation prize being he managed to rescue Porco and Jaw. But even if Eren and Reiner are done for now, Gabi isn’t. She grabs her gun and runs after the airship. Falco follows close behind.

When Mikasa carries Eren up to the airshop, Armin is waiting there to help lift them up into the cabin, after the exchange of weary, haunted stares. I can’t help but think back when the three were just little kids running around Shiganshima laughing without a care in the world. If Armin’s a bit chilly, Levi is downright disgusted to see Eren’s face again.

Compare their thousand-yard glares to the still-strong camaraderie of the B-Team, Sasha, Connie and Jean, with Connie taking a moment to hug dear his siblings from other mothers out of relief they all made it out of this crazy operation. Indeed, we learn the Survey Corps only lost six men, against untold hundreds of Marleyans.

Of course, not only has the airship not ascended or cleared Liberio, it hasn’t even finished gathering up all of the corpsmen. One of them is Lobov, an older man but new recruit who sought to do more than he was doing in the garrison. He is unfortunate enough to be in Gabi’s line of fire.

But before that, Gabi is stopped by Falco, who tells her it’s impossible to chase an airship on foot. She tells him how Zofia and Udo died, and shocked she was by how protective of her the soldiers at the gate were despite her being an Eldian. All her life, Marleyans have cursed and spit on her, and all she wanted to do was prove Eldians could be good people.

Then tonight happened, with Paradis stomping on all of that. So yes, she’s going to chase an airship on foot. Falco tells her “we stomped on them first”, but it’s only an abstraction for Gabi, like the Eldians and Paradis themselves. To her, they’re cruel demons who deserve to die, end of story. She slides, gets a lucky shot off that kills Lobov. He crashes to the ground, but his ODM cable is still connected. As Gabi prepares to retract the cable and ascend to the airship, Falco again tells her it’s pointless and she’ll be killed.

Gabi doesn’t argue the latter part, but believes it will be far from pointless. She wants Falco to tell everyone how she fought to the end, and they’ll surely inherit her feelings. She tells him he’s a good person, then pulls the trigger…but Falco grabs hold of Lobov and rises with her, honoring what Reiner told him to do: save her from a grim fate.

When she asks why, he doesn’t say because he loves her—she wouldn’t understand—he tells her he’ll be the next Armored Titan. Of course, none of them know how the ODM works, so they end up banging against the belly of the airship. In the midst of the totally off-guard jovial celebrating corpsmen, Sasha hears their bump. But again, virtually everyone else aboard is in the midst of a celebration, before leaving the battlefield…before the battle is over.

It’s a shocking lack of discipline and training for such a dangerous operation. Before anyone knows the source of the bump, Gabi rolls into the cabin and fires the gun she’s been clutching tightly since the battle began, just waiting for her chance. The bullet goes straight through the heart of Sasha, the woman who killed the guards at the gate.

As she bleeds out, the corpsmen swarm on the two kids and beat them bloody. Floch wants to throw them out of the airship, but Jean, who is not an out-and-out monster (yet), won’t authorize it, because if he could, there would be no end to this killing. He takes them to Eren instead, so Gabi can curse him in person. The thing is, someone else they know is aboard the airship: War Chief Zeke.

Back on the ground, a recovering Pieck tells Magath she finally remembered the somewhat-“off” soldier who dropped her and Porco down a well. He, or rather she, was a follower of Zeke’s. We learn her name is Yelena, and she was wearing a fake beard when she escorted Pieck and Porco. Zeke was in on the operation all along, and to hear Eren say it, it was a victory: the operation killed the leaders of the Marleyan army, sunk their main fleet, and destroyed their major military port, and he was able to inherit the Warhammer.

While it was a tactical success, it may turn out to be a massive strategic blunder if the entire world unites against Paradis. Even so, I guess Eren demanded that the people who created the people who destroyed his home and family needed to be hit and hit hard, no matter the cost. As Hange remarks, Eren used his trust in her and the corps to rescue him, but by being taken hostage again and forcing them to attack, they’ve now lost their trust in him.

Zeke calls the sacrifices made “noble” as they will “bring freedom to Eldia.” It’s clear that unlike some like, say, Gabi, he wasn’t satisfied with Marley simply allowing Eldians to exist under their bootheels. True freedom means liberating all Eldians from the yoke of Marley forevermore. He’s willing to go, and indeed has gone, farther than someone like Gabi even believed was possible to even go. Call it the narrow perspective of youth.

Alas, there is one noble sacrifice no one in the corps was ever going to be able to bear: Connie reports that Sasha has died. Beautiful, capable, eternally hungry Sasha Blouse. She didn’t die in a blaze of glory, but by the hand of an indoctrinated little Eldian girl who was so desperate for revenge she literally chased down an airship and found a way aboard.

Mikasa and Armin race to where her body lay. Eren asks if she said anything before passing away; Connie says “meat.” Eren fights back a chuckle which twists into a grimace as Jean tells him Sasha is dead because of him. I doubt she’ll be the last, because as much as Eren cared for Sasha, her death won’t be enough for him to stop. If anything, it’ll only motivate him to keep going. Like Gabi, he can only keep going.

Attack on Titan – 66 – What You Saw That Day

Eren has Lara Tybur in the palm of his hand but isn’t able to do anything with the super-hardened crystal she’s encased in, and she initiates a last-ditch attack that immobilizes him. This gives Pieck, Porco, and Zeke a chance to rally the troops.

Pieck’s machine gun armaments are particularly effective against the Paradisians’ ODM Gear. Gabi also has a gun, and runs. Even if it looks like she’ll never be able to make the slightest dent in this chain of events, well…let’s just say that’s how it looked for one Eren Yeager many years ago.

Reiner was already begging for death before the attack began; now he’s lost the will to even wake up from unconsciousness. He was able to save Falco, but that’s as far as he’s willing to go. He’s as much paralyzed as Eren, but by choice. He was already the aggressor; what’s the point of starting the cycle over?

Eren, full of terrible purpose, tries to bite through Lara’s crystal but only ruins his Titan’s mouth. As Levi stalks the Beast Titan, Eren transfers out of the immobilized body and into a fresh Titan body. Gabi has stopped running, but still has her gun, and wants to use it. Against Eren. Against his allies. Against the demons of Paradis. Then Armin Arlert makes his appearance.

Having hidden aboard an unassuming fishing boat that drifts right into the middle of the Marleyan fleet, Armin transforms into the Colossal Titan, which we recall is a cataclysmic event in and of itself. It’s as if a massive bomb were detonated over Liberio’s waterfront.

The eerie blood-red glow calls to mind Evangelion and the God Warriors of Nausicaä—the 80s precursor to Colossal Titans. The Marleyan navy is obliterated; even the water the ships were floating is all boiled away. Armin climbs out of the Colossal, looks upon his mighty work, and despairs. This is essentially the very same sight Bertoldt Hoover saw in Shiganshima.  What’s past is prologue.

Levi takes out the Beast Titan. Sasha shoots dead one of Pieck’s gunners, then her reinforcements carpet bomb the Cart Titan. The only Marleyan Titan still in the game is Porco in Jaw, who uses his speed and agility to deliver some wounds to Eren. Only Eren uses Lara’s crystal to block one swipe, and thus Porco inadvertently teaches him how he’ll crack that particular nut.

Levi cuts Jaw’s legs off, and Eren uses him as a nutcracker. The crystal doesn’t just crack, it shatters into a million pieces; Lara is just a spray of blood, most of which Eren swallows up, thus gaining the Warhammer power. Zeke is out of commission. Pieck looks near death. Jaw himself is about to be eaten by Eren. And oh yeah, Hange Zoe has arrived via armored airship to retrieve the assault force.

All Gabi can do about this situation is call out to the only Titan left: Reiner. So she cries out to him, in an extended scene that I hope Ayane Sakura recorded in parts because it sounded painful to scream that much. Falco joins in, and their two-kid chorus reaches Reiner, even though he’d prefer if they just stayed quiet.

Reiner knows if he gets up, he’ll be giving Gabi and Falco a good chance of dying even more horribly than they might have otherwise. All the same, he can’t ignore their cries. He transforms behind Eren, interrupting his eating of Jaw. He’s not in his full armor—indeed, he already looks exhausted before raising a hand to Eren, and certainly not particularly happy to be here once more. But if certain kids won’t let him die in peace, he’ll just have to die more violently, even if those kids will rue the day they asked to be saved.

Well, that was a goddamn downer. It feels downright wrong at this point to outright root for the Paradis forces. Heck, even Mikasa and Armin look like they’d rather be anywhere else…like back on that gorgeous beach. At the same time, did they have a choice? Willy Tybur was coming for them with the full force of the Marley Titans. The majority of Eldians of Paradis don’t deserve death any more than the Eldians of the Liberio Internment Zone.

In any case, a large number of lives were going to be lost. The only question was from where those lives would be taken. There are no heroes here, and probably never were. Only warriors on both sides sacrificing their humanity to try to ensure their side suffers a little less this time around.

Rating: 4/5 Stars

Attack on Titan – 65 – Empathy for the Devil

In last week’s big finale, Eren bursts on the scene as the Attack Titan. This week begins with Willy Tybur saying goodbye to his family, perhaps for the last time. His plan is to draw out the Titans with as many people from around the world watching in order to maximize the carnage. Commander Magath can’t promise he can protect Willy, but Willy doesn’t want protection. After all, the nations won’t unite against Paradis if he doesn’t survive.

Eren’s attack mirrors Braun and Bertoldt’s attack on Shiganshima many years ago, as we watch from the perspective of people on the ground as chaos reigns. Gabi turns to Zofia to find she’s been crushed by a giant boulder, while Udo is trampled to death. Colt keeps Gabi from suffering the same fate by holding her close against that same rock.

Of course, while Willy fully intended to sacrifice his own life on the alter of global cooperation, he also intended for whatever was left of the Marley military in the area to mount a counterattack. It is led by the Tybur family heirloom itself, the Warhammer Titan, but Willy isn’t its pilot—his younger sister Lara is.

When she transforms, the Warhammer immediately starts whaling on Eren, who can’t penetrate his foe’s hardened skin even with his hardened fists. He’s impaled on a giant spear. Meanwhile, Pieck and Porco are rescued by the Panzer Unit, whom Pieck instructed to follow them when she hugged one of them. As they emerge from the house, we hear that oh-so-familiar sound of zipping ODM gear overhead.

The Attack/Warhammer stalemate is seemingly broken when the military, led by Magath, starts firing at Eren anti-Titan rounds. He’s in trouble, so who should appear in the nick of time but his raven-haired guardian angel, Mikasa Motherfuckin’ Ackerman, sporting a new short hairdo and all-black Survey Corps uniform.

Mikasa attacks the Warhammer’s nape with a whole bunch of explosive missiles, disabling her temporarily and giving Mikasa time to ask Eren to come back home. He can’t undo what he’s done—including killing scores of innocent civilians—but he can stop continuing to kill them. Eren doesn’t seem interested in stopping what he’s started.

Despite her adoptive brother, best friend, soul mate, and one true love basically commencing his heel turn before her very eyes, Mikasa won’t leave Eren’s side or stop protecting him, as she must do when the Warhammer wakes up. But Eren noticed something fishy when the Titan constructed from the bottom-up rather than the usual nape-outward.

Colt and Gabi take Udo to the hospital, but they’re in triage mode and Udo is already dead. Gabi is still largely in shock, and doesn’t understand why Zofia and Udo just died, but decides she’s not going to run and hide, but join the military in the fighting.

Upon reaching the gate, the guards (who know and are fond of her) warn her to run, and are both shot dead…by Sasha Blouse. Sasha and Gabi lock gazes, but Sasha doesn’t kill her, instead joining Connie, Jean, Floch, and the rest of the Survey Corps in their operation.

As Mikasa distracts the Warhammer, Eren finds a hose-like extension from its feet, and locates Lara, who is encased in the same kind of extra-hard crystal as Annie Leonhart. Nevertheless, the egg-like “cockpit” is small enough for Eren to eat and thus inheret the Warhammer Titan’s powers. Before he can chow down, he’s interrupted by Jaws, piloted by Porco.

Porco, however, doesn’t have enough time to bite through Eren’s nape, because Levi swoops in and slices Porco’s nape, continuing the thrilling back and forth. Porco can only watch helplessly as dozens of Survey Corps soldiers descend upon him—mere humans not only unafraid of the fact he’s a Titan, but ready to end him. To paraphrase Magath, there are devils on both sides. There always were.

The war between Marley and Paradis has well and truly begun, and assuming enough foreign dignitaries escaped the carnage, it won’t be long before other nations answer Willy Tybur’s call. Meanwhile, Paradis has come in force to wreak havoc on Marley and, presumably, destroy its own force of Titans, while Eren may have his own, more nihilistic agenda. In any case, it’s great to see the old gang in action, looking much cooler—and more hardened—than the goofy kids we saw on the beach.

Magath ends up surviving a grenade attack, while Braun and Falco are missing for the entire episode. It will be interesting to see if Braun passes the Armored to Falco due to the fact he’s not certain Gabi survived Eren’s attack. Falco wants Gabi to live a full life, but Gabi wants revenge for Zofia, Udo, and all the other comrades and friends she’s lost.

Attack on Titan – 64 – Parting Ways with False Honor

Back when Reiner was with Bertholdt and Annie on Paradis, a man they met prefaced his eventual suicide-by-hanging by telling them a story. The three wondered if the man did so seeking forgiveness—which Annie felt they had no right to give after losing Marcel—or merely wanted to be judged.

Now in the present day, face-to-face with Eren Yeager for the first time in four years, it’s Reiner who wants to be judged, and as someone who witnessed his crimes firsthand in Paradis—not the propaganda Marley peddles—Eren is uniquely suited to do so.

Still, as he urges Reiner to sit down and listen to Tybur’s speech with him, he also insists Falco stay put and listen, both to the speech and to his and Reiner’s concurrent chat. Meanwhile, Porco and Pieck are told to accompany an escort for an undisclosed matter.

Tybur really went all out with the theatrical production, as his speech begins with the story the entirety of the assembled crowd already knows: how the Eldians conquered the world a hundred years ago and then turned on their own people, and how Helos and the Tyburs fought together to free the world of the Eldian hegemony.

Porco and Pieck’s escort is a non-Eldian and doesn’t wish to speak with them en route, but Pieck runs into other non-Eldians who are members of the Panzer division, i.e. soldiers whose lives depend on the Cart Titan over all other groups and thus have a soft spot in their heart for her, even though she’s an Eldian.

Pieck can’t help but think she’s seen the anti-Eldian escort before—perhaps on Paradis?—but she and Porco are led into a house and fall down a trap door into a narrow well in which they cannot transform. Clearly someone wanted them out of the way…but who?

Willy’s speech takes a sudden turn when he reveals that the story of Helps and Tybur saving Marley was nothing but a lie crafted by the Eldian King Fritz, whose plan was to flee to Paradis with as many Titans as possible and stay there, neither attacking nor being attacked by any force. We learn the tripartite walls themselves are composed of countless Colossal Titans and built with the power of the Founding Titan.

Fritz intended to fully enforce the renouncement of war with those walls and never emerge from them. We learned that he inspired the generations that came after to follow suit. But then Eren came into possession of the Founding Titan, and Fritz’s dynasty fell (when Historia rose to power). Thus even though the King had saved Marley by allowing himself to be their most hated enemy, that King’s legacy can no longer be relied on.

The Founding Titan has the ability to convert the walls back into an army of Colossal Titans who would then go on to literally trample the world. If Eren didn’t know this before, he knows it now. As his leg regenerates Falco realizes he was duped into delivering mail to Eren’s allies—who I’m guessing trapped Porco and Pieck in the well.

As they listen to Tybur, Eren asks Reiner why the walls were breached and why his mom was eaten, and Reiner, nearly mad by now with grief, replies that it was because he fucked up. The others were willing to abort the mission when Marcel died, but Reiner wanted them to press on. He doesn’t want to be forgiven for what ended up happening, he wants to be judged and executed by Eren, one of his first victims.

But Eren isn’t here to judge Reiner, any more than he’s here to judge Falco, or Porco and Pieck, or Colt, Gabi, Zofia, or Udo. They were all just kids, after all, told just like he and his friends were told that The Other Side were evil demons, when in reality both sides were mostly just regular people. Those responsible for the atrocities in Marley and elsewhere were long gone, though they were still ruled by their descendants.

So no, Eren won’t blame or judge brainwashed kids past or present for the state of his family, people, or homeland. What he will do is put the blame squarely where it belongs: on Willy Tybur, who seems to successfully unite his diverse audience into joining forces to defeat the demons across the sea once and for all. But his big shining moment is stolen by Eren, who transforms into a Titan and bursts out of the building nearest the stage.

A new war has been declared, and it seems that Tybur specifically chose the Internment Zone as its first battlefield, luring leaders from all over the world there in order to witness the ensuing carnage the Titans can cause, perhaps hoping they’ll return and sway their people into joining his cause. In seeking judgment of Tybur, Eren may have played right into his hands…

Talentless Nana – 12 – Off Her Game

I like Michiru. She’s just so damn nice and good! So like Nana, I’m glad she’s not dead, only feverish and dehydrated. Unlike Nana, I don’t think liking or caring about Nana makes me weak or disrupts my Talented murdering spree.

Despite the trained, hardened killer in Nana lamenting how much time she wastes tending to Michiru while Kyouya is distracted by the new killer, she simply can’t and won’t leave Michiru’s bedside, even when Sorano offers to take her place there so she can rest.

Michiru eventually comes to, and we learn her mishap in the shower wasn’t the result of foul play, but the limits of her own Talent. While Nana was gone, two cats came to Michiru’s dorm. One, unbeknownst to her, was really Jin, while the other had a nasty cut on its neck. Shortly after healing the cat, Michiru took a shower and suddenly blacked out.

When Michiru spots the cut on Nana’s hand from breaking into the cafeteria to help her, she tries to lick the wound away, but Nana stops her, angry that Michiru didn’t learn her lesson about overuse of her Talent. In the precious subsequent moments when the two girls are making fun of each other’s unkempt hair, Nana isn’t a killer and Michiru isn’t a target…they’re just good friends.

Meanwhile in the woods, Jin encounters Ishii’s killer, who remains a dark silhouette to us. Without judging their murders, Jin requests that they at least stop hurting animals. We also check in with the committee that sent Nana to the island. She has apparently exceeded their expectations, and they praise the man who trained her, Tsuruoka.

When Nana goes off to clean herself up, she struggles with her sudden conflict not just over whether she should kill Michiru, but whether Michiru is remotely deserving of death. At the same time, she fears what Tsuruoka’s reaction would be if he could see how far off her game she currently finds herself.

When Michiru insists Nana stick around so they can play shogi, Nana brings up the name “Hitomi” she saw in Michiru’s journal, saying she “heard Michiru’s inner voice”—which is true to a degree! Hitomi was a delinquent-ish classmate back on the mainland whose dog Michiru healed. Hitomi, in turn, protected Michiru from bullies.

Hitomi once asked Michiru if she could help her sick “mom”, and Michiru explained she couldn’t heal illnesses. That said, she realize she can help a lot more, so she starts going to the hospital and healing people until passing out like she did most recently in the shower. That’s when Hitomi visits her and reveals she was asking for herself; she has terminal cancer; her orange hair was only a wig.

Michiru feels terrible for “making” Hitomi come to school to rescue her again and again, but Hitomi assures her she did it because she wanted to—and because like everyone, even she felt lonely and afraid sometimes. She likens leaving the hospital to help Michiru to Michiru risking her health to heal people—”we know it’s bad for us, but it’s okay to live a little.”

Shortly after reuniting in the hospital, Hitomi passed away, but Michiru promised herself to never stop healing and helping others—better a short life full of good deeds than a long life of cautiousness. Nana is so overwhelmed by this story, she has to excuse herself.

Out in the hall, she collapses from the weight of what is now the greatest single threat to her resolve. She keeps staring at the text indicating Michiru’s “Potential Death Count” of over 150,000 souls, partly hoping seeing that number will snap her out of her conflict, and partly hoping it will go down or disappear entirely.

She didn’t want to get this emotionally invested in one of her targets, but she is. She didn’t want to doubt the committees estimates, but she does. There’s still time for the show to reveal that Michiru is a supremely deceptive, evil, nasty piece of work after all. I sure hope they don’t go there.

That would let Nana off the hook too easily. I, like her, want to believe Michiru is exactly who she seems to be. Not only that, Munou na Nana created something truly beautiful in Michiru the pure, irreproachable, virtuous angel puppy. I’d hate to see that beautiful thing destroyed.

Rating: 4/5 Stars

Talentless Nana – 11 – Proper Ventilation

Nana arrives late to the latest murder scene with Detective Kyouya already working the case. He questions those in the adjacent room: Muguo and three acolytes, whose talents are voice mimicry, astral projection, and magnetism. They apparently didn’t hear a struggle in the Ryuuji’s room last night.

Ryuuji’s girlfriend, Sorano Fuuko, is the most suspicious to us because she’s in the opening credits and also just framed suspiciously. Fuuko demonstrates her power to focus atmosphere into a powerful weapon on a willing (and invincible) Kyouya. She does it outside because she finds it hard to focus in a closed interior space.

After the demo, Kyouya goes off to ponder, while Nana checks out the crime scene. If Fuuko needed air, that explains the open window and bugs that got in the dorm, as well as the messy state of the place. Michiru tags along, and Nana senses something has been off about her since last night.

Nana is also surprised to find she can’t hold back her emotions when Michiru thoughtlessly talks about how great her parents are when Nana told her about her parents’ fate the previous night. The fatigue could well be getting to them both, but then Nana thinks she’s figured out the reason for Nana’s off-ness when the teacher comes by with a fresh uniform.

Kyouya told him to deliver it, and Nana recalls she had a bottle of poison in it. Thus she suspects Michiru is off because she found it, and like the incriminating photo of her, is torn between their genuine friendship and suspicions of her own.

When Kyouya suddenly appears, her fears seem to be confirmed, but the detective only wants Nana to accompany him for an interview with Fuuko, hoping her mind-reading will help him determine if Fuuko is telling the truth. Interestingly, at no point during their time with Fuuko does Nana consider this is why Kyouya brought her.

When he asks about Fuuko’s thoughts, Nana tells the truth: she wasn’t focused enough, but for what it’s worth, she doesn’t think Fuuko did it…yet. But when Kyouya starts piecing together the night of the murder in intricate detail, he ends up starting to convince her that it could be Fuuko. It’s great procedural stuff.

That brings Nana back to Michiru’s, as she didn’t like where they left things the last time they were together (Nana yelled at her and stormed off). Michiru is in the shower, so Nana searches her dorm for the poison. Instead, she finds Michiru’s open journal, which is full of beautifully pure, earnest entries about how much she loves and admires Nana.

I should know better considering her conditioning prior to coming to the island and, ya know, all the people she’s murdered, but Nana seems…chastened by this journal…even a little guilty for ever suspecting Michiru? No doubt those suspicions were somewhat influenced by Jin’s fake “Dark Michiru”.

Right on cue, Jin appears. Turns out he took the potion from Nana’s clothes before Michiru or Kyouya could find it. He’s determined to allow Nana to “keep swimming”, i.e. continue her mission until he can draw out more about the people she answers to.

Jin then forebodingly mentions how Michiru has been in the shower quite a long time, and takes his leave. Nana suddenly panics and rushes in the bath, where Michiru is slumped over the side of an overflowing tub. Could this be the end of dear, sweet Michiru? Was Nana snapping at her really their last interaction?

Something else to consider: Is this the act of the one who murdered Ryuuji, or did that last terse interaction drive Michiru to kill herself? We don’t know, and at the moment neither does Nana. From the first episode she’s prided herself on being on top of things with regard to who is up to what; it’s what any serial killer needs to be to avoid ending up caught or dead.

But at the moment Nana herself is a bit “off”—both unsure of the second murderer and morally conflicted vis-a-vis Michiru. It’s an intriguingly uncertain place for her to be with just two episodes remaining.

Talentless Nana – 10 – Just Your Typical Little Girl

When Nana breaks free of her icy anklet, Jin uses Moguo’s fire Talent to stop her in her tracks, but apologizes for going too far. Still, her phone’s “potential kill count” messages cause him to suspect she’s a “crusader” like someone from his class who believed he was sent to kill the “minions of Satan.”

Jin isn’t interested in using others’ Talents to force Nana to talk. He wants to patiently build trust with her, human to human, something he wasn’t able to do with his class, whom he dehumanized all too easily when he used their own Talents to kill them.

Badly burned and about to lose consciousness, Nana gives Jin a little of what he wants: insight into who Hiiragi Nana is. She tells him she had an older brother she was too young to remember, and a mother and father who were murdered one night by an Enemy of Humanity.

Before passing out, she smiles when he asks if she sees Talented as Enemies of Humanity, then he carries her back to the dorms, warning her that now that the bodies are starting to pile up, the psychopaths among the current class will soon “come out of the woodwork”. Basically, she’s not the only murderer on this island.

When Nana comes to it’s in Michiru’s dorm; Jin left her at her dorm and Michiru did what Jin knew she’d do: take Nana in and heal her. Michiru also mentions that an impostor went to class when she was too tired to go (due to Jin drugging her). Nana realizes if she’s more open with her traumatic past, her reckless actions will be more easily explained by her “noble vendetta.”

Michiru wants Nana to know she’s always there if she wants to talk. As Nana talks to her about how her house was broken into and her parents killed, Michiru exhibits all the qualities of an empathetic, caring, even loving friend. But after revealing Yuuka’s true colors, she can’t help but still wonder if even sweet Michiru has a dark side.

In the meantime, memories of that horrible night well up and haunt Nana. As she ponders her next move in her dorm, Jin pays her a visit. He agrees to return her phone to her if she’ll “share more of her soul” with him via more information about her past. Then Michiru shows up , and Jin disguises himself as the kitty Nana saved.

Michiru and Kitty!Jin listen as Nana gives details about what kind of “typical little girl” she was. She loved games of skill like Chess, Shoji, and Go, and was so good at them that other kids didn’t want to play her. She also made a mess of all the games in her rooms, and played long into the night, often slipping out past midnight to go to the konbini to buy manga, another passion.

Her parents always told her to make sure her window was locked, but one night she fell asleep without doing so, and that was all a burglar needed to gain entry. The next morning she found her parents brutally murdered, and she carried her father’s head out in public. Nana begins to break down over the guilt of being the reason the murderer targeted their house and got inside, but Michiru offers her hand in support.

At some point, Nana falls asleep at her desk, and wakes up the next morning to find Michiru sitting on her bed, awake and oddly alert. Before she can say anything, Kyouya bursts in and asks the two girls to come with him. There’s been another murder: a male student’s throat has been slashed, apparently by a sliding dorm window.

It’s clear Nana didn’t do it this time, which means there is indeed another murderer on the island. But who? The camera lingers on a girl with bangs and a pony tail whose eyes are always shut—according to MAL, her name is Sorano Fuuko. It could be her—whoever she is—or it could be someone else.

For all we know, it could even be Michiru, who may have left Nana’s dorm to kill after Nana fell asleep. That goes against everything we’ve learned about Micchy so far, but if this show has taught me anything, it’s not to trust anyone or anything!

Rating: 4/5 Stars

Talentless Nana – 09 – Going Green

As expected, Nana doesn’t have Habu’s incriminating phone on her person anymore. She ditched it before she gathered the others to the cliff to tell her story. Specifically, she left it on and with the text ready to send with a zombie’s finger placed on the “send” button, knowing that as the afternoon sun rose the finger would melt, placing sufficient pressure to hit “send.”

With Kyouya proven wrong in sight of everyone, Michiru demands he apologize to Nana”-shan”, while Nana takes the high road and shakes hands to make up with him. Still, Kyouya still thinks something is off…he merely checkmated Nana too early. Now he’ll have the dual tasks of scrounging up sufficient evidence and rebuilding the trust of the others.

That night, while Nana would prefer to get some sleep, she remains on guard in order to keep up appearances as heroic class leader. She heads her inner debate off at the pass about who among the students is “good” or “bad”; she’s here to do her duty. Michiru visits her and insists she close her eyes and rest while she keeps watch for her. When Nana wakes up, she has a box-cutter at her throat…held there by Michiru.

Now represented by green light to Nana’s red and Kyouya’s blue, Michiru demands to know Nana’s real power. Nana uses her deductive skill to “read” Michiru’s mind, then snatches the cutter when she drops her guard for a moment. This only adds to the intrigue for Michiru, who now knows Nana has combat training and is “no ordinary girl.”

So yeah, Nana was fooled by sweet lil’ Michiru this whole time, huh? We all were, it would seem. The next day, Michiru tries to expose the fact Nana can’t really read minds, making her exhaust all of her excuses and picking away at her credibility in the eyes of the class. However, yet again Nana outsmarts her adversary, pinning a note on her back that everyone else is thinking about, proving she can read their minds.

Nana has Michiru meet her at the cliff to ask the question: Where is the real Michiru? For one thing, Nana has noticed she hasn’t been addressing her with the cutesy “-shan” article. For another, her hand is bandaged, while the real Michiru would have healed herself. With nothing to lose by doing so, “Michiru” then reveals his true identity: Tachibana Jin.

Jin is five years older than Nana and the others, having been part of a previous class on the island. Unlike the present class so far, Jin’s class gradually stopped going to class, split into factions, and fought a bloody civil war amongst each other, while the faculty simply fled the island as if to let it happen.

He tells her his backstory over coffee in a moonlit cove, how after the last of his classmates died he transformed into a bird and flew home, only to be approached by shadowy government officials who wanted him dead. He flew back to try to stop history from repeating, but now finds there’s a new variable in the equation: Nana, a serial killer hidden among the others.

Jin was the cat Nana saved from the burning shed, and he commends her for bringing Yuuka to justice, so in order to avoid a repeat of the civil war, he’d like to make a deal with her: she’ll tell him what he wants to know, and he’ll keep quiet about her true intentions on the island. Nana says no deal, as she’s loath to make them with people who don’t notice their coffee was poisoned.

As Jin apparently dies, Nana prepares to call the “Committee” to report his presence on the island when her phone is pulled out of her hand…by “Kyouya”. Moments later, it’s Michiru, telling Nana “a magician always fails at the start of the show to misdirect the audience,” citing Michiru’s bandage as a feint. He then transforms into Seiya to restrain Nana’s foot with ice.

Turns out Jin Talent isn’t just “playing dress-up”, but copying the Talents of those he copies as well. He reveals he won the battle royale by killing everyone else. If he can copy Kyouya’s appearance, it means he’s invincible…albeit only in Kyouya’s form. That slight loophole could be all Nana has against him—he can only be one person and have one Talent at a time.

It could also mean it’s time for Nana and the real Kyouya to join forces…if she’s able to even escape from Jin’s clutches and gaze. In any case, their deal is probably off. Jin has enough evidence to expose and convict her, but considering he killed his whole class to assert his superiority, they’d seem no better with him leading them!

Rating: 4/5 Stars

Cardcaptor Sakura – 52 – Wolf in Sheep’s Clothing

Sakura has a problem. Because she’s drawing upon her own source of magical power to use the new Sakura Cards, she is in an almost constant state of fatigue, and a slowly, calmly told story about sheep in class soon puts her to sleep; Syaoran has to grab her before she falls out of her desk. All the while Eriol is watching and grinning his smug grin. Such a prick!

Yukito is suffering similar problems. Since Yue also draws from Sakura’s power, he’s low on energy as well, and Yukito’s overeating isn’t making any difference. Touya can seemingly sense all of this without explicitly bringing it up, and is concerned for his friend, leading to a wall (or rather tree) slam and a near-confession that’s interrupted by Nakuru, who warns Yukito to stay out of her way. What a bitch!

If things keep going this way, Yue fears he’ll disappear altogether, which means his disguise Yukito will disappear with him (Kero doesn’t have the same problem since he draws power from the sun). Still, Kero needs Sakura to stay positive and cheerful if they’re going to get through this. Tomoyo tries to help by providing a new battle costume and devises some new poses for the Sakura Cards. So cute!

Sakura is responding to a call from Syaoran (on the new cell phones issued to them by Tomoyo), who sensed a powerful Clow-like presence at, where else, Penguin Park. They find a large hole where the King Penguin slide should be, and Sakura flies down it to investigate. No one can follow her due to a strong magic barrier, and she’s soon buried in plush sheep!

Going over the cards in her arsenal, Sakura settles on Erase, which I don’t believe she ever used even in Clow form. Once converted to a Sakura Card, it does the trick, but after having to also convert and use Power to put the slide back where it belongs, Sakura is once again out for the count. Eriol is impressed and amused by her performance, but promises even more “fun” down the road. This shit can’t go on!

Cardcaptor Sakura – 51 – Bearing the Brunt

Sakura can’t quite make her homemade teddy bear not look like Kero-chan, so Eriol volunteers to help her fix it. When a delighted Sakura asks what he’d like as thanks for his help, he simply kisses her hand and walks away. Thus begins Eriol’s Fuckin’-with-Sakura Session Number Four: MegaBear.

Teddy Bears are big at Sakura’s school. They’re like Pogs when I was in grade school. The idea has developed that if you give a bear with your name to someone you have feelings for, you’ll be together forever. Syaoran has made his own bear, but while Yukito has classically been the only one to make his heart race, Sakura has lately been having the same effect.

Yue later tells Syaoran that his feelings for Yukito are a result of Yue’s magical power, and that if he searches his heart, he’ll discover the person for whom he has real feelings. That Sakura is still so far from noticing Syaoran’s feelings portends a continuing of their slow-burn romance.

As for Sakura, she’s sure Yukito is the one who should have her bear, even though she may be subject to the same effect as Syaoran. Tomoyo insists on coming along with her new camcorder and dressing Sakura up for the event—a different kind of battle costume, for the battle of love! Only due to some magical mischief committed by Eriol, the bear blows up in Yukito’s face.

As Eriol, Spinel and Ruby observe, the teddy bear grows to the size of a building and attacks Sakura. Yue rescues him from its first strike, but loses his wings and grows weak, leaving Sakura on her own (Syaoran isn’t around this time).

Sakura converts Jump to a Sakura Card in order to evade the bear, but it’s causing a great deal of collateral damage, so she has to separate it from the magical core in its ear, which she can cut off with the converted Sword. The only problem is, Jump isn’t precise enough while Fly requires she ride the wand like a witch’s broom.


Sakura determines that in addition to converting Fly to a Sakura Card, she can modify it so the wings sprout from her back, not the wand, freeing her hands to use Sword to successfully de-ear the bear and return it to its original size. Rather than a card, she recovers a purple talisman bearing the same magical circle she used to capture Clow Cards.

While Sakura seems as far away from discovering the identity of her tormentors as she is from noticing Syaoran’s feelings, Cardcaptor Sakura’s third season is definitely integrating more serialized elements into the quest-of-the-week format that drove most of the first two seasons. Slowly but surely, the pieces of the puzzle are coming together.

As they do, in the meantime we have wonderful set-pieces like Tomoyo’s quasi-confession and Syaoran’s romantic realization. And while much of Eriol’s machinations come off as cruel, I’m heartened by the fact Sakura has deftly handled everything he’s thrown at her so far—even as I’m apprehensive that he’ll soon be upping the difficulty level.

Cardcaptor Sakura – 50 – Thread and Thrum

Sakura wakes up early, but seeming a little down. Kero-chan tells her whatever the deal is with the Sakura Cards, she needs to keep her spirits up and stay positive. To that end, she goes to school early to watch Touya and Yukito play soccer. Naturally, they’re a dynamic duo on the pitch—and Akizuki is quick to pounce on Touya and glare at Yukito.

Sak’s friends have noticed she’s seemed not quite her usual cheerful self, so Rika makes her some delicious homemade cookies, and also shows everyone the teddy bear she’s making for Terada-sensei. Syaoran lounges in a tree high above Sakura, about whom he’s worried, when Eriol confronts him about all the nasty looks he’s shot his way. Eriol seems to have plans for Syaoran, deeming him “useful”.

While she seems to have the blessing of her friends, I do wish Terada-sensei would give Rika a tactful yet firm word about not falling in love with an adult when she’s still in fifth damned grade. As for Tomoyo, she holds firm in her position that she’s happy if Sakura’s happy—even if Sakura doesn’t requite her feelings. It’s an incredibly sweet sentiment…but also deeply sad considering how clueless Sakura seems to be!

Sakura’s attempt to make a bear for Yukito hits some snags when she suddenly senses Clow Reed’s presence once more. She meets with Tomoyo where the feeling is most powerful, and calls Syaoran to be by her side as she promised. However, this works against Sakura in this case as Syaoran’s body is being controlled by someone, and it’s making him attack her! A heroic Tomoyo tackle stops Syaoran from slicing Sakura.

This costs Tomoyo her camcorder, but she can buy more cameras. She only has one Sakura! Syaoran manages to regain control long enough to summon the water spirit, which makes visible the puppet threads in which he’s tangled. Sakura quickly releases her wand, converts Sword to a Sakura Card, and slashes the threads with authority, freeing Syaoran.

Having expended considerable magical power, Sakura passes out once more, this time in Syaoran’s arms. This side-effect of using Sakura Cards could prove a decisive liability if shit really hits the fan—say if a second threat appears after she falls asleep battling the first. It seems inevitable Eriol is going to make that scenario happen in the near future, because he seems determined to, in the parlance of our times, fuck Sakura’s shit UP.

And why, do you ask, would he want to do that? Well, the same reason Sakura and Kero-chan sense Clow Reed before something bad goes down: Hiiragizawa Eriol is the reincarnation of Clow Reed. Further, he’s created two guardian equivalents to Kero and Yue in Spinel Sun and Ruby Moon, AKA Akizuki Nakuru. Not only is Nakuru not human, she’s not a “she”, and doesn’t want to date Touya, but eat him!

Clearly, Eriol is testing Sakura’s powers, and while they’re impressive, I’m sure he’s just itching to regain control of the Clow Cards. Hopefully Sakura and her friends can keep that from happening and send Eriol and his minions back to merry old England. But since twenty episodes remain, that’s probably going to take a while!

Stray Observations:

  • Sakura’s all-white and gray battle costume was gorgeous, making it a dreadful shame when Puppet!Syaoran slashes it with his sword.
  • I also want to note this third season’s OP is probably my favorite so far, which isn’t too surprising since it’s anchored by the lovely vocals of one Sakamoto Maaya.
  • It also features my favorite OP Battle Costume, though Sakura seems awfully sleepy throughout the OP…no doubt since using her cards is so tiresome!
  • GROOVY! was the most toe-tapping end theme but the New ED has the best visuals, with a glowed-up Sakura and Tomoyo having an absolute blast baking a cake.